Sympathy Poems And Quotes

LOVE of others is the appreciation of one's self. MAY your egotism be so gigantic that you comprise mankind in your self-sympathy.

when I was a boy I used to dream of becoming the village idiot. I used to lie in bed and imagine myself the happy idiot able to get food easily ...and easy sympathy, a planned confusion of not too much love or effort. some would claim that I have succeeded.

There are some situations which men understand by instinct, by which reason is powerless to explain; in such cases the greatest poet is he who gives utterance to the most natural and vehement outburst of sorrow. Those who hear the bitter cry are as much impressed as if they listened to an entire poem, and when th sufferer is sincere they are right in regarding his outburst as sublime.

You will go on, and when you have prevailed You can say: at this point many a one has failed. But what have I, but what have I, my friend, To give you, what can you receive from me? Only the friendship and the sympathy Of one about to reach her journey's end. I shall sit here, serving tea to friends...

You are invulnerable, you have no Achilles’ heel. You will go on, and when you have prevailed You can say: at this point many a one has failed. But what have I, but what have I, my friend, To give you, what can you receive from me? Only the friendship and the sympathy Of one about to reach her journey’s end.

I prithee send me back my heart, Since I cannot have thine; For if from yours you will not part, Why, then, shouldst thou have mine? Yet now I think on't, let it lie, To find it were in vain; For thou hast a thief in either eye Would steal it back again. Why should two hearts in one breast lie, And yet not lodge together? O Love! where is thy sympathy, If thus our breasts thou sever? But love is such a mystery, I cannot find it out; For when I think I'm best resolved, I then am in most doubt. Then farewell care, and farewell woe; I will no longer pine; For I'll believe I have her heart, As much as she hath mine.

I could burn this place down As many times as I'd like in my mind, Without any sympathy For the girl or her mother Who live beneath me

At any time, and under any circumstances of human interest, is it not strange to see how little real hold the objects of the natural world amid which we live can gain on our hearts and minds? We go to Nature for comfort in trouble, and sympathy in joy, only in books. Admiration of those beauties of the inanimate world, which modern poetry so largely and so eloquently describes, is not, even in the best of us, one of the original instincts of our nature.

Human beings are members of a whole, In creation of one essence and soul. If one member is afflicted with pain, Other members uneasy will remain. If you have no sympathy for human pain, The name of human you cannot retain”. *Gulistan ("The Rose Garden") is a landmark literary work in Persian literature. Written in 1259 A.D, it is one of two magna opera of the Persian poet Saadi, considered one of the best medieval Persian poets. The Gulistan is a collection of poems and stories, just as a rose-garden is a collection of roses. It is widely quoted as a source of wisdom. **The entrance to the United Nations' Hall of Nations’ carries the above inscription culled from Gulistan.” Muslih Al-Din Mushrif Ibn Abd Allah Al Saadi 1184 1283

A man who loves obviously has no enmity and to all these things he is indifferent. Sympathy, forgiveness, the relationship of possessiveness, jealousy, and fear—all these things are not love. They are all of the mind, are they not?… The mind can only corrupt love, it cannot give birth to love, it cannot give beauty. You can write a poem about love, but that is not love.

I have found that there is romance in housework: and charm in it; and whimsy and humor without end. I have found that the housewife works hard, of course–but likes it. Most people who amount to anything do work hard, at whatever their job happens to be. The housewife’s job is home-making, and she is, in fact, ‘making the best of it’; making the best of it by bringing patience and loving care to her work; sympathy and understanding to her family; making the best of it by seeing all the fun in the day’s incidents and human relationships. The housewife realizes that home-making is an investment in happiness. It pays everyone enormous dividends. There are huge compensations for the actual labor involved… There are unhappy housewives, of course. But there are unhappy stenographers and editresses and concert singers. The housewife whose songs I sing as I go about my work, is the one who likes her job (pp. 6-7). From Songs of a Housewife: Poems by Marjorie Kinnan Rawlings

Still Held" Words seem so feeble in moments like these. Life is so precious, and death such a thief. The depths of your pain I cannot comprehend, but I'll stand alongside you in the darkness, my friend. Love is a bond that death cannot part. Gone from your arms, but still held in your heart.

Mr. Morris's poem is ushered into the world with a very florid birthday speech from the pen of the author of the too famous Poems and Ballads,—a circumstance, we apprehend, in no small degree prejudicial to its success. But we hasten to assure all persons whom the knowledge of Mr. Swinburne's enthusiasm may have led to mistrust the character of the work, that it has to our perception nothing in common with this gentleman's own productions, and that his article proves very little more than that his sympathies are wiser than his performance. If Mr. Morris's poem may be said to remind us of the manner of any other writer, it is simply of that of Chaucer; and to resemble Chaucer is a great safeguard against resembling Swinburne.

When I think of it as happening to somebody else, it seems that the idea of me soaked to the skin, surrounded by countless driving streaks of silver, and moving through when I completely forget my material existence, and view myself from a purely objective standpoint, can I, as a figure in a painting, blend into the beautiful harmony of my natural surroundings. The moment, however, I feel annoyed because of the rain, or miserable because my legs are weary because of the rain, or miserable because my legs are weary with walking, then I have already ceased to be a character in a poem, or a figure in a painting, and I revert to the uncomprehending, insensitive man in the street I was before. I am then even blind to the elegance of the fleeting clouds; unable even to feel any bond of sympathy with a falling petal or the cry of a bird, much less appreciate the great beauty in the image of myself, completely alone, walking through the mountains in spring.

May your egotism be so gigantic that you comprise mankind in your self-sympathy.

Please do not look only at the dark side All the newspapers in the free world explain why you return their readers understand how you feel You have the sympathy of millions As a tribute to your sorrow we resolve to spend more money on nuclear weapons there is always a bright side If this were only a movie a boat would be available have you ever seen our movies they end happily You would lean at the rail with 'him' the sun would set on China kiss and fade You would marry one of the kind authorities In our movies there is no law higher than love in real life duty is higher You would not want the authorities to neglect duty How do you like the image of the free world sorry you cannot stay This is the first and last time we will see you in our papers When you are back home remember us we will be having a good time.

God has not promised skies always blue, flower-strewn pathways all our lives through; God has not promised sun without rain, joy without sorrow, peace without pain. But God has promised strength for the day, rest for the labor, light for the way, Grace for the trials, help from above, unfailing sympathy, undying love.

It is also worth noting that it was only through my urgent instigation that he printed a short poem of his own. This was in accordance with his essential unassumingness. Though not clearly conscious of it at the time, I now realize that in a young man of twnty-four his selflessness was extraordinary. The clue to his poetic genius was sympathy, not only in his detached outlook upon humanity but in all his actions and responses towards individuals. I can remember nothing in my observations of his character which showed any sign of egotism or desire for self-advancement. When contrasting the two of us, I find that - highly strung and emotional though he was - his whole personality was far more compact and coherent than mine. He readily recognized and appreciated this contrast, and I remember with affection his amused acceptance of my exclamatory enthusiasms and intolerances. Most unfairly to himself, he even likened us to Don Quixote and Sancho Panza!

Hardy’s poetry is pre-eminently about ways of seeing. This is evident in the numerous angles of vision he employs in so many poems. Sometimes it involves creating a picture, as in ‘Snow in the Suburbs’, which allows the eye to follow the cascading snow set off by a sparrow alighting on a tree; or it employs the camera effect, as in ‘On the Departure Platform’, which tracks the gradually diminishing form and disappearance of a muslin-gowned girl among those boarding the train. However, Hardy is also a poet of social observation. His humanistic sympathies emerge in a variety of poems drawing upon his experience of both Dorset and London.

Human beings are members of a whole, In creation of one essence and soul. If one member is afflicted with pain, Other members uneasy will remain. If you have no sympathy for human pain, The name of human you cannot retain”. *Gulistan ("The Rose Garden") is a landmark literary work in Persian literature. Written in 1259 A.D, it is one of two magna opera of the Persian poet Saadi, considered one of the best medieval Persian poets. The Gulistan is a collection of poems and stories, just as a rose-garden is a collection of roses. It is widely quoted as a source of wisdom. **The entrance to the United Nations' Hall of Nations’ carries the above inscription culled from Gulistan.

It is not Beauty I demand, A crystal brow, the moon's despair, Nor the snow's daughter, a white hand, Nor mermaid's yellow pride of hair. Tell me not of your starry eyes, Your lips that seem on roses fed, Your breasts where Cupid trembling lies, Nor sleeps for kissing of his bed. ...Give me, instead of beauty's bust, A tender heart, a loyal mind, Which with temptation I could trust, Yet never linked with error find. One in whose gentle bosom I Could pour my secret heart of woes. Like the care-burdened honey-fly That hides his murmurs in the rose. My earthly comforter! whose love So indefeasible might be, That when my spirit won above Hers could not stay for sympathy.

What matters to Cavafy, and what so often gives his work both its profound sympathy and its rich irony, is the understanding, which as he knew so well comes too late to too many, that however fervently we may act in the dramas of our lives—emperors, lovers, magicians, scholars, pagans, Christians, catamites, stylites, artists, saints, poets—only time reveals whether the play is a tragedy or a comedy.

Human beings are members of a whole, In creation of one essence and soul. If one member is afflicted with pain, Other members uneasy will remain. If you have no sympathy for human pain, The name of human you cannot retain”. ***Gulistan ("The Rose Garden") is a landmark literary work in Persian literature. Written in 1259 A.D, it is one of two magna opera of the Persian poet Saadi, considered one of the best medieval Persian poets. The Gulistan is a collection of poems and stories, just as a rose-garden is a collection of roses. It is widely quoted as a source of wisdom. The entrance to the United Nations' Hall of Nations’ carries the following inscription culled from Gulistan.

We have to actively seek out this cosmic sympathy. There’s the famous Blake poem that opens with “To see a World in a Grain of Sand / And a Heaven in a Wild Flower / Hold Infinity in the palm of your hand / And Eternity in an hour.” That’s what we’re after here. That’s the transcendental experience that makes our petty ego impossible. Feel unprotected against the elements or forces or surroundings. Remind yourself how pointless it is to rage and fight and try to one-up those around you. Go and put yourself in touch with the infinite, and end your conscious separation from the world. Reconcile yourself a bit better with the realities of life. Realize how much came before you, and how only wisps of it remain.

Central Park It’s hard to describe how that day in the park was altered when I stopped to read an official sign I came across near the great carousel, my lips moving silently like the lips of Saint Ambrose. As the carousel turned in the background, all pinions and mirrors and the heads of horses rising to the steam-blown notes of a calliope, I was learning how the huge thing was first designed to be powered by a blind mule, as it turned out, strapped to the oar of a wheel in an earthen room directly below the merry turning of the carousel. The sky did not darken with this news nor did a general silence fall on the strollers or the ball players on the green fields. No one even paused to look my way, though I must have looked terrible as I stood there filling with sympathy not so much for the harnessed beast tediously making its rounds, but instead for the blind mule within me always circling in the dark— the mule who makes me turn when my name is called or causes me to nod with a wooden gaze or sit doing nothing on a bench in the shape of a swan. Somewhere, there must still be a door to that underground room, the lock rusted shut, the iron key misplaced, last year’s leaves piled up against the sill, and inside, a trace of straw on the floor, a whiff of manure, and maybe a forgotten bit or a bridle hanging from a hook in the dark. Poor blind beast, I sang softly as I left the park, poor blind me, poor blind earth turning blindly on its side.

O my body! I dare not desert the likes of you in other men and women, nor the likes of the parts of you, I believe the likes of you are to stand or fall with the likes of the soul, (and that they are the soul,) I believe the likes of you shall stand or fall with my poems, and that they are my poems, Man’s, woman’s, child’s, youth’s, wife’s, husband’s, mother’s, father’s, young man’s, young woman’s poems, Head, neck, hair, ears, drop and tympan of the ears, Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or sleeping of the lids, Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges, Nose, nostrils of the nose, and the partition, Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue, Strong shoulders, manly beard, scapula, hind-shoulders, and the ample side-round of the chest, Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones, Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger, finger-joints, finger-nails, Broad breast-front, curling hair of the breast, breast-bone, breast-side, Ribs, belly, backbone, joints of the backbone, Hips, hip-sockets, hip-strength, inward and outward round, man-balls, man-root, Strong set of thighs, well carrying the trunk above, Leg fibres, knee, knee-pan, upper-leg, under-leg, Ankles, instep, foot-ball, toes, toe-joints, the heel; All attitudes, all the shapeliness, all the belongings of my or your body or of any one’s body, male or female, The lung-sponges, the stomach-sac, the bowels sweet and clean, The brain in its folds inside the skull-frame, Sympathies, heart-valves, palate-valves, sexuality, maternity, Womanhood, and all that is a woman, and the man that comes from woman, The womb, the teats, nipples, breast-milk, tears, laughter, weeping, love-looks, love-perturbations and risings, The voice, articulation, language, whispering, shouting aloud, Food, drink, pulse, digestion, sweat, sleep, walking, swimming, Poise on the hips, leaping, reclining, embracing, arm-curving and tightening, The continual changes of the flex of the mouth, and around the eyes, The skin, the sunburnt shade, freckles, hair, The curious sympathy one feels when feeling with the hand the naked meat of the body, The circling rivers the breath, and breathing it in and out, The beauty of the waist, and thence of the hips, and thence downward toward the knees, The thin red jellies within you or within me, the bones and the marrow in the bones, The exquisite realization of health; O I say these are not the parts and poems of the body only, but of the soul, O I say now these are the soul!

On one level, the poems after Verlaine in this new book are a selfish project. I wanted to try on a voice with which, despite sharing some stylistic and tonal sympathies, I seemed to have little in common. It served as a psychodramatic exercise, a walk in somebody else’s shoes. Writing each new poem while drawing on the raw material of Verlaine in translation has led me, in the always dramatised context of the individual poem, to think and say things I’d likely never have dreamed of otherwise. But just as importantly, I hope these poems paint a fresh portrait of Paul Verlaine, however partial and sketchy, that reveals him to be a more surprising, hard-thinking, and even revivifying poet than expected. Beyond his skilled conjuring of delicate and atmospheric allusiveness, at its best, his is also poetry of punchy musicality, philosophical edge, and candidness – both intellectual and emotional – which allows for genuine beauty, sensuality, and sadness.

I DON'T KNOW What is it, to live Is it to dream, or is it about way back when? Is it to hassle, or is it about peace? Is it to hope, or is it about being atheist? What is it, to lose Is it to win, or is it about the big bad world outside? Is it to repeat, or is it about traversing the road less taken? Is it to sympathy, or is it about trying to make it all worthwhile? What is it, to die Is it to cry, or is it about the starry sky? Is it to love, or is it about the armageddon? Is it to rest, or is it about when you are done with all the forty winks? Maybe say yes, or maybe say no Ugh, how I wish I could know! Maybe it's a lie, or maybe con It seems I can't tell anymore!

Endangered Species Even this brief thought is endless. A man speaks as if unaware of the erotic life of the ampersand. In the isolate field he comes to count one by one the rare butterflies as they die. He says witness is to say what you mean as if you mean it. So many of them are the color of the leaves they feed on, he calls sympathy a fact, a word by which he means to make a claim about grace. I have in my life said many things I did not exactly mean. Walk graceless through the field. Graceless so the insects leap up into the blank page where the margins fill with numbers that speak diminishment. Absence as it nears also offers astonishment. Absence riddles even this briefest thought, here is your introduction to desire, time's underneath where the roots root down into nothing like loose threads hanging from the weaving's underside. No one seeing the roots can guess at the field above. Green equation that ends in yellow occasions. Theory is insubstantial. The eye latches on to the butterflies as they fly and the quick heart follows, not a root in nothing but a thread across abstraction. They fly away. What in us follows we do not name. What the butterflies pull out us as in battle horses pull chariot, we do not name. But there is none, no battle, no surge, no retreat, a field full not of danger, but the endangered, where dust-wings pull from us what we thought we lost, what theory denies, where in us ideas go to die, and thought with the quaking grass quakes. Some call it breath but I'm still breathing. So empty I know I'm not any emptier. On slim threads they pull it out me, disperse-no one takes notes-disappear, &

Noon found me strolling about the ashram grounds, on to the grazing land of a few imperturbable cows. The protection of cows is a passion with Gandhi. “The cow to me means the entire sub-human world, extending man’s sympathies beyond his own species,” the Mahatma has explained. “Man through the cow is enjoined to realize his identity with all that lives. Why the ancient rishis selected the cow for apotheosis is obvious to me. The cow in India was the best comparison; she was the giver of plenty. Not only did she give milk, but she also made agriculture possible. The cow is a poem of pity; one reads pity in the gentle animal. She is the second mother to millions of mankind.

No, never mind, I didn't think so. Mead, Dante's theme is man-not a man.' Lowell said finally with a mild patience that he reserved only for students. "The Italians forever twitch at Dante's sleeves trying to make him say he is of their politics and their way of thinking. Their way indeed! To confine it to Florence or Italy is to banish it from the sympathies of mankind. We read Paradise Lost as a poem but Dante's Comedy as a chronicle of our inner lives. Do you boys know of Isaiah 38:10

A few months ago I found a note tucked into a journal. I googled the quote. It was from a poem by Saadi, an Iranian poet who lived in the thirteenth century. It was from his masterpiece, 'Gulistan', or 'The Rose Garden', Wikipedia told me. Gulistan is 'poetry of ideas with mathematical concision', it said, possibly the most influential piece of Persian literature ever written. I read on and came across the the following lines: 'If one member is afflicted with pain, other members uneasy with remain. If you have no sympathy for human pain, the name of human you cannot retain.' That's the essence of The Kindness of Strangers.

Pity" Amir sat on the same old wooden chair Roua still remembers vividly the furniture store where she bought that chair - less than a month after their wedding… The furniture store closed its doors a long time ago, Along with the doors of their stormy pre-marital love story perhaps in due to boredom or the shocks of the years… She would cut his hair, a habit that began when they were poor and Amir couldn’t afford a barber … Years went by and many things changed, But Roua kept cutting his hair on the same wooden chair almost once a month… He sat in his underwear She looked at his saggy skin that was getting looser and his belly getting slightly bigger with each haircut… She began wandering in her mind and wondering whether she ever loved him, or was it an overwhelming infatuation that turned into pity over the years without ever passing through the corridors of love? Her emotions kept swinging between love or pity with each snip … She was frightened to admit it was pity, for the price was almost her entire life… Yet she couldn’t sincerely determine it was love, for she hasn’t felt any love towards him for quite a time… Suddenly, she caught Amir looking at her as if he could read her mind… A tear involuntarily rolled down her eye as she continued cutting his hair… [Original poem published in Arabic on August 3, 2023 at ahewar.org]

• Inner Fist She has promised herself that she will not allow the past to taint her future. She will no longer envision how her life might have been, but will instead create the life she should have. She will knock the memories back with her inner fist instead of drowning them in Friday night sympathy cocktails.

Note: The first incident happened after the arrest by the Netherlands police in May 1980. I suffered from that, which destroyed my career, future, health, and life. I tried and tried to investigate that, but the police didn't even register the first information report (FIR). It stayed, refusing since 1980 until now, which creates suspicious questions about what the reasons are for not filing the case. It mirrors whether the Netherlands government victimised me or whether the hired ones of the international intelligence agencies have been a hindrance or the criminal groups. - The second incident happened in the shape of uncurable cancer; it was a deliberate mistake and ignorance of the Netherlands Urologists, who did not follow even the primary medical borderlines for the checkup during one year from 2016 to 2017. After the diagnosis, they are hiding the reality, and they still do not take it seriously. I still hope that the Netherlands' neutral and free media will awaken to help me investigate the incident. It will save millions of lives around the world. In God's name, take it seriously to protect me and others. I feel suspicious elements around me. I cry and pray day and night for God's protection since I do not exclude the Qadeyanis witches and magicians, who keep doing black magic continuously that the West does not understand. My Real Story In A Poem *** I never thought I would suffer from cancer The metastatic prostate gland I still cannot decide that It is natural or human-made Since everything is possible In the medical-criminal world How it happened in Western society; Civilized urologists ignored it deliberately From 2016 to 2017 Telling that nothing was wrong Whereas I was suffering from Bleeding, burning, and pain During urinating I begged urologists for a wide-scale checkup With MRI scans and other new technologies But urologists stayed rejecting; Whereas I was paying insurance for that Consequently, at the beginning of 2017 The diagnosis became a time bomb that I had metastatic prostate gland cancer, Which was not curable, They listed me on the death list, Treating for longer life expectancy However, they do tell not the truth And stay suspicious It confuses me and creates grave fear Since then I am bearing terrible side effects Factually, I became victimized twice By criminals, Intelligence Agencies And underground-mafias Which I am unable to trace alone In this regard, I approached Western Media, Ministries, police, courts, Euro Union Unfortunately, none of those responded Even my motherland media cruelly ignored It seems as if I am in the grip of the demon And The Prisoner Of The Hague Everyone has left me alone in pain, Stress, fear, depression Even my children don't care And realize my tears Where resides sympathy, empathy, And humanity? I feel death before death It is a silent cruelty Ah, where should I ask and beg For justice, help, and investigation That civilized world should know An innocent is under victimization I believe God will help and protect And someone from somewhere Appear to hold my hands To eliminate all criminals and demons My cancer will be curable With a longer life expectancy, in some ways Amen, O' merciful God amen.

If one considers the characters in the plays of Shakespeare, in the poems of the Roman poet Ovid, in the Greek tragedies of Sophocles and Euripides, and even in the hieroglyphics of ancient Egypt, they can be recognized in our daily lives. Their actions were driven by the same motives as ours—ambition, love, pride, fear, anger, sympathy, and fun.

On one level, the poems after Verlaine in this collection are a selfish project. I wanted to try on a voice with which, despite sharing some stylistic and tonal sympathies, I seemed to have little in common. It served as a psychodramatic exercise, a walk in somebody else’s shoes. Writing each new poem while drawing on the raw material of Verlaine in translation has led me, in the always dramatised context of the individual poem, to think and say things I’d likely never have dreamed of otherwise. But just as importantly, I hope these poems paint a fresh portrait of Paul Verlaine, however partial and sketchy, that reveals him to be a more surprising, hard-thinking, and even revivifying poet than expected. Beyond his skilled conjuring of delicate and atmospheric allusiveness, at its best, his is also poetry of punchy musicality, philosophical edge, and candidness – both intellectual and emotional – which allows for genuine beauty, sensuality, and sadness.

Loving the forest, you enter it to walk and watch. As you observe its manifold and comely life, it enters familiarly into imagination, and so into sympathy. By sympathy the mind in the forest is made at home.

Where? Where have all those moments disappeared, Where to has her smile escaped, When was the last time when on her face a smile had appeared, When was it that she in her flashing radiance was draped, Nobody knows nothing, Nobody seems to care about anything, Until one day she was lost like that insignificant Something, Until that fateful day when her beautiful smile was reduced to nothing, Where was she lost, her smile and she with it, Where did her tormentors mislead her to, When she realised it, she was already drowning in it, When her mind screamed frantically, “whereto!” Her heart had forgotten to feel, Her feelings were dealing with fears of escalating anxieties, Everything appeared fake to her in the surroundings real, She had sunk deep in the abyss of perplexities, Where was the lover who loved her and kissed her so many times, Where was the guardian who vowed to protect her, When she faced exceptionable and unwelcoming times, When every reason that made her smile was dying within her, Maybe the lover was busy kissing her beauty, Maybe it was the only wish he wanted to fulfill, And it seems he accomplished it with a sense of unwavering duty, And today her absence with false sympathy he tries to fill, Where was the sympathy when she needed it the most, Where was the lover who feels, when she was alive, When he was supposed to be with her, he was somewhere else, thus her smile was lost, When he began kissing the smileless face, he had already killed her when she was alive, So do not tell me you loved her with your heart, So, she suffered more when you did not realise she was suffering, Then she decided to leave and finally depart, Then she left you long after you had learned to kiss her in ways more voluptuous than loving! Where is she now, remains to be a bafflement for the lover in you, Where are those smiles that her mirror sometimes reflects, When she escaped from the prison created by you, When you completely avoided acknowledging her emotional facts, She left you, as for the rest of us, she is everywhere, She is here, she is everywhere we wish to see her, And for you when she was physically with you, you never learned to seek her spirit anywhere, And since then you began losing a part of her, until one day, when she was right in front of you, you could not recognise her!

Dear Lindy, Over ten years ago a ten and a half foot Amethystine python tried to take my not quite two year old son from his bed… this weekend I attended a writer’s workshop with… Kate Llewellyn and after reading the enclosed poem she said I MUST send it to you and so here it is… The Letter I should Have Written to Lindy Chamberlain I believe you, Lindy, I know that even now with all that is tamed the Wild is always near In the black of night I lifted my child from his winter bed only to feel a cold weight, skin to skin along my length. Python jaws around my baby’s leg. Two day’s later on TV, whodunnit: the Dingo or the Bitch But I believed you and I wonder Would they have hissed at me on the steamy courthouse steps: ‘The snake is innocent.

If some immortal strangers walked our land And heard of death, how could they understand That we--doomed creatures--draw our meted breath Light-heartedly--all unconcerned with death. So in these years between the wars did men From happier continents look on us when They brought us sympathy, and saw us stand Like the proverbial ostrich--head in sand-- While youth passed resolutions not to fight, And statesmen muttered everything was right-- Germany, a kindly, much ill-treated nation-- Russia was working out her own salvation Within her borders.  As for Spain, ah, Spain Would buy from England when peace came again! I listened and believed--believed through sheer Terror.  I could not look whither my fear Pointed--that agony that I had known. I closed my eyes, and was not alone.

Against All Odds --- Nobody taught me how to swim. So, I swam and followed the rivers, hoping that I'd end up in the ocean; the calm seas. To see some dolphins and the colourful fish. But the river that chose me was long with hard turns, blockages, and fishing traps. On some days, the river would run dry, leaving me nowhere but in the middle of hard cracks. While suffering underneath the hot sun, the rains would hit again on my sore flesh. Luckily by then, I'd still be breathing; even though affected, harmed, and bleeding. But, I had a dream that was heavier than my challenges. So I continued with my journey, following the stream of the river. Hoping to reach the ocean; the calm seas. Some days the current would be brutal, even though I was flowing with it. It would hit on my body, my bones would crack. Sometimes the river would eject me to the side. Where I'd need to survive while I found my way back to it. I'd have to fend off snakes, defending myself from harm and malice. Back in the river, I'd have to fend off scorpions, rocks, and the debris. So, there I went, alone in the river I flowed. At times I'd meet with swimmers who'd be cooling off from the same waters. Some were kayaking; others fishing. All oblivious to my dreams, and to my state of struggle. Some would greet me; smiling at me. While some laughed the hardest, laughing at me. Some would express pity, while some expressed their sympathy. Some would pretend that I wasn't even there. And those who ignored me equalled my presence to that of the debris. I remember that a few picked me up and placed me in their small boats; helping me to cruise afloat. But, eventually, they left me in my struggle too. Those who carried me, left me in the rivers where they'd found me. Those who passed me by, passed-by me again on the following days. Some shouted the loudest from their lungs encouraging me from the sides. Telling me that I was almost reaching the seas. That the ocean was at a hand's reach. But those who shouted the most rarely did anything else to help. I also learnt that those who picked me up rarely shouted about their help. Some used my vulnerability to gain charity points. They'd say, "see I helped her, now clap for me from your joints". But, above all the help, true or fake, my dream was carrying me for my sake. With my dream to reach the ocean, the calm seas, I held my head the highest and swam beyond all the peaks.