Symmetry Quotes

Break a vase, and the love that reassembles the fragments is stronger than that love which took its symmetry for granted when it was whole.

Tyger! Tyger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry?

Do you fall in love often?" Yes often. With a view, with a book, with a dog, a cat, with numbers, with friends, with complete strangers, with nothing at all.

He: What’s the matter with you? Me: Nothing. Nothing was slowly clotting my arteries. Nothing slowly numbing my soul. Caught by nothing, saying nothing, nothingness becomes me. When I am nothing they will say surprised in the way that they are forever surprised, "but there was nothing the matter with her.

My dear, In the midst of hate, I found there was, within me, an invincible love. In the midst of tears, I found there was, within me, an invincible smile. In the midst of chaos, I found there was, within me, an invincible calm. I realized, through it all, that… In the midst of winter, I found there was, within me, an invincible summer. And that makes me happy. For it says that no matter how hard the world pushes against me, within me, there’s something stronger – something better, pushing right back. Truly yours, Albert Camus” I like this because only one part is usually quoted but the full quote has such symmetry.

Human behavior is messy and unpredictable and unconcerned with convenient symmetries.

It’s a profoundly strange feeling, to stumble across someone whose desires are shaped so closely to your own, like reaching toward your reflection in a mirror and finding warm flesh under your fingertips. If you should ever be lucky enough to find that magical, fearful symmetry, I hope you’re brave enough to grab it with both hands and not let go.

Humans often assumed symmetry and equality where none existed.

Did I say that she was beautiful? I was wrong. Beauty is too tame a notion; it evokes only faces in magazines. A lovely eloquence, a calming symmetry; none of that describes this woman’s face. So perhaps I should assume I cannot do it justice with words. Suffice it to say that it would break your heart to see her; and it would mend what was broken in the same moment; and you would be twice what you’d been before.

There are several ways to react to being lost. One is to panic: this was usually Valentina's first impulse. Another is to abandon yourself to lostness, to allow the fact that you've misplaced yourself to change the way you experience the world.

Listen, sometimes when you finally find out, you realize that you were much better off not knowing.

Occupied in observing Mr. Bingley’s attentions to her sister, Elizabeth was far from suspecting that she was herself becoming an object of some interest in the eyes of his friend. Mr. Darcy had at first scarcely allowed her to be pretty: he had looked at her without admiration at the ball; and when they next met, he looked at her only to criticise. But no sooner had he made it clear to himself and his friends that she had hardly a good feature in her face, than he began to find it was rendered uncommonly intelligent by the beautiful expression of her dark eyes. To this discovery succeeded some others equally mortifying. Though he had detected with a critical eye more than one failure of perfect symmetry in her form, he was forced to acknowledge her figure to be light and pleasing; and in spite of his asserting that her manners were not those of the fashionable world, he was caught by their easy playfulness. Of this she was perfectly unaware: to her he was only the man who made himself agreeable nowhere, and who had not thought her handsome enough to dance with.

Don't confuse symmetry with balance.

You're the oddest person I've ever met, you couldn't get rid of me if you tried.

Why do you have a cigarette lighter in your glove compartment?" her husband, Jack, asked her. "I'm bored with knitting. I've taken up arson

What is more basic than the need to be known? It is the entirety of intimacy, the elixir of love, this knowing.

She saw it in a flash of utter clarity. She knew what she had to do. The only path, the only way forward. And what a familiar path it was. It was so obvious now. The world was a dream of the gods, and the gods dreamed in sequences, in symmetry, in patterns. History repeated itself, and she was only the latest iteration of the same scene in a tapestry that had been spun long before her birth.

There is in all things a pattern that is part of our universe. It has symmetry, elegance, and grace - these qualities you find always in that the true artist captures. You can find it in the turning of the seasons, the way sand trails along a ridge, in the branch clusters of the creosote bush of the pattern of its leaves. We try to copy these patterns in our lives and in our society, seeking the rhythms, the dances, the forms that comfort. Yet, it is possible to see peril in the finding of ultimate perfection. It is clear that the ultimate pattern contains its own fixity. In such perfection, all things move towards death.

Don’t lie. You know you like to view but not to buy. I have found that I am not a space where people want to live, at least not without decorating first. And that is the stubbornness in me: I do not want to be someone’s little home.

Symmetry is what we see at a glance; based on the fact that there is no reason for any difference...

...we take comfort in the symmetries we find in life because they suggest a design where there is none.

Tyger! Tyger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare sieze the fire?

Life is sometimes novel-shaped, mocking the efforts of those authors who, in an effort to make their novels life-shaped, spurn the easy symmetry and cheap resonance of reality.

Om (AUM) the Divine song is at the same time Symmetry, Supersymmetry, broken Symmetry, and the unbroken Symmetry of Nature.

Science and religion were not enemies, but rather allies - two different languages telling the same story, a story of symmetry and balance... heaven and hell, night and day, hot and cold, God and Satan. Both science and religion rejoiced in God's symmetry... the endless contest of ight and dark.

Plato defined good as threefold in character: good in the soul, expressed through the virtues; good in the body, expressed through the symmetry and endurance of the parts; and good in the external world, expressed through social position and companionship.

Hypocrisy has its own elegant symmetry.

Sometimes a thing is—too much—and it has to be isolated and put away." Martin shrugged. "So what's in the boxes is—emotion. In the form of objects."-Her Fearful Symmetry

Beauty is our weapon against nature; by it we make objects, giving them limit, symmetry, proportion. Beauty halts and freezes the melting flux of nature.

Symmetry is only a property of dead things. Did you ever see a tree or a mountain that was symmetrical? It’s fine for buildings, but if you ever see a symmetrical human face, you will have the impression that you ought to think it beautiful, but that in fact you find it cold. The human heart likes a little disorder in its geometry, Kyria Pelagia. Look at your face in a mirror, Signorina, and you will see that one eyebrow is a little higher than the other, that the set of the lid of your left eye is such that the eye is a fraction more open that the other. It is these things that make you both attractive and beautiful, whereas…otherwise you would be a statue. Symmetry is for God, not for us.

What about the Symmetry?!

It was a fine thing indeed, Luna thought, being eleven. She loved the symmetry of it, and the lack of symmetry. Eleven was a number that was visually even, but functionally not - it looked one way and behaved in quite another. Just like most eleven-year-olds, or so she assumed.

In it's purest form, an act of retribution provides symmetry. The rendering payment of crimes against the innocent. But a danger on retaliation lies on the furthering cycle of violence. Still, it's a risk that must be met; and the greater offense is to allow the guilty go unpunished.

I'm bored with knitting. I've taken up arson.

The mathematical sciences particularly exhibit order symmetry and limitations; and these are the greatest forms of the beautiful.

You do not know me, but I am a juvenile delinquent. I do not trust authority figures, I probably will not graduate from high school, and statistics say my present rowdiness and vandalism will likely lead to more serious crimes. I am a dangerous fellow, and I am causing mayhem in this store. [...] There. I have now shamelessly destroyed the symmetry of this shelf, undoing hours of labor by underpaid store employees. If you could see me, you would be frightened.

I’m not looking for sympathy. I'm far more interested in symmetry.

I cannot assume you will understand me. It is just as likely that as I invent what I want to say, you will invent what you want to hear. Some story we must have. Stray words on crumpled paper. A weak signal into the outer space of each other. The probability of seperate worlds meeting is very small. The lure is immense. We send starships. We fall in love

Time could not wreck the perfect symmetry of those walls, nor the site itself, a jewel in the hollow of a hand.

There's the tree with the branches that everyone sees, and then there's the upside-down root tree, growing the opposite way. So Earth is the branches, growing in opposing but perfect symmetry. The branches don't think much about the roots, and maybe the roots don't think much about the branches, but all the time, they're connected by the trunk, you know?

She probably didn’t realize he had matched the structure of his back dragon tattoo to match her back scars, from one hip to one shoulder. If anyone looked at their naked backs together, they would see symmetry—a dragon breathing fire across her back in mirrored structure, side by side.

No human face is exactly the same in its lines on each side, no leaf perfect in its lobes, no branch in its symmetry. All admit irregularity as they imply change; and to banish imperfection is to destroy expression, to check exertion, to paralyze vitality. All things are literally better, lovelier, and more beloved for the imperfections which have been divinely appointed, that the law of human life may be Effort, and the law of human judgment, Mercy.

The room was not a room to elevate the soul. Louis XIV, to pick a name at random, would not have liked it, would have found it not sunny enough, and insufficiently full of mirrors. He would have desired someone to pick up the socks, put the records away, and maybe burn the place down. Michelangelo would have been distressed by its proportions, which were neither lofty nor shaped by any noticeable inner harmony or symmetry, other than that all parts of the room were pretty much equally full of old coffee mugs, shoes and brimming ashtrays, most of which were sharing their tasks with each other. The walls were painted in almost precisely that shade of green which Rafaello Sanzio would have bitten off his own right hand at the wrist rather than use, and Hercules, on seeing the room, would probably have returned half an hour later armed with a navigable river.

Is it sad to fancy David Tennant when you're dead?

He was not in the house. He did not come back that night. Days went by, and at last she understood that he would not return at all.

Real beauty isn't about symmetry or weight or makeup; it's about looking life right in the face and seeing all its magnificence reflected in your own.

I am much better at saying how I feel when I no longer feel it.

I've lived my life like a serial killer; finish with one part, strangle it and move on to the next. Life in neat little boxes is life in neat little coffins, the dead bodies of the past laid out side by side. I am discovering, now, in the late afternoon of the day, that the dead still speak.

I feel in colour, strong tones that I hue down for the comfort of the pastelly inclined. Beige and magnolia and a hint of pink are what the well-decorated heart is wearing; who wants my blood red and vein-blue?

Why was "plain" a euphemism for "ugly," when the very hallmark of human beauty was its plainness, the symmetry and simplicity that always seemed so young and so innocent. It was impossible not to think that here beauty was one of the most important things about her - something having to do with who she really was.

Those who assert that the mathematical sciences say nothing of the beautiful or the good are in error. For these sciences say and prove a great deal about them; if they do not expressly mention them, but prove attributes which are their results or definitions, it is not true that they tell us nothing about them. The chief forms of beauty are order and symmetry and definiteness, which the mathematical sciences demonstrate in a special degree.

Two obsessions are the hallmarks of Nature's artistic style: Symmetry- a love of harmony, balance, and proportion Economy- satisfaction in producing an abundance of effects from very limited means

I don't own my emotions unless I can think about them. I am not afraid of feeling but I am afraid of feeling unthinkingly. I don't want to drown. My head is my heart's lifebelt.

Walk with me, hand in hand through the neon and styrofoam. Walk the razor blades and the broken hearts. Walk the fortune and the fortune hunted. Walk the chop suey bars and the tract of stars. I know I am a fool, hoping dirt and glory are both a kind of luminous paint; the humiliations and exaltations that light us up. I see like a bug, everything too large, the pressure of infinity hammering at my head. But how else to live, vertical that I am, pressed down and pressing up simultaneously? I cannot assume you will understand me. It is just as likely that as I invent what I want to say, you will invent what you want to hear. Some story we must have. Stray words on crumpled paper. A weak signal into the outer space of each other. The probability of separate worlds meeting is very small. The lure of it is immense. We send starships. We fall in love.

And you? Now that I have discovered you? Beautiful, dangerous, unleashed. Still I try to hold you, knowing that your body is faced with knives.

Excessive symmetry is either unnatural and conceals some human thought behind it, or else supernatural and conceals some mystery.

Do you know what makes people love one another? Well, no one else does, either. But scientists study it, and there’s all this bizarre stuff about pheromones and facial symmetry and the circumstances under which you first met. People are weird. Our bodies are weird. Maybe I can’t help being attracted to her the same way flies can’t help being attracted to carnivorous plants.

Even her name seemed empty, as though it had detached itself from her and was floating untethered in his mind. How am I supposed to live without you? It was not a matter of the body; his body would carry on as usual. The problem was located in the word how: he would live, but without Elspeth the flavour, the manner, the method of living were lost to him. He would have to relearn solitude.

He thanked her and left the house in the mood of a shipwrecked man who has allowed the rescue ship to pass him by.

If only-if only, Hastings, you would part your hair in the middle instead of at the side! What a difference it would make to the symmetry of your appearance. And your moustache. If you must have a moustache, let it be a real moustache-a thing of beauty such as mine.

I love badly. That is too little or too much. I throw myself over an unsuitable cliff, only to reel back in horror from a simple view out the window.

That’s the thing about living vicariously; it’s so much faster than actual living.

Humans have various ways of coping with extended stress, and one is the anticipation of a better time. Here, as with retribution, there is often a kind of symmetry: the more intense the stress and the more hopeless the situation, the more fabulous the coming times that are anticipated.

He had never realized, while Elspeth was alive, the extent to which a thing had not completely happened until he told her about it.

In the dim light of the computer screen he seemed otherworldly; Julia thought him beautiful, though she knew it was the beauty of damage.

Dora found beauty in everything. She found nature’s magnificent work and incredible symmetry in a turtle’s carapace, or a stork’s egg, or an autumn reed from a swamp. How wonderful, she would often say. I understood the meaning of the word, but I could never feel the splendor it carried.

That’s the thing about living vicariously; it’s so much faster than actual living. In a few minutes we’ll be worrying about names for the children.

I think play must have been invented so we wouldn't go mad thinking about certain things.

Exposition: the workings of the actual past + the virtual past may be illustrated by an event well known to collective history, such as the sinking of the Titanic. The disaster as it actually occurred descends into obscurity as its eyewitnesses die off, documents perish + the wreck of the ship dissolves in its Atlantic grave. Yet a virtual sinking of the Titanic, created from reworked memories, papers, hearsay, fiction--in short, belief--grows ever "truer." The actual past is brittle, ever-dimming + ever more problematic to access + reconstruct: in contrast, the virtual past is malleable, ever-brightening + ever more difficult to circumvent/expose as fraudulent. The present presses the virtual past into its own service, to lend credence to its mythologies + legitimacy to the imposition of will. Power seeks + is the right to "landscape" the virtual past. (He who pays the historian calls the tune.) Symmetry demands an actual + virtual future too. We imagine how next week, next year, or 2225 will shape up--a virtual future, constructed by wishes, prophecies + daydreams. This virtual future may influence the actual future, as in a self-fulfilling prophecy, but the actual future will eclipse our virtual one as surely as tomorrow eclipses today. Like Utopia, the actual future + the actual past exist only in the hazy distance, where they are no good to anyone. Q: Is there a meaningful distinction between one simulacrum of smoke, mirrors + shadows--the actual past--from another such simulacrum--the actual future? One model of time: an infinite matryoshka doll of painted moments, each "shell" (the present) encased inside a nest of "shells" (previous presents) I call the actual past but which we perceive as the virtual past. The doll of "now"likewise encases a nest of presents yet to be, which I call the actual future but which we perceive as the virtual future.

What is it that you contain? The Dead. Time. Light patterns of millennia. The expanding universe opening in your gut. Are your twenty-three feet of intestines loaded with stars?

I don't want to boss anyone and I don't want to be bossed.

It is just as likely that as I invent what I want to say, you will invent what you want to hear.

I guess no matter what your family is like, you're not surprised.

Never make a calculation until you know the answer. Make an estimate before every calculation, try a simple physical argument (symmetry! invariance! conservation!) before every derivation, guess the answer to every paradox and puzzle. Courage: No one else needs to know what the guess is. Therefore make it quickly, by instinct. A right guess reinforces this instinct. A wrong guess brings the refreshment of surprise. In either case life as a spacetime expert, however long, is more fun!

Hours later, Adam propped himself up on an elbow and stared down at Gabrielle, pondering what made beauty. He thought he was beginning to understand. It wasn't symmetry of features; it wasn't perfection. It was uniqueness. That which one person had that no other possessed. That which was only their own.

He would say her name over and over until it devolved into meaningless sounds - mah REI kuh, mah REI kuh - it became an entry in a dictionary of loneliness.

Love bears all things, believes all things, hopes all things, endures all things. Love never ends.

A missing arm might ruin your symmetry. Personal asymmetry where I come from is a big taboo and brings great shame on the family and sometimes even the whole village." "Do you then have to kill yourself over it or something?" "Goodness me, no! The family and village just have to learn to be ashamed--and nuts to them for being so oversensitive.

She was fragile, gentle, wide awake in a sleeping world.

That is what madness is, isn't it? All the wheels fly off the bus and things don't make sense any more. Or rather, they do, but it's not a kind of sense anyone else can understand.

Not because they’re dead. Though unattainability is always attractive.

There was only the cemetery itself, spread out in the moonlight like a soft grey hallucination, a stony wilderness of Victorian melancholy.

Pick up a pinecone and count the spiral rows of scales. You may find eight spirals winding up to the left and 13 spirals winding up to the right, or 13 left and 21 right spirals, or other pairs of numbers. The striking fact is that these pairs of numbers are adjacent numbers in the famous Fibonacci series: 1, 1, 2, 3, 5, 8, 13, 21... Here, each term is the sum of the previous two terms. The phenomenon is well known and called phyllotaxis. Many are the efforts of biologists to understand why pinecones, sunflowers, and many other plants exhibit this remarkable pattern. Organisms do the strangest things, but all these odd things need not reflect selection or historical accident. Some of the best efforts to understand phyllotaxis appeal to a form of self-organization. Paul Green, at Stanford, has argued persuasively that the Fibonacci series is just what one would expects as the simplest self-repeating pattern that can be generated by the particular growth processes in the growing tips of the tissues that form sunflowers, pinecones, and so forth. Like a snowflake and its sixfold symmetry, the pinecone and its phyllotaxis may be part of order for free

The human heart is my territory. I write about love because it’s the most important thing in the world. I write about sex because often it feels like the most important thing in the world.

Now that physics is proving the intelligence of the universe what are we to do about the stupidity of mankind? I include myself. I know that the earth is not flat but my feet are. I know that space is curved but my brain has been condoned by habit to grow in a straight line. What I call light is my own blend of darkness. What I call a view is my hand-painted trompe-l'oeil. I run after knowledge like a ferret down a ferret hole. My limitations, I call the boundaries of what can be known. I interpret the world by confusing other people's psychology with my own.

Sometimes a thing is---too much---and it has to be isolated put away.

It is good you have each other, the artist had said, regarding them seriously as she worked. You never have to explain yourself to sisters. It was true. Being one of four sisters always felt like being part of something magic. Once Bonnie noticed it, she saw the world was made up of fours. The seasons. The elements. The points on a compass. Four suits in a pack of cards. Four chambers of a human heart. Bonnie loved being a part of this mystical number, this perfect symmetry of two sets of two.

Martin said, "It feels as though part of my self has detached and gone to Amsterdam, where it—she—is waiting for me. Do you know about phantom-limb syndrome?" Julia nodded. "There's pain where she ought to be. It's feeding the other pain, the thing that makes me wash and count and all that. So her absence is stopping me from going to find her. Do you see?

Death, like fiction, is brutal in its symmetry. Take this story and strip it down -all the way back- until you are left with two points. Two dots on a vast, blank canvas, separeted by a sea of white. Here, we have come to the first point, where the batj is drawn and the hand is reachinh for the razor blade. I will meet you at the next, by the axle of a screaming wheel, the revolution of a clock, the closing of an orbit.

Being in love is…anxious,” he said. “Wanting to please, worrying that she will see me as I really am. But wanting to be known. That is…you’re naked, moaning in the dark, no dignity at all…I wanted her to see me and to love me even though she knew everything I am, and I knew her

The Roman genius, and perhaps the Roman flaw was an obsession with order. One sees it in their architecture, their literature, their laws—this fierce denial of darkness, unreason, chaos. Easy to see why the Romans, usually so tolerant of foreign religions, persecuted the Christians mercilessly—how absurd to think a common criminal had risen from the dead, how appalling that his followers celebrated him by drinking his blood. The illogic of it frightened them and they did everything they could to crush it. In fact, I think the reason they took such drastic steps was because they were not only frightened but also terribly attracted to it. Pragmatists are often strangely superstitious. For all their logic, who lived in more abject terror of the supernatural than the Romans? The Greeks were different. They had a passion for order and symmetry, much like the Romans, but they knew how foolish it was to deny the unseen world, the old gods. Emotion, darkness, barbarism.

Absence does not so much make the heart grow fonder as give the heart time to integrate what it has not previously absorbed, time to make sense of what happened too quickly to have any meaning in the instant. This is always true. If it is in absence that people forget each other, it is also in the quiet pause of absence that, minds running in symmetry, people come to know each other; there is sometimes as much intimacy in the span of continents as in the shared hours before dawn.

But, Ashley, what are you afraid of?' 'Oh, nameless things. Things which sound very silly when they are put into words. Mostly of having life suddenly become too real, of being brought into personal, too personal, contact with some of the simple facts of life. It isn't that I mind splitting logs here in the mud, but I do mind what it stands for. I do mind, very much, the loss of the beauty of the old life I loved. Scarlett, before the war, life was beautiful. There was a glamor to it, a perfection and a completeness and a symmetry to it like Grecian art. Maybe it wasn't so to everyone. I know that now. But to me, living at Twelve Oaks, there was a real beauty to living. I belonged in that life. I was a part of it. And now it is gone and I am out of place in this new life, and I am afraid. Now, I know that in the old days it was a shadow show I watched. I avoided everything which was not shadowy, people and situations which were too real, too vital. I resented their intrusion.

Ah." Ax nodded. "She does not understand how menacing we are." He tapped her on the shoulder. "You do not know me," he said, "but I am a juvenile delinquent. I do not trust authority figures, I probably will not graduate from high school, and statistics say my present rowdiness and vandalism will likely lead to more serious crimes. I am a dangerous fellow and I am causing mayhem in this store." He reached behind her and pulled three jars of baby food from the top shelf. Shoved them behind a box of macaroni. Shuffled the Chess Whizzed in front of the Marshmallow Fluff. Tossed a bag of lady's shavers onto a bag of hamburger buns. "There. I have now shamelessly destroyed the symmetry of this shelf, undoing hours of labor by underpaid store employees. If you could see me, you would be frightened." "If she could see you, she'd have you committed," Marco muttered.

Each of them warmed to the sound of the other's voice. They lay in the dark together, in distant cities, each of them thinking, We were lucky this time. And they pressed their phones closer to their ears, and both of them wondered how much longer this separation could go on.

We all behave like Maxwell’s demon. Organisms organize. In everyday experience lies the reason sober physicists across two centuries kept this cartoon fantasy alive. We sort the mail, build sand castles, solve jigsaw puzzles, separate wheat from chaff, rearrange chess pieces, collect stamps, alphabetize books, create symmetry, compose sonnets and sonatas, and put our rooms in order, and all this we do requires no great energy, as long as we can apply intelligence. We propagate structure (not just we humans but we who are alive). We disturb the tendency toward equilibrium. It would be absurd to attempt a thermodynamic accounting for such processes, but it is not absurd to say we are reducing entropy, piece by piece. Bit by bit. The original demon, discerning one molecules at a time, distinguishing fast from slow, and operating his little gateway, is sometimes described as “superintelligent,” but compared to a real organism it is an idiot savant. Not only do living things lessen the disorder in their environments; they are in themselves, their skeletons and their flesh, vesicles and membranes, shells and carapaces, leaves and blossoms, circulatory systems and metabolic pathways - miracles of pattern and structure. It sometimes seems as if curbing entropy is our quixotic purpose in the universe.

I’m curious about things that people aren’t supposed to see—so, for example, I liked going to the British Museum, but I would like it better if I could go into all the offices and storage rooms, I want to look in all the drawers and—discover stuff. And I want to know about people. I mean, I know it’s probably kind of rude but I want to know why you have all these boxes and what’s in them and why all your windows are papered over and how long it’s been that way and how do you feel when you wash things and why don’t you do something about it?

The kissed surprised him because it had been so long since he'd kissed anyone but Elspeth. It surprised Valentina because she had hardly ever kissed anyone that way - to her, kissing had always been more theoretical than physical. Afterwards she stood with her eyes closed, lips parted, face tilted. Robert thought, She's going to break my heart and I'm going to let her.

You didn’t answer my question. I asked you about being in love. You said what it was like when your wife went away.” Martin sat down again. How young she is. When we were that young we invented the world, no one could tell us a thing. Julia stood with her hands clenched, as though she wanted to pound an answer out of him. “Being in love is…anxious,” he said. “Wanting to please, worrying that she will see me as I really am. But wanting to be known. That is…you’re naked, moaning in the dark, no dignity at all…I wanted her to see me and to love me even though she knew everything I am, and I knew her. Now she’s gone, and my knowledge is incomplete. So all day I imagine what she is doing, what she says and who she talks to, how she looks. I try to supply the missing hours, and it gets harder as they pile up, all the time she’s been gone. I have to imagine. I don’t know, really. I don’t know any more.

[Donald] Keene observed [in a book entitled The Pleasures of Japanese Literature, 1988] that the Japanese sense of beauty has long sharply differed from its Western counterpart: it has been dominated by a love of irregularity rather than symmetry, the impermanent rather than the eternal and the simple rather than the ornate. The reason owes nothing to climate or genetics, added Keene, but is the result of the actions of writers, painters and theorists, who had actively shaped the sense of beauty of their nation. Contrary to the Romantic belief that we each settle naturally on a fitting idea of beauty, it seems that our visual and emotional faculties in fact need constant external guidance to help them decide what they should take note of and appreciate. 'Culture' is the word we have assigned to the force that assists us in identifying which of our many sensations we should focus on and apportion value to.