Sydney White Quotes

If I was drunk, I wouldn’t be here at all. And really, this is pretty good for four White Russians.” “White what?” I almost sat down but was afraid the chair might dematerialize beneath me. “It’s a drink,” he said. “You’d think I wouldn’t be into something named that—you know, considering my own personal experience with Russians. But they’re surprisingly delicious. The drinks, not real Russians.

It had been June, the bright hot summer of 1937, and with the curtains thrown back the bedroom had been full of sunlight, sunlight and her and Will's children, their grandchildren, their nieces and nephews- Cecy's blue eyed boys, tall and handsome, and Gideon and Sophie's two girls- and those who were as close as family: Charlotte, white- haired and upright, and the Fairchild sons and daughters with their curling red hair like Henry's had once been. The children had spoken fondly of the way he had always loved their mother, fiercely and devotedly, the way he had never had eyes for anyone else, and how their parents had set the model for the sort of love they hoped to find in their own lives. They spoke of his regard for books, and how he had taught them all to love them too, to respect the printed page and cherish the stories that those pages held. They spoke of the way he still cursed in Welsh when he dropped something, though he rarely used the language otherwise, and of the fact that though his prose was excellent- he had written several histories of the Shadowhunters when he's retired that had been very well respected- his poetry had always been awful, though that never stopped him from reciting it. Their oldest child, James, had spoken laughingly about Will's unrelenting fear of ducks and his continual battle to keep them out of the pond at the family home in Yorkshire. Their grandchildren had reminded him of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie. With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well- and Will, though too tired to laugh, had smiled at his sister and squeezed her hand. They had all laughed about his habit of taking Tessa on romantic "holidays" to places from Gothic novels, including the hideous moor where someone had died, a drafty castle with a ghost in it, and of course the square in Paris in which he had decided Sydney Carton had been guillotined, where Will had horrified passerby by shouting "I can see the blood on the cobblestones!" in French.

Sydney.” Theo is grinning as he calls my attention back to him, though his eyes are somber. “I need you to channel the confidence of a mediocre white man. I’ll give you mine. We’ll figure it out because we don’t have any other choice.

The boat entered the Harbour. The wide, bright city crowded up against the water, but drew back from its very edge; Ruth saw green parklands full of trees with white flocks of parrots burning out of them. The parrots surprised Ruth, she imagined Sydney to be more like England than Fiji.

The boat entered the Harbour. The wide, bright city crowded up against the water, but drew back from its very edge; Ruth saw green parklands full of trees with white flocks of parrots bursting out of them. The parrots surprised Ruth, she imagined Sydney to be more like England than Fiji.

She shut her eyes to block out the image. This was all kinds of madness. “Tanner.” Matilda opened her eyes at the sound of her voice. It was deep and ragged, almost a growl. Maybe a plea. “Tanner, what?” he asked, his voice as husky as hers as he flicked his gaze to her face. “Tanner, stop? Tanner, leave?” He slid a hand low on her stomach, the muscles beneath tensing in anticipation. “Tanner touch me?” A lazy finger stroked the skin just above the waist band of her boxers, the sensation coursing white hot need straight between her legs.

Because the other way wasn’t working. The waking up just to get the day over with until it was time for bed. The grinding it out was a disgrace, an affront to the honor and long shot of being alive at all. The ghost-walking, the short-tempered distraction, the hurried fog. (All of this I’m just assuming, because I have no idea how I come across, my consciousness is that underground, like a toad in winter.) The leaving the world a worse place just by being in it. The blindness to the destruction in my wake. The Mr. Magoo. If I’m forced to be honest, here’s an account of how I left the world last week: worse, worse, better, worse, same, worse, same. Not an inventory to make one swell with pride. I don’t necessarily need to make the world a better place, mind you. Today, I will live by the Hippocratic oath: first do no harm. How hard can it be? Dropping off Timby, having my poetry lesson (my favorite part of life!), taking a yoga class, eating lunch with Sydney Madsen, whom I can’t stand but at least I can check her off the list (more on that later), picking up Timby, and giving back to Joe, the underwriter of all this mad abundance. You’re trying to figure out, why the agita surrounding one normal day of white-people problems? Because there’s me and there’s the beast in me.

Sydney has no box jellyfish, I was pleased to learn. The famous local danger is the funnel web spider, the most poisonous insect in the world with a venom that is “highly toxic and fast-acting.” A single nip, if not promptly treated, will leave you bouncing around in the grip of seizures of an incomparable liveliness; then you turn blue; then you die. Thirteen deaths are on record, though none since 1981, when an antidote was devised. Also poisonous are white-tailed spiders, mouse spiders, wolf spiders, our old friend the redback (“hundreds of bites are reported each year…about a dozen known deaths”), and a reclusive but fractious type called the fiddleback.

What do you see?” my professor asked as he projected a picture of a small black dot in the middle of a very big white screen. I was sitting in Psychology 101 during my years at Sydney University. We all responded immediately: “A black dot.” I was excited, thinking, If all of the questions are as easy as this one, this course is going to be easy! The prof looked out over the class and paused for several seconds before he asked again, “What do you see?” Thinking he must not have heard us properly the first time, we repeated even more loudly: “A black dot!” Again he paused . . . and then asked the same question a third time. Now he had my attention. And when still, on the third try, none of us provided the correct answer, he explained — and gave me a lesson I will never forget. “You were all so focused on the little black dot in the center of the screen that none of you noticed the dominant image on the screen: the large white space covering the screen top to bottom, left to right.” I couldn’t believe I had missed it. Suddenly it was obvious. There was far more white space than black dot. Whatever I chose to focus on had my attention. There is always much more white space than there is space covered by little black dots — we simply need to recognize and focus on it. In class, that idea seemed like an easy notion — easier than it has proven to be in life. Because the harsh reality is that the black dots of our lives — the trials, challenges, disappointments, obstacles, and hurdles we face as we run — will naturally draw and consume our attention. Our enemy would love to get us to focus on those black dots and convince us they define and shape our lives and determine our destiny. But in the divine relay, we are to fix our eyes on Jesus. He is the “white space” of God’s power at work in the universe, and the trials we face are but a tiny speck, a black dot, in comparison. As we learn to focus on the vastness of God’s eternal, amazing work on this planet, those black dots will cease to blemish our lives.

Nestled into a bed of shiny cream satin lay a heart-shaped pendant on a simple gold chain. The heart itself was created from over a dozen delicate round amethyst stones, while the center held a miniature painted on porcelain. Done in a series of fine, delicate strokes, the artist's rendering depicted a tiny garden, alive with masses of yellow and white hollyhocks. Right away, they reminded her of the flowers she'd been drawing that long-ago day in Bath. The day of her and Jack's very first kiss. Her gaze went to his, breath stilled in her chest. "Oh, Jack. It's Sydney Gardens, isn't it?" "That's right, with those stalky, puff-headed flowers." He gave her a gentle smile. "Do you like it?" "I love it." "I chose amethyst, since you said it's your favorite stone. I hope I remembered right?" "You did. It's so lovely. Thank you. I'll wear it each and every day," she promised. "Your heart tucked against my own." A peculiar shadow flickered momentarily across his eyes before he reached for the necklace. "Here, let me help you put it on." "Yes. Please," she said, relieved he'd offered. Her hands were trembling with so much emotion that she doubted she could have managed the task on her own. Turning slightly, she angled herself so he could place the chain around her neck and fasten the clasp. The slight weight of the gold and stones grew instantly warm against her skin. "There. How does it look?" she asked as she moved to face him again. "Beautiful," he said. But when she glanced up, she realized he wasn't looking at the pendant. Instead, he was looking at her.

When was the last contact you had with him?” Oscar asked. Ira took a long swig from his canteen, replaced the cap, and scrunched up his nose. “Five years ago,” he answered, then let out a wet burp. “’Scuse me, love.” Camille grimaced and sipped water from her own canteen. “Then you can’t be sure he’s still in Port Adelaide,” Oscar continued. Ira placed a hunk of salt pork in a pot with a few handfuls of small white beans and water. “Sure I can. Old Monty would’ve sent word if he packed up.” But Ira’s face darkened and his hand covered his stubbled beard. “Course, not if Stella went and told him ‘bout that time in Sydney.” Camille closed her eyes and knitted her fingers to keep them from forming fists. Oscar sat with his head in his large hands, as though he had an unbearable headache. Looking back at Ira, she figured he probably did. “Who is Stella and what happened in Sydney?” she asked. “Monty’s wife and an act I can’t describe with a lady present,” Ira crowed. “Well, aren’t you a gentleman,” Oscar said under his breath. “Don’t worry, mate. Stella’s conscience is buried so far under her folds of skin, she’s bound never to find it.” Ira stoked the small flames and showed them his toothy grin. “She’s a lot of woman to love, that Stella.” Camille’s eyes watered with shock. “I don’t think you could bluff your way out of that one,” Oscar said. Ira jumped into a crouch, bobbing up and down. “Wait till you see me bluff. It’s like an art.

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As Ross entered the kitchen, he saw Ernest sitting at the scrubbed wooden table. The boy wolfed down a plate of breakfast as if it were the first decent meal he'd had in months. Sophia stood at the range with the scrawny cook-maid, apparently showing her how to prepare the morning's fare. "Turn them like this," Sophia was saying, expertly flipping a row of little cakes on a griddle pan. The kitchen atmosphere was especially fragrant today, spiced with frying bacon, coffee, and sizzling batter. Sophia looked fresh and wholesome, the trim curves of her figure outlined by a white apron that covered her charcoal-gray dress. Her gleaming hair was pinned in a coil at the top of her head and tied with a blue ribbon. As she saw him standing in the doorway, a smile lit her sapphire eyes, and she was so dazzlingly pretty that Ross felt a painful jab low in his stomach. "Good morning, Sir Ross," she said. "Will you have some breakfast?" "No, thank you," he replied automatically. "Only a jug of coffee. I never..." He paused as the cook set a platter on the table. It was piled with steaming batter cakes sitting in a pool of blackberry sauce. He had a special fondness for blackberries. "Just one or two?" Sophia coaxed. Abruptly it became less important that he adhere to his usual habits. Perhaps he could make time for a little breakfast, Ross reasoned. A five-minute delay would make no difference in his schedule. He found himself seated at the table facing a plate heaped with cakes, crisp bacon, and coddled eggs. Sophia filled a mug with steaming black coffee, and smiled at him once more before resuming her place at the range with Eliza. Ross picked up his fork and stared at it as if he didn't quite know what to do with it. "They're good, sir," Ernest ventured, stuffing his mouth so greedily that it seemed likely he would choke. Ross took a bite of the fruit-soaked cake and washed it down with a swallow of hot coffee. As he continued to eat, he felt an unfamiliar sense of well-being. Good God, it had been a long time since he'd had anything other than Eliza's wretched concoctions. For the next few minutes Ross ate until the platter of cakes was demolished. Sophia came now and then to refill his cup or offer more bacon. The cozy warmth of the kitchen and the sight of Sophia as she moved about the room caused a tide of unwilling pleasure inside him.

At MGM, Arthur Freed and Vincente Minnelli made their last musical together, Bells Are Ringing (1960), reunited with Comden and Green. Dean Martin joined the Broadway package, replacing Sydney Chaplin, Charlie’s eldest son.13 Adding Martin’s star persona to the Judy Holliday vehicle produced another close match of movie star to musical role. As Jeff Moss, a Broadway playwright who’s been hitting the bottle harder than the typewriter, Martin fit the public perception of his romance with the grape. Even those who don’t care for the liquid Martin style find him charming in this musical.14 The vivacious answering-service operator Holliday nurses him back to sobriety and success, and the laid back, breezy Martin hoofs with Holliday in casual soft-shoe duets like “Just in Time.” In “Drop that Name,” Minnelli’s eye adds stylish brilliance to a satire of New York’s pretentious social elite, a Black-and-White Ball of burlesques and grotesques in answer to An American in Paris. Though Bells Are Ringing is neither vintage Freed nor vintage Minnelli—cramped by a middle-class present, a CinemaScope frame imprisoned in stageset interiors, and self-conscious disguises for Holliday’s shape—it is pleasant enough Holliday and Martin.

slipped down my body and gathered at my ankles before traveling in a flotilla to the drain. The white, iridescent bubbles jiggled as droplets of water crashed around them. They popped one by one, the mass sinking into the pipe as each individual bubble lost tension and let go.  Letting go is an art.

Sleet had changed to snow, which fell steadily as I drove. White powder filled the hollows in the land, erased the gutters, piled on the fir trees like lines of cocaine. Everything—buildings, sidewalks, lights—turned blurry as snow enshrouded the city. Denver went silent under the soft, murderous weight.

Sydney’s Lakemba Mosque held a conference for all its international leaders and called it ‘Take the Nation, Shake the World’, there’d be more specially trained police doing overtime than in a month of Sundays. The city would be up in arms and old people would be digging out their gas-masks. When clean-shaven white men in suits do it, it’s a cause for celebration, traffic jams in suburbia and overpriced t-shirts.

As Stanford University’s Ioannidis, University of Sydney’s Cripps, and Northwestern’s Tanner documented in August 2020, forecasts built directly on significant data at hand also fared poorly. As one example, a Massachusetts General Hospital model predicted over 23,000 deaths within a month of Georgia’s reopening—the actual deaths were 896.

I’ve never performed at an opera house before,” said Miley. “It’s quite an honor.” And she really meant it. The opera house was a modern white building that appeared to be rising from the glimmering turquoise water of Sydney Harbor. Wow, thought Miley, actually gulping for breath. The building was exquisite. And to think she’d be performing there! Sometimes Miley

For my money, training a pointing dog is really a matter of respecting and refining the dog's instincts, and then getting the hell out of the way. As a friend of mine, a first-rate professional handler in our Northeast Kingdom, once put it to me: "Some guys pay me $2,500 for training their bird dogs, but most of it should go into training them." Or, as the late Bill White of Washington County, Maine, once advised me when I was green to this business: Soon as you learn that your dog knows more than you do, you'll be ready to use him right." - Sydney Lea in the story 'Blessed'.

...the work of his favourite painter at the time, brett whitely, seemed to offer some focus for his rebellious attitude towards moribund suburban melbourne. cave was intrigued by the intensity and diversity of the themes that the sydney-based painter included in his landscapes

When [Imam] Samudra was tried, according to the Sydney Morning Herald, 'His lawyer, Qaidar Faisal, later delivered an official defence submission.' The defense summation praised the Taliban and its version of Islam and concluded with this telling detail: 'Mr. Faisal also quoted from American satirist Michael Moore's book Stupid White Men and other anti-western texts.' 

In all countries ethnic diversity reduces trust. In Peruvian credit-sharing cooperatives, members default more often on loans when there is ethnic diversity among co-op members. Likewise, in Kenyan school districts, fundraising is easier in tribally homogenous areas. Dutch researchers found that immigrants to Holland were more likely to develop schizophrenia if they lived in mixed neighborhoods with Dutch people than if they lived in purely immigrant areas. Surinamese and Turks had twice the chance of getting schizophrenia if they had to deal with Dutch neighbors; for Moroccans, the likelihood quadrupled. Dora Costa of the Massachusetts Institute of Technology and Matthew Kahn of Tufts University analyzed 15 recent studies of the impact of diversity on social cohesion. They found that every study had “the same punch line: heterogeneity reduces civic engagement.” James Poterba of MIT has found that public spending on education falls as the percentage of elderly people without children rises. He notes, however, that the effect “is particularly large when the elderly residents and the school-age population are from different racial groups.” This unwillingness of taxpayers to fund public projects if the beneficiaries are from a different group is so consistent it has its own name—“the Florida effect”—from the fact that old, white Floridians are reluctant to pay taxes or vote for bond issues to support schools attended by blacks and Hispanics. Maine, Vermont, and West Virginia are the most racially homogeneous states, and spend the highest proportion of gross state product on public education. Most people believe charity begins with their own people. A study of begging in Moscow, for example, found that Russians are more likely to give money to fellow Russians than to Central Asians or others who do not look like them. Researchers in Australia have found that immigrants from countries racially and culturally similar to Australia—Britain, the United States, New Zealand, and South Africa—fit in and become involved in volunteer work at the same level as native-born Australians. Immigrants from non white countries volunteer at just over half that rate. At the same time, the more racially diverse the neighborhood in which immigrants live, the less likely native Australians themselves are to do volunteer work. Sydney has the most diversity of any Australian city—and also the lowest level of volunteerism. People want their efforts to benefit people like themselves. It has long been theorized that welfare programs are more generous in Europe because European countries have traditionally been more homogeneous than the United States, and that people are less resistant to paying for welfare if the beneficiaries are of the same race. Alberto Alesina and Edward Glaeser have used statistical regression techniques to conclude that about half the difference in welfare levels is explained by greater American diversity, and the other half by weaker leftist political parties. Americans are not stingy—they give more to charity than Europeans do—but they prefer to give to specific groups. Many Jews and blacks give largely or even exclusively to ethnic charities. There are no specifically white charities, but much church giving is essentially ethnic. Church congregations are usually homogeneous, which means that offerings for aid within the congregation stay within the ethnic group.

They were the easiest people in the world to get on with if the white men would simply be just.