Sword Fencing Quotes

It is difficult to realize the true Way just through sword-fencing. Know the smallest things and the biggest things, the shallowest things and the deepest things.

Those prancing little pants-wetters come here to learn the colorful and gentlemanly art of fencing, with its many sporting limitations and its proscriptions against dishonorable engagements. You on the other hand, you are going to learn how to kill men with a sword.

Piper was maybe the most impressive. She fenced with the giantess Periboia, sword against sword. Despite the fact that her opponent was five times larger, Piper seemed to be holding her own. The goddess Aphrodite floated around them on a small white cloud, strewing rose petals in the giantess's eyes and calling encouragement to Piper. 'Lovely, my dear. Yes, good. Hit her again!

As a pirate, she once undressed a fencing instructor using only her sword!

Security is a double-edged sword: While a fence sure protects the fenced; it also imprisons the protected.

Eve took me to teach me how to fence," Claire said. "Not so much how to fence as how to hold a sword and not drop it," Eve said. "And then I fought Oliver to a draw." Shane fluttered his hands. "Oh, and then we were all elected as ice princesses and asked to go to Disneyland!" "Laugh all you want. I'm going to look way better in full skirts than you," Eve said.

Alek was right behind her now, his body pressing close as he adjusted her sword arm. She hadn't realized this fencing business would be so touchy. He grasped her waist, sending a crackle across her skin. If Alek moved his hands any higher, he might notice what was hidden beneath her careful tailoring. “Always keep sideways to your opponent,” he said, gently turning her. “That way, your chest presents the smallest possible target.” “Aye, the smallest possible target,” Deryn sighed. Her secret was safe, it seemed.

If you master the principles of sword-fencing, when you freely beat one man, you beat any man in the world. The spirit of defeating a man is the same for ten million men.

May my hands fall from my wrists before I kill an artist like yourself," said the man in black. "I would as soon destroy da Vinci. However"—and here he clubbed Inigo's head with the butt of his sword—"since I can't have you following me either, please understand that I hold you in the highest respect.

I understand that you are an accomplished swords-man,” she finally said. He eyed her curiously. Where was she going with this? “I like to fence, yes,” he replied. “I have always wanted to learn.” “Good God,” Gregory grunted. “I would be quite good at it,” she protested. “I’m sure you would,” her brother replied, “which is why you should never be allowed within thirty feet of a sword.” He turned to Gareth. “She’s quite diabolical.” “Yes, I’d noticed,” Gareth murmured, deciding that maybe there might be a bit more to Hyacinth’s brother than he had thought. Gregory shrugged, reaching for a piece of shortbread. “It’s probably why we can’t seem to get her married off.” “Gregory!” This came from Hyacinth, but that was only because Lady Bridgerton had excused herself and followed one of the footmen into the hall. “It’s a compliment!” Gregory protested. “Haven’t you waited your entire life for me to agree that you’re smarter than any of the poor fools who have attempted to court you?” “You might find it difficult to believe,” Hyacinth shot back, “but I haven’t been going to bed each night thinking to myself—Oh, I do wish my brother would offer me something that passes for a compliment in his twisted mind.

It's all now you see. Yesterday won't be over until tomorrow and tomorrow began ten thousand years ago. For every Southern boy fourteen years old, not once but whenever he wants it, there is the instant when it's still not yet two o'clock on that July afternoon in 1863, the brigades are in position behind the rail fence, the guns are laid and ready in the woods and the furled flags are already loosened to break out and Pickett himself with his long oiled ringlets and his hat in one hand probably and his sword in the other looking up the hill waiting for Longstreet to give the word and it's all in the balance, it hasn't happened yet, it hasn't even begun yet, it not only hasn't begun yet but there is still time for it not to begin against that position and those circumstances which made more men than Garnett and Kemper and Armistead and Wilcox look grave yet it's going to begin, we all know that, we have come too far with too much at stake and that moment doesn't need even a fourteen-year-old boy to think This time. Maybe this time with all this much to lose than all this much to gain: Pennsylvania, Maryland, the world, the golden dome of Washington itself to crown with desperate and unbelievable victory the desperate gamble, the cast made two years ago; or to anyone who ever sailed a skiff under a quilt sail, the moment in 1492 when somebody thought This is it: the absolute edge of no return, to turn back now and make home or sail irrevocably on and either find land or plunge over the world's roaring rim.

And what are your interests and hobbies, Nicholas?" Annabel asked faintly, sounding like a cross between a television interviewer and a hostage. Nick considered this for a minute, and then said "I like swords." Annabel leaned over her plate and asked, her voice changing "You fence?" "Not exactly," Nick drawled. "I'm more freestyle.

If you meet a fencing-master on the road, you may give him your sword, If you meet a poet, you may offer him your poem. When you meet others, say only a part of what you intend. Never give the whole thing at once.

Since I didn't have any world-class fencing skills, I kicked Cernunnos in the nuts again. I didn't have to know how to use a sword to do that, and he was standing there like he was asking for it, so it seemed justified. Shock and rage filled his green eyes all over again and he doubled. I guess there must be rules that people fighting gods usually followed. Next time, maybe someone would give me a primer.

He could take some extra fencing lessons. He was in love with his sword, purchased in a used clothing market on a whim. With his rent money, because he was a fool.

I understand, my lord. I…don’t wish to embarrass you again.” “Embarrass me? Jean, you misunderstand.” Maranzalla kicked idly at the toy rapier, and it clattered across the tiles of the rooftop. “Those prancing little pants-wetters come here to learn the colorful and gentlemanly art of fencing, with its many sporting limitations and its proscriptions against dishonorable engagements. “You, on the other hand,” he said as he turned to give Jean a firm but friendly poke in the center of his forehead, “you are going to learn how to kill men with a sword.

His gaze meandered along my chest. "Hey!" I crossed my arms over my breasts. "Those are…" "Patrick's?" "Well, his name isn't tattooed on them, but yeah, currently they are reserved for him." I peered at him and noted the similarities between him and his sons. "Ruadan, I presume?" "Got it in one," he said, silver eyes twinkling. "You scared the shit out of me." One corner of his mouth lifted into a grin. He picked up the parchment and tapped on it. "So, you're Patrick's soul mate." "No." "But you read the scroll. Only his sonuachar can do that." "Let me explain." I paused. "No, there is too much. Let me sum up." " The Princess Bride!" Ruadan exclaimed in happy surprise. "I love that movie. 'Hello, my name is Inigo Montoya. You killed my father. Prepare to die!'" He leapt off the bed and made fencing motions. "Ruadan, we're in a bit of crisis around here." "Hey! My swords." He practically skipped to the dresser where I had left them when I got ready for my bath. He whirled the half-swords like a master swordsman, which, of course, he was. "My mother really knows how to smith a weapon, doesn't she? Real fairy gold." He stabbed an invisible foe's chest with one and his stomach with the other. "Die, evil one! Die!" He jumped up and down, the swords held above his head, and did a victory dance. "You're like a big puppy!" I exclaimed. "A big, dumb puppy.

This was the Evangelical Revival that now began to take hold on the propertied class, who, frightened by what was happening in France, were anxiously mending their fences, spiritual as well as political. To escape rationalism’s horrid daughter, revolution, they were only too willing to be enfolded in the anti-intellectual embrace of Evangelicalism, even if it demanded faith and good works and a willing suspension of disbelief.

At least here some people have gathered with whom I have something to talk about. People who don’t break off their conversations when I approach. People who, though they may not like me, say it to my face, and don’t throw stones from behind a fence. I’m riding with them for the same reason I rode with you to the log drivers’ inn. Because it’s all the same to me. I don’t have a goal to head towards. I don’t have a destination at the end of the road.

we leaned against the fence, basking in what passed for normal with us. A werewolf pack in my back yard, a wizard grilling steaks,

Now!" cried all the boys, but with a magnificent gesture Peter invited his opponent to pick up his sword. Hook did so instantly, but with a tragic feeling that Peter was showing good form.

With the tips of their swords—rapiers? I don’t know, sorry, just not a fencing expert—crossed, the boys stare at each other across the mat. Creed’s blue eyes bore into Windsor’s hazel ones.

Julie, with two disappointing years of fencing lessons in his recent past, had the advantage of knowing what to do with a sword if you actually held one, while Titus had the advantage that he always would have: The whole thing was his idea. He was the one causing things to happen, driving them, taking them seriously long enough and intensely enough—and in public—to make them somehow be.

Hamish Alexander-Harrington knew his wife as only two humans who had both been adopted by a pair of mated treecats ever could. He'd seen her deal with joy and with sorrow, with happiness and with fury, with fear, and even with despair. Yet in all the years since their very first meeting at Yeltsin's Star, he suddenly realized, he had never actually met the woman the newsies called "the Salamander." It wasn't his fault, a corner of his brain told him, because he'd never been in the right place to meet her. Never at the right time. He'd never had the chance to stand by her side as she took a wounded heavy cruiser on an unflinching deathride into the broadside of the battlecruiser waiting to kill it, sailing to her own death, and her crew's, to protect a planet full of strangers while the rich beauty of Hammerwell's "Salute to Spring" spilled from her ship's com system. He hadn't stood beside her on the dew-soaked grass of the Landing City duelling grounds, with a pistol in her hand and vengeance in her heart as she faced the man who'd bought the murder of her first great love. Just as he hadn't stood on the floor of Steadholders' Hall when she faced a man with thirty times her fencing experience across the razor-edged steel of their swords, with the ghosts of Reverend Julius Hanks, the butchered children of Mueller Steading, and her own murdered steaders at her back. But now, as he looked into the unyielding flint of his wife's beloved, almond eyes, he knew he'd met the Salamander at last. And he recognized her as only another warrior could. Yet he also knew in that moment that for all his own imposing record of victory in battle, he was not and never had been her equal. As a tactician and a strategist, yes. Even as a fleet commander. But not as the very embodiment of devastation. Not as the Salamander. Because for all the compassion and gentleness which were so much a part of her, there was something else inside Honor Alexander-Harrington, as well. Something he himself had never had. She'd told him, once, that her own temper frightened her. That she sometimes thought she could have been a monster under the wrong set of circumstances. And now, as he realized he'd finally met the monster, his heart twisted with sympathy and love, for at last he understood what she'd been trying to tell him. Understood why she'd bound it with the chains of duty, and love, of compassion and honor, of pity, because, in a way, she'd been right. Under the wrong circumstances, she could have been the most terrifying person he had ever met. In fact, at this moment, she was . It was a merciless something, her "monster"—something that went far beyond military talent, or skills, or even courage. Those things, he knew without conceit, he, too, possessed in plenty. But not that deeply personal something at the core of her, as unstoppable as Juggernaut, merciless and colder than space itself, that no sane human being would ever willingly rouse. In that instant her husband knew, with an icy shiver which somehow, perversely, only made him love her even more deeply, that as he gazed into those agate-hard eyes, he looked into the gates of Hell itself. And whatever anyone else might think, he knew now that there was no fire in Hell. There was only the handmaiden of death, and ice, and purpose, and a determination which would not— couldnot—relent or rest. "I'll miss them," she told him again, still with that dreadful softness, "but I won't forget. I'll never forget, and one day— oneday, Hamish—we're going to find the people who did this, you and I. And when we do, the only thing I'll ask of God is that He let them live long enough to know who's killing them.

It’s all now you see. Yesterday wont be over until tomorrow and tomorrow began ten thousand years ago. For every Southern boy fourteen years old, not once but whenever he wants it, there is the instant when it’s still not yet two oclock on that July afternoon in 1863, the brigades are in position behind the rail fence, the guns are laid and ready in the woods and the furled flags are already loosened to break out and Pickett himself with his long oiled ringlets and his hat in one hand probably and his sword in the other looking up the hill waiting for Longstreet to give the word and it’s all in the balance, it hasn’t happened yet, it hasn’t even begun yet, it not only hasn’t begun yet but there is still time for it not to begin against that position and those circumstances which made more men than Garnett and Kemper and Armstead and Wilcox look grave yet it’s going to begin, we all know that, we have come too far with too much at stake and that moment doesn’t need even a fourteen-year-old boy to think This time. Maybe this time with all this much to lose and all this much to gain: Pennsylvania, Maryland, the world, the golden dome of Washington itself to crown with desperate and unbelievable victory the desperate gamble, the cast made two years ago; or to anyone who ever sailed even a skiff under a quilt sail, the moment in 1492 when somebody thought This is it: the absolute edge of no return, to turn back now and make home or sail irrevocably on and either find land or plunge over the world’s roaring rim.

The Mouser made a very small parry in carte so that the thrust of the bravo from the east went past his left side by only a hair's breath. He instantly riposted. His adversary, desperately springing back, parried in turn in carte. Hardly slowing, the tip of the Mouser's long, slim sword dropped under that parry with the delicacy of a princess curtsying and then leaped forward and a little upward, the Mouser making an impossibly long-looking lunge for one so small, and went between two scales of the bravo's armored jerkin and between his ribs and through his heart and out his back as if all were angelfood cake.

Guy’s eyes narrowed. “So you are saying that you traveled all the way out here alone— passing through, as you put it—and just happened to join up with the Pickerings?” Hadrian smiled at the sentinel. It was weak, clumsy, and the fencing equivalent of dropping his sword and tackling his opponent to the ground, but it was all he could do.

Not for the first time, the thought occurred to Hirou that if he'd actually known he was going to be transported into a magical universe, informed he was the long-lost heir to the Throne of Bronze, handed the legendary Sword of Good, and told to fight evil, he would have spent less time reading fantasy novels. Joined the army, maybe. Taken fencing lessons, at least. If there was one thing that didn't prepare you for fantasy real life, it was sitting at home reading fantasy fiction.

He reached for Aiden’s hand, which was swinging by the side of Aiden’s chair in a convenient location for Harvard to grab in case Harvard might want to. Harvard not only laced their fingers together, but also brought Aiden’s hand to his lips and kissed the back. Then he let their joined hands rest on the lapel of his uniform blazer, against the golden crown over crossed swords of his captain’s pin… and his heart. Harvard did it all absentmindedly, as though he didn’t have to think about his actions because it came so naturally. Aiden lifted a coffee cup to his lips purely in order to make a Can you believe this? face behind it. There went Harvard again, raising the ideal boyfriend bar to the sky. Could the man not be stopped? “Aw, are you having faith in me, sweetheart?” Aiden murmured. “That’s so nice. And so misplaced.” Harvard murmured, a lovely little sound, patently unconvinced. This is the last time, Aiden thought, and held on. The others ignored Aiden and Harvard’s romantic moment in order to focus on crime.

Enough of the lessons,” Mauvin said, clearly irritated at being the illustration of a fencing mistake. “Let’s show him a real demonstration.” “Looking for a rematch?” Hadrian asked. “Curious if it was luck.” Hadrian smiled and muttered, “Pickerings.” He took off his shirt and, wiping his face and hands, threw it on the grass and raised his sword to ready position. Mauvin lunged and immediately the two began to fight. The swords sang as they cut the air so fast their movements blurred. Hadrian and Mauvin danced around on the balls of their feet, shuffling in the dirt so briskly that a small cloud rose to knee height. “By Mar!” the old farmer exclaimed. Then abruptly they stopped, both panting from the exertion. Mauvin glared at Hadrian with a look that was both amazed and irritated. “You’re playing with me.” “I thought that was the point. You don’t really want me to kill you?” “Well no, but—well, like he said—by Mar! I’ve never seen anyone fight like you do; you’re amazing.” “I thought you both were pretty amazing,” Theron remarked. “I’ve never seen anything like that.

The days became for Christina endless preparation. Ceaseless winds tore through her massing battle ranks, the grey cold sun above marking the timeless date. With skies of blue and cloud overhead, driving, uncompromising time stood still, lingering, as if giving Christina precious eons to perfect her shaving straight razor cuts of mind and sword. She worked alone now, forging the essence of herself in the policies and ways of hammer and anvil, pounding away with the classic, living Japanese blade. Her deft hands spun dervishly, wroughting out the iron of her will, fashioning a blade-mind remade unto her. --Brickley, The Lady and the Samurai

Only in America do we ask our writers to believe they don't matter as a condition of writing. It is time to end this. Much of my time as a student was spent doubting the importance of my work, doubting the power it had to reach anyone or do anything of significance. I was already tired o hearing about how the pen was mightier than the sword by the time I was studying writing. Swords, it seemed to me, won all the time. By the time I found that Auden quote -- "poetry makes nothing happen" -- I was more than ready to believe what I thought he was saying. But books were still to me as they had been when I found them: the only magic. My mother's most common childhood memory of me is of standing next to me trying to be heard over the voice of the page. I didn't really commit to writing until I understood that it meant making that happen for someone else. And in order to do that, I had to commit the chaos inside of me to an intricate order, an articulate complexity. To write is to tell a ticket to escape, not from the truth, but into it. My job is to make something happen in a space barely larger than the span of your hand, behind your eyes, distilled out of all that I have carried, from friends, teachers, people met on planes, people I have only seen in my mind, all my mother and father ever did, every favorite book, until it meets and distills from you, the reader, something out of the everything it finds in you. All of this meets along the edge of a sentence like this on, as if the sentence is a fence, with you on one side and me on the other. When the writing works best, I feel like I could poke one of these words out of place and find the writer's eye there, looking through to me. If you don't know what I mean, what I mean is this: when I speak of walking through a snowstorm, you remember a night from your childhood full of snow, or from last winter, say, driving home at night, surprised by a storm. When I speak of my dead friends and poetry, you may remember your own dead friends, or if none of your friends are dead, you may imagine how it might feel to have them die. You may think of your poems, or poems you've seen or heard. You may remember you don't like poetry. Something new is made from my memories and yours as you read this. It is not my memory, not yours, and it is born and walks the bridges and roads of your mind, as long as it can. After it has left mine. All my life I've been told this isn't important, that it doesn't matter, that it could never matter. And yet I think it does. I think it is the real reason the people who would take everything from us say this. I think it's the same reason that when fascists come to power, writers are among the first to go to jail. And that is the point of writing.

You’re holding a challenge in a fencing club?” “Yes. Is there something wrong with that?” He pulled on his black pants and the heavy silk green shirt I loved for him to wear because the material seemed to caress hisskin. No, it’s just kind of an incongruous place to hold something so serious as a challenge, isn’t it?” He finished with his shoes, grabbed another towel, and shook it out for me. I made sure Pal still had his back to me, hurrying out of the pool to clasp the towel around me. “It is no less incongruous than holding a challenge in a bar.” I smiled. “Yes, but my challenge to you wasn’t serious. I hope you’ll notice that I’m not freaking out about this at all. I haven’t even asked you how good you are with asword.” “I noticed.” His mouth burned on mine for a moment, his fire being shared between us as his tongue twined around mine in a fiery—albeit brief—dance. “You are learning to have faith in me as is proper between a mateand her wyvern.” “No, I am learning to ask around. Pal told me earlier today that Dmitri had picked swords and that you were pleased because you were some sort of master swordsman a few centuries ago. You’d better not have forgotten anything.” Pal peeked at me out of the corner of his eye, his grin not too obvious. Drake pinched my bare behind as punishment for my saucy tone. “I never forget. Istvan will drive you when you are ready. The challenge is not for an hour. Do not be late.” “Happy chevauchee-ing,” I called, feeling remarkably happy.

Harvard pointed. “You know, right there is when the stuntman catches the sword out of frame.” “I know.” Aiden did know. Harvard always told him this fact at this precise moment. Aiden had watched this movie without Harvard once—on a date. Seeing the sword fly without the familiar murmur had upset Aiden enough to turn off the movie. Tonight, Harvard was here with him. They were both lying on their stomachs with their legs kicked up and their hands cupped in their chins, as though they were six years old. They weren’t. Aiden tangled their legs together slightly, deliberately. It felt far more dangerous than crossing swords. Aiden couldn’t imagine a match with so much at stake. “During a date when you stay in,” Aiden said, teaching, “you should try to see if the other person is receptive to you getting closer.” Harvard gave Aiden a look out of the corner of his eye, and let their legs stay tangled, resting with light pressure against one another. Love was a delusion, nothing but an electrical impulse in the brain, but there were many impulses running electric under Aiden’s skin right now. The man in black smiled beneath his mask and switched his sword to his right hand. The clash of swords rang over the sound of the sea. Aiden sneaked another look at Harvard, the shine of his dark eyes and white teeth in the silvery glow from the screen. Harvard caught him looking, but he returned Aiden’s look with a look of his own, warmly affectionate and never suspicious at all. Harvard never suspected a thing. Because Aiden was his best friend, and Harvard trusted him. And Harvard could trust him. Aiden would never do anything to hurt Harvard, not anything at all. Aiden moved in still closer, his arm set against Harvard’s, solid muscle under the thin material of his shirtsleeve. He could put his arm around Harvard’s shoulders or slip an arm around his waist or lean in. He was allowed, just for tonight.

I’ve only an hour,” Colin said as he attached the safety tip to his foil. “I have an appointment this afternoon.” “No matter,” Benedict replied, lunging forward a few times to loosen up the muscles in his leg. He hadn’t fenced in some time; the sword felt good in his hand. He drew back and touched the tip to the floor, letting the blade bend slightly. “It won’t take more than an hour to best you.” Colin rolled his eyes before he drew down his mask. Benedict walked to the center of the room. “Are you ready?” “Not quite,” Colin replied, following him. Benedict lunged again. “I said I wasn’t ready!” Colin hollered as he jumped out of the way. “You’re too slow,” Benedict snapped. Colin cursed under his breath, then added a louder, “Bloody hell,” for good measure. “What’s gotten into you?” “Nothing,” Benedict nearly snarled. “Why would you say so?” Colin took a step backward until they were a suitable distance apart to start the match. “Oh, I don’t know,” he intoned, sarcasm evident. “I suppose it could be because you nearly took my head off.” “I’ve a tip on my blade.” “And you were slashing like you were using a sabre,” Colin shot back. Benedict gave a hard smile. “It’s more fun that way.” “Not for my neck.” Colin passed his sword from hand to hand as he flexed and stretched his fingers. He paused and frowned. “You sure you have a foil there?” Benedict scowled. “For the love of God, Colin, I would never use a real weapon.” “Just making sure,” Colin muttered, touching his neck lightly. “Are you ready?” Benedict nodded and bent his knees. “Regular rules,” Colin said, assuming a fencer’s crouch. “No slashing.” Benedict gave him a curt nod. “En garde!” Both men raised their right arms, twisting their wrists until their palms were up, foils gripped in their fingers. “Is that new?” Colin suddenly asked, eyeing the handle of Benedict’s foil with interest. Benedict cursed at the loss of his concentration. “Yes, it’s new,” he bit off. “I prefer an Italian grip.” Colin stepped back, completely losing his fencing posture as he looked at his own foil, with a less elaborate French grip. “Might I borrow it some time? I wouldn’t mind seeing if—” “Yes!” Benedict snapped, barely resisting the urge to advance and lunge that very second. “Will you get back en garde?” Colin gave him a lopsided smile, and Benedict just knew that he had asked about his grip simply to annoy him. “As you wish,” Colin murmured, assuming position again.

A few minutes later, there was no mistaking the sound of clashing swords. Throwing aside his newspaper, Hull ran down the stairs and tried to open the door to the ground-floor parlor. Finding it locked, and growing increasingly alarmed at the violent clatter from within, he shouted for waiters to help him force the door. Finally bursting into the unlit room, Hull could dimly make out two figures fencing furiously in the dark. Reckless as to his own safety, the clerk grabbed the sword arm of the nearest man, thrust

Me and Jason against you and Stacy.” Alana handed Alexis a badminton racket and grinned. “Yay,” Alexis said without even a smidgeon of enthusiasm. “Do you want to serve?” Stacy asked Alexis when Jason and Alana moved to the other side of the net. “Serve you what? There’s no staff here to take care of your every whim, princess,” Alexis said lowly so the others wouldn’t hear. Stacy recoiled at the remark, then her temper flared. “You know what I was asking,” she replied coolly. “You can serve. Here’s the birdie,” Alexis replied and handed it to her on her middle finger. “Shuttlecock,” Stacy corrected. “Butthole…cock.” Alexis shrugged when Stacy glared at her. “That’s what we used to call them.” “Uh-huh,” Stacy said as she prepared to serve. The birdie sailed over the net,and volley began. This went on for a few minutes, then Alexis heard a hard thwack behind her, and the birdie stung her on the back of the thigh. She turned and looked at Stacy with fire in her eyes. “My bad,” Stacy said nonchalantly.Alexis picked up the birdie and hit it toward Jason. He served again. Stacy returned and nailed Alexis in the back of the head. “I’m so sorry,” Stacy said with an acerbic smile. “I’m having a hard time getting my shuttlecock up for you.” ...An intense volley began, and Alana said, “Uh, hey, y’all are supposed to be hitting it to us.” Jason watched in fascination. “I think they’re trying to kill the birdie.” Alexis finally missed and snatched it off the ground. “We were just warming up.” “Yeah, I’m good and hot now,” Stacy added between clenched teeth...“My serve,” Alexis said as she whirled around, then lowered her voice as she passed Stacy. “You’re about to find out whywe call them butthole cocks.” Stacy held her racket out like a sword. “How about I just waffle your ass now?” Alexis struck a fencing pose, or at least she thought she did. “On guard, biatch.”...Alana rushed under the net and stepped between the two staring daggers at each other. “Hey, we want to be able to use these rackets again. Maybe we should take a break since y’all kind of murdered the birdie.” Alana laughed. “It’s missing two plastic feathers...

First one, then the other, describes in clear fencing language, in detail exactly what occurred. For example: “Mary was in coda longa, I was in posta di donna. Mary attacked with a thrust to my face. I tried to exchange the thrust, but my sword caught on the back of my mask and I missed my parry. Mary’s thrust landed in my face”. Then Mary describes what she thought happened “well, I started in tutta porta di ferro, and attacked with a mandritto fendente … (you’ll be amazed how rarely you’ll agree with each other to start with). Lastly, the observer states what he thought happened. If the observer doesn’t have a reliable fencing memory, use a video camera too. When

Undoubtedly, you are overwrought from re-wroughting hand-wrought iron out right. But I think in time you will iron things out for yourself. Stay holstered and strapped to your side. It is said, ‘when genius matures it goes into hixibn’–“hiding.” You will know of this wisdom one day. --Thomas Kannon Sword Master, The Lady and the Samurai

I have not trained in fencing (or vaginal hygiene), so if I am forced to use a sword in combat, I just swing it around like a baseball bat while screaming, at the top of my lungs: “There can be only one!” Which, if done correctly, is surprisingly effective. After

agave. Any of several southwestern plants with tough, spiny sword-shaped leaves. Named for Agave, daughter of the legendary Cadmus, who introduced the Greek alphabet, the large Agave genus includes the remarkable century plant (Agave americana), which blooms once and dies (though anytime after 15 years, not after 100 years, as was once believed). Introduced to Europe from America in the 16th century, this big agave is often used there for fences. It is regarded as a religious charm by pilgrims to Mecca, who hang a leaf of it over their doors to ward off evil spirits and indicate that they have made the pilgrimage.

We did not know she was sick, but she has come to the fence, walking like a woman who is balancing a sword inside of her body.

Unless a devotee is of the heroic type he cannot pay attention to both God and the world. King Janaka lived a householder’s life only after attaining perfection through austerity and prayer. He fenced with two swords, the one of Knowledge and the other of action.

This is how Englishmen attempt to make their drunken stupidity appear brave. The old ladies have granddaughters and goddaughters in service, working as lady’s maids and companions. They hear everything. The nephews and grandsons are fencing masters, dancing masters, and drawing masters in the best English households, and they hear even more. Whoever speaks against you does not want to confront you over pistols or swords, so perhaps your foe is a woman.

Masgard drew his sword and swished it to and fro, practising flashy fencing moves as he advanced on her. When he was a few feet away Hester lunged forward and jabbed her blade at his shoulder. She didn’t think she’d done much damage, but Masgard dropped his sword and put his hands to the wound and slithered in the snow and fell over.

It is essential in war to position your troops in the most favorable site before the battle begins. It is twice as advantageous to take the initiative and attack first rather than wait for the enemy to do so. Assuming an unflinching sword stance to parry an attack is effectively the same as constructing a [protective] fence of pikes and glaives. When you strike the enemy, pull the “fence posts” out and use them as pikes and glaives. Study this carefully. (6) About “Fixing the Gaze” in Other Schools （一、他流に目付と云事） Certain schools maintain that the gaze should be fixed on the enemy’s sword. Others teach students to focus on the hands, the face, the enemy’s feet and so on. Setting your gaze on specific points will cause uncertainty and will adversely affect your strategy. To give another example, players of kemari8 do not focus intently on the ball as they kick it. They can still deflect the ball off their temple and kick it using the bansuri technique9 or keep it afloat with an oimari kick,10 or even a spin kick. As the player becomes more accomplished, he can kick the ball without needing to look at it. The same can be said of acrobats. Someone accustomed to this art can juggle several swords while simultaneously balancing a door on the tip of his nose. He has no need to fix his gaze as he can see what he is doing intuitively through lots of training. Likewise, in the Way of combat strategy, the warrior learns through engaging with different opponents to determine the weight of an enemy’s mind. With practice in the Way, you will come to see everything, from reach to the speed of the sword. Generally speaking, “fixing the gaze” in strategy is to attach it to an enemy’s mind. In large-scale strategy, also, the state and numbers of the enemy must be scrutinized. The two approaches for observing are the eyes of kan (“looking in”) and ken (“looking at”). Intensifying the kan gaze, penetrate the enemy’s mind to discern the conditions. With a widened gaze, examine how the battle is progressing and search for moments of strength and vulnerability. This is the surest way to victory. In both large- and small-scale strategy, refrain from fixing your gaze narrowly. As I have written previously, focusing on minute details will make you forget bigger issues. Your mind will become confused and certain victory will slip from your reach. You must study this principle through careful training.

I was born in 1922 in the town of Kainan, Wakayama Prefecture. When I was at the Kainan Middle School, I was crazy about Japanese fencing (kendō). Although I was not exceptionally good at my studies, I liked going to school, because when classes were over, I could to go the kendō gym and practice with my bamboo “sword” until I was worn out.

it was like a fencing match with blunted swords.

A sword is like communion. It's appropriate to approach it with prepared body and soul.

Matajura wanted to become a great swordsman, but his father said he could never learn, because he wasn’t quick enough. So Matajura went to the famous dueler Banzo and asked to become his pupil. “How long will it take me to become a master?” he asked. “Suppose I become your servant, to be with you every minute, how long?” “Ten years,” said Banzo. “My father is getting old,” pleaded Matajura. “Before ten years have passed I will have to return home to take care of him. Suppose I work twice as hard. How long will it take me?” “Thirty years,” said Banzo. “How is that?” asked Matajura. “When I offer to work twice as hard, you say it will take three times as long. Let me make myself clear. I will work unceasingly. No hardship will be too much. How long will it take?” “Seventy years,” said Banzo. “A pupil in such a hurry learns slowly.” Matajura understood. Without asking for any promises in terms of time, he became Banzo’s servant. Three years passed. Matajura cleaned, cooked, washed, and gardened. He was ordered never to speak of fencing or to touch a sword. He was very sad at this, but he had given his promise to the master and resolved to keep his word. One day while Matajura was gardening, Banzo came up quietly behind him and gave him a terrible whack with a wooden sword. The next day in the kitchen, the same blow fell again. Thereafter, day in and day out, from every corner and at any moment, Matajura was attacked by Banzo’s wooden sword. He learned to live on the balls of his feet, ready to dodge at any moment. He became a body with no desires, no thought, only external readiness and quickness. Banzo smiled and started lessons. Soon, Matajura was the greatest swordsman in Japan. THE

The power of the croisé, or the cross, comes from leverage. When executed with proper form and employed without hesitation, the opponent runs upon your blade. This is not a move that requires a heavy hand; in fact, it is best done with the gentlest of touches.

The saber we’ve been entrusted to bear is not lifted with our hands; it is raised by our words.

At the end of the block, inside an iron fence, the bronze statue of Leif Erikson stood on his pedestal, his hand cupped over his eyes. Leif gazed toward the Charlesgate overpass as if to say Look, I discovered a highway!

contingent of soldiers with you.” Almost opening his mouth in protest, Killian seemed to think the better of it. “Yes, Madam.” He glanced quickly at Talis and the others. “Shouldn’t our guests come as well? The priests should cleanse them of…of any defilement that may have possessed them on their long voyage.” The Madam frowned. “I suppose that is true. The priests must perform their rites. Go on, now.” Talis wondered what kind of rites they practiced here on the island. Whatever it was, it couldn’t be good. He glanced at Rikar who shook his head slightly in a gesture of disapproval. They followed the twins out of the palace with a group of soldiers leading them north along the gardens until they turned east along the wall. Talis snuck a look at the looming outer walls. So close to freedom, if only the Madam hadn’t sent so many soldiers to mind them. But he couldn’t leave without finding his sword. The way opened up to a park surrounded by a wrought-iron fence. Inside, they reached a stand of mangroves. Small wooden temples dotted the interior, with hundreds of strands of white rope stretched from branch to temple roof. White flags with ancient script in gold ink adorned the ropes. Talis recognized some of the characters: death, mountains, volcano, sky, chaos.  “Lieutenant,” Killian said. “Summon the priests, then be on your way. We can manage things ourselves from here on.

The knowledge of what is good without practicing it, turns frequently to evil. —C. MARTELLI, FENCING MASTER

Tell me—or anyone else—something thatis personal to you, Coach had said. Seiji couldn’t talk to just anyone, but Nicholas had said they were friends. “I was… Jesse’s mirror,” said Seiji slowly. “I reflected his—glow, his glories and his victories. I used to think it was an honor. We were similar, I told myself, in all the ways that really mattered.” Jesse was left-handed like Nicholas, so facing him sometimes felt like looking into a mirror. Like seeing yourself through the glass, a better, golden self in a different world. A self who fenced just as well but didn’t have to work as hard for it. A Seiji who did everything in life with the same skill as he fenced. “You’re not a mirror,” said Nicholas. “You’re real.” “It’s a metaphor, Nicholas.” Nicholas shrugged. “You’re still not a mirror. Mirrors break. You never do.” Seiji thought of his moment of defeat against Jesse. The moment that Aiden had seen, and taunted Seiji with, making Seiji lose again. Seiji had trained his whole life to be strong, but somehow, he was still weak. Jesse had taken his sword, and Seiji hadn’t been able to stop him. The bitterness of that defeat sent Seiji to Kings Row. Always keep moving toward your target, his dad’s voice said, but somehow Seiji had ended up getting his target wrong. He’d moved toward loss and pain he still didn’t entirely understand. “I lost,” confessed Seiji. “Badly.” “Doesn’t make you a loser,” said Nicholas, having another lapse where he didn’t understand what words—let alone metaphors—meant. “You didn’t burst into tears and give up fencing. And you didn’t follow Jesse to Exton like a little lamb, the way he was expecting. You came to Kings Row, and you came to fence. You came to fight.” This view of the matter was so shocking that Seiji said something he’d thought he would never say to Nicholas Cox. “I suppose…,” said Seiji, “… you’re right.” Nicholas’s gaze remained fixed on the floor. “Being rivals shouldn’t be about being someone’s mirror. Both of you get to be real. Neither of you has to break.” “Sometimes you’re insightful, Nicholas,” said Seiji. Nicholas looked pleased before Seiji added: “I think it’s mainly by accident.” At that point, Nicholas rolled his eyes and stepped into his side of the room, yanking the curtain closed between them.

 When St. Kari of the Blade Met Luke Skywalker, Star Wars Jedi Knight  “What’s that?” Kari asked pointing to the silvery object attached to Luke’s waist. “It’s my lightsaber,” Luke said cautiously, not knowing where this was going. “It’s like your sword, only many years advanced.” “I see me thinks,” grinned Kari, “although I cannot see how such a short object labors as a sword. Can you show me how? Here, block my blade.” Kari pull-whipped her sharp, simple straight edge fast and held it so that its steel shaft was stationed off Lukes left shoulder. “I don’t want to ruin your sword,” Luke said with a slight grinning shrug. “It will cut your blade in half.” “No it shan’t. C’mon and try” quipped Kari, her violet-grey eyes dancing with mirth. Luke felt compelled just a little bit to teach the seemingly uncomplicated girl a lesson in advanced blade-play. He struck at her sword, but to his amazement, the laser did not cut through Kari’s antiquated, plain cross-hilt weapon, as it easily should have. She wryed and smiled. “I’ve never seen anything like this,” Luke said eyes widening in surprise. “The only thing that resists a lightsaber cut is Cortosis.” “Let me try cutting at you,” Kari said, her gridelin eyes glittering in delight. As she struck Luke’s sword, the neat humming cylindrical beam of laser light that was Luke’s blade fell as one solid piece to the ground and began to eat itself inward and disappear, both ends vaporizing and fizzling, meeting in the middle and ending with a loud “pop!” “How did you do that?” Skywalker asked in amazement. “What’s your sword made of?” Kari smiled. “My sword is made of adamantine eternal belief. It both cut and resisted your blade because I shalled it to. I am she. All swordplay in the ’Halla exists on the edge of belief, something you will have to learn if you are to survive here whilst your sky-ship is being refitted and rigged out. Learn about the ’Halla, Luke.” Luke awkwardly grimaced. His lightsaber was an amazing piece of advanced technology and here this wispy backwater of a fencing lass had just “out-believed” him, making his well-ahead art of laser swordplay more primitive than the girl’s unadorned straightedge. He remembered Yoda’s words on failure and belief and felt stupid. The word Jedi was not in Kari’s vocabulary, Luke thought, but notwithstanding, she seemed more than a Jedi than he.

There is nothing in the world that Nautre, Sage teacher and benign Mother of the universe, regards with greater foresight and more diligence than the preservation of self. As such, man, being above every other noblest creature, shows himself to have great regard for his safety. Nature provides him, then, with singular privilege of the hand, with which he not only goes procuring all the things necessary for the sustenance of life, but also arms him with the sword, noblest instrument of all, for protection and defending himself with it against any assault of enemy force, therefore in accordance with the correct rules of true valor and the art of fencing.

Mrs. Rogan smiled. “That’s not true. You have me. And I have nothing but time. I think we should start with fencing. I suspect there is a lot more to the way you move your sword than pure luck.

If you master the principles of sword-fencing, when you freely beat one man, you beat any man in the world. The spirit of defeating a man is the same for ten million men. The strategist makes small things into big things, like building a great Buddha from a one foot model. I cannot write in detail how this is done. The principle of strategy is having one thing, to know ten thousand things.

He was a relentlessly physical little boy, always climbing things and falling off them and hitting them with other things to see which of them would break. He was especially devoted to a violent form of football that was played with several dozen boys from all over the area. Oriel captained one team, and the other was led by an exotic-looking child named William Colingham, who had dark eyes and long, loose black hair—the Dugfalls and the Colinghams were the two large landholding families in the Great Wold Valley. The ball was an inflated pig’s bladder filled with dried peas, and the playing field was the whole town and the fields around it. The game generally left crops and fences and small outbuildings in ruins and only ended when the bladder popped or someone got seriously hurt.