Swivel Quotes

We've searched our database for all the quotes and captions related to Swivel. Here they are! All 100 of them:

Sometimes the slightest things change the directions of our lives, the merest breath of a circumstance, a random moment that connects like a meteorite striking the earth. Lives have swiveled and changed direction on the strength of a chance remark.
Bryce Courtenay
Where is he? Bridgerton!" he bellowed. Three chestnut heads swiveled in his direction. Simon stomped across the grass, murder in his eyes. "I meant the idiot Bridgerton." "That, I believe," Anthony said mildly, tilting his chin toward Colin, "would refer to you.
Julia Quinn (The Duke and I (Bridgertons, #1))
Her conviction wavered further. “I told you; don’t try to own me.” “I don’t want to own you.” She swiveled her neck to meet his gaze. “Then never speak of sending me away again. I am not yours to do with as you will.” Khalid’s features smoothed knowingly. “How right you are. You are not mine.” He dropped his palm from the door. “I am yours.
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
No good decision was ever made in a swivel chair.
George S. Patton Jr.
Humans were built to look back; that's why we have that swivel joint in our necks
Stephen King (11/22/63)
You look happy," he said to Clary. He swiveled his gaze to Jace. "And a good thing for you that she does." Jace raised an eyebrow. "Is this the part where you tell me that if I hurt her, you'll kill me?" "No," said Simon, "If you hurt Clary, she's quite capable of killing you herself. Possibly with a variety of weapons." Jace looked pleased by the thought.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
No homework. I got suspended,” Blue replied. “Get the fuck out,” Ronan said, but with admiration. “Sargent, you asshole.” Blue reluctantly allowed him to bump fists with her as Gansey eyed her meaningfully in the rearview mirror. Adam swivelled the other way in his seat – to the right, instead of to the left, so that he was peering around the far side of the headrest. It made him look as if he were hiding, but Blue knew it was just because it turned his hearing ear instead of his deaf ear towards them. “For what?” “Emptying another student’s backpack over his car. I don’t really want to talk about it.” “I do,” Ronan said. “Well, I don’t. I’m not proud of it.” Ronan patted her leg. “I’ll be proud for you.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Captain! To your left there’s a Lunar guard and on your right is a doctor who’s running tests on Lunars and I’m being held by one of Levana’s wolf hybrids and please be careful!” Thorne took a step back into the hallway a gun from his waistband. He spent a moment swiveling the barrel of the gun in each direction, but nobody moved to attack him. With some surprise, Cress realized that the operative’s grip had weakened. “Er…” Thorne furrowed his brow, aiming the gun somewhere near the window. “Could you describe all those threats again because I feel like I missed something.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
And now we can't," I said. "Which sucks, but the main thing is that your dad's alive." He smiled, hesitant at first, then a blazing grin broke through that made my heart stop. I recovered and grinned back and went to throw my arms around his neck, then stopped, blushing. Before I could pull back, he caught my elbows and put my arms around his neck and pulled me into a hug. Then he jumped, chair swiveling so fast I nearly went flying. I heard footsteps in the hall and I scrambled off his lap just as Simon swung in, breathing heavily, like he'd come running.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
It was the dimples. Empires have swiveled on less.
Julie Berry (Lovely War)
Simon?" she asked. "I have a stupid question." "What is it?" "Did you sleep with Isabelle?" Simon made a choking sound. Clary swiveled slowly around to look at him. "Are you okay?" she asked. "I think so," he said, recovering his poise with apparent effort. "Are you serious?" "Well, you were gone all night.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
They talk about “body language,” as if we all speak it the same. But everyone has their own dialect. For me right now, for example, swiveling my body right away and staring rigidly at the corner means, “I like you.” Because I didn’t run away and shut myself in the bathroom. I just hope he realizes that.
Sophie Kinsella (Finding Audrey)
If we don’t want life to pass us by, while the world is swiveling around us, let’s look inwards and turn things upside down in the inner chambers of our mind. Only after reshuffling our rooted values we can look outwards, find out the fascinations of life, and rediscover our selves, layer after layer. (“Finally unbend « )
Erik Pevernagie
It's Lila--come on, Jack. She might be a little impulsive but that doesn't make her a sociopath.' I swivelled my gaze to Jack, trying my best not to look like a sociopath.
Sarah Alderson (Hunting Lila (Lila, #1))
Truth is as straight as an arrow, while a lie swivels like a snake.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
And that’s why we’re sending Boobs McGee.” I slowly swiveled my head to glare at Catcher. “Seriously. You’re, what, twelve now?” *** “Then I guess that settles that,” I agreed. “My boobs and I will go.
Chloe Neill (Drink Deep (Chicagoland Vampires, #5))
Except...I do. Of course I do. Because as his hands gently cup my waist, I don't make a sound. As he swivels me around to face him, I don't make a sound. I don't need to. We're still talking. Every touch he makes, every imprint of his skin is like another word, another thought, a continuation of our conversation. And we're not done yet. Not yet.
Sophie Kinsella (I've Got Your Number)
I stepped back, pivoted on a heel, and swivelled my hip for a side kick. It probably seemed, to a casual observer, that I was warming up, taking a few well-aimed kicks at an inanimate object. But in my mind, THWACK, I was kicking, THWACK, a certain Master vampire, THWACK, in the face.
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
I spin around on the swivel chair and look up at the ceiling; Oliver being Oliver being Oliver being Oliver. I am suddenly aware of the separation between my-actual-self and myself-as-seen-by-others. Who would win in an arm wrestle? Who is better-looking? Who has the higher IQ?
Joe Dunthorne (Submarine)
There. A clear opening. Rin raised a leg and kicked out, hard. Her leg caught Nezha in midair with a satisfying whoomph. Nezha uttered an unnatural shriek and clutched his crotch, whimpering. The entire studio fell silent as all heads swiveled in their direction. Nezha clambered to his feet, scarlet-faced. “You—how dare you—” “Just as you said.” Rin dipped her head into a mocking bow. “I only know one kick.
R.F. Kuang (The Poppy War (The Poppy War, #1))
For the briefest moment, they came face to face. Their eyes locked. Then he broke the stare, swiveled, sank into a sitting position, chains clanking, with his knees up. She watched him speechlessly as he set a cooler bag between his boots, like he was settling down to a picnic or something. An image of the contents as hospital blood bags, complete with juice straws, flashed through her mind. Unfolding her legs, she made herself as comfortable as she could on the cold outer edge of the sill. An intangible and unnameable charge electrified the space between them, and at first, neither of them said anything. [...] Finally she heard him unzip the bag and watched him pull out a small cylinder. "I thought you might like some crappy ice cream," he said.
Kelly Creagh (Nevermore (Nevermore, #1))
At the front window was something that looked like a machine gun with a cluster of barrels. “Rocket launcher?” he wondered aloud. “Nope, nope! Potatoes. Ella doesn't like potatoes.” “Ella! Where are the others?” “Roof. Ogre-watching. Ella doesn't like ogres. Potatoes.” Potatoes? Frank didn't understand until he swiveled the machine gun around. Its eight barrels were loaded with spuds. At the base of the gun, a basket was filled with more edible ammunition… “They have cannonballs,” Frank said, “and we have a potato gun.” “Starch,” Ella said thoughtfully. “Starch is bad for ogres.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Don't look back, never look back. How often do people tell themselves that after an experience that is exceptionally good (or exceptionally bad?)? Often, I suppose. And the advice usually goes unheeded. Humans were built to look back; that's why we have tat swivel joint in our necks.
Stephen King (11/22/63)
Finally, he pushed back the chair and exhaled. "He's alive," I said. "Your dad's alive." He loooked up at me and, I couldn't help it-- I threw my arms around his neck and hugged him. Then I realized what I was doing. I let go, backing away, tripping over my feet, stammering. "I-I'm sorry. I'm just--I'm happy for you." "I know." Still sitting, he reached out and pulled me toward him. We stayed there, looking at each other, his hand still wrapped around my shirt hem, my heart hammering so hard I wash sure he could hear it. "There's more," I said after a few seconds. "More emails, Tori said." He nodded and swiveled back to the computer, making room for me. When I inched closer, not wanting to intrude, he tugged me in front of him and I stumbled, half falling onto his lap. I tried to scramble up, cheeks burning, but he pulled me down onto his knee, one arm going around my waist, tentative, as if to say Is this okay? It was, even if my blood pounded in my ears so hard I couldn't think.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
As Con and Sin approached the Harrowgate, it flashed and a tank of a blood-bay stallion leaped out, scattering staff and patients. Atop the horse sat a massive male in hard leather armor. His hair was short, reddish brown, and his eyes were black as Sin's. "What the hell are you doing?" Eidolon shouted, but the big male swiveled his head and focused his gaze on Sin with such intensity that Con stiffened. "Why is he looking at you like that?" "I...ah..." She slid him a timid glance. "I sort of slept with him once." Con took a deep breath and tried to rein in his desire to rip out the horse guy's throat. "Where'd you find him? EviLove.com?
Larissa Ione (Sin Undone (Demonica, #5))
I'll try to communicate, Taylor said. She spoke slowly and deliberately. Hello! We need help. Is your village close? My village is Denver. And I think it's a long way from here. I'm Nicole Ade. Miss Colorado. We have a Colorado where we're from too! Tiara said. She swiveled her hips, spread her arms wide, then brought her hands together prayer-style and bowed. Kipa aloha. Nicole stared. I speak English. I'm American. Also, did you learn those moves from Barbie's Hawaiian Vacation DVD? Ohmigosh, yes! Do your people have that, too?
Libba Bray (Beauty Queens)
Teddy swiveled his chair and looked out the window to the sky beyond. Night was edging in. “What must it be like?” he pondered. “He’s stuck out there. He thinks he’s totally alone and that we all gave up on him. What kind of effect does that have on a man’s psychology?” He turned back to Venkat. “I wonder what he’s thinking right now.” LOG ENTRY: SOL 61 How come Aquaman can control whales? They’re mammals! Makes no sense.
Andy Weir (The Martian)
Sometimes the slightest things change the directions of our lives, the merest breath of a circumstance, a random moment that connects like a meteorite striking the earth. Lives have swiveled and changed direction on the strength of a chance remark.
Bryce Courtenay (The Power of One (The Power of One, #1))
He's asking if you cheated on her, slapnuts." Gavin swiveled his head to glare at Del. "Is that what you think? You actually think I would cheat on her?" [...] "No," Del said. "But we have to ask. It's a rule. We don't help cheaters.
Lyssa Kay Adams (The Bromance Book Club (Bromance Book Club, #1))
Just before Jie and Daniel reached the street, Daniel stopped. He twirled around and gazed up at me, as if he had sensed my eyes on his back. He strode a few steps toward me, paused, and then strode two more. He slung off his cap and pressed it to his chest. Then,with the casual grace that marked all of his movements, he dropped to one knee and bowed his head. He was declaring fealty to his empress. I laughed-I couldn't help it. The absurdity of it all. The bittersweet sting.When he lifted back up, I saw he too wore a smile.He waved with his cap, and after flopping it back on his head, he swiveled and trotted to the street. Then,without another look back, the Spirit-Hunters left.
Susan Dennard (Something Strange and Deadly (Something Strange and Deadly, #1))
STEALING THE CAR, I WOULDN’T HAVE BEEN SURPRISED IF THEY’D EXPELLED YOU, YOU WAIT TILL I GET HOLD OF YOU, I DON’T SUPPOSE YOU STOPPED TO THINK WHAT YOUR FATHER AND I WENT THROUGH WHEN WE SAW IT WAS GONE —” Mrs. Weasley’s yells, a hundred times louder than usual, made the plates and spoons rattle on the table, and echoed deafeningly off the stone walls. People throughout the hall were swiveling around to see who had received the Howler, and Ron sank so low in his chair that only his crimson forehead could be seen. “— LETTER FROM DUMBLEDORE LAST NIGHT, I THOUGHT YOUR FATHER WOULD DIE OF SHAME, WE DIDN’T BRING YOU UP TO BEHAVE LIKE THIS, YOU AND HARRY COULD BOTH HAVE DIED —” Harry had been wondering when his name was going to crop up. He tried very hard to look as though he couldn’t hear the voice that was making his eardrums throb. “— ABSOLUTELY DISGUSTED — YOUR FATHER’S FACING AN INQUIRY AT WORK, IT’S ENTIRELY YOUR FAULT AND IF YOU PUT ANOTHER TOE OUT OF LINE WE’LL BRING YOU STRAIGHT BACK HOME.” A ringing silence fell.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Sometimes, on a very clear night,’ the BFG said, ‘and if I is swiggling my ears in the right direction’ – and here he swivelled his great ears upwards so they were facing the ceiling – ‘if I is swiggling them like this and the night is very clear, I is sometimes hearing faraway music coming from the stars in the sky.’ A queer little shiver passed through Sophie’s body. She sat very quiet, waiting for more.
Roald Dahl (The BFG)
I didn’t do a 180-degree turn on my thinking. I simply swiveled my chair around so I could dismiss the idea from the other side.
Jarod Kintz (99 Cents For Some Nonsense)
She turned up the volume. I listened for a second to the high-pitched garble of Italian. "Taffeta," I said, "how is this your favorite part? You don't even know what the words mean." "I do too," she insisted. "No you don't--they're in another language." "Yes I do, Grace." She swiveled the volume knob. "Listen.
Kirsten Hubbard (Like Mandarin)
I don't remember getting out of the elevator and going through the lobby. Everything is becoming increasingly foggy. I just find myself standing in front of the hotel all of a sudden. A Blue and white car stops in front of me. Numbly, I open the back door and slide into the seat. "Can I help you" the dark haired driver asks, swiveling his head to look at me. "I need to get home to Hidden Cove." "Lady, this isn't a cab" Oh. Great. "Sorry', I mutter, quickly sliding back out. This time I make sure the car says cab on it before I get in.
Nicole Christie (Falling for the Ghost of You)
For Christmas my family bought me a new Scrabble board (the one that swivels!) and cat treats. Am I eighty five?
Taylor Swift
The dentist swiveled on his heels and disappeared, leaving me there to massage my jaw back into feeling after its brief, masochistic marriage to the top of my wooden desk.
Jonathan Lethem (Gun, With Occasional Music)
I don't know,' he said irritably. 'Is it meant to improve you?' She swiveled toward him, eyes wide with shock. 'Because nothing could,' he added. Her mouth dropped in astonishment. Blotchy scarlet rushed her complexion. One would have thought he'd shot her. Oh dear God! He realized belatedly how wrong it had sounded. 'No! God... that is to say.. nothing is necessary to improve you. Nothing could possibly make you better... than you already are.
Julie Anne Long (How the Marquess Was Won (Pennyroyal Green, #6))
i want to be your girl, in the same way you hold the glistening body of mars in a telescope's lidless eye and say she belongs to you; swivel the lens and she's gone in the dark, thirty million miles away and blushing.
Savannah Brown (Sweetdark)
Pretty?' I said, swivelling in the driver's seat to face him, 'you want to ask me out because I'm pretty?' 'Is there a problem with asking you out because you're pretty?' 'I think you blew it,' said Tiger with a grin. 'You should be asking her out because she's smart, witty, mature beyond her years and every moment in her company makes you want to be a better person - pretty of face should be at the bottom of the list.' 'Oh, blast,' said Perkins despondently. 'It should, shouldn't it?
Jasper Fforde (The Song of the Quarkbeast (The Last Dragonslayer, #2))
Some people are like gravity; they draw you into a room with a hop in your step and a smile on your face. Others are like the stench of sulfur; they make you scowl and want to swivel on the balls of your feet towards a quick exit. Have you stopped to think if you are gravity or sulfur?
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
Ramoth's huge golden wedge-shaped head swiveled around as the sleepy dragon instinctively sought her Wyermate.
Anne McCaffrey
Peter pushed off from the roof and stalked a few feet away, his back to her. “Please tell me this is all some kind of a sick joke.” “It’s the truth. All of it. That’s why hunters are after me.” “How did they find out?” Peter asked, swiveling toward her now. “I think Beck ratted me out. I went to his house this morning and told him what had happened. He was furious, Peter. I’ve never seen anyone that angry.” “Duh! Now there’s a surprise,” her friend replied sarcastically. “I saw the way he looked at you at your dad’s funeral. Of course he’d be mad. You’re about the only one on the planet who doesn’t realize how he feels about you.” “He never said anything,” she retorted. “Hey, we guys don’t blurt out that kind of stuff,” he replied. “It’s against the man code. Beck may never have said how he felt, but everything he did for you should have been a big clue. I mean, come on, how slow are you?” She glowered at her friend. “I figured he was doing it because of my father.” “Maybe, but the guy is really into you, Riley.” “No way. If he’d liked me, he wouldn’t have blown me off and—” “Ancient history, girl!” he countered. “You were, what, fifteen? Your dad would have torn him apart if he’d touched you. Beck had no other choice.” “He didn’t have to be so mean.” “God, will you listen to yourself?” Peter retorted. “You have no idea how much he hurt me,” she shot back. “Give it up, will you? You’re my best friend, but you can be a real self-centered asshat sometimes.
Jana Oliver (Forgiven (The Demon Trappers, #3))
But the trouble, is she doesn’t really care. There was a time when this conversation would have reduced her to tears, but now she swivels in her chair to look out at the lake and thinks about moving trucks. She could call in sick to work, pack up her things, and be gone in a few hours. It is sometimes necessary to break everything.
Emily St. John Mandel (Station Eleven)
I was sitting in my lab, my hand spread open on the table, while the skull examined my palm. I'd worn a mark there for years--an unblemished patch of skin amidst all the burn scars, in the perfect shape of the angelic sigil that was Lasciel's name. The mark was gone. In its place was just an irregular patch of unburned skin. "It looks like there's no mark there anymore," Bob said. I sighed. "Thank you, Bob," I said. "It's good to have a professional opinion." "Well, what did you expect?" Bob said. The skull swiveled around on the table and tilted up to look at my face. "Hmmmmm. And you say the entity isn't responding to you anymore?" "No. And she's always jumped every time I said frog." "Interesting," Bob said. "What's that supposed to mean?" "Well, from what you told me, this psychic attack the entity blocked for you was quite severe." I shivered, remembering. "Yeah." "And the process she used to accelerate your brain and shield you was traumatic as well." "Right. She said it could cause me brain damage." "Uh-huh," Bob said. "I think it did." "Huh?" "See what I mean?" Bob asked cheerfully. "You're thicker already." "Harry get hammer," I said. "Smash stupid talky skull.
Jim Butcher (White Night (The Dresden Files, #9))
Angeline’s gaze swiveled to Zoe. “Why didn’t you have us pick up something?” “Because that’s not my job!” Zoe lifted her head up high. “We’re here to keep Jill’s cover and make sure she stays off the radar. It’s not my job to feed you guys.” “In which sense?” I asked. I knew perfectly well that was a mean thing to say to her but couldn’t resist. It took her a moment to pick up the double meaning. First she paled; then she turned an angry red. “Neither! I’m not your concierge. Neither is Sydney. I don’t know why she always takes care of that stuff for you. She should only be dealing with things that are essential for your survival. Ordering pizza isn’t one of them.” I faked a yawn and leaned back into the couch. “Maybe she figures if we’re well fed, you two won’t look that appetizing.” Zoe was too horrified to respond, and Eddie shot me a withering look.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
What are you doing?” she murmurs, as he drops back into his swivel chair lazily. He presses the felt tip of the marker to her inner right thigh and starts writing. “Giving you my address,” he says.
Yulin Kuang (How to End a Love Story)
It happens when I get really excited. The more excited I get, the more I vibrate.” “Now there’s a thought,” Lor says. “If you mean what I think you mean, you want to shut the fuck up and never think it again,” Ryodan says. “Just saying, boss,” Lor says. “You can’t tell me you didn’t think it, too.” I never understand half of what these dudes are talking about and don’t care. “You can touch me if you want to,” I say to Lor magnanimously. I’m so pumped on adrenaline and excitement that I’m feeling downright sociable. I poke one of my shoulders toward him. “Check me out. It feels really cool.” All heads swivel my way, then they look back at Ryodan. “He doesn’t own my fecking shoulder. Why you looking at him?
Karen Marie Moning
You're a model? Never would have guessed," Jonah said in a lazy, teasing voice that caused Hamilton's head to swivel. He'd never seen Jonah flirt before. The girl tilted her head. The glossy hair spilled down one bare shoulder. "Un moment...you look familiar." Jonah grinned. "Yeah?" "'Ave we met? Are you an 'airdresser?" "A hairdresser?" Jonah choked out. "Guys, we'd better get going," Hamilton said. "The name is Jonah," Jonah said, pronuncing his name carefully. He waited for a sign of recognition. "Nicole." "Jonah Wizard." Nicole squinted at him. "You are a wee-zhard? Like the Harry Potter, non?" "I'm Hamilton," Hamilton said, even though nobody asked.
Jude Watson (A King's Ransom (The 39 Clues: Cahills vs. Vespers, #2))
I just told Max flatly, "I had laser surgery last week to lighten my birthmark," as if it was no big deal. Oh yeah?" he said. Unexpectedly, Max swiveled around, yanked his pants down. The last thing I thought I had wanted to see tonight was Merc walking out the door. I was wrong. It was this stranger's rear end. "Please don't tell me this is one of those stripping telegrams?
Justina Chen (North of Beautiful)
Tori swiveled in her seat as we came in. "There are more," she said. "He sent one every couple of weeks. The last one was only a few days ago." "Good," I said. "Would you mind keeping and eye on Andrew?" "Sure." She took off. "Wait." I grabbed Derek's sleeve as he headed for the chair Tori had vacated. I wanted to say something. I didn't know what. But there was no way to tell him that wouldn't be much of a shock, so I ended up stupidly murmuring, "Never mind." When he read what was on the screen, he went absolutely still, like he wasn't even breathing. After a few seconds, he yanked the laptop closer, leaning in to read it again. And again. Finally, he pushed back the chair and exhaled. "He's alive," I said. "You're dad's alive." He looked up at me and, I couldn't help it- I threw my arms around his neck and hugged him. Then I realized what I was doing. I let go, backing away, tripping over my feet, stammering, "I-I'm sorry. I'm just- I'm happy for you." "I know." Still sitting, he reached out and pulled me toward him. We stayed there, looking at each other, his hand still wrapped in my shirt hem, my heart hammering so hard I was sure he could hear it. "There's more," I said after a few seconds. "More emails, Tori said." He nodded and swiveled back to the computer, making room for me. When I inched closer, not wanting to intrude, he tugged me in front of him and I stumbled, half falling onto his lap. I tried to scramble up, cheeks burning, but he pulled me down onto his knee, one arm going around my waist, tentative, as if to say Is this okay? It was, even if my blood pounded in my ears so hard I couldn't think. Thankfully, I had my back to him because I was sure my cheeks were scarlet.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
A black raven flew past me and landed on the back of the couch. Roman slapped his hand over his face. “There you are,” the raven said in Evdokia’s voice. “Ungrateful son.” “Here we go…” Roman muttered. “Eighteen hours in labor and that’s what I get. He can’t even pick up the phone to talk to his own mother.” “Mother, can’t you see I have people here?” “I bet if their mothers called them, they would pick up.” That would be a neat trick for both of us. Sadly, dead mothers didn’t come back to life, even in post-Shift Atlanta. “Nice to see you, Roman.” I grabbed Curran by the hand. The bird swiveled toward me. “Katya!” Oh no. “Don’t you leave. I need to talk to you.” “Got to go, bye!
Ilona Andrews (Magic Binds (Kate Daniels, #9))
But there was another thing Momo couldn't quite understand - a thing that hadn't happened until very recently. More and more often these days, children turned up with all kinds of toys you couldn't really play with: remote-controlled tanks that trundled to and fro but did little else, or space rockets that whizzed around on strings but go nowhere, or model robots that waddled along with eyes flashing and heads swiveling but that was all.
Michael Ende (Momo)
Without a word she swivels, as if she’s voice activated, as if she’s on little oiled wheels, as if she’s on top of a music box. I resent this grace of hers. I resent her meek head, bowed as if into a heavy wind. But there is no wind.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
Do we dust for fingerprints now?” I asked. He swiveled his head back around until he was gazing at me. “Who do we look like? The Hardy Boys?” Silas chuckled at us without looking up from the laptop screen. Stone, C. L. (2014-01-19). Drop of Doubt: The Ghost Bird Series: #5 (Kindle Locations 945-947). Arcato Publishing. Kindle Edition.
C.L. Stone (Drop of Doubt (The Ghost Bird, #5))
Truth is as straight as an arrow, while a lie swivels all over the place. You can hide Truth under a doormat, but eventually the mat will rise very high with Time — forcing it to reveal all the truths it conceals.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Ten Best Song to Strip 1. Any hip-swiveling R&B fuckjam. This category includes The Greatest Stripping Song of All Time: "Remix to Ignition" by R. Kelly. 2. "Purple Rain" by Prince, but you have to be really theatrical about it. Arch your back like Prince himself is daubing body glitter on your abdomen. Most effective in nearly empty, pathos-ridden juice bars. 3. "Honky Tonk Woman" by the Rolling Stones. Insta-attitude. Makes even the clumsiest troglodyte strut like Anita Pallenberg. (However, the Troggs will make you look like even more of a troglodyte, so avoid if possible.) 4. "Pour Some Sugar on Me" by Def Leppard. The Lep's shouted choruses and relentless programmed drums prove ideal for chicks who can really stomp. (Coincidence: I once saw a stripper who, like Rick Allen, had only one arm.) 5. "Amber" by 311. This fluid stoner anthem is a favorite of midnight tokers at strip joints everywhere. Mellow enough that even the most shitfaced dancer can make it through the song and back to her Graffix bong without breaking a sweat. Pass the Fritos Scoops, dude. 6. "Miserable" by Lit, but mostly because Pamela Anderson is in the video, and she's like Jesus for strippers (blonde, plastic, capable of parlaying a broken nail into a domestic battery charge, damaged liver). Alos, you can't go wrong stripping to a song that opens with the line "You make me come." 7. "Back Door Man" by The Doors. Almost too easy. The mere implication that you like it in the ass will thrill the average strip-club patron. Just get on all fours and crawl your way toward the down payment on that condo in Cozumel. (Unless, like most strippers, you'd rather blow your nest egg on tacky pimped-out SUVs and Coach purses.) 8. Back in Black" by AC/DC. Producer Mutt Lange wants you to strip. He does. He told me. 9. "I Touch Myself" by the Devinyls. Strip to this, and that guy at the tip rail with the bitch tits and the shop teacher glasses will actually believe that he alone has inspired you to masturbate. Take his money, then go masturbate and think about someone else. 10. "Hash Pipe" by Weezer. Sure, it smells of nerd. But River Cuomo is obsessed with Asian chicks and nose candy, and that's just the spirit you want to evoke in a strip club. I recommend busting out your most crunk pole tricks during this one.
Diablo Cody
There are only two ways to get in and out of an MG Midget sports car – the elegant way or my way. The elegant way is how you see the film stars do it on TV when they arrive at the Oscars. To get in, put your bum inside first and then swivel legs round. Similarly, to exit, swivel legs out, bum last. My way is to get everything but bum in first, leave bum out in the cold for a bit while struggling with other appendages, and then bum can come in. To get out, I simply fall on to the pavement.
Sarah Mason (Playing James (Colshannon))
This wouldn't have happened if we were on the same team," I say. I mean for it to sound like an angry jibe, an accusation, but my voice decides to be a traitor and wavers violently. His gaze swivels to me. He studies my face for a long time. Too long. "You've never wanted to be on my team before.
Ann Liang (I Hope This Doesn't Find You)
But drunkenly, or secretly, we swore, Disciples of that astigmatic saint, That we would never leave the island Until we had put down, in paint, in words, As palmists learn the network of a hand, All of its sunken, leaf-choked ravines, Every neglected, self-pitying inlet Muttering in brackish dialect, the ropes of mangroves From which old soldier crabs slipped Surrendering to slush, Each ochre track seeking some hilltop and Losing itself in an unfinished phrase, Under sand shipyards where the burnt-out palms Inverted the design of unrigged schooners, Entering forests, boiling with life, Goyave, corrosol, bois-canot, sapotille. Days! The sun drumming, drumming, Past the defeated pennons of the palms, Roads limp from sunstroke, Past green flutes of the grass The ocean cannonading, come! Wonder that opened like the fan Of the dividing fronds On some noon-struck sahara, Where my heart from its rib cage yelped like a pup After clouds of sanderlings rustily wheeling The world on its ancient, Invisible axis, The breakers slow-dolphining over more breakers, To swivel our easels down, as firm As conquerors who had discovered home.
Derek Walcott (Another Life: Fully Annotated)
Motherfuckers from Harvard to Harlem respect the Pew Research Center, and hearing this, the concerned patrons turned around in their squeaky plastic seats as best they could, given that donut shop swivel chairs swivel only six degrees in either direction.
Paul Beatty (The Sellout)
You should leave off sniffing the carcass of your old life, my brother. You may enjoy unending pain. I do not. There is no shame in walking away from bones, Changer. He finally swiveled his head to stare at me from his deep-set eyes. Nor is there any special wisdom in injuring oneself over and over. What is your loyalty to that pain? To abandon it will not lessen you." "p. 94 Nighteyes to Fitz
Robin Hobb (Fool's Errand (Tawny Man, #1))
One second, we are surrounded by angels holding their swords. The next second, one of their arms drops and his sword thunks to the grass like a lead weight. The angel stares at his blade uncomprehendingly. Another sword drops. Then another. Then a whole bunch, until all the other unsheathed swords fall, thudding on the grass like subjects bowing down to their queen. The angels stare at the swords at their feet in utter shock. Then everyone looks at me. Actually, it’s probably more accurate to say they’re looking at my sword. “Whoa.” That’s about the most intelligent thing I can say right now. Did Raffe say something about an archangel sword intimidating other angel swords if she could gain their respect? I swivel my eyes to look at the blade in my hands. Was that you, Pooky Bear?
Susan Ee (World After (Penryn & the End of Days, #2))
He was sitting in the back of the booth, and Lila on the outside edge, as far from him as possible. She couldn't shake the feeling he was watching her beneath that brimmed cap, even though every time she checked, his attention was leveled on the tavern behind her head. His fingers traced absent pattern in a pool of spilled ale, but his green eye twitched in concentration. It took her several long seconds to realize he was counting bodies in the room. "Nineteen," she said coolly, and Alucard and Kell both looked at her as if she'd spoken out of turn, but Holland simply answered, "Twenty," and despite herself, Lila swiveled in her seat. She did a swift count. He was right. She'd missed on e of the men behind the bar. Dammit. "If you have to use your eyes," he added, "you're doing it wrong.
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
He swiveled his head towards Eddie. "Tell me how to get over to the Four Lads. Do I have to die again?" If he did, he had a Beretta on him and he knew what kicking the bucket from a gunshot was like. Snore. "Don't bother." Adrian cracked his knuckles. "They're not going to tell you anything. They can't." What the fuck? "I thought I worked for them." "You work for both sides, and they've given you all the help they can." Jim looked back and forth between the two angels. Each of them had the tight expression of a guy with a shoestring noosing up his balls. "Help?" he said. "Where's my goddamned help?" "They gave you us, asshole," Adrian snapped. "And that's all they can do--I've already gone over and asked them who's supposed to be next. I figured it would help you, you ungrateful bastard.
J.R. Ward (Crave (Fallen Angels, #2))
But don’t be mistaken, Juliette.” His eyes swiveled to her slowly. That once-familiar stare was now fathomless, and Juliette’s breath caught in her throat, stilling like a creature in the headlights. She was ready. She knew what he would say. But it still tore into her, it still stung as mightily as razor wire wrapped around her heart, both ends pulled until it could wrap no tighter. “When this is over, I will have my revenge. You will answer to me for what you did.
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
Sarah took a deep breath and set off along the passageway again. A clump of lichen on the gatepost opened its eyes and watched her go. The eyes, on tendrils, had an anxious look, and when she had gone some distance away the clump, swiveling its eyes toward each other, commenced to gossip among itself. Most of it disapproved of the direction she had taken. You could tell that from the way the eyes looked meaningfully into each other. Lichen knows about directions.
A.C.H. Smith (Labyrinth: A Novel Based on the Jim Henson Film)
To some people, there is no noise on earth as exciting as the sound of three or four big fan-jet engines rising in pitch, as the plane they are sitting in swivels at the end of the runway and, straining against its brakes, prepares for takeoff. The very danger in the situation is inseparable from the exhilaration it yields. You are strapped into your seat now, there is no way back, you have delivered yourself into the power of modern technology. You might as well lie back and enjoy it.
David Lodge (Small World (The Campus Trilogy, #2))
I went back to the office and sat in my swivel chair and tried to catch up on my foot-dangling. There was a gusty wind blowing in at the windows and the soot from the oil burners of the hotel next door was drown-draughted into the room and rolling across the top of the desk like tumbleweed drifting across a vacant lot. I was thinking about going out to lunch and that life was pretty flat and that it would probably be just as flat if I took a drink and that taking a drink all alone at that time of day wouldn't be any fun anyway.
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
She has the sort of body you go to see in marble. She has golden hair. Quickly, deftly, she reaches with both hands behind her back and unclasps her top. Setting it on her lap, she swivels ninety degrees to face the towboat square. Shoulders back, cheeks high, she holds her pose without retreat. In her ample presentation there is defiance of gravity. There is no angle of repose. She is a siren and these are her songs.
John McPhee
Agent Jones switched to the big screen and a grainy video of MoMo sitting at his enormous desk, a swivel-hipped Elvis clock ticking behind his bewigged head. 'Death to the capitalist pigs! Death to your cinnamon bun-smelling malls! Death to your power walking and automatic car windows and I'm With Stupid T-shirts! The Republic of ChaCha will never bend to your side-of-fries -drive -through-please-oh-would-you-like-ketchup-with-that corruption! MoMo B. ChaCha defies you and all you stand for, and one day, you will crumble into the sea and we will pick up the pieces and make them into sand art.
Libba Bray (Beauty Queens)
Lou, honey, I'll buy you a new pair of shoes if you'll stop flashing your panties at everyone sitting across the room from us. You are wearing panties, right?" I glance up and across at Stefan. His words register a moment later and my head swivels toward the other side of the room. There are a number of people staring at me. One of them is Detective Terry Shay. Or I think it is. He's not looking directly at me. He's looking up my skirt
Ronda Thompson (Confessions of a Werewolf Supermodel)
She pursed her lips and nodded, swiveling around to continue her survey of my modest living space. Her arms were folded tightly across her chest as she strolled around. Letting out a long, deep breath, she dropped her hands to her sides when she reached my DVD collection. “Downton Abbey?” I jolted forward, clearing my throat. “Yeah, it’s uh…it’s a good show.
Rachael Wade (Declaration (Preservation, #3))
No marriage is fair. It’s complementary. The idea of ‘fair’ is absurd at best, ableist at worst.” We both swivel our heads and look at her. “Ableist?” Freya asks. “Ableist,” Dr. Dietrich says. “Because saying a relationship has to be ‘fair’ implies only a certain balance and distribution of skills and aptitudes is valid. It upholds an arbitrary, damaging idea of ‘normal’ or ‘standard’ as requisite for fulfilling partnership. When in reality, all you need is two people who love what the other brings and share the work of love and life together.
Chloe Liese (Ever After Always (Bergman Brothers, #3))
I’ve got nothing.” Eve swiveled around to him. “Zip. You’ve got something. What?” “Apparently, it’s not coffee,” he said with a glance at his empty mug. “What am I, a domestic droid?” “If so, why aren’t you wearing your frilly white apron and little white cap, and nothing else?” She sent him a pained look of sincere bafflement. “Why do men think that kind of getup is sexy?” “Hmm, let me think. Mostly naked women wearing only symbols of servitude. No, I can’t understand it myself.” “Perverts, your entire species. What have you got?” “Besides a very clear picture of you in my head wearing a frilly white apron and little white cap?” “Jesus, I’ll get the damn coffee if you’ll cut it out.
J.D. Robb (Promises in Death (In Death, #28))
Gregory picks up his little dog. He hugs her, and nuzzles the fur at the back of her neck. He waits. ‘Rafe and Richard say that when my education is sufficient you mean to marry me to some old dowager with a great settlement and black teeth, and she will wear me out with lechery and rule me with her whims, and she will leave her estate away from the children she has and they will hate me and scheme against my life and one morning I shall be dead in my bed.’ The spaniel swivels in his son's arms, turns on him her mild, round, wondering eyes. ‘They are making sport of you, Gregory. If I knew such a woman, I would marry her myself.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
While waiting for Brenna to prepare the drink he did as directed and worked through their conversation. It would've gone faster had he not kept getting distracted by the sight of her moving with feminine efficiency mere meters away. The sway of her hips were-"Don't I ever want to lick a woman all up?" She squeaked, then swivelled to face him, bracing her hands on the counter behind her. "Not quite how I would've put it." Her tone was higher than normal. "But yeah." "You," he said quietly, no longer able to lie, "You tempt me." "Oh." Her breasts rose up as she took a deep, shuddering breath. "You've never let on." Yes, he had. If she ever saw the way he watched her when she wasn't looking, she'd be in no doubt as to the strength of his unacceptable reaction to her.
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
Oooh, and I should check if Fletch is around.” “Fletch?” “Kyle Fletcher, but I call him Fletch,” she says absently. “Ex-boyfriend.” My head swivels toward her. “You’re making plans with your ex-boyfriend?” “Retract those claws, missy. Fletch is still a good friend of mine.” I can’t fight my curiosity. “How long were you together?” “Three years.” I whistle softly. “And then three and a half more with Sean…You’re a nester, huh?” “No, I’m not,” she protests. “Babe, that’s almost seven years of your life spent in a serious relationship. And you’re only twenty-two.” “Twenty-one. I’m a Christmas baby.” “For real? Your birthday’s the twenty-fifth?” “The twenty-fourth. I guess that makes me a Christmas Eve baby. Sorry.” “You better be sorry. How dare you mislead me like that?
Elle Kennedy (The Score (Off-Campus, #3))
Ghouls," I heard Archer say. His voice was low and tense, like a person who's being confronted by a wild animal. "Reanimated human flesh, used as guardians. Seriously dark magic. Someone obviously didn't want us finding-" "Oh my God,less talking, more stabbing, please." My voice was squeaky with fear, and I knew my eyes wer huge when I swiveled around to look at Archer. He already had the sword in his hand, and he was crouching slightly. "I can slow them down, but ghouls can't be killed by blades. You're the one who has to stop them." "Come again?" I nearly squeaked. "You're a necromancer," he said. "They're dead." Oh,right. One of the many "perks" of having a lot of dark magic at my disposal. But I'd never seen the point in boning up on my necromancer skills. When was I ever going to need to order around the dead?
Rachel Hawkins (Demonglass (Hex Hall, #2))
I was born without the flirt gene. It's truly awful for me." That was no exaggeration. " I mean, look at how I screwed up last night with Ty. He was flirting and tossing off sexual innuendos, and I just looked at him and said I would not have anal sex with him." "You what?" Suzanne shrieked so loud that Imogen saw half a dozen other fitness patrons swivel their heads to look at them. "Did he ask you to? At the party?" "No, of course not." Which was what made it all the more ridiculous. "We were in the car and he was hinting about positions, what was to come, etc., and I just blurted out that I wasn't doing that with him." "Girl..." was Suzanne's though on the matter, her expression one of total horror. "Do not bring up the back door unless he's knocking on it.
Erin McCarthy (Hard and Fast (Fast Track, #2))
It’s only sixteen ninety-five," I say with a flutter of my lashes. "You’re serious." I prop my hands on my waist and stick out a hip, striking a pose worthy of a supermodel. "Look at me. Don’t I look serious?" She collapses into the chair outside the dressing room in a fit of giggles so cute they make my insides fizz. "No! You must be stopped," she says. "Why?" I strut down an aisle of yellowed lingerie, swiveling my hips, batting bras with flicks of my fingers. "I will be the king of the disco. I will be—" I spin and strike another pose. "An inspiration." She sniffs and swipes at her eyes. "The real Dylan would die before he’d be seen in public in something like that." "The real Dylan is boring." I brace my hands on the arms of her chair and lean down until our faces are a whisper apart. "And he’s not one fourth the kisser I am." "Is that right?" Her lips quirk. "You know it is." Her smile melts, and her breath comes faster. "Yeah. I do.
Stacey Jay (Romeo Redeemed (Juliet Immortal, #2))
I looked at it out there. The figures that held my attention, as always (I too had an office at Buna, and spent many hours in front of its window), the figures that held my attention were not the men in stripes, as they queued or scurried in lines or entangled one another in a kind of centipedal scrum, moving at an unnatural speed, like extras in a silent film, moving faster than their strength or build could bear, as if in obedience to a frantic crank swivelled by a furious hand; the figures that held my attention were not the Kapos who screamed at the prisoners, nor the SS noncoms who screamed at the Kapos, nor the overalled company foremen who screamed at the SS noncoms. No. What held my eye were the figures in city business suits, designers, engineers, administrators from IG Farben plants in Frankfurt, Leverkusen, Ludwigshafen, with leather-bound notebooks and retractable yellow measuring tapes, daintily picking their way past the bodies of the wounded, the unconscious, and the dead.
Martin Amis (The Zone of Interest)
The room contains a few dozen living human bodies, each one a big sack of guts and fluids so highly compressed that it will squirt for a few yards when pierced. Each one is built around an armature of 206 bones connected to each other by notoriously fault-prone joints that are given to obnoxious creaking, grinding, and popping noises when they are in other than pristine condition. This structure is draped with throbbing steak, inflated with clenching air sacks, and pierced by a Gordian sewer filled with burbling acid and compressed gas and asquirt with vile enzymes and solvents produced by the many dark, gamy nuggets of genetically programmed meat strung along its length. Slugs of dissolving food are forced down this sloppy labyrinth by serialized convulsions, decaying into gas, liquid, and solid matter which must all be regularly vented to the outside world lest the owner go toxic and drop dead. Spherical, gel-packed cameras swivel in mucus-greased ball joints. Infinite phalanxes of cilia beat back invading particles, encapsulate them in goo for later disposal. In each body a centrally located muscle flails away at an eternal, circulating torrent of pressurized gravy. And yet, despite all of this, not one of these bodies makes a single sound at any time during the sultan’s speech.
Neal Stephenson (Cryptonomicon)
One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling. Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home. Silver and blue, blue and silver. Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears. The voice of Volkheimer: What you could be. Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed. “Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass. The wind moves through his undershirt. He is a kite, a balloon. Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater. “It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.” Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it? The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass. Why doesn’t the wind move the light? Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand. “Stop,” he calls. “Halt,” he calls. But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.
Anthony Doerr (All the Light We Cannot See)
It’s printed in the Earthman’s brainwave patterns,” continued Marvin, “but I don’t suppose you’ll be very interested in knowing that.” “You mean,” said Arthur, “you mean you can see into my mind?” “Yes,” said Marvin. Arthur stared in astonishment. “And…?” he said. “It amazes me how you can manage to live in anything that small.” “Ah,” said Arthur, “abuse.” “Yes,” confirmed Marvin. “Ah, ignore him,” said Zaphod, “he’s only making it up.” “Making it up?” said Marvin, swiveling his head in a parody of astonishment. “Why should I want to make anything up? Life’s bad enough as it is without wanting to invent any more of it.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
Gus flipped open the egg carton and handed Isaac an egg. Isaac tossed it, missing the car by a solid forty feet. "A little to the left," Gus said. "My throw was a little to the left or I need to aim a little to the left?" "Aim left." Isaac swiveled his shoulders. "Lefter," Gus said. Isaac swiveled again. "Yes. Excellent. And throw hard." Gus handed him another egg, and Isaac hurled it, the egg arcing over the car and smashing against the slow-sloping roof of the house. "Bull's-eye!" Gus said. "Really?" Isaac asked excitedly. "No, you threw it like twenty feet over the car. Just, throw hard, but keep it low. And a little right of where you were last time." Isaac reached over and found an egg himself from the carton Gus cradled. He tossed it, hitting a tailing. "Yes!" Gus said. "Yes! TAILLIGHT!
John Green (The Fault in Our Stars)
The streak of bleach in my hair is as obvious as ever. Am I really going out in public like this? I push my hair backward and forward a few times - but I can't hide it. Maybe I could walk along with my hand carelessly positioned at my head, as if I'm thinking hard. I attempt a few casual, pensive poses in the mirror. "Is your head all right?" I swivel round in shock to see Nathaniel at the open door, wearing a plaid shirt and jeans. "Er...fine," I say, my hand still glued to my head. "I was just..." Oh, there's no point. I bring my hand down from my hair and Nathaniel regards the streak for a moment. "It looks nice," he says. "Like a badger." "A badger?" I say, affronted. "I don't look like a badger." "Badgers are beautiful creatures," says Nathaniel with a shrug. "I'd rather look like a badger than a stoat.
Sophie Kinsella (The Undomestic Goddess)
And then suddenly I hear his footsteps approaching. He’s behind me, thirty feet away, at a guess. No wonder I couldn’t see him. I should turn. Right now I should turn. This is the moment that it would be natural to swivel round and greet him. Call out a hello; wave my phone in the air. But my feet are rooted to the spot. I can’t bring myself to move. Because as soon as I do, it will be time to be polite and matter-of-fact and back to normal. And I can’t bear that. I want to stay here. In the place where we can say anything to each other. In the magic spell. Sam pauses, right behind me. There’s an unbearable fragile beat as I wait for him to shatter the quiet. But it’s as though he feels the same way. He says nothing. All I can hear is the gentle sound of his breathing. Slowly, his arms wrap round me from behind. I close my eyes and lean back against his chest, feeling unreal.
Sophie Kinsella (I've Got Your Number)
Each big idea like that is an operating system upgrade," she says, smiling. Comfortable territory. "Writers are responsible for some of it. They say Shakespeare invented the internal monologue." Oh, I am very familiar with the internal monologue. "But I think the writers had their turn," she says, "and now it's programmers who get to upgrade the human operating system." I am definitely talking to a girl from Google. "So what's the next upgrade?" "It's already happening," she says. "There are all these things you can do, and it's like you're in more than one place at one time, and it's totally normal. I mean, look around." I swivel my head, and I see what she wants me to see: dozens of people sitting at tiny tables, all learning into phones showing them places that don't exist and yet are somehow more interesting...
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
Big Brown Moose I'm a big brown moose, I'm a rascally moose, I'm a moose with a tough, shaggy hide; and I kick and I prance in a long-legged dance with my moose-mama close by my side. I shrug off the cold and I sneeze at the wind and I swivel my ears in the snow; and I tramp and I tromp over forest and swamp, 'cause there's nowhere a moose cannot go. I'm a big brown moose, I'm a ravenous moose as I hunt for the willow and yew; with a snort and a crunch, I rip off each bunch, and I chew and I chew and I chew. When together we slump in a comfortable clump -- my mountainous mama and I -- I give her a nuzzle of velvety muzzle. Our frosty breath drifts to the sky. I'm a big brown moose, I'm a slumberous moose, I'm a moose with a warm, snuggly hide; and I bask in the moon as the coyotes croon, with my moose-mama close by my side.
Joyce Sidman (Winter Bees & Other Poems of the Cold)
Call me Ozzie, doll,” he called back. He hunched over the keyboard like a starving man hunches over a plate of food. “And there’s no need to conceal my weapons. I figure everyone should see what’s in store for them should they attempt to fuck with me.”“ Oh man.” Dan groaned and rolled his eyes. “Next thing you know he’ll be coming to work shirtless with bandoliers strapped across his chest and a red bandana tied around his head.” “Ah, so you have seen a movie or two.” Ozzie swiveled in his chair, his eyes sparkling with devilish glee. “Rambo, huh? I can give you Rambo.” He lowered his voice. “‘They drew first blood. Not me…’” “What a crock of bullsh—uh, crap.” Dan scoffed. “Are you sitting there dissing Stallone?” Ozzie demanded, making like he was about to stand in defense of the Italian Stallion. “No. I’m sitting here dissing you, you stu—
Julie Ann Walker (Hell on Wheels (Black Knights Inc., #1))
Do you know why the lotus is one of my favorite flowers?" I cocked my head to one side so I could see his expression. He shook his head. "This beautiful flower lives in the most vile, muddy water of swamps and bogs," I said and rubbed the smooth metal of the pendant between my fingers. He frowned. "No, seriously... the grosser the environment, the better," I said. "So let me get this straight. You like a flower that lives in disgusting places?" One of his eyebrows rose. "That ain't right." "No, I love this flower," I corrected. He glanced at me out of the corner of his eye, "Seriously?" "What?" You don't believe me?" "Sure, I believe you. It's just weird." "I'll tell you why, but only if you promise not to laugh," I said. He nodded. Taking a cleansing breath, I rested my head against the seat, closed my eyes, and took that scary first step. "This flower stays in the mud and muck all night long." I peeked at him without moving my head. His face had become set in the smooth lines of one who listens intently. "Then, at sunrise, it climbs toward the light and opens into a pristine bloom. After the sun goes down, the bloom sinks into the mire. Even though it spends the whole night underwater, the flower emerges every morning as beautiful as the day before." Smiling, I swiveled in my seat to face him. "I love this flower because it reminds me that we get second chances every day, no matter what muck life drags us through.
K.D. Wood (Unwilling (Unwilling #1))
Merik swiveled his wrists slowly. At night, the temple was too dark to see the blood dripping from his arms, pooling on the granite flagstones. He felt it falling, though. Just as he felt the new, burned flesh on his hands stretching beneath torn gloves. Yet even as pain shivered through his body, he couldn’t help but think: Only a fool ignores Noden’s gifts. For if Merik looked at this case of mistaken identity from the just the right angle, it could in fact all be seen as boon. The assassin in the night. The fire on the Jana. The attack of a Waterwitch in Pin’s Keep. Each event had led Merik here, to Noden’s temple. To a fresco of the god’s left hand. To the Fury. Twice now, he’d been mistaken for that monstrous demigod, and twice now, it had worked in Merik’s favor. So why not continue using the fear invoked from that name? Was Merik not doing the Fury’s work by bringing justice to the wronged and punishment to the wicked? It was clear that Nubrevnans needed Merik’s help, and his sister Vivia…Well, she was stil out there. Alive. Wretched. So was it not Merik’s moral duty to keep her off the throne? And he could do that if he could just prove she had indeed tried to kill him—that it was she who’d purchased that prisoner from Vizer Linday, and she who’d sent the prisoner to kill Merik. Yes. This was right. This was Noden’s will. It throbbed in Merik’s wounds. It shivered across his scalp and down his raw back. Take the god’s gift. Become the Fury. Merik rose, stiff but strong, from the temple floor, and with a new purpose in his movements, he tugged his hood, his sleeves, his gloves into place. Then he turned away from the Fury’s gruesome fresco and set out to bring justice to the wronged. Punishment to the wicked.
Susan Dennard (Windwitch (The Witchlands, #2))
No one moved. No one spoke. They seemed be riveted by whatever it was they saw in his eyes. “Place me like a seal over your heart, like a seal on your arm; for love is as strong as death, its jealousy unyielding as the grave.” A few gasps erupted. His voice rang out, bold, clear. “It burns like blazing fire, like a mighty flame. Many waters cannot quench love; rivers cannot wash it away.” It was safe to say everyone was awake now. He’d startled most of his parishioners and aroused the rest of them. “Evie Duggan …” And all the heads official swiveled to follow the beam of the reverend’s gaze. Then swiveled back to him. Then back to Eve. Whose heart was in her eyes. “ … You are the seal upon my heart. You are the fire and flame that warms me, heals me, burns me. You are the river that cools me and carries me. I love you. And love may be as strong as death, but you … I know now you are my life.” A pin would have echoed like a dropped kettle in the church then. Eve was absolutely riveted. Frozen, her eyes burning into his. “And though I wish I could have protected you and kept you safe from some of the storms of your life, I find cannot regret any part of your past. For it has made you who you are. Loyal, passionate, brave, kind, remarkable. You need repent nothing.” The last word fell like a gavel. Not a single person moved or breathed. “There are those who think good is a pastime, to engage in like embroidery or target shooting. There are those who think beauty is a thing of surface, and forget that it’s really of the soul. But good is something you are, not something you do. And by that definition, I stand before you today and declare that Evie Duggan is one of the best people I have ever had the privilege of knowing.
Julie Anne Long (A Notorious Countess Confesses (Pennyroyal Green, #7))
She ran into Dmitri during her search. Dressed in a slick black-on-black suit, his hair brushed perfectly, he just raised an eyebrow when he saw her. Elena pointed the half-eaten chocolate bar at him. “Mess with me and I will shoot you through the heart, I swear to God. I am so far past hangry, I’m homicidal.” A twitch of his lips. “Have you tried drinking blood?” Elena nearly pulled out her crossbow and carried through on her threat—the asshole was powerful, would survive it—then she realized he was serious. “Blood?” “Archangelic blood in particular. Violent amount of energy in it.” Finishing off the chocolate bar, Elena considered it. “I’m not a vampire. Would it even work?” Forget about the actual drinking blood part of it; if it would stop the hunger gnawing at her from the inside out, she’d pinch her nose closed and throw it back like medicine. Dmitri shrugged. “What have you got to lose?” “I’ll talk to Raphael.” Walking past, she said, “Sometimes, I can almost believe you might once have been human.” “Clearly, I need to up my game.” A hint of fur and champagne wrapped around her, sensual and caressing and mocking. “Argh!” Swiveling, she had the crossbow in her hand and was shooting the bolt before she could think about it. Dmitri moved . . . and the crossbow bolt thudded home in the wall behind him. “Destroying Tower property again.” A headshake followed those censorious words. “‘Don’t get involved with the white-haired accident-on-legs,’ I said to Raphael, but did he listen?” “Give me back my bolt you scent-infested-excuse-for-a-vampire.
Nalini Singh (Archangel's Prophecy (Guild Hunter, #11))
He waved cheerfully, then opened the door, tripped over the threshold, and as his balance was already impaired, nearly went face down on the floor for the second time that day. He caught himself, hung on to the side of the counter, and waited for the pub kitchen to stop revolving. With the careful steps of the drunk, he walked over to the cupboard to get out a pan for frying, a pot for boiling. Shawn was singing in his break-your-heart voice, about the cold nature of Peggy Gordon. And with one eye closed, his body swaying gently, he dripped lemon juice into a bowl. “Oh, fuck me, Shawn. You are half pissed.” “More than three-quarters if the truth be known.” He lost track of the juice and added a bit more to be safe. “And how are you, Aidan, darling?” “Get way from there before you poison someone.” Insulted, Shawn swiveled around and had to brace a hand on the counter to stay upright. “I’m drunk, not a murderer. I can make a g.d. fish cake in me sleep. This is my kitchen, I’ll thank you to remember, and I give the orders here.” He poked himself in the chest with his thumb on the claim and nearly knocked himself on his ass. Gathering dignity, he lifted his chin. “So go on with you while I go about my work.” “ What have you done to yourself?” “The devil cat caught me hand. Forgetting his work, Shawn lifted a hand to scowl at the red gashes. Oh, but I’ve got plans for him, you can be sure of that.” “At the moment, I’d lay odds on the cat. Do you know anything about putting fish cakes together?” Aidan asked Darcy. “Not a bloody thing,” she said cheerfully. “Then go and call Kathy Duffy, would you, and ask if she can spare us an hour or so, as we have an emergency?” “An emergency?” Shawn looked glassily around. “Where?
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
No amount of black girl magic, no repeated proclamations of our worth can fully treat the wound – although acknowledging its persistence is a beginning. The ultimate remedy, as I see it is supernatural. I look daily toward heaven for restoration, for spiritual healing. My true identity isn’t rooted in our history, grievous and glorious as it is. It is grounded in my designation as a Child of God, the Daughter of the Great Physician. In His care I find my cure. My hope for you is the same one I carry for myself. I pray that amid the heartache of our ancestry you can grant yourself the grace so seldom extended to us. I pray that you can pass that compassion on to your children and to their children so that it slathers comfort on our sore spots. I pray that, as a people, we can give ourselves a soft place to land. I pray even as we rightly express our fury as being regarded as sub-human, that we don’t dwell in that space. That we don’t allow anger to poison our spirits. That we embrace love as our One True Antidote. I hope, too, that you recognize your specialness, the distinctiveness the Creator has imbued us with. I see you as clearly as history has, and in unison with it, I nod. I know that swivel in your hips, that fervor in your testimony, that ebullience in your stride, that flair in your song. The fact that others are constantly trying to diminish you, ever attempting to dismiss your talents even as they mimic you, is proof of your uniqueness! No one bothers to undermine you unless they recognize your brilliance. More than anything, I pray that you can carve out a purpose for yourself, a calling beyond your own survival, a sweet offering to the world. You gain a life by giving yours away. Not everyone is meant to raise a picket sign, and yet each of us can choose a path of impact. Rearing your children with affection and warmth is a form of activism. Honoring your word impeccably is a way to raise your voice. Performing your job with excellence, with your chin high and your standards higher is as powerful as any protest march. Sowing into the lives of young people is a worthy crusade. That is what it means to leave this world of ours more lit up than we found it. It’s also what it means to lead a magnificent life, even if an unlikely one.
Cicely Tyson (Just as I Am)
This seat taken?" My eyes grazing over the only other occupant, a guy with long glossy dark hair with his head bent over a book. "It's all yours," he says. And when he lifts his head and smiles,my heart just about leaps from my chest. It's the boy from my dreams. The boy from the Rabbit Hole,the gas station,and the cave-sitting before me with those same amazing,icy-blue eues, those same alluring lips I've kissed multiple times-but only in slumber, never in waking life. I scold my heart to settle,but it doesn't obey. I admonish myself to sit,to act normal, casual-and I just barely succeed. Stealing a series of surreptitious looks as I search through my backpack, taking in his square chin,wide generous lips,strong brow,defined cheekbones, and smooth brown skin-the exact same features as Cade. "You're the new girl,right?" He abandons his book,tilting his head in a way that causes his hair to stream over his shoulder,so glossy and inviting it takes all of my will not to lean across the table and touch it. I nod in reply,or at least I think I do.I can't be too sure.I'm too stricken by his gaze-the way it mirrors mine-trying to determine if he knows me, recognizes me,if he's surprised to find me here.Wishing Paloma had better prepared me-focused more on him and less on his brother. I force my gaze from his.Bang my knee hard against the table as I swivel in my seat.Feeling so odd and unsettled,I wish I'd picked another place to sit, though it's pretty clear no other table would have me. He buries his smile and returns to the book.Allowing a few minutes to pass,not nearly enough time for me to get a grip on myself,when he looks up and says, "Are you staring at me because you've seen my doppelganer roaming the halls,playing king of the cafeteria? Or because you need to borrow a pencil and you're too shy to ask?" I clear the lump from my throat, push the words past my lips when I say, "No one's ever accused me of being shy." A statement that,while steeped in truth, stands at direct odds with the way I feel now,sitting so close to him. "So I guess it's your twin-or doppelganer,as you say." I keep my voice light, as though I'm not at all affected by his presence,but the trill note at the end gives me away.Every part of me now vibrating with the most intense surge of energy-like I've been plugged into the wall and switched on-and it's all I can do to keep from grabbing hold of his shirt, demanding to know if he dreamed the dreams too. He nods,allowing an easy,cool smile to widen his lips. "We're identical," he says. "As I'm sure you've guessed. Though it's easy enough to tell us apart. For one thing,he keeps his hair short.For another-" "The eyes-" I blurt,regretting the words the instant they're out.From the look on his face,he has no idea what I'm talking about. "Yours are...kinder." My cheeks burn so hot I force myself to look away,as words of reproach stampede my brain. Why am I acting like such an inept loser? Why do I insist on embarrassing myself-in front of him-of all people? I have to pull it together.I have to remember who I am-what I am-and what I was born to do.Which is basically to crush him and his kind-or,at the very least,to temper the damage they do.
Alyson Noel (Fated (Soul Seekers, #1))
Who’s teasing? I’m telling him the truth. He ain’t going to have it. Neither one of ‘em going to have it. And I’ll tell you something else you not going to have. You not going to have no private coach with four red velvet chairs that swivel around in one place whenever you want ‘em to. No. and you not going to have your own special toilet and your own special-made eight-foot bed either. And a valet and a cook and a secretary to travel with you and do everything you say. Everything: get the right temperature in your hot-water bottle and make sure the smoking tobacco in the silver humidor is fresh each and every day. There’s something else you not going to have. You ever have five thousand dollars of cold cash money in your pocket and walk into a bank and tell the bank man you want such and such a house on such and such a street and he sell it to you right then? Well, you won’t ever have it. And you not going to have a governor’s mansion, or eight thousand acres of timber to sell. And you not going to have no ship under your command to sail on, no train to run, and you can join the 332nd if you want to and shoot down a thousand German planes all by yourself and land in Hitler’s backyard and whip him with your own hands, but you never going to have four stars on your shirt front, or even three. And you not going to have no breakfast tray brought in to you early in the morning with a red rose on it and two warm croissants and a cup of hot chocolate. Nope. Never. And no pheasant buried in coconut leaves for twenty days and stuffed with wild rice and cooked over a wood fire so tender and delicate it make you cry. And no Rothschild ’29 or even Beaujolais to go with it.” A few men passing by stopped to listen to Tommy’s lecture. “What’s going on?” they asked Hospital Tommy. “Feather refused them a beer,” said. The men laughed. “And no baked Alaska!” Railroad Tommy went on. “None! You never going to have that.” “No baked Alaska?” Guitar opened his eyes wide with horror and grabbed his throat.” You breaking my heart!” “Well, now. That’s something you will have—a broken heart.” Railroad Tommy’s eyes softened, but the merriment in them died suddenly. “And folly. A whole lot of folly. You can count on it.” “Mr. Tommy, suh,” Guitar sang in mock humility, “we just wanted a bottle of beer is all.” “Yeah,” said Tommy. “Yeah, well, welcome aboard.
Toni Morrison (Song of Solomon)
Using the dagger next to him on the nightstand, Dante scored a fresh line on his wrist. He pressed the bleeding cut to Tess’s lips, waiting to feel her respond, wanting to curse to the rafters when her mouth remained unmoving, his blood dripping down, useless, onto her chin. “Come on, angel. Drink for me.” He stroked her cool cheek, brushed a tangle of her honey-blond hair from her forehead. “Please live, Tess . . . drink, and live.” A throat cleared awkwardly from the area near the bedroom doorjamb. “I’m sorry, the uh . . . the door was open.” Chase. Just fucking great. Dante couldn’t think of anyone he’d like to see less right now. He was too entrenched in what he was doing—in what he was feeling—to deal with another interruption, particularly one coming from the Darkhaven agent. He’d hoped the bastard was already long gone from the compound, back to where he came from—preferably with one of Lucan’s size-fourteens planted all the way up his ass. Then again, maybe Lucan was saving the privilege for Dante instead. “Get out,” he growled. “Is she drinking at all?” Dante scoffed, low under his breath. “What part of ‘get out’ did you fail to understand, Harvard? I don’t need an audience right now, and I sure as hell don’t need any more of your bullshit.” He pressed his wrist to Tess’s lips again, parting them with the fingers of his blood by mild force. It wasn’t happening. Dante’s eyes stung as he stared down at her. He felt wetness streaking his cheeks. Tasted the salt of tears gathering at the corner of his mouth. “Shit,” he muttered, wiping his face into his shoulder in a strange mix of confusion and despair. He heard footsteps coming up near the bed. Felt the air around him stir as Chase reached out his hand. “It might work much better if you tilt her head, like th—” “Don’t . . . touch her.” The words came out in a voice Dante hardly recognized as his own, it was so full of venom and deadly warning. He swiveled his head around and met the agent’s eyes, his vision burning and sharp, his fangs having stretched long in an instant. The protective urge boiling through him was fierce, utterly lethal, and Chase evidently understood at once.
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))