Swinging Bridge Quotes

We've searched our database for all the quotes and captions related to Swinging Bridge. Here they are! All 49 of them:

Strange how close the darkness is, even when things seem brightest. Even in the glare of a summer noon, when the sidewalk bakes and iron fences are hot to the touch, the shadows are still with us. They congregate in doorways and porches, and under bridges, and beneath the brims of gentlemen’s hats so you cannot see their eyes. There is darkness in our mouths and ears; in our bags and wallets; within the swing of men’s jackets and beneath the flare of women’s skirts. We carry it around with us, the dark, and its influence stains us deep.
Jonathan Stroud (The Creeping Shadow (Lockwood & Co., #4))
could be a magic country like Narnia, and the only way you can get in is by swinging across on this enchanted rope.
Katherine Paterson (Bridge to Terabithia)
I wasn't entirely surprised to find Elodin on Stonebridge. Very little about the Master Namer surprised me these days. He sat on the waist-high stone lip of the bridge, swinging his bare feet over the hundred-foot drop to the river below. "Hello Kvothe," he said without turning his eyes from the churning water. "Hello, Master Elodin," I said. "I'm afraid I'm going to be leaving the University for a term or two." "Are you really afraid?" I noticed a whisper of amusement in his quiet, resonant voice.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
She raised her hands from the side of the pen in a gesture hieratic and profound. A visionary light settled in her eyes. She saw the streak as a vast swinging bridge extending upward from the earth through a field of living fire. Upon it a vast horde of souls were rumbling toward heaven. There were whole companies of white-trash, clean for the first time in their lives, and bands of black niggers in white robes, and battalions of freaks and lunatics shouting and clapping and leaping like frogs. And bringing up the end of the procession was a tribe of people whom she recognized at once as those who, like herself and Claud, had always had a little of everything and the God-given wit to use it right. She leaned forward to observe them closer. They were marching behind the others with great dignity, accountable as they had always been for good order and common sense and respectable behavior. They alone were on key. Yet she could see by their shocked and altered faces that even their virtues were being burned away. She lowered her hands and gripped the rail of the hog pen, her eyes small but fixed unblinkingly on what lay ahead. In a moment the vision faded but she remained where she was, immobile.
Flannery O'Connor (The Complete Stories)
Longing on a large scale is what makes history. This is just a kid with a local yearning but he is part of an assembling crowd, anonymous thousands off the buses and trains, people in narrow columns tramping over the swing bridge above the river, and even if they are not a migration or a revolution, some vast shaking of the soul, they bring with them the body heat of a great city and their own small reveries and desperations, the unseen something that haunts the day—men in fedoras and sailors on shore leave, the stray tumble of their thoughts, going to a game.
Don DeLillo
As she stood on the deck of the ferry at Circular Quay, Evie was conscious of storing up things for future recollection. Here was the lustily gleaming harbour, the absurdly golden midday, and the bridge, swinging away like a door on brass hinges as the ferry executed a slow turn. Above was an infinity of blue-becoming-black reaching far into space, almost shocking after the grey security of Melbourne. The scale of things was all wrong, too lavish, too sunny, too geared to applause. Nevertheless.
Gail Jones (The Death of Noah Glass)
Eliot, huh?" she says. The thin fabric of her long T-shirt brushes my arm. "Is everyone in your family named for a famous symbolist poet?" No, I'm named for someone who was supposed to be in the Bible but isn't." No? What happened to him?" I glance over at her, the way the corner of her mouth turns up, half-smirk, half-smile. Her hair moves as she walks. He was called to be a disciple, but he had, you know, stuff to do." Stuff, like...polishing his sandals? Making lunch?" We keep walking, over the bridge across the lake, past the swings and the playground equipment, just walking. Exactly. And what about you, Calliope...is everyone in your family named after a...what is it? A keyboard? An organ?" It's a steam-powered piano. It's also the name of the Greek goddess of poetry. You should read stuff other than chemistry; you'd know these things." Her smirky smile again, her sleeve touching my arm. I feel like my skin has been removed, every nerve exposed. I open my mouth, and this comes out: "I think you are more goddess than piano." Stupid, stupid. But she laughs. "You know, that's the nicest thing anyone's said to me today." You don't see too many calliopes," I tell her. I'm Cal, actually. I mean, that's what I prefer." I meant the steam pianos...you don't see too many." She stops and looks at me, full-on, and right away I put it on the list of the best moments in my life. Until you said that, Eliot, I wasn't fully aware of the demise of the steam piano, so thank you. Really." I smirk at her and we both fight not to smile. "Okay, smart-ass," I say.
Brad Barkley (Scrambled Eggs at Midnight)
And at night the river flows, it bears pale stars on the holy water, some sink like veils, some show like fish, the great moon that once was rose now high like a blazing milk flails its white reflection vertical and deep in the dark surgey mass wall river's grinding bed push. As in a sad dream, under the streetlamp, by pocky unpaved holes in dirt, the father James Cassidy comes home with lunchpail and lantern, limping, redfaced, and turns in for supper and sleep. Now a door slams. The kids have rushed out for the last play, the mothers are planning and slamming in kitchens, you can hear it out in swish leaf orchards, on popcorn swings, in the million-foliaged sweet wafted night of sighs, songs, shushes. A thousand things up and down the street, deep, lovely, dangerous, aureating, breathing, throbbing like stars; a whistle, a faint yell; the flow of Lowell over rooftops beyond; the bark on the river, the wild goose of the night yakking, ducking in the sand and sparkle; the ululating lap and purl and lovely mystery on the shore, dark, always dark the river's cunning unseen lips, murmuring kisses, eating night, stealing sand, sneaky. 'Mag-gie!' the kids are calling under the railroad bridge where they've been swimming. The freight train still rumbles over a hundred cars long, the engine threw the flare on little white bathers, little Picasso horses of the night as dense and tragic in the gloom comes my soul looking for what was there that disappeared and left, lost, down a path--the gloom of love. Maggie, the girl I loved.
Jack Kerouac (Maggie Cassidy)
Sofiowka was found the next morning, swinging by the neck from the wooden bridge. His severed hands were hanging from strings tied to his feet, and across his chest was written, in Brod's red lipstick, ANIMAL
Jonathan Safran Foer
Never had anyone said, "Listen. Life is short. Pretend your body is still in its twenties. Jump for the brass ring. Swing for those bleachers. Dive into the deep end of the pool. Act like a fool if you must, but at least *live*.
Cathie Pelletier (The One-Way Bridge (Mattagash, #4))
We stand before a hundred doors, choose to enter one, where we’re faced with a hundred more and then choose again. We choose not just what we’ll do, but who we’ll be. Perhaps the sound of all those doors swinging shut behind us each time we select this one
Richard Russo (Bridge of Sighs)
Elizabeth ran her finger along the windowsill, gathering dust. The view was almost exactly the same as from her own bedroom, only a few degrees shifted. She could still see the Rosens' place, with its red door and folding shutters, and the Martinez house, with its porch swing and the dog bowl. She'd heard once that what made you a real New Yorker was when you could remember back three laters -- the place on the corner that had been a bakery and then a barbershop before it was a cell-phone store, or the restaurant that had been Italian, then Mexican, then Cuban. The city was a palimpsest, a Mod Podged pileup or old signage and other people's failures. Newcomers saw only what was in front of them, but people who had been there long enough were always looking at two or three other places simultaneously. The IRT, Canal Jeans, the Limelight. So much of the city she'd fallen in love with was gone, but then again, that's how it worked. It was your job to remember. At least the bridges were still there. Some things were too heavy to take down.
Emma Straub (Modern Lovers)
The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!
Rudyard Kipling
In 2019, however, there is nothing left from that: the revolution- ary advent of social media has now reached its full swing, and 100 percent of all deeds, thoughts, deals, and acts in our lives are public. Social media’s almightiness has brought about many things, but the main one is transparency. Total transparency everywhere and for everyone. As a result, social media have shaken up the PR industry beyond recognition. In fact, social media have caused the first and only real PR revolution in the industry’s more than 100 years of history. Regardless of how the PR business may have developed over the years, we always used to be a transmission, a sort of bridge, between our clients and their clients.
Maxim Behar (The Global PR Revolution: How Thought Leaders Succeed in the Transformed World of PR)
The man seemed not to have heard him. ‘At this life-giving time of the year, Professor Scrooge,’ said the pastor, clicking his pen, ‘it is more than usually desirable that we should make some slight contribution to babes and adults, who lie languishing in hospitals and care facilities, standing on street corners and under bridges, or living alone at home during this time. Many are in need of blood transfusions or food or pregnancy care every day in our large community; many others – especially the elderly – are in want of comfort and cheer.’ ‘Are there no abortion clinics?’ asked Scrooge. ‘Plenty of clinics,’ said the pastor, clicking the pen tip in again. ‘And Euthanasia facilities?’ demanded Scrooge. ‘Are they still in operation?’ ‘They are. Still,’ returned the gentleman, ‘I wish I could say they were not.’ ‘Welfare and Food Stamps are in full swing, then?’ said Scrooge. ‘Both very busy.’ ‘Oh! I was afraid, from what you said at first, that something had occurred to stop them in their useful course,’ said Scrooge. ‘I’m very glad to hear it.’ ‘Under the impression that they scarcely furnish Christian cheer of mind or body to the multitude,’ returned the gentleman, ‘a few churches are endeavoring to raise a fund to provide those in need with medical care and food as well as the comfort of a human presence and the message of eternal life through Jesus. We choose this time to sow into others’ lives because it is a time, of all others, when we rejoice in the life God gave to us through His Son. What shall I put down – in time, money, or blood – for you?’ ‘Nothing!’ Scrooge replied. ‘You wish to give anonymously, then?’ ‘I wish to be left alone,’ said Scrooge.
Ashley Elizabeth Tetzlaff (An Easter Carol)
Men sitting doubled up in the upper bunks smoked short pipes, swinging bare brown feet above the heads of those who, sprawling below on sea-chests, listened, smiling stupidly or scornfully. Over the white rims of berths stuck out heads with blinking eyes; but the bodies were lost in the gloom of those places, that resembled narrow niches for coffins in a white-washed and lighted mortuary. Voices buzzed louder. Archie, with compressed lips, drew himself in, seemed to shrink into a smaller space, and sewed steadily, industrious and dumb. Belfast shrieked like an inspired Dervish: — ‘... So I seez to him, boys, seez I, “Beggin’ yer pardon, sorr,” seez I to that second mate of that steamer — “beggin’ your-r-r pardon, sorr, the Board of Trade must ‘ave been drunk when they granted you your certificate!” “What do you say, you — !” seez he, comin’ at me like a mad bull... all in his white clothes; and I up with my tarpot and capsizes it all over his blamed lovely face and his lovely jacket... “Take that!” seez I. “I am a sailor, anyhow, you nosing, skipper-licking, useless, sooperfloos bridge-stanchion, you! That’s the kind of man I am!” shouts I... You should have seed him skip, boys! Drowned, blind with
Joseph Conrad (Joseph Conrad: The Complete Novels)
I hope you don’t mind that we’re crashing,” Wes says. “I’m trying to escape a hunting expedition. No joke. Dad thinks I’ll be more of a man if I can blow a rabbit’s head off. And my response? ‘Sorry, Dad, but as tempting as it is to obliterate Peter Cottontail first thing on a Sunday morning, I promised Camelia I’d swing by her house, because she’s been begging to abuse my body for weeks.’” “And speaking of being delusional,” Kimmie segues, “did I mention that my plan to reunite my parents was totally dumb?” She leads us into my bedroom and then closes the door behind her. “They could smell the setup before their water glasses were even filled.” “How’s that?” I ask, taking a seat on my bed. “The violinist I arranged to serenade them at the table might have been a tip-off,” she begins. “Either that, or the wrist corsage I ordered for my mom. I handpicked the begonias and had the florist deliver it right to the table.” “Don’t forget about the oyster appetizer you preordered for the occasion,” Wes adds. “Because, you know what they say about oysters, right?” An evil grin breaks out across her face. ‘I know, I know.” She sighs, before I can even say anything. “I may have gone a little overboard, but what can I say? I’m a dorkus extremus. Hence my outit du jour.” She’s wearing a Catholic schoolgirl’s uniform, a pair of clunky black glasses (with the requisite amount of tape on the bridge), and a cone-shaped dunce cap. “Yes, but you’re a dorkus extremus with a nice set of begonias,” Wes teases.
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
NOVA SLUNG THE BAG over her shoulder and reached for one of the weighted ropes she’d set up in the alley the night before. She wrapped her arm around the rope and untied the sailor’s knot from the weights holding it to the ground. The weights attached to the opposite end dropped, dragging it through the pulley on the rooftop above. Nova jerked upward, holding tight as the rope whistled past the building’s concrete wall. The second set of weights crashed into the ground below. She stopped with a shudder, her hand only a few inches shy of the pulley, her body swinging six stories in the air. Nova threw her bag onto the rooftop, then grabbed the ledge and hauled herself over. She dropped down into a crouch and riffled through the bag, pulling out the uniform she had designed with Queen Bee’s help. She slung the weaponry belt across her hips, where it hung comfortably, outfitted with specially crafted pockets and hooks for all of her favorite inventions. Next, the snug black hooded jacket: waterproof and flame-retardant, yet lightweight enough to keep from inhibiting her movements. She zipped it up to her neck and tugged the sleeves past her knuckles before pulling up the hood, where a couple of small weights stitched into the hem held it in place over her brow. The mask came last. A hard metallic shell perfectly molded to the bridge of her nose that disappeared into the high collar of the jacket, disguising the lower half of her face. Transformation complete, she stooped and pulled the rifle and a single poisoned dart from the bag.
Marissa Meyer (Renegades (Renegades, #1))
I soon found my feet, and was much less homesick than I was at prep school. Thank God. I learned that with plenty of free time on our hands, and being encouraged to fill the time with “interests,” I could come up with some great adventures. A couple of my best friends and I started climbing the huge old oak trees around the grounds, finding monkey routes through the branches that allowed us to travel between the trees, high up above the ground. It was brilliant. We soon had built a real-life Robin Hood den, with full-on branch swings, pulleys, and balancing bars high up in the treetops. We crossed the Thames on the high girders above a railway bridge, we built rafts out of old Styrofoam and even made a boat out of an old bathtub to go down the river in. (Sadly this sank, as the water came in through the overflow hole, which was a fundamental flaw. Note to self: Test rafts before committing to big rivers in them.) We spied on the beautiful French girls who worked in the kitchens, and even made camps on the rooftops overlooking the walkway they used on their way back from work. We would vainly attempt to try and chat them up as they passed. In between many of these antics we had to work hard academically, as well as dress in ridiculous clothes, consisting of long tailcoats and waistcoats. This developed in me the art of making smart clothes look ragged, and ever since, I have maintained a lifelong love of wearing good-quality clothes in a messy way. It even earned me the nickname of “Scug,” from the deputy-headmaster. In Eton slang this roughly translates as: “A person of no account, and of dirty appearance.
Bear Grylls (Mud, Sweat and Tears)
There’s a stream of trouble across my path; It is dark and deep and wide. Bitter the hour the future hath When I cross its swelling tide. But I smile and sing and say: “I will hope and trust alway; I’ll bear the sorrow that comes tomorrow, But I’ll borrow none today.” Tomorrow’s bridge is a dangerous thing; I dare not cross it now. I can see its timbers sway and swing, And its arches reel and bow. O heart, you must hope alway; You must sing and trust and say: “I’ll bear the sorrow that comes tomorrow, But I’ll borrow none today.
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
스포츠토토사이트 Swlook.com 가입코드 : win24 「〃Swlook.cℴm〃가입코드: win24〃」 단폴제제없는 메이저 사설놀이터 Swing 입니다. 신규가입 첫충 10% / 매일충전 5% Event 진행중 네임드사다리 로하이 농구쿼터실시간 스타 롤 등등, 타 업체 대비 최고의 배당률 & 다양한 경기 지원! 다폴더보너스,스페셜보너스 등 다양한 이벤트를 통해 머니 지급! 까다로운 보안으로 여러분의 안전을 책임집니다.Narrator: A man stood on a railroad bridge in Alabama looking down into the swift waters of the Owl Creek River below. The mans hands were tied behind his back.
스포츠토토사이트 Swlook.com 가입코드 : win24
네임드사다리 Swlook.com 가입코드 : win24 「〃Swlook.cℴm〃가입코드: win24〃」 단폴제제없는 메이저 사설놀이터 Swing 입니다. 신규가입 첫충 10% / 매일충전 5% Event 진행중 네임드사다리 로하이 농구쿼터실시간 스타 롤 등등, 타 업체 대비 최고의 배당률 & 다양한 경기 지원! 다폴더보너스,스페셜보너스 등 다양한 이벤트를 통해 머니 지급! 까다로운 보안으로 여러분의 안전을 책임집니다.And he saw the bridge, with the wall at one end. He saw the soldiers and the captain on the bridge. They shouted, and they pointed at him. They looked like giant monsters. As he looked, he heard gunfire. Something hit the water near his head. Now there was a second shot.
네임드사다리 Swlook.com 가입코드 : win24
로하이배팅 Swlook.com 가입코드 : win24 「〃Swlook.cℴm〃가입코드: win24〃」 단폴제제없는 메이저 사설놀이터 Swing 입니다. 신규가입 첫충 10% / 매일충전 5% Event 진행중 로하이배팅 로하이 로하이배팅 스타 롤 등등, 타 업체 대비 최고의 배당률 & 다양한 경기 지원! 다폴더보너스,스페셜보너스 등 다양한 이벤트를 통해 머니 지급! 까다로운 보안으로 여러분의 안전을 책임집니다 Announcer: You have just heard the American story "An Occurrence at Owl Creek Bridge." It was written by Ambrose Bierce. Your storyteller was Shep O'Neal.
로하이배팅 Swlook.com 가입코드 : win24
농구쿼터실시간 Swlook.com 가입코드 : win24 「〃Swlook.cℴm〃가입코드: win24〃」 단폴제제없는 메이저 사설놀이터 Swing 입니다. 신규가입 첫충 10% / 매일충전 5% Event 진행중 농구쿼터실시간 로하이 농구쿼터실시간 스타 롤 등등, 타 업체 대비 최고의 배당률 & 다양한 경기 지원! 다폴더보너스,스페셜보너스 등 다양한 이벤트를 통해 머니 지급! 까다로운 보안으로 여러분의 안전을 책임집니다.The prisoner was dead. His neck was broken. His body hung at the end of a rope. It kept swinging from side to side. Swinging gently under a hole in Owl Creek Bridge.
농구쿼터실시간 Swlook.com 가입코드 : win24
안전한사설놀이터 Swlook.com 가입코드 : win24 「〃Swlook.cℴm〃가입코드: win24〃」 단폴제제없는 메이저 사설놀이터 Swing 입니다. 신규가입 첫충 10% / 매일충전 5% Event 진행중 네임드사다리 로하이 농구쿼터실시간 스타 롤 등등, 타 업체 대비 최고의 배당률 & 다양한 경기 지원! 다폴더보너스,스페셜보너스 등 다양한 이벤트를 통해 머니 지급! 까다로운 보안으로 여러분의 안전을 책임집니다.A group of soldiers is hanging a southern farm owner for trying to stop northern military movements across the Owl Creek Bridge.
안전한사설놀이터 Swlook.com 가입코드 : win24
네임드유출픽 Swlook.com 가입코드 : win24 「〃Swlook.cℴm〃가입코드: win24〃」 단폴제제없는 메이저 사설놀이터 Swing 입니다. 신규가입 첫충 10% / 매일충전 5% Event 진행중 네임드사다리 로하이 농구쿼터실시간 스타 롤 등등, 타 업체 대비 최고의 배당률 & 다양한 경기 지원! 다폴더보너스,스페셜보너스 등 다양한 이벤트를 통해 머니 지급! 까다로운 보안으로 여러분의 안전을 책임집니다.Everybody was ready. The prisoner stood quietly. His eyes were not covered. He looked down and saw the water under the bridge. Now, he closed his eyes.
네임드유출픽 Swlook.com 가입코드 : win24
슈어맨 Swlook.com 가입코드 : win24 「〃Swlook.cℴm〃가입코드: win24〃」 단폴제제없는 메이저 사설놀이터 Swing 입니다. 신규가입 첫충 10% / 매일충전 5% Event 진행중 네임드사다리 로하이 농구쿼터실시간 스타 롤 등등, 타 업체 대비 최고의 배당률 & 다양한 경기 지원! 다폴더보너스,스페셜보너스 등 다양한 이벤트를 통해 머니 지급! 까다로운 보안으로 여러분의 안전을 책임집니다.But they got louder and louder and started to hurt his ears. The pain was strong. He wanted to shout. But the sounds he heard were just those of the river running swiftly under the bridge.
슈어맨 Swlook.com 가입코드 : win24
There’s a stream of trouble across my path; It is dark and deep and wide. Bitter the hour the future hath When I cross its swelling tide. But I smile and sing and say: “I will hope and trust alway; I’ll bear the sorrow that comes tomorrow, But I’ll borrow none today.” Tomorrow’s bridge is a dangerous thing; I dare not cross it now. I can see its timbers sway and swing, And its arches reel and bow. O heart, you must hope alway; You must sing and trust and say: “I’ll bear the sorrow that comes tomorrow, But I’ll borrow none today.” The eagle that soars at great altitudes does not worry about how it will cross a river. selected
Jim Reimann (Streams in the Desert: 366 Daily Devotional Readings)
The Infinite Chasm Between Lovers [10w] We connect only by hope and a swinging rope bridge.
Beryl Dov
Look at me, boy!” he said. “I want my face to be the last thing you see.” Peter looked at him, his face defiant. Hook pulled his arm back for the final strike. He began an arcing swing, its target Peter’s neck. Sarah’s flying karate kick caught Hook in his midsection. As he fell, spinning, his hook missed Peter by half an inch and kept going around his body. It plunged into Sarah’s chest, just below her collarbone. Together they fell to the dirt. Sarah seemed unaware that she had been wounded until she saw Hook pull his hook, dripping red with her blood, from her body. She looked down and tried to scream, but what came out was more of a hideous gurgle. Hook scrambled to his feet. With barely a glance at Sarah on the ground he turned back toward Peter, determined to finish the job. “Get away!” shouted a voice. Hook turned and saw J.D. advancing on him cautiously, his eyes on the dripping red hook. He had no weapon. Hook swung the hook at him, and he jumped back. Hook turned back toward Peter, but as he did he heard a roar and a crash. He spun back toward the gate: the
Dave Barry (The Bridge to Never Land (Peter and the Starcatchers, #5))
Why are you walking so fast, if I may ask? Do you want to make it all the way to Holland today?” “Can you get to Holland from here?” “Well, first you have to go to Mombach where they grow asparagus. Do your relatives live there?” “Farther on.” “In Budenheim? In Heidesheim? Are they farmers?” “In a way.” “In a way,” Pikestail repeated. George wondered, Should I try to shake him off? But how the devil am I going to do that? No, it’s always better when there are two of you. Then you’re more a part of the landscape. They passed the little swing bridge across Flosshafen.
Anna Seghers (The Seventh Cross (New York Review Books classics))
It’s kind of like knocking down a wall that’s been in your way, only to discover a slippery, swinging bridge on the other side.
Dianna Dorisi Winget (The Hidden Power of Dandelions)
GRATITUDE   Opening the back door to make my way towards the swinging bench I walk on the stone path beneath the dripping forest behind the house. I stroll with my hands inside of my pockets looking into the distance where the trees are the most thick. I sit on the swinging bench beside the stream as the grumbling storm begins to settle into a raining mist that is barely felt to the touch. A luminance from the soft and clouded atmosphere above appears down from the tops of the trees as if I am perched at the bottom of heaven looking upward. Slowly rocking the bench I stare up into the sky thanking God for the love inside of me that exists. Mesmerized I am by that force that causes my soul to be still whenever she is near. Simplicity by definition has made me in good spirits as I sit thinking on how I never thought I could be this happy.   I then feel a muted resonance as a presence then comes across the small wooden bridge behind me that channels the sounds of the water trickling beneath it. I turn my head to look over my shoulder seeing her step towards me as she quietly emerges from out of the morning mist.
Luccini Shurod
Our hearts flew up to heaven,, and all the soot and flying dust of burning cane vanished in the smoke fires of hell while ours ascended skywards, washed in the blood of the lamb.
Ramabai Espinet (Swinging Bridge)
If you happen to be born into an Indian family, an Indian family from the Caribbean, migratory, never certain of the terrain, that’s how life falls down around you. It’s close and thick and sheltering, its ugly and violent secrets locked inside the family walls. The outside encroaches, but the ramparts are strong, and once you leave it you have no shelter and no ready skills for finding a different one. I found that out after years of trying.
Ramabai Espinet (Swinging Bridge)
January 15, 1995. Lately, words have been assailing me. Words like ashes, cocoyea brooms, sem, chataigne, roti, chunkaying, lepaying, washing wares. Everyday domestic words from long ago, a far-off time and place. Other words fly past me like spectres and they want something – words like gloaming, lovevine, lianas, pois-doux, zaboca, mango vere, pomme-cythere, Manzanilla, calypso, j’ouvert morning, ginga, carilee, googoonie, chuntah, calchul. Patois words and Hindi words. Words are ghosts, ancestors on this side. They are not symbols. They are alive and sensate – full of flesh and stone and jagged edges. Word jumbies.
Ramabai Espinet (Swinging Bridge)
wall while swinging from the rope bridge. At the top of the wall was a zip line with handlebars you had to grab. After that point, it was difficult to see the rest of the course. There were walls among walls blocking the view. It looked like there were spinning pillars scattered throughout it. I saw other pools of water and mud that the runner would have to avoid or worse yet, swim across. At the end of the course, there was a flat open space with barriers scattered throughout. High above the open space was a gun that shot tennis balls the runner had to avoid. The course was a monster. “Beauty, ain’t she?” Mr. Cooper said proudly as he approached us. “Just got her imported from Norway. The pamphlet said it was something that the Vikings themselves trained with, but somehow I doubt that. It also says ninety nine percent of students who attempt it can’t make it past the first rope bridge.” “What’s it doing here?” Carlyle asked. “Will students be running it today?” Mr. Cooper shook his head. “Oh no, it’s not ready by any means, legally I mean, buuuuut…,” the gym teacher trailed off as he glanced over his shoulder. “I didn’t see nothin’.” “Race ya,” Brayden said as he smiled at me. “How can I possibly say no?” I asked as I started running toward the obstacle course at full speed. When I reached the rope bridge, I didn’t hesitate and started climbing. Grabbing the ropes, I balanced myself and walked as quickly as possible over the pool of water. I
Marcus Emerson (Pirate Invasion (Diary of a 6th Grade Ninja, #2))
On the first swing: “Cloud mining—” On the second: “—thunderstorm jogging—” The third: “—empty-bucket carrying—” The fourth: “—GRAVEL-BRIDGE BUILDING—” On the fifth one, the door shattered into hundreds of wooden pieces. “. . . P-P-P . . . P-P . . . P . . . POWDER-KEG JOCKEY . . . !!
Cube Kid (Tales of an 8-Bit Kitten: A Call to Arms: An Unofficial Minecraft Adventure (8-Bit Kitten, #2))
WORKOUT #1 1. Double arm swing to warm up. –x20 2. Military press (strict). –x10 3. Clean and push press. –x10 4. Cleans. –x10 5. One arm side press. –x5 (each side) 6. Overhead one arm squats. –x10 7. Lunges. –x20 8. Sumo deadlifts. –x20-50 9. Wrestler’s bridge press. –x10 10. Turkish get ups. –x5 (each side) 11. Janda or Ab Pavelizer situps. 12. Chin up ladders. –alternate with a partner. The circuit is done with no rest between exercises for one set of the above repetitions with kettlebells that weight about 23.6 kilograms or 52 pounds each. The workout is under 15.00 and I attempt to lessen the time every workout. Zack and Steve Maxwell are ready to take on their kettlebells.
Pavel Tsatsouline (The Russian Kettlebell Challenge: Xtreme Fitness for Hard Living Comrades)
It was the angry eyebrow man, some ways away. He was barking orders at some villager who was building a house. When this villager placed a door, he must have made a mistake, because the eyebrow man became so angry, he actually ripped the door off its hinges and—wielding it with both hands like a weapon—struck the side of the house. He shouted with each swing: On the first swing: "Cloud mining—" On the second: "—empty bucket carrying—" The third: "——thunderstorm jogging——!!" The fourth: "——GRAVEL BRIDGE BUILDING——!!" On the fifth swing, the door shattered into hundreds of wooden bits: ". . . P-P-P . . . P-P . . . P . . . POWDER KEG JOCKEY . . . !!" Suddenly, Hurion seemed to understand who I meant by the 'angry eyebrow man'. "Let's get outta here," he said. "He's been acting pretty strange too, more angry than usual, and I really don't feel like dealing with him right now. Times a googol.
Cube Kid (Nether Kitten 6 (Nether Kitten #6))
I once believed this was the most magical place on the planet. I walk closer. It's smaller now, it seems, than when we were kids, but still wonderful. The giant wooden playground is what we always called it, but it's so much more than that. It's a wooden castle the size of a Hollywood mansion, with towers and bridges and turrets and secret passageways. Elaborate swings in the shape of life-size horses with black rubber saddles.
Amber Smith (The Way I Used to Be (The Way I Used to Be, #1))
It’s Fae on Fae, man, what are you thinking?” he asked with a frown and I could only glower as I looked back to the fight, forcing myself to remain still. It might have made me ache to hold back but he was right, I couldn’t get involved in a fight between two Fae. And if it had been anyone else, I never would have considered it. But Roxy always made me want to break the rules. “You jumped up, crown touting, cock sucking, whore!” Mildred slammed her fist into Roxy’s face again, not even bothering to use magic as she screamed insults in her face which included way too many references to me being her beloved. “What’s the matter, Mildred?” Roxy snarled. “Is it just that you can’t suck cock properly with that mis-matched jaw of yours or is it that you know Darius is only marrying you because his father is forcing him to?” “When I take my beloved to the bedroom he will be screaming so loudly that he won’t even remember the name Vega!” Mildred howled as she punched Roxy again. “Yeah, screaming in horror,” Roxy spat and I almost fucking laughed aside from the fact that she was about to get her face smashed in by that beast of a girl. “We’ll see if he’s so tempted by you when I’m done pulverising that pretty face of yours and I cut your perky tits off for good measure!” Mildred howled. “Not the tits!” Tyler Corbin gasped from the other side of the crowd as he filmed the whole thing. My heart pounded. Roxy might have been tough, but Mildred was four times the size of her. She needed to fight back with magic if she was going to stand a chance, but as she swung her head forward and cracked the bridge of Mildred’s nose with a savage headbutt, I got the feeling she wasn’t going to use it. Roxy swung a fist into Mildred’s throat to follow it before driving her knee up between her legs as hard as she could. “Ooo right in the vag!” Tyler called and a laugh caught in my throat. “Yes, Tor!” Darcy screamed as she pushed her way to the front of the crowd. “Show her how we fight where we come from!” As Mildred reared back, Roxy lunged forward, rolling them over so that she was on top before swinging her fists down into Mildred’s ugly face with a brutality that made my heart race. She was wild and vicious, blood pissing down her face from her own injuries as she used my stolen rings to batter Mildred again and again. I wouldn’t be surprised if she didn’t end up with Dragons imprinted all over her face from her own injuries as she used my stolen rings to batter Mildred again and again. I wouldn’t be surprised if she didn’t end up with Dragons imprinted all over her face from the shape of the jewellery. Mildred gave as good as she got, punching Roxy in the sides, the chest, even trying to bite her fist as she punched her. “Holy shit,” Seth breathed as he nuzzled against my arm. “This would be so hot if it wasn’t, you know, Mildred. But if I imagine her being literally any other girl then I’d be so turned on right now.” I swallowed a lump in my throat as I refused to agree out loud, but he was right. There was something about Roxy as she fought like that, her lip curled back with determination and absolutely no mercy in her. They might have been fighting like mortals having a bar brawl, but with a crown on her head and blood painting her flesh, I didn’t think she’d ever looked more like the Savage King’s daughter before. She really was a Fae Princess. And I liked it. Mildred cursed and screamed, throwing fists like sledgehammers so hard that I was pretty sure I heard ribs cracking, but Roxy wasn’t going to give in. She swung her arm back one final time and with a scream of rage, she hit Mildred so hard in her pug face that she blacked out. A laugh tumbled from my lips before I could stop it and Roxy looked up at me with a wild determination in her eyes as she grinned like a damn warrior. (Darius POV)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
The blonde shrugs. “I thought they were elves.” “For fuck’s sake! This isn’t Mordor,” Morgan almost yells. “Middle Earth,” I mutter under my breath. Morgan’s gaze swings to mine, and if she had telekinesis, I’d be dead.
Miranda Bridges (The Commander's Captive (House of Kaimar, #1))
I call him “Old Bold-Stones” Within a ribbed structure built not unlike a cage Yet, not having the same quality of confinement, The open box of the day was lying Lid unhinged to a swing of mourning whales all dressed in widowhoods. Sunset's blood threw a spotted sop – That kaleidoscope in the spout Of the great sperm-son's vent. Come, crash me thunderdown. Come, flash me whipplecrack. Wave winged Sweat wet. Frond weed. Pondweed. And as thunderdown of policemen Shouting the empty place neath The arches of the once-red now Brown, grey sandstone bridge, Trout with a suspicion of feet lurking quiet in unseen spaces between frond weed and bold stones.
Gordon Roddick
Weird, how love is,” Izuku talks to the sky, swinging his legs as Katsuki piggybacks him, “Someone can have the ability to crush your heart in the palm of their hands, stab it with words that kill and actions that torture. And you’d still hand it over to them.” Katsuki seemed to not know what to say to this for a while, for the blonde goes silent in what felt like contemplation. He kicked gravel on the road under his feet as he walked, and Izuku just held on. “Why would anyone do that,” Katsuki finally asks, tone genuinely curious, yet cautious. Izuku laughs and looks down at Katsuki’s side profile, mapping the blonde’s jaw, his eyes, the bridge of his nose, “Because, love feels like flying.” Katsuki slows down to a stop, looking ahead, words on the tip of his tongue, before glancing to the side where Izuku was facing, but not exactly looking at the greenette. And Katsuki tells him then, “Everything that flies eventually falls.” Oh .
suffocatingspring (From The Sidelines)
They’re coming!” Josh yelled. Like a whirlwind the twins rushed downstairs, where Peter was waiting. With Wally bringing up the rear they all went outside. The two older Malloy sisters, wearing jeans and long shirts down to their knees, were walking arm in arm across the swinging bridge, leaning on each other, like two girls who had more sadness than they could possibly bear, Wally thought. As they came closer, the Hatford brothers pretended to be looking down the road, at the sky, anywhere, in fact, except at the Malloys. “Ask!” Jake whispered to Josh. “You ask!” said Josh. “You always try to make me do it.” “Wally, you do it,” said Jake. “Why me? What the heck am I supposed to say?” The girls had reached the middle of the narrow bridge now and, still walking side by side, held on to the cable handrails as the bridge bounced slightly beneath their weight. “If one of us doesn’t ask, Peter will,” Josh warned. “He’ll say something dumb, like ‘Have you buried anyone lately?’” “I will not!” snapped Peter.
Phyllis Reynolds Naylor (The Boys Start the War (Boy/Girl Battle, #1))
And if some people heard “meth addict murders three people” or “mother throws children from bridge” and thought, get rid of them, and then voted for the death penalty? “But that just isn’t justice,” he said, later emphasizing, “It’s a pendulum swing. I still don’t quite understand why the United States wants that kind of vengeance, and that’s all it is.
Nancy Rommelmann (To the Bridge)
Activities to Develop the Vestibular System Rolling—Encourage your child to roll across the floor and down a grassy hill. Swinging—Encourage (but never force) the child to swing. Gentle, linear movement is calming. Fast, high swinging in an arc is more stimulating. If the child has gravitational insecurity, start him on a low swing so his feet can touch the ground, or hold him on your lap. Two adults can swing him in a blanket, too. Spinning—At the playground, let the child spin on the tire swing or merry-go-round. Indoors, offer a swivel chair or Sit ’n Spin. Monitor the spinning, as the child may become easily overstimulated. Don’t spin her without her permission! Sliding—How many ways can a child swoosh down a slide? Sitting up, lying down, frontwards, backwards, holding on to the sides, not holding on, with legs straddling the sides, etc. Riding Vehicles—Trikes, bikes, and scooters help children improve their balance, motor planning, and motor coordination. Walking on Unstable Surfaces—A sandy beach, a playground “clatter bridge,” a grassy meadow, and a waterbed are examples of shaky ground that require children to adjust their bodies as they move. Rocking—Provide a rocking chair for your child to get energized, organized, or tranquilized.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
Our bus pulled in to a museum consisting of only one exhibit—a history of lynching. Every wall was filled with photographs of dark-skinned human beings swinging by their necks. A mother and son hanging over a bridge. Burned bodies swinging over dying fires. White children staring in wide-eyed wonder while their parents proudly point to the mutilated body behind them. The cruel smiles of white faces testifying to the joy of the occasion. We came across newspaper stories that advertised lynchings as community events. In another case we saw a postcard. On the front was a photo of a mutilated man still hanging from a rope. On the other side, a handwritten note: “Sorry we missed you at the barbecue.
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)