Swing Kids Quotes

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One swing set, well worn but structurally sound, seeks new home. Make memories with your kid or kids so that someday he or she or they will look into the backyard and feel the ache of sentimentality as desperately as I did this afternoon. It's all fragile and fleeting, dear reader, but with this swing set, your child(ren) will be introduced to the ups and downs of human life gently and safely, and may also learn the most important lesson of all: No matter how hard you kick, no matter how high you get, you can't go all the way around.
John Green (The Fault in Our Stars)
But hey, what's life without a little adversity?" That had to have been the fakest attempt at optimism since my fourth grade teacher tried reasoning that we were better off without the dead kids in our class because it'd mean more turns on the playground swings for the rest of us.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Cause I'm just - I want to go to Amsterdam, and I want him to tell me what happens after the book is over, and I just don't want my particular life, and also the sky is depressing me, and there is this old swing set out here that my dad made for me when I was a kid.' 'I must see this old swing set of tears immediately,' he said. 'I'll be over in twenty minutes.
John Green (The Fault in Our Stars)
This kid has more mood swings than a toddler's birthday party.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
She looks at the swings, and I can see she’s imagining what they’d look like if the kids weren’t there. The guilt of this holds her down momentarily. It appears to be there constantly. Never far away, despite her love for them. I realize that nothing belongs to her anymore and she belongs to everything.
Markus Zusak (I Am the Messenger)
The second thing you have to do to be a writer is to keep on writing. Don't listen to people who tell you that very few people get published and you won't be one of them. Don't listen to your friend who says you are better that Tolkien and don't have to try any more. Keep writing, keep faith in the idea that you have unique stories to tell, and tell them. I meet far too many people who are going to be writers 'someday.' When they are out of high school, when they've finished college, after the wedding, when the kids are older, after I retire . . . That is such a trap You will never have any more free time than you do right now. So, whether you are 12 or 70, you should sit down today and start being a writer if that is what you want to do. You might have to write on a notebook while your kids are playing on the swings or write in your car on your coffee break. That's okay. I think we've all 'been there, done that.' It all starts with the writing.
Robin Hobb
They say your muscles have memory. Once you've trained your arms to swing a tennis racket or your legs to ride a bike, you can quit for a while - years even - and all it takes is picking up a racket or jumping on a bike again and your muscles remember what to do. They snap right back to performing the way you taught them. The heart is a muscle, too. And I've been training mine since I was a kid to fall in love with one particular person.
Robin Brande (Fat Cat)
Are you crying, Hazel Grace?" "Kind of?" "Why?" he asked. "'Cause I'm just-I want to go to Amsterdam, and I want him to tell me what happens after the book is over, and I just don't want my particular life, and also the sky is depressing me, and there is this old swing set out here that my dad made for me when I was a kid." "I must see this old swing set of tears immediately," he said. "I'll be over in twenty minutes.
John Green (The Fault in Our Stars)
Later, I could get that drizzle feeling just about any time I saw a kid on a swing. The hopelessness of it—the forward excitement, the midflight return. The futile belief that the next time around, the next flight forward, you wouldn’t get dragged back again. You wouldn’t have to start over, and over.
Emily Fridlund (History of Wolves)
Desperately Lonely Swing Set Needs Loving Home "One swing set, well worn but structually sound, seeks new home. Make memories with your kid or kids so that someday he or she or they will look into the backyard and feel the ache of sentimentality as desperately as I did this afternoon. It's all fragile and fleeting, dear reader, but with this swing set, your child(ren) will be introduced to the ups and downs of human life gently and safely, and may alos learn the most important lesson of all: No matter how hard how you kick, no matter how high you get, you can't go all the way around." Swing set currently resides near 83rd and Spring Mill.
John Green (The Fault in Our Stars)
Most people think Marv is crazy, but I don't believe that. I'm no shrink and I'm not saying I've got Marv all figured out or anything, but "crazy" just doesn't explain him. Not to me. Sometimes I think he's retarded, a big, brutal kid who never learned the ground rules about how people are supposed to act around each other. But that doesn't have the right ring to it either. No, it's more like there's nothing wrong with Marv, nothing at all--except that he had the rotten luck of being born at the wrong time in history. He'd have been okay if he'd been born a couple of thousand years ago. He'd be right at home on some ancient battlefield, swinging an ax into somebody's face. Or in a roman arena, taking a sword to other gladiators like him. They'd have tossed him girls like Nancy, back then.
Frank Miller (Sin City, Vol. 2: A Dame to Kill For (Sin City, #2))
Are you kids going to be out for a while?" Mr. Tavares asked. Out as in, out of the closet, or out as in, our celebrating? "Yeah-- the rest of the team is partying at Reese's house. I think Matt and Darnell want to swing by," said Will. Okay, yup, out celebrating. Glad I didn't reply with "I'm planning on being out permanently," then.
Sophie Gonzales (Only Mostly Devastated)
I personally have my own idea of an efficient house. It would be totally concrete with a big drain in the middle, a large fiberglass tree for my kids to swing from and a hose hanging in the corner.
Colleen Down
Why aren’t we moving?” Tucker swings his bloodshot eyes toward the backseat. “We have a baby in this truck, Sabrina.” “I know.” He swallows hard. “This is fucked up. We shouldn’t be allowed to leave the hospital with a kid. I’ve never even had a pet before.
Elle Kennedy (The Goal (Off-Campus, #4))
Billy looked at the clock on the gas stove. He had an hour to kill before the saucer came. He went into the living room, swinging the bottle like a dinner bell, turned on the television. He came slightly unstuck in time, saw the late movie backwards, then forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground., to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn't in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Do you remember the first day that we met? It was- it was the first day of kindergarten. I knew nobody. I had no friends, and I just felt so alone and so scared…but I saw you on the swings, and you were alone, too. And I just walked up to you, and I asked. I asked if you wanted to be my friend. And you said yes. You said yes. It was the best thing I’ve ever done.
Michael Wheeler
Hey where are you from?" she asked, swinging her sword about with the skill of a trained fighter. "South of here." "No kidding - you and the rest of the kingdom.
Chuck Black (Sir Quinlan and the Swords of Valor (The Knights of Arrethtrae, #5))
Imagine you're evil. Not misunderstood. Not sad. But evil. Imagine you've got a heart that spends all day wanting more. Imagine your mind is a selfish room full of pride or pity. Imagine you're like Brandon Goff and you find poor kids in the halls and make fun of their clothes, and you flick their ears until they scream in pain and swing their arms, and so you pin them down and break their fingers. Or you spit in his food in the cafeteria. Or you just call him things like cockroach and sand monkey. Imagine you're evil and you don't do any of those things, but you're like Julie Jenkins and you laugh and you laugh at everything Brandon does, and you even help when a teacher comes and asks what's going on and you say nothing's going on, and he believes you because you get A-pluses in English. Or imagine you just watch all of this. And you act like you're disgusted, because you don't like meanness. But you don't do anything or tell anyone. Imagine how much you've got compared to all the kids in the world getting blown up or starved, and the good you could do if you spent half a second thinking about it. Suddenly evil isn't punching people or even hating them. Suddenly it's all that stuff you've left undone. All the kindness you could have given. All the excuses you gave instead. Imagine that for a minute. Imagine what it means.
Daniel Nayeri (Everything Sad Is Untrue)
My daughter breaks both her wrists jumping off of a swing. Her friend, who is five, told her to jump off of it. I promise nothing will happen, she said. But why did she promise that? she wails later at the hospital.
Jenny Offill (Dept. of Speculation)
Thinking about anything interesting?” I shrug and force my brain to stay with safer topics. “I didn’t know you could feed a baby Thai food.” Babydoll shovels a handful of shredded food into her mouth and swings her legs happily. She talks with her mouth full and half falls out. “Ah-da-da-da-da-da.” There’s a noodle in her hair, and Kristin reaches out to pull it free. Geoff scoops some coconut rice onto his plate and tops it with a third serving of beef. “What do you think they feed babies in Thailand?” I aim a chopstick in his direction. “Point.” Rev smiles. “Some kid in Bangkok is probably watching his mom tear up a hamburger, saying ‘I didn’t know you could feed a baby American food.’” “Well,” says Geoff. “Culturally—” “It was a joke
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
Longing on a large scale is what makes history. This is just a kid with a local yearning but he is part of an assembling crowd, anonymous thousands off the buses and trains, people in narrow columns tramping over the swing bridge above the river, and even if they are not a migration or a revolution, some vast shaking of the soul, they bring with them the body heat of a great city and their own small reveries and desperations, the unseen something that haunts the day—men in fedoras and sailors on shore leave, the stray tumble of their thoughts, going to a game.
Don DeLillo
Single parenting isn’t just being the only one to take care of your kid. It’s not about being able to “tap out” for a break or tag team bath- and bedtime; those were the least of the difficulties I faced. I had a crushing amount of responsibility. I took out the trash. I brought in the groceries I had gone to the store to select and buy. I cooked. I cleaned. I changed out the toilet paper. I made the bed. I dusted. I checked the oil in the car. I drove Mia to the doctor, to her dad's house. I drove her to ballet class if I could find one that offered scholarships and then drove her back home again. I watched every twirl, every jump, and every trip down the slide. It was me who pushed her on the swing, put her to sleep at night, kissed her when she fell. When I sat down, I worried. With the stress gnawing at my stomach, worrying. I worried that my paycheck might not cover bills that month. I worried about Christmas, still four months away. I worried that Mia's cough might become a sinus infection that would keep her out of day care... . I worried that I would have to reschedule work or miss it altogether.
Stephanie Land (Maid: Hard Work, Low Pay, and a Mother's Will to Survive)
One swing set, well worn but structurally sound, seeks new home. Make memories with your kid or kids so that someday he or she or they will look into the backyard and feel the ache of sentimentality as desperately as I did this afternoon. It’s all fragile and fleeting, dear reader, but with this swing set, your child(ren) will be introduced to the ups and downs of human life gently and safely, and may also learn the most important lesson of all: No matter how hard you kick, no matter how high you get, you can’t go all the way around.
John Green (The Fault in Our Stars)
When she had arranged her household affairs, she came to the library and bade me follow her. Then, with the mirror still swinging against her knees, she led me through the garden and the wilderness down to a misty wood. It being autumn, the trees were tinted gloriously in dusky bars of colouring. The rowan, with his amber leaves and scarlet berries, stood before the brown black-spotted sycamore; the silver beech flaunted his golden coins against my poverty; firs, green and fawn-hued, slumbered in hazy gossamer. No bird carolled, although the sun was hot. Marina noted the absence of sound, and without prelude of any kind began to sing from the ballad of the Witch Mother: about the nine enchanted knots, and the trouble-comb in the lady's knotted hair, and the master-kid that ran beneath her couch. Every drop of my blood froze in dread, for whilst she sang her face took on the majesty of one who traffics with infernal powers. As the shade of the trees fell over her, and we passed intermittently out of the light, I saw that her eyes glittered like rings of sapphires. ("The Basilisk")
R. Murray Gilchrist (Terror by Gaslight: More Victorian Tales of Terror)
I told her about the best and the worst. The slow and sleepy places where weekdays rolled past like weekends and Mondays didn’t matter. Battered shacks perched on cliffs overlooking the endless, rumpled sea. Afternoons spent waiting on the docks, swinging my legs off a pier until boats rolled in with crates full of oysters and crayfish still gasping. Pulling fishhooks out of my feet because I never wore shoes, playing with other kids whose names I never knew. Those were the unforgettable summers. There were outback towns where you couldn’t see the roads for red dust, grids of streets with wandering dogs and children who ran wild and swam naked in creeks. I remembered climbing ancient trees that had a heartbeat if you pressed your ear to them. Boomboom-boomboom. Dreamy nights sleeping by the campfire and waking up covered in fine ash, as if I’d slept through a nuclear holocaust. We were wanderers, always with our faces to the sun.
Vikki Wakefield (Friday Brown)
Now a door slams. The kids have rushed out for the last play, the mothers are planning and slamming in kitchens, you can hear it out in swish leaf orchards, on popcorn swings, in the million-foliaged sweet wafted night of sighs, songs, shushes. A thousand things up and down the street, deep, lovely, dangerous, aureating, breathing, throbbing like stars; a whistle, a faint yell; the flow of lowell over rooftops beyond; the bark on the river, the wild goose of the night yakking, ducking in the sand and sparkle; the ululating lap and purl and lovely mystery on the shore, dark, always dark the river's cunning unseen lips murmuring kisses, eating night, stealing sand, sneaky.
Jack Kerouac
And at night the river flows, it bears pale stars on the holy water, some sink like veils, some show like fish, the great moon that once was rose now high like a blazing milk flails its white reflection vertical and deep in the dark surgey mass wall river's grinding bed push. As in a sad dream, under the streetlamp, by pocky unpaved holes in dirt, the father James Cassidy comes home with lunchpail and lantern, limping, redfaced, and turns in for supper and sleep. Now a door slams. The kids have rushed out for the last play, the mothers are planning and slamming in kitchens, you can hear it out in swish leaf orchards, on popcorn swings, in the million-foliaged sweet wafted night of sighs, songs, shushes. A thousand things up and down the street, deep, lovely, dangerous, aureating, breathing, throbbing like stars; a whistle, a faint yell; the flow of Lowell over rooftops beyond; the bark on the river, the wild goose of the night yakking, ducking in the sand and sparkle; the ululating lap and purl and lovely mystery on the shore, dark, always dark the river's cunning unseen lips, murmuring kisses, eating night, stealing sand, sneaky. 'Mag-gie!' the kids are calling under the railroad bridge where they've been swimming. The freight train still rumbles over a hundred cars long, the engine threw the flare on little white bathers, little Picasso horses of the night as dense and tragic in the gloom comes my soul looking for what was there that disappeared and left, lost, down a path--the gloom of love. Maggie, the girl I loved.
Jack Kerouac (Maggie Cassidy)
You can take the smartest kid at Wharton, the one who gets straight A’s and has a 170 IQ, and if he doesn’t have the instincts, he’ll never be a successful entrepreneur. Moreover, most people who do have the instincts will never recognize that they do, because they don’t have the courage or the good fortune to discover their potential. Somewhere out there are a few men with more innate talent at golf than Jack Nicklaus, or women with greater ability at tennis than Chris Evert or Martina Navratilova, but they will never lift a club or swing a racket and therefore will never find out how great they could have been. Instead, they’ll be content to sit and watch stars perform on television.
Donald J. Trump (Trump: The Art of the Deal)
Yes, you do. You look at him like he’s a damn candy bar sometimes,” Melody said. “I mean, so do I, but I’d eat him. You just look at him like a fat kid on a diet.
William D. Arand (Swing Shift (Swing Shift, #1))
swing attached to a big tree that went out over th
Jeff Kinney (The Deep End (Diary of a Wimpy Kid, #15))
(I love that expression. “Swing a dead cat.” Where the hell did it come from? Was swinging dead cats a thing at some point?)
Leslie Irish Evans (Peeling Mom Off the Ceiling: Reclaiming Your Life From Your Kids)
But wit or irony is like a hitch in his swing for a kid like the Swede, irony being a human consolation and beside the point if you’re getting your way as a god.
Philip Roth (American Pastoral (The American Trilogy, #1))
Sometimes he wished he didn’t have a sister, though he loved Deenie and still remembered the feeling he had when he caught that kid Ethan pushing her off the swing set in the school yard in fifth grade. And how time seemed to speed up until he was shoving the kid into the fence and tearing his jacket. The admiring look his sister gave him after, the way his parents pretended to be mad at him but he could tell they weren’t. These days, it was pretty different. There’d be those moments he was forced to think about her not just as Deenie but as the girl whose slender tank tops hung over the shower curtain. Like bright streamers, like the flair the cheerleaders threw at games. Sometimes he wished he didn’t have a sister.
Megan Abbott (The Fever)
It’s not like I had some utterly poignant, well-lit memory of a healthy father pushing a healthy child and the child saying higher higher higher or some other metaphorically resonant moment. The swing set was just sitting there, abandoned, the two little swings hanging still and sad from a grayed plank of wood, the outline of the seats like a kid’s drawing of a smile.
John Green (The Fault in Our Stars)
With initial understanding, Dexter replied, “Trust me, I definitely understand. See, I can’t help myself either.” Then, his tone swinging toward anger, said, “But children, I could never do that, not like you. Never, ever kids.
Bella DePaulo (The Psychology of Dexter (Psychology of Popular Culture))
Saying good-bye to them was like saying good-bye to some people who used to know me when I was a little kid. Like saying good-bye to zombies. Good-bye to a memory. Good-bye to dust. The real good-bye happened a long, long time ago.
Jo Knowles (Living with Jackie Chan (Jumping Off Swings, #2))
That had to have been the fakest attempt at optimism since my fourth grade teacher tried reasoning that we were better off without the dead kids in our class because it'd mean more turns on the playground swings for the rest of us.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Coach McConaughy grabbed the whistle swinging from a chain around his neck and blew it. “Seats, team!” Coach considered teaching tenthgrade biology a side assignment to his job as varsity basketball coach, and we all knew it. “It may not have occurred to you kids that sex is more than a fifteenminute trip to the backseat of a car. It’s science. And what is science?” “Boring,” some kid in the back of the room called out. “The only class I’m failing,” said another.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
But for the blood he could have been a normal Joe out on a stroll. But for the kid’s scalp swinging in the breeze, he could’ve been anyone. But he wasn’t. He was Kreagar Hallet. Murdering, kid-killing bastard Kreagar Hallet. Took me far too long to figure that out and no prettied-up words would change it now. I
Beth Lewis (The Wolf Road)
Miss me?" she asks with her usual wryness, tossing her backpack on the floor and dropping down on the bed beside me like she comes over all the time. "I feel like a rebel just knowing you. Everyone keeps asking me if you really lit Brooklyn on fire." I arch a brow. "On fire?" Catherine pumps up a pillow beneath her head. "The actual event has gotten a bit exaggerated." Her lips twitch. "Maybe I had something to do with that." "Nice. Thanks." "No problem." "So I guess I'm pretty much done for at school." For the first time, it matters to me. If I'm to stay here and make a go of it, it wouldn't hurt to have a few friends. To not be a social outcast. Especially since it seems pretty important for Tamra's success at school, too. "Are you kidding? You're a hero." Her lips twist with a smile. "I think you've got a shot at homecoming queen next fall." I give a short laugh, and then her words sink. Next fall. Might I be here then? With Will? It's almost too sweet to believe. "So," Catherine beings, picking at the loose paper edging my spiral. "Rutledge was absent today." "Yeah?" I try for nonchalance. "Yeah." She stretches the word, her blue-green eyes cutting meaningfully into mine. "And his cousins were around, so he's not off somewhere with them. I wonder..." She cocks her head, her long, choppy bangs, sliding low across her forehead. "Wherever could he have been?" I shrug and pick at the flaking tip of my pencil. She continues, "I know where Xander thinks he was." My gaze swings back to her face. "Xander talked to you?" "I know, right? Can my days as a pariah be coming to an end?" "Where does he think Will was?" "With you, of course.
Sophie Jordan (Firelight (Firelight, #1))
Are you kids going to be out for a while?” Mr. Tavares asked. Out as in, out of the closet, or out as in, out celebrating? “Yeah—the rest of the team is partying at Reese’s house. I think Matt and Darnell want to swing by,” said Will. Okay, yup, out celebrating. Glad I didn’t reply with “I’m planning on being out permanently,” then.
Sophie Gonzales (Only Mostly Devastated)
You know why I’m raising you kids to be Cubs fans?” Buddy shakes his head. “Any mook can be a fan of a winning team,” Dad says. “It takes character to root for the doomed. You show up, you watch your boys take their swings, and you watch ’em go down in flames—every damn day. You think Jack Brickhouse is an optimist? No-siree. He may sound happy, but he’s dying inside. There’s no seat in Wrigley Field for a God damn Pollyanna. You root-root-root for the home team, and they lose anyway. It teaches you how the world works, kid. Sure, start every spring with your hopes and dreams, but in the universe in which we live, you will be mathematically eliminated by Labor Day. Count on it.
Daryl Gregory (Spoonbenders)
Do I get to choose what she commands you to do? Come on, let me, it’ll be fun.” Jai laughed humorlessly. “I said I don’t want her commanding me to do something asinine, kid.” Charlie’s grin disappeared as quickly as it had surfaced. “I told you not to call me, kid, Jinn boy. I’m what… two years younger than you, douchebag?” “Try five. And that’s only in physical years.” “What, you trying to say I’m not mature?” “Oh those socks you’re wearing definitely are. Have you heard of detergent? A shower? Hygiene?” “I shower, you militant, glorified fucking babysitter.” “Watch it, kid.” “Kid? I am this close to taking a swing at you, you overblown piece of-” “Oh for the love of God!” Ari cried, throwing her hands up, her head pounding. So much for their strained peace treaty. “Shut up. Shut up. Shut up!”Despite their matching glowers, both of them slammed their lips closed and glared at one another. Ari heaved a sigh of relief as she pulled a chilled can of soda out of the refrigerator. At least the soda still felt nice sliding down her throat. Not the same as an ice cold Coke on a blazing summer day but still nice. She took a refreshing swig and turned towards her male companions once again. Blasts of frost shot out from Jai’s eyes only to be met by the simmering black heat of Charlie’s angry gaze. Rolling her eyes and biting back the guilt that she was somehow responsible for the animosity between the only two people she could count on right now, Ari spilled into the chair between them and Jai slowly sunk back down into his. “So what will I command you?” she asked quietly, ignoring the way her fingers trembled as she played with the tab on her soda can. When she got no answer, she glanced up to see Jai’s face going red, the veins in his head throbbing. “Dude, what’s wrong?” Charlie asked quietly, looking at Ari in alarm. “Is he choking?” Ari’s heart flipped in her chest at the thought and she reached across the table to grab his arm. “Jai?” His eyes widened and he waved a large hand at his throat and mouth and then pointed at her. What the hell?! “Jesus Christ, he can’t talk?” Charlie asked incredulously. “Is this a joke?
Samantha Young (Smokeless Fire (Fire Spirits, #1))
Daniel was just about to swing inside the home team's locker room when the door opened beneath his hand. He flattened himself up against the boards in time to see Detective Bartholemew leading Jason Underhill out. The kid was still wearing his hockey gear, in his stocking feet, carrying his skates in one hand. His face was flushed and his eyes were trained on the rubber mats on the floor.
Jodi Picoult (The Tenth Circle)
Otter did this! I didn’t do anything wrong. He tricked me! He tricked me and left! Just like I knew he would! I think I hear him call my name, but my ears are pounding too hard to be sure. It sounds like the ocean. Im about to start running when I feel strong arms wrap around me from behind, clasping on my chest. I turn around to swing at him but can only get partway before I get caught in a vise grip. “Let go of me!” I snarl, wanting to kick and bite and punch and hurt. “Bear,” he says, his voice grumbling in my ear. “Bear.” “Im not like you!” I say, still struggling to get away. “Im not like that!” “I know, Bear. I know.” His breath is hot against my cold skin. “Dont you think I know that? I shouldnt have let it happen. Im sorry. Im so sorry.” I stop fighting him, feeling all the anger fall out of me like someone flipped a switch. “Why are you here?” I moan. “Why did you come back?” He grabs me by the chin, forcing me to stare into his eyes. “It has nothing to do with what happened between us. As far as I am concerned, that was a mistake. We never should have kissed.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
The raid comes without warning, like a team of Juvie-rounders in the night. A real special-ops team—nothing like the playacting kids Starkey calls special ops. The invaders tranq the storks guarding the entrance to the mine before they can even raise their weapons and flood into the tunnels, tranq’ing anyone who comes into view. Their directive is simple: Get to Mason Starkey. The commotion wakes kids deeper in the mine in time for them to scramble for weapons, which they’ve learned to use without hesitation and without fear. They bring several of the intruders down, but there are more behind them—and this force is armed with weapons the storks have never seen: squad machine guns that spray tiny tranq-tipped darts at such an alarming rate, they create an inescapable wall of unconsciousness before them. The layers of protection surrounding Starkey peel away until he’s exposed and vulnerable before the invading force. Starkey swings his own weapon up, but fumbles with it just long enough for his attackers to grab it and grab him. The entire operation is over in less than five minutes.
Neal Shusterman (UnSouled (Unwind, #3))
The group that evening turned out to be almost a who’s who of Hollywood royalty, many of whom were Brits and all of whom could not have been kinder to this new kid on the block. Some of the people I remember meeting were: Greer Garson; Ronald Colman; David Niven, who had also been under contract to Goldwyn, and who was the best raconteur I have ever met; Myrna Loy; Ray Milland, with whom I later worked in The Girl in the Red Velvet Swing; and James Mason, who never seemed to be in the moment. It was as if he was off in his own secret places. Meeting him confirmed what I’d always suspected: he would have been terrific as Rupert in Rope.
Farley Granger (Include Me Out: My Life from Goldwyn to Broadway)
Before every elementary school classroom had a 'Drop Everything and Read' period, before parents and educators agonized more about children being glued to Call of Duty or getting sucked into the vortex of the Internet, reading as a childhood activity was not always revered. Maybe it was in some families, in some towns, in some magical places that seemed to exist only in stories, but not where I was. Nobody trotted out the kid who read all the time as someone to be admired like the ones who did tennis and ballet and other feats requiring basic coordination. While those other kids pursued their after-school activities in earnest, I failed at art, gymnastics, ice skating, soccer, and ballet with a lethal mix of inability, fear and boredom. Coerced into any group endeavor, I wished I could just be home already. Rainy days were a godsend because you could curl up on a sofa without being banished into the outdoors with an ominous 'Go play outside.' Well into adulthood, I would chastise myself over not settling on a hobby—knitting or yoga or swing dancing or crosswords—and just reading instead. The default position. Everyone else had a passion; where was mine? How much happier I would have been to know that reading was itself a passion. Nobody treated it that way, and it didn't occur to me to think otherwise.
Pamela Paul (My Life with Bob: Flawed Heroine Keeps Book of Books, Plot Ensues)
EMOTIONAL INTENSITY DEFINED Emotional intensity can typically be described as strong and intense emotional reactions to various situations. Explosive outbursts, crying jags, paralyzing anxiety, or fear are all features of the negative aspects of emotional intensity (Sword, 2006a). But not all emotional reactions are negative or sad. Sometimes the extreme emotions include giddiness, highly frenetic energy, laughter, and general happiness. Most often, emotional intensity features the frequent vacillation between happiness and anxiety. That’s right, mood swings. Gifted children are prone to intense and somewhat erratic mood swings; it is the very nature of their giftedness.
Christine Fonseca (Emotional Intensity in Gifted Students: Helping Kids Cope with Explosive Feelings)
It’s our bad luck to have teachers in this world, but since we’re stuck with them, the best we can do is hope to get a brand-new one instead of a mean old fart. New teachers don’t know the rules, so you can get away with things the old-timers would squash you for. That was my theory. So I was feeling pretty excited to start fifth grade, since I was getting a rookie teacher—a guy named Mr. Terupt. Right away, I put him to the test. If the bathroom pass is free, all you have to do is take it and go. This year, the bathrooms were right across the hall. It’s always been an easy way to get out of doing work. I can be really sneaky like that. I take the pass all the time and the teachers never notice. And like I said, Mr. Terupt was a rookie, so I knew he wasn’t going to catch me. Once you’re in the bathroom, it’s mess-around time. All the other teachers on our floor were women, so you didn’t have to worry about them barging in on you. Grab the bars to the stalls and swing. Try to touch your feet to the ceiling. Swing hard. If someone’s in the stall, it’s really funny to swing and kick his door in, especially if he’s a younger kid. If you scare him bad enough, he might pee on himself a little. That’s funny. Or if your buddy’s using the urinal, you can push him from behind and flush it at the same time. Then he might get a little wet. That’s pretty funny, too. Some kids like to plug the toilets with big wads of toilet paper, but I don’t suggest you try doing that. You can get in big trouble. My older brother told me his friend got caught and he had to scrub the toilets with a toothbrush. He said the principal made him brush his teeth with that toothbrush afterward, too. Mrs. Williams is pretty tough, but I don’t think she’d give out that kind of punishment. I don’t want to find out, either. When I came back into the classroom after my fourth or fifth trip, Mr. Terupt looked at me and said, “Boy, Peter, I’m gonna have to call you Mr. Peebody, or better yet, Peter the Pee-er. You do more peein’ than a dog walking by a mile of fire hydrants.
Rob Buyea (Because of Mr. Terupt (Mr. Terupt, #1))
Leo! Scusi, Nonna." But he still managed to get a good, quiet curse or two out as he backed his way gingerly through the swinging door. "Here.I got it." Tina took the beer and glass from me. "Ya know them?" I nodded. "She looks like butter wouldn't melt.But her kid..." She pursed brilliantly pink lips. "All that and a bag of baked tofu chips?" I had to smile a little at the image. "No.He's not...He doesn't act like..." I wasn't entirely sure why I was defending him.He hadn't exactly been the Prince Charming of Dinner Orders. Come to think of it, I couldn't completely vouch for Alex Bainbridge being Prince Charming of Anything. Except my own little Villink fantasy. "Maybe." "Cute,though." "Yeah." "Yeah?" I have no idea what is was Tina saw in my face. Something. "Aw, sweetie." She sighed. "Want me to shake up Daddy's beer a little?" "No," I answered. "but thanks for the offer.
Melissa Jensen (The Fine Art of Truth or Dare)
I wonder if Jack and Diane ever made it After the drums and the guitars all faded Was the best they could do good enough Or did the heartland just swallow 'em up How did my mom and my dad ever do it If there were troubles then we never knew it I guess they had each other and that was enough You know you can't keep the ground from shaking, no matter how hard you try, You can't keep the sunsets from fading, you gotta treat you love like You're jumping off a rope swing maybe 'cause the whole thing is really just a shot in the dark You gotta love like there's no such thing as a broken heart You gotta love like there's no such thing as a broken heart What am I gonna tell my kids when they see All of this bull that goes down on TV When the whole world is down on its luck I gotta make sure they keep that chin up Cry when it hurts, laugh when it's funny Chase after the dream, don't chase after the money And know we got each other, that's what's up 'Cause you can't keep the ground from shaking, no matter how hard you try You can't keep the sunsets from fading, you gotta treat you love like You're jumping off a rope swing maybe cause the whole thing is really just a shot in the dark You gotta love like there's no such thing as a broken heart You gotta love like there's no such thing as a broken heart You gotta love like there's no such thing as a broken heart 'Cause you can't keep the ground from shaking, no matter how hard you try You can't keep the sunsets from fading, you gotta treat you love like You're jumping off a rope swing maybe 'cause the whole thing is really just a shot in the dark You gotta love like there's no such thing as a broken heart You gotta love, love, love, love You gotta love, love, love, love You gotta love like there's no such thing as a broken heart
Old Dominion
He says, "Are you a dead man now?" It's a flood inside me, I see all those places and people again. I hold the kid on her porch and go by the name of Jimmy to a marvelous old woman. I watch a girl run with the most glorious, bloodied feet in the world. I laugh with the thrill on a religious man's face. I see Angie Carusso's ice-creamed lips and feel the loyalty of the Rose boys. I watch the darkness of a family lit up by the power and the glory, let my mother unleash the truth and love and disappointment of her life, and sit in a lonely man's cinema. Looking into the mirrored glass, I stand with my friend in a river. I watch Marvin Harris push his daughter on a swing, high into the sky, and I dance with the love and Audrey for three minutes straight... "Well?" he asks again. "Are you looking at a dead man?" This time, I answer. I say, "No," and the criminal speaks. "Well, it was worth it, then...
Markus Zusak (I Am the Messenger)
And then, shrugging, she mused, “I was just thinking about us.” She leaned her cheek against her hand as it clutched the chain. Jay nudged his swing sideways, so it nearly brushed Violet’s. “What about us?” “I was just thinking how cute we must have been, when we were their age.” She glanced toward the kids, who were racing up the ladder again. His arm snaked out, capturing her before the momentum of his swing could drag him away again. When the swing did pull, they both moved in that direction. “We’re still cute,” he said, but his voice was low and filled with unspoken longing. She lifted her chin, their faces just inches apart now, and Jay’s grip around her waist kept them together. “Yeah?” she breathed. “You think so?” His other hand moved to rest on the side of her face, covering her bruise . . . not concealing it but cradling it. His thumb shifted, stroking the tender path of skin. “I do, Vi. I think we’re perfect.
Kimberly Derting (The Last Echo (The Body Finder, #3))
The day we visited, mothers were chatting comfortably on one of the benches while their children ran around happily exploring and playing games. The beauty of natural playgrounds is that they tap directly into children’s passions. In traditional playspaces constructed of metal and plastic, decisions about what to play are made by the designers. First you swing. Then you go down the slide. Too often, the result is competition, with kids arguing over who gets to do what, followed by frustration and tears. Conversely, in natural play areas, the child is boss. Imaginations are fired up as kids invent games with the available loose parts. Studies show that interactions tend to be more cooperative as well. Bullying is greatly decreased, and both vandalism and aggressive behavior also go down if there is a tree canopy. And with greater engagement comes longer play intervals, about three times longer compared with old-style play equipment.
Scott D. Sampson (How to Raise a Wild Child: The Art and Science of Falling in Love with Nature)
See my coat over there? I want you to look in the pockets.” CyFi’s heavy coat is a few yards away tossed over the seat of a swing. Lev goes to the swing set and picks up the coat. He reaches into an inside pocket and finds, of all things, a gold cigarette lighter. He pulls it out. “Is that it, Cy? You want a cigarette?” If a cigarette would bring CyFi out of this, Lev would be the first to light it for him. There are things far more illegal than cigarettes, anyway. “Check the other pockets.” Lev searches the other pockets for a pack of cigarettes, but there are none. Instead he finds a small treasure trove. Jeweled earrings, watches, a gold necklace, a diamond bracelet—things that shimmer and shine even in the dim daylight. “Cy, what did you do . . . ?” “I already told you, it wasn’t me! Now go take all that stuff and get rid of it. Get rid of it and don’t let me see where you put it.” Then he covers his eyes like it’s a game of hide-and-seek. “Go—before he changes my mind!” Lev pulls everything out of the pocket and, cradling it in his arms, runs to the far end of the playground. He digs in the cold sand and drops it all in, kicking sand back over it. When he’s done, he smoothes it over with the side of his shoe and drops a scattering of leaves above it. He goes back to CyFi, who’s sitting there just like Lev left him, hands over his face. “It’s done,” Lev says. “You can look now.” When Cy takes his hands away, there’s blood all over his face from the cuts on his hands. Cy stares at his hands, then looks at Lev helplessly, like . . . well, like a kid who just got hurt in a playground. Lev half expects him to cry. “You wait here,” Lev says. “I’ll go get some bandages.” He knows he’ll have to steal them. He wonders what Pastor Dan would say about all the things he’s been stealing lately. “Thank you, Fry,” Cy says. “You did good, and I ain’t gonna forget it.” The Old Umber lilt is back in his voice. The twitching has stopped.
Neal Shusterman (Unwind (Unwind, #1))
One more question.” Henry waited until Faith put her finger down before continuing. “Do you ever remember your father wearing a baseball hat?” Like a kid flipping through the pages of a scrapbook, she ran through images of her father in her mind. No baseball cap. But it didn’t matter. Faith just wanted to stop seeing the man the world believed killed her sister. Yet the tighter she closed her eyes, the faster the images came. Her father at her horse show, sitting in the stands at Kim’s soccer game, his smiling face as he pushed her on the swing . . . Faith pressed her palms against the sides of her head and started screaming. The office door flew open. Dr. Rodgers, Titus, and two men in navy-blue suits rushed into the room. Like a boxer against the ropes, the images rained down on Faith like blows, but she was helpless to stop them. Each one sent her head reeling until she felt like she was falling—tumbling into oblivion, welcoming the darkness and an end to the pain. She felt Titus’s strong arms around her, carrying her back to her room.
Christopher Greyson (The Girl Who Lived)
Yo, Y.T.," Roadkill says, " 'sup?" "'Sup with you?" "Surfing the Tura. 'Sup with you?" "Maxing The Clink." "Whoa! Who popped you?" "MetaCops. Affixed me to the gate of White Columns with a loogie gun." "Whoa, how very! When you leaving?" "Soon. Can you swing by and give me a hand?" "What do you mean?" Men. "You know, give me a hand. You're my boyfriend," she says, speaking very simply and plainly. "If I get popped, you're supposed to come around and help bust me out." Isn't everyone supposed to know this stuff? Don't parents teach their kids anything anymore? "Well, uh, where are you?" "Buy 'n' Fly number 501,762." "I'm on my way to Bernie with a super-ultra." As in San Bernardino. As in super-ultra-high-priority delivery. As in, you're out of luck. "Okay, thanks for nothing." "Awwww," he begins. "Surfing safety," Y.T. says, in the traditional sarcastic sign off. "Keep breathing," Roadkill says. The roaring noise snaps off. What a jerk. Next date, he's really going to have to grovel. But in the meantime, there's one other person who owes her one. The only problem is that he might be a spaz. But it's worth a try.
Neal Stephenson (Snow Crash)
maybe he hasn’t been judging Carl for other reasons. Maybe Owen doesn’t judge him because Carl returns the favor, by not judging a secret Owen felt safe confiding in Carl. Even if that theory is wrong, I still need to talk to him. Because Carl’s also the only lawyer I know in town. I knock on the front door, but no one answers. Not Carl, not Patty. It’s odd because Carl works from home. He likes to be around for his kids—his two young kids—who usually nap at this time. Carl and Patty are sticklers for their children’s schedule. Patty lectured me about it during our first night out together. Patty had just celebrated her twenty-eighth birthday, which made the lecture all the more enjoyable. If I was still able to have children—that was how she said it—I was going to have to be careful not to let them rule the roost. I’d have to show them who was in charge. That meant a schedule. That meant, in her case, a 12:30 P.M. nap every day. It’s 12:45. If Carl isn’t home, why isn’t Patty? Except that through the living room blinds, I see that Carl is home. I see him standing there, hiding behind those blinds, waiting for me to go. I knock on the door again, pressing hard on the doorbell. I’m going to ring the doorbell for the rest of the afternoon until he lets me in. Kids’ naps be damned. Carl swings the door open. He is holding a beer; his hair is neatly combed. Those are the first indicators that something strange is going on. His hair is usually uncombed,
Laura Dave (The Last Thing He Told Me)
I was a kid in Florida, in Sarasota, and the New York Giants trained in Sarasota. When teams would come, we’d stand outside the ballpark, and we would get the balls they hit over the fence during batting practice. We’d sell them to the tourists. And we made a stepladder so we could climb a pine tree out there. That way we could look into the ballpark. The Yanks were in town. I’m out there behind the fence, and I hear this sound. I’d never heard THAT sound off the bat before. Instead of me running to get the ball, I ran up the ladder to see who was hitting it. Well, it was a barrel-chested sucker, with skinny legs, with the best swing I’d ever seen. That was Babe Ruth hitting that ball. Yeah. I don’t hear that sound again until 1938, I’m with the Monarchs, we’re at Griffith Stadium in Washington D.C. We’re upstairs, changing clothes, and the Grays are taking batting practice. I’ve got nothing on but my jock. And I hear that sound. I ran down the runway, ran out on the field, and there’s a pretty black sucker with a big chest and about 34 in the waist, prettiest man I’d ever seen. That was Josh Gibson hitting that ball. And I don’t hear the sound again until I’m a scout with the Cubs. I’m scouting the Royals. When I opened the door to go downstairs, I heard that sound again. I rushed down on the field, and here’s another pretty black sucker hitting that ball. That was Bo Jackson. That’s three times I heard the sound. Three times. But I want to hear it a fourth. I go to the ballpark every day. I want to hear that sound again.
Buck O’Neil
He’s a murdering chud,” Zil was yelling. “What do you want to do? Lynch him?” Astrid demanded. That stopped the flow for a second as kids tried to figure out what “lynch” meant. But Zil quickly recovered. “I saw him do it. He used his powers to kill Harry.” “I was trying to stop you from smashing my head in!” Hunter shouted. “You’re a lying mutant freak!” “They think they can do anything they want,” another voice shouted. Astrid said, as calmly as she could while still pitching her voice to be heard, “We are not going down that path, people, dividing up between freaks and normals.” “They already did it!” Zil cried. “It’s the freaks acting all special and like their farts don’t stink.” That earned a laugh. “And now they’re starting to kill us,” Zil cried. Angry cheers. Edilio squared his shoulders and stepped into the crowd. He went first to Hank, the kid with the shotgun. He tapped him on the shoulder and said, “Give me that thing.” “No way,” Hank said. But he didn’t seem too certain. “You want to have that thing fire by accident and blow someone’s face off?” Edilio held his hand out. “Give it to me, man.” Zil rounded on Edilio. “You going to make Hunter give up his weapon? Huh? He’s got powers, man, and that’s okay, but the normals can’t have any weapon? How are we supposed to defend ourselves from the freaks?” “Man, give it a rest, huh?” Edilio said. He was doing his best to sound more weary than angry or scared. Things were already bad enough. “Zil, you want to be responsible if that gauge goes off and kills Astrid? You want to maybe give that some thought?” Zil blinked. But he said, “Dude, I’m not scared of Sam.” “Sam won’t be your problem, I will be,” Edilio snapped, losing patience. “Anything happens to her, I’ll take you down before Sam ever gets the chance.” Zil snorted derisively. “Ah, good little boy, Edilio, kissing up to the chuds. I got news for you, dilly dilly, you’re a lowly normal, just like me and the rest of us." “I’m going to let that go,” Edilio said evenly, striving to regain his cool, trying to sound calm and in control, even though he could hardly take his eyes off the twin barrels of the shotgun. “But now I’m taking that shotgun.” “No way!” Hank cried, and the next thing was an explosion so loud, Edilio thought a bomb had gone off. The muzzle flash blinded him, like camera flash going off in his face. Someone yelled in pain. Edilio staggered back, squeezed his eyes shut, trying to adjust. When he opened them again the shotgun was on the ground and the boy who’d accidentally fired it was holding his bruised hand, obviously shocked. Zil bent to grab the gun. Edilio took two steps forward and kicked Zil in the face. As Zil fell back Edilio made a grab for the shotgun. He never saw the blow that turned his knees to water and filled his head with stars. He fell like a sack of bricks, but even as he fell he lurched forward to cover the shotgun. Astrid screamed and launched herself down the stairs to protect Edilio. Antoine, the one who had hit Edilio, was raising his bat to hit Edilio again, but on the back swing he caught Astrid in the face. Antoine cursed, suddenly fearful. Zil yelled, “No, no, no!” There was a sudden rush of running feet. Down the walkway, into the street, echoing down the block.
Michael Grant (Hunger (Gone, #2))
I can’t hear God’s voice for my kids, but I can watch and listen and pray and adjust and try not to screw up whatever He has planned for their lives. And although I can’t make them listen to God, or even want to, I can plant enough seeds to swing the world in their favor. That said, as I navigate my day surrounded by the parents of gifted children (did you notice there aren’t any average kids anymore—only Gifted and Disposable), here’s where I get confused: if a person believes in gifts but not in God, then where—as they stand in daily admiration of their child’s emergent uniqueness, their heart swelling with pride and joy and, yes, gratitude —where, then, do they send the thank-you note?
Heather Choate Davis (Elijah & the SAT: Reflections on a hairy old desert prophet and the benchmarking of our children's lives)
The guys showed me to ride on the far inside of the straightaways, swinging out at the last second to take the turns at full speed. Holding the inside made it nearly impossible for anyone to attack into a corner, and easy for the team to control the race.
Phil Gaimon (Pro Cycling on $10 a Day: From Fat Kid to Euro Pro)
Four men went fishing. After an hour of sitting on the riverbank, one said, “You won’t believe what I had to do to get permission to come away fishing this weekend. I had to promise my wife that next week I’d redecorate every room in the house!” The second man said,“That’s nothing! I had to promise my wife I’d turf the whole of the back garden and build swings and a slide for the kids.” Man number three smiled. “You don’t know when you’re well off!” he exclaimed. “I had to promise my partner I’d renovate the whole of the kitchen for her and build a pergola in the garden!” They continued to fish in silence. Then they realized the fourth man hadn’t spoken. “Hey, Jerry!” said the first man. “What did you have to do to be able to come away fishing?” Jerry shrugged casually. “I just set my alarm for five-thirty,” he said. “When it went off, I turned it off, cuddled up to my wife, and asked, ‘Fishing or sex?’ She turned over and said, ‘Don’t forget your jacket.
Anonymous
Laughing at "Rapper's Delight"'s no revenge, and anyway it wasn't your idea, and anyway it's funny. Dean Street's another story, a realm of knowledge unapplicable here. You've just about finished leaving Dean Street, and Aeroman, behind. If this means avoiding the one who protected your ass all through junior high, the one you once ached to emulate, the one whose orbit you were happy just to swing in - if it means leaving the million-dollar kid's regular phone messages in Abraham's precise handwriting unreturned - that's a small price to pay for growing up, isn't it? This ain't no party, this ain't no disco, this ain't no foolin' around. It's the end, the end of the seventies.
Jonathan Lethem
Some bratty boys from the neighborhood decide to make a secret clubhouse in my skull. They don't ask me about it, but I have no argument against the plan. So, every afternoon getting home from school they occupy my head. The kids laugh loudly, and crack their chip bags. Sometimes smoke flies out of my ear. I suspect they are experimenting with their first cigarettes. Of course, I was just like them when I was their age, so I'm not going to tell on them; that’s for sure. If only they wouldn’t leave such a mess every time. It can be really awkward, when having a conversation with someone I begin to shake or nod my head and suddenly a crumpled porn magazine falls out from my ear. Soon, the parents get wind of the secret clubhouse, and they step into my apartment swinging a bone saw. They insist on looking in my skull; telling me they have the right to know what their boys are up to behind their backs. Now, the kids and I are both punished – they are grounded in their rooms, as for me, the parents won't give back my skullcap. It's quite embarrassing. Going to work in the mornings some cheeky brats on the bus are having a great time pushing spitballs and chewed bubble gum between my brain wrinkles when I'm not looking. That’s enough, I decide one morning, I have rights too. So I knock on the mother's door, who has my upper head. She just stands there in the door, smoking, holding my skullcap in her hand, which looks like a half hairy coconut, and she flicks the ash into it. After I’m done with my speech about human rights, she slams the door in my face. I have no time for a second round I must leave to work. Scratching out a used ticket from my brain wrinkles I catch the next bus. A young couple whispers and chuckles behind me. I quickly get off at the next stop, before they could plan a secret date in my occipital lobe.
Zoltan Komor (Tumour-Djinn)
With Rae’s hand in mine, I pull her through the crowd behind me, pushing and shoving anyone in the way. Someone elbows me in the ribs, another kicks the back of my knee, causing me to stumble forward. With fire in my eyes, I regain my balance and prepare to set everyone ablaze. Rae tells me to forget about it and pushes me forward. A circle has formed around the fighters, two skinny blonde kids. One bounces up and down in nothing but a t-shirt, while the other drinks from a forty ounce can of Coors Light. The crowd waits impatiently for the first swing. They taunt, they squeal. What an audience. Violence will solve this; someone was insulted and the person responsible will pay the consequences with however much abuse his body can take. What their knuckles and knees say will be louder than anything from their mouths or minds.
Anthony Muni Jr. (Honestly, I'm Fine)
Fran grounded out to the pitcher. Max popped a weak single to right field. Brendan struck out swinging. But the Tigers hopes for a winning season were down to the last out.
Fred Bowen (The Kid Coach (All-Star Sports Stories Book 4))
If they could swing it, most parents visited during meals to try to make their child’s hospital room into a piece of the familiar by eating with them, and the kids—without exception—were too kind to tell them it only made home look that much farther away.
Kim Harrison (White Witch, Black Curse (The Hollows, #7))
shenanigans, Spears smiles and at one point playfully scolds her boyfriend of six months, producer Charlie Ebersol, 32, when he swings Jayden up in the air beside the pool. “Baby, do not drop my son!” she says. The kids start to giggle. Laughter is the norm
Anonymous
She eased the ring from her finger and extended it to him. The frown returned, settling between his brows like claw marks in the sand. “Meridith. Put it back.” She opened his hand and placed the ring on his palm, the certainty growing roots. She looked at his clean-shaven jaw, the short-clipped hair that wasn’t long enough for the wind to disturb, his high forehead and straight nose. She was trading stability for chaos. Security for ambiguity. Predictability for uncertainty. In some ways, it would be her childhood all over again. But this time she was in charge. She was the one calling the shots. She was no helpless little girl swinging by the tail end of her mother’s illness. Even if he agreed in the end, what kind of father would he be if he didn’t want the children? She wouldn’t do that to her siblings. They deserved far more. “It’s over, Stephen.” “You don’t mean that.” He took her hand. “We’re perfect for each other, you’ve said it yourself a hundred times.” She had said it, believed it. She wondered now if it was true. She couldn’t deny the feelings that had sprung up for Jake, who was not at all what she needed, not at all the man for her. Still, if she truly loved Stephen, those feelings wouldn’t be there. “My future includes Noelle and Max and Ben. Things have changed since I agreed to marry you, and I’m doing what’s right for these kids. I have to do what’s best for them. That’s my reality, but it doesn’t have to be yours. I understand it’s not what you want.” His jaw twitched. “It’s that contractor, isn’t it?” “No.” “I saw the way he looked at you.” The comment sent a pleasant warmth flooding through her. “This is between us, Stephen. My future’s taken an unexpected turn. I can’t leave the kids, and you can’t accept them. There’s nothing to do now but say it’s over.” “Meridith . . .” His eyes pled, turned glossy. She’d never seen him get emotional, not even when his grandfather passed away last November. She
Denise Hunter (Driftwood Lane (Nantucket, #4))
The waves lapped onto the shore in quiet, relentless ripples. A seagull screeched from somewhere down the shoreline, and another bird replied. She missed home, the comfort of her padded swing, her tall shade trees and scented lilac bushes. If she closed her eyes and blocked out the sound of the waves, she could almost imagine that she was back home in her garden, dozing on her swing under the tall oak— “Hey, Meri!” Jake’s voice shattered the illusion. She craned her head around, following the sound of his voice to an upstairs window. His elbows perched lazily on the ledge. She glared up at him. “Meridith.” “Wanna come take a look?” She’d rather beat the smug grin off his face. “Be right there.” Her bones ached as she climbed the main stairway, a repercussion of her night on the hard floor. Just beyond the guest loft, Jake stood in front of the doorway, making some final adjustment to the latch. It looked different with the area closed off from the hall. The smell of wood and some kind of chemical hung in the air. “What do you think?” He’d already hung the drywall, and the patching was drying, which explained the smell. He swung the door open, showing her the thumb-turn on the other side, then closed the door and demonstrated the lock with the key. Thank you, Vanna. “Are both doors keyed the same?” “Yep.” He threw her the new set of keys, and she caught it clumsily. She’d keep one set in her room and find a hiding spot in the kitchen for the other. He gathered his tools and supplies. Now that he was finished, maybe she could take the kids to the driving range. She could teach them how to tee off. Jake capped the drywall compound, then walked through the new doorway toward the family suite. “Where are you going?” Meridith followed him down the hall. “Patching up the other partition.” “I thought you were done.” “If I get them both patched, they’ll be ready to sand and paint on Monday. You got any more of this green?” “What? I don’t know.” He trotted down the back stairway and unlocked the new door’s thumb-turn. Meridith stopped at the top of the steps, sighing. The sooner he finished, the sooner he’d be out of her life. Out of the house, she corrected herself. That man was not in her life.
Denise Hunter (Driftwood Lane (Nantucket, #4))
How did you learn to ballroom dance? That’s quite an accomplishment for a boy your age.” “My mom taught me.” He glanced at her. The anger had faded from his eyes. “I’m pretty good.” “I’m not surprised.” She liked the way he’d perked up. It was good to see his confidence emerging. Too bad he couldn’t showcase his talent for tomorrow’s audience. She was certain it would be beneficial. “Is there anything else you could do for the show? What other talents do you have?” Max shrugged. “Nothing, really.” His feet shuffled under the table. “’Cept being a goalie and building boat models, but I can’t do those for a talent show.” “Is there some other kind of dance you could do?” “It’s too late to come up with a new dance. The show’s tomorrow. Besides, it’s for a parent and their child.” His eyes pulled down at the corners, and he ducked his head. “I wish I could help, but I don’t know how to ballroom dance. I guess it wouldn’t be the same without your mom anyway.” His head lifted. Hope sparkled in his eyes. “You could learn.” “Oh, I—I think it would take longer than a day, Max.” Meridith laughed uneasily. “Especially for me.” His head and shoulders seemed to sink. “I guess you’re right. I only know how to lead, and I don’t know how to teach it.” “I know how.” Jake appeared in the doorway, filling it with his broad shoulders and tall frame. “Didn’t mean to eavesdrop.” “He could teach you!” Max’s eyes widened. He looked back and forth between Jake and Meridith. “Oh,” Meridith said, “We couldn’t ask—” “I’m offering,” Jake said. “I can be here bright and early tomorrow morning.” Max’s dimple hollowed his cheek. “No, I—you don’t understand, the show’s tomorrow night, and I’m a bad dancer.” Jake leaned against the doorframe, crossed his arms. “You said you wanted to help.” “Well, I do, but I don’t see how—you know how to ballroom dance?” The notion suddenly struck her as unlikely. “I can do more than swing a hammer.” “I didn’t mean—” “So you’ll do it?” Max bounced on the chair. She hadn’t seen him this excited since she’d arrived. She looked at Jake. At his wide shoulders, thick arms, sturdy calloused hands. She remembered the look in his eyes just minutes ago and imagined herself trapped in the confines of his embrace for as long as it took her to learn the dance. Which would be about, oh, a few years. “And why would you do this?” It wasn’t as if he owed her anything. Unless he was punching the time clock on the lessons. “Let’s just say I was picked on a time or two myself.” Max rubbed his hands together. “Toby and Travis, eat your heart out!” “Now, hold on. We already missed dress rehearsals. I don’t know if Mrs. Wilcox will let us slip in last minute.” “Call her,” Jake said. He had all the answers, didn’t he? She spared him a scowl as she slid past on her way to the phone. “Hi, Mrs. Wilcox? This is Meridith Ward again.” She looked over her shoulder. Max waited, Jake standing behind him, thumbs hooked in his jeans pockets, looking all smug. “I was wondering. If Max can get a replacement for the dance, could he still participate?” Please say no. “I know he’s missing dress rehearsals and—” “That would be no problem whatsoever.” Mrs. Wilcox sounded delighted. “We’d fit him in and be glad to have him. Have you found him another partner?” “Uh, looks like we have.” She thanked Mrs. Wilcox and hung up, then turned to face a hopeful Max. “What did she say?” he asked. Meridith swallowed hard. “She said they could work you back into the schedule.” She cast Jake a plea. “But I don’t know if I can do this. I wasn’t kidding, I have no rhythm whatsoever.” “Look at the kid. You can’t say no to that.” Max was grinning from ear to ear. It was Meridith’s shoulders that slunk now. Heaven help her. She winced and forced the words. “All right. I’ll do it.” Max let out a whoop and threw his arms around her.
Denise Hunter (Driftwood Lane (Nantucket, #4))
We can make each other happy, Farah,” Cooper said, lying between my legs and swinging his feet like a kid. His expression was tender as he teased my nipples. “I know you’re mine. If you let me start over, we can be so fucking happy that all the shit that came before will be no more than a bad dream.” “I’m afraid to love you too much.” “It’s normal to be scared when you grew up in a shitty way. I bet you spent most of your life worrying that anything nice might get stolen away. With me, with what we have, it’s probably scary. For me though, losing you is the only thing that scares the shit out of me. I need to make you happy so you’ll stay and I can be happy.
Bijou Hunter (Damaged and the Beast (Damaged, #1))
But I’m not through with you, Gavin DeGrassi. I have plans to redden that ass and mark your skin. There are many more orgasms to deny you, and butt plugs to make you wear in public. D-rings I want to add to your corsets, since it’s clear you need restraining again. I haven’t bought our cabin in Colorado for our retirement. We haven’t been to the beach together. I want to go abroad with you. I haven’t picked out the porch swing we’re going to sit on when we’re eighty and yelling at the neighborhood kids to get off our lawn. I want a collar around your throat, and a ring on your left hand. I have plans for us, and I’m going to do everything in my power to see those plans through.
A.J. Rose (Consent (Power Exchange, #3))
It’s only an hour later that a servant comes to my room. And when she tells me the duke has invited me out for a horseback ride, I’m flooded with the strangest mix of emotions. I can’t believe that after running off like that, he still wants to hang out. What is going on between us? And why do I want so desperately for it to be something? I shouldn’t want anything. Not with a guy like him. I mean, yeah, I might have been wrong about the illegitimate kid and Lord Brimmon, but the dude still thinks I don’t have opinions or options because I’m a girl. He thinks I have a “place, my place” and that it’s behind a guy. And worse, I keep thinking about our kiss. The part where I bash into the wall in my haste to get away is a particular highlight on the reel I keep playing over and over again in my head. When I walk out the back of the house and he turns to look at me, it’s impossible to fight the burn in my cheeks as he steps up beside me and the horse. I can’t look at him. I’m so embarrassed I stare at the stirrup as if it will take all concentration to get my foot into it. Is he going to say anything? Is he going to apologize for just…kissing me like that? Maybe if he brings it up…Maybe if he apologizes, I can apologize too. For running off. It was so sudden all I could do was react. But he says nothing. He just steps up beside me and gives me a boost. I’m up on the first try and feeling rather proud of myself as I situate my pretty skirts so they drape over my ankles. Until, that is, I see him swing aboard and am reminded of how graceful and easy he makes it look, even when his horse swings away from him when he’s only halfway on. We ride past the stable, and when I glance in, I see one of the stable boys showing the other how to do the robot, his arms stuck out at odd angles, his hands dangling. I have to bite the inside of my cheek to keep from laughing when I see Alex’s eyebrows shoot up so high they’re nearly to his hairline. It’s nice seeing him caught off-guard. I like it. It makes me want to do something totally crazy, just to see his expression.
Mandy Hubbard (Prada & Prejudice)
Situation: The cradle I lent to a friend was just returned to me. I put it in the bedroom. Brian, age two, examines it and is fascinated by the swinging basket.   BRIAN: Mommy, I go up in cradle. MOMMY: Sweetheart, you’re much too big for that cradle. BRIAN: Yes, I go up in cradle. (begins to climb into it) MOMMY: (restraining him) Brian, Mommy said you’re too big. The cradle might break if I put you in it. BRIAN: Please, Mommy! I go up in cradle—NOW! (begins to whine) MOMMY: I said, NO!! (Poor move on Mommy’s part. I realized it as soon as I said it, and as Brian’s whining turned into a minor tantrum. I decided to try problem-solving with him.) MOMMY: Sweetie, I can see how much you want to get into the cradle—right now. It probably looks like lots of fun to swing in. I’d like to swing in it, too. The problem is that it won’t hold me, and it won’t hold you. We’re too big. BRIAN: Mommy too big—just like Briney. (Brian leaves the room and comes back with Goover, his stuffed bear, and puts him in the cradle. He begins to rock the basket back and forth.) BRIAN: See, Mommy? Briney rocking Goover, okay? MOMMY:   (Whew!) Goover is just the right size.
Adele Faber (How to Talk So Kids Will Listen and Listen So Kids Will Talk)
I know when people think of New York, they think of theater, restaurants, cultural landmarks and shopping,” I told him. “But beyond the iconic skyline and the news from Wall Street, New York is a collection of villages. In our neighborhoods, we attend school, play Kick the Can, handball and ride our bikes. I grew up knowing the names and faces of the baker, the shoe repair family, the Knish man and the Good Humor man who sold me and the other kids in my neighborhood half a popsicle for a nickel. My father took me to the playground where he pushed me on the swing, helped balance me on the seesaw and watched as I hung upside down by my feet on the monkey bars. Yes,” I told the interviewer, “people actually grow up in New York.
Gina Greenlee (Postcards and Pearls:Life Lessons from Solo Moments in New York)
Steve knew just how and when to find them. We headed out early the next morning, before there was wind. The temperature was exactly right at eighty-six degrees Fahrenheit. Steve got a faraway look in his eye, as though he was concentrating or communicating. Then he headed off. Ten minutes later, we were on the trail of a fierce snake. “Would you like to tail one?” Steve asked. “Are you kidding?” I said. “I don’t know how to catch a fierce snake.” Steve had already “tailed” one of the snakes. Gently grabbing the end of its tail, he could hold it at arm’s length and examine it. During this procedure, snakes would often defecate, and we could get some clue about what they’d been eating. Steve would tail a snake, put it in a bag, release it, and keep what remained. “You grab the next one,” Steve said. He spotted a four- or five-foot-long fierce snake. It glistened in the sun like glass, brilliantly shiny and sleek. “It’s warming up now,” Steve said as we approached. “You’re going to have to be quick.” Yes, Terri, I said to myself, please be quick so as not to get struck by the most venomous snake on earth. If you get bitten out here, you’re in a load of trouble. We crept up behind the fierce snake. I got close enough to grab it, but the snake suddenly and violently swung its head around, directly at me, poised and ready to strike. I backed off abruptly. Time and again I approached the snake just as I’d seen Steve do it: Walk up behind the snake as it started to slither away, and grab it by the tail. I knew what to do, but I couldn’t do it. Every time I reached down, the snake would swing around and I would jump a mile. We wandered farther and farther on the trail of the snake. I could see our truck way in the distance. I sweated profusely. I kept thinking the same thought. If I get bitten by this snake, I’m dead. Then I would try to push that thought away. Stop thinking, just grab the snake. Steve wouldn’t ask you to do something that you couldn’t do. But the whole process was becoming ridiculous. “What am I doing wrong?” I wailed. “You are too bloody scared,” Steve said. “Oh,” I said. Then I reached down and picked up the snake. It was magic. Once I had the nice, soft, supple body in my hands, it was as though the snake and I had a connection. Its skin was warm to my touch from sitting in the sun. I suddenly understood exactly how to hold on so it wouldn’t get away, and yet not squeeze it so tightly that it would get angry. The snake naturally kept trying to move off. I let the front part of its body stay on the ground and held the tail up. I felt such triumph--not that I had dominated the snake, but that it had let me pick it up. Steve held out the catch bag, and I carefully dropped the snake in. He tied a knot in the bag. We looked at each other and grinned. Then we both whooped and hollered and jumped in the air. He hugged and kissed me. “I’m proud of you, Terri,” he said. Once again I marveled at Steve’s instincts. He knew that this particular snake would be okay for me to pick up. He never hesitated, he never yelled at me or coached me--until I asked for help. Then he simply told me what to do.
Terri Irwin (Steve & Me)
A loser like Larry didn’t deserve a fine vintage car like Gloria. The Corvette Stingray had been lovingly restored by a jackass who named his car, yet treated his kids like afterthoughts. I planned to lovingly tear the fucking thing apart. “Have your fun then we’ll torch it and get a beer,” Vaughn said, yawning. “Did anyone see you?” I asked just to annoy him. My question worked like a charm and Vaughn squinted disgusted at me then walked over to a large rock where he sat down and looked at his phone. Swinging the bat, I smashed out the taillight. As painful as it was to tear apart such a beautiful car, Lark needed vengeance. In my mind, I wasn’t hitting the Corvette. I was destroying every person who ever hurt my girl. Every stepfather who hit her, mocked her, and ignored her. I imagined the hung over fucker who let her little brother die. I even pictured her mother who chose the latest fuck over her own kids. I hated them all for every tear Lark ever shed. If I couldn’t hunt them down, I’d destroyed the prized possession of the latest bastard to mistreat my muse. Smashing the windows, the lights, denting the cherry red doors, I trashed the car until I was out of breath. Eventually, I grabbed a blade and tore the tires, just to finish off my rage. “Wuss,” Vaughn said, standing over me as I leaned against the car. “Shame about Gloria. She was a beauty.” “I haven’t been to the batting cage in awhile. I think I pulled something” “Sure,” Vaughn muttered, yanking me to my feet. “Let’s light this little bitch up and get a beer.” “I need to get home to Lark.” “Are you fucking kidding me? I steal this car for you and don’t even get to trash it and you won’t have a beer with me? What an asshole.” “Please, don’t cry,” I said, patting his shoulder. “I don’t have the energy to hold you until your sobs turn to baby hiccups.” Vaughn laughed. “I miss Judd. The guy knew how to drink a beer and he didn’t mind when I pissed myself weeping like a chick.” “The guy is the epitome of patience,” I said, picking up the container of gas. “Or indifference. He always did seem a little bored when you two were talking.” “You looking to have me use that bat on you, is that it?” Grinning, I splashed gasoline on Gloria, careful not to have the liquid hit me. Once the car was thoroughly drenched, Vaughn lit a match.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
Did you throw a rock at my brother?” Astrid yelled, fearless in her outrage. She dropped to her knees beside Little Pete. Sam was halfway across the lawn, moving with a purposeful stride. “What did you do, Panda?” “He was ignoring me,” Panda said. “Panda was just goofing, Sam,” Quinn said. He stepped between Sam and Panda. “Throwing a rock at a defenseless little kid is just goofing?” Sam demanded. “And what are you doing hanging with this creep, anyway?” “Who you calling a creep?” Panda demanded. He took a tighter grip on his baseball bat, but not really like he meant to start swinging. “Who do I call a creep? Anyone who throws a rock at a little kid,” Sam said, not backing down. Quinn raised his hands, playing the peacemaker. “Look, take a breath, brah. We were just on a little mission for Mother Mary. She drafted Panda and sent him to look for some little kid’s stuffed bear, okay? We were doing a good thing.” “Doing good and stealing someone’s stuff?” Sam pointed at the trash bag in Chris’s grip. “And on the way back, you figured you’d throw a rock and hit an autistic kid?
Michael Grant
You are American,” he says, as if I’m a mythical creature. I nod. “Yes. And, uh, we have different dances where I come from.” “Can you show us one?” The second boy, a dark-haired kid, steps forward, looking intrigued. I stifle a laugh. “Oh, uh, no. I’m a horrible dancer.” “Please?” the redheaded boy asks. “I have never seen an American dance.” I just laughed at them thirty seconds ago. Wouldn’t that make me mean if I just blow them off now? “I doubt you’d want to see these dances,” I say, stalling. I feel kind of bad. But I really can’t dance. I’ll make a fool of myself. “Oh, but I do. Most certainly.” “Oh.” Well, then. I could try, right? Just some tiny little thing? But what do I share? MC Hammer? The Running Man? The Electric Slide? A little Macarena? “Uh,” I say, stepping forward. “How about, um, the Robot?” “The Robot?” the two boys ask in unison. Did the word robot even exist in 1815? “Yeah. You, uh, hold your arms out like this,” I say, demonstrating the proper way to stand like a scarecrow. I can’t believe I’m doing this. “And then relax your elbows and let your hands swing. Like this.” I’m really not doing it well, but by the way their eyes widen, you’d think I just did a full-on pop-and-lock routine with Justin Timberlake. They mimic my maneuver, making it look effortless. The drummer guy stands up and gets in on the action, swinging his arms freely. The guy’s better than me after a two-second demo. Figures. “Okay, then, uh, you sort of walk and you try to make everything look stiff and, uh, unnatural. Like this.” I show him my best robotic walk, my arms mechanical in their movements. The two boys and the drummer immediately copy me, and by the time they’ve taken four or five steps, they seriously look like robots. In no time they’re improvising, and their laughter trickles up toward the rafters of the barn. Yeah. That’s my cue to leave before inspiration strikes and I try to show them how to break-dance but only succeed in breaking my neck. I slip out of the barn unnoticed, grinning to myself as I walk the gravel path back toward the house, my skirts brushing the dirt. At least somewhere, I’m not Callie the Klutz. Even if it’s just some smelly old barn. There’s hope for me after all.
Mandy Hubbard (Prada & Prejudice)
That had to have been the fakest attempt at optimism since my fourth grade teacher tried reasoning that we were better off without the dead kids in our class because it’d mean more turns on the playground swings for the rest of us.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
You are going to give us man lessons.”   Ariana let out a sharp bark of laughter, her eyes twinkling. “Him? Are you kidding? He’s going to give us man lessons?”   “We don’t need to look super convincing as men close up,” Kyra said. “We just need to give the impression of men Fred’s taken into his service. If you saw a potion bottle with a red stamp on it, your brain would make you think it was a red skull, and you’d think it was dangerous even if the stamp was actually a grinning squirrel.” Kyra looked at Fred skeptically. “I’m sure Fred can give us a few tips, at least, of how to act like men.”   “Hey! I am more than capable of giving man lessons.” Fred smiled broadly at Kyra. “What do you want to know?”   “For one thing, we need to know how to walk.”   “No problem. I’ve been walking most of my life.” Fred held up a hand. “Stop and watch.”   The girls leaned up against an apple tree with Rosie at their feet.   “First, you aren’t just acting like any kind of men; you’re going to be especially manly men. I picked you up to work for me, after all, and I wouldn’t choose just any men for that sort of thing. I need men who can fight and lift heavy things. You might want to spit occasionally.”   “Why?”   “It helps keep you from looking too smart. Now, because you are so manly, it naturally follows that you have large upper-arm muscles. Huge muscles, really. The way you let people know this is by slightly bending your elbows and holding your arms out from your body, like your muscles are so big they’re getting in the way.”   Kyra and Ariana bent their elbows and pushed their arms a couple of inches away from their bodies.   The edges of Fred’s lips quirked as though he was trying to restrain a smile. “Then you need to let them know that not only are you muscular, you’re confident of your abilities in all areas. You accomplish this by swaggering when you walk. Langley, stay.” He pointed for the dog to sit next to the girls.   Fred sauntered away from them under the lacey white boughs of the trees in a masculine strut.   “Your turn.”   The girls copied Fred’s walk while he stood back and watched.   “A little less hip swinging, Kyra.”   “I’m not—”   “And don’t walk so close together. Imagine there’s at least one invisible guy between you at all times.”   Ariana leaned over and whispered in Kyra’s ear. “He wants us to imagine him between us. Guys are so weird.”   “Men don’t whisper, but if you have to do it, at least do it the right way.”   Ariana and Kyra stopped walking and turned back to Fred.   “If you find you need to whisper, you don’t get up close to the other person and lean into their ear. Stay where you are, a person’s-width apart, and put a hand up on the far side of your face like a shield.” He demonstrated with his hand out straight from one side of his face. “Then turn your head slightly to the other person and say what you need to say.”   The girls exchanged a look.   “No ‘best friends’ glances at each other like that, either. Or ‘dears’ and ‘darlings.’ Men insult each other every chance they get.”   “Men don’t have best friends?” Kyra asked.   “You’d only know it by the ferocity of the insults. If a guy’s your really good pal, you let him have it at every opportunity.”   “Got it, fathead,” Ariana said.   “Perfect.” Fred plucked two blossoms from the tree above him and tucked one behind each girl’s ear, then grabbed another and tucked it behind his own ear. “You have officially completed man lessons. Now that you know how to act like manly men, what’s the plan?
Bridget Zinn (Poison)
Old people vote. You know who votes in the swing states where this election will be fought? Really old people. Instead of high-profile videos with Cardi B (no disrespect to Cardi, who famously once threatened to dog-walk the egregious Tomi Lahren), maybe focus on registering and reaching more of those old-fart voters in counties in swing states. If your celebrity and music-industry friends want to flood social media with GOTV messages, let them. It makes them feel important and it’s the cheapest outsourcing you can get. Just don’t build your models on the idea that you’re going to spike young voter turnout beyond 20 percent. The problem with chasing the youth vote is threefold: First, they’re unlikely to be registered. You have to devote a lot of work to going out, grabbing them, registering them, educating them, and motivating them to go out and vote. If they were established but less active voters, you’d have voter history and other data to work with. There are lower-effort, lower-cost ways to make this work. Second, they’re not conditioned to vote; that November morning is much more likely to involve regret at not finishing a paper than missing a vote. Third, and finally, a meaningful fraction of the national youth vote overall is located in California. Its gigantic population skews the number, and since the Golden State’s Electoral College outcome is never in doubt, it doesn’t matter. What’s our motto, kids? “The Electoral College is the only game in town.” This year, the Democrats have been racing to win the Free Shit election with young voters by promising to make college “free” (a word that makes any economic conservative lower their glasses, put down the brandy snifter, and arch an eyebrow) and to forgive $1.53 trillion gazillion dollars of student loan debt. Set aside that the rising price of college is what happens to everything subsidized or guaranteed by the government.17 Set aside that those subsidies cause college costs to wildly exceed the rate of inflation across the board, and that it sucks to have $200k in student loan debt for your degree in Intersectional Yodeling. Set aside that the college loan system is run by predatory asswipes. The big miss here is a massive policy disconnect—a student-loan jubilee would be a massive subsidy to white, upper-middle-class people in their mid-thirties to late forties. I’m not saying Democrats shouldn’t try to appeal to young voters on some level, but I want them to have a realistic expectation about just how hard it is to move those numbers in sufficient volume in the key Electoral College states. When I asked one of the smartest electoral modeling brains in the business about this issue, he flooded me with an inbox of spreadsheets and data points. But the key answer he gave me was this: “The EC states in play are mostly old as fuck. If your models assume young voter magic, you’re gonna have a bad day.
Rick Wilson (Running Against the Devil: A Plot to Save America from Trump--and Democrats from Themselves)
DHarmic Evolution Welcome back to the dHarmic Evolution with me James Kevin O’Connor, singer/songwriter, audio/video artist, master storyteller, and now International Talent Agent. On today’s episode, we go down under to Australia, to learn all about Kinderjazz with Christobel Lewellyn. A one of a kind swing jazz band for children developed by Christobel and David, creating an opportunity for kids to celebrate music and passion, and nurture their creative spirit.
David Kevin
There’s a way of triumphant accomplishment that comes from lowering dead or unwanted trees. (Not to say the joys of yelling, But that feeling fades pretty quickly once you look down and see unsightly—and very stubborn—Stump milling. If you hire a landscaper or arborist to chop down the trees, they typically leave the stumps behind, unless you pay a further fee. Stump-removal prices vary widely across the country and are supported by the diameter of the stump, but it typically costs between $100 and $200 to get rid of a stump that’s 24 inches in diameter or smaller. And that’s a good price if you’ve only got one stump to get rid of . But, if you've got two or more stumps, you'll save a substantial amount of cash by renting a stump grinder. A gas-powered stump grinder rents for about $100 per day, counting on the dimensions of the machine. And if you share the rental expense with one or two stump-plagued neighbors, renting is certainly the more economical thanks to going. you will need a vehicle with a trailer hitch to tow the machine, which weighs about 1,000 pounds. Or, for a nominal fee, most rental dealers will drop off and devour the grinder. To remove the 30-in.-dia. scarlet maple stump, I rented a Vermeer Model SC252 stump grinder. it's a strong 25-hp engine and 16-in.-dia. cutting wheel that's studded with 16 forged-steel teeth. this is often a loud, powerful machine with a classy mechanism , but it's surprisingly simple to work . But, before you crank up the motor and begin grinding away, it’s important to prep the world for the stumpectomy. Start by ensuring all kids and pets are indoors, or if they’re outdoors, keep them well faraway from the world and under constant adult supervision. Then, use a round-point shovel or garden mattock to get rid of any rocks from round the base of the stump [1]. this is often important because if the spinning cutting wheel hits a rock, it can shoot out sort of a missile and cause serious injury. Plus, rocks can dull or damage the teeth on the cutting wheel, which are expensive to exchange. Next, check the peak of the stump. If it’s protruding out of the bottom quite 6 inches approximately, use a sequence saw to trim it as on the brink of the bottom as possible [2]. While this step isn’t absolutely necessary, it'll prevent quite little bit of time because removing 6 inches of the Stump grinding with a chainsaw is far quicker than using the grinder. After donning the acceptable safety gear, start the grinder and drive it to within 3 feet of the stump. Use the hydraulic lever to boost the cutting wheel until it’s a couple of inches above the stump. Slowly drive the machine forward to position the wheel directly over the stump's front edge [3]. Engage the facility lever to start out the wheel spinning, then slowly lower it about 3 in. in to the stump grinding. Next, use the hydraulic lever to slowly swing the wheel from side to side to filter out all the wood within the cutting range. Then, raise the wheel, advance the machine forward a couple of inches, and repeat the method. While operating the machine, always stand at the instrument panel, which is found near the rear of the machine and well faraway from the cutting wheel. Little by little, continue grinding and advancing your way through to the opposite side of the stump. Raise the cutting wheel, shift into reverse, and return to the starting spot. Repeat the grinding process until the surface of the Stump removal is a minimum of 4 in. below the extent of the encompassing ground. At now, you'll drive the grinder off to at least one side, far away from the excavated hole. Now, discover all the wood chips and fill the crater with screened topsoil [4]. (The wood chips are often used as mulch in flowerbeds and around trees and shrubs.) Lightly rake the soil, opened up a good layer of grass seed, then rake the seeds into the soil [5]. Water the world and canopy the seeds with mulch hay.
Stump Grinding
It dawned on me that he saw me as a sort of child, someone to be treated with kid gloves and presented with reality by degrees.
Zadie Smith (Swing Time)
Hi,” I say quietly. I’m surprised that noise crept past the emotion in my throat because I still feel like it’s going to choke me. “Hi,” he says quietly. He looks over at Jill, and she gives him a thumbs-up. She doesn’t get up, though. I see her wipe a tear from her cheek. “Did you meet my friend, Hayley?” I ask. He nods. Paul keeps trying to catch my eyes with his, but I won’t let him. “I’m Friday,” I say. I’m your mother, and I love you more than anything, anywhere, anytime. The words rush to my lips, but I bite them back. “What’s your name?” Jacob runs over to his mother and says something to her. She reaches into the big bag at her feet and takes out a box. She hands it to him, and he runs back over. He never did tell me his name, but that’s okay. I’d rather he have a little stranger danger. And I’m a stranger, after all. Jacob sits down on the sidewalk and opens his box. He takes out a clunky piece of chalk and says, “Do you want to draw with me?” I sit down beside him and say, “What color should I use?” He gives me a blue piece of chalk. “This one.” So I sit for hours and draw with my son in chalk on the sidewalk. We draw rainbows and dragons, and we even make some flowers for his mom. I look around and see that the sidewalk is completely full of our art. There’s not an available space to be had. “You’re a really good drawer,” he says. He grins up at me, and I see the space where his missing tooth should be. “So are you.” I reach out a tentative hand and touch the top of his head. I close my eyes and breathe, letting my hand riffle through the silky strands. I pull back way sooner than I want to because he’s looking at me funny. I look over and see Paul sitting and talking quietly with Jill. He gets up and yells over to us. “We’re going to get some lunch! We’ll be right back!” I give him a thumbs-up and get up to chase Hayley and Jacob over to the swings. “Push me!” Hayley cries. “Push me!” Jacob calls at the same time. He laughs, and I put my hand in the center of both their backs, standing between them, and give them both a shove. It’s only a minute or two later when Paul and Jill come back carrying hot dogs and drinks. The kids race to the table. I jam my hands into my pockets and walk over a little more slowly. Paul and Jill sit side by side on one side of the picnic table, and Hayley and Jacob sit on the other. “Sit beside me!” Hayley cries. “No, me!” Jacob says. I put my legs over the bench and sit between them, and Paul hands me a hot dog. Jacob scoots so close to me that I can feel his thigh against mine. The heat of his little body seeps into the cold of mine and warms me everywhere. I close my eyes for a moment and just breathe, enjoying the feel of having my living, breathing child pressed into my side.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
From where I stood it was a pose that collapsed many periods in her life into one: mother and lover, big sister, best friend, superstar and diplomat, billionaire and street kid, foolish girl and woman of substance.
Zadie Smith (Swing Time)
Help me,” the girl pleaded softly. Sam knelt beside her. He recoiled in shock. “Bette?” The left side of Bouncing Bette’s face was covered in blood. There was a gash above her temple. She was panting, gasping, like she had collapsed after a marathon and was trying with her last ounce of energy to crawl across the finish line. “Bette, what happened?” “They’re trying to get me,” Bette cried, and clutched at Sam’s arm. The three dark figures advanced to the edge of the circle of light. One was clearly Orc. No one else was that big. Edilio and Quinn moved into the garage doorway. Sam disengaged from Bette and took up a position beside Edilio. “You want me to beat on you guys, I will!” Orc yelled. “What’s going on here?” Sam demanded. He narrowed his eyes and recognized the other two boys, a kid named Karl, a seventh grader from school, and Chaz, one of the Coates eighth graders. All three were armed with aluminum bats. “This isn’t your business,” Chaz said. “We’re dealing with something here.” “Dealing with what? Orc, did you hit Bette?” “She was breaking the rules,” Orc said. “You hit a girl, man?” Edilio said, outraged. “Shut up, wetback,” Orc said. “Where’s Howard?” Sam asked, just to stall while he tried to figure out what to do. He’d lost one fight to Orc already. Orc took the question as an insult. “I don’t need Howard to handle you, Sam.” Orc marched right up to Sam, stopped a foot away, and put his bat on his shoulder like he was ready to swing for a home run. Like a batter ready for the next fastball. Only this was closer to T-ball: Sam’s head was impossible to miss. “Move, Sam,” Orc ordered. “Okay, I’m not doing this again,” Quinn said. “Let him have her, Sam.” “Ain’t no ‘let me,’” Orc said. “I do what I want.” Sam noticed movement behind Orc. There were people coming down the street, twenty or more kids. Orc noticed it too, and glanced behind him. “They aren’t going to save you,” Orc said, and swung the bat hard. Sam ducked. The bat whooshed past his head, and Orc rotated halfway around, carried forward by the momentum. Sam was thrown off balance, but Edilio was ready. He let loose a roar and plowed headfirst into Orc. Edilio was maybe half Orc’s size, but Orc was knocked off his feet. He sprawled out on the concrete. Chaz went after Edilio, trying to pull him off Orc. The crowd of kids who had come running down the street surged forward. There were angry voices and threats, all aimed at Orc. They yelled, Sam noted, but no one exactly jumped into the unequal fight.
Michael Grant
a sort of child, someone to be treated with kid gloves and presented with reality by degrees.
Zadie Smith (Swing Time)
Why don’t we consider moving in together? While we head for this event?” She gulped. “What?” she asked weakly. “Let’s clear the debt, get Kid Crawford out of the picture, I’ll take on your upkeep rather than Vanni and Paul shouldering your food and board, and we’ll evolve into…” He cleared his throat. “We don’t have to explain anything. People will just say, ‘Dr. Michaels likes that nice pregnant girl.’ We’ll share a house. I’ll be your roommate. You’ll have your own room. But there will be late nights you’re worried about some belly pain or later, night crying from the babies. You don’t want to do that to Vanni and Paul and—” “I was just going to go home to Seattle. To my mom and dad’s.” “They have room for me?” he asked, lifting his fork and arching that brow. “Oh, for God’s sake,” she said, slamming down her fork. “You can’t mean to say you plan to just follow me and demand to live with the babies!” “Well, no,” he said. “That would be obsessive. But Jesus, Ab, I don’t want to miss out on anything. Do you know how much babies change from two to six weeks? It just kills me to think you’d take them that far away from me. I mean, they are—” “I know,” she said, frustrated. “Yours.” “Yeah, sweetheart. And they’re also yours. And I swear to God, I will never try to take them away from you. That would be cruel.” He had just aimed an arrow at her sense of justice. The shock of realization must have shown on her face, but he took another bite, had another drink of his beer, smiled. “Live together?” “Here’s how it’ll go if you stay with Vanni and Paul. Toward the end, when you’re sleepless, you’ll be up at night. You’ll be tired during the day, but there will be a toddler around, making noise and crying. And you’ll have all those late pregnancy complaints, worries. Then you’ll have a small guest room stuffed to the ceiling with paraphernalia. Then babies—and grandmothers as additional guests? Newborns, sometimes, cry for hours. They could have Vanni and Paul up all night, walking the floor with you. Nah, that wouldn’t be good. And besides, it’s not Paul’s job to help, it’s mine.” “Where do you suggest we live? Here?” “Here isn’t bad,” he said with a shrug. “But Mel and Jack offered us their cabin. It’s a nice cabin—two bedrooms and a loft, ten minutes from town. Ideally, we should hurry and look around for a place that can accommodate a man, a woman, two newborns, two grandmothers and… We don’t have to make room for the lawyers, do we?” “Very funny,” she said, crossing her arms over her chest. “Abby, we have things to work out every single day. We have to buy cribs, car seats, swings, layette items, lots of stuff—it’s going to take more than one trip to the mall. We have to let the families know there will be babies coming—it’s only fair. We should have dinner together every day, just so we can communicate, catch up. If there’s anything you need or anything you’re worried about, I want to be close so I can help. If you think I’m going to molest you while you’re huge with my babies—” “You know, I’m getting sick of that word, huge.
Robyn Carr (Paradise Valley)
He extends his hand, cupping it in a loose fist to conceal whatever is in it. He swings it toward my arm, and before the sensation of a prick registers in my brain, he returns his hand to his side. My body feels weak. Light. Arms grab me around my waist and drag me away from the general. My lids flutter, my ears ring, but I can still hear the words from his muffled voice. “Go to sleep kid. Hopefully when you wake up, you’ll get I’m only doing this ’cause we’re so desperate.
Quoleena Sbrocca (OuterSphere (Rayne Trilogy, #2))
Unwrapping the leftover currant bread at the Grotes’ that evening, I tell them about my party. Mr. Grote snorts. “How ridiculous, celebrating a birth date. I don’t even know the day I was born, and I sure can’t remember any of theirs,” he says, swinging his hand toward his kids. “But let’s have that cake.
Christina Baker Kline (Orphan Train)
We got all the big brains working on a reaction, but I'm telling you, there's no way we can no. Not with those kids on the swing set. I suspect they're about to produce a vid of her breast-feeding the little fuckin' crotchfruit.
John Sandford (Saturn Run)
I saw a bush taxi rumble down the one good road in the moonlight. Kids hung from it even at this hour, and three young men lay on their bellies on its roof, holding down a mattress with the weight of their own bodies. I felt that wave of absurdity, of pointlessness, that usually caught me in the earliest hours.
Zadie Smith (Swing Time)
The city at night is a playground, and we are a pack of kids riding its swings upside down.
Hilary T. Smith (Wild Awake)
You probably think that the old crow was just sitting there waiting for someone to drop part of their sandwich, so he could swoop down and snatch it. But he wasn’t. That old crow was admiring daddies pushing their kids on the swings and moms cuddling babies on the park bench nearby. Then, when the sun started to lower in the sky and all the children were gathered to make their way back home, the old crow would remember all the good things he’d seen that day and would hop across his branch and snuggle down deep in his hollow for the night, all the happy images melding into his dreams.
Regina Felty (While You Walked By)
The most powerful of my slides compared swing voters. One group of swing voters was “Closed and Agreeable.” Those people received an ad about guns that used language and images that reinforced the values of tradition and family. I pulled up an image of a man and a boy, in silhouette, duck hunting at sunset. The text read, “From father to son . . . since the birth of our nation.” It emphasized how guns could be shown as something people shared with those they loved. For example, my grandfather had taught me to shoot when I was a kid.
Brittany Kaiser (Targeted: The Cambridge Analytica Whistleblower's Inside Story of How Big Data, Trump, and Facebook Broke Democracy and How It Can Happen Again)