Swimming With Friends Quotes

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Nature is woman's best friend,' she [Yasmina] often said. 'If you're having troubles, you just swim in the water, stretch out in a field, or look up at the stars. That's how a woman cures her fears'.
Fatema Mernissi (Dreams of Trespass: Tales of a Harem Girlhood)
My dear friend, what is this our life? A boat that swims in the sea, and all one knows for certain about it is that one day it will capsize. Here we are, two good old boats that have been faithful neighbors, and above all your hand has done its best to keep me from "capsizing"! Let us then continue our voyage—each for the other's sake, for a long time yet, a long time! We should miss each other so much! Tolerably calm seas and good winds and above all sun—what I wish for myself, I wish for you, too, and am sorry that my gratitude can find expression only in such a wish and has no influence at all on wind or weather!
Friedrich Nietzsche
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
Pleasures First look from morning's window The rediscovered book Fascinated faces Snow, the change of the seasons The newspaper The dog Dialectics Showering, swimming Old music Comfortable shoes Comprehension New music Writing, planting Traveling Singing Being friendly
Bertolt Brecht
I used to love the ocean. Everything about her. Her coral reefs, her white caps, her roaring waves, the rocks they lap, her pirate legends and mermaid tails, Treasures lost and treasures held... And ALL Of her fish In the sea. Yes, I used to love the ocean, Everything about her. The way she would sing me to sleep as I lay in my bed then wake me with a force That I soon came to dread. Her fables, her lies, her misleading eyes, I'd drain her dry If I cared enough to. I used to love the ocean, Everything about her. Her coral reefs, her white caps, her roaring waves, the rocks they lap, her pirate legends and mermaid tails, treasures lost and treasures held. And ALL Of her fish In the sea. Well, if you've ever tried navigating your sailboat through her stormy seas, you would realize that her white caps are your enemies. If you've ever tried swimming ashore when your leg gets a cramp and you just had a huge meal of In-n-Out burgers that's weighing you down, and her roaring waves are knocking the wind out of you, filling your lungs with water as you flail your arms, trying to get someone's attention, but your friends just wave back at you? And if you've ever grown up with dreams in your head about life, and how one of these days you would pirate your own ship and have your own crew and that all of the mermaids would love only you? Well, you would realize... Like I eventually realized... That all the good things about her? All the beautiful? It's not real. It's fake. So you keep your ocean, I'll take the Lake.
Colleen Hoover
I got in touch with a friend of mine who works at a research reactor, and asked him what he thought would happen to someone who tried to swim in their radiation containment pool. “In our reactor?” He thought about it for a moment. “You’d die pretty quickly, before reaching the water, from gunshot wounds.
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
This is what you do. If you feel low, you stand tall. You mess up, you move on. You want to try something, try it, and if it was a stupid thing to try, you look it in the eye. There's no turning back. You apologize if you're sorry, but know that the nimblest, strongest hands can't rebuild a bridge out of embers, so cut new wood. Start from scratch. You love with your whole heart. If you're jealous, talk yourself from the ledge. If you can't talk yourself down from the ledge, have a good time up there, looking down on the world. If you have to lie to make everything true again, lie like you mean it. If you find yourself in a cage, reach out through the bars for the key, unlock the door, and run away. If running away gets dangerous, run home. If home doesn't mean what it used to mean, decide what home will be in the future. If your best friend says she doesn't trust you, hold her jaw in your hand until it hurts, and make her face you. Thats all it takes. If you think you love a guy, see how his hand looks in yours, thats all it takes. If you get exiled into a new land, then go discover it. And if you feel like you're drowning, go swimming.
Hobson Brown
Love does not cost anything. Kind words and deeds do not cost anything. The real beauty of the world is equal for everyone to see. It was given by God equally to all, without restrictions. Everyone, was given a beautiful vehicle in which to express love to others. Feelings are free to express and give to ourselves and each other through our willingness to give and care. What is complicated about this... Why have we made others feel they have to climb mountains and swim oceans in order to make a difference. All we need to understand my friends, is that human life was given equally to us all, not partially but in totality. The sun was given to all. It does not shine on the few. So, just has nature is indifferent to our station or situation, we need to know that we are all equal. We need to focus on the things that are constant and not place our values on things that can be blown away with the next, great, wind. Value life in what ever house it dwells. For when it comes time that we are all stripped to bare bones before the divine and facing eternity, we will understand that the only law we were meant to follow, was to love ourselves and each other. Nothing more...nothing less.
Carla Jo Masterson
I wonder why Steven wasn’t at swimming club tonight?” Archie asked. “He’s caught bronchitis,” Mrs Akran said. Imran thought for a second before replying. “I would like to catch a dinosaur too. I wonder what he feeds it?” Archie looked at his friend his face looked as if he was in pain before he burst out laughing. “Imran you’re tragic. Bronchitis is like a bad cold it’s not a type of dinosaur.
Mark A. Cooper (Archie Wilson & The Beasts of Loch Ness)
You fish, swim, eat, laze around, and everyone's so friendly. It's such simple stuff, but... If i could stop the world and restart life, put the clock back, i think I'd restart it like this. For everyone.
Alex Garland (The Beach)
But what I really want is to just swim around in a warm baby pool of these friends, jump in their dry leaf pile-to rub them all over myself, without words and clothes.
Dave Eggers
Girls don’t fight fair. They pull your hair and gauge you and pinch you; then they run off gasping to mommy when you try and defend yourself with a fist. Then you get locked into time out, and for what? No, my friend, the secret is, don’t snap at the bait. Let it dangle. Swim around it. Laugh it off. After a while they’ve given up and try to lure someone else.
Wendelin Van Draanen
The whole time I pretend I have mental telepathy. And with my mind only, I’ll say — or think? — to the target, 'Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you’ve never even heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose—allow smells to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to thatmiserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want. That’s what they tell us at school, but if you keep getting on that train and going to the place you hate I’m going to start thinking the people at school are liars like the Nazis who told the Jews they were just being relocated to work factories. Don’t do that to us. Tell us the truth. If adulthood is working some death-camp job you hate for the rest of your life, divorcing your secretly criminal husband, being disappointed in your son, being stressed and miserable, and dating a poser and pretending he’s a hero when he’s really a lousy person and anyone can tell that just by shaking his slimy hand — if it doesn’t get any better, I need to know right now. Just tell me. Spare me from some awful fucking fate. Please.
Matthew Quick (Forgive Me, Leonard Peacock)
Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you've never even heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose — allow smells to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to that miserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want.
Matthew Quick (Forgive Me, Leonard Peacock)
Odd choice of a word, isn’t it? Fish is either singular, or plural. Imagine my surprise when I walked in the study and found not one fish in a tiny fish bowl, but an entire aquarium.” She practically vibrated for the need to fight. “Otto was lonely and you were practicing animal cruelty. He was too isolated. Now, he has friends and a place to swim.” “Yes, nice little tunnels and rocks and algae to play hide and seek with his buddies.
Jennifer Probst (The Marriage Bargain (Marriage to a Billionaire, #1))
I always considered myself a loner. I mean, not like a poor-me, Byron-esque, I-should-have-brought-a-swimming-buddy loner. I mean the sort of person who doesn’t feel too upset about the prospect of a weekend spent seeing no one, and reading good books on the couch. It wasn’t like I was a people hater or anything. I enjoyed activities and the company of friends. But they were a side dish. I always thought I would be happy without them.
Jim Butcher (Ghost Story (The Dresden Files, #13))
If I didn't swim my best, I'd think about it at school, at dinner, with my friends. It would drive me crazy.
Michael Phelps
After I put on my bathing suit, you must not look at me until I get into the water.' 'Why not?' asked Frog. 'Because I look funny in my bathing suit. That is why.' said Toad.
Arnold Lobel (Frog and Toad are Friends)
We usually know more about suppressing anger than feeling it. Tell a counselor how angry you are. Share it with friends and family. Scream into a pillow. Find ways to get it out without hurting yourself or someone else. Try walking, swimming, gardening—any type of exercise helps you externalize your anger. Do not bottle up anger inside. Instead, explore it. The anger is just another indication of the intensity of your love.
Elisabeth Kübler-Ross (On Grief and Grieving: Finding the Meaning of Grief Through the Five Stages of Loss)
Eaten up with guilt, shame, fears and insecurities and obtaining, if he's lucky, a barely perceptible physical feeling, the male is, nonetheless, obsessed with screwing; he'll swim a river of snot, wade nostril-deep through a mile of vomit, if he thinks there'll be a friendly pussy awaiting him. He'll screw a woman he despises, any snaggle-toothed hag, and, further, pay for the opportunity. Why? Relieving physical tension isn't the answer, as masturbation suffices for that. It's not ego satisfaction; that doesn't explain screwing corpses and babies.
Valerie Solanas (SCUM Manifesto)
Books saved me, and I ran away inside the stories I read as a child. They were the only place where I could run, and swim, and dance without fear of falling and not being able to get back up. Books were full of friends and adventures, whereas my real childhood was cold, and dark, and horribly lonely.
Alice Feeney (Daisy Darker)
I am Outcast." "The kids behind me laugh so loud I know they’re laughing about me. I can’t help myself. I turn around. It’s Rachel, surrounded by a bunch of kids wearing clothes that most definitely did not come from the EastSide Mall. Rachel Bruin, my ex-best friend. She stares at something above my left ear. Words climb up my throat. This was the girl who suffered through Brownies with me, who taught me how to swim, who understood about my parents, who didn’t make fun of my bedroom. If there is anyone in the entire galaxy I am dying to tell what really happened, it’s Rachel. My throat burns." "Her eyes meet mine for a second. “I hate you,” she mouths silently.
Laurie Halse Anderson (Speak)
Water was a state of mind. If you think it your friend when you swim in the river or wash away the dirt, why call it your enemy when it comes from the heavens? From the cup of the gods themselves.
Kate Furnivall (The Russian Concubine (The Russian Concubine, #1))
My secret friend, Oh, take me to the river. My secret friend, So we can swim forever.
İamx
The magic beauty of simultaneity, to see the loved one rushing toward you at the same moment you are rushing toward him, the magic power of meeting, exactly at midnight to achieve union, the illusion of one common rhythm achieved by overcoming obstacles, deserting friends, breaking other bonds - all this was soon dissolved by his laziness, by his habit of missing every moment, of never keeping his word, of living perversely in a state of chaos, of swimming more naturally in a sea of failed intentions, broken promises, and aborted wishes
Anaïs Nin (The Four-Chambered Heart: V3 in Nin's Continuous Novel)
It is very difficult to appreciate from the outside what a person in severe anxiety is experiencing. Brown rightly remarked about his friends 'imploring a drowning man [me] to swim when they don't know that under the water his hands and feet are tied.
Rollo May (The Meaning of Anxiety)
Birds can sing and fish can swim and I can do this.
Donna Tartt (The Little Friend)
What is there to see if I go outside? Don't tell me. I know. I can see other people. I don't want to see other people. They look awful. The men look like slobs and the women look like men. The men have mush faces framed by long hair and the women have big noses, big jaws, big heads, and stick-like bodies. That depresses me. Its no fun to people-watch anymore because there's so little variety in types. You say it's good to get a change of scenery. What scenery? New buildings? New cars? New freeways? New shopping malls? Go to the woods or a park? I saw a tree once. The new ones look the same, which is fine. I even remember what the old ones look like. My memory isn't that short. But it's not worth going to see a squirrel grab a nut, or fish swimming around in a big tank if I must put up with the ugly contemporary human pollution that accompanies each excursion. The squirrel may enliven me and remind me of better vistas but the price in social interaction isn't worth it. If, on my way to visit the squirrel, I encounter a single person who gains stimulation by seeing me, I feel like I have given more than I've received and I get sore. If every time I go somewhere to see a fish swimming, I become someone else's stimulation, I feel shortchanged. I'll buy my own fish and watch it swim. Then, I can watch the fish, the fish can watch me, we can be friends, and nobody else interferes with the interaction, like trying to hear what the fish and I are talking about. I won't have to get dressed a certain way to visit the fish. I needn't dress the way my pride dictates, because who's going to see me? I needn't wear any pants. The fish doesn't care. He doesn't read the tabloids. But, if I go out to see a fish other than my own, I'm right back where I started: entertaining others, which is more depleting than visiting the new fish is entertaining. Maybe I should go to a coffee house. I find no stimulation in watching ordinary people trying to put the make on other uninteresting people. I can fix my own cup of coffee and not have to look at or talk to other people. No matter where I go, I stimulate others, and have been doing so all my life. It used to be I'd sometimes get stimulated back.
Anton Szandor LaVey
How can I ever make you understand Cassie and me? I would have to take you there, walk you down every path of our secret shared geography. The truism says it’s against all odds for a straight man and woman to be real friends, platonic friends; we rolled thirteen, threw down five aces and ran away giggling. She was the summertime cousin out of storybooks, the one you taught to swim at some midge-humming lake and pestered with tadpoles down her swimsuit, with whom you practiced first kisses on a heather hillside and laughed about it years later over a clandestine joint in your granny’s cluttered attic. She painted my fingernails gold and dared me to leave them that way for work…We climbed out her window and down the fire escape and lay on the roof of the extension below, drinking improvised cocktails and singing Tom Waits and watching the stars spin dizzily around us. No.
Tana French (In the Woods (Dublin Murder Squad, #1))
Since early morning he had been swimming in the river, in company with his friends the ducks. And when the ducks stood on their heads suddenly, as ducks will, he would dive down and tickle their necks, just under where their chins would be if ducks had chins, till they were forced to come to the surface again in a hurry, spluttering and angry and shaking their feathers at him, for it is impossible to say quite all you feel when your head is under water.
Kenneth Grahame (The Wind in the Willows)
our lives, thanks to their finitude, are inevitably full of activities that we’re doing for the very last time. Just as there will be a final occasion on which I pick up my son—a thought that appalls me, but one that’s hard to deny, since I surely won’t be doing it when he’s thirty—there will be a last time that you visit your childhood home, or swim in the ocean, or make love, or have a deep conversation with a certain close friend. Yet usually there’ll be no way to know, in the moment itself, that you’re doing it for the last time. Harris’s point is that we should therefore try to treat every such experience with the reverence we’d show if it were the final instance of it. And indeed there’s a sense in which every moment of life is a “last time.” It arrives; you’ll never get it again—and once it’s passed, your remaining supply of moments will be one smaller than before. To treat all these moments solely as stepping-stones to some future moment is to demonstrate a level of obliviousness to our real situation that would be jaw-dropping if it weren’t for the fact that we all do it, all the time.
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
I am interested in people who swim in the deep end. I want to have conversations about real things with people who have experienced real things. [I'm tired of talking about movies and gossiping about friends.]
Amy Poehler
I am interested in people who swim in the deep end. I want to have conversations about real things with people who have experienced real things. I’m tired of talking about movies and gossiping about friends. Life is crunchy and complicated and all the more delicious.
Amy Poehler (Yes Please)
i don't like to talk. every time i go somewhere with a friend they always expect me to talk to them. i like to sit quietly. when i watch a movie or read a poem i don't like to discuss it with anyone. i like to watch movies and then maybe sleep. no talking. occasionally i watch the same movie over and over again until i fall asleep. i prefer watching movies alone. i prefer reading alone. i prefer eating alone. i prefer walking alone. i prefer listening to music alone. i prefer singing alone. i prefer swimming alone. i prefer to eat small children alone. i like it when sean reads me poetry but i just like to listen quietly and not comment afterwards. sometimes i feel this makes him uncomfortable.
Ellen Kennedy (Yesterday I Was Talking to Myself...)
But it has occurred to me, on occasion, that our memories of our loved ones might not be the point. Maybe the point is their memories—all that they take away with them. What if heaven is just a vast consciousness that the dead return to? And their assignment is to report on the experiences they collected during their time on earth. The hardware store their father owned with the cat asleep on the grass seed, and the friend they used to laugh with till the tears streamed down their cheeks, and the Saturdays when their grandchildren sat next to them gluing Popsicle sticks. The spring mornings they woke up to a million birds singing their hearts out, and the summer afternoons with the swim towels hung over the porch rail, and the October air that smelled like wood smoke and apple cider, and the warm yellow windows of home when they came in on a snowy night. ‘That’s what my experience has been,’ they say, and it gets folded in with the others—one more report on what living felt like. What it was like to be alive.
Anne Tyler (A Spool of Blue Thread)
So what are you supposed to do? My friends, what I need you to do—just for starters—is not act. Not yet. Not first. First I need you to see. I need you to see the pains and possibilities of black life, its virtues and vices, its strengths and weaknesses, its yeses and nos. I need you to see how the cantankerous varieties of black identity have been distorted by seeing black folk collectively as the nigger. It is not a question of simply not saying nigger; you have to stop believing, no matter what, that black folk are niggers and all the term represents. Instead you must swim in the vast ocean of blackness and then realize you have been buoyed all along on its sustaining views of democracy.
Michael Eric Dyson (Tears We Cannot Stop: A Sermon to White America)
You think about bathing in the sea – thick as velvet, supple and smooth as a wild animal. You think about swimming naked, and at night, with the stars, and a friend. Swim till you’re far from the world, and breathing together in the same rhythm, and free of absolutely everything.
Albert Camus (The Plague)
most cherished desires of present-day Westerners are shaped by romantic, nationalist, capitalist and humanist myths that have been around for centuries. Friends giving advice often tell each other, ‘Follow your heart.’ But the heart is a double agent that usually takes its instructions from the dominant myths of the day, and the very recommendation to ‘follow your heart’ was implanted in our minds by a combination of nineteenth-century Romantic myths and twentieth-century consumerist myths. The Coca-Cola Company, for example, has marketed Diet Coke around the world under the slogan ‘Diet Coke. Do what feels good.’ Even what people take to be their most personal desires are usually programmed by the imagined order. Let’s consider, for example, the popular desire to take a holiday abroad. There is nothing natural or obvious about this. A chimpanzee alpha male would never think of using his power in order to go on holiday into the territory of a neighbouring chimpanzee band. The elite of ancient Egypt spent their fortunes building pyramids and having their corpses mummified, but none of them thought of going shopping in Babylon or taking a skiing holiday in Phoenicia. People today spend a great deal of money on holidays abroad because they are true believers in the myths of romantic consumerism. Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. 18. The Great Pyramid of Giza. The kind of thing rich people in ancient Egypt did with their money. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded. The tourism industry does not sell flight tickets and hotel bedrooms. It sells experiences. Paris is not a city, nor India a country – they are both experiences, the consumption of which is supposed to widen our horizons, fulfil our human potential, and make us happier. Consequently, when the relationship between a millionaire and his wife is going through a rocky patch, he takes her on an expensive trip to Paris. The trip is not a reflection of some independent desire, but rather of an ardent belief in the myths of romantic consumerism. A wealthy man in ancient Egypt would never have dreamed of solving a relationship crisis by taking his wife on holiday to Babylon. Instead, he might have built for her the sumptuous tomb she had always wanted. Like the elite of ancient Egypt, most people in most cultures dedicate their lives to building pyramids. Only the names, shapes and sizes of these pyramids change from one culture to the other. They may take the form, for example, of a suburban cottage with a swimming pool and an evergreen lawn, or a gleaming penthouse with an enviable view. Few question the myths that cause us to desire the pyramid in the first place.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
I write in my head on the way home from work, or when mowing the lawn, or on a night out with friends. Sometimes I find the time to capture those words that are rolling through my mind, quivering and drumming and swimming, banging into each other until I can finally trick them and leak them out onto the page. And sometimes I don't. Writers are like that
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Flying is something we cant do. We can't swim for years under water in the ocean either. but, we can always have a friend, and no one cannot.
Sydney Wilhelmy
Music was a kind of penetration. Perhaps absorption is a less freighted word. The penetration or absorption of everything into itself. I don't know if you have ever taken LSD, but when you do so the doors of perception, as Aldous Huxley, Jim Morrison and their adherents ceaselessly remind us, swing wide open. That is actually the sort of phrase, unless you are William Blake, that only makes sense when there is some LSD actually swimming about inside you. In the cold light of the cup of coffee and banana sandwich that are beside me now it appears to be nonsense, but I expect you to know what it is taken to mean. LSD reveals the whatness of things, their quiddity, their essence. The wateriness of water is suddenly revealed to you, the carpetness of carpets, the woodness of wood, the yellowness of yellow, the fingernailness of fingernails, the allness of all, the nothingness of all, the allness of nothing. For me music gives access to everyone of these essences, but at a fraction of the social or financial cost of a drug and without the need to cry 'Wow!' all the time, which is LSD's most distressing and least endearing side effects. ...Music in the precision of its form and the mathematical tyranny of its laws, escapes into an eternity of abstraction and an absurd sublime that is everywhere and nowhere at once. The grunt of rosin-rubbed catgut, the saliva-bubble blast of a brass tube, the sweaty-fingered squeak on a guitar fret, all that physicality, all that clumsy 'music making', all that grain of human performance...transcends itself at the moment of its happening, that moment when music actually becomes, as it makes the journey from the vibrating instrument, the vibrating hi-fi speaker, as it sends those vibrations across to the human tympanum and through to the inner ear and into the brain, where the mind is set to vibrate to frequencies of its own making. The nothingness of music can be moulded by the mood of the listener into the most precise shapes or allowed to float as free as thought; music can follow the academic and theoretical pattern of its own modality or adhere to some narrative or dialectical programme imposed by a friend, a scholar or the composer himself. Music is everything and nothing. It is useless and no limit can be set to its use. Music takes me to places of illimitable sensual and insensate joy, accessing points of ecstasy that no angelic lover could ever locate, or plunging me into gibbering weeping hells of pain that no torturer could ever devise. Music makes me write this sort of maundering adolescent nonsense without embarrassment. Music is in fact the dog's bollocks. Nothing else comes close.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
It was as if we were having two different conversations. Which wasn’t that surprising after all, as we were clearly having two entirely different experiences of breaking up. His was soft, cushioned; Jude and his friends had broken his fall. Mine was cold, empty and bereft. I was freefalling in space and time, with nobody standing by to stop me hurtling headlong into obscurity.
Ruth Mancini (Swimming Upstream)
He stretched out in the grass too, leaning on his elbow, facing his friend, the pal of his heart, happy to watch him, fondly, his face. The grass was wonderfully cool in the shadows. It gave a fringy brush to his legs. Doyler grinned. He took the grass stem from his mouth and tickled its ear under Jim's chin. 'You can tell does a fellow like you with a spear of grass, did you know that?' 'How do you tell?' 'You wave it under his chin, and if his face goes red at all, then you know.' Jim laughed. The blush had risen, as of course it must, but for once he could be glad of it. He thought how lovely it would be to touch at this moment. The notion hadn't formed before Doyler's leg came to rest against his own. It pressed ever so lightly, and Jim pressed lightly back. he smiled with his bottom lip caught in his teeth, for it was wonderful to lie in the long grass, with just this tiny pressure of touch between. Then Doyler said, 'I think I'm going to ask for a kiss.' And Jim said, 'I think I hoped if you would.
Jamie O'Neill (At Swim, Two Boys)
Life hands us lessons, and my lesson was to face this awful situation and grow from it, Blossom. I thought love had been taken away from me, but it hadn't been. I was still the same person who had loved Mr. Feingold and my old aunts and my cousins and my friends. I still ahd love inside of me, and I still had it to give.
Robin Schwarz (Night Swimming)
Haymitch isn't thinking of arenas, but something else. "Johanna's back in the hospital." I assumed Johanna was fine, had passed her exam, but simply wasn't assigned to a sharp shooters' unit. She's wicked with a throwing axe but about average with a gun. "Is she hurt? What happened?" "It was while she was on the Block. They try to ferret out a soldier's potential weakness. So they flooded the street, " says Haymitch. This doesn't help. Johanna can swim. At least, I seem to remember her swimming around some in the Quarter Quell. Not like Finnick, of course, but none of us are like Finnick. "So?" "That's how they tortured her in the Capitol. Soaked her then used electric shocks," says Haymitch. "In the Block, she had some kind of flashback. Panicked, didn't know where she was. She's back under sedation." Finnick and I just stand there as if we've lost the ability to respond. I think of the way Johanna never showers. How she forced herself into the rain like it was acid that day. I had attributed her misery to morphling withdrawal. "You two should go see her. You're as close to friends as she's got," says Haymitch. That makes the whole thing worse. I don't really know what's between Johanna and Finnick, but I hardly know her. No family. No friends.Not so much as a token from District 7 to set beside her regulation clothes in her anonymous drawer. Nothing.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I hear. Nobody thinks so. But I do. Sometimes people whisper. Sometimes they yell. Sometimes they say mean things. I see more than the TV. It's my friend. I don't have any others, like the kids on Barney do. Why are people afraid of me? I don't want to hurt them. I taste only the sweet air, whooshed through tubes to help me breathe. If I'm lucky a bit of flavor comes with the wind or skin or clothes I smell. I wish my mouth would let me tell Mama I love her. Let me tell Daddy I ms him. Let me tell Shane how good I feel when I see him happy with Alex. I like when I swim because when I float, I am free. I like when I sleep because I dance when I dream. I hear, I see, I taste, I smell, I feel, I dream.
Ellen Hopkins (Tilt)
Because while we all Facebook stalk, protocol is to not admit it. I might know, from status update, that a potential best friend swims laps every mornings, but it'd be creep to say "Don't worry about eating that doughnut, you deserve it after all those calories you burn!" Instead, I check out her profile and she reviews mine, but then we meet and pretend to know nothing.
Rachel Bertsche (MWF Seeking BFF: My Yearlong Search For A New Best Friend)
Jerott’s eyes and Philippa’s met. ‘When I meet my friend,’ said Jerott Blyth carefully, ‘there is likely to be a detonation which will take the snow off Mont Blanc. I advise you to seek other auspices. Philippa, I think we should go down below.’ ‘To swim?’ said that unprepossessing child guilelessly. ‘I can stand on my head.’ ‘Oh, Christ,’ said Jerott morosely. ‘Why in hell did you come?’ The brown eyes within the damp, dun-coloured hair inspected him narrowly. ‘Because you need a woman,’ said Philippa finally. ‘And I’m the nearest thing to it that you’re likely to get. It was very short notice.
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
Day in, day out! Wind and rain, sleet and snow, sun and storm, we did the same. We heard something on the grapevine, went there, came back, sat in his bedroom, heard something else, went by bus, bike, on foot, sat in someone’s bedroom. In the summer we went swimming. That was it. What was it all about? We were friends, there was no more than that. And the waiting, that was life.
Karl Ove Knausgård (Dancing in the Dark (My Struggle, # 4))
though the only spout in sight was that of a Fin-Back, belonging to the species of uncapturable whales, because of its incredible power of swimming. Nevertheless, the Fin-Back’s spout is so similar to the Sperm Whale’s, that by unskilful fishermen it is often mistaken for it. And consequently Derick and all his host were now in valiant chase of this unnearable brute. The Virgin crowding all sail, made after her four young keels, and thus they all disappeared far to leeward, still in bold, hopeful chase. Oh! many are the Fin-Backs, and many are the Dericks, my friend.
Herman Melville (Moby-Dick or, The Whale)
I’m not going to lie,” he replied. “I never really enjoyed going to practice, and I certainly didn’t enjoy it while I was there. In fact, there were brief moments, walking to the pool at four or four-thirty in the morning, or sometimes when I couldn’t take the pain, when I’d think, ‘God, is this worth it?’ ” “So why didn’t you quit?” “It’s very simple,” Rowdy said. “It’s because I loved swimming. . . . I had a passion for competing, for the result of training, for the feeling of being in shape, for winning, for traveling, for meeting friends. I hated practice, but I had an overall passion for swimming.
Angela Duckworth (Grit: The Power of Passion and Perseverance)
When she says margarita she means daiquiri. When she says quixotic she means mercurial. And when she says, "I'll never speak to you again," she means, "Put your arms around me from behind as I stand disconsolate at the window." He's supposed to know that. When a man loves a woman he is in New York and she is in Virginia or he is in Boston, writing, and she is in New York, reading, or she is wearing a sweater and sunglasses in Balboa Park and he is raking leaves in Ithaca or he is driving to East Hampton and she is standing disconsolate at the window overlooking the bay where a regatta of many-colored sails is going on while he is stuck in traffic on the Long Island Expressway. When a woman loves a man it is one ten in the morning she is asleep he is watching the ball scores and eating pretzels drinking lemonade and two hours later he wakes up and staggers into bed where she remains asleep and very warm. When she says tomorrow she means in three or four weeks. When she says, "We're talking about me now," he stops talking. Her best friend comes over and says, "Did somebody die?" When a woman loves a man, they have gone to swim naked in the stream on a glorious July day with the sound of the waterfall like a chuckle of water rushing over smooth rocks, and there is nothing alien in the universe. Ripe apples fall about them. What else can they do but eat? When he says, "Ours is a transitional era," "that's very original of you," she replies, dry as the martini he is sipping. They fight all the time It's fun What do I owe you? Let's start with an apology Ok, I'm sorry, you dickhead. A sign is held up saying "Laughter." It's a silent picture. "I've been fucked without a kiss," she says, "and you can quote me on that," which sounds great in an English accent. One year they broke up seven times and threatened to do it another nine times. When a woman loves a man, she wants him to meet her at the airport in a foreign country with a jeep. When a man loves a woman he's there. He doesn't complain that she's two hours late and there's nothing in the refrigerator. When a woman loves a man, she wants to stay awake. She's like a child crying at nightfall because she didn't want the day to end. When a man loves a woman, he watches her sleep, thinking: as midnight to the moon is sleep to the beloved. A thousand fireflies wink at him. The frogs sound like the string section of the orchestra warming up. The stars dangle down like earrings the shape of grapes.
David Lehman (When a Woman Loves a Man: Poems)
Since Jenna had started swimming in the deep end of the pity pool, Archer was pretty much the only friend I had.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
I’m not sure what to say about struggle except that it feels like a long, dark tunnel with no light at the end. You never notice until it’s over the ways it has changed you, and there is no going back. We struggled a lot this year. For everyone who picked a fight with life and got the shit kicked out of them: I’m proud of you for surviving. This year I learned that cities are beautiful from rooftops even when you’re sad and that swimming in rivers while the sun sets in July will make you feel hopeful, no matter what’s going on at home. I found out my best friend is strong enough to swing me over his shoulder like I’m weightless and run down the street while I’m squealing and kicking against his chest. I found out vegan rice milk whipped cream is delicious, especially when it’s licked off the stomach of a boy you love. This year I kissed too many people with broken hearts and hands like mousetraps. If I could go back and unhurt them I would. If I could go back even farther and never meet them I would do that too. I turned 21. There’s no getting around it. I’m an adult now. Navigating the world has proved harder than I expected. There were times I was reckless. In my struggle to survive I hurt others. Apologies do not make good bandages. I’m not sure what to say about change except that it reminds me of the Bible story with the lions’ den. But you are not named Daniel and you have not been praying, so God lets the beasts get a few deep, painful swipes at you before the morning comes and you’re pulled into the light, exhausted and cut to shit. The good news is you survived. The bad news is you’re hurt and no one can heal you but yourself. You just have to find a stiff drink and a clean needle before you bleed out. And then you get up. And start over.
Clementine von Radics (Mouthful of Forevers)
You’re lucky to have such great friends,” Joey said quietly. “Luck has nothing to do with it, dearie. We decided to become friends and to stay friends, through thick and thin, warts and all.
Barbara J. Zitwer (The J.M. Barrie Ladies' Swimming Society)
I remember that day very clearly: I had received a phone call. A friend had been in an accident. Perhaps she would not live. She had very little face, and her spine was broken in two places. She had not yet moved; the doctor described her as “a pebble in water.” I walked around Brooklyn and noticed that the faded peri-winkle of the abandoned Mobil gas station on the corner was suddenly blooming. In the baby-shit yellow showers at my gym, where snow sometimes fluttered in through the cracked gated windows, I noticed that the yellow paint was peeling in spots, and a decent, industrial blue was trying to creep in. At the bottom of the swimming pool, I watched the white winter light spangle the cloudy blue and I knew together they made God. When I walked into my friend’s hospital room, her eyes were a piercing, pale blue and the only part of her body that could move. I was scared. So was she. The blue was beating.
Maggie Nelson (Bluets)
I lost Ike,' Aunt Josephine said, 'and I lost Lake Lachrymose. I mean, I didn't really lose it, of course. It's still down in the valley. But I grew up on its shores. I used to swim in it every day. I know which beaches were sandy and which were rocky. I knew all the islands in the middle of its waters and all the caves alongside it's shore. Lake Lachrymose felt like a friend to me. But when it took poor Ike away from me I was too afraid to go near it anymore. I stopped swimming in it. I never went to the beach again. I even put away all my books about it. The only way I can bear to look at it is from the Wide Window in the Library.
Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
Who can give more heat to the fire, or joy to heaven, or pain to hell? A ring upon a nun is like a ring in a sow’s nose. Your best friend is still alive. Who is that? You. The sun is none the worse for shining on a dunghill. He must needs swim that is borne up to the chin. An hour’s cold will suck out seven years of heat.
Peter Ackroyd (Foundation: The History of England from Its Earliest Beginnings to the Tudors (History of England #1))
Fred coughed, which caused Sam and Ellie to look over at her. “Hey, Ellie. Watch this.” Mentally apologizing to her oldest friend, Fred seized Jonas by the shirt collar and heaved him out of his chair and through the (fortunately open) sliding door. Jonas was densely built (“Deliciously so,” Dr. Barb might have said over the sound of Fred’s retching), but no match for Fred’s hybrid strength, and the air velocity he achieved was really quite something. Fred ignored his wail (“My sundaeeee!”), which became easier to do the fainter it got.
MaryJanice Davidson (Swimming Without a Net (Fred the Mermaid, #2))
For a person accustomed to the multi ethnic commotion of Los Angeles, Vancouver, New York, or even Denver, walking across the BYU campus can be a jarring experience. One sees no graffiti, not a speck of litter. More than 99 percent of the thirty thousand students are white. Each of the young Mormons one encounters is astonishingly well groomed and neatly dressed. Beards, tattoos, and pierced ears (or other body parts) are strictly forbidden for men. Immodest attire and more than a single piercing per ear are forbidden among women. Smoking, using profane language, and drinking alcohol or even coffee are likewise banned. Heeding the dictum "Cougars don't cut corners," students keep to the sidewalks as they hurry to make it to class on time; nobody would think of attempting to shave a few precious seconds by treading on the manicured grass. Everyone is cheerful, friendly, and unfailingly polite. Most non-Mormons think of Salt Lake City as the geographic heart of Mormonism, but in fact half the population of Salt Lake is Gentile, and many Mormons regard the city as a sinful, iniquitous place that's been corrupted by outsiders. To the Saints themselves, the true Mormon heartland is here in Provo and surrounding Utah County--the site of chaste little towns like Highland, American Fork, Orem, Payson and Salem--where the population is nearly 90 percent LDS. The Sabbath is taken seriously in these parts. Almost all businesses close on Sundays, as do public swimming pools, even on the hottest days of the summer months. This part of the state is demographically notable in other aspects, as well. The LDS Church forbids abortions, frowns on contraception, and teaches that Mormon couples have a sacred duty to give birth to as many children as they can support--which goes a long way toward explaining why Utah County has the highest birth rate in the United States; it is higher, in fact, than the birth rate in Bangladesh. This also happens to be the most Republican county in the most Republican state in the nation. Not coincidentally, Utah County is a stronghold not only of Mormonism but also Mormon Fundamentalism.
Jon Krakauer
I remembered the lesson my mom taught me at age seven in a swimming pool in Hawaii. I was a shy little girl and an only child, so on vacations I was usually playing alone, too afraid to go up to the happy groups of kids and introduce myself. Finally, on one vacation, my mom asked me which I'd rather have: a vacation with no friends, or one scary moment... After that, one scary moment became something I was always willing to have in exchange for the possible payoff. I became a girl who knew how to take a deep breath, suck it up, and walk into any room by herself.
Kristin Newman (What I Was Doing While You Were Breeding)
This is what it feels like to hold rage inside. That shit’s toxic for you. You’re either going to have to face your mother, your friends, your principal, your fucking life, or prepare to feel like you’re holding the smoke in your lungs for a very long time. Because, baby, it only gets worse from here on out. The older we get, the deeper the shit we’re swimming in gets.
L.J. Shen (Pretty Reckless (All Saints High, #1))
One man in a thousand, Solomon says. Will stick more close than a brother. And it's worth while seeking him half your days If you find him before the other. Nine hundred and ninety-nine depend On what the world sees in you, But the Thousandth Man will stand your friend With the whole round world agin you. 'Tis neither promise nor prayer nor show Will settle the finding for 'ee. Nine hundred and ninety-nine of 'em go By your looks, or your acts, or your glory. But if he finds you and you find him, The rest of the world don't matter; For the Thousandth Man will sink or swim With you in any water. You can use his purse with no more talk Than he uses yours for his spendings, And laugh and meet in your daily walk As though there had been no lendings. Nine hundred and ninety-nine of 'em call For silver and gold in their dealings; But the Thousandth Man he's worth 'em all Because you can show him your feelings. His wrong's your wrong, and his right's your right, In season or out of season. Stand up and back it in all men's sight With that for your only reason! Nine hundred and ninety-nine can't bide The shame or mocking or laughter, But the Thousandth Man will stand by your side To the gallows-foot - and after!
Rudyard Kipling
If you want to see the beauty of any fish, throw it into the water, you will see how best it can swim because that is its source. Do you want to see the beauty in you? Don't look in the mirror, don't put on makeups, no jewelleries or expensive designer clothes, just go back and reconnect to your source and I bet, the best of you will show up. Until you return back to God, your best won't come out because He is your source.
Patience Johnson (Why Does an Orderly God Allow Disorder)
How Finite Minds Most Want To Be You are the living marrow. The rest is hay, and dead grass does not nourish a human being. When you are not here, this desire we feel has no traveling companion. When the sun is gone, the soul's clarity fades. There is nothing but idiocy and mistakes. We are half-dead, inanimate, exhausted. The way finite minds most want to be is an ocean with a soul swimming in it. No one can describe that. These words do not touch you. Metaphors mentioning the moon have no effect on the moon. My soul, you are a master, a Moses, a Jesus. Why do I stay blind in your presence? You are Joseph at the bottom of his well. Constantly working, but you do not get paid, because what you do seems trivial, like play. Now silence. Unless these words fill with nourishment from the unseen, they will stay empty, and why would I serve my friends bowls with no food in them?
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
The Reed Flute's Song Listen to the story told by the reed, of being separated. "Since I was cut from the reedbed, I have made this crying sound. Anyone apart from someone he loves understands what I say. Anyone pulled from a source longs to go back. At any gathering I am there, mingling in the laughing and grieving, a friend to each, but few will hear the secrets hidden within the notes. No ears for that. Body flowing out of spirit, spirit up from body: no concealing that mixing. But it's not given us to see the soul. The reed flute is fire, not wind. Be that empty." Hear the love fire tangled in the reed notes, as bewilderment melts into wine. The reed is a friend to all who want the fabric torn and drawn away. The reed is hurt and salve combining. Intimacy and longing for intimacy, one song. A disastrous surrender and a fine love, together. The one who secretly hears this is senseless. A tongue has one customer, the ear. A sugarcane flute has such effect because it was able to make sugar in the reedbed. The sound it makes is for everyone. Days full of wanting, let them go by without worrying that they do. Stay where you are inside such a pure, hollow note. Every thirst gets satisfied except that of these fish, the mystics, who swim a vast ocean of grace still somehow longing for it! No one lives in that without being nourished every day. But if someone doesn't want to hear the song of the reed flute, it's best to cut conversation short, say good-bye, and leave.
Jalal ad-Din Muhammad ar-Rumi
The white neighborhoods of Johannesburg were built on white fear—fear of black crime, fear of black uprisings and reprisals—and as a result virtually every house sits behind a six-foot wall, and on top of that wall is electric wire. Everyone lives in a plush, fancy maximum-security prison. There is no sitting on the front porch, no saying hi to the neighbors, no kids running back and forth between houses. I’d ride my bike around the neighborhood for hours without seeing a single kid. I’d hear them, though. They were all meeting up behind brick walls for playdates I wasn’t invited to. I’d hear people laughing and playing and I’d get off my bike and creep up and peek over the wall and see a bunch of white kids splashing around in someone’s swimming pool. I was like a Peeping Tom, but for friendship. It was only after a year or so that I figured out the key to making black friends in the suburbs: the children of domestics." (from "Born A Crime: Stories from a South African Childhood" by Trevor Noah)
Trevor Noah (Born a Crime: Stories From a South African Childhood)
Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.
Dolly Alderton (Good Material)
1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
Dina Ben-Lev
Lastly, because you are a superhero, you are really good at putting together a good team. You can look around the room and notice the other superheroes because they are the ones noticing you. The friends you meet over forty are really juicy. They are highly emulsified and full of flavor. Now that you’re starting to have a sense of who you are, you know better what kind of friend you want and need. My peers are crushing it right now and it’s totally amazing and energizing to watch. I have made friends with older women whom I have admired for years who let me learn from their experience. I drink from their life well. They tell me about hormones and vacation spots and neck cream. I am interested in people who swim in the deep end. I want to have conversations about real things with people who have experienced real things. I’m tired of talking about movies and gossiping about friends. Life is crunchy and complicated and all the more delicious.
Amy Poehler (Yes Please)
…I notice that people always make gigantic arrangements for bathing when they are going anywhere near the water, but that they don’t bathe much when they are there. It is the same when you go to the sea-side. I always determine—when thinking over the matter in London—that I’ll get up early every morning, and go and have a dip before breakfast, and I religiously pack up a pair of drawers and a bath towel. I always get red bathing drawers. I rather fancy myself in red drawers. They suit my complexion so. But when I get to the sea I don’t feel somehow that I want that early morning bathe nearly so much as I did when I was in town. On the contrary, I feel more that I want to stop in bed till the last moment, and then come down and have my breakfast. Once or twice virtue has triumphed, and I have got out at six and half-dressed myself, and have taken my drawers and towel, and stumbled dismally off. But I haven’t enjoyed it. They seem to keep a specially cutting east wind, waiting for me, when I go to bathe in the early morning; and they pick out all the three-cornered stones, and put them on the top, and they sharpen up the rocks and cover the points over with a bit of sand so that I can’t see them, and they take the sea and put it two miles out, so that I have to huddle myself up in my arms and hop, shivering, through six inches of water. And when I do get to the sea, it is rough and quite insulting. One huge wave catches me up and chucks me in a sitting posture, as hard as ever it can, down on to a rock which has been put there for me. And, before I’ve said “Oh! Ugh!” and found out what has gone, the wave comes back and carries me out to mid-ocean. I begin to strike out frantically for the shore, and wonder if I shall ever see home and friends again, and wish I’d been kinder to my little sister when a boy (when I was a boy, I mean). Just when I have given up all hope, a wave retires and leaves me sprawling like a star-fish on the sand, and I get up and look back and find that I’ve been swimming for my life in two feet of water. I hop back and dress, and crawl home, where I have to pretend I liked it.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
O, may you look, full moon that shines, On my pain for this last time: So many midnights from my desk, I have seen you, keeping watch: When over my books and paper,    [390] Saddest friend, you appear! Ah! If on the mountain height I might stand in your sweet light, Float with spirits in mountain caves, Swim the meadows in twilight’ waves,    [395] Free from the smoke of knowledge too, Bathe in your health-giving dew!
Johann Wolfgang von Goethe (Faust: Parts I & II)
My lady, When in difficulty, remember the words of our mutual friend Stephen Armstrong: "You can always swim out of quicksand as long as you don't panic." Or send for me, and I'll come throw you a rope. -W. R. Every time Phoebe had read those words- at least a dozen times since they'd left Eversby Priory- a giddy sensation rushed through her. It had hardly escaped her notice that West had marked sections of the book with x's, just as she had marked Henry's book so long ago. A sly bit of flirtation, those x's- she was welcome to interpret them as kisses, while he could still maintain deniability. Infuriating, complicated man.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
When Sam’s having a hard time and being a total baby about the whole thing, I feel so much frustration and rage and self-doubt and worry that it’s like a mini-breakdown. I feel like my mind becomes a lake full of ugly fish and big clumps of algae and coral, of feelings and unhappy memories and rehearsals for future difficulties and failures. I paddle around in it like some crazy old dog, and then I remember that there’s a float in the middle of the lake and I can swim out to it and lie down in the sun. That float is about being loved, by my friends and by God and even sort of by me. And so I lie there and get warm and dry off, and I guess I get bored or else it is human nature because after a while I jump back into the lake, into all that crap. I guess the solution is just to keep trying to get back to the float. This morning Sam woke at 4:00, so
Anne Lamott (Operating Instructions: A Journal of My Son's First Year)
I remained standing in the middle of the room, swaying on my feet as though I had received a blow. I thought of my life and saw what it had been. No one could swim against such a current of mud. I had been a man so horrible that he could have no friend. But wasn't that, I asked myself, because I had always been incapable of wearing a disguise? If all men went through life with unmasked faces, as I had done for half a century, one might be surprised to find how little difference there was between them. But, in fact, no one lives with his face uncovered, no one. Most men ape greatness or nobility. Though they do not know it, they conform to certain fixed types, literary or other. This the saints know, and they hate and despise themselves because they see themselves with unclouded eyes. I should not have been so universally condemned had I not been so defenseless, so open, and so naked.
François Mauriac (Vipers' Tangle)
It was not long after the sinking of the body that a cry was heard from the Pequod's mast-heads, announcing that the Jungfrau was again lowering her boats; though the only spout in sight was that of a Fin-Back, belonging to the species of uncapturable whales, because of its incredible power of swimming. Nevertheless, the Fin-Back's spout is so similar to the Sperm Whale's, that by unskilful fishermen it is often mistaken for it. And consequently Derick and all his host were now in valiant chase of this unnearable brute. The Virgin crowding all sail, made after her four young keels, and thus they all disappeared far to leeward, still in bold, hopeful chase. Oh! many are the Fin-Backs, and many are the Dericks, my friend.
Herman Melville (Moby Dick)
I want to apologize to you,” she says calmly. “Oh yeah? For what?” I don’t have time for this. We don’t have time for this. I push away thoughts of what will happen to Hana even if I manage to escape. She’ll be here, in the house . . . My stomach is clenching and unclenching. I’m worried the bread will come straight back up. I have to stay focused. What happens to Hana isn’t my concern, and it isn’t my fault, either. “For telling the regulators about 37 Brooks,” she says. “For telling them about you and Alex.” Just like that, my brain powers down. “What?" “I told them.” She lets out a tiny exhalation, as though saying the words has given her relief. “I’m sorry. I was jealous.” I can’t speak. I’m swimming through a fog. “Jealous?” I manage to spit out. “I—I wanted what you had with Alex. I was confused. I didn’t understand what I was doing.” She shakes her head again. I have a swinging, seasick feeling. It doesn’t make any sense. Hana—golden girl Hana, my best friend, fearless and reckless. I trusted her. I loved her. “You were my best friend.” “I know.” Again she looks troubled, as though trying to recall the meaning of the words. “You had everything.” I can’t stop my voice from rising. The anger is vibrating, ripping through me like a live current. “Perfect life. Perfect grades. Everything.” I gesture to the spotless kitchen, to the sunshine pouring over the marble counters like drizzled butter. “I had nothing. He was my one thing. My only—” The sickness surges up and I take a step forward, clenching my fists, blind with rage. “Why couldn’t you let me have it? Why did you have to take it? Why did you always take everything?
Lauren Oliver (Requiem (Delirium, #3))
A cowboy is someone who loves his work. Since the hours are long—ten to fifteen hours a day—and the pay is $30 he has to. What's required of him is an odd mixture of physical vigor and maternalism. His part of the beef-raising industry is to birth and nurture calves and take care of their mothers. For the most part his work is done on horseback and in a lifetime he sees and comes to know more animals than people. The iconic myth surrounding him is built on American notions of heroism: the index of a man's value as measured in physical courage. Such ideas have perverted manliness into a self-absorbed race for cheap thrills. In a rancher's world, courage has less to do with facing danger than with acting spontaneously—usually on behalf of an animal or another rider. If a cow is stuck in a bog hole he throws a loop around her neck, takes his dally (a half hitch around the saddle horn), and pulls her out with horsepower. If a calf is born sick, he may take her home, warm her in front of the kitchen fire, and massage her legs until dawn. One friend, whose favorite horse was trying to swim a lake with hobbles on, dove under water and cut her legs loose with a knife, then swam her to shore, his arm around her neck lifeguard-style, and saved her from drowning. Because these incidents are usually linked to someone or something outside himself, the westerner's courage is selfless, a form of compassion.
Gretel Ehrlich (The Solace of Open Spaces)
There's not much to say about loneliness, for it's not a broad subject. Any child, alone in her room, can journey across its entire breadth, from border to border, in an hour. Though not broad, our subject is deep. Loneliness is deeper than the ocean. But here, too, there is no mystery. Our intrepid child is liable to fall quickly to the very bottom without even trying. And since the depths of loneliness cannot sustain human life, the child will swim to the surface again in short order, no worse for wear. Some of us, though, can bring breathing aids down with us for longer stays: imaginary friends, drugs and alcohol, mind-numbing entertainment, hobbies, ironclad routine, and pets. (Pets are some of the best enablers of loneliness, your own cuddlesome Murphy notwithstanding.) With the help of these aids, a poor sap can survive the airless depths of loneliness long enough to experience its true horror -- duration. Did you know, Myren Vole, that when presented with the same odor (even my own) for a duration of only several minutes, the olfactory nerves become habituated -- as my daughter used to say -- to it and cease transmitting its signal to the brain? Likewise, most pain loses its edge in time. Time heals all -- as they say. Even the loss of a loved one, perhaps life's most wrenching pain, is blunted in time. It recedes into the background where it can be borne with lesser pains. Not so our friend loneliness, which grows only more keen and insistent with each passing hour. Loneliness is as needle sharp now as it was an hour ago, or last week. But if loneliness is the wound, what's so secret about it? I submit to you, Myren Vole, that the most painful death of all is suffocation by loneliness. And by the time I started on my portrait of Jean, I was ten years into it (with another five to go). It is from that vantage point that I tell you that loneliness itself is the secret. It's a secret you cannot tell anyone. Why? Because to confess your loneliness is to confess your failure as a human being. To confess would only cause others to pity and avoid you, afraid that what you have is catching. Your condition is caused by a lack of human relationship, and yet to admit to it only drives your possible rescuers farther away (while attracting cats). So you attempt to hide your loneliness in public, to behave, in fact, as though you have too many friends already, and thus you hope to attract people who will unwittingly save you. But it never works that way. Your condition is written all over your face, in the hunch of your shoulders, in the hollowness of your laugh. You fool no one. Believe me in this; I've tried all the tricks of the lonely man.
David Marusek (Counting Heads (Counting Heads, #1))
Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you've never even heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose — allow smells to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to that miserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want.
Matthew Quick (Forgive Me, Leonard Peacock)
After a time he learnt to harbor the share of his heart was left him, and he did not look for Doyler, not in crowds nor the tops of trams, nor in the sudden faces of lads he trained and led to fight. Even in his dreams he did not look for him, but stared at the sea while behind him he knew Doyler so dreadfully walked away; and after he woke he stayed where he lay, fingering the revolver he kept by his side. He never looked again for his friend, until one time, though it was years to come, years that spilt with hurt and death and closed in bitter most bitter defeat, one time when he lay broken and fevered and the Free State troopers were houdning the fields, when he lay the last time in MacMurrough's arms, and MacEmm so tightly held him close: his eyes closed as he drifted away, and that last time he did look for his friend. Doyler was far away on his slope, and his cap waving in the air. "What cheer, eh?" he called.
Jamie O'Neill (At Swim, Two Boys)
Inside each man, though he did not know it, nor ever considered it, was the image of the woman he someday must love. Whether she was composed of all the music he had ever heard or all the trees he had ever seen or all the friends of his childhood, certainly no one could tell. Whether the eyes were his mother's, and the chin that of a girl cousin swimming in a summer lake twenty-five years ago, this was unknowable also. But most men carried this image, like a locket, like a pearl-cameo, in their head a lifetime, taking it out only rarely, taking it never, after marriage, afraid then to compare it to the reality. And most men never saw the woman they would love anywhere, in the dark theatre, in a book, or passing on the street. They saw her only after midnight when the city was asleep and the pillow was cool under their heads. And she was a composite of all dreams and all women and every moonlit night since the calendar began
Ray Bradbury (Summer Morning, Summer Night)
We were just speaking to your friend here about the craft of brewing potions to enhance the libido. It seems he has a wealth of knowledge regarding plants and herbs.”I lowered my eyes to him, my head swimming at the only part of her greeting that I actually heard “You mean you can brew potions to increase sex drive?”She looked confused. “Well of course! We are trying to save our people from extinction, which means we must mate as often as possible. We find the task can become arduous after eight or nine couplings. The potions are what keep us going. Why, it’s in the bath we’re soaking in now.”I thought I was having a small aneurism. “I knew it!” I shouted stupidly. “I thought I was losing my mind!
Alisha Basso (This Blood (Grace Allen, #1))
What have you loved? What stands out in your mind as can’t miss Life Attractions?” “I’m not sure. When people make those bucket lists online, they focus on big, flashy things, like going to the top of the Eiffel Tower or swimming with dolphins or whatever. They’re doing those for Instagram, though, or because they think it’s what they’re supposed to want. I guess they do sound impressive when you say them out loud to other people. But everything I remember as being the best moments of my life has been so…small. Like…running through the sprinklers with my best friend on summer break, getting grass stuck all over my wet feet. The first time my baby sister smiled at a silly face I made. My first real Eureka moment in the biochem lab.
Brianna Bourne (The Half-Life of Love)
So I explained to Connie that she needed to send a green light by, for example, talking about her father in a relaxed manner for a few seconds; then, I said, the queries about him would start flooding in. But what struck me as so odd was that I had been acting on this understanding all my life without ever having brought it to consciousness. As the French (and the Paraguayans) say, “A fish does not know the water that it swims in.” And eighteen years later, when I was writing A Fish Called Wanda, I used this realisation, when Archie is trying to explain to Wanda the social straitjacket from which he is desperate to escape: Wanda, do you have any idea what it’s like being English? Being so correct all the time, being so stifled by this dread of, of doing the wrong thing, of saying to someone, “Are you married?” and hearing, “My wife left me this morning,” or saying, “Do you have children?” and being told they all burned to death on Wednesday. You see, Wanda, we’re all terrified of embarrassment. That’s why we’re so … dead. Most of my friends are dead, you know; we have these piles of corpses to dinner.
John Cleese (So, Anyway...)
Run. Eat. Drink. Eat more. Don't throw up. Instead, take a piss. Then take a crap. Wipe your butt. Make a phone call. Open a door. Rid your bik. Ride in a car. Ride in a subway. Talk. Talk to people. Read. Read maps. Make maps. Make art. Talk about your art. Sell your art. Take a test. Get into a school. Celebrate. HAve a party. Write a thank-you note to someone. Hug your mom. Kiss your dad. Kiss your little sister. Make out with Noelle. Make out with her more. Touch her. HOld her hand. Take her out somewhere. Meet her friends. Run down a street with her. Take her on a picnic. Eat with her. See a movie with her. See a move with Aaron. Heck, see a movie with Nia, once you're cool with her. Get cool with more people.. Drink coffee in little coffee-drinking places. Tell people your story. Volunteer. Go back to Six North. Walk in as a volunteer and say hi to everyone who waited on you as a patient. Help people. Help people like Bobby. Get people books and music that they want when they're in there. Help people like Muqtada. Show them how to draw. Draw more. Try drawing a landscape. Try drawing a person. Try drawing a naked person. Try drawing Noelle naked. Travel. Fly. Swim. Meet. Love. Dance. Win. Smile. Laugh. Hold. Walk. Skip. Okay, it's gay, whatever, skip. Ski. Sled. Play basketball. Jog. Run. Run. Run. Run home. Run home and enjoy. Enjoy. Take these verbs and enjoy them. They're yours, Craig. You deserved them because you chose them. You could have left the all behind but you chose to stay here. So now live for real, Craig. Live. Live. Live. Live. Live.
Ned Vizzini (It's Kind of a Funny Story)
They’re not worthy to rule. None of them. I will go and get the Half-Breed and prove to you just how untrustworthy they are. All of them know about her. Every last one. I challenge Prince Galen to deny it.” Galen locks eyes with Toraf. How could he do this to me? How could he do this to Emma? Now everyone present knows of her existence. She won’t be safe anywhere, not with Jagen in control. Especially because Toraf, the best Tracker in Syrena history, has just vowed to find her and bring her here. Which will be excessively easy, since he knows exactly where she is. She trusts him. Rachel trusts him. It will be so simple for him. And I have no way of warning her, of getting to her. All I can do is protect her when she gets here. Tandel quiets the crowd, one of his primary duties as of late. When he has achieved control, he turns to Galen. “Your Highness, would you like to address these accusations against you?” Galen swims to the center stone without taking his eyes off Toraf. “If something happens to her because of you,” he whispers to his one-time friend, his voice raw with hurt, “your death will be my priority.” Toraf opens his mouth to say something, but Galen cuts him off to address the crowd. There is nothing Toraf can say to him that will make this right. There is nothing Toraf can say to him that will hurt him more. “I have nothing at all to say to these accusations.” Tandel sighs. “Very well, Highness. Thank you.” Galen swims to the Trackers who hold his sister. His sister who now sobs uncontrollably. “Come on, minnow,” he says. “He’s not worth your tears.” “Yes, he is,” she wails. The Trackers release her to her brother. They’re distressed with the task of comforting a hysterical female. Galen squeezes her to him, but won’t let her turn around and look at Toraf. “He isn’t. In time you’ll see that.” “Why would he bring Emma here, Galen? Why would he do this to us?” Galen swallows the vomit creeping its way into his throat. “I don’t know, minnow. I don’t know.
Anna Banks (Of Triton (The Syrena Legacy, #2))
A woman named Cynthia once told me a story about the time her father had made plans to take her on a night out in San Francisco. Twelve-year-old Cynthia and her father had been planning the “date” for months. They had a whole itinerary planned down to the minute: she would attend the last hour of his presentation, and then meet him at the back of the room at about four-thirty and leave quickly before everyone tried to talk to him. They would catch a tram to Chinatown, eat Chinese food (their favourite), shop for a souvenir, see the sights for a while and then “catch a flick” as her dad liked to say. Then they would grab a taxi back to the hotel, jump in the pool for a quick swim (her dad was famous for sneaking in when the pool was closed), order a hot fudge sundae from room service, and watch the late, late show. They discussed the details over and over again before they left. The anticipation was part of the whole experience. This was all going according to plan until, as her father was leaving the convention centre, he ran into an old college friend and business associate. It had been years since they had seen each other, and Cynthia watched as they embraced enthusiastically. His friend said, in effect: “I am so glad you are doing some work with our company now. When Lois and I heard about it we thought it would be perfect. We want to invite you, and of course Cynthia, to get a spectacular seafood dinner down at the Wharf!” Cynthia’s father responded: “Bob, it’s so great to see you. Dinner at the wharf sounds great!” Cynthia was crestfallen. Her daydreams of tram rides and ice cream sundaes evaporated in an instant. Plus, she hated seafood and she could just imagine how bored she would be listening to the adults talk all night. But then her father continued: “But not tonight. Cynthia and I have a special date planned, don’t we?” He winked at Cynthia and grabbed her hand and they ran out of the door and continued with what was an unforgettable night in San Francisco. As it happens, Cynthia’s father was the management thinker Stephen R. Covey (author of The Seven Habits of Highly Effective People) who had passed away only weeks before Cynthia told me this story. So it was with deep emotion she recalled that evening in San Francisco. His simple decision “Bonded him to me forever because I knew what mattered most to him was me!” she said.5 One simple answer is we are unclear about what is essential. When this happens we become defenceless. On the other hand, when we have strong internal clarity it is almost as if we have a force field protecting us from the non-essentials coming at us from all directions. With Rosa it was her deep moral clarity that gave her unusual courage of conviction. With Stephen it was the clarity of his vision for the evening with his loving daughter. In virtually every instance, clarity about what is essential fuels us with the strength to say no to the non-essentials. Stephen R. Covey, one of the most respected and widely read business thinkers of his generation, was an Essentialist. Not only did he routinely teach Essentialist principles – like “The main thing is to keep the main thing the main thing” – to important leaders and heads of state around the world, he lived them.6 And in this moment of living them with his daughter he made a memory that literally outlasted his lifetime. Seen with some perspective, his decision seems obvious. But many in his shoes would have accepted the friend’s invitation for fear of seeming rude or ungrateful, or passing up a rare opportunity to dine with an old friend. So why is it so hard in the moment to dare to choose what is essential over what is non-essential?
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
At the end of the piece, Reverend Alban rose and approached the lectern again. He placed his fingertips together. “I didn’t know Mrs. Whitshank,” he said, “and therefore I don’t have the memories that the rest of you have. But it has occurred to me, on occasion, that our memories of our loved ones might not be the point. Maybe the point is their memories—all that they take away with them. What if heaven is just a vast consciousness that the dead return to? And their assignment is to report on the experiences they collected during their time on earth. The hardware store their father owned with the cat asleep on the grass seed, and the friend they used to laugh with till the tears streamed down their cheeks, and the Saturdays when their grandchildren sat next to them gluing Popsicle sticks. The spring mornings they woke up to a million birds singing their hearts out, and the summer afternoons with the swim towels hung over the porch rail, and the October air that smelled like wood smoke and apple cider, and the warm yellow windows of home when they came in on a snowy night. ‘That’s what my experience has been,’ they say, and it gets folded in with the others—one more report on what living felt like. What it was like to be alive.
Anne Tyler (A Spool of Blue Thread)
...you're not the first I've interrupted by mistake. You've not shocked me, and you've not surprised me either." I look up at him too quickly, and my vision swims. He puts a steadying hand on my shoulder. "If you thought I was ignorant as to the nature of your relationship with Mr. Newton, you may need to reexamine your concept of appropriate of physical fondness between friends." I nod, trying to pretend its fine when really my muscles are clenched, and I'm fighting the urge to run. I don't want to have this conversation. I don't know where it's going, but my instincts tell me to scoot away from it. I can feel my shoulders rise, and perhaps he notices for he lets his his hands fall away, and instead, folds them in his lap. Perhaps its only in my own mind, but it feels like a deliberate gesture, as though he's putting his hands away to show he won't raise them against me. "We aren't that obvious," I say, and when Scipio gives me a pointed look I add," I know plenty of lads who are fond without being unchaste. "But its clear you're not those lads." I'm not sure he hears the way my breath hitches for he quickly adds, "which is fine. Who gives a fig for chastity anyways." He laughs at his own joke, glancing over at me like he hoping I might join in. I wonder suddenly if this is what it's meant to be like with a father and a son and a first real love.
Mackenzi Lee (The Gentleman’s Guide to Getting Lucky (Montague Siblings, #1.5))
Long Live King Peter! Long Live Queen Susan! Long Live King Edmund! Long Live Queen Lucy!” “Once a King or Queen in Narnia, always a King or Queen. Bear it well, Sons of Adam! Bear it well, Daughters of Eve!” said Aslan. And through the eastern door, which was wide open, came the voices of the mermen and the mermaids swimming close to the castle steps and singing in honor of their new Kings and Queens. So the children sat in their thrones and scepters were put into their hands and they gave rewards and honors to all their friends, to Tumnus the Faun, and to the Beavers, and Giant Rumblebuffin, to the leopards, and the good centaurs and the good dwarfs, and to the lion. And that night there was a great feast in Cair Paravel, and revelry and dancing, and gold flashed and wine flowed, and answering to the music inside, but stranger, sweeter, and more piercing, came the music of the sea-people. But amid all these rejoicings Aslan himself quietly slipped away. And when the Kings and Queens noticed that he wasn’t there, they said nothing about it. For Mr. Beaver had warned them. “He’ll be coming and going,” he had said. “One day you’ll see him and another you won’t. He doesn’t like being tied down--and of course he has other countries to attend to. It’s quite all right. He’ll often drop in. Only you mustn’t press him. He’s wild, you know. Not like a tame lion.
C.S. Lewis (The Chronicles of Narnia The Lion, the Witch & the Wardrobe)
Inside each man, though he did not know it, nor ever considered it, was the image of the woman he someday must love. Whether she was composed of all the music he had ever heard or all the trees he had ever seen or all the friends of his childhood, certainly no one could tell. Whether the eyes were his mother's, and the chin that of a girl cousin swimming in a summer lake twenty-five years ago, this was unknowable also. But most men carried this image, like a locket, like a pearl-cameo, in their head a lifetime, taking it out only rarely, taking it never, after marriage, afraid then to compare it to the reality. And most men never saw the woman they would love anywhere, in the dark theatre, in a book, or passing on the street. They saw her only after midnight when the city was asleep and the pillow was cool under their heads. And she was a composite of all dreams and all women and every moonlit night since the calendar began.
Ray Bradbury
For reasons we don't yet understand, the tendency to synchronize is one of the most pervasive drives in the universe, extending from atoms to animals, from people to planets. Female friends or coworkers who spend a great deal of time together often find that their menstrual periods tend to start around the same day. Sperm swimming side by side en route to the egg beat their tails in unison, in a primordial display of synchronized swimming. Sometimes sync can be pernicious: Epilepsy is caused by millions of brain cells discharging in pathological lockstep, causing the rhythmic convulsions associated with seizures. Even lifeless things can synchronize. The astounding coherence of a laser beam comes from trillions of atoms pulsing in concert, all emitting photons of the same phase and frequency. Over the course of millennia, the incessant effects of the tides have locked the moon's spin to its orbit. It now turns on its axis at precisely the same rate as it circles the earth, which is why we always see the man in the moon and never its dark side.
Steven H. Strogatz (Sync: The Emerging Science of Spontaneous Order)
But even though I loved being in water, I never enjoyed swim meets. It always seemed like they were imposing structure and stress on something that should have been freeing and fun. For example, going down a slide is awesome. But if you had to show up every day for slide practice at 7 A.M. and then compete against your best friend in slide competitions, while grown-ups screamed at you to slide better, until your friend won and you cried, slides would seem a lot less awesome. And yes, I cried after the 1994 breaststroke finals when the official said I lost even though technically I had a faster time. And yes, I was beaten by Steve Deppe. And yes, I just googled Steve Deppe and discovered he now runs a successful wealth management business in San Diego. And yes, his online corporate profile says, “As a former athlete, Steve continues to exercise daily, whether it’s lifting weights, running, swimming, or playing sports.” And yes, the fourth example he gave of “exercise” was “sports.” And yes, I just went out and bought goggles and a Speedo and went down to my local pool and didn’t leave until I “just went out and bought goggles and a Speedo and went down to my local pool and didn’t leave until I swam a hundred laps, hoping that would be more laps than Steve Deppe swam today. BUT REALLY, WHO EVEN CARES ANYMORE, RIGHT??? NOT ME!!! IT’S NOT A COMPETITION, EVEN THOUGH I’M NOT EVEN MARRIED YET AND STEVE IS ALREADY “THE PROUD FATHER OF HIS DAUGHTER, CAMRYN.” PLUS, HE’S “AN AVID SPORTS FAN, WHO NEVER MISSES HIS FAVORITE TV SHOW, SPORTSCENTER.” WE GET IT STEVE, YOU FUCKING LOVE SPORTS!” Anyway.
Colin Jost (A Very Punchable Face)
Once upon a time there was a fish who lived in a deep lake all by himself. Every day the fish would watch with envy as a boy from the nearby village played with the animals on the land. The boy would run with the horses, wrestle with the dogs, and climb the trees with the squirrels. The fish wanted so badly to play with the boy, too, but he knew that as a fish it was impossible. One day a fairy flying high above the lake dropped her wand in the water. The fish, being the gentleman he was, retrieved the wand for the fairy. ‘As a reward for this kind gesture, I will grant you one wish,’ the fairy told the fish. He thought long but he didn’t think hard, for the fish knew which wish he wanted the fairy to grant him. ‘I want legs, just like all the animals on the land, so I, too, can play with the little boy from the village,’ the fish said. With one simple flick of her wand, the fairy magically turned the fish’s fins into legs and feet and he walked on land for the first time. The next day when the boy appeared, the fish happily showed him his new legs. The two became very good friends and every day they ran with the horses, wrestled with the dogs, and climbed trees with the squirrels. However, one day the little boy was playing too close to the edge of the lake and fell into the water. The fish ran to the edge of the lake and tried to save him, but he couldn’t go in the water without his fins. The little boy couldn’t swim, either, and drowned in the lake. The fish wished he had never wished for legs, because had he just stayed the normal fish God had intended him to be, the little boy would still be alive to this day. The
Chris Colfer (A Grimm Warning (The Land of Stories, #3))
Others may not notice it, because an angry Toraf is truly a rare thing to behold, but Galen can practically feel the animosity emanating from his friend. Which is why he casually bumps into him, taking care to be overly apologetic. “Oh, sorry about that, minnow. I didn’t even see you there.” Galen mimics Toraf’s demeanor, crossing his arms and staring ahead of them. What they’re supposed to be staring at, he’s not sure. His effort is rewarded with a slight upward curve of his friend’s mouth. “Oh, don’t think twice about it, tadpole. I know it must be difficult to swim straight with a whale’s tail.” Galen scowls, taking care not to glance down at his fin. Ever since they went to retrieve Grom, he’s been sore all below the waist, but he’d just attributed it to tension from finding Nalia, and then the whole tribunal mess-not to mention, hovering in place for hours at a time. Still, he did examine his fin the evening before, hoping to massage out any knots he found, but was a bit shocked to see that his fin span seemed to have widened. He decided that he was letting his imagination get the better of him. Now he’s not so sure. “What do you mean?” he says lightly. Toraf nods down toward the sand. “You know what I mean. Looks like you have the red fever.” “The red fever bloats you all over, idiot. Right before it kills you. It doesn’t make your fin grow wider. Besides, the red tide hasn’t been bad for years now.” But Toraf already knows what the red fever looks like. Not long after he first became a Tracker, Toraf was commissioned to find an older Syrena who had gone off on his own to die after he’d been caught in what the humans call the red tide. Toraf was forced to tie seaweed around the old one’s fin and pull his body to the Cave of Memories. No, he doesn’t think I have the red fever. Toraf allows himself a long look at Galen’s fin. If it were anyone else, Galen would consider it rude. “Does it hurt?” “It’s sore.” “Have you asked anyone about it?” “I’ve had other things on my mind.” Which is the truth. Galen really hadn’t given it much thought until right now. Now that it has been noticed by someone else. Toraf pulls his own fin around and after a few seconds of twisting and bending, he’s able to measure it against his torso. It spans from his neck to where his waist turns into velvety tail. He nods to Galen to do the same. Galen is horrified to find that his fin now spans from the top of his head to well below his waist. It really does look like a whale tail. “I don’t know how I feel about that,” Toraf says, thoughtful. “I’ve gotten used to having the most impressive fin out of the two of us.” Galen grins, letting his tail fall. “For a minute there I thought you really cared.” Toraf shrugs. “Being self-conscious doesn’t suit you.” Galen follows his gaze back out into the sea ahead of them. “So what do you think about yesterday’s tribunal?” “I think I know where Nalia and Emma get their temper.” Galen laughs. “I thought Jagen was going to pass out when Antonis grabbed him.” “He’s not very good at interacting with others anymore, is he?” “I wonder if he ever was. I told you how crazy Nalia always acted. Could be a family trait.” It looks like Toraf might actually smile but instead his gaze jerks back out to sea, a new scowl on his face. “Oh, no,” Galen groans. “What is it?” Please don’t say Emma. Please don’t say Emma. “Rayna,” Toraf says through clenched teeth. “She’s heading straight for us.” That’s almost as bad.
Anna Banks (Of Triton (The Syrena Legacy, #2))
She was especially taken with Matt. Until he said, “It’s time to fess up, hon. Tell Trace how much you care. You’ll feel better when you do.” Climbing up the ladder, Chris said, “Better sooner than later.” He nodded at the hillside behind them. “Because here comes Trace, and he doesn’t look happy.” Both Priss and Matt turned, Priss with anticipation, Matt with tempered dread. Dressed in jeans and a snowy-white T-shirt, Trace stalked down the hill. Priss shielded her eyes to better see him. When he’d left, being so guarded about his mission, she’d half wondered if he’d return before dinner. Trace wore reflective sunglasses, so she couldn’t see his eyes, but his entire demeanor—heavy stride, rigid shoulders, tight jaw—bespoke annoyance. As soon as he was close enough, Priss called out, “What’s wrong?” Without answering her, Trace continued onto the dock. He didn’t stop until he stood right in front of . . . Matt. Backing up to the edge of the dock, Matt said, “Uh . . . Hello?” Trace didn’t say a thing; he just pushed Matt into the water. Arms and legs flailing out, Matt hit the surface with a cannonball effect. Stunned, Priss shoved his shoulder. “What the hell, Trace! Why did you do that?” Trace took off his sunglasses and looked at her, all of her, from her hair to her body and down to her bare toes. After working his jaw a second, he said, “If you need sunscreen, ask me.” Her mouth fell open. Of all the nerve! He left her at Dare’s, took off without telling her a damn thing and then had the audacity to complain when a friend tried to keep her from getting sunburned. “Maybe I would have, if you’d been here!” “I’m here now.” Emotions bubbled over. “So you are.” With a slow smile, Priss put both hands on his chest. The shirt was damp with sweat, the cotton so soft that she could feel every muscle beneath. “And you look a little . . . heated.” Trace’s beautiful eyes darkened, and he reached for her. “A dip will cool you down.” Priss shoved him as hard as she could. Taken by surprise, fully dressed, Trace went floundering backward off the end of the dock. Priss caught a glimpse of the priceless expression of disbelief on Trace’s face before he went under the water. Excited by the activity, the dogs leaped in after him. Liger roused himself enough to move out of the line of splashing. Chris climbed up the ladder. “So that’s the new game, huh?” He laughed as he scooped Priss up into his arms. “Chris!” She made a grab for his shoulders. “Put me down!” “Afraid not, doll.” Just as Trace resurfaced, Chris jumped in with her. They landed between the swimming dogs. Sputtering, her hair in her face and her skin chilled from the shock of the cold water, Priss cursed. Trace had already waded toward the shallower water off the side of the dock. His fair hair was flattened to his head and his T-shirt stuck to his body. “Wait!” Priss shouted at him. He was still waist-deep as he turned to glare at her. Kicking and splashing, Priss doggy-paddled over to him, grabbed his shoulders and wrapped her legs around his waist. “Oh, no, you don’t!” Startled, Trace scooped her bottom in his hands and struggled for balance on the squishy mud bottom of the lake. “What the hell?” And then lower, “You look naked in this damn suit.” Matt and Chris found that hilarious. Priss looked at Trace’s handsome face, a face she loved, and kissed him. Hard. For only a second, he allowed the sensual assault. He even kissed her back. Then he levered away from her. “You ruined my clothes, damn it.” “Only because you were being a jealous jerk.” His expression dark, he glared toward Matt. Christ started humming, but poor Matt said, “Yeah,” and shrugged. “If you think about it, you’ll agree that you sort of were—and we both know there’s no reason.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
I griped about it at lunch one day to Bill Weist and Dr. Leslie Squier, our visiting psychologists from Reed College. I'd been trying to train one otter to stand on a box, I told them. No problem getting the behavior; as soon as I put the box in the enclosure, the otter rushed over and climbed on top of it. She quickly understood that getting on the box earned her a bite of fish, But. As soon as she got the picture, she began testing the parameters. 'Would you like me lying down on the box? What if I just put three feet on the box? Suppose I hang upside down from the edge of the box? Suppose I stand on it and look under it at the same time? How about if I put my front paws on it and bark?' For twenty minutes she offered me everything imaginable except just getting on the box and standing there. It was infuriating, and strangely exhausting. The otter would eat her fish and then run back to the box and present some new, fantastic variation and look at me expectantly (spitefully, even, I thought) while I struggled once more to decide if what she was doing fit my criteria or not. My psychologist friends flatly refused to believe me; no animal acts like that. If you reinforce a response, you strengthen the chance that the animal will repeat what it was doing when it was reinforced; you don't precipitate some kind of guessing game. So I showed them. We all went down to the otter tank, and I took the other otter and attempted to get it to swim through a small hoop. I put the hoop in the water. The otter swam through it, twice. I reinforced it. Fine. The psychologists nodded. Then the otter did the following, looking up for a reward each time: swam through the hoop and stopped, leaving its tail on the other side. Swam through and caught the hoop with a back foot in passing, and carried it away. Lay in the hoop. Bit the hoop Backed through the hoop. 'See?' I said. 'Otters are natural experimenters.
Karen Pryor (Lads Before the Wind: Diary of a Dolphin Trainer)
You know, one time I saw Tiger down at the water hole: he had the biggest testicles of any animal, and the sharpest claws, and two front teeth as long as knives and as sharp as blades. And I said to him, Brother Tiger, you go for a swim, I’ll look after your balls for you. He was so proud of his balls. So he got into the water hole for a swim, and I put his balls on, and left him my own little spider balls. And then, you know what I did? I ran away, fast as my legs would take me “I didn’t stop till I got to the next town, And I saw Old Monkey there. You lookin’ mighty fine, Anansi, said Old Monkey. I said to him, You know what they all singin’ in the town over there? What are they singin’? he asks me. They singin’ the funniest song, I told him. Then I did a dance, and I sings, Tiger’s balls, yeah, I ate Tiger’s balls Now ain’t nobody gonna stop me ever at all Nobody put me up against the big black wall ’Cos I ate that Tiger’s testimonials I ate Tiger’s balls. “Old Monkey he laughs fit to bust, holding his side and shakin’, and stampin’, then he starts singin’ Tiger’s balls, I ate Tiger’s balls, snappin’ his fingers, spinnin’ around on his two feet. That’s a fine song, he says, I’m goin’ to sing it to all my friends. You do that, I tell him, and I head back to the water hole. “There’s Tiger, down by the water hole, walkin’ up and down, with his tail switchin’ and swishin’ and his ears and the fur on his neck up as far as they can go, and he’s snappin’ at every insect comes by with his huge old saber teeth, and his eyes flashin’ orange fire. He looks mean and scary and big, but danglin’ between his legs, there’s the littlest balls in the littlest blackest most wrinkledy ball-sack you ever did see. “Hey, Anansi, he says, when he sees me. You were supposed to be guarding my balls while I went swimming. But when I got out of the swimming hole, there was nothing on the side of the bank but these little black shriveled-up good-for-nothing spider balls I’m wearing. “I done my best, I tells him, but it was those monkeys, they come by and eat your balls all up, and when I tell them off, then they pulled off my own little balls. And I was so ashamed I ran away. “You a liar, Anansi, says Tiger. I’m going to eat your liver. But then he hears the monkeys coming from their town to the water hole. A dozen happy monkeys, boppin’ down the path, clickin’ their fingers and singin’ as loud as they could sing, Tiger’s balls, yeah, I ate Tiger’s balls Now ain’t nobody gonna stop me ever at all Nobody put me up against the big black wall ’Cos I ate that Tiger’s testimonials I ate Tiger’s balls. “And Tiger, he growls, and he roars and he’s off into the forest after them, and the monkeys screech and head for the highest trees. And I scratch my nice new big balls, and damn they felt good hangin’ between my skinny legs, and I walk on home. And even today, Tiger keeps chasin’ monkeys. So you all remember: just because you’re small, doesn’t mean you got no power.
Neil Gaiman (American Gods (American Gods, #1))
Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip. He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says. "Sweet pea, what happened? Can't be that bad." He nods. "It is. I knocked Emma unconscious." Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now." "Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel. "Oh?" Rachel says. "That how she got your attention?" "She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-" Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous." "No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead. "Okay, good. Now, back up there, sweet pea. Why did she run from you?" "A misunderstanding." Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures." He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face." Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school." "No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers." "Don't worry. I'm not getting in the water at all." Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you." Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!" He laughs. "From Toraf? Why would I do that?" She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?" "Oops," Rachel says. They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry." As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner." Rachel clears her throat and nods behind them. "Rayna, that's very hurtful. After all we've been through," Toraf says. Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets. Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all." Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?" Galen grins.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))