Sweetness Overload Quotes

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I'm not really silly enough to think that chocolate solves anything. But it calms me. It's a soothing assurance, that this hectic life I have worked myself into is also full of wonderful surprises and unexpected sweetness. It reminds me that a hefty percentage of my "problems" don't really need to be solved at all, just outlasted.
Emily Watts (Take Two Chocolates and Call Me in the Morning: 12 Semi Practical Solutions for the Woman on Overload)
What brings you relief? Speaking your truth, crying your grief, or not needing to speak? Reading, writing, playing games, dancing, or doing nothing at all? Listening to songs, or piano etudes, or complete silence? Darkness or candlelight or bright beating sun? Blues, reds, yellows, many colors, or no color at all? Hot or cold water? Immersed or pouring over you? Tasting something crunchy, or sweet and smooth? The scent of jasmine, or cucumber, or musk? Someone touching you gently, or going deep, or being utterly and completely alone? We are all different... When the quality of the overload changes, so does the quality of relief.
Shellen Lubin
Gabriel shuddered with obvious pleasure; Joey, half out of his body with the sensation, pumped in and out with terrible urgency. Forever wouldn’t have been long enough. When Gabriel seized, Joey left himself entirely, flesh overloaded with pleasure, spirit suspended between life and death. “Joey? Are you all right?” Drawing a deep breath, Joey opened his eyes. “Never better. You?” “’Twas sweet.” Gabriel smiled. “And I was thinking. Now that we’ve both had each other – that’s as good as taking vows, isn’t it?
S.A. Reid (Protection)
Life is a never ending struggle sometimes overloaded with ego s sometimes reloaded with a power of humble sweetness .sometimes lifes brings around of beautiful hope like the paintings of life by an imaginating artist . Life is a beautiful odessey of a writers paradise o life there is beauty in it priceless and colourless as the blue skies
d vinod kumar
More people than ever are being paid to think, instead of just doing routine tasks. Yet making complex decisions and solving new problems is difficult for any stretch of time because of some real biological limits on your brain. Surprisingly, one of the best ways to improve mental performance is to understand these limits. In act 1, Emily discovers why thinking requires so much energy, and develops new techniques for dealing with having too much to do. Paul learns about the space limits of his brain, and works out how to deal with information overload. Emily finds out why it’s so hard to do two things at once, and rethinks how she organizes her work. Paul discovers why he is so easily distracted, and works on how to stay more focused. Then he finds out how to stay in his brain’s “sweet spot.” In the last scene, Emily discovers that her problem-solving techniques need improving, and learns how to have breakthroughs when she needs them most.
David Rock (Your Brain at Work: Strategies for Overcoming Distraction, Regaining Focus, and Working Smarter All Day Long)
I like to read about art. It also stimulates me to go and do something totally different in the middle of a sentence, or afterwards, like picking up a paintbrush for example. It is only that due to the overload of art historians, artists and other artrelated people, we are flooded by an overload of insipid writings, to such an extent that when you get to the right thing, you are too tired to read it.
Marlene Dumas (Sweet Nothings. Notes and Texts)
My smells of a son are gummy sweeties, Play-Doh, Pritt Stick, poster paint and wax crayons. Earthy mud on polyester football kit. The sweet antiseptic of sticking plasters. Fruity bubble gum and the minty tang of chong- as he and his friends called chewing gum. Bicycle chain oil and rubber inner tubes. The chemical overload of Lynx sprayed profusely over sweat, hair gel and toxic trainers. Fried onions and meat on the breath. Tomato ketchup. My scents for a son are: I am Juicy Couture by Juicy Couture Black by Bvlgari L'Air de Rien by Miller Harris Serge Noire by Serge Lutens Rocker Femme by Britney Spears Dirty by Lush Africa by Lynx
Maggie Alderson (The Scent of You)
Wriggling out of his grasp she braced herself on his shoulders and tried to stand. Next thing she knew, he had her around the legs and took her down to the mattress in some sort of super-fast ninja move. She screamed and laughed, and he was laughing every bit as hard as he came down on top of her. And, oh God, his laughter was a sweet and sexy rumble that lit her up inside. “You fight dirty, Easy,” she said around her chuckles. “I haven’t had this much fun in so long.” She caressed his face with her fingers. “Me neither. Between overloading on classes and my epilepsy, I often feel like a little old lady trapped in the body of a twenty-year-old. All I need is some cats.” “Cats are awesome,” he said. “When I was a kid, I used to sneak stray cats into the house, just for a night or two. I’d keep them in my room and bring up bowls of milk and cans of tuna for them.” “Aw, you were a sweet little boy, weren’t you?” she asked, loving how he was opening up to her. The closeness, the sharing, the way his big body was lying on her legs and hips, leading him to prop his head up on her lower stomach—both her heart and her body reacted. “Maybe for about five minutes.” He winked. “Mostly, I was a hell-raiser. Growing up, we didn’t live in the best neighborhood. Drug dealers on the corner, gang activity trying to pull in even the younger kids, crack house one block over. All that. Trouble wasn’t hard to find.” He shrugged. “Army straightened me out, though.” “Well, we lived in a nice neighborhood growing up and here my father was the freaking drug dealer on the corner. Or close enough, anyway.” Jenna stared at the ceiling and shook her head. “Sorry, I didn’t mean to get serious.” His thumb stroked along her side, sliding the cotton of her borrowed shirt against her skin in a way that almost tickled. “Don’t apologize. Our histories are what they are, you know?” She nodded and gave him a little smile. “Yeah.” Shifting off her, Easy stretched out alongside her and propped his head up on his arm. “I’m thirty, Jenna,” he said out of nowhere. And he was telling her this because? He thought their age difference was too great? He thought she was too young? He was worried she would think he was too old? Probably D) all of the above. Thing was, all she saw when she looked at Easy was a guy she really freaking liked. One who’d saved her life, helped make her sister safe, and gave her a sense of security she hadn’t felt in years. He was hot as hell, easy to talk to, and one of the kindest guys she’d ever known. Maybe some of that was because he was older. Who knew? “And I need to know this because?” she asked, resting her head on her arm. The muscles of his shoulders lifted into a shrug, but his face was contemplative. “Because there’s clearly something going on between us.” Heat rushed across her body. She held up a hand, and he laced his fingers between hers. “When I look at you, I don’t see a bunch of differences, Easy.” “What do you see then?” Warmth flooded into Jenna’s cheeks, and she chuckled. He’d said that she was beautiful, after all, so why couldn’t she give him a compliment in return? “A really hot guy I’d like to get to know more.” A smug smile slipped onto his face, and she might’ve rolled her eyes if it weren’t so damn sexy. “Really hot, huh?” “Well, kinda hot, anyway.” “Nuh-uh,” he said, tugging her hand to his chest. “Can’t take it back now.” Cheeks burning and big smile threatening, she rolled onto her side to face him. They lay there, side by side, her chest almost touching his, looking at each other. Tension and desire and anticipation crackled in the space between them, making it hard to breathe. “What do you see when you look at me?” she whispered, half-afraid to ask but even more curious to hear what he’d say. Did he mostly see someone who was too young for him? Or a needy girl he had to save and babysit?
Laura Kaye (Hard to Hold on To (Hard Ink, #2.5))
Can I keep you, Avery Connor? Will you be mine?” “Please.” His smile was brighter than the sun in mid-July. “Good answer.
Melanie Moreland (It Started with a Kiss (Insta-Spark Collection, #1))
Can I keep you, Avery Connor? Will you be mine?
Melanie Moreland (It Started with a Kiss (Insta-Spark Collection, #1))
I can keep you, Avery?” “For as long as you want.” “Then I’m calling dibs on the next ninety years.
Melanie Moreland (It Started with a Kiss (Insta-Spark Collection, #1))
Nisa and Poe were curled up in her large dog bed together, napping peacefully. Poe's tongue was out in a permanent blep as he slept, and Nisa's head was tucked under Poe's chin, narrowly avoiding his tongue. "Oh. My. Gulay. This is the cutest thing ever!" I whipped out my phone and started snapping a million pictures. Elena nodded. "I know. I had no idea I needed small dogs spooning in my life, but this has made my entire week. They are so sweet together.
Mia P. Manansala (Blackmail and Bibingka (Tita Rosie's Kitchen Mystery, #3))
overloaded horses bent backwards by the chisel of the mason who once sculpted an eternal now on the brow of the wingless archangel, time-deformed cherubim and the false protests, overweight bowels fallen from the barracks of the pink house carved with grey rain unfallen, never creaking, never opening door, with the mouth wide, darkened and extinguished like a burning boat floating in a voiceless sea, bottle of rum down threadbare socks, singing from pavement to pavement, bright iridescent flame, "Oh, my Annie, my heart is sore!", slept chin on the curb of the last star, the lintel illuminated the forgotten light cast to a different plane, ah the wick of a celestial candle. The piling up of pigeons, tram lines, the pickpocket boys, the melancholy silver, an ode to Plotinus, the rattle of cattle, the goat in the woods, and the retreat night in the railroad houses, the ghosts of terraces, the wine shakes, the broken pencils, the drunk and wet rags, the eucalyptus and the sky. Impossible eyes, wide avenues, shirt sleeves, time receded, 'now close your eyes, this will not hurt a bit', the rose within the rose, dreaming pale under sheets such brilliance, highlighting unreality of a night that never comes. Toothless Cantineros stomp sad lullabies with sad old boots, turning from star to star, following the trail of the line, from dust, to dust, back to dust, out late, wrapped in a white blanket, top of the world, laughs upturned, belly rumbling by the butchers door, kissing the idol, tracing the balconies, long strings of flowers in the shape of a heart, love rolls and folds, from the Window to Window, afflicting seriousness from one too big and ever-charged soul, consolidating everything to nothing, of a song unsung, the sun soundlessly rising, reducing the majesty of heroic hearts and observing the sad night with watery eyes, everything present, abounding, horses frolic on the high hazy hills, a ships sails into the mist, a baby weeps for mother, windows open, lights behind curtains, the supple avenue swoons in the blissful banality, bells ringing for all yet to come forgotten, of bursting beauty bathing in every bright eternal now, counteract the charge, a last turn, what will it be, flowers by the gate, shoe less in the park, burn a hole in the missionary door, by the moonlit table, reading the decree of the Rose to the Resistance, holding the parchment, once a green tree, sticking out of the recital and the solitaire, unbuttoning her coat sitting for a portrait, uncorking a bottle, her eyes like lead, her loose blouse and petticoat, drying out briefs by the stone belfry and her hair in a photo long ago when, black as a night, a muddy river past the weeds, carrying the leaves, her coffee stained photo blowing down the street. Train by train, all goes slow, mist its the morning of lights, it is the day of the Bull, the fiesta of magic, the castanets never stop, the sound between the ringing of the bells, the long and muted silence of the distant sea, gypsy hands full of rosemary, every sweet, deep blue buckets for eyes, dawn comes, the Brahmanic splendour, sunlit gilt crown capped by clouds, brazen, illuminated, bright be dawn, golden avenues, its top to bottom, green to gold, but the sky and the plaza, blood red like the great bleeding out Bull, and if your quiet enough, you can hear the heart weeping.
Samuel J Dixey (The Blooming Yard)
Growing children have a harder time excreting oxalate and are more susceptible to the effects of nutrient deficiencies and toxic exposures. The oxalate in today’s baby foods featuring high-oxalate grains and pureed vegetables, including sweet potatoes, carrots, and beets, should concern us.
Sally K. Norton (Toxic Superfoods: How Oxalate Overload Is Making You Sick— And How to Get Better)
The oxalate in today’s baby foods featuring high-oxalate grains and pureed vegetables, including sweet potatoes, carrots, and beets, should concern us.
Sally K. Norton (Toxic Superfoods: How Oxalate Overload Is Making You Sick— And How to Get Better)
My own efforts to avoid increasingly numerous food allergies motivated my heavy reliance on sweet potatoes for over 10 years. Sweet potatoes made it easy for me to avoid wheat, soy, and other legumes that I thought were fueling my extreme fatigue and hormonal issues. It didn’t work. Despite careful avoidance of allergens, I went on to need a total hysterectomy, and my fatigue progressed to a devastating collapse that ended my working life and my ability to exercise.
Sally K. Norton (Toxic Superfoods: How Oxalate Overload Is Making You Sick— And How to Get Better)
White flour is better suited to glue for kindergarten art projects than to nutrition. Refined grains and the insidious sweet “poison” known as sugar fuel the food-processing industry, but such products damage the health and quality of life of people who are struggling with carb overload.
Eric C. Westman (The New Atkins for a New You: The Ultimate Guide to Shedding Pounds and Feeling Great)