Sweat Hard Work Quotes

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No one ever drowned in sweat.
U.S. Marine Corps
A dream doesn't become reality through magic; it takes sweat, determination and hard work.-Colin Powell
Colin Powell
I have nothing to offer but blood, toil, tears and sweat. We have before us an ordeal of the most grievous kind. We have before us many, many long months of struggle and of suffering. You ask, what is our policy? I can say: It is to wage war, by sea, land and air, with all our might and with all the strength that God can give us; to wage war against a monstrous tyranny, never surpassed in the dark, lamentable catalogue of human crime. That is our policy. You ask, what is our aim? I can answer in one word: It is victory, victory at all costs, victory in spite of all terror, victory, however long and hard the road may be; In “Blood, Toil, Tears, and Sweat,” his first speech as Prime Minister to the House of Commons May 13, 1940 quoted by Jeffrey R. Holland in “However Long and Hard the Road” BYU Devotional 18 Jan 1983
Winston S. Churchill
There comes a point when you have to realize that the sum of all your blood, sweat, and tears will ultimately amount to zero.
Max Brooks (World War Z: An Oral History of the Zombie War)
Love is what brings you together, Lucy. But it’s the blood, sweat, and tears of hard work that keeps you together
Nicole Williams (Clash (Crash, #2))
There is no easy way. There is only hard work, late nights, early mornings, practice, rehearsal, repetition, study, sweat, blood, toil, frustration, and discipline.
Jocko Willink (Discipline Equals Freedom: Field Manual)
I have learned that real angels don't have gossamer white robes and Cherubic skin, they have calloused hands and smell of the days' sweat.
Richard Paul Evans (Lost December)
The smell of the sweat is not sweet, but the fruit of the sweat is very sweet.
Amit Kalantri (Wealth of Words)
You religious men who boast so much that you live on charity including what the poor manage to scrape together out of their meagre income - how can you justify your actions? How can your moral conscience be clear when you acknowledge that in no way do you contribute to the society that is maintaining you, day after day? In your self complacent conceit, you denigrate and harshly condemn, those who, with their sweat and hard work, provide you with a life fit for a king. What is the reason you spend your lives living comfortably in some ashram or isolated monastery when life only makes sense if it is experienced with your fellow brothers and sisters by showing compassion to them? It is easy and simple enough to spend your lives meditating in the Himalayas being irritated by nothing and no one if not the occasional goat, rather than placing yourselves in the midst of your fellow men and living an ordinary life of toil as they do. Do not delude yourselves, because what you refer to as a state of internal peace represents nothing but the personal satisfaction of the conscious ego that is admiring and adoring itself..
Anton Sammut (The Secret Gospel of Jesus, AD 0-78)
you do that all the time you know. you ask me questions when you know the answer will piss you off. ask me a question where the answer could be yes? ask me if you're worth the hard work? ask me if in the last seven years of my life i've woken up in a cold sweat knowing i lost the most important person in my life apart from this kid i'm holding? ask me if getting you pregnat has felt like the best thing that's happened to me since my son was born?
Melina Marchetta (The Piper's Son)
Now, my dear little girl, you have come to an age when the inward life develops and when some people (and on the whole those who have most of a destiny) find that all is not a bed of roses. Among other things there will be waves of terrible sadness, which last sometimes for days; irritation, insensibility, etc., etc., which taken together form a melancholy. Now, painful as it is, this is sent to us for an enlightenment. It always passes off, and we learn about life from it, and we ought to learn a great many good things if we react on it right. (For instance, you learn how good a thing your home is, and your country, and your brothers, and you may learn to be more considerate of other people, who, you now learn, may have their inner weaknesses and sufferings, too.) Many persons take a kind of sickly delight in hugging it; and some sentimental ones may even be proud of it, as showing a fine sorrowful kind of sensibility. Such persons make a regular habit of the luxury of woe. That is the worst possible reaction on it. It is usually a sort of disease, when we get it strong, arising from the organism having generated some poison in the blood; and we mustn't submit to it an hour longer than we can help, but jump at every chance to attend to anything cheerful or comic or take part in anything active that will divert us from our mean, pining inward state of feeling. When it passes off, as I said, we know more than we did before. And we must try to make it last as short as time as possible. The worst of it often is that, while we are in it, we don't want to get out of it. We hate it, and yet we prefer staying in it—that is a part of the disease. If we find ourselves like that, we must make something ourselves to some hard work, make ourselves sweat, etc.; and that is the good way of reacting that makes of us a valuable character. The disease makes you think of yourself all the time; and the way out of it is to keep as busy as we can thinking of things and of other people—no matter what's the matter with our self.
William James
It takes a while for the heat to work in this piece of shit, but when it kicks in, you’ll sweat like a fat whore at confession.
Robyn Peterman (How Hard Can It Be? (Handcuffs and Happily Ever Afters, #1))
I wanted to work hard. I wanted to prove myself somehow worthy of the good things I had known.
Bear Grylls (Mud, Sweat and Tears)
Love is what brings you together. But it’s the blood, sweat, and tears of hard work that keeps you together. Love isn’t just about flowers, candlelight, and romance. It’s hard work, and trust, and tears and misery. But at the end of each day if you can still look at the person at your side and can’t imagine anyone else you’d rather have there, the pain and heartache and the ups and downs of love are worth it.
Nicole Williams (Clash (Crash, #2))
When you praise kids for working hard, they tend to work harder the next time, show more resilience, enjoy the process more, and become more likely to value the accomplishment for its own sake (rather than for the grade). Praise kids for being smart, and precisely the opposite occurs. When it becomes all about being smart, effort begins to seem suspect, beneath you—after all, if you’re really so smart, you shouldn’t have to work hard; you glide, you don’t sweat and grunt.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
Is a PLONGEUR'S work really necessary to civilization? We have a feeling that it must be 'honest' work, because it is hard and disagreeable, and we have made a sort of fetish of manual work. We see a man cutting down a tree, and we make sure that he is filling a social need, just because he uses his muscles; it does not occur to us that he may only be cutting down a beautiful tree to make room for a hideous statue. I believe it is the same with a PLONGEUR. He earns his bread in the sweat of his brow, but it does not follow that he is doing anything useful; he may be only supplying a luxury which, very often, is no luxury at all.
George Orwell (Down and Out in Paris and London)
People seem to have acquired the idea that they have the inalienable right to stroll through life without either having sweated, picked up anything heavy, worked hard, or eaten less than they wanted at every meal. This approach is, of course, wrong. And it has resulted in a lot of expensive, unattractive, and entirely preventable problems amongst people who seem puzzled about why things aren't going well.
Mark Rippetoe (Strong Enough? Thoughts from Thirty Years of Barbell Training)
This kind of thing is so awkward and horrible, and from your end, you know it must… Okay, I’m just going to come out and tell you: I’m asking you out. That’s what I’m doing. Please don’t answer yet, because I know you might have a “No” queued up in your head already, but will you please let me say a few things? I know that being a woman in New York must be hard, because it’s basically disappointing that you try to be nice to men as human beings, and then they respond by just torpedoing to your vagina. And I want you to know that I’m aware that you’re young and beautiful - and I’m not… either of those things. And part of me knows that as soon as my lips stop moving, you’re going to say no. But please think of the fact that it’s low risk what I’m asking. You just come out with me for a drink, and even if you got up in the middle of the one drink, I wouldn’t hold it against you. Just make a judgement based on nothing horrible would happen if you came out with me. I think you’re so attractive. I’m attracted to you because you’re nice, and you’re a decent person, and those are probably the reasons you want people to be attracted to you, right? Also, you’re horribly cute. I mean, you’re cute as hell. And I grow on people - women. Some times go by, and you get past the bald head and that I sweat a lot and I’m lumpy… I’ve run out of things to say. Can you just tell me now? Did this work?
Louis C.K.
Most times, the leader’s ornament isn’t the smiles you see on their faces during the time of victory. It is the sweats we don’t see when they were struggling behind the scenes.
Israelmore Ayivor (Leaders' Frontpage: Leadership Insights from 21 Martin Luther King Jr. Thoughts)
They will cry, he will shout but you must sweat.
Amit Kalantri
Sometimes suffering is the sacrifice you have to make to achieve greatness, success and your destiny.
Jeanette Coron
True blessing comes in the dress of sweats, never delaying to wave bye to the excuses and procrastination. True blessing lies in hard work!
Israelmore Ayivor (Daily Drive 365)
I mean you well, Perses, you great idiot, and I will tell you. Look, badness is easy to have, you can take it by handfuls without effort. The road that way is smooth and starts here beside you. But between us and virtue the immortals have put what will make us sweat. The road to virtue is long and goes steep up hill, hard climbing at first, but the last of it, when you get to the summit (if you get there) is easy going after the hard part.
Hesiod (The Works and Days / Theogony / The Shield of Herakles)
Tell me you ache for me to bend you over the couch, to feel me drip sweat down your back while I work you into a frenzy like an over starved animal. Tell me you want me to give it hard and nasty, make you pop, because you’ve fucking missed me, Luxe, even if it’s just this neat little body that’s missed having me inside it.
V. Theia (Tracking Luxe (Renegade Souls MC Romance Saga #3))
But, that guy who quit also missed the real point. Good things come through grit and hard work, and all things worthwhile have a cost. In the case of the SAS, the cost was somewhere around a thousand barrels of sweat.
Bear Grylls (Mud, Sweat and Tears)
The most successful people change the world not through sweat and tears but through ideas and passion. It is not a matter of hard work or time on the job; it is having a different view, an original idea, something that expresses their individuality and creativity. Success comes from thinking, then acting on those thoughts.
Richard Koch (Living the 80/20 Way: Work Less, Worry Less, Succeed More, Enjoy More)
He pressed the blade of his sword into the ground. As he pulled his arm over his head for a stretch, a bead of sweat trickled down his neck and over a row of muscles on his stomach. I swallowed hard. The window's edge dug into my skin but I refused to move an inch. The tiny droplet disappeared into the waistband of his shorts. I had seen plenty of guys in gym class with their shirts off, but none of them looked like...that. He was physical perfection - a living work of art. I sat on my knees with my chin relaxed on my crossed arms, unable to look away. "Enjoying the view?" he said, eyes suddenly on me. His chiseled face wore an overly confident grin. Clearly he was used to being admired. My cheeks burned. I stood, pretending to check out the scenery. "Not much to see." He raised an eyebrow, letting me know he knew I was full of crap.
Stacey O'Neale (Storm Born (Mortal Enchantment, #1))
I've always known what you were thinking. You're squeezing that marble in your pocket and you're thinking your cattle wouldn't be at risk if it weren't for Louise. And maybe you're right. But take a hard look, son. When you see that woman working up a sweat pitching hay like a hired hand … you're looking at character. "And if we ever have another family dinner that goes like the last one did, you pay attention. I have an idea that your Louise doesn't sit still for too many insults, and I imagine she could cut someone down to size in about three sentences if she wanted to. But she sat silent while Philadelphia ridiculed and belittled her. Louise did this out of respect for you and this family. That is also character. "Maybe you really believe Wally is living your life. If so, then you haven't been honest with yourself. And you haven't taken a good hard look at the life you have. Mark my words, Max. Someday you're going to hold that marble, and it won't be a symbol of all you lost. That marble will be the gold you went to Piney Creek to find. It will be the most precious thing you own. I say this because I didn't raise any stupid sons.
Maggie Osborne (Silver Lining)
A fixation on happiness inevitably amounts to a never-ending pursuit of “something else”—a new house, a new relationship, another child, another pay raise. And despite all of our sweat and strain, we end up feeling eerily similar to how we started: inadequate. Psychologists sometimes refer to this concept as the “hedonic treadmill”: the idea that we’re always working hard to change our life situation, but we actually never feel very different.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
The garden of your dreams is watered by the sweat of excellence.
Matshona Dhliwayo
Creativity...passion...sweat...heartbreak...inspiration...and lots of hard work...that is what books are made of!
Tara Fairfield (Makai Queen (Makai #1))
The breathtaking view at the mountaintop is compensation for all of the breath lost whilst sweating towards it.
Matshona Dhliwayo
I sweat in tears to get what I want.
Lailah Gifty Akita
Don’t expect success to fall from the sky if it didn't evaporate from the sweat of your hands.
Matshona Dhliwayo
They’re all over me I smell their beer breath mixed with my sweat I can’t answer all the questions, I can barely think straight Now I’m alone in the room To be hard you must be alone To withstand this shit you must be hard The logic works itself out right in front you Be alone as much as you can If you want to hit like a ton of fire You have to get to the essential number One
Henry Rollins (See A Grown Man Cry/Now Watch Him Die (Henry Rollins))
and women were fashioned anew from those that were thrown by a woman. And so our race is a hard one; we work by the sweat of our brow, [415] and bear the unmistakable marks of our stony origin.
Ovid (Metamorphoses)
I thought myself an exile.” “You for my sake - I for yours,” he said, and laughed again, a slight cheerful sound in the heavy silence. These three days since we came down from the pass have been much hard work for no gain, but Ai is no longer downcast, nor overhopeful; and he has more patience with me. Maybe the drugs are sweated out of him. Maybe we have learned to pull together.
Ursula K. Le Guin (The Left Hand of Darkness)
My parents are in many ways embodiments of the American Dream. They came to this country with basically nothing but the clothes on their backs, and after twenty years of hard work, sweat, and sacrifice, they were getting divorced, totally broke, and deep in therapy.
David Henry Sterry
He just chuckles. “Aw, that’s okay. I saw how nice the house looks, so Pike must be working you pretty hard already.” “Oh, you have no idea,” I tease. “I’m working up a sweat way past my bedtime lately.” The wrench in Pike’s hand falters, and he loses his grip on the bolt, shooting me a look. I fold my grin between my teeth and turn around, walking up the steps and disappearing into the house.
Penelope Douglas (Birthday Girl)
Imagine the case of someone supervising an exceptional team of workers, all of them striving towards a collectively held goal; imagine them hardworking, brilliant, creative and unified. But the person supervising is also responsible for someone troubled, who is performing poorly, elsewhere. In a fit of inspiration, the well-meaning manager moves that problematic person into the midst of his stellar team, hoping to improve him by example. What happens?—and the psychological literature is clear on this point.64 Does the errant interloper immediately straighten up and fly right? No. Instead, the entire team degenerates. The newcomer remains cynical, arrogant and neurotic. He complains. He shirks. He misses important meetings. His low-quality work causes delays, and must be redone by others. He still gets paid, however, just like his teammates. The hard workers who surround him start to feel betrayed. “Why am I breaking myself into pieces striving to finish this project,” each thinks, “when my new team member never breaks a sweat?” The same thing happens when well-meaning counsellors place a delinquent teen among comparatively civilized peers. The delinquency spreads, not the stability.65 Down is a lot easier than up.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
victory is something one experiences everyday, if he immerses himself in the joy of his craft, and in his sincere quest for learning it. Blood, sweat, and tears are fine. But rather than bleeding from wounds, is it not better to bleed from passion? Rather than sweating from a maniacal adherence to “hard work,” is it not better to sweat from an innocent immersion in one’s craft? Rather than tears of pain, is it not better to have tears of joy?
Kapil Gupta (Atmamun: The Path To Achieving The Bliss Of The Himalayan Swamis. And The Freedom Of A Living God.)
I truly believe that success is determined not on Friday nights during games but rather in practice away from the lights and glimmer where coaches and players only have each other, their sweat, their discipline and their loyalty to each other. It is at practice where the boys of America become men through hard work, dedication and perseverance.
George M. Gilbert (Team Of One: We Believe)
Acknowledge that it will require blood, sweat, and tears. Many people will tell you to only work smart. But the reality is that you have to work hard, smart, and long.
Antonio Reza
My drop of sweat is the only way I could ever float.
Noor Sliman
When you find out the field you were gifted, what you were created for, you will not have to work hard and sweat it out
Sunday Adelaja
A dream doesn't become reality through magic; it takes sweat, determination and hard work.
Colin Powell
A dream doesn’t become reality through magic; it takes sweat, determination, and hard work” – Colin Powell   The
Jane Peters (Law of Attraction: Seven Golden Secrets to Help You Believe, Attract and Manifest the Abundance and Lifestyle You want)
Don't wait, just sweat.
Amit Kalantri
True leaders are ready to sweat when making rehearsal, than to cry tears when actually practicing. To save the tears, be ready to sweat!
Israelmore Ayivor (Leaders' Watchwords)
The sweat of hard work is not to be displayed. It is much more graceful to appear favored by the gods.
Maxine Hong Kingston
Honey is a bee's sweat.
Matshona Dhliwayo
To know Dad was to love him... He was the sun and the moon to those fortunate enough to have been in his orbit. Underneath that polished Hollywood veneer beat the heart of a man who came from an industrial engine of steel mills and sweat - from hard-working, wholesome people... Dad adored his wives and doted on his many children, who gladly reciprocated that affection.
Deana Martin (Memories Are Made of This: Dean Martin Through His Daughter's Eyes)
I make my own cologne. It’s called “Sweat,” and it’s hard work making it. But I can tell people love it, because they’re so envious and jealous when I wear it that they avoid me altogether.
Jarod Kintz (This Book Title is Invisible)
You can’t call it relaxing because you’ve never been fully satisfied in bed. Letting go of every thought in your head and only focusing on the sensations in your body and not what you’re thinking. Working up a sweat and being so in tune with someone that you can experience their pleasure as if it’s your own. And then coming hard enough to see stars, now that’s what I call relaxing. If you find someone who can do that, then you’ll know what I mean.
Sara Cate (Eyes on Me (Salacious Players Club, #2))
If you want something good to come out of something, you have to put in a lot of effort. That involves a lot of hard work, and a lot of blood, sweat and tears sometimes. No different to anything, no different to what we all do.
Ed O’Brien
I have a tiny little secret hope that, after a decent period of silence and prose, I will find myself in some almost impossible life situation and will respond to this with outcries of rage, rage and love, such as the world has never heard before. Like Yeats's great outburst at the end of his life. This comes out of a feeling that endowment is a very small part of achievement. I would rate it about fifteen or twenty percent, Then you have historical luck, personal luck, health, things like that, then you have hard work, sweat. And you have ambition. The incredible difference between the achievement of A and the achievement of B is that B wanted it, so he made all kinds of sacrifices. A could have had it, but he didn’t give a damn.[...] But what I was going on to say is that I do strongly feel that among the greatest pieces of luck for high achievement is ordeal. Certain great artists can make out without it, Titian and others, but mostly you need ordeal. My idea is this: the artist is extremely lucky who is presented with the worst possible ordeal which will not actually kill him. At that point, he's in business. Beethoven's deafness, Goya's deafness, Milton's blindness, that kind of thing. And I think that what happens in my poetic work in the future will probably largely depend not on my sitting calmly on my ass as I think, "Hmm, hmm, a long poem again? Hmm," but on being knocked in the face, and thrown flat, and given cancer, and all kinds of other things short of senile dementia. At that point, I'm out, but short of that, I don't know. I hope to be nearly crucified,
John Berryman
How I met Tyler was I went to a nude beach. This was the very end of summer, and I was asleep. Tyler was naked and sweating, gritty with sand, his hair wet and stringy, hanging in his face. Tyler had been around before we met. Tyler was pulling driftwood logs out of the surf and dragging them up the beach. In the wet sand, he’d already planted a half circle of logs so they stood a few inches apart and as tall as his eyes. There were four logs, and when I woke up, I watched Tyler pull a fifth log up the beach. Tyler dug a hole under one end of the log, then lifted the other end until the log slid into the hole and stood there at a slight angle. You wake up at the beach. We were the only people on the beach. With a stick, Tyler drew a straight line in the sand several feet away. Tyler went back to straighten the log by stamping sand around its base. I was the only person watching this. Tyler called over, “Do you know what time it is?” I always wear a watch, “Do you know what time it is?” I asked, where? “Right here,” Tyler said. “Right now.” It was 4:06 P.M. After a while, Tyler sat cross-legged in the shadow of the standing logs. Tyler sat for a few minutes, got up and took a swim, pulled on a T-shirt and a pair of sweatpants, and started to leave. I had to ask. I had to know what Tyler was doing while I was asleep. If I could wake up in a different place, at a different time, could I wake up as a different person? I asked if Tyler was an artist. Tyler shrugged and showed me how the five standing logs were wider at the base. Tyler showed me the line he’d drawn in the sand, and how he’d used the line to gauge the shadow cast by each log. Sometimes, you wake up and have to ask where you are. What Tyler had created was the shadow of a giant hand. Only now the fingers were Nosferatu-long and the thumb was too short, but he said how at exactly four-thirty the hand was perfect. The giant shadow hand was perfect for one minute, and for one perfect minute Tyler had sat in the palm of a perfection he’d created himself. You wake up, and you’re nowhere. One minute was enough Tyler said, a person had to work hard for it, but a minute of perfection was worth the effort. A moment was the most you could ever expect from perfection. You wake up, and that’s enough
Chuck Palahniuk (Fight Club)
You’ve got one life on this planet. Why not try to build something big? This is the beauty of Elon Musk, and why I think he inspires so many people, it's just because he takes on really, really big audacious tasks. And he provides an example for people to think big. And it takes a lot of work to build even small things. I don’t think the corner grocery store owner is working any less hard than Elon Musk, or pouring any less sweat and toil into it. Maybe even more.
Naval Ravikant (HOW TO GET RICH: (without getting lucky))
Work hard. Work dirty. Choose your favourite spade and dig a small, deep hole; located deep in the forest or a desolate area of the desert or tundra. Then bury your cellphone and then find a hobby. Actually, 'hobby' is not a weighty enough word to represent what I am trying to get across. Let's use 'discipline' instead. If you engage in a discipline or do something with your hands, instead of kill time on your phone device, then you have something to show for your time when you're done. Cook, play music, sew, carve, shit - bedazzle! Or, maybe not bedazzle... The arrhythmic is quite simple, instead of playing draw something, fucking draw something! Take the cleverness you apply to words with friends and utilise it to make some kick ass cornbread, corn with friends - try that game. I'm here to tell you that we've been duped on a societal level. My favourite writer, Wendell Berry writes on this topic with great eloquence, he posits that we've been sold a bill of goods claiming that work is bad. That sweating and working especially if soil or saw dust is involved are beneath us. Our population especially the urbanites, has largely forgotten that working at a labour that one loves is actually a privilege.
Nick Offerman (Paddle Your Own Canoe: One Man's Fundamentals for Delicious Living)
So what," the Chelgrian asked, "is the point of me or anybody else writing a symphony, or anything else?" The avatar raised its brows in surprise. "Well, for one thing, you do it, it's you who gets the feeling of achievement." "Ignoring the subjective. What would be the point for those listening to it?" "They'd know it was one of their own species, not a Mind, who created it." "Ignoring that, too; suppose they weren't told it was by an AI, or didn't care." "If they hadn't been told then the comparison isn't complete; information is being concealed. If they don't care, then they're unlike any group of humans I've ever encountered." "But if you can—" "Ziller, are concerned that Minds—AIs, if you like—can create, or even just appear to create, original works of art?" "Frankly, when they're the sort of original works of art that I create, yes." "Ziller, it doesn't matter. You have to think like a mountain climber." "Oh, do I?" "Yes. Some people take days, sweat buckets, endure pain and cold and risk injury and—in some cases—permanent death to achieve the summit of a mountain only to discover there a party of their peers freshly arrived by aircraft and enjoying a light picnic." "If I was one of those climbers I'd be pretty damned annoyed." "Well, it is considered rather impolite to land an aircraft on a summit which people are at that moment struggling up to the hard way, but it can and does happen. Good manners indicate that the picnic ought to be shared and that those who arrived by aircraft express awe and respect for the accomplishment of the climbers. "The point, of course, is that the people who spent days and sweated buckets could also have taken an aircraft to the summit if all they'd wanted was to absorb the view. It is the struggle that they crave. The sense of achievement is produced by the route to and from the peak, not by the peak itself. It is just the fold between the pages." The avatar hesitated. It put its head a little to one side and narrowed its eyes. "How far do I have to take this analogy, Cr. Ziller?
Iain M. Banks (Look to Windward (Culture, #7))
It was the hardest work I'd ever done, and, while it lasted, one could think of nothing else. I said not long before that work and weakness are comforters. But sweat is the kindest creature of the three -- far better than philosophy, as a cure for ill thoughts.
C.S. Lewis (Till We Have Faces)
Step my step, mile by mile. These were my medals and I had worked hard for each and every one of them and no matter what happened, no matter who horrible I felt on race day, those medals represent the blood, sweat, and tears that went into making me the runner I am today.
Jill Grunenwald (Running with a Police Escort: Tales from the Back of the Pack)
Hard work makes for what I reckon you like in a man, but don't understand. As I look back over my life--an' let me say, young fellar, it's been a tough one--what I remember most an' feel best over are the hardest jobs I ever did, an' those that cost the most sweat an' blood." As
Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
He began his new life standing up, surrounded by cold darkness and stale, dusty air. Metal ground against metal; a lurching shudder shook the floor beneath him. He fell down at the sudden movement and shuffled backward on his hands and feet, drops of sweat beading on his forehead despite the cool air. His back struck a hard metal wall; he slid along it until he hit the corner of the room. Sinking to the floor, he pulled his legs up tight against his body, hoping his eyes would soon adjust to the darkness. With another jolt, the room jerked upward like an old lift in a mine shaft. Harsh sounds of chains and pulleys, like the workings of an ancient steel factory, echoed through the room, bouncing off the walls with a hollow, tinny whine. The lightless elevator swayed back and forth as it ascended, turning the boy’s stomach sour with nausea; a smell like burnt oil invaded his senses,
James Dashner (The Maze Runner Series Complete Collection)
She is buttoned-up as always, a smart suit, dark hair pulled back, never letting her guard down while on camera. Her job, she has told me more than once, is not to make friends with the staff but to keep them organized, praise good work, and sweat the details so I can focus on the hard, big stuff.
Bill Clinton (The President Is Missing)
Now you've done it." His tone was quietly playful. I couldn't help it.I looked up at him questioningly. "You've added a third word to your repitoire. Hi,thanks,and now yes." His lips turned up at the corners,and the heat rushed to my face. He noticed. "At least that much hasn't changed." I turned back to my notebook,my hands trembling. He leaned toward me. "Now that we have our first conversation out of the way, do you want to tell me where you've been?" From the way he spoke I knew his smile was gone. I could feel little beads of sweat form on my forehead. "You left me.Without a word," he said. He sounded tentative, as if he were trying to keep his voice even. I took in a deep breath,but I couldn't figure out what he was feeling. There wasn't one singular emotion that was stronger than the others. "Don't you have anything to say to me?" He waited. My heart felt like it would burst through my chest into a million little pieces,and I could see this wasn't going to work. I started to close my book. "Don't-" he blurted, and I froze. "Don't go.You don't have to talk to me.I'm the one who should go." His voice sounded achingly sad. I could hear him packing his bag. Say something.Say something. "Um..." Jack paused, as if further movement might stop my words. He was the reason I came back.I couldn't scare him off. As hard as it would be to talk to him,it would be much harder to watch him walk out that door. "No," I said. I took a shaky breath. "You don't...have to leave. Please." He took his book back out and put it on his desk. I followed,setting my own books out. "Thank you," Jack whispered. We didn't talk for the rest of the hour.
Brodi Ashton (Everneath (Everneath, #1))
Truthfully, I convinced myself, I struggled with the lot I had been given: the burden of having more than those around me, of having more than I deserved. That was why I worked so hard; that was why I had once obsessed over checking and rechecking answers I knew were right: I wanted to toil, to earn with my own sweat whatever I got.
Meng Jin (Little Gods)
Albert wiped sweat from his forehead. “Quinn, why do you think people work hard? Just to get by? You think your folks worked just to get by? Did they buy just enough food? Or did they get just barely enough house? Or a car that barely runs?” Albert’s voice was urgent. “No, man, people like a good life. They want more. What’s wrong with that?
Michael Grant (Hunger (Gone, #2))
Learning to write clean code is hard work. It requires more than just the knowledge of principles and patterns. You must sweat over it. You must practice it yourself, and watch yourself fail. You must watch others practice it and fail. You must see them stumble and retrace their steps. You must see them agonize over decisions and see the price they pay for making those decisions the wrong way.
Robert C. Martin (Clean Code: A Handbook of Agile Software Craftsmanship)
Like running the hurdles. Work so hard, jump over every one, fast, high enough but no higher, because you can't afford to hang in the air. And then, when the race is over, you're dripping with sweat, either they beat you or you beat them ... and then a couple of guys come out and move the hurdles out of the way. Turns out they were nothing. All that work to jump over them, but now they're gone.
Orson Scott Card (Enchantment)
No food without blood and sweat.” “Farmers are busy; farmers are busy; if farmers weren’t busy, where would grain to get through the winter come from?” “In winter, the lazy man freezes to death.” “Don’t depend on heaven for food, but on your own two hands carrying the load.” “Useless to ask about the crops, it all depends on hard work and fertilizer.” “If a man works hard, the land will not be lazy.
Malcolm Gladwell (Outliers: The Story of Success)
Far from birds, from flocks and village girls, What did I drink, on my knees in the heather Surrounded by a sweet wood of hazel trees, In the warm and green mist of the afternoon? What could I drink from that young Oise, − Voiceless elms, flowerless grass, an overcast sky! − Drinking from these yellow gourds, far from the hut I loved? Some golden spirit that made me sweat. I would have made a dubious sign for an inn. − A storm came to chase the sky away. In the evening Water from the woods sank into the virgin sand, And God’s wind threw ice across the ponds. Weeping, I saw gold − but could not drink. − ——— At four in the morning, in the summer, The sleep of love still continues. Beneath the trees the wind disperses The smells of the evening feast. Over there, in their vast wood yard, Under the sun of the Hesperidins, Already hard at work − in shirtsleeves − Are the Carpenters. In their Deserts of moss, quietly, They raise precious panelling Where the city Will paint fake skies. O for these Workers, charming Subjects of a Babylonian king, Venus! Leave for a moment the Lovers Whose souls are crowned with wreaths. O Queen of Shepherds, Carry the water of life to these labourers, So their strength may be appeased As they wait to bathe in the noon-day sea.
Arthur Rimbaud (A Season in Hell)
The first question we needed to address in response to the popular “Take America Back for God” slogan concerned the precedent of Jesus, and in this light we must judge that the slogan can lead us into temptation. The second concerns the meaning of the slogan itself. I, for one, confess to being utterly mystified by the phrase. If we are to take America back for God, it must have once belonged to God, but it’s not at all clear when this golden Christian age was. Were these God-glorifying years before, during, or after Europeans “discovered” America and carried out the doctrine of “manifest destiny”—the belief that God (or, for some, nature) had destined white Christians to conquer the native inhabitants and steal their land? Were the God-glorifying years the ones in which whites massacred these natives by the millions, broke just about every covenant they ever made with them, and then forced survivors onto isolated reservations? Was the golden age before, during, or after white Christians loaded five to six million Africans on cargo ships to bring them to their newfound country, enslaving the three million or so who actually survived the brutal trip? Was it during the two centuries when Americans acquired remarkable wealth by the sweat and blood of their slaves? Was this the time when we were truly “one nation under God,” the blessed time that so many evangelicals seem to want to take our nation back to? Maybe someone would suggest that the golden age occurred after the Civil War, when blacks were finally freed. That doesn’t quite work either, however, for the virtual apartheid that followed under Jim Crow laws—along with the ongoing violence, injustices, and dishonesty toward Native Americans and other nonwhites up into the early twentieth century—was hardly “God-glorifying.” (In this light, it should come as no surprise to find that few Christian Native Americans, African-Americans, or other nonwhites join in the chorus that we need to “Take America Back for God.”) If we look at historical reality rather than pious verbiage, it’s obvious that America never really “belonged to God.
Gregory A. Boyd (The Myth of a Christian Nation: How the Quest for Political Power Is Destroying the Church)
Conscious linear thinking is hard work. I’m sweating it right now. It is as if our mind is a bubbling pot of water. Which bubble will make it up to the top at any given moment is hard to predict. The top bubble ultimately bursts into an idea, only to be replaced by more bubbles. The surface is forever energized with activity, endless activity, until the bubbles go to sleep. The arrow of time stitches it all together as each bubble comes up for its moment. Consider that maybe, just maybe, consciousness can be understood only as the brain’s bubbles, each with its own hardware to close the gap, getting its moment. If that sounds obscure, read the book to find out for yourself whether you can see it this way, too. Importantly, enjoy your thoughts as they bubble up to the surface of your own consciousness. PART I: GETTING READY FOR MODERN THOUGHT
Michael S. Gazzaniga (The Consciousness Instinct: Unraveling the Mystery of How the Brain Makes the Mind)
Hold on tight then. I hope you're not afraid of the dark.” He thrust forward, slamming himself inside me, and I screamed. Not from the pain. There wasn't any. Only a stretching, and a fullness, and an awesome wave of energy that fired up my spine in a series of bursts that felt like small explosions. It was so much, all at once, that I had to scream. As if he were experiencing something very similar, Fisher threw his head back, the muscles in his neck straining, his jaw clenched tight, roaring through his teeth. 'Fuuuuck!” Just one stroke. He'd entered me once, and I was done for. I was a ball of sensation, humming with energy. In the darkness, Fisher slowly lowered his head, his lips parted, hair mussed, and the dazed look of surprise on his face sent a rush of adrenalin powering through me. Gods and Martyrs. I would never forget seeing him like this. If I did manage to make my way back home, the image of him like this, seated inside me, skin slick with sweat, chest hitching, would sustain me until the day I died. Fisher. Kingfisher. Lord of Cahlish. I hated him, I did. But you couldn't hate something without caring about it just a little, too. “Witch,” he accused. “You do have magic.” He was so fucking big; his hard length twitched inside me, and my body answered in kind, tightening around him. His fingers gouged into my skin, digging deeper into my hips. With a mantle of black smoke swirling around him like a dark wind, he moved. Slowly, at first. The tendons in his neck stood proud as he pulled back and eased out of me just an inch. The smallest of movements drew him home. Again, he shifted, rolling his hips, working his cock a little deeper each time he thrust back into me. The pace he set was torturous.
Callie Hart (Quicksilver (Fae & Alchemy, #1))
but he just slipped the pantyhose over his nose and breathed deep and let the magic do its work. It turned us into a platoon of believers. You don't dispute facts. But then, near the end of October, his girlfriend dumped him. It was a hard blow. Dobbins went quiet for a while, staring down at her letter, then after a time he took out the stockings and tied them around his neck as a comforter. 'No sweat,' he said. 'The magic doesn't go away.
Tim O'Brien (The Things They Carried)
I'm traveling a speed unknown to man and I carry love for all in the mirror of my hand. I say love for all…don't try to run away... look at the mirrors of your heart. Face the truth today— I am what I am, thank God. Some people don't understand, Help them, God— I say find yourself first, and then your tool. I say find yourself first, don't you be no fool. Here comes a woman, sweat all down her back. For birth or for pleasure, she's on the right track… But for being free, she ain't supposed to plea. And don't rely on no man to try and understand. I say find yourself first and then your talent. Work hard in your mind for it to come alive. And then prove to the man that you're as strong as him. 'Cause in the eyes of God… you're both children to him… You are what you are, thank God. You gonna shine like a star with the help of God— But we find ourselves first and then our tool… Find yourself, don't be no fool.
Jimi Hendrix (Cherokee Mist: The Lost Writings)
Don't bother unpacking the rest," she said, tearing the lease in half. "I'm kicking you out now." She was almost as strong willed and stubborn as he was. But he had much better taste in furniture. He snorted a laugh. "I'd like to see you try." "I'm sure you would," she snapped. "It's probably the only way you can get a woman near you with that giant ego in the way." "I am hardly lacking for female companionship." Layla rolled her eyes in an overly dramatic fashion. "I'm not interested in hearing about your visits to the nail bar. I just want you gone." "It's not going to happen, sweetheart. I have the document in digital form, and the law on my side." "Family trumps the law." She folded her arms under her generous breasts. Sweat trickled down his back. Karen had nothing on this woman, even with her creative use of a toy blood pressure cuff. "Not in the real world. My attorney works upstairs. If you need further proof, I can ask him to join us and confirm that the lease is valid.
Sara Desai (The Marriage Game (Marriage Game, #1))
It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face in marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat. Shame on the man of cultivated taste who permits refinement to develop into fastidiousness that unfits him for doing the rough work of a workaday world. Among the free peoples who govern themselves there is but a small field of usefulness open for the men of cloistered life who shrink from contact with their fellows. Still less room is there for those who deride of slight what is done by those who actually bear the brunt of the day; nor yet for those others who always profess that they would like to take action, if only the conditions of life were not exactly what they actually are. The man who does nothing cuts the same sordid figure in the pages of history, whether he be a cynic, or fop, or voluptuary. There is little use for the being whose tepid soul knows nothing of great and generous emotion, of the high pride, the stern belief, the lofty enthusiasm, of the men who quell the storm and ride the thunder. Well for these men if they succeed; well also, though not so well, if they fail, given only that they have nobly ventured, and have put forth all their heart and strength. It is war-worn Hotspur, spent with hard fighting, he of the many errors and valiant end, over whose memory we love to linger, not over the memory of the young lord who 'but for the vile guns would have been a valiant soldier.
Theodore Roosevelt
But before I got in the ring, I’d won it out here on the road. Some people think a Heavyweight Championship fight is decided during the fifteen rounds the two fighters face each other under hot blazing lights, in front of thousands of screaming witnesses, and part of it is. But a prizefight is like a war: the real part is won or lost somewhere far away from witnesses, behind the lines, in the gym and out here on the road long before I dance under those lights. I’ve got another mile to go. My heart is about to break through my chest, sweat is pouring off me. I want to stop but I’ve marked this as the day to test myself, to find out what kind of shape I’m in, how much work I have to do. Whenever I feel I want to stop, I look around and I see George Foreman running, coming up next to me. And I run a little harder. I’ve got a half-mile more to go and each yard is draining me, I’m running on my reserve tank now, but I know each step I take after I’m exhausted builds up special stamina and it’s worth all the other running put together. I need something to push me on, to keep me from stopping, until I get to the farmer’s stable up ahead, five miles from where I started. George is helping me. I fix my mind on him and I see him right on my heels. I push harder, he’s catching up. It’s hard for me to get my breath, I feel like I’m going to faint. He’s starting to pull ahead of me. This is the spark I need. I keep pushing harder till I pull even with him. His sweat shirt’s soaking wet and I hear him breathing fast and hard. My heart is pounding like it’s going to explode, but I drive myself on. I glance over at him and he’s throwing himself in the wind, going all out. My legs are heavy and tight with pain but I manage to drive, drive, drive till I pass him, Till he slowly fades away. I’ve won, but I’m not in shape. I’ve still got a long way to go. I’m gasping for breath. My throat’s dry and I feel like I’m going to throw up. I want to fall on my face but I must stay up, keep walking, keep standing. I’m not there yet but I know I’m winning. I’m winning the fight on the road . . .
Muhammad Ali (The Greatest: My Own Story)
Sitting on nails and pulling like mad. And what do we get for it? Nothing! Thrashings and misery, hard words and hard knocks. We’re workers, they say. Work, they call it! That’s the crummiest part of the whole business. We’re down in the hold, heaving and panting, stinking and sweating our balls off, and meanwhile! Up on deck in the fresh air, what do you see?! Our masters having a fine time with beautiful pink and perfumed women on their laps. They send for us, we’re brought up on deck. They put on their top hats and give us a big spiel like as follows: “You no-good swine! We’re at war! Those stinkers in Country No. 2! We’re going to board them and cut their livers out! Let’s go! Let’s go! We’ve got everything we need on board! All together now! Let’s hear you shout so the deck trembles: ‘Long live Country No. 1!’ So you’ll be heard for miles around. The man that shouts the loudest will get a medal and a lollipop! Let’s go! And if there’s anybody that doesn’t want to be killed on the sea, he can go and get killed on land, it’s even quicker!
Louis-Ferdinand Céline (Journey to the End of the Night)
The enemy of my soul didn't want me painting that day. To create meant that I would look a little bit like my Creator. To overcome the terrifying angst of the blank canvas meant I would forever have more compassion for other artists. You better believe as I placed the first blue and gray strokes onto the white emptiness before me, the "not good enough" statement was pulsing through my head in almost deafening tones... This parlaying lie is one of his favorite tactics to keep you disillusioned by disappointments. Walls go up, emotions run high, we get guarded, defensive, demotivated, and paralyzed by the endless ways we feel doomed to fail. This is when we quit. This is when we settle for the ease of facebook.... This is when we get a job to simply make money instead of pursuing our calling to make a difference. This is when we put the paintbrush down and don't even try. So there I was. Standing before my painted blue boat, making a choice of which voice to listen to. I'm convinced God was smiling. Pleased. Asking me to find delight in what is right. Wanting me to have compassion for myself by focusing on that part of my painting that expressed something beautiful. To just be eager to give that beauty to whoever dared to look at my boat. To create to love others. Not to beg them for validation. But the enemy was perverting all that. Perfection mocked my boat. The bow was too high, the details too elementary, the reflection on the water too abrupt, and the back of the boat too off-center. Disappointment demanded I hyper-focused on what didn't look quite right. It was my choice which narrative to hold on to: "Not good enough" or "Find delight in what is right." Each perspective swirled, begging me to declare it as truth. I was struggling to make peace with my painting creation, because I was struggling to make make peace with myself as God's creation. Anytime we feel not good enough we deny the powerful truth that we are a glorious work of God in progress. We are imperfect because we are unfinished. So, as unfinished creations, of course everything we attempt will have imperfections. Everything we accomplish will have imperfections. And that's when it hit me: I expect a perfection in me and in others that not even God Himself expects. If God is patient with the process, why can't I be? How many times have I let imperfections cause me to be too hard on myself and too harsh with others? I force myself to send a picture of my boat to at least 20 friends. I was determined to not not be held back by the enemy's accusations that my artwork wasn't good enough to be considered "real art". This wasn't for validation but rather confirmation that I could see the imperfections in my painting but not deem it worthless. I could see the imperfections in me and not deem myself worthless. It was an act of self-compassion. I now knew to stand before each painting with nothing but love, amazement, and delight. I refused to demand anything more from the artist. I just wanted to show up for every single piece she was so brave to put on display.. Might I just be courageous enough to stand before her work and require myself to find everything about it I love? Release my clenched fist and pouty disappointments, and trade my "live up" mentality for a "show up" one? It is so much more freeing to simply show up and be a finder of the good. Break from the secret disappointments. Let my brain venture down the tiny little opening of love.. And I realized what makes paintings so delightful. It's there imperfections. That's what makes it art. It's been touched by a human. It's been created by someone whose hands sweat and who can't possibly transfer divine perfection from what her eyes see to what her fingertips can create. It will be flawed.
Lysa TerKeurst (It's Not Supposed to Be This Way: Finding Unexpected Strength When Disappointments Leave You Shattered)
She sucked in a breath as their gazes clashed and his face altered. She could see the sweat beading the line of his close-cropped dark hair, could feel the heat radiating off his bulky shoulders, and smell the tang of hard work rising from his chest. A work belt clung to his hips. A smattering of hair flecked his gleaming pectorals above the singlet. With his chiselled face, his impressive biceps and long legs, he could have been a pin-up for one of those beefcake calendars. Mr November, with those grey Scorpio eyes watching her every move.
Coleen Kwan (When Harriet Came Home)
Many of us have been raised to correlate worldly and even spiritual accomplishment with “hard work,” “keeping our nose to the grindstone,” “living by the sweat of our brow,” and other self-stringent axioms inherited from a culture steeped in the Protestant ethic. According to this view, success requires suffering, toil, and effort: “no pain, no gain.” But where has all the effort and pain gotten us? Are we truly, deeply at peace? No. There is still the inner guilt, the vulnerability to someone’s criticism, the wanting to be assured, and the resentments that fester.
David R. Hawkins (Letting Go: The Pathway of Surrender (Power vs. Force, #9))
Our achievements are generally limited only by the beliefs we impose on ourselves. If we tell ourselves often enough that we don’t have what it takes, then that will inevitably become our reality. But I also knew if I could somehow replace my doubt with hope, my fear with courage, and my self-pity with a sense of pride, then I just might be able to do this. It would involve paying a huge price in sweat and hard work; it would involve having to train longer and harder than ever before. And the mind would have to drive it all. It was a decision I had already made years earlier.
Bear Grylls (Mud, Sweat and Tears)
She started shaping the face, using a wire loop to gently carve the slope of the strong forehead and brow, then the nose and the lean angle of the cheekbones. In little time, her fingers were moving on automatic pilot, her mind disengaged and gone into its own flow, her subconscious directly commanding her hands into action. She didn’t know how long she’d been working, but when the hard rap sounded on her apartment door some time later, Tess nearly jumped out of her skin. Sleeping next to her feet on the rug, Harvard woke up with a grunt. “You expecting someone?” she asked quietly as she got up from her stool. God, she must have been really zoned out while she was sculpting, because she’d seriously messed up around the mouth area of the piece. The lips were curled back in some kind of snarl, and the teeth . . . The knock sounded again, followed by a deep voice that went through her like a bolt of electricity. “Tess? Are you there?” Dante. Tess’s eyes flew wide, then squeezed into a wince as she did a quick mental inventory of her appearance. Hair flung up into a careless knot on top of her head, braless in her white thermal Henley and faded red sweats that had more than one dried clay smudge on them. Not exactly fit for company. “Dante?” she asked, stalling for time and just wanting to be sure her ears weren’t playing tricks on her. “Is that you?” “Yeah. Can I come in?” “Um, sure. Just a sec,” she called out, trying to sound casual as she threw a dry work cloth over her sculpture and quickly checked her face in the reflection off one of her putty spatulas. Oh, lovely. She had a slightly crazed, starving-artist look going on. Very glamorous. That’ll teach him to do the pop-in visit, she thought, as she padded over to the door and twisted the dead bolt.
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
Walter came from a strong line of self-motivated, determined folk: not grand, not high-society, but no-nonsense, family-minded, go-getters. His grandfather had been Samuel Smiles, who, in 1859, authored the original motivational book, titled Self-Help. It was a landmark work, and an instant bestseller, even outselling Charles Darwin’s The Origin of Species when it was first launched. Samuel’s book Self-Help also made plain the mantra that hard work and perseverance were the keys to personal progress. At a time in Victorian society where, as an Englishman, the world was your oyster if you had the get-up-and-go to make things happen, his book Self-Help struck a chord. It became the ultimate Victorian how-to guide, empowering the everyday person to reach for the sky. And at its heart it said that nobility is not a birthright but is defined by our actions. It laid bare the simple but unspoken secrets for living a meaningful, fulfilling life, and it defined a gentleman in terms of character not blood type. Riches and rank have no necessary connection with genuine gentlemanly qualities. The poor man with a rich spirit is in all ways superior to the rich man with a poor spirit. To borrow St. Paul’s words, the former is as “having nothing, yet possessing all things,” while the other, though possessing all things, has nothing. Only the poor in spirit are really poor. He who has lost all, but retains his courage, cheerfulness, hope, virtue, and self-respect, is still rich. These were revolutionary words to Victorian, aristocratic, class-ridden England. To drive the point home (and no doubt prick a few hereditary aristocratic egos along the way), Samuel made the point again that being a gentleman is something that has to be earned: “There is no free pass to greatness.
Bear Grylls (Mud, Sweat and Tears)
When I look back at my mule it was like he was one of these here spy-glasses and I could look at him standing there and see all the broad land and my house sweated outen it like it was the more the sweat, the broader the land; the more the sweat, the tighter the house because it would take a tight house for Cora, to hold Cora like a jar of milk in the spring: you've got to have a tight jar or you'll need a powerful spring, so if you have a big spring, why then you have the incentive to have tight, wellmade jars, because it is your milk, sour or not, because you would rather have milk that will sour than to have milk that wont, because you are a man.
William Faulkner (As I Lay Dying)
She was especially taken with Matt. Until he said, “It’s time to fess up, hon. Tell Trace how much you care. You’ll feel better when you do.” Climbing up the ladder, Chris said, “Better sooner than later.” He nodded at the hillside behind them. “Because here comes Trace, and he doesn’t look happy.” Both Priss and Matt turned, Priss with anticipation, Matt with tempered dread. Dressed in jeans and a snowy-white T-shirt, Trace stalked down the hill. Priss shielded her eyes to better see him. When he’d left, being so guarded about his mission, she’d half wondered if he’d return before dinner. Trace wore reflective sunglasses, so she couldn’t see his eyes, but his entire demeanor—heavy stride, rigid shoulders, tight jaw—bespoke annoyance. As soon as he was close enough, Priss called out, “What’s wrong?” Without answering her, Trace continued onto the dock. He didn’t stop until he stood right in front of . . . Matt. Backing up to the edge of the dock, Matt said, “Uh . . . Hello?” Trace didn’t say a thing; he just pushed Matt into the water. Arms and legs flailing out, Matt hit the surface with a cannonball effect. Stunned, Priss shoved his shoulder. “What the hell, Trace! Why did you do that?” Trace took off his sunglasses and looked at her, all of her, from her hair to her body and down to her bare toes. After working his jaw a second, he said, “If you need sunscreen, ask me.” Her mouth fell open. Of all the nerve! He left her at Dare’s, took off without telling her a damn thing and then had the audacity to complain when a friend tried to keep her from getting sunburned. “Maybe I would have, if you’d been here!” “I’m here now.” Emotions bubbled over. “So you are.” With a slow smile, Priss put both hands on his chest. The shirt was damp with sweat, the cotton so soft that she could feel every muscle beneath. “And you look a little . . . heated.” Trace’s beautiful eyes darkened, and he reached for her. “A dip will cool you down.” Priss shoved him as hard as she could. Taken by surprise, fully dressed, Trace went floundering backward off the end of the dock. Priss caught a glimpse of the priceless expression of disbelief on Trace’s face before he went under the water. Excited by the activity, the dogs leaped in after him. Liger roused himself enough to move out of the line of splashing. Chris climbed up the ladder. “So that’s the new game, huh?” He laughed as he scooped Priss up into his arms. “Chris!” She made a grab for his shoulders. “Put me down!” “Afraid not, doll.” Just as Trace resurfaced, Chris jumped in with her. They landed between the swimming dogs. Sputtering, her hair in her face and her skin chilled from the shock of the cold water, Priss cursed. Trace had already waded toward the shallower water off the side of the dock. His fair hair was flattened to his head and his T-shirt stuck to his body. “Wait!” Priss shouted at him. He was still waist-deep as he turned to glare at her. Kicking and splashing, Priss doggy-paddled over to him, grabbed his shoulders and wrapped her legs around his waist. “Oh, no, you don’t!” Startled, Trace scooped her bottom in his hands and struggled for balance on the squishy mud bottom of the lake. “What the hell?” And then lower, “You look naked in this damn suit.” Matt and Chris found that hilarious. Priss looked at Trace’s handsome face, a face she loved, and kissed him. Hard. For only a second, he allowed the sensual assault. He even kissed her back. Then he levered away from her. “You ruined my clothes, damn it.” “Only because you were being a jealous jerk.” His expression dark, he glared toward Matt. Christ started humming, but poor Matt said, “Yeah,” and shrugged. “If you think about it, you’ll agree that you sort of were—and we both know there’s no reason.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
The stress of farming had far-reaching consequences. It was the foundation of large-scale political and social systems. Sadly, the diligent peasants almost never achieved the future economic security they so craved through their hard work in the present. Everywhere, rulers and elites sprang up, living off the peasants’ surplus food and leaving them with only a bare subsistence. These forfeited food surpluses fuelled politics, wars, art and philosophy. They built palaces, forts, monuments and temples. Until the late modern era, more than 90 percent of humans were peasants who rose each morning to till the land by the sweat of their brows. The extra they produced fed the tiny minority of elites – kings, government officials, soldiers, priests, artists and thinkers – who fill the history books.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
The whole suggestion is predicated on a damnable fucking lie—the BIG lie, actually—one which Richman himself happily helped create and which he works hard, on a daily basis, to keep alive. See … it makes for a better article when you associate the food with a personality. Richman, along with the best and worst of his peers, built up these names, helped make them celebrities by promoting the illusion that they cook—that if you walk into one of dozens of Jean-Georges’s restaurants, he’s somehow back there on the line, personally sweating over your halibut, measuring freshly chopped herbs between thumb and forefinger. Every time someone writes “Mr. Batali is fond of strong, assertive flavors” (however true that might be) or “Jean Georges has a way with herbs” and implies or suggests that it was Mr. Batali or Mr. Vongerichten who actually cooked the dish, it ignores the reality, if not the whole history, of command and control and the creative process in restaurant kitchens. While helpful to chefs, on the one hand, in that the Big Lie builds interest and helps create an identifiable brand, it also denies the truth of what is great about them: that there are plenty of great cooks in this world—but not that many great chefs. The word “chef” means “chief.” A chef is simply a cook who leads other cooks. That quality—leadership, the ability to successfully command, inspire, and delegate work to others—is the very essence of what chefs are about. As Richman knows. But it makes better reading (and easier writing) to first propagate a lie—then, later, react with entirely feigned outrage at the reality.
Anthony Bourdain (Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook)
But we understand our liberty in a more positive sense as well, in the idea of opportunity and the subsidiary values that help realize opportunity—all those homespun virtues that Benjamin Franklin first popularized in Poor Richard's Almanack and that have continued to inspire our allegiance through successive generations. The values of self-reliance and self-improvement and risk-taking. The values of drive, discipline, temperance, and hard work. The values of thrift and personal responsibility. These values are rooted in a basic optimism about life and a faith in free will—a confidence that through pluck and sweat and smarts, each of us can rise above the circumstances of our birth. But these values also express a broader confidence that so long as individual men and women are free to pursue their own interests, society as a whole will prosper.
Barack Obama (The Audacity of Hope: Thoughts on Reclaiming the American Dream)
This—this is going to sound really weird, but …” I swallowed, getting my nerve up. I mean, I thought he was in love with me, but was he? I sucked in a sharp breath and gathered my courage. Be brave. “I—I have a mountain to climb in life, and I want you next to me. I want you to walk up it with me—behind me to give me a push or next to me when I need to hold your hand. And when there’s a jungle there, I want you to fight with me. We’ll have machetes, and it will be tough some days when I try to figure out who I am and what I need, but with you next to me, it’ll be okay. I want you to carry me when I’m tired, and I’ll carry you when you’re tired. I want you to rub my fingers when I’ve worked a hard day making pretty things, and I’ll rub your muscles when they get hurt. I want to be the blanket that covers you when you are cold. Or vice versa. I want all of it—all the blood, sweat, and tears—no matter what dream you decide to follow. I’m here. Forever. I love you.
Ilsa Madden-Mills (Dirty English (English, #1))
HAPPINESS: "Flourishing is a fact, not a feeling. We flourish when we grow and thrive. We flourish when we exercise our powers. We flourish when we become what we are capable of becoming...Flourishing is rooted in action..."happiness is a kind of working of the soul in the way of perfect excellence"...a flourishing life is a life lived along lines of excellence...Flourishing is a condition that is created by the choices we make in the world we live in...Flourishing is not a virtue, but a condition; not a character trait, but a result. We need virtue to flourish, but virtue isn't enough. To create a flourishing life, we need both virtue and the conditions in which virtue can flourish...Resilience is a virtue required for flourishing, bur being resilient will not guarantee that we will flourish. Unfairness, injustice, and bad fortune will snuff our promising lives. Unasked-for pain will still come our way...We can build resilience and shape the world we live in. We can't rebuild the world...three primary kinds of happiness: the happiness of pleasure, the happiness of grace, and happiness of excellence...people who are flourishing usually have all three kinds of happiness in their lives...Aristotle understood: pushing ourselves to grow, to get better, to dive deeper is at the heart of happiness...This is the happiness that goes hand in hand with excellence, with pursuing worthy goals, with growing mastery...It is about the exercise of powers. The most common mistake people make in thinking about the happiness of excellence is to focus on moments of achievement. They imagine the mountain climber on the summit. That's part of the happiness of excellence, and a very real part. What counts more, though, is not the happiness of being there, but the happiness of getting there. A mountain climber heads for the summit, and joy meets her along the way. You head for the bottom of the ocean, and joy meets you on the way down...you create joy along the way...the concept of flow, the kind of happiness that comes when we lose ourselves through complete absorption in a rewarding task...the idea of flow..."Contrary to what we usually believe, moments like these, the best moments in our lives, are not the passive, receptive, relaxing times...The best moments usually occur when a person's body or mind is stretched to its limit in a voluntary effort to accomplish something difficult and worthwhile."...Joy, like sweat, is usually a byproduct of your activity, not your aim...A focus on happiness will not lead to excellence. A focus on excellence will, over time, lead to happiness. The pursuit of excellence leads to growth, mastery, and achievement. None of these are sufficient for happiness, yet all of them are necessary...the pull of purpose, the desire to feel "needed in this world" - however we fulfill that desire - is a very powerful force in a human life...recognize that the drive to live well and purposefully isn't some grim, ugly, teeth-gritting duty. On the contrary: "it's a very good feeling." It is really is happiness...Pleasures can never make up for an absence of purposeful work and meaningful relationships. Pleasures will never make you whole...Real happiness comes from working together, hurting together, fighting together, surviving together, mourning together. It is the essence of the happiness of excellence...The happiness of pleasure can't provide purpose; it can't substitute for the happiness of excellence. The challenge for the veteran - and for anyone suddenly deprived of purpose - is not simple to overcome trauma, but to rebuild meaning. The only way out is through suffering to strength. Through hardship to healing. And the longer we wait, the less life we have to live...We are meant to have worthy work to do. If we aren't allowed to struggle for something worthwhile, we'll never grow in resilience, and we'll never experience complete happiness.
Eric Greitens (Resilience: Hard-Won Wisdom for Living a Better Life)
So that is how we came to be standing in a sparse room, in a nondescript building in the barracks at SAS HQ--just a handful out of all those who had started out so many months earlier. We shuffled around impatiently. We were ready. Ready, finally, to get badged as SAS soldiers. The colonel of the regiment walked in, dressed casually in lightweight camo trousers, shirt, beret, and blue SAS belt. He smiled at us. “Well done, lads. Hard work, isn’t it?” We smiled back. “You should be proud today. But remember: this is only the beginning. The real hard work starts now, when you return to your squadron. Many are called, few are chosen. Live up to that.” He paused. “And from now on for the rest of your life remember this: you are part of the SAS family. You’ve earned that. And it is the finest family in the world. But what makes our work here extraordinary is that everyone here goes that little bit extra. When everyone else gives up, we give more. That is what sets us apart.” It is a speech I have never forgotten.
Bear Grylls (Mud, Sweat and Tears)
He leaned down and kissed her stomach, her hip bones, while his big hands held her in place. Then his mouth was on her, covering her, licking over her clit. She arched up, crying out as his tongue slid over her folds, making her mindless and crazy. She clutched the pillow, burying her head into the softness as he sucked and licked, nipping over her skin. She clamped her thighs around his head. Whimpered. He was going to drive her right over the edge. His tongue lapped over her clit. "Jack, stop," she said, her voice harsh and panting. "I'm going to... God... No... I want..." He didn't stop. Didn't ease up. He just pushed her harder. His tongue. It was magic. The condom packet slid off her stomach as she planted her feet and rocked into him. Giving up, surrendering to his will and determination. Everything that made Jack, Jack. She coiled tight and then she exploded. She bit her lip, stifling her moans as she rode out wave after wave of delicious sensation. She couldn't think, couldn't put together a sentence, but then he was on her, over her. His palm on her neck, his fingers on her jaw, twisting her face to meet his. His mouth covered hers. He tasted like sex. And lust. His grasp was tight on her jaw, and the way he kissed her, devoured her, sucked her right back under. It was a raw, dirty kiss that consumed her. Her fingers came up to where he held her, and she dug her nails into his wrists. He growled against her lips, biting her, sucking. And the kiss went on and on and on. He finally pulled away, grabbed the condom, and tore open the package. He tossed it onto her body again, ridding himself of his sweats, and then he was naked. And she could only gape at him. Her gaze wide. He had the best cock she'd ever seen in her life. Long and thick. A work of goddamn art. She reached for him, but he grabbed her wrist, shaking his head. "I can't wait, Chlo." He picked up the condom, threw the packet on the floor somewhere and rolled the condom down his hard shaft. She breathed out his name. "Jack." He leaned down, kissing her again, soft and sweet. His erection nudged between her legs. "Just let me inside.
Kate Angell (The Cottage on Pumpkin and Vine)
A few years ago, The New York Times did a story on the working conditions of Foxconn, the massive Taiwanese electronics manufacturer. The conditions are often atrocious. Readers were rightly upset. But a fascinating response to the story came from the nephew of a Chinese worker, who wrote in the comment section: My aunt worked several years in what Americans call “sweat shops.” It was hard work. Long hours, “small” wage, “poor” working conditions. Do you know what my aunt did before she worked in one of these factories? She was a prostitute. The idea of working in a “sweat shop” compared to that old lifestyle is an improvement, in my opinion. I know that my aunt would rather be “exploited” by an evil capitalist boss for a couple of dollars than have her body be exploited by several men for pennies. That is why I am upset by many Americans’ thinking. We do not have the same opportunities as the West. Our governmental infrastructure is different. The country is different. Yes, factory is hard labor. Could it be better? Yes, but only when you compare such to American jobs.
Morgan Housel (The Psychology of Money)
KNEE SURGERY I’D FIRST HURT MY KNEES IN FALLUJAH WHEN THE WALL FELL on me. Cortisone shots helped for a while, but the pain kept coming back and getting worse. The docs told me I needed to have my legs operated on, but doing that would have meant I would have to take time off and miss the war. So I kept putting it off. I settled into a routine where I’d go to the doc, get a shot, go back to work. The time between shots became shorter and shorter. It got down to every two months, then every month. I made it through Ramadi, but just barely. My knees started locking and it was difficult to get down the stairs. I no longer had a choice, so, soon after I got home in 2007, I went under the knife. The surgeons cut my tendons to relieve pressure so my kneecaps would slide back over. They had to shave down my kneecaps because I had worn grooves in them. They injected synthetic cartilage material and shaved the meniscus. Somewhere along the way they also repaired an ACL. I was like a racing car, being repaired from the ground up. When they were done, they sent me to see Jason, a physical therapist who specializes in working with SEALs. He’d been a trainer for the Pittsburgh Pirates. After 9/11, he decided to devote himself to helping the country. He chose to do that by working with the military. He took a massive pay cut to help put us back together. I DIDN’T KNOW ALL THAT THE FIRST DAY WE MET. ALL I WANTED to hear was how long it was going to take to rehab. He gave me a pensive look. “This surgery—civilians need a year to get back,” he said finally. “Football players, they’re out eight months. SEALs—it’s hard to say. You hate being out of action and will punish yourselves to get back.” He finally predicted six months. I think we did it in five. But I thought I would surely die along the way. JASON PUT ME INTO A MACHINE THAT WOULD STRETCH MY knee. Every day I had to see how much further I could adjust it. I would sweat up a storm as it bent my knee. I finally got it to ninety degrees. “That’s outstanding,” he told me. “Now get more.” “More?” “More!” He also had a machine that sent a shock to my muscle through electrodes. Depending on the muscle, I would have to stretch and point my toes up and down. It doesn’t sound like much, but it is clearly a form of torture that should be outlawed by the Geneva Convention, even for use on SEALs. Naturally, Jason kept upping the voltage. But the worst of all was the simplest: the exercise. I had to do more, more, more. I remember calling Taya many times and telling her I was sure I was going to puke if not die before the day was out. She seemed sympathetic but, come to think of it in retrospect, she and Jason may have been in on it together. There was a stretch where Jason had me doing crazy amounts of ab exercises and other things to my core muscles. “Do you understand it’s my knees that were operated on?” I asked him one day when I thought I’d reached my limit. He just laughed. He had a scientific explanation about how everything in the body depends on strong core muscles, but I think he just liked kicking my ass around the gym. I swear I heard a bullwhip crack over my head any time I started to slack. I always thought the best shape I was ever in was straight out of BUD/S. But I was in far better shape after spending five months with him. Not only were my knees okay, the rest of me was in top condition. When I came back to my platoon, they all asked if I had been taking steroids.
Chris Kyle (American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History)
I open the door to see him on my doorstep and he doesn’t even say hello. He says, “Let’s cut the crap, Daisy. You need to record this album or Runner’s taking you to court.” I said, “I don’t care about any of that. They can take their money back, get me kicked out of here if they want. I’ll live in a cardboard box.” I was very annoying. I had no idea what it meant to truly suffer. Teddy said, “Just get in the studio, love. How hard is that?” I told him, “I want to write my own stuff.” I think I even crossed my arms in front of my chest like a child. He said, “I’ve read your stuff. Some of it’s really good. But you don’t have a single song that’s finished. You don’t have anything ready to be recorded.” He said I should fulfill my contract with Runner and he would help me get my songs to a point where I could release an album of my own stuff. He called it “a goal for us all to work toward.” I said, “I want to release my own stuff now.” And that’s when he got testy with me. He said, “Do you want to be a professional groupie? Is that what you want? Because the way it looks from here is that you have a chance to do something of your own. And you’d rather just end up pregnant by Bowie.” Let me take this opportunity to be clear about one thing: I never slept with David Bowie. At least, I’m pretty sure I didn’t. I said, “I am an artist. So you either let me record the album I want or I’m not showing up. Ever.” Teddy said, “Daisy, someone who insists on the perfect conditions to make art isn’t an artist. They’re an asshole.” I shut the door in his face. And sometime later that day, I opened up my songbook and I started reading. I hated to admit it but I could see what he was saying. I had good lines but I didn’t have anything polished from beginning to end. The way I was working then, I’d have a loose melody in my head and I’d come up with lyrics to it and then I’d move on. I didn’t work on my songs after one or two rounds. I was sitting in the living room of my cottage, looking out the window, my songbook in my lap, realizing that if I didn’t start trying—I mean being willing to squeeze out my own blood, sweat, and tears for what I wanted—I’d never be anything, never matter much to anybody. I called Teddy a few days later, I said, “I’ll record your album. I’ll do it.” And he said, “It’s your album.” And I realized he was right. The album didn’t have to be exactly my way for it to still be mine.
Taylor Jenkins Reid (Daisy Jones & The Six)
Here he comes,” Blake said. When Kaidan climbed the steps to the deck he came straight for me, his hair slicked back with sweat from running. He took my face in his hands, breathing hard, lips tight, eyes like blue blazes. “Don’t ever do that again,” he ground out. It took a second to process his words and remember what exactly I wasn’t supposed to do again. Then I recalled interfering. “I know it was dangerous,” I admitted, “but there were five of them—” “I can bloody well handle myself, Anna!” His hands flung away from my face. “Maybe if there were only a couple, but there were five pissed-off psychos with weapons! I couldn’t just stand there and watch!” Kaidan, exasperated, pivoted like he was going to walk away, raked his fingers through his hair, and turned to me again. “What did you think you could do?” he asked. “You got in a lucky shot when you racked him, but what if it hadn’t worked? As you saw today your mind powers don’t always work!” Ah. He had no idea what I was capable of now. I held a hand out. “Give me your knife.” His eyebrows went together. “What?” “Just give it to me.” I stepped closer, feeling edgy. “No, Anna, I don’t know what you’re trying to do, but this is ridic—” My movements were fast as I went for him full force, using all my body weight and strength to hook a foot behind his knee and slam my palm into his shoulder. He landed on his back with a surprised oof and I crouched over him. “Give me your knife,” I said again. “Holy . . .” Blake let out a long whistle from where he watched at the rail. Kaidan lay there with a whimsical sort of look and said, “God, that was hot.” I held out my hand. This time he fished the knife from his waistband and placed the onyx handle in my palm. From my crouched position I momentarily eyed a wooden bird statue perched at the top of the deck rail twenty feet away, then let the cool metal fly from my fingers. It spun through the air with a sound like rapid wing beats, then a whump as it stuck into the side of the bird’s head. “Dude!” Blake yelled. Beneath me, where Kaidan lay, burst a vivid cloud of red so brief I wondered if I’d imagined it. I stared down at him in shock. “You showed your colors!” I said. “Did not.” He pushed himself up and we both stood. “You totally let ’em out, brah,” Blake told him with a grin. “Shut up.” When he peered down at me I said, “I’ve been training. I’m not completely helpless anymore.” “I can see that,” he murmured.
Wendy Higgins (Sweet Peril (Sweet, #2))
This guy Lobo, whose real and true name was Wolfgang Fink, played better than good flamenco guitar in a place called Mamma Mia in Puerto Vallarta. Had a partner name of Willie Royal, tall gangly guy who was balding a little early and wore glasses and played hot gypsy-jazz violin. They'd worked out a repertoire of their own tunes, "Improvisation #18" and "Gypsy Rock" as examples, played 'em high and hard, rolled through "Amsterdam" and "The Sultan's Dream" with enough power to set you two times free or even beyond that when the day had been tolerable and the night held promise. Lobo, sun worn and hard lined in the face looking over at Willie Royal bobbing and weaving and twisting his face into a mean imitation of a death mask when he really got into it, right wrist looking almost limp but moving his bow at warp speed across the strings, punctuated here and there by Lobo's stabbing ruscados and finger tapping on the guitar top. Good music, wonderful music, tight and wild all at the same time. On those nights when the sweat ran down your back and veneered your face and the gringitas looked good enough to swallow whole - knowing too they looked just that way and them watching the crowd to see who might be man enough to try it - people would be riding on the music, drinking and clapping in flamenco time, dancing around the dinner tables.
Robert James Waller (Puerto Vallarta Squeeze)
My time at Eton did develop in me a character trait that is essentially, I guess, very English: the notion that it is best to be the sort of person who messes about and plays the fool but who, when it really matters, is tough to the core. I think it goes back to the English Scarlet Pimpernel mentality: the nobility of aspiring to be the hidden hero. (In fact, I am sure it is no coincidence that over the years, so many senior SAS officers have also been Old Etonians. Now explain that one, when the SAS really is the ultimate meritocracy? No school tie can earn you a place there. That comes only with sweat and hard work. But the SAS also attracts a certain personality and attitude. It favors the individual, the maverick, and the quietly talented. That was Eton for you, too.) This is essentially a very English ethos: work hard, play hard; be modest; do your job to your utmost, laugh at yourself; and sometimes, if you have to, cuff it. I found that these qualities were ones that I loved in others, and they were qualities that subconsciously I was aspiring to in myself--whether I knew it or not. One truth never changed for me at Eton: however much I threw myself into life there, the bare fact was that I still really lived for the holidays--to be back at home with my mum and dad, and Lara, in the Isle of Wight. It was always where my heart really was.
Bear Grylls (Mud, Sweat and Tears)
My Father Comes Home From Work" My father comes home from work sweating through layers of bleached cotton t-shirts sweating through his wool plaid shirt. He kisses my mother starching our school dresses at the ironing board, swings his metal lunchbox onto the formica kitchen table rattling the remnants of the lunch she packed that morning before daylight: crumbs of baloney sandwiches, empty metal thermos of coffee, cores of hard red apples that fueled his body through the packing and unpacking of sides of beef into the walk-in refrigerators at James Allen and Sons Meat Packers. He is twenty-six. Duty propels him each day through the dark to Butcher Town where steers walk streets from pen to slaughterhouse. He whispers Jesus Christ to no one in particular. We hear him-- me, my sister Linda, my baby brother Willy, and Mercedes la cubana’s daughter who my mother babysits. When he comes home we have to be quiet. He comes into the dark living room. Dick Clark’s American Bandstand lights my father’s face white and unlined like a movie star’s. His black hair is combed into a wavy pompadour. He sinks into the couch, takes off work boots thick damp socks, rises to carry them to the porch. Leaving the room he jerks his chin toward the teen gyrations on the screen, says, I guess it beats carrying a brown bag. He pauses, for a moment to watch.
Barbara Brinson Curiel
I remember my very first day in the gym back in Indiana. My palms were soft and quickly got torn up on the bars because they weren’t accustomed to gripping steel. But over time, after thousands of reps, my palms built up a thick callous as protection. The same principle works when it comes to mindset. Until you experience hardships like abuse and bullying, failures and disappointments, your mind will remain soft and exposed. Life experience, especially negative experiences, help callous the mind. But it’s up to you where that callous lines up. If you choose to see yourself as a victim of circumstance into adulthood, that callous will become resentment that protects you from the unfamiliar. It will make you too cautious and untrusting, and possibly too angry at the world. It will make you fearful of change and hard to reach, but not hard of mind. That’s where I was as a teenager, but after my second Hell Week, I’d become someone new. I’d fought through so many horrible situations by then and remained open and ready for more. My ability to stay open represented a willingness to fight for my own life, which allowed me to withstand hailstorms of pain and use it to callous over my victim’s mentality. That shit was gone, buried under layers of sweat and hard fucking flesh, and I was starting to callous over my fears too. That realization gave me the mental edge I needed to outlast Psycho Pete one more time.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
That same day we drove to Seville to celebrate. I asked someone for the name of the smartest hotel in Seville. Alfonso XIII, came the reply. It is where the King of Spain always stays. We found the hotel and wandered in. It was amazing. Shara was a little embarrassed as I was dressed in shorts and an old holey jersey, but I sought out a friendly-looking receptionist and told her our story. “Could you help us out? I have hardly any money.” She looked us up and down, paused--then smiled. “Just don’t tell my manager,” she whispered. So we stayed in a $1,000-a-night room for $100 and celebrated--like the King of Spain. The next morning we went on a hunt for a ring. I asked the concierge in my best university Spanish where I would find a good (aka well-priced) jeweler. He looked a little surprised. I tried speaking slower. Eventually I realized that I had actually been asking him where I might find a good mustache shop. I apologized that my Spanish was a little rusty. Shara rolled her eyes again, smiling. When we eventually found a small local jeweler, I had to do some nifty subcounter mathematics, swiftly converting Spanish pesetas into British pounds, to work out whether or not I could afford each ring Shara tried on. We eventually settled on one that was simple, beautiful--and affordable. Just. Love doesn’t require expensive jewelry. And Shara has always been able to make the simple look exquisite. Luckily.
Bear Grylls (Mud, Sweat and Tears)
55. The Risk: Reward Ratio In mountaineering, climbers become very familiar with the ‘risk: reward ratio’. There are always crunch times on a mountain when you have to weigh up the odds for success against the risks of cold, bad weather or avalanche. But in essence the choice is simple - you cannot reach the big summits if you do not accept the big risks. If you risk nothing, you gain nothing. The great climbers know that great summits don’t come easy - they require huge, concerted, continuous effort. But mountains reward real effort. So does life and business. Everything that is worthwhile requires risk and effort. If it was easy, then everyone would succeed. Having a big goal is the easy bit. The part that separates the many from the few is how willing you are to go through the pain. How able you are to hold on and to keep going when it is tough? The French Foreign Legion, with whom I once did simulated basic training in the deserts of North Africa, describe what it takes to earn the coveted cap, the képi blanc cap: ‘A thousand barrels of sweat.’ That is a lot of sweat! Trust me. But ask any Legionnaire if it was worth it and I can tell you their answer. Every time. Because the pain and the discomfort, the blisters and the aching muscles, don’t last for ever. But the pride in an achievement reached or dream attained will be with you for the rest of your days. The greater the effort, the better the reward. So learn to embrace hard work and great effort and risk. Without them, there can be no meaningful achievement.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
I soon found my feet, and was much less homesick than I was at prep school. Thank God. I learned that with plenty of free time on our hands, and being encouraged to fill the time with “interests,” I could come up with some great adventures. A couple of my best friends and I started climbing the huge old oak trees around the grounds, finding monkey routes through the branches that allowed us to travel between the trees, high up above the ground. It was brilliant. We soon had built a real-life Robin Hood den, with full-on branch swings, pulleys, and balancing bars high up in the treetops. We crossed the Thames on the high girders above a railway bridge, we built rafts out of old Styrofoam and even made a boat out of an old bathtub to go down the river in. (Sadly this sank, as the water came in through the overflow hole, which was a fundamental flaw. Note to self: Test rafts before committing to big rivers in them.) We spied on the beautiful French girls who worked in the kitchens, and even made camps on the rooftops overlooking the walkway they used on their way back from work. We would vainly attempt to try and chat them up as they passed. In between many of these antics we had to work hard academically, as well as dress in ridiculous clothes, consisting of long tailcoats and waistcoats. This developed in me the art of making smart clothes look ragged, and ever since, I have maintained a lifelong love of wearing good-quality clothes in a messy way. It even earned me the nickname of “Scug,” from the deputy-headmaster. In Eton slang this roughly translates as: “A person of no account, and of dirty appearance.
Bear Grylls (Mud, Sweat and Tears)
The journey up to battle camp started badly. “If you can’t even load a bloody truck with all your kit properly, then you’ve got no bloody chance of passing what’s ahead of you, I can assure you of that!” Taff, our squadron DS, barked at us in the barracks before leaving. I, for one, was more on edge than I had ever felt so far on Selection. I was carsick on the journey north, and I hadn’t felt that since I’d been a kid heading back to school. It was nerves. We also quizzed Taff for advice on what to expect and how to survive the “capture-initiation” phase. His advice to Trucker and me was simple: “You two toffs just keep your mouths shut--23 DS tend to hate recruits who’ve been to private school.” The 23 SAS were running the battle camp (it generally alternated between 21 and 23 SAS), and 23 were always regarded as tough, straight-talking, hard-drinking, fit-as-hell soldiers. We had last been with them at Test Week all those months earlier, and rumor was that “the 23 DS are going to make sure that any 21 recruits get it the worst.” Trucker and I hoped simply to try and stay “gray men” and not be noticed. To put our heads down and get on and quietly do the work. This didn’t exactly go according to plan. “Where are the lads who speak like Prince Charles?” The 23 DS shouted on the first parade when we arrived. “Would you both like newspapers with your morning tea, gents?” the DS sarcastically enquired. Part of me was tempted to answer how nice that would be, but I resisted. The DS continued: “I’ve got my eye on you two. Do I want to have to put my life one day in your posh, soft hands? Like fuck I do. If you are going to pass this course you are going to have to earn it and prove yourself the hard way. You both better be damned good.” Oh, great, I thought. I could tell the next fortnight was going to be a ball-buster.
Bear Grylls (Mud, Sweat and Tears)
Fuel your body. Think about your environment as an ecosystem. If there’s pollution, you’ll feel the toxic side effects; if you’re in the fresh air of the mountains, you’ll feel alive. You’d be surprised at how many of the foods that we eat actually sap our body of fuel. Just look at three quick examples: soda, potato chips, and hamburgers. I’m not a hard-liner who says that you should never consume these things, but this kind of steady diet will make it harder for your body to help you. Instead, look at the foods that are going to give you energy. Choose food that’s water soluble and easier for your body to break down, which gives you maximum nutrition with minimal effort. Look at a cucumber: it’s practically water and it takes no energy to consume, but it’s packed with nutrients. Green for me is the key. We overeat and undernourish ourselves way too much. When you eat bad food, your body will feel bad and then you will feel bad. It’s all connected. I drink green juice every day and eat huge salads. I am also a big believer in lean protein to feed and fuel the muscles--I might even have a chicken breast for breakfast. Growing up, because I danced every single day, I would basically eat anything I wanted and I wouldn’t gain any weight. I would eat anything and everything trying to put on a few pounds, but it never worked--and my skin was terrible as a result of it. We’d blame it on the sweat from the dancing, but I never connected it to what I ate. As I got older, I started to educate myself more about food. I learned that I need to alkalize my body. It’s never about how I look. Instead, I go by how I feel. I notice immediately how good, clean food boosts my energy while junk makes me feel lethargic. I’m also a huge believer in hydrating. Forget about eight glasses of water a day; I drink eight glasses before noon!
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
So that is how we came to be standing in a sparse room, in a nondescript building in the barracks at SAS HQ--just a handful out of all those who had started out so many months earlier. We shuffled around impatiently. We were ready. Ready, finally, to get badged as SAS soldiers. The colonel of the regiment walked in, dressed casually in lightweight camo trousers, shirt, beret, and blue SAS belt. He smiled at us. “Well done, lads. Hard work, isn’t it?” We smiled back. “You should be proud today. But remember: this is only the beginning. The real hard work starts now, when you return to your squadron. Many are called, few are chosen. Live up to that.” He paused. “And from now on for the rest of your life remember this: you are part of the SAS family. You’ve earned that. And it is the finest family in the world. But what makes our work here extraordinary is that everyone here goes that little bit extra. When everyone else gives up, we give more. That is what sets us apart.” It is a speech I have never forgotten. I stood there, my boots worn, cracked, and muddy, my trousers ripped, and wearing a sweaty black T-shirt. I felt prouder than I had ever felt in my life. We all came to attention--no pomp and ceremony. We each shook the colonel’s hand and were handed the coveted SAS sandy beret. Along the way, I had come to learn that it was never about the beret--it was about what it stood for: camaraderie, sweat, skill, humility, endurance, and character. I molded the beret carefully onto my head as he finished down the line. Then he turned and said: “Welcome to the SAS. My door is always open if you need anything--that’s how things work around here. Now go and have a beer or two on me.” Trucker and I had done it, together, against all the odds. So that was SAS Selection. And as the colonel had said, really it was just the beginning.
Bear Grylls (Mud, Sweat and Tears)
we neared Liverpool’s Lime Street station, we passed through a culvert with walls that appeared to rise up at least thirty feet, high enough to block out the sun. They were as smooth as Navajo sandstone. This had been bored out in 1836 and had been in continuous use ever since, the conductor told me. “All the more impressive,” he said, “when you consider it was all done by Irish navvies working with wheelbarrows and picks.” I couldn’t place his accent and asked if he himself was Irish, but he gave me a disapproving look and told me he was a native of Liverpool. He had been talking about the ragged class of nineteenth-century laborers, usually illiterate farmhands, known as “navvies”—hard-drinking and risk-taking men who were hired in gangs to smash the right-of-way in a direct line from station to station. Many of them had experienced digging canals and were known by the euphemism “navigators.” They wore the diminutive “navvy” as a term of pride. Polite society shunned them, but these magnificent railways would have been impossible without their contributions of sweat and blood. Their primary task was cleaving the hillsides so that tracks could be laid on a level plain for the weak locomotive engines of the day. Teams of navvies known as “butty gangs” blasted a route with gunpowder and then hauled the dirt out with the same kind of harness that so many children were then using in the coal mines: a man at the back of a full wheelbarrow would buckle a thick belt around his waist, then attach that to a rope dangling from the top of the slope and allow himself to be pulled up by a horse. This was how the Lime Street approach had been dug out, and it was dangerous. One 1827 fatality happened as “the poor fellow was in the act of undermining a heavy head of clay, fourteen or fifteen feet high, when the mass fell upon him and literally crushed his bowels out of his body,” as a Liverpool paper told it. The navvies wrecked old England along with themselves, erecting a bizarre new kingdom of tracks. In a passage from his 1848 novel Dombey and Son, Charles Dickens gives a snapshot of the scene outside London: Everywhere
Tom Zoellner (Train: Riding the Rails That Created the Modern World-from the Trans-Siberian to the Southwest Chief)
When I start to feel him slide in, I gasp. I knew he was going to feel big---because he is big. I didn't know he'd feel this good, this quickly, though. I close my eyes and savor the way he stretches me, the immediate intensity I feel. When he starts that slow slide, my mouth falls open. Soon I'm clawing at the bedsheets like I'm crazed. I'm certain I'll go hoarse at the end of this, but I don't care. I could lose my voice for a year and it would be worth it, this feels so freaking incredible. Max eases to a slower pace, then leans over me and kisses my shoulder. "Damn it, Joelle. You are...god, you're..." My eyes roll to the back of my head as I smile to myself. His inability to finish a sentence while inside me is the highest compliment. My vision focuses, and I take in just how gorgeous he is in this moment: eyes glazed over with arousal, jaw clenched, brow dotted with sweat, lips swollen from kissing me. Seeing Max so turned on combined with just how good he feels has me tingling between my thighs once more. He digs his fingers into my hips and picks up the pace. "Do you have any idea how long I've wanted to do this with you?" he growls. I moan. "No" and push my hips up higher. "A long fucking time." "Same," I rasp. "Same, same, same." He goes harder and faster until my vision begins to go starry. And then he slips a hand between my legs and works the most sensitive part of me with the pads of his fingers. The intensity deepens until my legs start to shake. I reach around and grip a handful of his delectably rock-hard ass. "I'm gonna need to get a good look at this up close very, very soon," I say. He chuckles between pants. I babble that I'm close. "Thank fuck." And then Max puts it into some high gear I didn't know he was capable of. He goes harder and faster than I thought was humanly possible. It's enough, though. Because moments later I'm bursting once again. He isn't far behind. He tenses against me before shuddering, then grunting. He lightly bites the spot where my neck meets my shoulder. The soft scrape, so sweet and carnal at once, has me grinning in ecstasy. We collapse on the bed, him on top of me, and stay that way for nearly a minute. I close my eyes and breathe in the mint-spice scent on his bedsheets, relishing the weight of his body on top of mine.
Sarah Echavarre Smith (The Boy With the Bookstore)
I hold my breath while he hooks his hands under my thighs. When he resumes, it's faster, harder, and a whole new level of euphoria. I press my eyes shut just as they start to roll back. That spot. That elusive spot every man had such a hard time locating is front and center now. I silently dub him the G-spot whisperer. Another deep thrust hits it again. Good thing I'm not trying to speak anymore, because I've lost all my words. All I have to offer are huffs of hot air and whimpering. Lots and lots of whimpering. The edge of Callum's mouth turns up, and I have to swallow to keep from choking at the divine sight. He looks like a god in this moment. His skin is a golden glow, painted in specks of sweat, highlighting every single cut muscle he possesses. And his expression---a cross between concentration and satisfaction. It's hard physical work he's doing, but he relishes it. I can tell by the glimmer in his eyes, the way his hands cradle my legs so I'm comfortably supported. I can tell by the pinch of his jaw, those soft grunts he let loose, that this is blowing his mind too. For the second time in one night, pressure builds inside me. The feeling is almost too much, but all I want is more. These long, deliberate thrusts are the greatest physical sensations my body has ever experienced. I could explode at any moment, but I want this to last. Forever, if possible. Arching my back, I press my head against the pillow. I cry out, sounding like a rabid banshee. A muttered curse falls from his lips. "That's it. Don't hold back." Pressure and heat collide, and I couldn't hold back if I tried. The deep thrusts keep coming like an endless loop of crashing waves. Callum and my G-spot are new best friends, it seems. Over and over, he hits it. Over and over, the sensations build to an overwhelming peak. His pace shifts from impressive to phenomenal. If Callum were a sex doll, I'd buy a dozen. His stamina, his technique, his adoration of me and my body, it's all perfection. When I burst, I'm even louder than before. And just like before, I'm ablaze from the inside out. Ecstasy pulses through every inch of skin and bone. My blood pumps hot, like lava flowing through my veins. Every muscle tightens, then loosens. Panting, I clutch Callum's forearms and watch his face as he hits his own peak.
Sarah Smith (Simmer Down)
I want to move." Delicately shaking, slickly sweating, I strain against Macon's bulk. It's no use; he has me pinned to the chair, his cock thick and pulsing deep inside. And not fucking moving. He grins down at me, a drop of sweat trickling down the side of his flushed face. "Not yet." Slowly, too damn slowly, he circles his hips, stretching me, making me ache. "I need to come," I whisper. Whine. Plead. It's all the same. Every inch of me throbs. Pleasure is a tightly drawn bow within, and I need that snap of release. His grin fades, replaced by intention. "You will. When I'm ready." "Sadist." He nips my earlobe. "You love it." I shudder as that glorious dick of his eases out, making me feel every hard inch, only to slowly push back in. Too fucking slowly. I'm writhing on him, and he loves it. Dark eyes glint as he works me. Naked in the sun and sprawled on an armchair that barely holds us, he's been fucking me with a steady deliberation designed to drive me out of my mind. And though I'm a pleading, panting mess, I love it too. God, he's gorgeous. Endless muscle and tan skin beaded with sweat, flush from exertion. His expression is slack, hazy with lust. It sends licks of pleasure along my skin. Panting, I reach up and touch his jaw, trying to draw him near. He complies, dipping his head. Our mouths meet in a lazy, deep kiss, an exchange of air, messy exploration of lips and tongues. He groans, shivering. Not unaffected. Just so very good at torturing me. In. Out. Pull. Push. "Macon," I whisper into his mouth. "Please. Fuck me." He freezes, and then with another groan, all that power and need breaks free. I can only hold on as he goes hard and deep. The chair scrapes along the floor as he pounds into me. Every thrust impacts my swollen, sensitive sex. Pleasure builds and builds until I'm keening, my eyes closed as though I can somehow hang on to the feeling forever. But it breaks over me in a shimmering wave. Macon's teeth clamp down on the meaty curve of my neck, not hard but holding me there as his thrusts turn rapid, a greedy chase of his own pleasure. It's so animalistic and unexpected that another orgasm slams into me with unexpected power. I lose track of myself, of him. My fingers claw at his back, thread through his hair. I'm struggling to get closer, get more. He comes with a great shout, his big strong body straining against mine.
Kristen Callihan (Dear Enemy)
The best advice came from the legendary actor the late Sir John Mills, who I sat next to backstage at a lecture we were doing together. He told me he considered the key to public speaking to be this: “Be sincere, be brief, be seated.” Inspired words. And it changed the way I spoke publicly from then on. Keep it short. Keep it from the heart. Men tend to think that they have to be funny, witty, or incisive onstage. You don’t. You just have to be honest. If you can be intimate and give the inside story--emotions, doubts, struggles, fears, the lot--then people will respond. I went on to give thanks all around the world to some of the biggest corporations in business--and I always tried to live by that. Make it personal, and people will stand beside you. As I started to do bigger and bigger events for companies, I wrongly assumed that I should, in turn, start to look much smarter and speak more “corporately.” I was dead wrong--and I learned that fast. When we pretend, people get bored. But stay yourself, talk intimately, and keep the message simple, and it doesn’t matter what the hell you wear. It does, though, take courage, in front of five thousand people, to open yourself up and say you really struggle with self-doubt. Especially when you are meant to be there as a motivational speaker. But if you keep it real, then you give people something real to take away. “If he can, then so can I” is always going to be a powerful message. For kids, for businessmen--and for aspiring adventurers. I really am pretty average. I promise you. Ask Shara…ask Hugo. I am ordinary, but I am determined. I did, though--as the corporation started to pay me more--begin to doubt whether I was really worth the money. It all seemed kind of weird to me. I mean, was my talk a hundred times better now than the one I gave in the Drakensberg Mountains? No. But on the other hand, if you can help people feel stronger and more capable because of what you tell them, then it becomes worthwhile for companies in ways that are impossible to quantify. If that wasn’t true, then I wouldn’t get asked to speak so often, still to this day. And the story of Everest--a mountain, like life, and like business--is always going to work as a metaphor. You have got to work together, work hard, and go the extra mile. Look after each other, be ambitious, and take calculated, well-timed risks. Give your heart to the goal, and it will repay you. Now, are we talking business or climbing? That’s what I mean.
Bear Grylls (Mud, Sweat and Tears)
Since, however, darwinism has once for all displaced design from the minds of the 'scientific,' theism has lost that foothold; and some kind of an immanent or pantheistic deity working IN things rather than above them is, if any, the kind recommended to our contemporary imagination. Aspirants to a philosophic religion turn, as a rule, more hopefully nowadays towards idealistic pantheism than towards the older dualistic theism, in spite of the fact that the latter still counts able defenders. But, as I said in my first lecture, the brand of pantheism offered is hard for them to assimilate if they are lovers of facts, or empirically minded. It is the absolutistic brand, spurning the dust and reared upon pure logic. It keeps no connexion whatever with concreteness. Affirming the Absolute Mind, which is its substitute for God, to be the rational presupposition of all particulars of fact, whatever they may be, it remains supremely indifferent to what the particular facts in our world actually are. Be they what they may, the Absolute will father them. Like the sick lion in Esop's fable, all footprints lead into his den, but nulla vestigia retrorsum. You cannot redescend into the world of particulars by the Absolute's aid, or deduce any necessary consequences of detail important for your life from your idea of his nature. He gives you indeed the assurance that all is well with Him, and for his eternal way of thinking; but thereupon he leaves you to be finitely saved by your own temporal devices. Far be it from me to deny the majesty of this conception, or its capacity to yield religious comfort to a most respectable class of minds. But from the human point of view, no one can pretend that it doesn't suffer from the faults of remoteness and abstractness. It is eminently a product of what I have ventured to call the rationalistic temper. It disdains empiricism's needs. It substitutes a pallid outline for the real world's richness. It is dapper; it is noble in the bad sense, in the sense in which to be noble is to be inapt for humble service. In this real world of sweat and dirt, it seems to me that when a view of things is 'noble,' that ought to count as a presumption against its truth, and as a philosophic disqualification. The prince of darkness may be a gentleman, as we are told he is, but whatever the God of earth and heaven is, he can surely be no gentleman. His menial services are needed in the dust of our human trials, even more than his dignity is needed in the empyrean. Now pragmatism, devoted tho she be to facts, has no such materialistic bias as ordinary empiricism labors under. Moreover, she has no objection whatever to the realizing of abstractions, so long as you get about among particulars with their aid and they actually carry you somewhere. Interested in no conclusions but those which our minds and our experiences work out together, she has no a priori prejudices against theology. IF THEOLOGICAL IDEAS PROVE TO HAVE A VALUE FOR CONCRETE LIFE, THEY WILL BE TRUE, FOR PRAGMATISM, IN THE SENSE OF BEING GOOD FOR SO MUCH. FOR HOW MUCH MORE THEY ARE TRUE, WILL DEPEND ENTIRELY ON THEIR RELATIONS TO THE OTHER TRUTHS THAT ALSO HAVE TO BE ACKNOWLEDGED.
William James
Truth or dare,” I ask, my voice edgy with anticipation and yearning. I know he’ll answer dare – and it will be the last one I give him. “Dare.” “Fuck me,” I beg. He immediately rolls over, gently resting his body on top of mine. I spread my legs, positioning his trim waist and hips in between my thighs. The hard outline of his cock grazes the front of my panties, sending my eyes rolling into the back of my head. He slides his hands under the covers. His fingers sneak under the waistband of my panties. He sits up to slowly glide them down my legs, revealing body in the moonlight. He tosses them, dripping wet, by the side of the bed and the then slides off his tight briefs. His erect cock stands at attention once removed from its fabric confines, pulsing up and down in rhythm with Cole’s racing heartbeat. With the covers now cast to the side, Cole leans over me, devouring my lips. My lips open and I yield him my tongue, which he handles adroitly, flicking it with his own and sucking it with his lips. He leans over to the side of the bed and bends down, picking up his shorts. The movement of his body over mine sends the peaks of his deeply sculpted abs gliding across my soft skin, generating a shiver that trembles through my body. He pulls out his wallet from his shorts pocket and extracts a condom. He kneels on the bed and works the condom down the expansive length of his solid shaft. He imposes his body back over mine, covering me with his huge torso. The length of his cock rests against my warm pussy, throbbing against it. I wrap my legs around his waist and lock my ankles together, pulling him closer toward me. His rough, masculine scent fills my nostrils. He kisses my neck, the light stubble on the side of his check rubbing against my skin. I buck my hips toward him, pressing his cock against me. The bottom of his shaft rests on my warm opening, the tip extends up to my belly button. A delicious anxiousness overtakes me. Will I really be able to fit all of him inside me? “Fuck, Emma, you’re so sexy,” he moans while raking his lips and tongue up and down my neck. He nibbles lightly on my earlobe, his hot, staggered breath brushing against the side of my face. “I want you inside me,” I pant to him. He lifts his hips up and steadies his cock at the precipice of my slick center. He looks me in the eye, and I nod, imploring him to plunge inside me. He does. I shut my eyes as a brief wave of pain washes over me, the shock of accommodating his massive size inside. It soon subsides and my body comfortably accustomed itself to his presence. He slowly pumps in and out of me. I bite down on my bottom lip, waves of pleasure erupting from my center and traversing every inch of my body. My stomach is in knots and my breath is quick and sharp. Every time he lifts his hips to thrust out, my wet cavern craves for him to come back – and he immediately does, pushing himself back in, the length of his shaft rubbing against my insides, the friction driving me wild with ecstasy. I lose track of time as he continues to thrust in and out. I buck my hips against him, hungry for his full length. I tighten my grip with my legs around his waist, greedy for his body to press against mine. “Fuck, Emma, shit,” he moans. I can only respond with unarticulated moans of pleasure and gasps for breath. “Oh, fuck, Cole, I’m gonna come,” I announce. I shut my eyes tight and wrap my arms around his neck, pulling him into me. He thrusts one more time, strongly, and my orgasm erupts. Pulses of pleasure shoot up and down my spine and turn my insides, my chest beats and my heartrate booms against my eardrums. The outside world disappears as I feel my body melting into Cole’s. Cole collapses next to me, a sheen of sweat glistening over his body in the moonlight, highlighting the twists and turns of his musculature. Slowly the world comes back into focus and a blissful
Zoey Shores (Touch Back (Playing for Keeps #1))
Grind and sweat, toil and bleed, face the abyss. It’s all part of becoming an overnight success.
Eric Jorgenson (The Almanack of Naval Ravikant: A Guide to Wealth and Happiness)
New World Order is not made with hugs and kisses, with heart-to-heart conversations or “unconditional love”. It is made with the sweat of hard toil upon the backs of genius, it is made with determination and devotion, it is shaped by skill and by art and a piercing intelligence that dims every star with its brilliance.
Adam Weishaupt (The Illuminati Phalanx)
Be reminded that dreaming and hoping is not the same as scheming and working. Working for the sake of it will not insure you of success but purposeful, meaningful work will help you move the needle towards what you want for you and your family. When is the last time you “sweat” in the process? When is the last time you worked a few hours more than all those in your company? When is “hustle” more to be desired than pacing yourself?
Chris J. Gregas
Ion respect no nigga that’ll steal cause if you’ll steal there’s no limit to what you’ll do to get what you want. I work hard for everything I got. Poured my blood, sweat and tears into this shit. It’s really not even about the money, I wipe my ass with that type of money but it’s about principality. Not everybody understands that.
Karma Monae (Housewives of the Drug Game : Kason & Beauty)
In the United States, Europe, and other developed nations, the poorer people are, the fatter they’re likely to be. It’s also true that the poorer we are, the more likely we are to work at physically demanding occupations, to earn our living with our bodies rather than our brains. It’s the poor and disadvantaged who do the grunt work of developed nations, who sweat out a living not just figuratively but literally. They may not belong to health clubs or spend their leisure time (should they have any) training for their next marathon, but they’re far more likely than those more affluent to work in the fields and in factories, as domestics and gardeners, in the mines and on construction sites. That the poorer we are the fatter we’re likely to be is one very good reason to doubt the assertion that the amount of energy we expend on a day-to-day basis has any relation to whether we get fat. If factory workers can be obese, as I discussed earlier, and oil-field laborers, it’s hard to imagine that the day-to-day expenditure of energy makes much of a difference.
Gary Taubes (Why We Get Fat: And What to Do About It)
What's wrong with it? Socialism eliminates (or severely limits) the right to private property, and denies the individual's reward for his labors proportionate to the amount of effort he puts into his work. For example, I may save my money, and buy two cows. And I work hard to feed these cows. They grow healthy and provide me with an abundance of dairy products; yet, if the man on the next farm just sits around all day, listens to music, reads books and practices his golf swing, socialist theory decrees that I am obliged to give him half of my milk products. If my neighbors knows that, why should he get up from the easy chair, and begin to improve his crops, and to save money, and to scrimp and sweat so that he can develop healthy cows which produce a lot of milk? Socialism, therefore, discourages initiative and does not provide sufficient incentive for industriousness. Welfare rolls do not diminish under Socialism; they grow. They grow, even though there are available jobs, because the easy availability of welfare makes it easier to live off the state than to work in a lower-paying job.
Paul A. Wickens (Christ Defended: Defending the Roman Catholic Church in America [A Catholic Priest Defends the Church Against Modernism])
Civilization is not the creation of its outlaws but of men who have worked hard in the sweat of their brows, building on the past – against the outlaws, the immoralists, the advocates of violence and death. In obedience to natural law and by the grace of God, a few good men have stemmed the blood-dimmed tide in every generation, though now it seems to some as if, at last, we were going under.
John Senior (The Death of Christian Culture)
Departure" Be it sight, sound, the smell, the touch. There's something, Inside that we need so much, The sight of a touch, or the scent of a sound, Or the strength of an Oak with roots deep in the ground. The wonder of flowers, to be covered, and then to burst up, Thru tarmack, to the sun again, Or to fly to the sun without burning a wing, To lie in the meadow and hear the grass sing, To have all these things in our memories hoard, And to use them, To help us, To find... God... "Ride My See-Saw" Ride, ride my see-saw, Take this place On this trip Just for me. Ride, take a free ride, Take my place Have my seat It's for free. I worked like a slave for years, Sweat so hard just to end my fears. Not to end my life a poor man, But by now, I know I should have run. Run, run my last race, Take my place Have this number Of mine. Run, run like a fire, Don't you run in In the lanes Run for time. Left school with a first class pass, Started work but as second class. School taught one and one is two. But right now, that answer just ain't true. Ah ah ah ah, ah ah ah ah, ah ah ah ah ah Ah ah ah ah, ah ah ah ah, ah ah ah ah ah My world is spinning around, Everything is lost that I found. People run, come ride with me, Let's find another place that's free. Ride, ride my see-saw, Take this place On this trip Just for me. Ride, take a free ride, Take my place Have my seat It's for free. Ride, my see-saw. Ride, ride, ride, my see-saw. Ride, my see-saw... The Moody Blues, In Search Of The Lost Chord (1968)
The Moody Blues
There is a certain motivation seeing yourself sweating profusely.
Sarvesh Jain
My aunt worked several years in what Americans call “sweat shops.” It was hard work. Long hours, “small” wage, “poor” working conditions. Do you know what my aunt did before she worked in one of these factories? She was a prostitute. The idea of working in a “sweat shop” compared to that old lifestyle is an improvement, in my opinion. I know that my aunt would rather be “exploited” by an evil capitalist boss for a couple of dollars than have her body be exploited by several men for pennies. That is why I am upset by many Americans’ thinking. We do not have the same opportunities as the West. Our governmental infrastructure is different. The country is different. Yes, factory is hard labor. Could it be better? Yes, but only when you compare such to American jobs.
Morgan Housel (The Psychology of Money)
There is a difference between working out and training,” he started.  “So far, you just work out.  You sweat a little and get a good amount of exercise.  Yes, you do get a little better, a little stronger and a little smarter, but mostly your skills are derived from your natural abilities.  Training is very different.  When you train, you have to push your body and your fighting spirit to the point of breaking every time. When you train, you have to go right up to the limits where your physical being and your spiritual self scream ‘no more.’ And at that barrier, which naturally evolved throughout your lifetime as protection against possible physical harm and mental anguish, you must force through or be forced through into a world of seemingly unreasonable pain in order to glimpse and then realize another level beyond your current abilities.  This must happen over and over again in order to truly progress on this journey.  And of course, the cruelty of all this is that the next level itself is illusory, as is the one after that, and the successive barriers you must force your way through will seem boundless.” “Even for the strongest person, training extracts a heavy and oftentimes damaging toll on your body and on your psychic health, which is why I rarely push my students that hard,” he continued.  “The harmful effects of such hard training is also why you need a trustworthy guide and teacher, someone who can catalyze your training but, more importantly, someone who can pull you from the abyss and show you that the white hot pressure to advance and constantly surpass your previous achievements is also an illusion in and of itself.
Kathryn Yang (Shijak: To Begin: A Modern Martial Arts Story)
I said grace and meant every word of it, going a little misty with gratitude. It’s stupid, I recognize it’s stupid, but sometimes the planet slowed for me, where my life and the lives of those around were held in a crystalline drop of time, and I knew for certain the moment was a holy one, and that the hard work and the tears and sweat were a tiny price to pay, and raw existence was sweet, so sweet and pure it hurt.
Alan Lee (Bad Aim (Mackenzie August, #8))
Sweet dreams are made of sweat-n-dare. Sweat makes it sweet, dare brings it true.
Abhijit Naskar (World War Human: 100 New Earthling Sonnets)
This is My Country [Verse] They say they're taking our rights, trying to clip our wings, Taking aim at the heartland, changing all our things, But I'll stand my ground, with my boots in the dirt, For the sweat on my brow, and this worn-out shirt. [Verse 2] They're chasing my plow and meddling with my land, Trying to break the backbone of the hard-working man, But over my shoulder, there's a flag flying high, For every valley, every mountain, and the wide open sky. [Chorus] This is my country, where I'm proud to stand, With the rifle in my hand, and I’ll defend this land, They can try to take it, but they'll never break me, In the land of the free, I'll always be. [Verse 3] They don't understand the veins in this soil, Each drop of blood, each tear, and each toil, But I'll say my piece, in every whistle and chime, 'Cause this life's been mine since the start of time. [Verse 4] From sunup to sundown, in the fields I roam, They won't replace the essence of my home, For every stream and every tree that's grown, They can't take the spirit that's deeply sown. [Chorus] This is my country, where I'm proud to stand, With the rifle in my hand, and I’ll defend this land, They can try to take it, but they'll never break me, In the land of the free, I'll always be.
James Hilton-Cowboy
Backroads and Battles [Verse] Down on the backroads, where freedom's our creed, Folks like us, we don’t take lightly to greed. They're tryin' to tell us how to live, what to own, But our roots run deep, as hard as a stone. [Verse 2] But beneath this old hat, there's a fire that won't die, We ain't just cogs, we're stars in the sky. Takin' the rights to bare arms ain't the way, A hard-working man’s got a right to his say. [Chorus] This is my country, I’ll fight to the end, Proud to stand up for family and friends. They can try to change us, try to tear us apart, But they'll never steal what's carved in our hearts. [Verse 3] We rise at dawn, with sweat on our brow, Plowin' the fields, ain't no time for a row. They're tryin' to silence, to push us aside, But the spirit of this land's too strong to hide. [Chorus] This is my country, I’ll fight to the end, Proud to stand up for family and friends. They can try to change us, try to tear us apart, But they'll never steal what's carved in our hearts. [Bridge] From the mountains high to the wide open plains, We’ve weathered the storms, and danced in the rains. No politician's words can undo what’s been done, In the heart of this country, the battle has won.
James Hilton-Cowboy
Folks like you and me [Verse] They’re tryin’ to take the rights to bear our arms, As if we don’t need 'em, in these here parts, Replace the hard-workin’ man, they say, But my roots run deep, I ain't movin’ away. [Verse 2] Down at the diner, talk's a-stirrin’, Everyone’s worried 'bout freedoms' curtain, But I’ll always stand for what's just and right, My spirit’s steeled, I’m ready to fight. [Chorus] This is my country, my land of the free, Where the sun sets, on folks like you and me, I'll always stand tall, under these skies of blue, Proud to live in the USA, doin’ what we do. [Verse 3] Honest days work with dirt on my hands, Sweat on my brow, I’m a proud working man, They might try to change what we hold dear, But we won't back down, we'll persevere. [Verse 4] From the rolling plains to mountains high, We cherish our home, with a watchful eye, Our rights ain't just words on an old scroll, They're the lifeblood, deep in our soul. [Chorus] This is my country, my land of the free, Where the sun sets, on folks like you and me, I'll always stand tall, under these skies of blue, Proud to live in the USA, doin’ what we do.
James Hilton-Cowboy
This Is My Country [Verse] They’re tryin’ to take the rights to bear our arms, As if we don’t need 'em, in these here parts, Replace the hard-workin’ man, they say, But my roots run deep, I ain't movin’ away. [Verse 2] Down at the diner, talk's a-stirrin’, Everyone’s worried 'bout freedoms' curtain, But I’ll always stand for what's just and right, My spirit’s steeled, I’m ready to fight. [Chorus] This is my country, my land of the free, Where the sun sets, on folks like you and me, I'll always stand tall, under these skies of blue, Proud to live in the USA, doin’ what we do. [Verse 3] Honest days work with dirt on my hands, Sweat on my brow, I’m a proud working man, They might try to change what we hold dear, But we won't back down, we'll persevere. [Verse 4] From the rolling plains to mountains high, We cherish our home, with a watchful eye, Our rights ain't just words on an old scroll, They're the lifeblood, deep in our soul. [Chorus] This is my country, my land of the free, Where the sun sets, on folks like you and me, I'll always stand tall, under these skies of blue, Proud to live in the USA, doin’ what we do.
James Hilton-Cowboy
Boxwood, a man of indeterminate age with a scraggly mass of brown hair and a paper-thin mustache, had been hired on part-time, and it was he who oversaw the boys in their outdoor chores. Marvin was handed an axe and followed a few of the other boys to an adjacent area where several tree stumps had been strategically placed, along with a bounty of uncut wood. Marvin got to work. He hacked at a portion of a downed tree, and once he had a manageable piece, he heaved it into his arms and dropped it onto one of the stumps. He hoisted the heavy axe over his shoulder and, with as much force as he could muster, brought it down upon the chunky piece of trunk. The wood split in two, a few shards spraying outward and falling to the ground. Marvin repositioned one half of the newly cut trunk, heaved the axe over his shoulder, and brought it down forcefully on the wood. It split again. By the time Mr. Boxwood announced that the boys were through for the evening, Marvin was sweating profusely, and his arms ached. He returned the axe to the storage shed and walked toward the main entrance of the orphanage along with the other boys who had been required to split wood. The grounds were otherwise unoccupied, the other children having already headed to their dormitories to retire for the evening. Marvin was walking toward the stairwell when he passed a bathroom and spotted movement through the open door. When he instinctively turned his head to look within, he saw Eva on all fours, scrubbing the floor with a small-handled brush, a metal bucket of sudsy water at her side. Marvin searched the hallway and, not spotting any authority figures, whispered, “Eva. Hey, Eva.” When she looked up at the sound of his voice, Marvin noticed her eyes were tinged with red. “What are you doing?” “What does it look like I’m doing?” She seemed about to cry, but her jaw was clenched in anger. “Why do you have to do it?” Eva sat back on her heels, rested the brush on her lap, and ran her free hand up into her hair, where she angrily grasped the large bow. “This damn thing!” she exclaimed, and Marvin’s eyes widened at the curse. “I didn’t want to wear it. It’s babyish. My parents never made me wear something like this. Not at my age, anyway. Maybe when I was a baby and I didn’t know any better or didn’t care, but not now. And Sister What’s Her Name said I had to wear one because it made me look presentable—that was her word: presentable. Because apparently, I don’t look presentable without a big ol’ stupid, ugly, white baby bow in my hair. I got so mad, I yanked it out and threw it on the ground, but then she looked at me. Just looked at me. She didn’t say anything, just stared. And then my heart got all jumpy because nobody had ever looked at me that way before.” Eva wiped a tear from under her eye. “She picked it up, so slow I didn’t know if she had trouble with her legs or something, right? She picked it up, and then she held it in her hand and looked down at it, and then… then… Marvin, she slapped me so hard on the cheek, I couldn’t believe it. I just couldn’t believe it. Nobody’s ever slapped me before!” Another tear dribbled from Eva’s eye, and Marvin was compelled forward. His knees hit the cold, hard floor, and he reached
Amy Fillion (This Funny Life)
I stared at him then, taken aback by the sudden squeeze building in my chest, until it felt like I couldn’t breathe. His hair was plastered to the sweat on his forehead, clearly having worked hard to give me the best pleasure he possibly could. His face and chest were flushed, and a bright gleam in his eyes was even brighter than his smile.
Romeo Alexander (Close Quarters (Isaiah Ranch, #2))
Sweat today, savor tomorrow!
Abhijit Naskar (Bulletproof Backbone: Injustice Not Allowed on My Watch)
The moon was high by the time they reached the courtyard, for they could not take the most direct way—the size of the skull precluded all but the widest corridors. The night wind was cold, for they were sweating hard with their labor; and the moon became two moons as Arron’s tired eyes refused to focus. Tor had found rope, and they tried to drag the thing, but that had worked even less well than rolling it, and so they went back to rolling. It was not nearly round, and it progressed in lumbering half-circle flops, and they had been painfully tired before they began. “We must rest,” murmured Tor. “Food,” said Aerin. Tor roused himself. “Bring some. Wait.” The slightly moldy bread and more than slightly moldy dry cheese he found gave them more strength than they would have thought possible. “Second wind,” said Tor, standing up and stretching slowly till his spine cracked. “Fourth or fifth wind,” said Aerin grimly, feeding the end of her cheese to her beasts; “and the strength of panic.
Robin McKinley (The Hero and the Crown (Damar, #2))
Sworbreck was dealing with the baker first. He was a chubby man, which made him look guilty of eating well, and he was sweating profusely, which made him look guilty of being warm, both of them capital crimes in this lean winter of the Great Change. “I been a baker twenty years,” he was saying. “My father was a baker.” “Hoarders!” someone screamed. “Take ’em to the Tower!” “Take ’em all!” The Styrian woman clutched her face with her hands as if she wanted to crush it between them. “Mercy!” she blubbed. “Mercy!” The court was not without it. Judge was the voice of the mob. She was their bitter rage, their envy and their greed, but she was also their sentimental forgiveness. When the mood turned for some well-spoken old man, some innocent-looking young woman, first Judge’s chin would crinkle, then her lower lip would tremble, then her black eyes would well with tears. Sometimes she would vault from behind the High Table, kiss the accused, clasp their head to her rusted breastplate. Then they would be embraced by weeping guards, applauded on their way out of the hall while songs were sung and slogans chanted, free Citizens and Citizenesses, enemies no more! Perhaps Judge liked seeing the hope in the eyes of the accused, so she could see it crushed. Perhaps she truly believed she was doing the good work and rejoiced in those righteously acquitted as much as those rightfully convicted. Perhaps—surely the most terrible possibility of all—she was doing the good work, and somehow he could not see it. The baker was trying to defend himself, but how to prove false what was self-evidently absurd? “I charged the lowest prices I could and still stay in business! But flour’s gone up so high—” “And so we come to you!” roared Sworbreck at the miller. He was bony and severe, with a habit of peering up shiftily from under his brows that did him no favours. “There was a poor harvest!” he barked out. “Now the cold weather’s frozen the canals, snarled up the roads. It’s hard to get goods into the city.” “Ah, so the government is to blame?” Sworbreck spread his arms towards the benches behind the dock, where the Representatives gravely shook their heads at such a slander. “And since the government consists of those chosen by the people…” Sworbreck leaned back, raised his arms to the balconies. “The people are to blame?
Joe Abercrombie (The Wisdom of Crowds (The Age of Madness, #3))
I’m loading a dump truck full of mulch for a landscaping job when my cell phone rings. It’s hot day and I wipe the sweat off my brow while removing one of my work gloves. It’s hard labor, no question,
Faith Sullivan (Take Me Now (Take Me Now, #1))
Chapter FEEDING YOUR ATTENTION HOG I was once at a New Age party and wanted to get the attention of some particularly lovely sari-wearing, belly-dancing women who were floating in and out of the various rooms. I had discovered that I could move past some of my fear and make a connection with people through singing. So I pulled out my guitar and started playing a song I had worked particularly hard to polish, Fleetwood Mac’s “A Crystalline Knowledge of You.” I was able to make it through without too many mistakes and was starting to feel the relief that comes from surviving traumatic experiences. Then one of the belly-dancing goddesses called to me from across the room, “You are some kind of attention hog, aren’t you!” As soon as she said it, my life passed before me. The room started to swirl, as a typhoon of shame began to suck me down the toilet of my soul. “Embarrassment” is an inadequate word, when someone pins the tail on the jackass of what seems to be your most central core defect. I am usually scrupulous about checking with people when I make requests for attention. But this time I was caught with my hand in the cookie jar up to the elbow. I remember slinking away in silent humiliation, putting my guitar back in its case and making a beeline for my car. I just wanted to get back to my lair to lick my wounds, and try to hold my self-hate demons at bay with a little help from my friend Jack Daniels. After that incident I quit playing music in public at all. Several years later I was attending a very intense, emotional workshop with Dr. Marshall Rosenberg. Our group of about twenty people had been baring and healing our souls for several days. The atmosphere of trust, safety and connectedness had dissolved my defenses and left me with a innocent, childlike need to contribute. And then the words popped out of my mouth, “I’d like to share a song with you all.” These words were followed by the thought: “Now I’ve gone and done it. When everyone turns on me and confirms that I have an incurable narcissistic personality disorder, it will be fifty years before I sing in public again.” Dr. Rosenberg responded in a cheerful, inviting voice. “Sure, go get your guitar!” he said, as though he were unaware that I was about to commit hara-kiri. The others in the group nodded agreement. I ran to my car to get my guitar, which I kept well hidden in the trunk. I was also hoping that I would not just jump in my car and leave. I brought the guitar in, sat down, and played my song. Sweating and relieved that I made it through the song, my first public performance in years, I felt relief as I packed my guitar in its case. Then Dr. Rosenberg said, “And now I would like to hear from each group member how they felt about Kelly playing his song.” “Oh my God!” my inner jackals began to howl, “It was a setup! They made me expose my most vulnerable part and now they are going to crucify me, or maybe just take me out to the rock quarry for a well-deserved stoning!
Kelly Bryson (Don't Be Nice, Be Real)
Paradoxically, a focus on performance trips up some star athletes. Praised for being “naturals,” they believe their performance is a result of innate gifts. If they’re naturals, the idea goes, they shouldn’t have to work hard to excel, and in fact many simply avoid practicing, because a need to practice is public evidence that their natural gifts are not good enough to cut the mustard after all. A focus on performance instead of on learning and growing causes people to hold back from risk taking or exposing their self-image to ridicule by putting themselves into situations where they have to break a sweat to deliver the critical outcome.
Peter C. Brown (Make It Stick: The Science of Successful Learning)
Probably should mention the fact that during the day, most of the men took their shirts off as they were working. After a while, all of these bare back men started to looked alike. Therefore, I was not prepared for his broad shoulders and back that was glistening with a mixture of sweat and hard work or the way my hands were itching to go over there and feel every sinew and muscles of his back.
Clotilde Martinez (Moura Enchanted (Cousins & Friends 1))
Judge ground himself against Michaels’ ass again, content with taking a little for himself too. “Does it feel like a joke?” His dick was hard and aching behind his own zipper. It was torturous and dangerous. Honestly that shit was getting exciting. He was pissed at first about the fight, but things were getting interesting. The fiery detective had many layers to him that Judge was going to enjoy unveiling little by little. Judge slowed his stroke. Relished the length and girth Michaels was blessed with. No wonder that punk bastard was begging in that email. Goddamn. It’d been a long damn time since he’d enjoyed a thick cock up… No. Fuck no! Michaels bucked in his arms, jolting Judge out of his thoughts. Squeezing tighter, Judge worked him from base to tip, twisting the cap before going back down and repeating over and over. Michaels shuddered and cursed in his arms, letting his head fall back on Judge’s shoulder. If he turned his head, he could kiss that coarse cheek; run his mouth and nose all the way down that alluring smell of testosterone, sweat, and bitterness that clung to Michaels, and bite him hard on that stubborn jaw he liked to jut out in defiance. He could feel how close Michaels was. Liked how he’d accepted defeat in this round. His hands were still braced against the wall, those swollen, bruised knuckles a testament that he’d put up a good fight, but he was no longer pushing. His taut body had gone lax and his jaw slack, panting in rhythm with Judge’s stroking. Oh god, the expression on his face… frowning in deep concentration to take what he needed. He’s fuckin’ beautiful. Jesus. “Judge. Make me come,” Michaels whispered, so painfully that Judge needed to witness the bliss he was getting ready to give the bruised man in his arms. He increased the speed of his fist, the slicking sound obscene in the small, dark room. Michaels was leaking for him, aching, pleading for him. For him to do what he promised. Judge buried his nose at the base of Michaels’ throat and squeezed his eyes shut, damn he couldn’t watch. He ground his hips forward at the same time he pulled Michaels back into him. “Fuuuuck.” Did that come from him?
A.E. Via (Don't Judge (Nothing Special, #4))
On one occasion, after a particularly long spell away from home, I got Shara to fly into the mountains we were filming in. “Bring the boys, my love, I miss you.” That night, I hitched a lift with the crew, jumped into the helicopter that was extracting them back to base, and went to the lodge they were staying in. Shara was there, waiting. I spent the night in my family’s arms and went back to film the next day. Reckless, I know. But the press got wind of it, as they do, and they went for the jugular. It made for a killer headline. I totally understood. But who hasn’t made the odd mistake? In hindsight, it was more than reckless--it was an error, and it opened a can of worms for the papers to feed on. But, for the record, it had been total heaven to see Shara and the boys. So which do I value more--being a hero or being a father? There’s a third option, Bear. It is called patience. I know. It is never my strong point. So this was another moment that could have sunk the show, but Channel 4 and Discovery backed me. They knew all too well how hard I work and the risks I take every day. And the best response to the critics was the show’s subsequent runaway success.
Bear Grylls (Mud, Sweat and Tears)
You work hard and sweat it out only when doing something for which you were not born
Sunday Adelaja
One of our favorite family stories tells about a preacher who stopped by one day while Daddy was hard at work. This particular preacher was never much of a help to anybody and seemed to show up only when he was out beatin' the bushes for money. Well, this snooty parson in his starched collar stopped by the fence while my daddy was sweating and groaning and trying to get a stump out of the ground, and he said, "Hello, Lee, this is a right nice place you and the Lord have here." Daddy wiped the sweat from his brow with the back of his sleeve and said, "Yeah, well, you should have seen the som'bitch when the Lord had it by hisself." I have often joked that we had "two rooms and a path, and running water, if you were willing to run to get it.
Dolly Parton (Dolly: My Life and Other Unfinished Business)
Early sweats make up later pleasures
Israelmore Ayivor (Six Words Inspiration)
Pausing for a breath, he uses his hand to keep Patrick right up at the edge before shoving Patrick’s cock back in his mouth, lapping at the leaking head and sucking deep into his throat. Patrick growls, his deep voice vibrating in the back of Will’s head like an urgent, needy buzz, and humps his mouth in frustration. “Stop teasing.” Will hums and taps Patrick’s squeezing hole in rhythm to his slurps. He’s happy with Patrick’s cock in his mouth, but the low hum that starts in his veins, an emptiness he recognizes as his blood sugar dropping, means he needs to have dinner soon. So he stops teasing and reaches for the open bottle of juice on the coffee table. He takes a few swigs, and then starts sucking just the way Patrick likes best: pulling his entire shaft in, then sliding up with a long, wet drag before diving down again. “Puddin’-pop,” Patrick grits out. “Yeah, yeah—like that.” A spurt of liquid hits his tongue, and Will pulls back to lick at the slit. Patrick’s cock thrums against his palm, rigid and throbbing. “Tastes good,” Will murmurs and then swoops down again. “Ungh,” Patrick grunts, tugging Will’s hair. “Get me off.” Will hollows his cheeks, sucks back up, and uses his hand to jerk the base of Patrick’s cock as he works. “Yes, yeah.” Patrick arches his hips up and his stomach tenses as he clenches Will’s hair in his fists. “Suck it.” Will slurps hard and steady while Patrick whispers filthy things and struggles to get there or hold back, thighs clenching and stomach quivering. “Gonna come,” Patrick groans. Will gets ready to swallow, and Patrick’s thighs jump and his asshole pulses against Will’s finger. “Fuck!” Patrick curls up, his hips bucking, and his cock shoves deep into Will’s throat. Choking, tangy spurts of come fill Will’s mouth, but he swallows all of it down while Patrick shakes and curses, tugging hard against Will’s hair. “Stop, stop,” Patrick whines, holding Will down on his dick despite his words. “Too much. Stop.” Will lets Patrick’s cock twitch in his mouth until Patrick loosens his grip, and then he pulls off with a wet, sweet slurp. Patrick falls back to the sofa, panting and rolling his head limply back and forth. Sweat shines on his forehead and in the notch at the base of his neck. He’s trembling all over, and Will beams up at him, his own cock throbbing against the placket of his jeans. “Good?” “A+ cock sucking,” Patrick whimpers. “Wins all the awards.” “I know.” “Mmm.” Will
Leta Blake (Will & Patrick Meet the Mob (Wake Up Married, #5))
Do you know what it feels like to be labeled a devil for simply existing? Do you know how it feels to be ridiculed, mocked, disrespected,lied on, beaten, tortured, and even killed because of who you are? Do you know how it feels to be screaming out for help only to have your cries go ignored by people who claim that they are there to “help?” Do you know how it feels to work so hard for something, putting your blood, sweat and tears into it, only to not be recognized? Do you know how it feels to not be believed in?? I realized, monsters aren’t born, they’re created. Even the devil was once an angel. Maybe I am a devil? The scapegoat. The one blamed for all of the world’s ills. The single most misunderstood person in the history of all existence. Keep in mind that every time you put fear in that little black boy’s heart, every time you lie to him, every time you label him a criminal, every time you don’t let that little black boy express himself...YOU ARE CREATING A DEVIL. Don’t be surprised when that innocent little black boy with eyes full of hopes and dreams grows up to be a monster with darkened eyes and a darkened heart, hell bent on two things: either destroy or self destruct.
D.L. Dotstry
You’re worth ever bead of sweat and every groan of frustration. You’re worth the work, you’re worth the wait, you’re worth everything I have to give you.” I moved closer, so our foreheads were pressed together, our eyes aligned. “So make me work for it. Make me work hard for it. I will. You won’t hear one complaint from me working myself to the bone for you. Not one.
Nicole Williams (Mister Wrong)
Let’s call it a draw,” Molly said. “This is a family full of good-looking men, particularly their father.” Charley covered her ears. “Tell me when it’s over,” she said to her sister Hannah. Hannah patted her good knee. “There’s nothing sexier than the smell of motor oil and sweat on a man after a hard day of work,” Hannah said, fanning her face as the others screamed with laughter.
Marie Force (Ain't She Sweet (Green Mountain, #6))
The pain in your muscles and the sweat in your brow after doing a work the hard and honest way make you feel proud of yourself!
Avijeet Das
It is impossible to tell how much public money they [the cadres] have spent on dining, money wrung from the blood and sweat of hard-working peasants. According to figures released by the National Statistics Bureau, the yearly spending on dining at public expense in urban and rural areas is somewhere between eight hundred million and one billion yuan, enough to host four Olympic Games, to build two dams like the Three Gorges, or wipe out the disgrace of the widespread phenomenon of children being kept out of school because there are insufficient funds in the education budget.
Chen Guidi & Wu Chuntao
He took it off, and she could see his hair was damp with sweat, as was his shirt on closer inspection. He mustn’t have bothered showering after his training session. Juliet’s belly tightened. There was just something about a sweaty man that had always done it for her. Good sweaty. Not the festering-for-hours-never-worn-deodorant kind. The healthy kind worked up through hard physical labour. The primal survival kind that attracted a woman to the type of man who could keep her in mammoth stew and furs. It clearly didn’t matter how sophisticated humans thought they were or how far they’d come. Hundreds of thousands of years of evolution and it still got down to how a man smelled. Mother Nature was one crazy bitch.
Amy Andrews (Playing With Forever (Sydney Smoke Rugby, #4))
Work is satisfying. Staying up late until your eyes beg you for sleep, sitting constantly in front of your computer till your back aches, rushing hurriedly until you sweat hard, or drudging till you become tired. Yes, work is compelling, satisfying, and sometimes, even addictive. Working hard makes you realize that you’re playing your part, it protects your belief of being a dedicated person, and above everything it shows that you take responsibility for what you do. This all gives you the satisfaction of work, doesn’t it? But unfortunately, the truth is, sometimes it’s nothing more than false satisfaction of work.
Vishal Ostwal (Pocket Productivity: A Simplified Guide to Getting More Outcomes from Your Hard Work and Giving Your Hustle a Meaning)
Date?” Paul glanced at Henry, who wore an equally puzzled expression.  “I heard Charlene talking about that once.  Sounds weird.” “Really?  You guys don’t date?”  I didn’t ask what they did to get to know a girl instead of dating. “No, we get invited to Introductions,” Paul said as if reading my mind. “What’s that?”  Sam hadn’t mentioned anything like that to me, and I wondered if I should add it to his list of omissions. “When a female comes of age, she’s brought to the Introduction room where she can meet werewolves she has never met before.  The Elders are there to make sure the girl is safe and to give the guys a few minutes to talk to her.  You know, to really get her scent.  When there’s a connection, a guy just knows and Claims her.  If not, the next group comes in for their chance.” I started to sweat as I sat there.  First, what did he mean by Claim?  Second, they kept a girl in a room while guys came in to look her over and smell her?  I reached for my water that sat on the coffee table in the center of our sitting arrangement.  My hands shook a little, and I tried really hard to calm down and not let my imagination run away. “Hey, Gabby, you okay?  Did Paul say something wrong?  Charlene said we could ask any questions we wanted...” They had no idea how foreign what they’d just said sounded to me. “Hey, Gabby, you don’t have to worry about Introductions if that’s what’s scaring you.”  Paul looked at me with concern.  “For you and Charlene, the attraction works different.  She explained it to us when she said that you were coming.  You guys have a level of appeal, or chemistry, with just about all werewolves.”  He is not helping, I thought while he continued.  “Because the level of attraction to you varies, it wouldn’t be safe to put you in an Introduction room.” “Yeah,” Henry agreed and, with a spark of excitement in his eyes, leaned forward in his chair.  “That’s when the mating duels happen.  It’s rare with a werewolf couple, but when Charlene was first brought here, I heard the guys went crazy because they didn’t know what was happening.  They fought over who had the strongest tie to her.  But you don’t have to worry about that with us.  Paul and I think you’re okay, and you smell good and everything, but we knew when we met you that you’re not right for either of us.  That’s why Charlene left you alone with us.” My stomach churned.  Werewolves were going to start fighting each other for me?  No thanks.  They both smiled at me encouragingly.  They probably thought their explanations helpful, but the information they threw at me stunned me. “What did you mean by ‘Claim’?”  My voice came out light and airy with anxiety, but I needed to know. “It’s when we bite our Mate.  The bite draws blood but doesn’t hurt,” Paul explained reassuringly. “What?” I nearly shouted.  My freak-o-meter bypassed meltdown. My head spun dizzily, and no doubt, all the color had drained from my face.  “Oh, not for you, Gabby,” Paul said, quickly leaning forward.  He made shushing motions with his hands.  “We can’t Claim humans like that.  When your Mate finds you, it’s up to you to Claim him.” So,
Melissa Haag (Hope(less) (Judgement of the Six #1))
Giving her a second, I stood up and walked into my room, threw a pair of sweatpants over my shorts, and shrugged into a sweatshirt. God, how was she shivering? I was already sweating with this on. But if I couldn’t comfort her in the way I wanted to, I was going to do it in the only other way I knew how. I’d just be there for her. When I walked back through the living room, her sobs had quieted, but she was still in a ball. Heading into the kitchen, I grabbed two bottled waters, a spoon, and the pint of Ben and Jerry’s she always made sure I had in the freezer. I put everything on the coffee table, grabbed the remote, and searched the DVR until I found Bridesmaids. I didn’t give a shit about the two hundred dollars or breakfasts I would owe her for this. Sitting down next to her this time, I picked up the water and ice cream, balanced them on my legs, and turned the volume up. When the movie started, she brought her red face up and glanced at the TV with a furrowed brow before looking over at me. Her eyebrows shot straight up when she saw me. “What are you wearing?” Her voice was hoarse from crying and I handed her the bottle of water. “Well, you came over in sweats. I figured I missed the memo or something and had to get in on the party.” She looked at the TV and back to me, and a small smile cracked when she took the ice cream and spoon from me. I’d pushed her enough today. I hated knowing what I knew and vowed to one day find out who this guy was. Hopefully now that she knew she could talk to me, she’d open up more when she was ready. But anything more today would be too much. So I settled into the couch and pretended to watch the movie instead of her every move. After a while, she handed me back the half-empty container and leaned against my shoulder. My arm automatically went around her and I pulled her close to my side. “Thank you, Kash,” she whispered a couple minutes later. “Anything for you, Rach. I’m here whenever you need to talk.” Pressing my lips to her forehead, I kept them there as I said, “And I will always protect you.” We were still sitting there watching the movie when Mason came back from his run. He nodded at us, and when he came back out of his room after a shower, he was dressed in sweats as well. He grabbed the melting ice cream and tried to squeeze himself onto the couch on the other side of Rachel. She laughed and curled closer into my side. “You guys are the best.” “You think we’re going to let you veg on the couch alone?” Mason said, scoffing. “Sweetheart, you obviously don’t know us that well. I mean, it’s gonna be a hundred degrees today. How else would I spend the day than in sweats?” Rachel kicked at his leg and he squeezed her knee. After a few minutes of watching the movie, Mason caught my gaze over Rachel’s head. He quickly looked down at her and raised an eyebrow, the question clear in his eyes. I nodded once and the color drained from his face. He swallowed hard and grabbed one of Rachel’s hands. She laughed lightly at something from the movie and his eyes came back to mine. They were determined, and he looked like he was struggling at relaxing his now-murderous expression. I knew exactly how he felt. He didn’t have to say anything to me. We’d worked together long enough to know that we’d both just agreed to find the bastard. And make him pay.
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
I’ve got to get Brittany alone if I’m gonna have any chance of saving face and saving my Honda. Does her freakout session mean she really doesn’t hate me? I’ve never seen that girl do anything not scripted or 100 percent intentional. She’s a robot. Or so I thought. She’s always looked and acted like a princess on camera every time I’ve seen her. Who knew it’d be my bloody arm that would crack her. I look over at Brittany. She’s focused on my arm and Miss Koto’s ministrations. I wish we were back in the library. I could swear back there she was thinking about getting it on with me. I’m sporting la tengo dura right here in front of Miss Koto just thinking about it. Gracias a Dios the nurse walks over to the medicine cabinet. Where’s a large chem book when you need one? “Let’s hang Thursday after school. You know, to work on the outline,” I tell Brittany for two reasons. First, I need to stop thinking about getting naked with her in front of Miss Koto. Second, I want Brittany to myself. “I’m busy Thursday,” she says. Probably with Burro Face. Obviously she’d rather be with that pendejo than me. “Friday then,” I say, testing her although I probably shouldn’t. Testing a girl like Brittany could put a serious damper on my ego. Although I caught her at a time when she’s vulnerable and still shaking from seeing my blood. I admit I’m a manipulative asshole. She bites her bottom lip that she thinks is glossed with the wrong color. “I can’t Friday, either.” My hard-on is officially deflated. “What about Saturday morning?” she says. “We can meet at the Fairfield Library.” “You sure you can pencil me into your busy schedule?” “Shut up. I’ll meet you there at ten.” “It’s a date,” I say while Miss Koto, obviously eavesdropping, finishes wrapping my arm with dorky gauze. Brittany gathers her books. “It’s not a date, Alex,” she says over her shoulder. I grab my book and hurry into the hallway after her. She’s walking alone. The loudspeaker music isn’t playing so class is still on. “It might not be a date, but you still owe me a kiss. I always collect debts.” My chem partner’s eyes go from dull to shining mad and full of fire. Mmm, dangerous. I wink at her. “And don’t sweat about what lip gloss to wear on Saturday. You’ll just have to reapply it after we make out.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Building something is hard . Doesn't matter what it is . Could be a thing like a house or a car or a truck or maybe a skill or a relationship. You have to work , sweat , sometimes bleed and stay diligent. Problems have to be resolved and overcome . New problems may arise. You may have setbacks along the way. But to the driven individual the goal will be met and completed regardless of the time and effort involved. These are the people I admire the most. Destroying things are easy . Doesn't matter what it is and can usually be done in a matter of seconds. Any moron can destroy. These are the people I detest the most.
Tom Collins Jr.
And, you see, the little boy’s father was working hard to make the Negroes sweat on the peanut plantation, and he thought that the writer, who spent all his days sitting in the shade of a kapok tree right in the middle of the village, was a lazy man.
Michèle Audin (One Hundred Twenty-One Days)
Adults should want two things, he said, and these were the two things he wanted from his own life: First, he wanted to have a successful marriage. If you have a successful marriage, it doesn't matter how many professional setbacks you endure, you will be reasonably happy. If you have an unsuccessful marriage, it doesn't matter how many career triumphs you record, you will remain significantly unfulfilled. Then, Harold continued, he wanted to find some activity, either a job or hobby, which would absorb his abilities. He imagined himself working really hard at something, suffering setbacks and frustrations, and then seeing that sweat and toil lead to success and recognition.
David Brooks (The Social Animal: The Hidden Sources of Love, Character, and Achievement)
Clothes are just a Show off... I consider them UNIFORM bcoz at d end of day My SWEAT defines how Hard I Worked n not d clothes.
Akshay Shinde
They all work so hard and struggle and suffer, trying to achieve beauty, trying to surpass one another in beauty. Let’s surpass them all! Let’s throw their sweat in their face. Let’s destroy them at one stroke. Let’s be gods. Let’s be ugly.
Anonymous
Cain, the firstborn son of Adam and Eve, had also been the first to start his own religion. He came to Jehovah not as Jehovah decreed, with an innocent lamb slain for his sins, but with the fruit of the field. Cain toiled in the ground cursed by Jehovah, and after stabbed by thorns and with blistered hands he brought to Jehovah his best. He had worked his way to Jehovah. He had taken what would forever be known as the ‘way of Cain.’  He tried to purchase Jehovah’s favor through his best effort. For Cain it was with his best fruits and grains, first grown in the ground by hard labor and then harvested by the sweat of his brow. He rejected Jehovah’s revealed way. Sacrificing a lamb, ah, so bloody and crude and barbarous, and showing that man’s sinfulness required something that man himself would never be good enough to pay for—it was an insult to a proud man, and Cain was very proud.
Vaughn Heppner (People of the Tower (Ark Chronicles, #4))
Aren't you capable of a sublime gesture on occasion? They all work so hard and struggle and suffer, trying to achieve beauty, trying to surpass one another in beauty. Let's surpass them all! Let's throw their sweat in their face. Let's destroy them at one stroke. Let's be gods. Let's be ugly.
Ayn Rand (The Fountainhead)
Keep in mind that if you are moving forward, you are making a difference in your walk. You may not see the fruits of your labor today, but a year from now you will look back and wonder why you sweated the small stuff. Stay surrounded with positive people, keep putting God first, and have faith in your hard work! God has amazing plans for you, never lose focus!
Arik Hoover
God is able to really use a person, who puts all that he has got into his work, who works hard, sweating his guts out to the point of complete exhaustion, using the last of his strength
Sunday Adelaja
I could tie you down, but then ye’d be no help to Archie. So what’ll it be, lass? Will you obey me or no?” He tried to intimidate her with his posture and size, bracketing her with his bare arms. It didn’t work. Rather, the sight of the succulent, hard mound of his exposed shoulder so close to her face made her wet her lips. His strong collarbones and sinewy neck glistened with sweat, and he smelled of pine and male exertion. Her libido jumped like a feisty poodle. Jeez Louise, Mel, get a grip. This is not a romance novel. He’s not your hero. The box got it wrong. The box was way out of line. “I need it,” she said, pleased her steady voice didn’t betray her attraction. “I have to go with you.” “I told you I’d look for whatever ye lust.” Lust. The antiquated word spoken in his deep voice did strange things to her tummy. It took a solid effort not to lick her lips in invitation as the word called to mind activities that most definitely related to wanting. Home, she reminded herself. She had to get home. “I don’t trust you to look as hard as I would. I’m coming with you.” “Where are your ropes, Archie?” he asked. “The woman refuses to stay put. I have no choice but to tie her to the wagon.” Several of the wounded men snickered. Archie said, “In the foot case there. And bring me some of yon dried moss before ye tie down your woman.” Your woman. The casual declaration made her stomach leap, and the sensation wasn’t entirely unpleasant. “She’s not mine,” Darcy growled as he opened the lid of a wooden chest in the wagon. To her horror, he removed a coil of rope. After tossing a yellowish clump in Archie’s direction, he came at her. Her libido disappeared with a poof. She hopped off the wagon, dodging hands that had no business being so quick, considering how large they were. “Don’t you dare tie me down! I’ve got to get that box. It’s my only hope to return home.” He lunged for her, catching her easily around the waist with his long arm, and plunking her back in the wagon. Libido was back. Her body thrilled at Darcy’s manhandling, though her muscles struggled against it. The thought of him tying her up in private might have some merit, but not in the middle of the forest with several strange men as witnesses. “Okay, okay,” she blurted as he looped the rope around one wrist. “I won’t follow you. Please don’t tie me. I’ll stay. I’ll help.” He paused to eye her suspiciously. “I promise,” she said. “I’ll stay here and make myself useful. As long as you promise to look for a rosewood box inlaid with white gold and about yea big.” She gestured with her hands, rope trailing from one wrist. “As long as you swear to look as though your life depends on it.” She held his gaze, hoping he was getting how important this was to her, hoping she could trust him. The circle of wounded men went quiet, waiting for his answer. He bounced on the balls of his feet, clearly impatient to return to the skirmish, but he gave her his full attention and said, “I vow that if your cherished box is on that field, I will find it.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
can listen and counsel. You can lend ideas and hard work and home-cooked meals. You can be a friend and a fan. You can share your favorite books and fix a flat tire. You can inspire people and encourage them. You can sweat beside them and support them. But you cannot make their choices for them. You cannot take their excuses from them. You cannot make them resilient.
Eric Greitens (Resilience: Hard-Won Wisdom for Living a Better Life)
Rylan!" Melanie squeals, high-pitched enough to break glass. "I'm, like, so sorry I haven't talked to you all night. Being a hostess is hard work." She dramatically wipes imaginary sweat off her forehead. "Anyway, I finally have some free time. So why don't we go dance, hmm?" Gripping my waist a little too tightly for my taste, she tries to pull me back to the house. I stand strong., jerking Melanie back when I don't move. "No thanks, Melanie." My free arm tightens around Ivy's waist. "I already am dancing with someone." Melanie's sight flickers to Ivy, and for a moment contempt skews her big grin. But it's gone in an instant as Melanie stretches her fake smile to the point she's showing gums and asks, through gritted teeth, "Hi. What's your name?" Ivy can tell there's something off with the girl in front of her, but she still gives her a polite greeting. "Hello. My name is Ivy. How do you do?" Melanie completely ignores the question and turns back to me. "You never told me you invited someone else, Rylan." Melanie's smile goes harsh. "I'm sorry, but unless I give the okay, no one outside of school is invited." She glares at Ivy. "I'll have to ask you to leave." Ivy tilts her head, befuddled at the sudden hostility. "You want me to go?" Melanie rolls her eyes. "Uh, yeah. I just said that." Ivy stares down at her feet, ashamed and no doubt guilty for the wrong reason. She nods. "Okay." She begins to leave but I grab her wrist and pull her back against me. I glare at Melanie. "What if I don't want her to go?" I growl. "Yeah, Melanie!" To my relief, I see Aidan and Nadia wiggle through the crowd. Neither of them look very happy; Nadia's downright fuming. Despite the whole "my liking Ivy" case, she's still there for me. "Don't go telling people they can't be here," Nadia growls, her eyes flashing dangerously. "Who died and made you think you can boss everyone around?" "Last time I checked, this is my party, and therefore I choose who I invite or not," declares Melanie with an obvious edge in her voice. "That's no excuse! The only reason you want her gone is so you can make Rylan your new boy toy, which he doesn't want!" "Oh, like you know him so well?" "I'm his best friend, bitch!" " Excuse me!?" "ENOUGH!" With one word, I bring the argument to an end and all attention back on me. "Nadia's right," I state, glowering at Melanie. "Nadia's always been right. You know one of the reasons I came, other than to show Ivy a good time? It was to tell you to leave me alone, okay? I. Don't. Like. You. So leave me alone!" It was like I announced I farted. Everyone starts whispering with disbelief. No one has ever turned down the advances of Melanie Sweet—until now. It's turning into a night of first for them. Melanie obviously isn't used to this, as her face reddens like a tomato, her beautifully manicured hands clench into fists, and her usually angelic face morphs into a full-blown snarl. How sweet.
Colleen Boyd (Swamp Angel)
Usually when we compliment a dancer we say: she makes it look easy. This is not the case with Aimee. Part of her secret, I felt as I watched her, is the way she’s able to summon joy out of effort, for no move of hers flowed instinctively or naturally from the next, each “step” was clearly visible, choreographed, and yet as she sweated away at their execution, the hard work itself felt erotic, it was like witnessing a woman cross the line at the end of a marathon, or working toward her own orgasm. That same ecstatic revelation of a woman’s will. “Let
Zadie Smith (Swing Time)
Why are you building that house, Caleb Halliday, when we both know you’re going to hightail it back to Pennsylvania and drag me right along with you?” She couldn’t read his expression, but she saw that he was climbing deftly down the roof. He reached the ladder and descended to stand facing her, his shirt in one hand, his muscular chest glistening with sweat even as the first chill of twilight came up from the creek. “Half of that farm is mine,” he said. Lily sighed. “So go back to Pennsylvania and fight for it,” she said, exasperated. “You’re not the only one with problems, you know.” Caleb looked at her closely as he shrugged back into his shirt and began doing up the buttons, but he didn’t speak. He seemed to know that Lily was going to go on talking without any urging from him. “It just so happens that my mother is dead, and I’ll probably never find out where my sisters are.” “So that’s why you were willing to marry me all of a sudden—you’ve given up. I don’t know as I like that very much, Lily.” “What you like is of no concern to me,” Lily said briskly. She started to turn away, but Caleb caught her by the arm and made her stay. “You can’t just up and quit like this. It isn’t like you.” “You’ve said it yourself, Caleb: The West is a big place. My sisters could be married, with no time in their busy lives for a lost sister they haven’t seen in thirteen years. They might even be dead.” Caleb’s mouth fell open, but he recovered himself quickly. “I don’t believe I’m hearing this. You’ve fought me from the day we met because you wanted to find your sisters, and now you’re standing there telling me that it’s no use looking for them. What about that letter you had from Wyoming?” “It said Caroline had disappeared, Caleb. That’s hardly reason for encouragement.” “Maybe we’d better go there and find out.” Lily had never dared to think such a thought. “Travel all the way to Wyoming? But what about the chickens?” “What’s more important to you, Lily—your sister or those damn chickens?” Despite herself, Lily was beginning to believe her dreams might come true after all. “My sister,” she said quietly. Caleb reached out at long last and laid his hands on Lily’s shoulders, drawing her close. “Lily, come to Fox Chapel with me,” he said hoarsely. “I’m going to need you.” Lily looked up at her husband. He was, for all practical purposes, the only family she had, and she couldn’t imagine living without him. “What if I hate it there?” she asked, her voice very quiet. “What if I miss my house and my chickens so much I can’t stand it?” He gave her a light, undemanding kiss, and his lips were warm and soft as they moved against hers. “If you hate Fox Chapel, I’ll bring you back here.” “Is that a promise?” “Yes.” “Even if you work things out with your brother and want to stay?” Caleb sighed. “I told you—your happiness is as important to me as my own.” Lily was not a worldly woman, but she’d seen enough to know that such an attitude was rare in a man. She hugged Caleb. “In that case, maybe you won’t be mad that there’s nothing for supper but biscuits.” Although his lips curved into a slight smile, Caleb’s eyes were serious. He lifted one hand to caress Lily’s cheek. “I’m sorry about your mother,” he said quietly. Lily straightened in his arms. “I didn’t even know the woman, really,” she said lightly. “So it’s not as though I’m grieving.” She would have walked away toward the house, but Caleb held her fast. “I think you are,” he said. Lily swallowed. Damn the man—now he had her on the verge of tears. She struggled all the harder to maintain her composure. “If I wept for her, Caleb, I’d be weeping for a woman who never existed—the woman I needed her to be. She was never a real mother to us.” At
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Darcy picked her up again, this time not as gently as he had when she’d tripped on the root. He carried her under one arm like a sack of grain, though to his credit, he avoided putting pressure on her lower abdomen. “I said no, ye contrary thing, and I’m big enough to make you obey whether ye want to or no’.” He crashed through the line of trees, stomped past the wounded men, and set her firmly in the wagon. “A skirmish is no place for a woman. I willna be responsible for you getting raped or killed.” That vulnerable look softened his hard features for a second. “I could tie you down, but then ye’d be no help to Archie. So what’ll it be, lass? Will you obey me or no?” He tried to intimidate her with his posture and size, bracketing her with his bare arms. It didn’t work. Rather, the sight of the succulent, hard mound of his exposed shoulder so close to her face made her wet her lips. His strong collarbones and sinewy neck glistened with sweat, and he smelled of pine and male exertion. Her libido jumped like a feisty poodle. Jeez Louise, Mel, get a grip. This is not a romance novel. He’s not your hero. The box got it wrong. The box was way out of line. “I need it,” she said, pleased her steady voice didn’t betray her attraction. “I have to go with you.” “I told you I’d look for whatever ye lust.” Lust. The antiquated word spoken in his deep voice did strange things to her tummy. It took a solid effort not to lick her lips in invitation as the word called to mind activities that most definitely related to wanting. Home, she reminded herself. She had to get home. “I don’t trust you to look as hard as I would. I’m coming with you.” “Where are your ropes, Archie?” he asked. “The woman refuses to stay put. I have no choice but to tie her to the wagon.” Several of the wounded men snickered. Archie said, “In the foot case there. And bring me some of yon dried moss before ye tie down your woman.” Your woman. The casual declaration made her stomach leap, and the sensation wasn’t entirely unpleasant. “She’s not mine,” Darcy growled as he opened the lid of a wooden chest in the wagon. To her horror, he removed a coil of rope. After tossing a yellowish clump in Archie’s direction, he came at her. Her libido disappeared with a poof. She hopped off the wagon, dodging hands that had no business being so quick, considering how large they were. “Don’t you dare tie me down! I’ve got to get that box. It’s my only hope to return home.” He lunged for her, catching her easily around the waist with his long arm, and plunking her back in the wagon. Libido was back. Her body thrilled at Darcy’s manhandling, though her muscles struggled against it. The thought of him tying her up in private might have some merit, but not in the middle of the forest with several strange men as witnesses. “Okay, okay,” she blurted as he looped the rope around one wrist. “I won’t follow you. Please don’t tie me. I’ll stay. I’ll help.” He paused to eye her suspiciously. “I promise,” she said. “I’ll stay here and make myself useful. As long as you promise to look for a rosewood box inlaid with white gold and about yea big.” She gestured with her hands, rope trailing from one wrist. “As long as you swear to look as though your life depends on it.” She held his gaze, hoping he was getting how important this was to her, hoping she could trust him. The circle of wounded men went quiet, waiting for his answer. He bounced on the balls of his feet, clearly impatient to return to the skirmish, but he gave her his full attention and said, “I vow that if your cherished box is on that field, I will find it.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
The thickest sweats produce the sweetest life. A hard work surely brings unheard happiness. Dig up your gold.
Israelmore Ayivor (Mine Your Gold: How to dig up and optimize your hidden greatness)
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They all work so hard and struggle and suffer, trying to achieve beauty, trying to surpass one another in beauty. Let's surpass them all! Let's throw their sweat in their face. Let's destroy them at one stroke. Let's be gods. Let's be ugly.
Ayn Rand
But then there are those people who overidentify with their emotions. Everything is justified for no other reason than they felt it. “Oh, I broke your windshield, but I was really mad; I couldn’t help it.” Or “I dropped out of school and moved to Alaska just because it felt right.” Decision-making based on emotional intuition, without the aid of reason to keep it in line, pretty much always sucks. You know who bases their entire lives on their emotions? Three-year-old kids. And dogs. You know what else three-year-olds and dogs do? Shit on the carpet. An obsession and overinvestment in emotion fails us for the simple reason that emotions never last. Whatever makes us happy today will no longer make us happy tomorrow, because our biology always needs something more. A fixation on happiness inevitably amounts to a never-ending pursuit of “something else”—a new house, a new relationship, another child, another pay raise. And despite all of our sweat and strain, we end up feeling eerily similar to how we started: inadequate. Psychologists sometimes refer to this concept as the “hedonic treadmill”: the idea that we’re always working hard to change our life situation, but we actually never feel very different. This is why our problems are recursive and unavoidable. The person you marry is the person you fight with. The house you buy is the house you repair. The dream job you take is the job you stress over. Everything comes with an inherent sacrifice—whatever makes us feel good will also inevitably make us feel bad. What we gain is also
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
I knew that nothing good in life ever came from quitting; that there would be plenty of time for rest when the hard work was finished. But such thoughts are easier said than done when you are being broken.
Bear Grylls (Mud, Sweat, and Tears: The Autobiography)
Change is not a bolt of lightning that arrives with a zap. It is a bridge built brick by brick, every day, with sweat and humility and slips. It is hard work, and slow work, but it can be thrilling to watch it take shape
Sarah Hepola
There is only hard work, late nights, early mornings, practice, rehearsal, repetition, study, sweat, blood, toil, frustration, and discipline. DISCIPLINE.
Jocko Willink (Discipline Equals Freedom: Field Manual Mk1-MOD1)
Here was compelling cause-and-effect evidence that the will to win and the will to prepare are one and the same. The real test comes on those mornings when you wake up after a late night out and the very last thing you want to do is get up and train, knowing you’re going to work furiously hard and you’re going to sweat buckets. There might be a moment’s debate in your mind. “Should I skip it today, just this once?” But you don’t listen to your mind’s siren songs because you know that they will lead you down a dangerously steep and slippery slope. If you flag once, you’ll flag again.
Rafael Nadal (Rafa)
Resilience is tenacity of sweat.
Abhijit Naskar (Rowdy Scientist: Handbook of Humanitarian Science (Caretaker Diaries))
I stood up, leaving a pool of sweat on the mat below. I saw the outline of my body imprinted in sweat on the chalky blue mat. A sweat angel. How gross, I thought. 'Look, Mihai,' I said, pointing at it. 'That's the sign of a hard worker right there.
Aly Raisman (Fierce: How Competing for Myself Changed Everything)
I felt I was back to where I belonged. An India where success doesn't lie in money. It lies in surviving. The complex India. The difficult India. The corrupt India. The honest India. The oppressed India. The feudal India. A regressive India. A progressive India. It's poor. It's filthy. It’s hard working. It smells of struggle, of co-existence, of sweat. Its diversity, its disparity, the chaos, the conflict. The aspirational India, the ignored India, the defeated India... The real India.
Vivek Agnihotri (Urban Naxals: The Making of Buddha in a Traffic Jam)
May, June, July, August, September, October; six times thirty days of sun sheer down on our heads; this summer of ours which is as long and glum as a Russian winter and against which we struggle with less success; you don’t know it yet, but fire could be said to snow down on us as on the accursed cities of the Bible; if a Sicilian worked hard in any of those months he would expend energy enough for three; then water is either lacking altogether or has to be carried from so far that every drop is paid for by a drop of sweat; and then the rains, which are always tempestuous and set dry river beds to frenzy, drown beasts and men on the very spot where two weeks before both had been dying of thirst. “This violence of landscape, this cruelty of climate, this continual tension in everything, and these monuments, even, of the past, magnificent yet incomprehensible because not built by us and yet standing around like lovely mute ghosts; all those rulers who landed by main force from every direction, who were at once obeyed, soon detested, and always misunderstood, their only expressions works of art we couldn’t understand and taxes which we understood only too well and which they spent elsewhere: all these things have formed our character, which is thus conditioned by events outside our control as well as by a terrifying insularity of mind.
Giuseppe Tomasi di Lampedusa (The Leopard)
Was this the first time I invented something? I told myself it wasn’t a total lie, because what made any lie possible was an emotion grounded in truth. Truthfully, I had wanted to defy my father. Truthfully, I convinced myself, I struggled with the lot I had been given: the burden of having more than those around me, of having more than I deserved. That was why I worked so hard; that was why I had once obsessed over checking and rechecking answers I knew were right: I wanted to toil, to earn with my own sweat whatever I got. Yes, eventually I came to believe my own lie: to be a doctor, to save other lives, that was the only way I could imagine living with myself, with my unearned existence.
Meng Jin (Little Gods)
I stopped worrying about the precise amounts of tiny caviar pearls that went atop each pillow of cheese, and started looking around me to see what the other chefs were doing. As I knew, Vanilla Joe on my left was handing out his homemade pigs in a blanket, his hand-ground sausages wrapped in what looked like hand-rolled pastry, all served with a variety of dipping sauces he must also have made himself (including vanilla aioli, obviously). The judges were at his station now. From the big, cheesy grin on Vanilla Joe's mustached mouth and the rhapsodizing tones of Charles Weston's and Maz's voices that floated my way, they loved it. I scowled. On my other side, Kaitlyn looked to be handing out arancini balls atop a bed of crisp greens and pickled vegetables. Probably tasty, but hard to eat in one bite---the judges always took that into account. She was laughing and talking with each guest, assembling her dishes in a way that looked totally effortless; was she even sweating at all? Guests wandered by with charred meat on a skewer, alternating with ripe chunks of watermelon and tomato. In the distance I could see Kel cooking up spoon bread with what looked like mushrooms. Megan was frying dumplings, which made my mouth water thinking about the inner mixture of pork and cabbage and water chestnuts. When I saw somebody eating takoyaki balls, I assumed that was Bald Joe's work----after all, the tender balls of fried dough and octopus were a traditional Japanese street food. Somebody else had soup shooters.
Amanda Elliot (Sadie on a Plate)
Zele rose because it has watered its plantation with its sweats
Fabrice Niyigaba Manzi
In the land of the free, I'll always be. September 3, 2024 at 8:46 AM They say they're taking our rights, trying to clip our wings, Taking aim at the heartland, changing all our things, But I'll stand my ground, with my boots in the dirt, For the sweat on my brow, and this worn-out shirt. [Verse 2] They're chasing my plow and meddling with my land, Trying to break the backbone of the hard-working man, But over my shoulder, there's a flag flying high, For every valley, every mountain, and the wide open sky. [Chorus] This is my country, where I'm proud to stand, With the rifle in my hand, and I’ll defend this land, They can try to take it, but they'll never break me, In the land of the free, I'll always be. [Verse 3] They don't understand the veins in this soil, Each drop of blood, each tear, and each toil, But I'll say my piece, in every whistle and chime, 'Cause this life's been mine since the start of time. [Verse 4] From sunup to sundown, in the fields I roam, They won't replace the essence of my home, For every stream and every tree that's grown, They can't take the spirit that's deeply sown. [Chorus] This is my country, where I'm proud to stand, With the rifle in my hand, and I’ll defend this land, They can try to take it, but they'll never break me, In the land of the free, I'll always be.
James Hilton-Cowboy
Yeah. It’s called sweat and hard work. You want me to bottle it so you can enjoy the benefits, too?
Sam Sisavath (The Purge of Babylon (Purge of Babylon #1))
Sweat makes our labor sweet.
Matshona Dhliwayo
Yesirree, being able to enjoy the company of a beautiful woman while eating the most delicious meal I have ever had, well, that’s worth working up a sweat.” He waggled his eyebrows at Kate. He looked so funny, she couldn’t help but laugh. She glanced over at Sam and started laughing harder. The expression on his face was priceless. He was clenching his teeth so hard, Kate was sure he would crack them. Before Jack could say anything that would send Sam over the edge, Daniel excused himself from the table to go check on Carly. Kate was still chuckling when she felt someone kick her under the table. She looked up in surprise and met Sam’s stare. She stopped laughing then, because the way he was looking at her wasn’t funny at all. The look he gave her was so full of desire; she thought she might melt under the intensity of it. No, she wasn’t laughing at all.
Kristine Raymond (Here to Stay (Hidden Springs, #1))
BY THE SWEAT OF THEIR BROW YOU SHALL TAX THEM? This is also why you pay taxes, for the authorities are God’s servants, who give their full time to governing. Romans 13:6 Onerous taxes hurt hard workers, slam job creators, and make us less competitive against other nations. High government spending is unsustainable and leads to national bankruptcy. Printing more dollars only leads to inflation and squeezes out private borrowing. High taxes, excessive regulation, and an ever-expanding welfare state discourage enterprise and undermine our nation’s work ethic. Politicians and bureaucrats always want to expand the size of government, and they will take inaction on our part—our failing to protest against taxes, regulations, and unnecessary government programs—as not only a sign of approval, but a signal to expand government’s reach even further. Only when a law contradicts God’s higher authority can we disobey it, and our obligation to pay taxes doesn’t rise to that level, doggone it. But what we can do is elect politicians willing to support freedom, reward hard work, and honor savings and investment by rolling back unnecessary taxes, government programs, and regulations. To do that, we need to do more than vote; we need to volunteer on campaigns, and we need to help educate our neighbors, friends, and community about the consequences we all suffer when government plays fast and loose with our tax dollars. We need to show how big government is unjust government, robbing hardworking Peters to pay bureaucrat-preferred Pauls.
Sarah Palin (Sweet Freedom: A Devotional)
An obsession and overinvestment in emotion fails us for the simple reason that emotions never last. Whatever makes us happy today will no longer make us happy tomorrow, because our biology always needs something more. A fixation on happiness inevitably amounts to a never-ending pursuit of “something else”—a new house, a new relationship, another child, another pay raise. And despite all of our sweat and strain, we end up feeling eerily similar to how we started: inadequate. Psychologists sometimes refer to this concept as the “hedonic treadmill”: the idea that we’re always working hard to change our life situation, but we actually never feel very different. This is why our problems are recursive and unavoidable. The person you marry is the person you fight with. The house you buy is the house you repair. The dream job you take is the job you stress over. Everything comes with an inherent sacrifice—whatever makes us feel good will also inevitably make us feel bad. What we gain is also what we lose. What creates our positive experiences will define our negative experiences. This is a difficult pill to swallow. We like the idea that there’s some form of ultimate happiness that can be attained. We like the idea that we can alleviate all of our suffering permanently. We like the idea that we can feel fulfilled and satisfied with our lives forever. But we cannot.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
The stress of farming had far-reaching consequences. It was the foundation of large-scale political and social systems. Sadly, the diligent peasants almost never achieved the future economic security they so craved through their hard work in the present. Everywhere, rulers and elites sprang up, living off the peasants’ surplus food and leaving them with only a bare subsistence. These forfeited food surpluses fuelled politics, wars, art and philosophy. They built palaces, forts, monuments and temples. Until the late modern era, more than 90 per cent of humans were peasants who rose each morning to till the land by the sweat of their brows. The extra they produced fed the tiny minority of elites – kings, government officials, soldiers, priests, artists and thinkers – who fill the history books. History is something that very few people have been doing while everyone else was ploughing fields and carrying water buckets.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
41. Never Work Again! There’s only one place where success comes before work, and that’s in the dictionary. Everywhere else in life, you do not get success without first working hard. This is why it’s important that you find the rewards you seek from the work itself. I would be climbing mountains and throwing myself off cliffs even if I wasn’t being paid to do it - because I love the sweat, the toil, the risk and the endeavor. It makes me feel alive. I can bet you that Mozart would have made music even if no one had listened. (In fact, he did, and for a large part of his life no one cared.) If you love the process, then the length of the journey doesn’t matter so much. So often it takes actors or climbers or musicians decades to find ‘success’, but they eventually triumph because they are working within their passion. Do this for long enough and with enough enthusiasm, and ‘success’ will come. Even if it is not in the form you might first imagine. A love of what you do is one of the highest forms of success you can ever have. If you do what you love, then you’ll never have to do a day’s work for the rest of your life.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
He who sweats now will not be among those sweating tomorrow.
Matshona Dhliwayo
Most of the Spiritual Leaders live a luxury life, they fly in private jet, drive MBW, live surrounded by Z+ security, wear silky expensive wool, used to eat Nuts Almond, cashew, drink expensive wines and fruits juice. But the very first thing they teach you is, money is the biggest evil. and they very first thing they do is, they try to dismiss the value of money and they try to make your mindset in that way so you start believing money is nothing, they Break your attraction for money. Do you know why? it's a psychological game!! Because when you donate them from your hard work, Sweat soaked earning, You don't regret and, You don't hesitate to open your purse to pay for their luxurious life.
Mohammed Zaki Ansari (Zaki's Save Me)
Indeed, probably the most effective way to break the free market's spell would be to transform its most debilitating cultural products into a globalized twelve-step program. See, for instance, how New Economy laissez-faire ideologues like Virginia Postrel or Chris Anderson fare in the hypercapitalist but viciously authoritarian island paradise of Singapore. Or put Thomas Friedman to work in a Marianas textile factory for a couple of months and let him see how flat the market-mastered world looks to him then. Take the utopian theorists of "seasteading" libertarianism at their word, and let them fashion their stateless free-market utopia out of all reach of all international sea treaty enforcement. Put Steve Forbes to work as a union organizer in the shadows of the breathtaking architectural homage to investor-class excess known as the Abu Dhabi skyline - where the local construction industry is awash in sweated day labor. Indeed, I can see a whole Survivor-style reality television franchise in the offing: Capitalist Detox Island. True, it might be hard to sell to advertisers - unless, that is, you compel TARP recipients to purchase ad time. Now that's a manipulation of market forces I can get behind.
Chris Lehmann