Swan Sayings Quotes

We've searched our database for all the quotes and captions related to Swan Sayings. Here they are! All 100 of them:

If you show someone something you've written, you give them a sharpened stake, lie down in your coffin, and say, ‘When you’re ready’.
David Mitchell (Black Swan Green)
She just keeps saying "He’s gone.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
The first slide says: SEXUAL EXPERIMENTATION WITH FOREIGN MONARCHS: A GRAY AREA. Alex wonders if it’s too late to swan dive off the roof.
Casey McQuiston (Red, White & Royal Blue)
You used your power to toss one rock at me?" he exclaimed, an almost comic note of incredulity in his voice. "On the contrary," I heard Dorian say pleasantly. "I didn't use magic for that. I just threw it.
Richelle Mead (Storm Born (Dark Swan, #1))
It’s not over, you know. It never has been,” he said. “Whether you say yes or no, you will always be my forever.
Leylah Attar (The Paper Swan)
The world never stops unmaking what the world never stops making. But who says the world has to make sense?
David Mitchell (Black Swan Green)
It’s only temporary: you either die, or get better. —Something we used to say about life in general, feeling sophisticated and amusing in bars, back in the days when we thought how you behaved was the fault of other people.
Eve Babitz (Black Swans: Stories)
That’s the last time you’re going to kiss me,” I warned when it ended. He smiled knowingly, and in his eyes, I could see his own memories of that night. “So you say.
Richelle Mead (Storm Born (Dark Swan, #1))
Isabella Swan?” He looked up at me through his impossibly long lashes, his golden eyes soft but, somehow, still scorching. “I promise to love you forever—every single day of forever. Will you marry me?” There were many things I wanted to say, some of them not nice at all, and others more disgustingly gooey and romantic than he probably dreamed I was capable of. Rather than embarrass myself with either, I whispered, “Yes.” “Thank you,” he said simply. He took my left hand and kissed each of my fingertips before he kissed the ring that was now mine.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
There is probably no better or more reliable measure of whether a woman has spent time in ugly duckling status at some point or all throughout her life than her inability to digest a sincere compliment. Although it could be a matter of modesty, or could be attributed to shyness- although too many serious wounds are carelessly written off as "nothing but shyness"- more often a compliment is stuttered around about because it sets up an automatic and unpleasant dialogue in the woman's mind. If you say how lovely she is, or how beautiful her art is, or compliment anything else her soul took part in, inspired, or suffused, something in her mind says she is undeserving and you, the complimentor, are an idiot for thinking such a thing to begin with. Rather than understand that the beauty of her soul shines through when she is being herself, the woman changes the subject and effectively snatches nourishment away from the soul-self, which thrives on being acknowledged." "I must admit, I sometimes find it useful in my practice to delineate the various typologies of personality as cats and hens and ducks and swans and so forth. If warranted, I might ask my client to assume for a moment that she is a swan who does not realzie it. Assume also for a moment that she has been brought up by or is currently surrounded by ducks. There is nothing wrong with ducks, I assure them, or with swans. But ducks are ducks and swans are swans. Sometimes to make the point I have to move to other animal metaphors. I like to use mice. What if you were raised by the mice people? But what if you're, say, a swan. Swans and mice hate each other's food for the most part. They each think the other smells funny. They are not interested in spending time together, and if they did, one would be constantly harassing the other. But what if you, being a swan, had to pretend you were a mouse? What if you had to pretend to be gray and furry and tiny? What you had no long snaky tail to carry in the air on tail-carrying day? What if wherever you went you tried to walk like a mouse, but you waddled instead? What if you tried to talk like a mouse, but insteade out came a honk every time? Wouldn't you be the most miserable creature in the world? The answer is an inequivocal yes. So why, if this is all so and too true, do women keep trying to bend and fold themselves into shapes that are not theirs? I must say, from years of clinical observation of this problem, that most of the time it is not because of deep-seated masochism or a malignant dedication to self-destruction or anything of that nature. More often it is because the woman simply doesn't know any better. She is unmothered.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
The sweetness of dogs (fifteen) What do you say, Percy? I am thinking of sitting out on the sand to watch the moon rise. Full tonight. So we go and the moon rises, so beautiful it makes me shudder, makes me think about time and space, makes me take measure of myself: one iota pondering heaven. Thus we sit, I thinking how grateful I am for the moon’s perfect beauty and also, oh! How rich it is to love the world. Percy, meanwhile, leans against me and gazes up into my face. As though I were his perfect moon.
Mary Oliver (Swan: Poems and Prose Poems)
..then you must say to her, ‘Madame, I observe that your heart is broken. Allow me to repair it for you...
Elizabeth Kostova (The Swan Thieves)
I didn’t realize I was crying until it was time to say the blinding words. ‘I do,’ I managed to choke out in a nearly unintelligible whisper... When it was his turn to speak, the words rang clear and victorious. ‘I do,’ he vowed.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
Consider a turkey that is fed every day. Every single feeding will firm up the bird’s belief that it is the general rule of life to be fed every day by friendly members of the human race “looking out for its best interests,” as a politician would say. On the afternoon of the Wednesday before Thanksgiving, something unexpected will happen to the turkey. It will incur a revision of belief.*
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
There's no law that says I can't cook in my own house." - Charlie Swan
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
It is not what you are telling people, it is how you are saying it.
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
Teachers're always using that "in your own words." I hate that. Authors knit their sentences tight. It's their job. Why make us unpick them, just to put it back together more shonkily? How're you s'posed to say Kapellmeister if you can't say Kapellmeister?
David Mitchell (Black Swan Green)
Since I’m presuming you don’t mean you finally bought him a leash, let me say simply that there is a big difference between allowing an animal to ravage you and allowing yourself to be ravaged. One is common. The other is art. It is planned. Crafted, even. Only capable of being done by a master.
Richelle Mead (Thorn Queen (Dark Swan, #2))
Nothing in all those "O swan" poems had ever mentioned that they hissed. Or resented being mistaken for felines. Or bit.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
If King Harold had had swans on his side, England would still be Saxon.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
As a child, my idea of the West was that it was a miasma of poverty and misery, like that of the homeless 'Little Match Girl'in the Hans Christian Andersen story. When I was in the boarding nursery and did not want to finish my food, the teacher would say:'Think of all the starving children in the capitalist world!
Jung Chang (Wild Swans: Three Daughters of China)
. . . the world in which we live has an increasing number of feedback loops, causing events to be the cause of more events (say, people buy a book because other people bought it), thus generating snowballs and arbitrary and unpredictable planet-wide winner-take-all effects.
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
Humans will believe anything you say provided you do not exhibit the smallest shadow of diffidence; like animals, they can detect the smallest crack in your confidence before you express it. The trick is to be as smooth as possible in personal manners. It is much easier to signal self-confidence if you are exceedingly polite and friendly; you can control people without having to offend their sensitivity.
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
Percy wakes me (fourteen) Percy wakes me and I am not ready. He has slept all night under the covers. Now he’s eager for action: a walk, then breakfast. So I hasten up. He is sitting on the kitchen counter Where he is not supposed to be. How wonderful you are, I say. How clever, if you Needed me, To wake me. He thought he would a lecture and deeply His eyes begin to shine. He tumbles onto the couch for more compliments. He squirms and squeals: he has done something That he needed And now he hears that it is okay. I scratch his ears. I turn him over And touch him everywhere. He is Wild with the okayness of it. Then we walk, then He has breakfast, and he is happy. This is a poem about Percy. This is a poem about more than Percy. Think about it.
Mary Oliver (Swan: Poems and Prose Poems)
She’s going to have to say this out loud, isn’t she? Bella Swan, eat your horny little Mormon heart out.
Casey McQuiston (One Last Stop)
What?" he asked. "I don't know. Just thinking about flowers. And impressing people. I mean, how strange is it that we bring plant sex organs to people we're attracted to? What's up with that? It's a weird sign of affection." His dark eyes lit up, like he'd just discovered something surprising and delightful. "Is it any weirder than giving chocolate, which is supposed to be an aphrodisiac? Or what about wine? A 'romantic' drink that really just succeeds in lowering the other person's inhibitions." "Hmmm, It's like people are trying to be both subtle and blatant at the same time. Like, they won't actually go up and say, 'Hey, I like you, lets get together.' Instead, they're like, 'Here, have some plant genitalia and aphrodisiacs.
Richelle Mead (Storm Born (Dark Swan, #1))
So you become numb to insults, particularly if you teach yourself to imagine that the person uttering them is a variant of a noisy ape with little personal control. Just keep your composure, smile, focus on analyzing the speaker not the message, and you’ll win the argument. An ad hominem attack against an intellectual, not against an idea, is highly flattering. It indicates that the person does not have anything intelligent to say about your message. The psychologist
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
Every man experiences what you call love for every pretty woman and least of all for his wife. That is what the proverb says, and it is a true one. "Another's wife is a swan, but one's own is bitter wormwood.
Leo Tolstoy (The Kreutzer Sonata)
Over the years of the Cultural Revolution, I was to witness people being attacked for saying "thank you" too often, which was branded as "bourgeois hypocrisy"; courtesy was on the brink of extinction.
Jung Chang (Wild Swans: Three Daughters of China)
The Scholars "Bald heads forgetful of their sins, Old, learned, respectable bald heads Edit and annotate the lines That young men, tossing on their beds, Rhymed out in love’s despair To flatter beauty’s ignorant ear. They’ll cough in the ink to the world’s end; Wear out the carpet with their shoes Earning respect; have no strange friend; If they have sinned nobody knows. Lord, what would they say Should their Catullus walk that way?
W.B. Yeats (The Wild Swans At Coole)
Look into your own existence. Count the significant events, the technological changes, and the inventions that have taken place in our environment since you were born and compare them to what was expected before their advent. How many of them came on a schedule? Look into your own personal life, to your choice of profession, say, or meeting your mate, your exile from your country of origin, the betrayals you faced, your sudden enrichment or impoverishment. How often did these things occur according to plan?
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
True love is being so in love that you run out of ways to say it. True love is having to google new and creative ways to say I love you because just saying it a thousand times a day isn't enough.
Sharon Swan
Now, as Rilke would say, let's eat us some effing panther and swan, shall we?
Jason Bredle (Pain Fantasy)
an ad hominen attack against an intellectual, not against an idea, is highly flattering. It indicates that the person does not have anything intelligent to say about your message.
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
In our romantic lives, these moments of jealousy, which scorch our lover’s initials into our flesh and seem to brand us, often vanish into thin air sooner or later. But maybe, if we don’t cave in to them, they’ll vanish sooner, and we’ll be able sooner to try to describe what happened with phrases that fall apart in our hands, meaningless descriptions in voices clouded with scraps of holocaust, memorized episodes that have no context unless you’re inside the story trying to live through it. Once you’re out, all there are are empty spaces strewn in the past where the pain was too great and red-hot jealousy tore through our rooms, or why else would we have painted them all black? Nothing remains, as we look back, but a smile, and “Oh, yes, one night I crouched under a window . . .” But it’s a window too dark to peer through, and you find yourself saying, “I never knew real jealousy. . . .” It elapses into long ago.
Eve Babitz (Black Swans: Stories)
His dark eyes were on the road ahead, thoughtful. “No. I was hoping to go back to Tucson and see if I could get this hot chick I know to go out with me. I hear she’s in demand, though. She keeps putting me off each time I try to plan something romantic.” “Yeah, well, maybe if you come up with a good itinerary, you could lure her out.” “I was thinking dinner at Joe’s.” I made a face. “If that’s the case, maybe you’d better brace yourself for rejection.” “Red Pepper Bistro?” “Okay. Now you’re in the zone.” “Followed by a long massage in the sauna.” “That’s pretty good too.” “And then indecent things in the sauna.” “I hope you mean you’ll be doing the indecent things—because I more than did my share last night.” Kiyo glanced over at me with a mischievous grin. “Who says I’m talking about you?
Richelle Mead (Thorn Queen (Dark Swan, #2))
These bugs are from Jurassic Park.” He swings his arms around to get them off him. “No bugs are this big.” I go back to my instructions. Okay, so it says here that this pole goes into this . . . “Ahh,” he cries as he slaps his arm. “I’m getting fucking malaria over here, Emily.” I roll my eyes. “Stop being a baby.” I put the pole into the correct place. “Can you grab the corner and stretch it out, please?
T.L. Swan (The Stopover (Miles High Club, #1))
Family is family. Friends aren’t forever. Everything will break. People say goodbye. Get too close and you get hurt.
Leylah Attar (The Paper Swan)
When boys played “guerrilla warfare,” which was their version of cowboys and Indians, the enemy side would have thorns glued onto their noses and say “hello” all the time.
Jung Chang (Wild Swans: Three Daughters of China)
I can see the headline now,” Tristan says. “Death by duck.
T.L. Swan (The Casanova (Miles High Club, #3))
I couldn't say the real reason for my call when he asked me, 'Anything else?' It was hard for me to end the call. There was nothing I could say to him directly, but there were tons of things I could say to him in my mind. I wanted to tell him how much I would like to talk with him. "Bye," was all I could say aloud.
D. Aswini (Saffron - The Blood Swan)
Someone with a low degree of epistemic arrogance is not too visible, like a shy person at a cocktail party. We are not predisposed to respect humble people, those who try to suspend judgement. Now contemplate epistemic humility. Think of someone heavily introspective, tortured by the awareness of his own ignorance. He lacks the courage of the idiot, yet has the rare guts to say "I don't know." He does not mind looking like a fool or, worse, an ignoramus. He hesitates, he will not commit, and he agonizes over the consequences of being wrong. He introspects, introspects, and introspects until he reaches physical and nervous exhaustion. This does not necessarily mean he lacks confidence, only that he holds his own knowledge to be suspect. I will call such a person an epistemocrat; the province where the laws are structured with this kind of human fallibility in mind I will can an epistemocracy.
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
THE ONE THING YOU MUST DO There is one thing in this world you must never forget to do. If you forget everything else and not this, there's nothing to worry about, but if you remember everything else and forget this, then you will have done nothing in your life. It's as if a king has sent you to some country to do a task, and you perform a hundred other services, but not the one he sent you to do. So human being come to this world to do particular work. That work is the purpose, and each is specific to the person. If you don't do it, it's as though a priceless Indian sword were used to slice rotten meat. It's a golden bowl being used to cook turnips, when one filing from the bowl could buy a hundred suitable pots. It's like a knife of the finest tempering nailed into a wall to hang things on. You say, "But look, I'm using the dagger. It's not lying idle." Do you hear how ludicrous that sounds? For a penny an iron nail could be bought to serve for that. You say, "But I spend my energies on lofty enterprises. I study jurisprudence and philosophy and logic and astronomy and medicine and the rest." But consider why you do those things. They are all branches of yourself. Remember the deep root of your being, the presence of your lord. Give yourself to the one who already owns your breath and your moments. If you don't, you will be like the man who takes a precious dagger and hammers it into his kitchen wall for a peg to hold his dipper gourd. You'll be wasting valuable keenness and forgetting your dignity and purpose.
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
I then completely gave up reading newspapers and watching television, which freed up a considerable amount of time (say one hour or more a day, enough time to read more than a hundred additional books per year, which, after a couple of decades, starts mounting).
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
Artisans, say, taxi drivers, prostitutes (a very, very old profession), carpenters, plumbers, tailors, and dentists, have some volatility in their income but they are rather robust to a minor professional Black Swan, one that would bring their income to a complete halt. Their risks are visible. Not so with employees, who have no volatility, but can be surprised to see their income going to zero after a phone call from the personnel department. Employees’ risks are hidden.
Nassim Nicholas Taleb (Antifragile: Things That Gain From Disorder)
mosquito-netted open windows was an enormous privilege. ‘You must not think you are superior to them,’ he would say. ‘You are just
Jung Chang (Wild Swans: Three Daughters of China)
Say my name,' he pleaded. 'Just tell me who I am.' 'Gamelyn,' it was soft as swan down
J. Tullos Hennig (Shirewode)
We might see a million white swans, and yet we are not able to say that all swans are white. Yet we see just one black swan, and we can say with absolute certainty that not all swans are white.
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
Sometimes you just know in your gut that you shouldn’t be doing something. The outcome is already written in the stars, and sometimes you should just be stronger and say no. But what if you can’t?
T.L. Swan (The Stopover (Miles High Club, #1))
So let's say my bad luck did crash the plane. What exactly are were you going to do about it?' 'Why is the plane crashing?' He was trying to hide a smile now. 'The piolets are passed out and drunk.' 'Easy. I'd fly the plane.' Of course. I pursed my lips and tried again. 'Both engines have exploded and we're falling in a death spiral towards the earth.' 'I'd wait till we were close enough to the ground, get a good grip on you, kick out the wall, and jump. Then, I'd run you back to the scene of the accident, and we'd stumble around like the two luckiest surviours in history.' I stared at him wordlessly. 'What?' He wispered." - Edward Cullen and Bella Swan, Eclipse
Stephenie Meyer
Here’s what I’ve got, the reasons why our marriage might work: Because you wear pink but write poems about bullets and gravestones. Because you yell at your keys when you lose them, and laugh, loudly, at your own jokes. Because you can hold a pistol, gut a pig. Because you memorize songs, even commercials from thirty years back and sing them when vacuuming. You have soft hands. Because when we moved, the contents of what you packed were written inside the boxes. Because you think swans are overrated. Because you drove me to the train station. You drove me to Minneapolis. You drove me to Providence. Because you underline everything you read, and circle the things you think are important, and put stars next to the things you think I should think are important, and write notes in the margins about all the people you’re mad at and my name almost never appears there. Because you make that pork recipe you found in the Frida Khalo Cookbook. Because when you read that essay about Rilke, you underlined the whole thing except the part where Rilke says love means to deny the self and to be consumed in flames. Because when the lights are off, the curtains drawn, and an additional sheet is nailed over the windows, you still believe someone outside can see you. And one day five summers ago, when you couldn’t put gas in your car, when your fridge was so empty—not even leftovers or condiments— there was a single twenty-ounce bottle of Mountain Dew, which you paid for with your last damn dime because you once overheard me say that I liked it.
Matthew Olzmann
Most aren't trying to kill you, unfortunately. They're trying to bed you, mistress." "Why?" "Probably because of the prophecy," said Nandi. "Prophecy," I said dryly. "Wonderful. Now there's a prophecy." "Mistress," she said hastily, "had you asked us if there was a prophecy-" "Yeah, yeah. I know. What's this one say? That I'm a good lay?
Richelle Mead (Storm Born (Dark Swan, #1))
The New York of the plays, the movies, the books; the New York of The New Yorker and Vanity Fair and Vogue. It was a beacon, a spire, a beacon on top of a spire. A light, always glowing from afar, visible even from the cornfields of Iowa, the foothills of the Dakotas, the deserts of California. The swamps of Louisiana. Beckoning, always beckoning. Summoning the discontented, seducing the dreamers. Those whose blood ran too hot, and too quickly, causing them to look about at their placid families, their staid neighbors, the graves of their slumbering ancestors and say— I’m different. I’m special. I’m more. They all came to New York.
Melanie Benjamin (The Swans of Fifth Avenue)
You were born on a day when the clouds were big and swollen with rain,” my nanny would say as she stroked my hair. “We were ready for a storm, but the sun filtered through the sky. Your mother held you by the window and noticed the gold flecks in your little gray eyes. Your eyes were the color of the heavens that day. That is why she named you Skye, amorcito.
Leylah Attar (The Paper Swan)
The world won’t leave things be. It’s always injecting endings into beginnings. Leaves tweezer themselves from these weeping willows. Leaves fall into the lake and dissolve into slime. Where’s the sense in that? Mum and Dad fell in love, had Julia, had me. They fall out of love, Julia moves off to Edinburgh, Mum to Cheltenham, and Dad to Oxford with Cynthia. The world never stops unmaking what the world never stops making. But who says the world has to make sense?
David Mitchell (Black Swan Green)
I let myself into the cellar, locked the door behind me. The cellar was cold. I found the whisky, let myself out of the cellar and locked it, turned all the lights out, gave Mrs McSpadden the bottle, accepted a belated new-year kiss from her, then made my way out through the kitchen and the corridor and the crowded hall where the music sounded loud and people were laughing, and out through the now almost empty entrance hall and down the steps of the castle and down the driveway and down to Gallanach, where I walked along the esplanade - occasionally having to wave to say 'Happy New Year' to various people I didn't know - until I got to the old railway pier and then the harbour, where I sat on the quayside, legs dangling, drinking my whisky and watching a couple of swans glide on black, still water, to the distant sound of highland jigs coming from the Steam Packet Hotel, and singing and happy-new-year shouts echoing in the streets of the town, and the occasional sniff as my nose watered in sympathy with my eyes.
Iain Banks (The Crow Road)
Aren't we all alone?" I asked with a rueful smile. "Yes. I think in the end, we all are, no matter what the songs and happy stories say. I guess it's just a matter of who we choose to be alone with." "That's why I come here, you know. To be alone with other people. There's isolation in a crowd. You're hidden. Safe.
Richelle Mead (Storm Born (Dark Swan, #1))
Will you say something?” I whisper. “Say something sweet to put me out of my misery.” His eyes come to mine as he cups my face. “I packed your scarf in my luggage.” I smile softly. “It’s nothing new. I’ve taken it on every trip I’ve been on . . . since we met.
T.L. Swan (The Stopover (Miles High Club, #1))
God, he was intense. And deliberate. And he could say things with his eyes that made my knees tremble.
Leylah Attar (The Paper Swan)
Whether you say yes or no, you will always be my forever.
Leylah Attar (The Paper Swan)
An ad hominem attack against an intellectual, not against an idea, is highly flattering. It indicates that the person does not have anything intelligent to say about your message.
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
It's the color of your eyes today,' she admitted. 'I suppose if you asked me in two weeks, I'd say onyx.' Just as my favorite color was now a deep chocolate brown.
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
Most peasants did not miss the school. "What's the point?" they would say. "You pay fees and read for years, and in the end you are still a peasant, earning your food with your sweat. You don't get a grain of rice more for being able to read books. Why waste time and money? Might as well start earning your work points right away." The virtual absence of any chance of a better future and the near total immobility for anyone born a peasant took the incentive out of the pursuit of knowledge. Children of school age would stay at home to help their families with their work or look after younger brothers and sisters. They would be out in the fields when they were barely in their teens. As for girls, the peasants considered it a complete waste of time for them to go to school. "They get married and belong to other people. It's like pouring water on the ground." The Cultural Revolution was trumpeted as having brought education to the peasants through 'evening classes." One day my production team announced it was starting evening classes and asked Nana and me to be the teachers. I was delighted. However, as soon as the first 'class' began, I realized that this was no education. The classes invariably started with Nana and me being asked by the production team leader to read out articles by Mao or other items from the People's Daily. Then he would make an hour-long speech consisting of all the latest political jargon strung together in undigested and largely unintelligible hunks. Now and then he would give special orders, all solemnly delivered in the name of Mao.
Jung Chang (Wild Swans: Three Daughters of China)
Eventually, decades later, when the king was dying, the queen gently ushered everybody out into the corridor, closed the door to the royal bedchamber, and got into bed with her husband. She started singing to him. They laughed. He was short of breath, but he could still laugh. They asked each other, Is this silly? Is this...pretentious? But they both knew that everything there was to say had been said already, over and over, across the years. And so the king, relieved, released, free to be silly, asked her to sing him a song from his childhood. He didn't need to be regal anymore, he didn't need to seem commanding or dignified, not with her. They were, in their way, dying together, and they both knew it. It wasn't happening only to him. So she started singing. They shared one last laugh - they agreed that the cat had a better voice than she did. Still, she sang him out of the world.
Michael Cunningham (A Wild Swan: And Other Tales)
I understand if you don’t want to fight for us. I’m damaged goods. I couldn’t be with me.” He turns to face me. “Don’t say that,” he whispers. “It’s true.” I shrug sadly. “I have more baggage than a 747.” He pushes the hair back from my forehead and then, with his finger under my chin, lifts my face to meet his. “You’re my damaged goods.
T.L. Swan (Play Along)
I roll over and wince. “Oh God,” I whisper as I put the heel of my hands into my eye sockets. “My head is pounding.” “Like my dick,” Nathan says dryly. I look over at him in question. “Your dick is pounding?” “Uh-huh.” He gives me the side-eye. “Some crazy bitch, tiny kitty, drunk on sangria, thought she might like to squeeze the fuck out of him.
T.L. Swan (Our Way)
You go to class and discuss famous poems. The poems are full of swans, gorse, blackberries, leopards, elderflowers, mountains, orchards, moonlight, wolves, nightingales, cherry blossoms, bog oak, lily-pads, honeybees. Even the brand-new ones are jam-packed with nature. It’s like the poets are not living in the same world as you. You put up your hand and say isn’t it weird that poets just keep going around noticing nature and not ever noticing that nature is shrinking? To read these poems you would think the world was as full of nature as it ever was even though in the last forty years so many animals and habitats have been wiped out. How come they don’t notice that? How come they don’t notice everything that’s been annihilated? If they’re so into noticing things? I look around and all I see is the world being ruined. If poems were true they’d just be about walking through a giant graveyard or a garbage dump. The only place you find nature is in poems, it’s total bullshit. Even the sensitive people are fucking liars, you say. No, you don’t, you sit there in silence like always.
Paul Murray (The Bee Sting)
Startled, he tried to comfort him. But Father said slowly, "I ask myself whether I am afraid of death. I don't think I am. My life as it is now is worse. And it looks as if there is not going to be any ending. Sometimes I feel weak: I stand by Tranquillity River and think, Just one leap and I can get it over with. Then I tell myself I must not. If I die without being cleared, there will be no end of trouble for all of you… I have been thinking a lot lately. I had a hard childhood, and society was full of injustice. It was for a fair society that I joined the Communists. I've tried my best through the years. But what good has it done for the people? As for myself, why is it that in the end I have come to be the ruin of my family? People who believe in retribution say that to end badly you must have something on your conscience. I have been thinking hard about the things I've done in my life. I have given orders to execute some people…" Father went on to tell Jin-ming about the death sentences he had signed, the names and stories of the e-ba ('ferocious despots') in the land reform in Chaoyang, and the bandit chiefs in Yibin. "But these people had done so much evil that God himself would have had them killed. What, then, have I done wrong to deserve all this?" After a long pause, Father said, "If I die like this, don't believe in the Communist Party anymore.
Jung Chang (Wild Swans: Three Daughters of China)
Humans will believe anything you say provided you do not exhibit the smallest shadow of diffidence; like animals, they can detect the smallest crack in your confidence before you express it. The trick is to be as smooth as possible in personal manners.
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
Readers are a dying species,” I said. “Like whales, partridges, wild animals in general. Borges calls them black swans, and maintains that good readers are now scarcer than good writers. He says reading is an activity subsequent to writing, more resigned, more civil, more intellectual. No,” I went on, “that’s not where the danger lies. Books make different impressions according to the state of mind you read them in. A book that struck you as banal on a first reading may dazzle you on a second simply because in the meantime you suffered some kind of heartbreak, or you took a journey, or you fell in love. In other words, something happened to you.
Gianfranco Calligarich (Last Summer in the City)
Helen of Troy Does Counter Dancing The world is full of women who'd tell me I should be ashamed of myself if they had the chance. Quit dancing. Get some self-respect and a day job. Right. And minimum wage, and varicose veins, just standing in one place for eight hours behind a glass counter bundled up to the neck, instead of naked as a meat sandwich. Selling gloves, or something. Instead of what I do sell. You have to have talent to peddle a thing so nebulous and without material form. Exploited, they'd say. Yes, any way you cut it, but I've a choice of how, and I'll take the money. I do give value. Like preachers, I sell vision, like perfume ads, desire or its facsimile. Like jokes or war, it's all in the timing. I sell men back their worst suspicions: that everything's for sale, and piecemeal. They gaze at me and see a chain-saw murder just before it happens, when thigh, ass, inkblot, crevice, tit, and nipple are still connected. Such hatred leaps in them, my beery worshipers! That, or a bleary hopeless love. Seeing the rows of heads and upturned eyes, imploring but ready to snap at my ankles, I understand floods and earthquakes, and the urge to step on ants. I keep the beat, and dance for them because they can't. The music smells like foxes, crisp as heated metal searing the nostrils or humid as August, hazy and languorous as a looted city the day after, when all the rape's been done already, and the killing, and the survivors wander around looking for garbage to eat, and there's only a bleak exhaustion. Speaking of which, it's the smiling tires me out the most. This, and the pretense that I can't hear them. And I can't, because I'm after all a foreigner to them. The speech here is all warty gutturals, obvious as a slam of ham, but I come from the province of the gods where meaning are lilting and oblique. I don't let on to everyone, but lean close, and I'll whisper: My mothers was raped by a holy swan. You believe that? You can take me out to dinner. That's what we tell all the husbands. There sure are a lot of dangerous birds around. Not that anyone here but you would understand. The rest of them would like to watch me and feel nothing. Reduce me to components as in a clock factory or abattoir. Crush out the mystery. Wall me up alive in my own body. They'd like to see through me, but nothing is more opaque than absolute transparency. Look - my feet don't hit the marble! Like breath or a balloon, I'm rising, I hover six inches in the air in my blazing swan-egg of light. You think I'm not a goddess? Try me. This is a torch song. Touch me and you'll burn.
Margaret Atwood (Morning In The Burned House: Poems)
I say a stream leading into a pond, where we can have swans and ducks and absolutely no geese, and we’ll live very happily, two old-maid sisters. I do think we should have cats, a great many of them. They won’t go after the ducks, will they?” “We’ll have cats that are afraid of ducks,
Anne Stuart (Ruthless (The House of Rohan, #1))
We all know on some level that it is important to love ourselves. But when people say that “all you have to do is love yourself,” it’s kind of like telling a child in kindergarten that he or she has to solve a college physics equation. Like that bewildered child, we have no idea where to begin. We are standing in a place where we don’t love ourselves and haven’t for some time. We simply have no idea where to start and where to go from here.
Teal Swan (Shadows Before Dawn: Finding the Light of Self-Love through Your Darkest Times)
Willadee asked him if he thought maybe it should say HAPPY EVER AFTER, but Samuel said no, he thought happiness was like any other miracle. The more you talked about it, the less people believed it was real. It was like Swan said, some things, everybody just had to find out about for themselves.
Jenny Wingfield (The Homecoming of Samuel Lake)
Emily Foster, I would like to introduce you to Mr. Miles,” Lindsey says. I stare at him, unable to speak because there’s no air in my lungs. His eyebrow rises, and he sits back in his chair as he smirks. “Hello, Emily.” His big eyes hold mine, the same beautiful deep-blue eyes that hypnotized me twelve months ago
T.L. Swan (The Stopover (Miles High Club, #1))
Look, I never believed in fate. I always thought that I would meet some beautiful young woman and it would be easy,” Tristan says. I listen intently. “And then I met Claire, and everything I thought I wanted went out the window. Her kids hated me and I had to fight tooth and nail to convince her to love me. Never in a million years did I ever imagine my life as it is now. But I honestly believe I am where I’m meant to be. Claire and those kids were meant for me, and the bigger picture of my destiny was already mapped out. They were my family long before I even met them; perhaps before they were even born it was decided that they would end up being mine.
T.L. Swan (The Casanova (Miles High Club, #3))
RIDE A WHITE SWAN" "Ride it on out like a bird in the skyway, Ride it on out like you were a bird, Fly it all out like an eagle in a sunbeam, Ride it all out like you were a bird. Wear a tall hat like the druid in the old days Wear a tall hat and a Tattooed gown Ride a white swan like the people of the Beltane, Wear your hair long,babe,you can't go wrong. Catch a bright star and place it on your forehead, Say a few spells and baby,there you go, Take a black cat and sit it on your shoulder, And in the morning you'll know all you know. Wear a tall hat like the druid in the old days Wear a tall hat and a Tattooed gown Ride a white swan like the people of the Beltane, Wear your hair long, babe ,you can't go wrong. Da di di da, da di di da
Marc Bolan (Marc Bolan Lyric Book)
The expression 'to lose one's faith', as one might a purse or a ring of keys, has always seemed to me rather foolish. It must be one of those sayings of bourgeois piety, a legacy of those wretched priests of the eighteenth century who talked so much. Faith is not a thing which one 'loses', we merely cease to shape our lives by it. That is why old-fashioned confessors are not far wrong in showing a certain amount of scepticism when dealing with 'intellectual crises', doubtless far more rare than people imagine. An educated man may come by degrees to tuck away his faith in some back corner of his brain, where he can find it again on reflection, by an effort of memory: yet even if he feels a tender regret for what no longer exists and might have been, the term 'faith' would nevertheless be inapplicable to such an abstraction, no more like real faith, to use a very well-worn simile, than the constellation of Cygne is like a swan.
Georges Bernanos (The Diary of a Country Priest)
I was extremely curious about the alternatives to the kind of life I had been leading, and my friends and I exchanged rumors and scraps of information we dug from official publications. I was struck less by the West's technological developments and high living standards than by the absence of political witch-hunts, the lack of consuming suspicion, the dignity of the individual, and the incredible amount of liberty. To me, the ultimate proof of freedom in the West was that there seemed to be so many people there attacking the West and praising China. Almost every other day the front page of Reference, the newspaper which carded foreign press items, would feature some eulogy of Mao and the Cultural Revolution. At first I was angered by these, but they soon made me see how tolerant another society could be. I realized that this was the kind of society I wanted to live in: where people were allowed to hold different, even outrageous views. I began to see that it was the very tolerance of oppositions, of protesters, that kept the West progressing. Still, I could not help being irritated by some observations. Once I read an article by a Westerner who came to China to see some old friends, university professors, who told him cheerfully how they had enjoyed being denounced and sent to the back end of beyond, and how much they had relished being reformed. The author concluded that Mao had indeed made the Chinese into 'new people' who would regard what was misery to a Westerner as pleasure. I was aghast. Did he not know that repression was at its worst when there was no complaint? A hundred times more so when the victim actually presented a smiling face? Could he not see to what a pathetic condition these professors had been reduced, and what horror must have been involved to degrade them so? I did not realize that the acting that the Chinese were putting on was something to which Westerners were unaccustomed, and which they could not always decode. I did not appreciate either that information about China was not easily available, or was largely misunderstood, in the West, and that people with no experience of a regime like China's could take its propaganda and rhetoric at face value. As a result, I assumed that these eulogies were dishonest. My friends and I would joke that they had been bought by our government's 'hospitality." When foreigners were allowed into certain restricted places in China following Nixon's visit, wherever they went the authorities immediately cordoned off enclaves even within these enclaves. The best transport facilities, shops, restaurants, guest houses and scenic spots were reserved for them, with signs reading "For Foreign Guests Only." Mao-tai, the most sought-after liquor, was totally unavailable to ordinary Chinese, but freely available to foreigners. The best food was saved for foreigners. The newspapers proudly reported that Henry Kissinger had said his waistline had expanded as a result of the many twelve-course banquets he enjoyed during his visits to China. This was at a time when in Sichuan, "Heaven's Granary," our meat ration was half a pound per month, and the streets of Chengdu were full of homeless peasants who had fled there from famine in the north, and were living as beggars. There was great resentment among the population about how the foreigners were treated like lords. My friends and I began saying among ourselves: "Why do we attack the Kuomintang for allowing signs saying "No Chinese or Dogs" aren't we doing the same? Getting hold of information became an obsession. I benefited enormously from my ability to read English, as although the university library had been looted during the Cultural Revolution, most of the books it had lost had been in Chinese. Its extensive English-language collection had been turned upside down, but was still largely intact.
Jung Chang (Wild Swans: Three Daughters of China)
He wouldn’t talk about it—at all. Not that Sophie had many chances to bring up the subject. Only a handful of people knew the truth. The rest believed the Black Swan’s carefully crafted lie, and thought Keefe was taking time away to mourn his mother’s disappearance. Even the Council had no inkling, and Sophie hoped it would stay that way. The less everyone knew, the easier it would be for Keefe to come home. If he came home. “You okay?” Fitz asked, making her realize she’d forgotten to say hello. “I hope you’re not worrying about your tests. There’s no way you didn’t pass.” “I don’t know . . .” Her photographic memory helped—but lately she’d struggled to concentrate during her school sessions. Honestly, though, she’d barely given her midterms a second thought. She wasn’t the same girl she’d been the year before, who thought failing out of Foxfire would be the end of the world. Now she’d been kidnapped, presumed dead, banished from the Lost Cities, and helped stop a plague from killing off the entire gnomish species. She’d even snuck into the ogres’ capital and helped destroy half the city—which happened to be why the Council was struggling to negotiate a new elvin-ogre treaty. “Relax,” Fitz said as her mind spun to nightmares of lumpy-faced ogres tearing through the elves’ glittering streets. “We’re supposed to be celebrating.” His cheer sounded forced. But she knew Fitz was trying. That’s what they did now. Try. Wait. Hope.
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
Neftalí reached out and hugged Mamadre's neck tight. He wanted to tell her how much he loved her. He wanted to tell her he was sorry for being angry with her and not talking to her. But his overwhelming emotions stood in the way of his words. 'There now. Let's go inside,' she said. But Neftalí wasn't ready to let her go. He needed one more moment. He whispered in her ear, 'It is not true what they say.' 'And what is that, my son?' A tear ran down his cheek. 'Swans do not sing when they die.
Pam Muñoz Ryan (The Dreamer)
When partners can’t agree Their dealings come to naught And trouble is their labor’s only fruit. Once Crawfish, Swan and Pike Set out to pull a loaded cart, And all together settled in the traces; They pulled with all their might, but still the cart refused to budge! The load it seemed was not too much for them: Yet Crawfish scrambled backwards, Swan strained up skywards, Pike pulled toward the sea. Who’s guilty here and who is right is not for us to say – But anyway the cart’s still there today.
Ivan Krylov
Much of Chinese society still expected its women to hold themselves in a sedate manner, lower their eyelids in response to men's stares, and restrict their smile to a faint curve of the lips which did not expose their teeth. They were not meant to use hand gestures at all. If they contravened any of these canons of behavior they would be considered 'flirtatious." Under Mao, flirting with./bre/gners was an unspeakable crime. I was furious at the innuendo against me. It had been my Communist parents who had given me a liberal upbringing. They had regarded the restrictions on women as precisely the sort of thing a Communist revolution should put an end to. But now oppression of women joined hands with political repression, and served resentment and petty jealousy. One day, a Pakistani ship arrived. The Pakistani military attache came down from Peking. Long ordered us all to spring-clean the club from top to bottom, and laid on a banquet, for which he asked me to be his interpreter, which made some of the other students extremely envious. A few days later the Pakistanis gave a farewell dinner on their ship, and I was invited. The military attache had been to Sichuan, and they had prepared a special Sichuan dish for me. Long was delighted by the invitation, as was I. But despite a personal appeal from the captain and even a threat from Long to bar future students, my teachers said that no one was allowed on board a foreign ship. "Who would take the responsibility if someone sailed away on the ship?" they asked. I was told to say I was busy that evening. As far as I knew, I was turning down the only chance I would ever have of a trip out to sea, a foreign meal, a proper conversation in English, and an experience of the outside world. Even so, I could not silence the whispers. Ming asked pointedly, "Why do foreigners like her so much?" as though there was something suspicious in that. The report filed on me at the end of the trip said my behavior was 'politically dubious." In this lovely port, with its sunshine, sea breezes, and coconut trees, every occasion that should have been joyous was turned into misery. I had a good friend in the group who tried to cheer me up by putting my distress into perspective. Of course, what I encountered was no more than minor unpleasantness compared with what victims of jealousy suffered in the earlier years of the Cultural Revolution. But the thought that this was what my life at its best would be like depressed me even more. This friend was the son of a colleague of my father's. The other students from cities were also friendly to me. It was easy to distinguish them from the students of peasant backgrounds, who provided most of the student officials.
Jung Chang (Wild Swans: Three Daughters of China)
Dr. Xia was working as a salaried doctor attached to another man's medicine shop, which did not give him much chance to display his skill. But he worked had, and gradually his reputation began to grow. Soon he was invited to go on his first visit to a patient's home. When he came back that evening he was carrying a package wrapped in a cloth. He winked at my mother and his wife and asked them to guess what was inside the package. My mother's eyes was glued to the steaming bundle, and even before she could shout out "Steamed rolls!" she was already tearing the package open. As she was devouring the rolls, she looked up and met Dr. Xia's twinkling eyes. More than fifty years later she can still remember his look of happiness, and even today she says she can remember any food as delicious as those simple wheat rolls.
Jung Chang (Wild Swans: Three Daughters of China)
Last-Minute Message For a Time Capsule I have to tell you this, whoever you are: that on one summer morning here, the ocean pounded in on tumbledown breakers, a south wind, bustling along the shore, whipped the froth into little rainbows, and a reckless gull swept down the beach as if to fly were everything it needed. I thought of your hovering saucers, looking for clues, and I wanted to write this down, so it wouldn't be lost forever - - that once upon a time we had meadows here, and astonishing things, swans and frogs and luna moths and blue skies that could stagger your heart. We could have had them still, and welcomed you to earth, but we also had the righteous ones who worshipped the True Faith, and Holy War. When you go home to your shining galaxy, say that what you learned from this dead and barren place is to beware the righteous ones.
Philip Appleman
KNOWN ABILITIES: Empath [DON’T BELIEVE ANYTHING ELSE MY MOM TELLS YOU] RESIDENCE: The Shores of Solace and Candleshade [ANYONE WANNA TRADE LIVES WITH ME?] IMMEDIATE FAMILY: Lord Cassius Sencen (father); Lady Gisela Sencen (mother) [AKA: WORST. PARENTS. EVER!] MATCH STATUS: Unregistered [TRY NOT TO BE TOO HEARTBROKEN, PEOPLE] [THOUGH I GOTTA SAY: I DON’T REALLY GET WHY EVERYONE PAYS SO MUCH ATTENTION TO THIS.] EDUCATION: Current Foxfire prodigy [AND PROUD DETENTION RECORD–HOLDER] NEXUS: No longer required [BECAUSE I’M COOL LIKE THAT] PATHFINDER: Not assigned. Restricted to Leapmasters and home crystals. [HA, THAT’S WHAT YOU THINK!] SPYBALL APPROVAL: None [BUT I HAVE FRIENDS WITH CONNECTIONS, THAT’S ALL I’M SAYING.…] MEMBER OF THE NOBILITY: No [THANK GOODNESS] TITLE: None [UM, HELLO, WHAT ABOUT LORD HUNKYHAIR? THAT’S A THING!] NOBLE ASSIGNMENT: None [MASTER MISCHIEF-MAKER] SIGNIFICANT CONNECTIONS: Fealty-sworn member of the Black Swan; former Wayward at Exillium; son to one of the leaders of the Neverseen [SWORN PROTECTOR OF THE MYSTERIOUS MISS F] ASSIGNED BODYGUARD(S): Ro (ogre) [AND SHE KNOWS, LIKE, 500,000 WAYS TO KILL YOU! SO IT’S REALLY NOT A GOOD IDEA TO MESS WITH US!]
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
What happened?” Before I could say anything, Hustler spoke up in a rough voice, “I’ll tell you what the fuck happened. Swan went all Berserker Barbie on us and killed every mother fucker there, except one that Vance got.” I swear there was anger in Smoke’s gaze and he opened his mouth to say something, but Hulk cut him off, “You’re real lucky to have such a good woman, Smoke. Without her you’d be playin’ pool with the devil right now. I expect you to use the rest of your sorry life to let her know how much you love her and how much she means to you. A woman like her is a gift from God. You better respect that gift, or he’ll take it away.
Ann Mayburn (Exquisite Danger (Iron Horse MC, #2))
Let’s say our Republican overlords can convince us that these were just personal quirks of a “black swan” leader who kept us from the horror of…a former secretary of state, U.S. senator, and First Lady becoming president. To avoid the nightmare of having a president who had actually spent decades preparing for the job, it was necessary to nominate a reality-TV figure who talked openly of his desire to have sex with his own daughter and lectured Republican members of Congress on Article XII of the Constitution, which exists only in his mind. This positions Donald Trump as the Necessary Monster history demanded to save the Republican Party.
Stuart Stevens (It Was All a Lie: How the Republican Party Became Donald Trump)
Nick and I, we sometimes laugh, laugh out loud, at the horrible things women make their husbands do to prove their love. The pointless tasks, the myriad sacrifices, the endless small surrenders. We call these men the dancing monkeys. Nick will come home, sweaty and salty and beer-loose from a day at the ballpark,and I’ll curl up in his lap, ask him about the game, ask him if his friend Jack had a good time, and he’ll say, ‘Oh, he came down with a case of the dancing monkeys – poor Jennifer was having a “real stressful week” and really needed him at home.’ Or his buddy at work, who can’t go out for drinks because his girlfriend really needs him to stop by some bistro where she is having dinner with a friend from out of town. So they can finally meet. And so she can show how obedient her monkey is: He comes when I call, and look how well groomed! Wear this, don’t wear that. Do this chore now and do this chore when you get a chance and by that I mean now. And definitely, definitely, give up the things you love for me, so I will have proof that you love me best. It’s the female pissing contest – as we swan around our book clubs and our cocktail hours, there are few things women love more than being able to detail the sacrifices our men make for us. A call-and-response, the response being: ‘Ohhh, that’s so sweet.’ I am happy not to be in that club. I don’t partake, I don’t get off on emotional coercion, on forcing Nick to play some happy-hubby role – the shrugging, cheerful, dutiful taking out the trash, honey! role. Every wife’s dream man, the counterpoint to every man’s fantasy of the sweet, hot, laid-back woman who loves sex and a stiff drink. I like to think I am confident and secure and mature enough to know Nick loves me without him constantly proving it. I don’t need pathetic dancing-monkey scenarios to repeat to my friends, I am content with letting him be himself. I don’t know why women find that so hard.
Gillian Flynn (Gone Girl)
Suppose you are particularly rich and well-to-do, and say on that last day, 'I am very rich; I am tolerably well known; I have lived all my life in the best society, and, thank Heaven, come of a most respectable family. I have served my King and country with honour. I was in Parliament for several years, where, I may say, my speeches were listened to, and pretty well received. I don't owe any man a shilling: on the contrary, I lent my old college friend, Jack Lazarus, fifty pounds, for which my executors will not press him. I leave my daughters with ten thousand pounds a piece--very good portions for girls: I bequeath my plate and furniture, my house in Baker Street, with a handsome jointure, to my widow for her life; and my landed property, besides money in the Funds, and my cellar of well-selected wine in Baker Street, to my son. I leave twenty pound a year to my valet; and I defy any man after I am gone to find anything against my character.' Or suppose, on the other hand, your swan sings quite a different sort of dirge, and you say, 'I am a poor, blighted, disappointed old fellow, and have made an utter failure through life. I was not endowed either with brains or with good fortune: and confess that I have committed a hundred mistakes and blunders. I own to having forgotten my duty many a time. I can't pay what I owe. On my last bed I lie utterly helpless and humble: and I pray forgiveness for my weakness, and throw myself with a contrite heart at the feet of the Divine Mercy.' Which of these two speeches, think you, would be the best oration for your own funeral? Old Sedley made the last; and in that humble frame of mind, and holding by the hand of his daughter, life and disappointment and vanity sank away from under him.
William Makepeace Thackeray (Vanity Fair)
* THE OLD WOMAN remembered a swan she had bought many years ago in Shanghai for a foolish sum. This bird, boasted the market vendor, was once a duck that stretched its neck in hopes of becoming a goose, and now look!—it is too beautiful to eat. Then the woman and the swan sailed across an ocean many thousands of li wide, stretching their necks toward America. On her journey she cooed to the swan: “In America I will have a daughter just like me. But over there nobody will say her worth is measured by the loudness of her husband’s belch. Over there nobody will look down on her, because I will make her speak only perfect American English. And over there she will always be too full to swallow any sorrow! She will know my meaning, because I will give her this swan—a creature that became more than what was hoped for.” But when she arrived in the new country, the immigration officials pulled her swan away from her, leaving the woman fluttering her arms and with only one swan feather for a memory. And then she had to fill out so many forms she forgot why she had come and what she had left behind. Now the woman was old. And she had a daughter who grew up speaking only English and swallowing more Coca-Cola than sorrow. For a long time now the woman had wanted to give her daughter the single swan feather and tell her, “This feather may look worthless, but it comes from afar and carries with it all my good intentions.” *
Amy Tan (The Joy Luck Club)
You seem to think me inferior to the swans in prophecy. They sing before too, but when they realize that they must die they sing most and most beautifully, as 85 they rejoice that they are about to depart to join the god whose servants they are. But men, because of their own fear of death, tell lies about the swans and say that they lament their death and sing in sorrow. They do not reflect that no bird sings when it is hungry or cold or suffers in any other way, neither the nightingale nor the swallow nor the hoopoe, though they do say that these sing laments when in pain. Nor do the swans, but b I believe that as they belong to Apollo, they are prophetic, have knowledge of the future and sing of the blessings of the underworld, sing and rejoice on that day beyond what they did before. As I believe myself to be a fellow servant with the swans and dedicated to the same god, and have received from my master a gift of prophecy not inferior to theirs, I am no more despondent than they on leaving life.
Plato (Phaedo)
Reading historical fiction from a very young age, fired my imagination. I loved the history, the development of the characters and almost always, the romance filling the many pages. I try to write with feeling and compassion, of a world as I would like it to be, with adventure, suspense and, of course, romance. I'm a sucker for a love story, and what's a love story without a few tears. I think they are always good for the soul. As the author, I am in complete control of my work and with everything I write, I let the words flow from my heart. Very few days go by that I don't get an idea arising from a historical event and say: 'What If? ...
Sheldon Friedman
I saw and heard all sorts of things in my fever; I was riding a merry-go-round, I wanted to get off but I couldn’t. I was one of many little children sitting in fire engines and hollowed-out swans, on dogs, cats, pigs, and stags, riding round and round. I wanted to get off but I wasn’t allowed to. All the little children were crying, like me they wanted to get out of the fire engines and hollowed-out swans, down from the backs of the cats, dogs, pigs, and stags, they didn’t want to ride on the merry-go-round any more, but they weren’t allowed to get off. The Heavenly Father was standing beside the merry-go-round and every time it stopped, he paid for another turn. And we prayed: “Oh, our Father who art in heaven, we know you have lots of loose change, we know you like to treat us to rides on the merry-go-round, we know you like to prove to us that this world is round. Please put your pocket-book away, say stop, finished, fertig, basta, stoi, closing time—we poor little children are dizzy, they’ve brought us, four thousand of us, to K"asemark on the Vistula, but we can’t get across, because your merry-go-round, your merry-go-round…” But God our Father, the merry-go-round owner, smiled in his most benevolent manner and another coin came sailing out of his purse to make the merry-go-round keep on turning, carrying four thousand children with Oskar in their midst, in fire engines and hollowed-out swans, on cats, dogs, pigs, and stags, round and round in a ring, and every time my stag—I’m still quite sure it was a stag—carried us past our Father in heaven, the merry-go-round owner, he had a different face: He was Rasputin, laughing and biting the coin for the next ride with his faith healer’s teeth; and then he was Goethe, the poet prince, holding a beautifully embroidered purse, and the coins he took out of it were all stamped with his father-in-heaven profile; and then again Rasputin, tipsy, and again Herr von Goethe, sober. A bit of madness with Rasputin and a bit of rationality with Goethe. The extremists with Rasputin, the forces of order with Goethe.
Günter Grass
The old woman remembered a swan she had bought many years ago in Shanghai for a foolish sum. This bird, boasted the market vendor, was once a duck that stretched its neck in hopes of becoming a goose, and now look!—it is too beautiful to eat. Then the woman and the swan sailed across an ocean many thousands of li wide, stretching their necks toward America. On her journey she cooed to the swan: “In America I will have a daughter just like me. But over there nobody will say her worth is measured by the loudness of her husband’s belch. Over there nobody will look down on her, because I will make her speak only perfect American English. And over there she will always be too full to swallow any sorrow! She will know my meaning, because I will give her this swan—a creature that became more than what was hoped for.” But when she arrived in the new country, the immigration officials pulled her swan away from her, leaving the woman fluttering her arms and with only one swan feather for a memory. And then she had to fill out so many forms she forgot why she had come and what she had left behind. Now the woman was old. And she had a daughter who grew up speaking only English and swallowing more Coca-Cola than sorrow. For a long time now the woman had wanted to give her daughter the single swan feather and tell her, “This feather may look worthless, but it comes from afar and carries with it all my good intentions.” And she waited year after year, for the day she could tell her daughter this in perfect American English.
Amy Tan (The Joy Luck Club)
The current popular image of Zeus as a cheerful, avuncular type perplexes me. I know it comes from a silly kids’ movie, but I’m not sure they could have gotten it more wrong. Zeus was never avuncular. He killed his father, raped his sister, and then married her, calculating that sanctified incest was marginally better than the unsanctified kind. After that he conducted a series of what are generously called “affairs” with mortal women, though sometimes tales will admit he “ravished” them, which is to say he raped them. He turned into a swan once for a girl with an avian fetish, and another time he manifested as a golden shower over a woman imprisoned in a hole in the ground. His actions clearly paint him as skeevy to the max and the most despicable of examples. He’s not the kind of god that belongs in kids’ films. He’s the kind that releases the kraken.
Kevin Hearne (Hunted (The Iron Druid Chronicles, #6))
Where Western tales begin by shifting us to another time – ‘Once upon a time’ they say, meaning elsewhen, meaning then rather than now – Russian skazki make an adjustment of place. ‘In a certain land’, they start; or, ‘In the three-times-ninth kingdom …’ Meaning elsewhere, meaning there rather than here. Yet these elsewheres are always recognisable as home. In the distance will always be a woodwalled town where the churches have onion domes. The ruler will always be a Tsar, Ivan or Vladimir. The earth is always black. The sky is always wide. It’s Russia, always Russia, the dear dreadful enormous territory at the edge of Europe which is as large as all Europe put together. And, also, it isn’t. It is story Russia, not real Russia; a place never quite in perfect overlap with the daylight country of the same name. It is as near to it as a wish is to reality, and as far away too. For the tales supplied what the real country lacked, when villagers were telling them, and Afanaseyev was writing them down. Real Russia’s fields grew scraggy crops of buckwheat and rye. Story Russia had magic tablecloths serving feasts without end. Real Russia’s roads were mud and ruts. Story Russia abounded in tools of joyful velocity: flying carpets, genies of the rushing air, horses that scarcely bent the grass they galloped on. Real Russia fixed its people in sluggish social immobility. Story Russia sent its lively boys to seek the Firebird or to woo the Swan Maiden. The stories dreamed away reality’s defects. They made promises good enough to last for one evening of firelight; promises which the teller and the hearers knew could only be delivered in some Russian otherwhere. They could come true only in the version of home where the broke-backed trestle over the stream at the village’s end became ‘a bridge of white hazelwood with oaken planks, spread with purple cloths and nailed with copper nails’. Only in the wish country, the dream country. Only in the twenty-seventh kingdom.
Francis Spufford (Red Plenty)
We have polluted for years, causing much damage to the environment, while the scientists currently making these complicated forecasting models were not sticking their necks out and trying to stop us from building these risks (they resemble those “risk experts” in the economic domain who fight the previous war)—these are the scientists now trying to impose the solutions on us. But the skepticism about models that I propose does not lead to the conclusions endorsed by anti-environmentalists and pro-market fundamentalists. Quite the contrary: we need to be hyper-conservationists ecologically, since we do not know what we are harming with now. That’s the sound policy under conditions of ignorance and epistemic opacity. To those who say “We have no proof that we are harming nature,” a sound response is “We have no proof that we are not harming nature, either;” the burden of the proof is not on the ecological conservationist, but on someone disrupting an old system. Furthermore we should not “try to correct” the harm done, as we may be creating another problem we do not know much about currently.
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
Dear Mr. Beard, On the radio last spring, President Roosevelt said that each and every one of us here on the home front has a battle to fight; We must keep our spirits up. I am doing my best, but in my opinion Liver Gems are a lost cause, because they would take the spirit right out of anyone. So when Mother says it is wrong for us to eat better than our brave men overseas, I tell her that I don't see how eating disgusting stuff helps them in the least. But, Mr. Beard, it is very hard to cook good food when you're only a beginner! When Mother decided it was her patriotic duty to work at the airplane factory, she should have warned me about the recipes. You just can't trust them! Prudence Penny's are so revolting. I want to throw them right into the garbage. Mrs. Davis from next door lent me one of her wartime recipe pamphlets, and I read about liver salmi, which sounded so romantic. But by the time I had cooked the liver for twenty minutes in hot water, cut it into little cubes, rolled them in flour, and sautéed them in fat, I'd made flour footprints all over the kitchen floor. The consommé and cream both hissed like angry cats when I added them. Then I was supposed to add stoned olives and taste for seasoning. I spit it right into the sink.
Ruth Reichl (Delicious!)
Poppy," she murmured, "no matter how Miss Marks tries to civilize me- and I do try to listen to her- I still have my own way of looking at the world. To me, people are scarcely different from animals. We're all God's creatures, aren't we? When I meet someone, I know immediately what animal they would be. When we first met Cam, for example, I knew he was a fox." "I suppose Cam is somewhat fox-like," Poppy said, amused. "What is Merripen? A bear?" "No, unquestionably a horse. And Amelia is a hen." "I would say an owl." "Yes, but don't you remember when one of our hens in Hampshire chased after a cow that had strayed too close to the nest? That's Amelia." Poppy grinned. "You're right." "And Win is a swan." "Am I also a bird? A lark? A robin?" "No, you're a rabbit." "A rabbit?" Poppy made a face. "I don't like that. Why am I a rabbit?" "Oh, rabbits are beautiful soft animals who love to be cuddled. They're very sociable, but they're happiest in pairs." "But their timid," Poppy protested. "Not always. They're brave enough to be companions to many other creatures. Even cats and dogs." "Well," Poppy said in resignation, "it's better than being a hedgehog, I suppose." "Miss Marks is a hedgehog," Beatrix said in a matter-of-fact tone that made Poppy grin. "And you're a ferret, aren't you, Bea?" "Yes. But I was leading to a point." "Sorry, go on." "I was going to say that Mr. Rutledge is a cat. A solitary hunter. With an apparent taste for rabbit.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))