β
I like the night. Without the dark, we'd never see the stars.
β
β
Stephenie Meyer (Twilight (The Twilight Saga, #1))
β
About three things I was absolutely positive. First, Edward was a vampire. Second, there was a part of him-and I didnβt know how potent that part might be-that thirsted for my blood. And third, I was unconditionally and irrevocably in love with him.
β
β
Stephenie Meyer (Twilight (The Twilight Saga, #1))
β
Even more, I had never meant to love him. One thing I truly knew - knew it in the pit of my stomach, in the center of my bones, knew it from the crown of my head to the soles of my feet, knew it deep in my empty chest - was how love gave someone the power to break you
β
β
Stephenie Meyer (Twilight (The Twilight Saga, #1))
β
Don't be self-conscious, if I could dream at all, it would be about you. And I'm not ashamed of it.
β
β
Stephenie Meyer (Twilight (The Twilight Saga, #1))
β
When life offers you a dream so far beyond any of your expectations, itβs not reasonable to grieve when it comes to an end.
β
β
Stephenie Meyer (Twilight (The Twilight Saga, #1))
β
Why am I covered in feathers
β
β
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
β
Yeah? What'd you name all those cats?"
Death, Famine, Pestilence, War, and Mr. Whiskers."
You named your cats after the riders of the apocal--wait. Mr. Whiskers?"
Well, there are only four horsemen.
β
β
Richelle Mead (Storm Born (Dark Swan, #1))
β
If you show someone something you've written, you give them a sharpened stake, lie down in your coffin, and say, βWhen youβre readyβ.
β
β
David Mitchell (Black Swan Green)
β
How I go to the wood
Ordinarily, I go to the woods alone, with not a single
friend, for they are all smilers and talkers and therefore
unsuitable.
I donβt really want to be witnessed talking to the catbirds
or hugging the old black oak tree. I have my way of
praying, as you no doubt have yours.
Besides, when I am alone I can become invisible. I can sit
on the top of a dune as motionless as an uprise of weeds,
until the foxes run by unconcerned. I can hear the almost
unhearable sound of the roses singing.
If you have ever gone to the woods with me, I must love
you very much.
β
β
Mary Oliver (Swan: Poems and Prose Poems)
β
Why am I covered in feathers?" I asked, confused.
He exhaled impatiently. "I bit a pillow. Or two...
β
β
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
β
Missing a train is only painful if you run after it! Likewise, not matching the idea of success others expect from you is only painful if thatβs what you are seeking.
β
β
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
β
Angry grizzly bears are going to look tame next to what is waiting for you at home." I snapped the phone shut and placed it in her waiting hand. "I'm done.
β
β
Stephenie Meyer (Eclipse)
β
You could run from someone you feared, you could try to fight someone you hated. All my reactions were geared toward those kinds of killers β the monsters, the enemies. When you loved the one who was killing you, it left you no options. How could you run, how could you fight, when doing so would hurt that beloved one? If your life was all you had to give your beloved, how could you not give it? If it was someone you truly loved?
β
β
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
β
I don't have ugly ducklings turning into swans in my stories. I have ugly ducklings turning into confident ducks.
β
β
Maeve Binchy
β
You know I love you right?β
βI know,β he breathed, his arm tightening automatically around my waist. βYou know how much I wish it was enough.
β
β
Stephenie Meyer (Eclipse)
β
She tastes like nectar and salt. Nectar and salt and apples. Pollen and stars and hinges. She tastes like fairy tales. Swan maiden at midnight. Cream on the tip of a foxβs tongue. She tastes like hope.
β
β
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
β
To ugly ducklings everywhere,
Don't worry about those fluffy yellow morons:
They'll never get to be swans
β
β
ZoΓ« Marriott (The Swan Kingdom)
β
Death is unstoppable. One must face it as a fact of life
β
β
D. Aswini (Saffron - The Blood Swan)
β
Remember that you are a Black Swan.
β
β
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
β
She just keeps saying "Heβs gone.
β
β
Stephenie Meyer (New Moon (The Twilight Saga, #2))
β
Trees're always a relief, after people.
β
β
David Mitchell (Black Swan Green)
β
I collect church collapses, recreationally. Did you see the recent one in Sicily? Marvelous! The facade fell on sixty-five grandmothers at a special mass. Was that evil? If so, who did it? If he's up there, he just loves it, Officer Starling. Typhoid and swans - it all comes from the same place.
β
β
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
β
The first slide says: SEXUAL EXPERIMENTATION WITH FOREIGN MONARCHS: A GRAY AREA. Alex wonders if itβs too late to swan dive off the roof.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
If you suddenly and unexpectedly feel joy, donβt hesitate. Give in to it. There are plenty of lives and whole towns destroyed or about to be. We are not wise, and not very often kind. And much can never be redeemed. Still life has some possibility left. Perhaps this is its way of fighting back, that sometimes something happened better than all the riches or power in the world. It could be anything, but very likely you notice it in the instant when love begins. Anyway, thatβs often the case. Anyway, whatever it is, donβt be afraid of its plenty. Joy is not made to be a crumb. (Don't Hesitate)
β
β
Mary Oliver (Swan: Poems and Prose Poems)
β
When you develop your opinions on the basis of weak evidence, you will have difficulty interpreting subsequent information that contradicts these opinions, even if this new information is obviously more accurate.
β
β
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
β
It doesn't matter if you're born in a duck yard, so long as you are hatched from a swan's egg!
β
β
Hans Christian Andersen (The Ugly Duckling)
β
Sing swan, Spring swan then lets fly.
Follow the pretty bird across the sky.
Call swan, Fall swan, then lets rest.
Tucked in the branches of your quiet nest.
β
β
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
β
Dorian used to watch you like a starving man who wants meat. Now he looks at you like he wants seconds.
β
β
Richelle Mead (Thorn Queen (Dark Swan, #2))
β
If someone loves you, they should not be envious of you pouring your heart and soul and time and energy into the things that you are passionate about, but instead....they should love you MORE because you are so involved in those things.
β
β
Sharon Swan
β
It has been more profitable for us to bind together in the wrong direction than to be alone in the right one. Those who have followed the assertive idiot rather than the introspective wise person have passed us some of their genes. This is apparent from a social pathology: psychopaths rally followers.
β
β
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
β
Letβs go join the Black Swan!
β
β
Shannon Messenger (Everblaze (Keeper of the Lost Cities, #3))
β
Yes, because a vampire slumber party is the pinnacle of safety conscious behavior.
β
β
Stephenie Meyer (Eclipse)
β
Repeat one word of what I just said and I'll cheerfully beat you to death, Mike.
β
β
Stephenie Meyer
β
I'm a happy person. If you want to be around me, you can either choose to be happy too, or follow the signs to the nearest exit!
β
β
Sharon Swan
β
His skin was a pretty colour, it made me jealous.
Jacob noticed my scrutiny.
What?" he asked, suddenly self-conscious.
"Nothing. I just hadn't realised before. Did you know, you're sort of beautiful?"
Once the words slipped out, I worried that he might take my implusive observation the wrong way.
But Jacob rolled his eyes. "You hit your head pretty hard, didn't you?"
"I'm serious."
Well, then, thanks. Sort of."
I grinned. "You're sort of welcome.
β
β
Stephenie Meyer (New Moon (The Twilight Saga, #2))
β
I tentatively attempted to make contact with the muscles in my body. They told me to leave them the fuck alone.
β
β
Richelle Mead (Storm Born (Dark Swan, #1))
β
Me, I want to bloody kick this moronic bloody world in the bloody teeth over and over till it bloody understands that not hurting people is ten bloody thousand times more bloody important than being right.
β
β
David Mitchell (Black Swan Green)
β
My last night as Isabella Swan. Tomorrow night, I would be Bella Cullen. Though the whole marriage ordeal was a thorn in my side, I had to admit that I liked the sound of that.
- bella swan
β
β
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
β
It is my great hope someday, to see science and decision makers rediscover what the ancients have always known. Namely that our highest currency is respect.
β
β
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
β
How is it that music can, without words, evoke our laughter, our fears, our highest aspirations?
β
β
Jane Swan
β
Loneliness had taught Harriet that there was always someone who understood - it was just so often that they were dead, and in a book.
β
β
Eva Ibbotson (A Company of Swans)
β
It was not going to be the end of the world. Just the end of the Cullens. The end of Edward, the end of me. I preferred it that way β the last part anyway. I would not live without Edward again; if he was leaving this world, then I would be right behind him.
β
β
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
β
The problem with experts is that they do not know what they do not know
β
β
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
β
Oh, God. Iβm trapped in the fucking Chronicles of Narnia."
"Iβm sure that would be an amusing reference, if I understood it.
β
β
Richelle Mead (Storm Born (Dark Swan, #1))
β
I was too young that time to value her,
But now I know her. If she be a traitor,
Why, so am I. We still have slept together,
Rose at an instant, learned, played, eat together,
And wheresoe'er we went, like Juno's swans,
Still we went coupled and inseparable.
β
β
William Shakespeare (As You Like It)
β
When he asked my grandmother if she would mind being poor, she said she would be happy just to have her daughter and himself: 'If you have love, even plain water is sweet.
β
β
Jung Chang (Wild Swans: Three Daughters of China)
β
You really should stay away from me.
β
β
Stephenie Meyer (Twilight (The Twilight Saga, #1))
β
Once upon a time, man had a love affair with fire.
β
β
Robert McCammon (Swan Song)
β
It's funny; in this era of e-mail and voice mail and all those things that even I did not grow up with, a plain old paper letter takes on amazing intimacy.
β
β
Elizabeth Kostova (The Swan Thieves)
β
The writer Umberto Eco belongs to that small class of scholars who are encyclopedic, insightful, and nondull. He is the owner of a large personal library (containing thirty thousand books), and separates visitors into two categories: those who react with βWow! Signore, professore dottore Eco, what a library you have ! How many of these books have you read?β and the others - a very small minority - who get the point that a private library is not an ego-boosting appendage but a research tool. Read books are far less valuable than unread ones. The library should contain as much of what you donβt know as your financial means, mortgage rates and the currently tight real-estate market allows you to put there. You will accumulate more knowledge and more books as you grow older, and the growing number of unread books on the shelves will look at you menancingly. Indeed, the more you know, the larger the rows of unread books. Let us call this collection of unread books an antilibrary.
β
β
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
β
His own image; no longer a dark, gray bird, ugly and disagreeable to look at, but a graceful and beautiful swan. To be born in a duck's nest, in a farmyard, is of no consequence to a bird, if it is hatched from a swan's egg.
β
β
Hans Christian Andersen (The Ugly Duckling)
β
And how could anyone consent to give up the smell of open books, old or new?
β
β
Elizabeth Kostova (The Swan Thieves)
β
There's no need to curse God if you're an ugly duckling. He chooses those strong enough to endure it so that they can guide others who've felt the same.
β
β
Criss Jami (Killosophy)
β
If you are stealing people's thunder just by being around and standing there; you really can't expect people to like you. People want their own thunder to be heard loud and wide, not yours! Swans should never despair over ducks not liking them.
β
β
C. JoyBell C.
β
But then every man is ludicrous if you look at him from outside, without taking into account whatβs going on in his heart and mind.
β
β
Aldous Huxley (After Many a Summer Dies the Swan)
β
She was so intelligent that she could think herself into beauty. Intelligence...they don't talk about it much, the poets, but when a woman is intelligent and passionate and good...
β
β
Eva Ibbotson (A Company of Swans)
β
Iβm always amazed at how books find us at the time we need them, as if thereβs some omniscient, benevolent librarian in the sky.
β
β
Eve Babitz (Black Swans)
β
Isabella Swan?β He looked up at me through his impossibly long lashes, his golden eyes soft but, somehow, still scorching. βI promise to love you foreverβevery single day of forever. Will you marry me?β
There were many things I wanted to say, some of them not nice at all, and others more disgustingly gooey and romantic than he probably dreamed I was capable of. Rather than embarrass myself with either, I whispered, βYes.β
βThank you,β he said simply. He took my left hand and kissed each of my fingertips before he kissed the ring that was now mine.
β
β
Stephenie Meyer (Eclipse)
β
Alice! You know I love you like a sister!"
"Words." she growled.
β
β
Stephenie Meyer
β
I'm a pro at weird.
β
β
Stephenie Meyer (Eclipse)
β
We tend to use knowledge as therapy.
β
β
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
β
If you hear a "prominent" economist using the word 'equilibrium,' or 'normal distribution,' do not argue with him; just ignore him, or try to put a rat down his shirt.
β
β
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
β
Qhuinn's eyes shifted away from his buddy--and just happened to measure the distance down to the stone patio below. Hmm . . . doing a swan dive onto all that slate might just get the images of those two out of his head... of course, it would also turn his brain into scrambled eggs, but really, was that such a bad thing?
β
β
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
β
Ideas come and go, stories stay.
β
β
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
β
Isn't it supposed to be like this?" He smiled. "The glory of first love, and all that. It's incredible, isn't it, the difference between reading about something, seeing it in the pictures, and experiencing it?"
"Very different," I agreed. "More forceful than I'd imagined.
β
β
Stephenie Meyer (Twilight (The Twilight Saga, #1))
β
When
When itβs over, itβs over, and we donβt know
any of us, what happens then.
So I try not to miss anything.
I think, in my whole life, I have never missed
The full moon
or the slipper of its coming back.
Or, a kiss.
Well, yes, especially a kiss.
β
β
Mary Oliver (Swan: Poems and Prose Poems)
β
You donβt always get the treasure by holding on. Sometimes the magic happens when you let go.
β
β
Leylah Attar (The Paper Swan)
β
You used your power to toss one rock at me?" he exclaimed, an almost comic note of incredulity in his voice.
"On the contrary," I heard Dorian say pleasantly. "I didn't use magic for that. I just threw it.
β
β
Richelle Mead (Storm Born (Dark Swan, #1))
β
I still had this idea that there was a whole world of marvelous golden people somewhere, as far ahead of me as the seniors at Rye when I was in the sixth grade; people who knew everything instinctively, who made their lives work out the way they wanted without even trying, who never had to make the best of a bad job because it never occured to them to do anything less then perfectly the first time. Sort of heroic super-people, all of them beautiful and witty and calm and kind, and I always imagined that when I did find them I'd suddenly know that I Belonged among them, that I was one of them, that I'd been meant to be one of them all along, and everything in the meantime had been a mistake; and they'd know it too. I'd be like the ugly duckling among the swans.
β
β
Richard Yates (Revolutionary Road)
β
There is probably no better or more reliable measure of whether a woman has spent time in ugly duckling status at some point or all throughout her life than her inability to digest a sincere compliment. Although it could be a matter of modesty, or could be attributed to shyness- although too many serious wounds are carelessly written off as "nothing but shyness"- more often a compliment is stuttered around about because it sets up an automatic and unpleasant dialogue in the woman's mind.
If you say how lovely she is, or how beautiful her art is, or compliment anything else her soul took part in, inspired, or suffused, something in her mind says she is undeserving and you, the complimentor, are an idiot for thinking such a thing to begin with. Rather than understand that the beauty of her soul shines through when she is being herself, the woman changes the subject and effectively snatches nourishment away from the soul-self, which thrives on being acknowledged."
"I must admit, I sometimes find it useful in my practice to delineate the various typologies of personality as cats and hens and ducks and swans and so forth. If warranted, I might ask my client to assume for a moment that she is a swan who does not realzie it. Assume also for a moment that she has been brought up by or is currently surrounded by ducks.
There is nothing wrong with ducks, I assure them, or with swans. But ducks are ducks and swans are swans. Sometimes to make the point I have to move to other animal metaphors. I like to use mice. What if you were raised by the mice people? But what if you're, say, a swan. Swans and mice hate each other's food for the most part. They each think the other smells funny. They are not interested in spending time together, and if they did, one would be constantly harassing the other.
But what if you, being a swan, had to pretend you were a mouse? What if you had to pretend to be gray and furry and tiny? What you had no long snaky tail to carry in the air on tail-carrying day? What if wherever you went you tried to walk like a mouse, but you waddled instead? What if you tried to talk like a mouse, but insteade out came a honk every time? Wouldn't you be the most miserable creature in the world?
The answer is an inequivocal yes. So why, if this is all so and too true, do women keep trying to bend and fold themselves into shapes that are not theirs? I must say, from years of clinical observation of this problem, that most of the time it is not because of deep-seated masochism or a malignant dedication to self-destruction or anything of that nature. More often it is because the woman simply doesn't know any better. She is unmothered.
β
β
Clarissa Pinkola EstΓ©s (Women Who Run With the Wolves)
β
I will repeat the following until I am hoarse: it is contagion that determines the fate of a theory in social science, not its validity.
β
β
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
β
Read books are far less valuable than unread ones. The library should contain as much of what you do not know as your financial means, mortgage rates, and the currently tight real-estate market alow you to put there.
β
β
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
β
The problem is simply finding the right person. Ask Plato. Just make sure she finishes your thoughts and you finish hers. That's all you need.
β
β
Elizabeth Kostova (The Swan Thieves)
β
Because when we love, we carry it on the inside, and we can turn on its light even in our darkest moments. The deeper we love, the brighter it shines.
β
β
Leylah Attar (The Paper Swan)
β
If you have love, even plain cold water is sweet.
β
β
Jung Chang (Wild Swans: Three Daughters of China)
β
The inability to predict outliers implies the inability to predict the course of history
β
β
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
β
...itβs not just the person who fills a house, itβs their Iβll be back later!s, their toothbrushes and unused hats and coats, their belongingnesses.
β
β
David Mitchell (Black Swan Green)
β
These jokes the world plays, they're not funny at all.
β
β
David Mitchell (Black Swan Green)
β
I Worried"
I worried a lot. Will the garden grow, will the rivers
flow in the right direction, will the earth turn
as it was taught, and if not how shall
I correct it?
Was I right, was I wrong, will I be forgiven,
can I do better?
Will I ever be able to sing, even the sparrows
can do it and I am, well,
hopeless.
Is my eyesight fading or am I just imagining it,
am I going to get rheumatism,
lockjaw, dementia?
Finally I saw that worrying had come to nothing.
And gave it up. And took my old body
and went out into the morning,
and sang.
β
β
Mary Oliver (Swan: Poems and Prose Poems)
β
Itβs not over, you know. It never has been,β he said. βWhether you say yes or no, you will always be my forever.
β
β
Leylah Attar (The Paper Swan)
β
Categorizing is necessary for humans, but it becomes pathological when the category is seen as definitive, preventing people from considering the fuzziness of boundaries,
β
β
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
β
Itβs easy to want peace and love in hypothetical situationsβthen reality sets in, and sometimes we have to do whatβs ugly.
β
β
Richelle Mead (Thorn Queen (Dark Swan, #2))
β
Safety is all well and good: I prefer freedom.
β
β
E.B. White (The Trumpet of the Swan)
β
Iβve never tried to keep a specific person alive before, and itβs much more troublesome than I would have believed. But thatβs probably just because itβs you. Ordinary people seem to make it through the day without so many catastrophes.
β
β
Stephenie Meyer (Twilight (The Twilight Saga, #1))
β
Even the most worthless thing in the world can be beautiful, it just takes the right touch
β
β
Robert McCammon (Swan Song)
β
Wear this, don't wear that. Do this chore now and do this chore when you get a chance and by that I mean now. And definitely, definitely give up the things you love fro me, so I will have proof that you love me best. It's the female pissing contest -- as we swan around our book clubs and our cocktail hours, there are few things women love more than being able to detail the sacrifices our men make for us. A call-and-response, the response being: "Ohh, that's so sweet.
β
β
Gillian Flynn (Gone Girl)
β
Tie your heart at night to mine, love,
and both will defeat the darkness
like twin drums beating in the forest
against the heavy wall of wet leaves.
Night crossing: black coal of dream
that cuts the thread of earthly orbs
with the punctuality of a headlong train
that pulls cold stone and shadow endlessly.
Love, because of it, tie me to a purer movement,
to the grip on life that beats in your breast,
with the wings of a submerged swan,
So that our dream might reply
to the sky's questioning stars
with one key, one door closed to shadow.
β
β
Pablo Neruda
β
Edward can do everything, right?" I explained.
Jasper snickered and Esme gave Edward a reproving look.
"I hope you haven't been showing off-it's rude," she scolded.
"Just a bit," he laughed freely.
"He's been too modest actually," I corrected.
"Well, play for her," Esme encouraged.
"You just said showing off was rude," he objected.
"There are exceptions to every rule," she replied.
β
β
Stephenie Meyer (Twilight (The Twilight Saga, #1))
β
On the beach, at dawn:
Four small stones clearly
Hugging each other.
How many kinds of love
Might there be in the world,
And how many formations might they make
And who am I ever
To imagine I could know
Such a marvelous business?
When the sun broke
It poured willingly its light
Over the stones
That did not move, not at all,
Just as, to its always generous term,
It shed its light on me,
My own body that loves,
Equally, to hug another body.
β
β
Mary Oliver (Swan: Poems and Prose Poems)
β
Pleasure cannot be shared; like Pain, it can only be experienced or inflicted, and when we give Pleasure to our Lovers or bestow Charity upon the Needy, we do so, not to gratify the object of our Benevolence, but only ourselves. For the Truth is that we are kind for the same reason as we are cruel, in order that we may enhance the sense of our own Power....
β
β
Aldous Huxley (After Many a Summer Dies the Swan)
β
The poet dreams of the mountain
Sometimes I grow weary of the days, with all their fits and starts.
I want to climb some old gray mountains, slowly, taking
The rest of my lifetime to do it, resting often, sleeping
Under the pines or, above them, on the unclothed rocks.
I want to see how many stars are still in the sky
That we have smothered for years now, a century at least.
I want to look back at everything, forgiving it all,
And peaceful, knowing the last thing there is to know.
All that urgency! Not what the earth is about!
How silent the trees, their poetry being of themselves only.
I want to take slow steps, and think appropriate thoughts.
In ten thousand years, maybe, a piece of the mountain will fall.
β
β
Mary Oliver (Swan: Poems and Prose Poems)
β
The only way to lose a kingdom is if your power drops or..well, if you're killed."
"I'm sure Volusian would love to help with that."
My minion walked near me, needing no horse to move swiftly. Upon hearing his name, he said, "I would perform the deed with great relish and much suffering on your part, mistress."
"You can't put a price on that kind of loyalty," I told Kiyo.
β
β
Richelle Mead (Thorn Queen (Dark Swan, #2))
β
I had a few other things on my mind. Like if it was going to rain every time I got aroused. That was not cool. I guessed I could handle it so long as it rained other times as well. I didnβt want the connection to be so obvious. Hey, itβs raining! The queen must have gotten laid. Oohβ¦is that hail? Must have been into some kinky shit today.
β
β
Richelle Mead (Thorn Queen (Dark Swan, #2))
β
The sweetness of dogs (fifteen)
What do you say, Percy? I am thinking
of sitting out on the sand to watch
the moon rise. Full tonight.
So we go
and the moon rises, so beautiful it
makes me shudder, makes me think about
time and space, makes me take
measure of myself: one iota
pondering heaven. Thus we sit,
I thinking how grateful I am for the moonβs
perfect beauty and also, oh! How rich
it is to love the world. Percy, meanwhile,
leans against me and gazes up into
my face. As though I were
his perfect moon.
β
β
Mary Oliver (Swan: Poems and Prose Poems)
β
I want you to go back to Tucson and bring me the bottle of tequila I keep in my liquor cabinet. And don't scare Tim."
Volusian remained motionless in that way of his. "My mistress grows increasingly creative in her ways to torment me."
"I thought you'd appreciate it."
"Only in so much as it inspires me to equally creative means to rip you apart when I am able to break free of these bonds and finally destroy you."
"You see? There's a silver lining to everything. Now hurry up.
β
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Richelle Mead (Thorn Queen (Dark Swan, #2))
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L'union libre [Freedom of Love]"
My wife with the hair of a wood fire
With the thoughts of heat lightning
With the waist of an hourglass
With the waist of an otter in the teeth of a tiger
My wife with the lips of a cockade and of a bunch of stars of the last magnitude
With the teeth of tracks of white mice on the white earth
With the tongue of rubbed amber and glass
My wife with the tongue of a stabbed host
With the tongue of a doll that opens and closes its eyes
With the tongue of an unbelievable stone
My wife with the eyelashes of strokes of a child's writing
With brows of the edge of a swallow's nest
My wife with the brow of slates of a hothouse roof
And of steam on the panes
My wife with shoulders of champagne
And of a fountain with dolphin-heads beneath the ice
My wife with wrists of matches
My wife with fingers of luck and ace of hearts
With fingers of mown hay
My wife with armpits of marten and of beechnut
And of Midsummer Night
Of privet and of an angelfish nest
With arms of seafoam and of riverlocks
And of a mingling of the wheat and the mill
My wife with legs of flares
With the movements of clockwork and despair
My wife with calves of eldertree pith
My wife with feet of initials
With feet of rings of keys and Java sparrows drinking
My wife with a neck of unpearled barley
My wife with a throat of the valley of gold
Of a tryst in the very bed of the torrent
With breasts of night
My wife with breasts of a marine molehill
My wife with breasts of the ruby's crucible
With breasts of the rose's spectre beneath the dew
My wife with the belly of an unfolding of the fan of days
With the belly of a gigantic claw
My wife with the back of a bird fleeing vertically
With a back of quicksilver
With a back of light
With a nape of rolled stone and wet chalk
And of the drop of a glass where one has just been drinking
My wife with hips of a skiff
With hips of a chandelier and of arrow-feathers
And of shafts of white peacock plumes
Of an insensible pendulum
My wife with buttocks of sandstone and asbestos
My wife with buttocks of swans' backs
My wife with buttocks of spring
With the sex of an iris
My wife with the sex of a mining-placer and of a platypus
My wife with a sex of seaweed and ancient sweetmeat
My wife with a sex of mirror
My wife with eyes full of tears
With eyes of purple panoply and of a magnetic needle
My wife with savanna eyes
My wife with eyes of water to he drunk in prison
My wife with eyes of wood always under the axe
My wife with eyes of water-level of level of air earth and fire
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AndrΓ© Breton (Poems of AndrΓ© Breton: A Bilingual Anthology)
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I donβt run for trains.β Snub your destiny. I have taught myself to resist running to keep on schedule. This may seem a very small piece of advice, but it registered. In refusing to run to catch trains, I have felt the true value of elegance and aesthetics in behavior, a sense of being in control of my time, my schedule, and my life. Missing a train is only painful if you run after it! Likewise, not matching the idea of success others expect from you is only painful if thatβs what you are seeking. You stand above the rat race and the pecking order, not outside of it, if you do so by choice.
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Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
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An Irish Airman foresees his Death
I Know that I shall meet my fate
Somewhere among the clouds above;
Those that I fight I do not hate
Those that I guard I do not love,
My country is Kiltartan Cross,
My countrymen Kiltartanβs poor,
No likely end could bring them loss
Or leave them happier than before.
Nor law, nor duty bade me fight,
Nor public man, nor cheering crowds,
A lonely impulse of delight
Drove to this tumult in the clouds;
I balanced all, brought all to mind,
The years to come seemed waste of breath,
A waste of breath the years behind
In balance with this life, this death.
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W.B. Yeats (The Wild Swans At Coole)
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I am most often irritated by those who attack the bishop but somehow fall for the securities analyst--those who exercise their skepticism against religion but not against economists, social scientists, and phony statisticians. Using the confirmation bias, these people will tell you that religion was horrible for mankind by counting deaths from the Inquisition and various religious wars. But they will not show you how many people were killed by nationalism, social science, and political theory under Stalin or during the Vietnam War. Even priests don't go to bishops when they feel ill: their first stop is the doctor's. But we stop by the offices of many pseudoscientists and "experts" without alternative. We no longer believe in papal infallibility; we seem to believe in the infallibility of the Nobel, though....
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Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
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When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter.
He leaned out the archway and glanced at the grand staircase.
Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane.
The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway.
The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone.
John's cry for help came out as a mute, sustained rush of air--
Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness.
Meanwhile, John's heart pounded from shock...then pumped fast for a different reason.
Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal.
"You like to be chased, nalla, " Z said in a voice so deep it distorted.
Bella's smile got even wider as she backed up into a corner. "Maybe."
"So run some more, why don't you." The words were dark and even John caught the erotic threat in them.
Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan.
At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk.
Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing.
He'd caught her.
......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile.
There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time.
God, John wanted that kind of connection.
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J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))