Swan Queen Quotes

We've searched our database for all the quotes and captions related to Swan Queen. Here they are! All 50 of them:

Dorian used to watch you like a starving man who wants meat. Now he looks at you like he wants seconds.
Richelle Mead (Thorn Queen (Dark Swan, #2))
It’s easy to want peace and love in hypothetical situations—then reality sets in, and sometimes we have to do what’s ugly.
Richelle Mead (Thorn Queen (Dark Swan, #2))
The only way to lose a kingdom is if your power drops or..well, if you're killed." "I'm sure Volusian would love to help with that." My minion walked near me, needing no horse to move swiftly. Upon hearing his name, he said, "I would perform the deed with great relish and much suffering on your part, mistress." "You can't put a price on that kind of loyalty," I told Kiyo.
Richelle Mead (Thorn Queen (Dark Swan, #2))
I had a few other things on my mind. Like if it was going to rain every time I got aroused. That was not cool. I guessed I could handle it so long as it rained other times as well. I didn’t want the connection to be so obvious. Hey, it’s raining! The queen must have gotten laid. Ooh…is that hail? Must have been into some kinky shit today.
Richelle Mead (Thorn Queen (Dark Swan, #2))
I want you to go back to Tucson and bring me the bottle of tequila I keep in my liquor cabinet. And don't scare Tim." Volusian remained motionless in that way of his. "My mistress grows increasingly creative in her ways to torment me." "I thought you'd appreciate it." "Only in so much as it inspires me to equally creative means to rip you apart when I am able to break free of these bonds and finally destroy you." "You see? There's a silver lining to everything. Now hurry up.
Richelle Mead (Thorn Queen (Dark Swan, #2))
Since I’m presuming you don’t mean you finally bought him a leash, let me say simply that there is a big difference between allowing an animal to ravage you and allowing yourself to be ravaged. One is common. The other is art. It is planned. Crafted, even. Only capable of being done by a master.
Richelle Mead (Thorn Queen (Dark Swan, #2))
I don't think there are enough words in the world that exist to express exactly just how much I love my son! He's right there in the front of my soul, he can turn me into an eagle, a lioness, a tigress, a swan! A goof or a queen! There's no underestimating just how much I love him; I surround him like the ocean surrounds the ships! I never wanted to change the world, until he came along and showed me that he deserves a better world to live in!
C. JoyBell C.
Nothing happened here, okay? None of this did.” His eyebrows rose. “Really? Because I could have sworn that something happened when my hand was between your—” “No!” - Dorian and Eugenie
Richelle Mead (Thorn Queen (Dark Swan, #2))
I loved Aeson. You have no idea what love is.” “Oh, I do. I know that it’s the best high and the worst hurt all at the same time—not to mention confusing as hell.
Richelle Mead (Thorn Queen (Dark Swan, #2))
Later, I would ask Shaya to help me compose a formal response to Katrice's letter, something a long the lines of "I am the Thorn Queen. F*** Off.
Richelle Mead (Thorn Queen (Dark Swan, #2))
Ah, Eugenie. I know. We will be victorious, you and me. We're the strongest monarchs in this world. You and I will lead this army, and we will conquer the Rowan land. We'll split it between us, adding on to our kingdoms...and from there, we can go anywhere. We could rule half this world together—all of this world—you and me. Kingdom after kingdom would fall to us...
Richelle Mead (Thorn Queen (Dark Swan, #2))
Then don't criticize if you can't offer a solution," said Dorian. "It's easy to want peace and love in hypothetical situations - then reality sets in, and sometimes we have to do what's ugly.
Richelle Mead (Thorn Queen (Dark Swan, #2))
Eugenie, you’re a woman without equal, and no matter how much you annoy the hell out of me and no matter how much I try to get you out of my head—and believe me, both occur regularly—I can’t stay away from you. Even if you were barren, I’d take you as my consort in an instant and spend the rest of my life with you — childless, so long as it meant you’d be by my side. I would gladly bring you to my bed with no other thoughts than taking joy from your body. It would be enough.” - Dorian
Richelle Mead (Thorn Queen (Dark Swan, #2))
No," I said softly, feeling all the energy run out of me. I was tired. So, so tired. "I don't want a war. I...I can't unleash something like that." Then, for the first time so far, Dorian spoke. "I can," he said.
Richelle Mead (Thorn Queen (Dark Swan, #2))
I couldn't remember the cats' names any better than the dogs'. Four of them were named after the Horsemen of the Apocalypse, and all I could really recall was that Famine ironically weighed about thirty pounds.
Richelle Mead (Thorn Queen (Dark Swan, #2))
His dark eyes were on the road ahead, thoughtful. “No. I was hoping to go back to Tucson and see if I could get this hot chick I know to go out with me. I hear she’s in demand, though. She keeps putting me off each time I try to plan something romantic.” “Yeah, well, maybe if you come up with a good itinerary, you could lure her out.” “I was thinking dinner at Joe’s.” I made a face. “If that’s the case, maybe you’d better brace yourself for rejection.” “Red Pepper Bistro?” “Okay. Now you’re in the zone.” “Followed by a long massage in the sauna.” “That’s pretty good too.” “And then indecent things in the sauna.” “I hope you mean you’ll be doing the indecent things—because I more than did my share last night.” Kiyo glanced over at me with a mischievous grin. “Who says I’m talking about you?
Richelle Mead (Thorn Queen (Dark Swan, #2))
I neither require nor desire your gratitude, mistress. I want nothing in these worlds save your death." Volusian to Eugenie
Richelle Mead (Thorn Queen (Dark Swan, #2))
She didn't look like a Willow Queen. Of course, I'm not sure what exactly I expected - maybe something akin to Glinda the Good Witch. But this woman looked like Surfer Girl Barbie.
Richelle Mead (Storm Born (Dark Swan, #1))
Eventually, decades later, when the king was dying, the queen gently ushered everybody out into the corridor, closed the door to the royal bedchamber, and got into bed with her husband. She started singing to him. They laughed. He was short of breath, but he could still laugh. They asked each other, Is this silly? Is this...pretentious? But they both knew that everything there was to say had been said already, over and over, across the years. And so the king, relieved, released, free to be silly, asked her to sing him a song from his childhood. He didn't need to be regal anymore, he didn't need to seem commanding or dignified, not with her. They were, in their way, dying together, and they both knew it. It wasn't happening only to him. So she started singing. They shared one last laugh - they agreed that the cat had a better voice than she did. Still, she sang him out of the world.
Michael Cunningham (A Wild Swan: And Other Tales)
How could Paolo think the queen and her ilk were my people? I had no more relation to them than a pigeon does to a flock of swans – or a vortex of vultures, which the castle’s denizens better resembled in both attire and attitude.
Catherine Gilbert Murdock (Princess Ben)
I used to know a carnival man turned preacher who said the key to his success was understanding the people of what he called Snake's Navel, Arkansas. He said in Snake's Navel, the biggest thing going on Saturday night was the Dairy Queen. He said you could get the people there to do damn near anything --pollute their own water, work at five-dollar-an-hour jobs, drive fifty miles to a health clinic-- as long as you packaged it right. That meant you gave them a light show and faith healings and blow-down-the-walls gospel music with a whole row of American flags across the stage. He said what they liked best, though --what really got them to pissing all over themselves-- was to be told it was other people going to hell and not them. He said people in Snake's Navel wasn't real fond of homosexuals and Arabs and Hollywood Jews, although he didn't use them kinds of terms in his sermons.
James Lee Burke (Swan Peak (Dave Robicheaux, #17))
I have heard queens' swans, moved a man to cry, heard Bach played in the Metro on guitars. I have made love in Paris. Let me die.
Jennifer Reeser (Fleur de Lis)
Polly Hall was thirteen but wore enough makeup to rival a 40-year-old whore.
Richelle Mead (Thorn Queen (Dark Swan, #2))
Peter smiled as Concheetah sashayed across the ballroom floor Concheetah sashayed towards him, wriggling her hips, full lips in a pout, followed obediently by the tentative, Tapping Ted dressed in tight shorts and singlet. Tapping? Tapping because he always wore conspicuous, tap-dancing shoes in the club. Was Ted going to rip up the stage as a mincing Irish dancer or maybe perform a Gene Kelly routine or the Swan Lake ballet in taps? It was terrible to imagine. Peter bit his lip at that thought, hoping he wouldn’t burst into howls of laughter. He had noted after coming to several shows, that Ted usually stood at the side of the stage ready with a drink of champagne and an encouraging word and a dry towel to mop Her Highness’s face. And he always cried during the show’s finale, Abba’s Dancing Queen. Poor Tapping Ted.
T.W. Lawless (Thornydevils (Peter Clancy #2))
Darkness gives her permission, and protector gives the tears. Beauty provides the conch, while mother provides the spear Knowledge gives the moon, and head gives the bracelet Widow provides the creator, while swan provides the snake Music gives the sight, and the bloom gives mirror. Or the blood of the queen will fall. To make her lose a hand.
Sapan Saxena (The Tenth Riddle)
have you ever felt the love so close, did you sense the cool wind it blows, when the happiness is all around, and the sync of beats of the heart become a beautiful sound, when you don't fear the heights and the depth, and you feel on cloud nine even on your heart's theft, when the mystery and known become one, and the face of him becomes next to the rising sun, when you hold his hands and cross the bridges, the lakes, the plateaus and the ridges, you feel the world and yourself at the same time, when the silence between you becomes a beautiful mime. when you become the wicked child and he the teacher, and then the love flows without any measure, you feel his protection in the freedom, you enjoy being the queen of his kingdom, you fly in the sky, you run up the stairs, you dive into the sea, you head to towns and cities with glee, head on his shoulders and mind in his dreams, oh, the soul becomes the swan of the love sea and swims, what more you can ask from God in this lifetime, when your love is synonymous to god's hymn?! maybe it is more than what i said, because it has all in it that never fades, love truly and feel its beauty, it is not just the pleasure or pain but a lifetime duty.....
sangeeta mann
was laughable. An aisle stretched down the middle of the ballroom, defined by candelabras topped with more pale orbs, their light flickering like little flames. The aisle runner was black and set with rhinestones in mimicry of the night sky. Or, the always sky, as it was here on Luna. A hush fell over the room, and Kai could tell it was not a normal hush. It was too controlled, too flawless. His heart pounded, uncontrolled in its cage. This was the moment he’d been dreading, the fate he’d fought against for so long. No one was going to interfere. He was alone and rooted to the floor. At the far back of the room, the massive doors opened, chorused with a fanfare of horns. At the end of the aisle, two shadows emerged—a man and a woman in militaristic uniforms carrying the flags of Luna and the Eastern Commonwealth. After they parted, setting the flags into stands on either side of the altar, a series of Lunar guards marched into the room, fully armed and synchronized. They, too, spread out when they reached the altar, like a protective wall around the dais. Next down the aisle were six thaumaturges dressed in black, walking in pairs, graceful as black swans. They were followed by two in red, and finally Head Thaumaturge Aimery Park, all in white. A voice dropped down from some hidden speakers. “All rise for Her Royal Majesty, Queen Levana Blackburn of Luna.” The people rose. Kai clasped his shaking hands behind his back. She appeared as a silhouette first in the lights of the doors, a perfect hourglass dropping off to a full billowing skirt that flowed behind her. She walked with her head high, gliding toward
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Coming as a kind of pleasure-package with her parents and sisters, as a girl Theodora performed acrobatic tricks and erotic dances in and around the hippodrome – part of the fringe of shows, spectacles and penny theatricals that accompanied the games. It was said by contemporary chroniclers that one of Theodora’s most popular turns was a re-enactment of the story of Leda (the mother of Helen of Troy) and the Swan (Zeus in disguise). The Greek myth went that Zeus was so enraptured with Queen Leda when he espied her bathing by the banks of the River Eurotas that he turned himself into a swan so that he could ravish the Spartan Queen. Theodora, as Leda, would leave a trail of grain up on to (some said into) her body, which the ‘swan’ (in Constantinople in fact a goose) then eagerly consumed. The Empress’s detractors delighted in memorialising the fact that Theodora’s services were eagerly sought out for anal intercourse, as both an active and a passive partner. As a child and as an adolescent woman Theodora would have been considered dirt, but she was, physically, right at the heart of human affairs in a burgeoning city in interesting times. Theodora was also, obviously, wildly attractive. Born in either Cyprus or Syria, as a teenager – already the mother of a young girl and with a history of abortions – she left Constantinople as the companion of a Syrian official, the governor of Libya Pentapolis. The two travelled to North Africa, where, after four years of maltreatment, she found herself abandoned by the Byzantine official, her meal-ticket revoked. A discarded mistress, on the road, was as wretched as things could get in the sixth century. (...) Theodora tried to find her way back to the mother city, making ends meet as a prostitute, and the only people to give the twenty-year-old reject shelter were a group of Christians in the city of Alexandria. That random act of kindness was epoch-forming.
Bettany Hughes (Istanbul: A Tale of Three Cities)
I used to be a roller coaster girl" (for Ntozake Shange) I used to be a roller coaster girl 7 times in a row No vertigo in these skinny legs My lipstick bubblegum pink As my panther 10 speed. never kissed Nappy pigtails, no-brand gym shoes White lined yellow short-shorts Scratched up legs pedaling past borders of humus and baba ganoush Masjids and liquor stores City chicken, pepperoni bread and superman ice cream Cones. Yellow black blending with bits of Arabic Islam and Catholicism. My daddy was Jesus My mother was quiet Jayne Kennedy was worshipped by my brother Mark I don’t remember having my own bed before 12. Me and my sister Lisa shared. Sometimes all three Moore girls slept in the Queen. You grow up so close never close enough. I used to be a roller coaster girl Wild child full of flowers and ideas Useless crushes on polish boys in a school full of white girls. Future black swan singing Zeppelin, U2 and Rick Springfield Hoping to be Jessie’s Girl I could outrun my brothers and Everybody else to that reoccurring line I used to be a roller coaster girl Till you told me I was moving too fast Said my rush made your head spin My laughter hurt your ears A scream of happiness A whisper of freedom Pouring out my armpits Sweating up my neck You were always the scared one I kept my eyes open for the entire trip Right before the drop I would brace myself And let that force push my head back into That hard iron seat My arms nearly fell off a few times Still, I kept running back to the line When I was done Same way I kept running back to you I used to be a roller coaster girl I wasn’t scared of mountains or falling Hell, I looked forward to flying and dropping Off this earth and coming back to life every once in a while I found some peace in being out of control allowing my blood to race through my veins for 180 seconds I earned my sometime nicotine pull I buy my own damn drinks & the ocean Still calls my name when it feels my toes Near its shore. I still love roller coasters & you grew up to be Afraid of all girls who cld ride Fearlessly like me.
Jessica Care Moore
The Phoenix and the Turtle Let the bird of loudest lay On the sole Arabian tree Herald sad and trumpet be, To whose sound chaste wings obey. But thou shrieking harbinger, Foul precurrer of the fiend, Augur of the fever's end, To this troop come thou not near. From this session interdict Every fowl of tyrant wing, Save the eagle, feather'd king; Keep the obsequy so strict. Let the priest in surplice white, That defunctive music can, Be the death-divining swan, Lest the requiem lack his right. And thou treble-dated crow, That thy sable gender mak'st With the breath thou giv'st and tak'st, 'Mongst our mourners shalt thou go. Here the anthem doth commence: Love and constancy is dead; Phoenix and the Turtle fled In a mutual flame from hence. So they lov'd, as love in twain Had the essence but in one; Two distincts, division none: Number there in love was slain. Hearts remote, yet not asunder; Distance and no space was seen 'Twixt this Turtle and his queen: But in them it were a wonder. So between them love did shine That the Turtle saw his right Flaming in the Phoenix' sight: Either was the other's mine. Property was thus appalled That the self was not the same; Single nature's double name Neither two nor one was called. Reason, in itself confounded, Saw division grow together, To themselves yet either neither, Simple were so well compounded; That it cried, "How true a twain Seemeth this concordant one! Love has reason, reason none, If what parts can so remain." Whereupon it made this threne To the Phoenix and the Dove, Co-supremes and stars of love, As chorus to their tragic scene: Beauty, truth, and rarity, Grace in all simplicity, Here enclos'd, in cinders lie. Death is now the Phoenix' nest, And the Turtle's loyal breast To eternity doth rest, Leaving no posterity: 'Twas not their infirmity, It was married chastity. Truth may seem but cannot be; Beauty brag but 'tis not she; Truth and beauty buried be. To this urn let those repair That are either true or fair; For these dead birds sigh a prayer
William Shakespeare
My name is Grace,” I said, to Elián, to Talis, to Queen Agnes Little, to the listening world. Then I drew with my hand a circle across the whole of the sky, and it filled with streaking, breaking platforms. Grace, the gift unexpected, unearned. Grace in a grid of falling stars.
Erin Bow (The Swan Riders (Prisoners of Peace, #2))
You're delusional. I do not want you." "You do want me. And I sure as fuck want you.
Wanda Swan (Power Hungry (The Queen’s Court, #1))
Your dragon is beautiful. Please let me touch you, Ash. Please.
Wanda Swan (Charged Up (The Queen’s Court, #2))
I will turn this swan into a raven; my goddess of darkness, my queen of death. Because only when she becomes as unprincipled as me, would she willingly stay with me in my castle of dead bones and blood
Rue Knightly (Venom and Black Swan (Birds of Sorrow Duet Book 1))
I already have relaxing hobbies, Ash, like horseback riding and driving.” “Nobody’s relaxed when you’re driving,
Wanda Swan (High Voltage (The Queen's Court, #4))
You’re delusional. I do not want you.” “You do want me. And I sure as fuck want you.
Wanda Swan (Power Hungry (The Queen’s Court, #1))
Listen to me, Princess. On the consummation date, if not before, I’m going to strip you naked, spread your legs and fuck you until you’re screaming my name. And then we are going to live happily ever fucking after.
Wanda Swan (Power Hungry (The Queen’s Court, #1))
She’s your queen!” ”She’s my everything.
Wanda Swan (Live Wire (The Queen’s Court, #3))
She could have been Queen of England [sic] - and she was swanning about Paris with Arabs. What disgraceful behaviour! Going about saying she wanted to be the queen of hearts. The vulgarity of it is so overpowering.
Quentin Crisp
The natives of North America were some of the best hunters ever known anywhere in the world; their skill and accuracy frequently astounded the early European explorers. When the Arctic explorer Martin Frobisher made his voyage to Baffin Island, the skill of the Inuit so impressed him that he kidnapped a hunter to take back to England as a prize. The hunter’s skill with a harpoon thrilled Queen Elizabeth I so much that she invited him to harpoon her royal swans for the amusement of her court.
Jack Weatherford (Native Roots: How the Indians Enriched America)
The big swan—Apollo—was within ten feet of me; he swam in open water, clear of the others; no living thing touched him. Suddenly, uttering a cry that chilled my very blood, a cry that I never heard from a swan in my life, he rose in the air, his huge wings extended—like a tortured phantom, Sime; I can never forget it—six feet clear of the water. The uncanny wail became a stifled hiss, and sending up a perfect fountain of water—I was deluged—the poor old king-swan fell, beat the surface with his wings—and was still.
Sax Rohmer (Brood of the Witch-Queen)
Diana said: “Guess what, I’m going on a shooting weekend to Sandringham.” Lucinda replied: “Gosh, perhaps you are going to be the next queen of England.” As she wrung out a cloth which she was using to mop the floor Diana joked: “Beryl, I doubt it. Can you see me swanning around in kid gloves and a ballgown?
Andrew Morton (Diana: Her True Story in Her Own Words)
Drake looked down at his bride, pride nearly crushing him. She looked the picture of virtue in a gown the color of dark cream. Her hair sat atop her head in a shining red-gold mass of thick braids and curls. A band of small pink rosebuds haloed the curls, their stems a tightly intertwined crown. There was no cap now. Her face was pale and glowing, her neck as graceful as any swan's he had ever seen on the lakes of Northumberland, her delicate collarbones as elegant and stately as the jewels of a queen. What he wouldn't have done to give her the magnificent London wedding she deserved. He would relish seeing her in rich satin and jewels, the envy of the civilized world. But Serena would never be in London... would probably not 'wish' to be, he realized. Gazing at her beauty, her tranquility, he had a blinding realization that caused him to grasp more tightly to her hand and almost falter as he turned toward the minister: Had he not left all behind, he never would have found her. For the first time, he had something to be thankful for in the wake of his ruined existence. Had he stayed in London, he would have wed one of the haughty women of the ton, a woman in whose eyes he would have seen a hunger that was never satisfied. Instead, he was marrying a woman of quiet strength and faith, all of which gave the very air around her peace. Was she not worth a dukedom? Yes. A thousand times yes. That and more. She was worth all that he had gone through to have her.
Jamie Carie (The Duchess and the Dragon)
All the world is young, lad, And all the trees are green; And every goose a swan, lad, And every lass a queen.
Jeanie Lang (A Book of Myths)
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Bozz Kalaop (Roblox Adopt me, Arsenal, Boxing, Simulator full codes - Tips And Tricks)
Lella York, the self-proclaimed queen of passive-aggressive behavior. [Lella's perceptive view of herself]
Maria Grazia Swan (Death Under the Venice Moon (Lella York, #2))
The Duchess (of Kent) was a duck who had hatched a swan.
Cecil Woodham-Smith (Queen Victoria, From her Birth to the Death of the Prince Consort)
What?” Ann asked. “I didn’t say anything.” “I know. You’re just standing there staring. What are you thinking?” “I was wondering if you loved me.” She smiled at the mirror, the magical world between the two swans. Amrath imagined it was a beautiful place, a pretty country where troubles never found entry. “I bore you two wonderful children.” She kissed the crown of Arista’s head. “That was your duty as queen, but do—” “Really?” She paused with the brush still holding on to a few strands of Arista’s hair to look at him. “A duty? Is that how you found it?” “Not for my part—of course not.” She returned to the mirror and the brushing. “Then why would you think I saw it that way? Did I appear to be suffering? Do I now? It’s such a hardship being your wife. Perhaps you should summon the guard to whip me, lest I stop brushing my daughter’s hair.” Arista laughed and covered her face with her hands. Amrath scowled at her. “I could have sworn we had a dozen servants whose job it is to see to Arista’s grooming.” “There, you see? What more proof do you need? I do this because I want to.” “That just proves you love your children.” “Actually it just proves you love me,” Arista whispered. Ann gave her a gentle slap on the head that caused her to giggle again. “Quiet, you.
Michael J. Sullivan (The Rose and the Thorn (The Riyria Chronicles, #2))
white swan’s-down hood and
Lucy Worsley (Queen Victoria: Daughter, Wife, Mother, Widow)
Street floods are a regular nuisance in some low-lying areas of Queens like Hamilton Beach. Residents there have grown accustomed to swans and fish swimming in knee-high water in the middle of the road when the moon is full.
Emily Raboteau