“
About three things I was absolutely positive. First, Edward was a vampire. Second, there was a part of him-and I didn’t know how potent that part might be-that thirsted for my blood. And third, I was unconditionally and irrevocably in love with him.
”
”
Stephenie Meyer (Twilight (The Twilight Saga, #1))
“
Even more, I had never meant to love him. One thing I truly knew - knew it in the pit of my stomach, in the center of my bones, knew it from the crown of my head to the soles of my feet, knew it deep in my empty chest - was how love gave someone the power to break you
”
”
Stephenie Meyer (Twilight (The Twilight Saga, #1))
“
How I go to the wood
Ordinarily, I go to the woods alone, with not a single
friend, for they are all smilers and talkers and therefore
unsuitable.
I don’t really want to be witnessed talking to the catbirds
or hugging the old black oak tree. I have my way of
praying, as you no doubt have yours.
Besides, when I am alone I can become invisible. I can sit
on the top of a dune as motionless as an uprise of weeds,
until the foxes run by unconcerned. I can hear the almost
unhearable sound of the roses singing.
If you have ever gone to the woods with me, I must love
you very much.
”
”
Mary Oliver (Swan: Poems and Prose Poems)
“
You could run from someone you feared, you could try to fight someone you hated. All my reactions were geared toward those kinds of killers – the monsters, the enemies. When you loved the one who was killing you, it left you no options. How could you run, how could you fight, when doing so would hurt that beloved one? If your life was all you had to give your beloved, how could you not give it? If it was someone you truly loved?
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
You know I love you right?”
“I know,” he breathed, his arm tightening automatically around my waist. “You know how much I wish it was enough.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
If you suddenly and unexpectedly feel joy, don’t hesitate. Give in to it. There are plenty of lives and whole towns destroyed or about to be. We are not wise, and not very often kind. And much can never be redeemed. Still life has some possibility left. Perhaps this is its way of fighting back, that sometimes something happened better than all the riches or power in the world. It could be anything, but very likely you notice it in the instant when love begins. Anyway, that’s often the case. Anyway, whatever it is, don’t be afraid of its plenty. Joy is not made to be a crumb. (Don't Hesitate)
”
”
Mary Oliver (Swan: Poems and Prose Poems)
“
If someone loves you, they should not be envious of you pouring your heart and soul and time and energy into the things that you are passionate about, but instead....they should love you MORE because you are so involved in those things.
”
”
Sharon Swan
“
When he asked my grandmother if she would mind being poor, she said she would be happy just to have her daughter and himself: 'If you have love, even plain water is sweet.
”
”
Jung Chang (Wild Swans: Three Daughters of China)
“
I collect church collapses, recreationally. Did you see the recent one in Sicily? Marvelous! The facade fell on sixty-five grandmothers at a special mass. Was that evil? If so, who did it? If he's up there, he just loves it, Officer Starling. Typhoid and swans - it all comes from the same place.
”
”
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
“
Once upon a time, man had a love affair with fire.
”
”
Robert McCammon (Swan Song)
“
She was so intelligent that she could think herself into beauty. Intelligence...they don't talk about it much, the poets, but when a woman is intelligent and passionate and good...
”
”
Eva Ibbotson (A Company of Swans)
“
Alice! You know I love you like a sister!"
"Words." she growled.
”
”
Stephenie Meyer
“
Isn't it supposed to be like this?" He smiled. "The glory of first love, and all that. It's incredible, isn't it, the difference between reading about something, seeing it in the pictures, and experiencing it?"
"Very different," I agreed. "More forceful than I'd imagined.
”
”
Stephenie Meyer (Twilight (The Twilight Saga, #1))
“
When
When it’s over, it’s over, and we don’t know
any of us, what happens then.
So I try not to miss anything.
I think, in my whole life, I have never missed
The full moon
or the slipper of its coming back.
Or, a kiss.
Well, yes, especially a kiss.
”
”
Mary Oliver (Swan: Poems and Prose Poems)
“
If you have love, even plain cold water is sweet.
”
”
Jung Chang (Wild Swans: Three Daughters of China)
“
The problem is simply finding the right person. Ask Plato. Just make sure she finishes your thoughts and you finish hers. That's all you need.
”
”
Elizabeth Kostova (The Swan Thieves)
“
Because when we love, we carry it on the inside, and we can turn on its light even in our darkest moments. The deeper we love, the brighter it shines.
”
”
Leylah Attar (The Paper Swan)
“
It’s easy to want peace and love in hypothetical situations—then reality sets in, and sometimes we have to do what’s ugly.
”
”
Richelle Mead (Thorn Queen (Dark Swan, #2))
“
You can either choose love or you can choose hate, because where one lives, the other will die.
”
”
Leylah Attar (The Paper Swan)
“
Isabella Swan?” He looked up at me through his impossibly long lashes, his golden eyes soft but, somehow, still scorching. “I promise to love you forever—every single day of forever. Will you marry me?”
There were many things I wanted to say, some of them not nice at all, and others more disgustingly gooey and romantic than he probably dreamed I was capable of. Rather than embarrass myself with either, I whispered, “Yes.”
“Thank you,” he said simply. He took my left hand and kissed each of my fingertips before he kissed the ring that was now mine.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
On the beach, at dawn:
Four small stones clearly
Hugging each other.
How many kinds of love
Might there be in the world,
And how many formations might they make
And who am I ever
To imagine I could know
Such a marvelous business?
When the sun broke
It poured willingly its light
Over the stones
That did not move, not at all,
Just as, to its always generous term,
It shed its light on me,
My own body that loves,
Equally, to hug another body.
”
”
Mary Oliver (Swan: Poems and Prose Poems)
“
Because love is the greatest scam of all time. And because as much as I fucking love you, I hate you for inflicting it upon me!
”
”
J.A. Redmerski (The Swan & the Jackal (In the Company of Killers, #3))
“
There is probably no better or more reliable measure of whether a woman has spent time in ugly duckling status at some point or all throughout her life than her inability to digest a sincere compliment. Although it could be a matter of modesty, or could be attributed to shyness- although too many serious wounds are carelessly written off as "nothing but shyness"- more often a compliment is stuttered around about because it sets up an automatic and unpleasant dialogue in the woman's mind.
If you say how lovely she is, or how beautiful her art is, or compliment anything else her soul took part in, inspired, or suffused, something in her mind says she is undeserving and you, the complimentor, are an idiot for thinking such a thing to begin with. Rather than understand that the beauty of her soul shines through when she is being herself, the woman changes the subject and effectively snatches nourishment away from the soul-self, which thrives on being acknowledged."
"I must admit, I sometimes find it useful in my practice to delineate the various typologies of personality as cats and hens and ducks and swans and so forth. If warranted, I might ask my client to assume for a moment that she is a swan who does not realzie it. Assume also for a moment that she has been brought up by or is currently surrounded by ducks.
There is nothing wrong with ducks, I assure them, or with swans. But ducks are ducks and swans are swans. Sometimes to make the point I have to move to other animal metaphors. I like to use mice. What if you were raised by the mice people? But what if you're, say, a swan. Swans and mice hate each other's food for the most part. They each think the other smells funny. They are not interested in spending time together, and if they did, one would be constantly harassing the other.
But what if you, being a swan, had to pretend you were a mouse? What if you had to pretend to be gray and furry and tiny? What you had no long snaky tail to carry in the air on tail-carrying day? What if wherever you went you tried to walk like a mouse, but you waddled instead? What if you tried to talk like a mouse, but insteade out came a honk every time? Wouldn't you be the most miserable creature in the world?
The answer is an inequivocal yes. So why, if this is all so and too true, do women keep trying to bend and fold themselves into shapes that are not theirs? I must say, from years of clinical observation of this problem, that most of the time it is not because of deep-seated masochism or a malignant dedication to self-destruction or anything of that nature. More often it is because the woman simply doesn't know any better. She is unmothered.
”
”
Clarissa Pinkola Estés (Women Who Run With the Wolves)
“
What is a valid reason for someone to love someone else? Since apparently I’m doing it wrong.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
The heart does not go backward. Only the mind.
”
”
Elizabeth Kostova (The Swan Thieves)
“
The only way to lose a kingdom is if your power drops or..well, if you're killed."
"I'm sure Volusian would love to help with that."
My minion walked near me, needing no horse to move swiftly. Upon hearing his name, he said, "I would perform the deed with great relish and much suffering on your part, mistress."
"You can't put a price on that kind of loyalty," I told Kiyo.
”
”
Richelle Mead (Thorn Queen (Dark Swan, #2))
“
Isabella Swan? I promise to love you forever - every single day of forever. Will you marry me?
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
There was no reason for Bella Swan to cross paths with me. She would be avoided like the plague she was.
”
”
Stephenie Meyer (Midnight Sun [2008 Draft])
“
He can't really love anyone, you know, and in the end such people are always alone, no matter how much other people once loved them.
”
”
Elizabeth Kostova (The Swan Thieves)
“
The sweetness of dogs (fifteen)
What do you say, Percy? I am thinking
of sitting out on the sand to watch
the moon rise. Full tonight.
So we go
and the moon rises, so beautiful it
makes me shudder, makes me think about
time and space, makes me take
measure of myself: one iota
pondering heaven. Thus we sit,
I thinking how grateful I am for the moon’s
perfect beauty and also, oh! How rich
it is to love the world. Percy, meanwhile,
leans against me and gazes up into
my face. As though I were
his perfect moon.
”
”
Mary Oliver (Swan: Poems and Prose Poems)
“
Keep your love, I have no use for it anymore.
”
”
Richelle Mead (Storm Born (Dark Swan, #1))
“
The former burlesque queen waited for the man who’d make her his true queen.
”
”
Carol Strickland (The Eagle and the Swan)
“
What would someone who loves themselves do?
”
”
Teal Swan (Shadows Before Dawn: Finding the Light of Self-Love through Your Darkest Times)
“
there is no space too dark or too vast or too irredeemable that can’t be filled with love.
”
”
Leylah Attar (The Paper Swan)
“
Wear this, don't wear that. Do this chore now and do this chore when you get a chance and by that I mean now. And definitely, definitely give up the things you love fro me, so I will have proof that you love me best. It's the female pissing contest -- as we swan around our book clubs and our cocktail hours, there are few things women love more than being able to detail the sacrifices our men make for us. A call-and-response, the response being: "Ohh, that's so sweet.
”
”
Gillian Flynn (Gone Girl)
“
Tie your heart at night to mine, love,
and both will defeat the darkness
like twin drums beating in the forest
against the heavy wall of wet leaves.
Night crossing: black coal of dream
that cuts the thread of earthly orbs
with the punctuality of a headlong train
that pulls cold stone and shadow endlessly.
Love, because of it, tie me to a purer movement,
to the grip on life that beats in your breast,
with the wings of a submerged swan,
So that our dream might reply
to the sky's questioning stars
with one key, one door closed to shadow.
”
”
Pablo Neruda
“
An Irish Airman foresees his Death
I Know that I shall meet my fate
Somewhere among the clouds above;
Those that I fight I do not hate
Those that I guard I do not love,
My country is Kiltartan Cross,
My countrymen Kiltartan’s poor,
No likely end could bring them loss
Or leave them happier than before.
Nor law, nor duty bade me fight,
Nor public man, nor cheering crowds,
A lonely impulse of delight
Drove to this tumult in the clouds;
I balanced all, brought all to mind,
The years to come seemed waste of breath,
A waste of breath the years behind
In balance with this life, this death.
”
”
W.B. Yeats (The Wild Swans At Coole)
“
Just sitting here thinking how far you’ve come, and I’m overwhelmed with how much I love you.
”
”
Leylah Attar (The Paper Swan)
“
...the magic place of soul-soothing dreams, where the silken sheen of polished glass under soft lights made her think of how lovely Heaven was going to be.
”
”
Robert McCammon (Swan Song)
“
decide to make how you feel the number one priority in your life—in
”
”
Teal Swan (Shadows Before Dawn: Finding the Light of Self-Love through Your Darkest Times)
“
But then, as I read somewhere recently, narcissists always hurt the one they love the most.
”
”
Eve Babitz (Black Swans: Stories)
“
From now on, I thought, only French mice will love me.
”
”
Eve Babitz (Black Swans: Stories)
“
But love, once it dyes our hearts purple, won't go away. Especially the kind of love we used to feel when we were young, the kind we wish we could feel again for someone new.
”
”
Eve Babitz (Black Swans)
“
I don't think there are enough words in the world that exist to express exactly just how much I love my son! He's right there in the front of my soul, he can turn me into an eagle, a lioness, a tigress, a swan! A goof or a queen! There's no underestimating just how much I love him; I surround him like the ocean surrounds the ships! I never wanted to change the world, until he came along and showed me that he deserves a better world to live in!
”
”
C. JoyBell C.
“
I loved Aeson. You have no idea what love is.”
“Oh, I do. I know that it’s the best high and the worst hurt all at the same time—not to mention confusing as hell.
”
”
Richelle Mead (Thorn Queen (Dark Swan, #2))
“
My heart is not brave or big. It is not cruel either. It is not strong at all. I keep it within this iron cage for a reason. Breathe on it wrong and I will die... Just go now. I would rather let you see my face, than my heart.
”
”
Rebecca Ashe
“
And this last year I also realized there are different kinds of love. There’s the dreamy kind you always thought you wanted and then there’s the steady one you never understood but the second you let yourself feel it…it’s nothing like you could have imagined in your wildest dreams.
”
”
K.L. Kreig (Black Swan Affair)
“
Love has an extreme capacity to offer everything we need but not without extreme pain. Anyone who tastes the sweet fruit -joy of love, deserves to taste the bitter fruit -pain of separation. Nobody should taste the bitter before the sweet. It means not being able to feel the pain of separation before enjoying the joy of love.
”
”
D. Aswini (Saffron - The Blood Swan)
“
I cry. Evil dissolves, and love, like foam;
that love. Prattle of children powers me home,
my heart claps like the swan’s
under a frenzy of who love me and who shine.
”
”
John Berryman
“
My beautiful swan. My savior and my undoing.
”
”
J.A. Redmerski (The Swan & the Jackal (In the Company of Killers, #3))
“
Tell me where the swans go in the winter
I need to know if the mute ones can sing.
Tell me why stars fall from the sky
I need to know if it is luck they bring.
Tell me why feathers land near you
I need to know if you've injured your wing.
Now, tell me where you end, my angel
For I no longer know where I begin.
”
”
Kamand Kojouri
“
...and said with the softness of repressed violence, 'I am not one to stick his neck out; it is a bit of a reach. I was waiting for the smallest sign that you could love me... I never got it.
”
”
Rebecca Ashe
“
But earlier this week on a wooded path,
I thought the swans afloat on the reservoir
were the true geniuses,
the ones who had figured out how to fly,
how to be both beautiful and brutal,
and how to mate for life.
”
”
Billy Collins (Aimless Love: New and Selected Poems)
“
Let her destroy me if she will. Better to be destroyed by her love than to never have known it. Erik
Book 2~Chanson de l'Ange: The Angel's Song
”
”
Paisley Swan Stewart (Chanson de l'Ange, Book 1: The Bleeding Rose- An Epic Retelling of Phantom of the Opera)
“
Normal men aren’t going to love anyone who looks forward to anything but them. And I couldn’t help looking forward to being published.
”
”
Eve Babitz (Black Swans: Stories)
“
Never look back, that's what she's told herself. Don't think about swans or being alone in the dark. Don't think of storms, or lightning and thunder, or the true love you won't ever have. Life is brushing your teeth and making breakfast for your children and not thinking about things, and as it turns out, Sally is first-rate at all of this. She gets things done and done on time.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
And I was in love with his book, which I felt I could have written myself. Which is one of the troubles with writing; people who love your writing already think they’re you. They think if they sat down and wrote, it would be your book. Exactly what I thought about Walter.
”
”
Eve Babitz (Black Swans: Stories)
“
Every morning
before the birds start
trilling me their stories,
I give birth to a new love
through my same old heart
when a lake’s placidity
finds life in the swans breath
Only for you...
From the poem 'Only For You
”
”
Munia Khan (To Evince the Blue)
“
And why should I do such a thing- tell you something that can only dismay you? Well, that is the nature of love: it is brutal in its demands.
”
”
Elizabeth Kostova (The Swan Thieves)
“
Because Damian in love was a thing of beauty—intoxicating, addictive, demanding, attentive, and always, always hungry.
”
”
Leylah Attar (The Paper Swan)
“
Love is not a possession to hoard. You give it away. It's a blessing and a balm.
”
”
Winston Graham (The Four Swans (Poldark, #6))
“
My lovely swan" he purred. "My bittersweet nemesis, I'm beginning to fear there isn't anything I wouldn't do for you
”
”
Ella Fields (The Savage and the Swan (Fated Fae))
“
I’d always worried but kissing’s not so tricky. Your lips know what to do, just like sea anenomes know what to do. Kissing spins you, like Flying Tea-Cups. Oxygen the girl breathes out, you breathe in.
”
”
David Mitchell (Black Swan Green)
“
L'union libre [Freedom of Love]"
My wife with the hair of a wood fire
With the thoughts of heat lightning
With the waist of an hourglass
With the waist of an otter in the teeth of a tiger
My wife with the lips of a cockade and of a bunch of stars of the last magnitude
With the teeth of tracks of white mice on the white earth
With the tongue of rubbed amber and glass
My wife with the tongue of a stabbed host
With the tongue of a doll that opens and closes its eyes
With the tongue of an unbelievable stone
My wife with the eyelashes of strokes of a child's writing
With brows of the edge of a swallow's nest
My wife with the brow of slates of a hothouse roof
And of steam on the panes
My wife with shoulders of champagne
And of a fountain with dolphin-heads beneath the ice
My wife with wrists of matches
My wife with fingers of luck and ace of hearts
With fingers of mown hay
My wife with armpits of marten and of beechnut
And of Midsummer Night
Of privet and of an angelfish nest
With arms of seafoam and of riverlocks
And of a mingling of the wheat and the mill
My wife with legs of flares
With the movements of clockwork and despair
My wife with calves of eldertree pith
My wife with feet of initials
With feet of rings of keys and Java sparrows drinking
My wife with a neck of unpearled barley
My wife with a throat of the valley of gold
Of a tryst in the very bed of the torrent
With breasts of night
My wife with breasts of a marine molehill
My wife with breasts of the ruby's crucible
With breasts of the rose's spectre beneath the dew
My wife with the belly of an unfolding of the fan of days
With the belly of a gigantic claw
My wife with the back of a bird fleeing vertically
With a back of quicksilver
With a back of light
With a nape of rolled stone and wet chalk
And of the drop of a glass where one has just been drinking
My wife with hips of a skiff
With hips of a chandelier and of arrow-feathers
And of shafts of white peacock plumes
Of an insensible pendulum
My wife with buttocks of sandstone and asbestos
My wife with buttocks of swans' backs
My wife with buttocks of spring
With the sex of an iris
My wife with the sex of a mining-placer and of a platypus
My wife with a sex of seaweed and ancient sweetmeat
My wife with a sex of mirror
My wife with eyes full of tears
With eyes of purple panoply and of a magnetic needle
My wife with savanna eyes
My wife with eyes of water to he drunk in prison
My wife with eyes of wood always under the axe
My wife with eyes of water-level of level of air earth and fire
”
”
André Breton (Poems of André Breton: A Bilingual Anthology)
“
This is making me sick, Jacob. Can you imagine what this feels like to me? I don’t even like Bella Swan. And you’ve got me grieving over this leech-lover like I’m in love with her, too. Can you see where that might be a little confusing? I dreamed about kissing her last night! What the hell am I supposed to do with that?
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
It is sad to me how intense fear frosts my happiest moments. This is a trend in my life due to years of losing everything that I loved. If I love something, I fear the loss of that thing to a degree that my bone marrow begins to ache. I mourn it before it is even gone.
”
”
Teal Swan
“
I stopped in the porch and took hold of his face in my hands. I looked fiercely into his eyes. "I love you," I said in a low, intense voice. "I will always love you, no matter what happens now.
”
”
Stephenie Meyer (Twilight (The Twilight Saga, #1))
“
All I wanted was to love him as much as possible in the limited time given to me.
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
You kept tearing down my defences until I couldn’t fight you anymore. I’m in love with you, Skye. Bare, stripped down, completely vulnerable, in love.
”
”
Leylah Attar (The Paper Swan)
“
You're his lobster. Or swan, Or penguin. The Spock to his Kirk
”
”
Elizabeth Rudnick (Tweet Heart)
“
For just as the swan’s last song is the sweetest of its life, so loss is made endurable by love and it is love that will echo through eternity.
”
”
Jennifer Worth (The Midwife: A Memoir of Birth, Joy, and Hard Times)
“
slowly she spread her arms and stood there swan-like, radiating a pride in her young perfection that lit a warm glow in Carlyle's heart. "We're going through the black air with our arms wide," she called, "and our feet straight out behind like a dolphin's tail, and we're going to think we'll never hit the silver down there till suddenly it'll be all warm round us and full of little kissing, caressing waves." Then she was in the air, and Carlyle involuntarily held his breath. He had not realized that the dive was nearly forty feet. It seemed an eternity before he heard the swift compact sound as she reached the sea. And it was with his glad sigh of relief when her light watery laughter curled up the side of the cliff and into his anxious ears that he knew he loved her.
”
”
F. Scott Fitzgerald (The Offshore Pirate)
“
Then don't criticize if you can't offer a solution," said Dorian. "It's easy to want peace and love in hypothetical situations - then reality sets in, and sometimes we have to do what's ugly.
”
”
Richelle Mead (Thorn Queen (Dark Swan, #2))
“
One of the leading techniques that is used in trauma integration involves a process where you consciously revisit traumatizing memories, rescue your childhood self out of each of those memories, and then bring those childhood versions of you to a safe space where you then reparent them.
”
”
Teal Swan (Shadows Before Dawn: Finding the Light of Self-Love through Your Darkest Times)
“
Will I be some kid’s dad one day? Are any future people lurking deep inside mine?...Which girl’s carrying the other half of my kid, deep in those intricate loops? What’s she doing right now? What’s her name?
”
”
David Mitchell (Black Swan Green)
“
This isn’t how I wanted to become a father. I’m supposed to fall in love, have a wedding and a wife that I love and go through trying to conceive and then the pregnancy… the birth. I’m supposed to know my own child.
”
”
T.L. Swan (Dr. Stanton (Dr. Stanton, #1))
“
The Scholars
"Bald heads forgetful of their sins,
Old, learned, respectable bald heads
Edit and annotate the lines
That young men, tossing on their beds,
Rhymed out in love’s despair
To flatter beauty’s ignorant ear.
They’ll cough in the ink to the world’s end;
Wear out the carpet with their shoes
Earning respect; have no strange friend;
If they have sinned nobody knows.
Lord, what would they say
Should their Catullus walk that way?
”
”
W.B. Yeats (The Wild Swans At Coole)
“
No doubt, few people understand either the purely subjective nature of the phenomenon of love, or how it creates a supplementary person who is quite different from the one who bears our beloved’s name in the outside world, and is mostly formed from elements within ourselves. So there are few who see anything natural in the disproportionate dimensions which we come to perceive in a person who is not the same as the one they see.
”
”
Marcel Proust
“
So," she went on, "it got me thinking about what cost beauty. Or for that matter, what cost anything? Would you trade love for beauty? Or happiness for beauty? Could a gorgeous person with a mean streak be a worthy trade? And if you did make the trade, decide you'd take that beautiful swan and hope it wouldn't turn on you, what would you do if it did?
”
”
Sarah Dessen (This Lullaby)
“
It may be uncomfortable to express your own thoughts and feelings. It may also be uncomfortable to hear the truth of someone else's current thoughts and feelings. But those thoughts and feelings should never be suppressed. The only way that anyone can be in a real relationship is if those current truths are out on the table. Otherwise we can not really love the person we think we love, because we don't even see the truth of who they are in this moment. We are in essence, in love with an illusion. We are in essence, asking people to love an illusion of ourselves unless we are willing to be vulnerable and open enough to show them the truth of who we are in this moment.
”
”
Teal Swan
“
Wings are of many kinds. Butterfly's wings, vulture's wings, eagle-wings, spread wings of white swans, dragonfly's serene wings, wings of albatross, lovely wings of humming birds, tiny wings of a fly or a bumble-bee-wings; and when they fly, they fly their best according to their ability of flying. We should not underestimate the size of those heavenly wings.
”
”
Munia Khan
“
A Blessing
Just off the highway to Rochester, Minnesota,
Twilight bounds softly forth on the grass.
And the eyes of those two Indian ponies
Darken with kindness.
They have come gladly out of the willows
To welcome my friend and me.
We step over the barbed wire into the pasture
Where they have been grazing all day, alone.
They ripple tensely, they can hardly contain their happiness
That we have come.
They bow shyly as wet swans. They love each other.
There is no loneliness like theirs.
At home once more,
They begin munching the young tufts of spring in the darkness.
I would like to hold the slenderer one in my arms,
For she has walked over to me
And nuzzled my left hand.
She is black and white,
Her mane falls wild on her forehead,
And the light breeze moves me to caress her long ear
That is delicate as the skin over a girl's wrist.
Suddenly I realize
That if I stepped out of my body I would break
Into blossom.
”
”
James Wright (Above the River: The Complete Poems)
“
If you ask all the cells
in my body,
they only answer your name.
Follicles push the hair upwards
so they may brush
against your skin.
Nails grow faster as well.
Lungs breathe rapidly
in hopes of inhaling your scent.
Toes curl to smile and
knees form dimples when you are near.
Brain fireworks.
Stomach fills with flies of butter
and swallows, and
swans swoon.
Cattle, rhinos, and walruses too—
there’s a stampede when you are near.
I love you from the bottom of my liver
to the tip of my lashes.
One wink from you and heart stops,
like a sneeze. Bless you.
I cannot even begin to tell you
what happens to soul,
for soul is off
flying with its mate.
”
”
Kamand Kojouri
“
This species, the mute swan, became holy to Apollo. In remembrance of the death of the beloved Phaeton the bird is silent all its life until the very moment of its death, when it sings with terrible melancholy its strange and lovely goodbye, its swan song. In honour of Cygnus the young of all swans are called ‘cygnets’.
”
”
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
“
I sit up in bed and watch her fiddle about in the back of my wardrobe. I think she's got a plan. That's what's good about Zoey. She'd better hurry up though, because I'm starting to think of things like carrots. And air. And ducks. And pear trees. Velvet and silk. Lakes. I'm going to miss ice. And the sofa. And the lounge. And the way Cal loves magic tricks. And white things- milk, snow, swans.
”
”
Jenny Downham (Before I Die)
“
I was unfixable, I saw that my innocence didn’t go anywhere. Like the tiny flame on the end of a matchstick, it may have flickered, but it didn’t die. I found my inherent goodness again. I found the part of me that couldn’t be harmed by the people who found a way to harm everything else about me. Gradually, I began to reparent myself. By loving and caring for my inner
”
”
Teal Swan (Shadows Before Dawn: Finding the Light of Self-Love through Your Darkest Times)
“
You and I have been happy; we haven’t been happy just once, we’ve been happy a thousand times. The chances that spring, that’s for everyone, like in the popular songs, may belong to us too – the chances are pretty bright at this time because as usual, I can carry most of contemporary literary opinion, liquidated, in the hollow of my hand – and when I do, I see the swan floating on it and – I find it to be you and you only…. Forget the past – what you can of it, and turn about and swim back home to me, to your haven for ever and ever – even though it may seem a dark cave at times and lit with torches of fury; it is the best refuge for you – turn gently in the waters through which you move and sail back…
”
”
F. Scott Fitzgerald (Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald)
“
Parents and adults in our society found a way to preserve their own self-concept, and that was through feeding themselves, as well as you, with the belief “It’s for your own good.” We are fed this lie from day one. Even those of us who grow up in the most loving households are fed this lie. We make our children sit through hours of lessons in the prison-like environment we call school and tell them it’s for their own good. We discipline them in ways that are painful to their minds and bodies and tell them that it’s for their own good.
”
”
Teal Swan (Shadows Before Dawn: Finding the Light of Self-Love through Your Darkest Times)
“
Serving men cleared away the swan, hardly touched. Cersei beckoned for the sweets. "I hope you like blackberry tarts."
"I love all sorts of tarts."
"Oh, I've know that for a long while. Do you know why Varys is so dangerous?"
"Are we playing riddles now? No."
"He doesn't have a cock."
"Neither do you." And don't you just hate that, Cersei?
""Perhaps, I'm dangerous too. You, on the other hand, are as big a fool as every other man. That worm between your legs does half your thinking.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
I have a message for your daughter,” said Cale. “I am bound to her with cables that not even God can break. One day, if there is a soft breeze on her cheek, it may be my breath; one night, if the cool wind plays with her hair, it may be my shadow passing by.”
And with this terrible threat he faced forward and the procession started once more. In less than a minute they were gone. In her shady room Arbell Swan-Neck stood white and cold as alabaster.
”
”
Paul Hoffman (The Left Hand of God (The Left Hand of God, #1))
“
There's no paradise in love! It's--you're thinking in the wrong way. Love--the sort you're asking me for--is of the earth, earthy. Beautiful, maybe--sometimes it be like a gold mine that one digs into. But of the earth--earthy. Tis all wrong to speak of paradise. Love may be the nearest human beings can get--but it is still outside the gates--for it is human--easily lost--animal in the way it work, though more, much more than animal. Oftentimes it--uplifts, transports...but--but it should not be mistaken. It is a--a terrible mistake to pretend it is something quite different.
”
”
Winston Graham (The Four Swans (Poldark, #6))
“
Here’s what I’ve got, the reasons why our marriage
might work: Because you wear pink but write poems
about bullets and gravestones. Because you yell
at your keys when you lose them, and laugh,
loudly, at your own jokes. Because you can hold a pistol,
gut a pig. Because you memorize songs, even commercials
from thirty years back and sing them when vacuuming.
You have soft hands. Because when we moved, the contents
of what you packed were written inside the boxes.
Because you think swans are overrated.
Because you drove me to the train station. You drove me
to Minneapolis. You drove me to Providence.
Because you underline everything you read, and circle
the things you think are important, and put stars next
to the things you think I should think are important,
and write notes in the margins about all the people
you’re mad at and my name almost never appears there.
Because you make that pork recipe you found
in the Frida Khalo Cookbook. Because when you read
that essay about Rilke, you underlined the whole thing
except the part where Rilke says love means to deny the self
and to be consumed in flames. Because when the lights
are off, the curtains drawn, and an additional sheet is nailed
over the windows, you still believe someone outside
can see you. And one day five summers ago,
when you couldn’t put gas in your car, when your fridge
was so empty—not even leftovers or condiments—
there was a single twenty-ounce bottle of Mountain Dew,
which you paid for with your last damn dime
because you once overheard me say that I liked it.
”
”
Matthew Olzmann
“
Eventually, decades later, when the king was dying, the queen gently ushered everybody out into the corridor, closed the door to the royal bedchamber, and got into bed with her husband. She started singing to him. They laughed. He was short of breath, but he could still laugh. They asked each other, Is this silly? Is this...pretentious? But they both knew that everything there was to say had been said already, over and over, across the years. And so the king, relieved, released, free to be silly, asked her to sing him a song from his childhood. He didn't need to be regal anymore, he didn't need to seem commanding or dignified, not with her. They were, in their way, dying together, and they both knew it. It wasn't happening only to him. So she started singing. They shared one last laugh - they agreed that the cat had a better voice than she did. Still, she sang him out of the world.
”
”
Michael Cunningham (A Wild Swan: And Other Tales)
“
Helen of Troy Does Counter Dancing
The world is full of women
who'd tell me I should be ashamed of myself
if they had the chance. Quit dancing.
Get some self-respect
and a day job.
Right. And minimum wage,
and varicose veins, just standing
in one place for eight hours
behind a glass counter
bundled up to the neck, instead of
naked as a meat sandwich.
Selling gloves, or something.
Instead of what I do sell.
You have to have talent
to peddle a thing so nebulous
and without material form.
Exploited, they'd say. Yes, any way
you cut it, but I've a choice
of how, and I'll take the money.
I do give value.
Like preachers, I sell vision,
like perfume ads, desire
or its facsimile. Like jokes
or war, it's all in the timing.
I sell men back their worst suspicions:
that everything's for sale,
and piecemeal. They gaze at me and see
a chain-saw murder just before it happens,
when thigh, ass, inkblot, crevice, tit, and nipple
are still connected.
Such hatred leaps in them,
my beery worshipers! That, or a bleary
hopeless love. Seeing the rows of heads
and upturned eyes, imploring
but ready to snap at my ankles,
I understand floods and earthquakes, and the urge
to step on ants. I keep the beat,
and dance for them because
they can't. The music smells like foxes,
crisp as heated metal
searing the nostrils
or humid as August, hazy and languorous
as a looted city the day after,
when all the rape's been done
already, and the killing,
and the survivors wander around
looking for garbage
to eat, and there's only a bleak exhaustion.
Speaking of which, it's the smiling
tires me out the most.
This, and the pretense
that I can't hear them.
And I can't, because I'm after all
a foreigner to them.
The speech here is all warty gutturals,
obvious as a slam of ham,
but I come from the province of the gods
where meaning are lilting and oblique.
I don't let on to everyone,
but lean close, and I'll whisper:
My mothers was raped by a holy swan.
You believe that? You can take me out to dinner.
That's what we tell all the husbands.
There sure are a lot of dangerous birds around.
Not that anyone here
but you would understand.
The rest of them would like to watch me
and feel nothing. Reduce me to components
as in a clock factory or abattoir.
Crush out the mystery.
Wall me up alive
in my own body.
They'd like to see through me,
but nothing is more opaque
than absolute transparency.
Look - my feet don't hit the marble!
Like breath or a balloon, I'm rising,
I hover six inches in the air
in my blazing swan-egg of light.
You think I'm not a goddess?
Try me.
This is a torch song.
Touch me and you'll burn.
”
”
Margaret Atwood (Morning In The Burned House: Poems)
“
My well-beloved was stripped. Knowing my whim,
She wore her tinkling gems, but naught besides:
And showed such pride as, while her luck betides,
A sultan's favoured slave may show to him.
When it lets off its lively, crackling sound,
This blazing blend of metal crossed with stone,
Gives me an ecstasy I've only known
Where league of sound and luster can be found.
She let herself be loved: then, drowsy-eyed,
Smiled down from her high couch in languid ease.
My love was deep and gentle as the seas
And rose to her as to a cliff the tide.
My own approval of each dreamy pose,
Like a tamed tiger, cunningly she sighted:
And candour, with lubricity united,
Gave piquancy to every one she chose.
Her limbs and hips, burnished with changing lustres,
Before my eyes clairvoyant and serene,
Swanned themselves, undulating in their sheen;
Her breasts and belly, of my vine and clusters,
Like evil angels rose, my fancy twitting,
To kill the peace which over me she'd thrown,
And to disturb her from the crystal throne
Where, calm and solitary, she was sitting.
So swerved her pelvis that, in one design,
Antiope's white rump it seemed to graft
To a boy's torso, merging fore and aft.
The talc on her brown tan seemed half-divine.
The lamp resigned its dying flame. Within,
The hearth alone lit up the darkened air,
And every time it sighed a crimson flare
It drowned in blood that amber-coloured skin
”
”
Charles Baudelaire
“
This day fifty years ago I was born. From solitude in the Womb, we emerge into solitude among our Fellows, and return again to solitude within the Grave. We pass our lives in the attempt to mitigate that solitude. But propinquity is never fusion. We exchange Words, but exchange them from prison to prison, and without hope that they will signify to others what they mean to ourselves. We marry and there are two solitudes in the house instead of one; we beget children, and there are many solitudes. We reiterate the act of love; but again propinquity is never fusion. The most intimate contact is only of Surfaces, and we couple, as I have seen the condemned Prisoners at Newgate coupling with their Trulls, between the bars of our cages. Pleasure cannot be shared; like Pain, it can only be experienced or inflicted, and when we give pleasure to our lover or bestow Charity upon the Needy, we do so, not to gratify the object of our Benevolence, but only ourselves. For the Truth is that we are kind for the same reason as we are cruel, in order that we may enhance the sense of our own Power; and this we are for ever trying to do, despite the fact that by doing it we cause ourselves to feel more solitary than ever. The reality of Solitude is the same in all men, there being no mitigation of it, except in Forgetfulness, Stupidity or Illusion; but a man's sense of Solitude is proportionate to the sense and fact of his Power. In anz set of circumstances, the more Power we have, the more intensely do we feel our solitude. I have enjoyed much Power in my life.
”
”
Aldous Huxley (After Many a Summer Dies the Swan)
“
From solitude in the womb, we emerge into solitude among our Fellows, and return again to solitude within the Grave. We pass our lives in the attempt to mitigate that solitude. But Propinquity is never fusion. The most populous City is but an agglomeration of wildernesses. We exchange Words, but exchange them from prison to prison, and without hope that they will signify to others what they mean to ourselves. We marry, and there are two solitudes in the house instead of one, We beget children, and there are many solitudes. We reiterate the act of love; but again propinquity is never fusion. The most intimate contact is inly of Surfaces and we couple, as I have seen the condemned Prisoners at Newgate coupling with their trulls, between the bars of our cages. Pleasure cannot be shared; like pain, it can only be experienced or inflicted, and when we give pleasures to our lovers or Bestow charity upon the Needy, we do so, not to gratify the object of our Benevolence, but only ourselves. For the truth is that we are kind for the same reason the reason as we are cruel, in order that we may enhance the sense of our own power; and this we are for ever trying to do, despite the fact that by doing it we cause ourselves to feel more solitary then ever. The reality of solitude is the same in all men, there being no mitigation of it, except in Forgetfulness, Stupidity, or Illusion; but a mans sense of Solitude is proportionate to the sense and fact of his power. In any set of circumstances, the more Power we have, the more intensely do we feel our solitude. I have enjoyed much power in my life.- The Fifth Earl, in Aldous Huxley’s After Many A Summer Dies The Swan
”
”
Aldous Huxley
“
Traffic was in confusion for several days. For red to mean "stop' was considered impossibly counterrevolutionary. It should of course mean "go." And traffic should not keep to the right, as was the practice, it should be on the left. For a few days we ordered the traffic policemen aside and controlled the traffic ourselves. I was stationed at a street corner telling cyclists to ride on the left. In Chengdu there were not many cars or traffic lights, but at the few big crossroads there was chaos. In the end, the old rules reasserted themselves, owing to Zhou Enlai, who managed to convince the Peking Red Guard leaders. But the youngsters found justifications for this: I was told by a Red Guard in my school that in Britain traffic kept to the left, so ours had to keep to the right to show our anti-imperialist spirit. She did not mention America.
As a child I had always shied away from collective activity. Now, at fourteen, I felt even more averse to it. I suppressed this dread because of the constant sense of guilt I had come to feel, through my education, when I was out of step with Mao. I kept telling myself that I must train my thoughts according to the new revolutionary theories and practices. If there was anything I did not understand, I must reform myself and adapt. However, I found myself trying very hard to avoid militant acts such as stopping passersby and cutting their long hair, or narrow trouser legs, or skirts, or breaking their semi-high-heeled shoes. These things had now become signs of bourgeois decadence, according to the Peking Red Guards.
My own hair came to the critical attention of my schoolmates. I had to have it cut to the level of my earlobes. Secretly, though much ashamed of myself for being so "petty bourgeois," I shed tears over losing my long plaits. As a young child, my nurse had a way of doing my hair which made it stand up on top of my head like a willow branch. She called it "fireworks shooting up to the sky." Until the early 1960s I wore my hair in two coils, with rings of little silk flowers wound around them. In the mornings, while I hurried through my breakfast, my grandmother or our maid would be doing my hair with loving hands. Of all the colors for the silk flowers, my favorite was pink.
”
”
Jung Chang (Wild Swans: Three Daughters of China)
“
The most direct path to Party was raising pigs. The company had several dozen of these and they occupied an unequaled place in the hearts of the soldiers; officers and men alike would hang around the pigsty, observing, commenting, and willing the animals to grow. If the pigs were doing well, the swine herds were the darlings of the company, and there were many contestants for this profession.
Xiao-her became a full-time swineherd. It was hard, filthy work, not to mention the psychological pressure.
Every night he and his colleagues took turns to get up in the small hours to give the pigs an extra feed. When a sow produced piglets they kept watch night after night in case she crushed them. Precious soybeans were carefully picked, washed, ground, strained, made into 'soybean milk," and lovingly fed to the mother to stimulate her milk.
Life in the air force was very unlike what Xiao-her had imagined. Producing food took up more than a third of the entire time he was in the military. At the end of a year's arduous pig raising, Xiao-her was accepted into the Party.
Like many others, he put his feet up and began to take it easy.
After membership in the Party, everyone's ambition was to become an officer; whatever advantage the former brought, the latter doubled it. Getting to be an officer depended on being picked by one's superiors, so the key was never to displease them. One day Xiao-her was summoned to see one of the college's political commissars.
Xiao-her was on tenterhooks, not knowing whether he was in for some unexpected good fortune or total disaster. The commissar, a plump man in his fifties with puffy eyes and a loud, commanding voice, looked exceedingly benign as he lit up a cigarette and asked Xiao-her about his family background, age, and state of health. He also asked whether he had a fiance to which Xiao-her replied that he did not. It struck Xiao-her as a good sign that the man was being so personal. The commissar went on to praise him: "You have studied Marxism-Leninism-Mao Zedong Thought conscientiously. You have worked hard. The masses have a good impression of you. Of course, you must keep on being modest; modesty makes you progress," and so on. By the time the commissar stubbed out his cigarette, Xiao-her thought his promotion was in his pocket.
”
”
Jung Chang (Wild Swans: Three Daughters of China)
“
Much of Chinese society still expected its women to hold themselves in a sedate manner, lower their eyelids in response to men's stares, and restrict their smile to a faint curve of the lips which did not expose their teeth. They were not meant to use hand gestures at all. If they contravened any of these canons of behavior they would be considered 'flirtatious." Under Mao, flirting with./bre/gners was an unspeakable crime.
I was furious at the innuendo against me. It had been my Communist parents who had given me a liberal upbringing.
They had regarded the restrictions on women as precisely the sort of thing a Communist revolution should put an end to. But now oppression of women joined hands with political repression, and served resentment and petty jealousy.
One day, a Pakistani ship arrived. The Pakistani military attache came down from Peking. Long ordered us all to spring-clean the club from top to bottom, and laid on a banquet, for which he asked me to be his interpreter, which made some of the other students extremely envious. A few days later the Pakistanis gave a farewell dinner on their ship, and I was invited. The military attache had been to Sichuan, and they had prepared a special Sichuan dish for me. Long was delighted by the invitation, as was I. But despite a personal appeal from the captain and even a threat from Long to bar future students, my teachers said that no one was allowed on board a foreign ship.
"Who would take the responsibility if someone sailed away on the ship?" they asked. I was told to say I was busy that evening.
As far as I knew, I was turning down the only chance I would ever have of a trip out to sea, a foreign meal, a proper conversation in English, and an experience of the outside world.
Even so, I could not silence the whispers. Ming asked pointedly, "Why do foreigners like her so much?" as though there was something suspicious in that. The report filed on me at the end of the trip said my behavior was 'politically dubious."
In this lovely port, with its sunshine, sea breezes, and coconut trees, every occasion that should have been joyous was turned into misery. I had a good friend in the group who tried to cheer me up by putting my distress into perspective. Of course, what I encountered was no more than minor unpleasantness compared with what victims of jealousy suffered in the earlier years of the Cultural Revolution. But the thought that this was what my life at its best would be like depressed me even more.
This friend was the son of a colleague of my father's.
The other students from cities were also friendly to me. It was easy to distinguish them from the students of peasant backgrounds, who provided most of the student officials.
”
”
Jung Chang (Wild Swans: Three Daughters of China)