“
The demon that you can swallow gives you its power, and the greater life’s pain, the greater life’s reply.
”
”
Joseph Campbell (The Power of Myth)
“
And I wonder what the sound of a heart breaking might be. And I think it might be quiet, unperceptively so, and not dramatic at all. Like the sound of an exhausted swallow falling gently to earth.
”
”
Sarah Winman (Tin Man)
“
Wish you could turn off the questions, turn off the voices, turn off all sound.
Yearn to close out the ugliness, close out the filthiness, close out all light.
Long to cast away yesterday, cast away memory, cast away all jeapordy.
Pray you could somehow stop uncertainty, somehow stop the loathing, somehow stop the pain.
Act on your impulse, swallow the bottle, cut a little deeper, put the gun to your chest.
”
”
Ellen Hopkins (Impulse (Impulse, #1))
“
I have need of angels. Enough hell has swallowed me for too many years. But finally understand this--I have burned up one hundred thousand human lives already, from the strength of my pain.
”
”
Antonin Artaud (Lettres à Génica Athanasiou)
“
She handed him a glass of water and two Aleve gelcaps. “They’re anti-inflammatories. They will dull the pain a little bit and keep down swelling and redness. Swallow the pills, don’t chew.”
“Well, I thought I’d stick them into my nose and impersonate a walrus, but if you insist, I’ll swallow them.
”
”
Ilona Andrews (On the Edge (The Edge, #1))
“
As Lothaire lifted the lid with a sense of dread, Nïx murmured, “Hint: it’s the middle one.”
Elizabeth’s fragile finger.Seeing it severed like this brought on a visceral reaction—pain shooting through his own hand, radiating throughout his regenerated heart. He closed the lid with a swallow, sentimentally pocketing the package.
“You gave her your heart, and she gave you the bird.” Nïx sighed. “Songs will be written about this.
”
”
Kresley Cole (Lothaire (Immortals After Dark, #11))
“
Sorrow is food swallowed too quickly, caught in the throat, making it nearly impossible to breathe.
”
”
Jesmyn Ward (Sing, Unburied, Sing)
“
And that must end us, that must be our cure:
To be no more. Sad cure! For who would lose,
Though full of pain, this intellectual being,
Those thoughts that wander through eternity,
To perish, rather, swallowed up and lost
In the wide womb of uncreated night
Devoid of sense and motion?
”
”
John Milton (Paradise Lost)
“
Haven’t you heard of being hung, drawn, and quartered?”
Blue asked, “Is it as painful as conversations with Ronan?”
Gansey cast a glance over to Ronan, who was a small, indistinct form by the trees. Adam audibly swallowed a laugh.
“Depends on if Ronan is sober,” Gansey answered.
Adam asked, “What is he doing, anyway?”
“Peeing.”
“Trust Lynch to deface a place like this five minutes after getting here.”
“Deface? Marking his territory.”
“He must own more of Virginia than your father, then.”
“I don’t think he’s ever used an indoor toilet, now that I consider it.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Even with all their threats of eternal damnation and soul roasting, Christian missionaries have run across some who were not so quick to swallow their drivel. Pleasure and pain, like beauty, are in the eye of the beholder. So, when missionaries ventured to Alaska and warned the Eskimos of the horrors of Hell and the blazing lake of fire awaiting transgressors, they eagerly asked: "How do we get there?"!
”
”
Anton Szandor LaVey (The Satanic Bible)
“
I find now, swallowing one teaspoon
of pain, that it drops downward
to the past where it mixes
with last year’s cupful
and downward into a decade’s quart
and downward into a lifetime’s ocean.
I alternate treading water
and deadman’s float.
”
”
Anne Sexton (The Complete Poems)
“
Vadim swallowed, felt his throat too tight to move, then, still staring at the bottle, smelling the desert and Dan, and himself, his hand reached to his side, opened the holster of the pistol. Took out the mag, took the bullet from the chamber, clicked the mag in place again, rolled the bullet between his fingers.
He looked at Dan, sideways, saw the man stare at him, all eyes, dark eyes, and the way the pale desert moon made his face a place of shadows.
He reached for Dan’s hand, opened the fingers and placed the bullet into the palm.
“This is the bullet you’ll use to kill me if I walk away again.” Because if I walk away again, I’ll be in so much pain I’m better off dead anyway.
”
”
Aleksandr Voinov (Special Forces - Mercenaries Part I (Special Forces, #2 part 1))
“
Teccam explains there are two types of secrets. There are secrets of the mouth and secrets of the heart.
Most secrets are secrets of the mouth. Gossip shared and small scandals whispered. There secrets long to be let loose upon the world. A secret of the mouth is like a stone in your boot. At first you’re barely aware of it. Then it grows irritating, then intolerable. Secrets of the mouth grow larger the longer you keep them, swelling until they press against your lips. They fight to be let free.
Secrets of the heart are different. They are private and painful, and we want nothing more than to hide them from the world. They do not swell and press against the mouth. They live in the heart, and the longer they are kept, the heavier they become.
Teccam claims it is better to have a mouthful of poison than a secret of the heart. Any fool will spit out poison, he says, but we hoard these painful treasures. We swallow hard against them every day, forcing them deep inside us. They they sit, growing heavier, festering. Given enough time, they cannot help but crush the heart that holds them.
”
”
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
“
The pain feels like a hole swallowing her up, a source of intense fear and yet, at the same time, a strange, quiet peace.
”
”
Han Kang (The Vegetarian)
“
Ask me what I want,” Vicious murmured into my face. The public display of affection from him—not sexual, not bullying, but pure, naked affection—filled my chest with warmth, but I tried to swallow down my hope. “What do you want?” I turned my gaze to meet his, and suddenly, we weren’t in New York, in a gallery full of people. We were in my old room. Ignoring the party and the world around us, a world that we constantly disregarded when we were together. “I want you,” he said simply. “Just you. Nothing else. Only ever you,” he breathed out in pain, closing his eyes. “Fuck, Emilia. You.” I
”
”
L.J. Shen (Vicious (Sinners of Saint, #1))
“
I thought about suicide all the time, but it seemed toomuch effort, swallowing all those pills or jumping off things. If I'd lived out in the country I would have found a quiet stretch of railway track, and lain on it, fallen asleep, so that I would never have known when my last moment came. In London, the minimum tube fare had gone up so much that even to get near the line cost a fortune. Suicide seemed an extravagance I couldn't afford. People never leave you alone, either; I knew that if I'd tried to lie down on the line, any number of commuters would have pulled me off again, so that I didn't delay their train.
There must have been murderers out there who wanted to kill, with no way of finding those who wanted to be dead. If there had been some way of contacting them, a date-with-death line, I would have called them to set up a meeting. The current ways of death seemed too haphazard; it was all left up to chance. Had Chance come up, tapped me on the shoulder, said "Oi, you - long black tunnel, white light, off you go," I wouldn't have complained.
It was like having frostbite all over - feeling numb and in pain at the same time.
”
”
Helena Dela (The Count)
“
A moth goes into a podiatrist’s office, and the podiatrist’s office says, “What seems to be the problem, moth?”
The moth says “What’s the problem? Where do I begin, man? I go to work for Gregory Illinivich, and all day long I work. Honestly doc, I don’t even know what I’m doing anymore. I don’t even know if Gregory Illinivich knows. He only knows that he has power over me, and that seems to bring him happiness. But I don’t know, I wake up in a malaise, and I walk here and there… at night I…I sometimes wake up and I turn to some old lady in my bed that’s on my arm. A lady that I once loved, doc. I don’t know where to turn to. My youngest, Alexendria, she fell in the…in the cold of last year. The cold took her down, as it did many of us. And my other boy, and this is the hardest pill to swallow, doc. My other boy, Gregarro Ivinalititavitch… I no longer love him. As much as it pains me to say, when I look in his eyes, all I see is the same cowardice that I… that I catch when I take a glimpse of my own face in the mirror. If only I wasn’t such a coward, then perhaps…perhaps I could bring myself to reach over to that cocked and loaded gun that lays on the bedside behind me and end this hellish facade once and for all…Doc, sometimes I feel like a spider, even though I’m a moth, just barely hanging on to my web with an everlasting fire underneath me. I’m not feeling good. And so the doctor says, “Moth, man, you’re troubled. But you should be seeing a psychiatrist. Why on earth did you come here?”
And the moth says, “‘Cause the light was on.
”
”
Norm Macdonald
“
Ross held her face between his hands and kissed her. He tasted doubt on her tongue and pain on the roof of her mouth. He swallowed these, and drank again. Consumed, she had no choice but to see how empty he was inside, and how, sip by sip, she filled him.
”
”
Jodi Picoult
“
In light of my distanced telescopic exposure to the mayhem, I refused to plagiarise others’ personal tragedies as my own. There is an authorship in misery that costs more than empathy. Often I’d found myself dumbstruck in failed attempts to simulate that particular unfamiliar dolour. After all, no one takes pleasure in being possessed by a wailing father collecting the decapitated head of his innocent six year old. Even on the hinge of a willing attempt at full empathy with those cursed with such catastrophes, one had to have a superhuman emotional powers. I could not, in any way, claim the ability to relate to those who have been forced to swallow the never-ending bitter and poisonous pills of our inherited misfortune. Yet that excruciating pain in my chest seemed to elicit a state of agony in me, even from far behind the telescope. It could have been my tribal gene amplified by the ripple effect of the falling, moving in me what was left of my humanity.
”
”
Asaad Almohammad (An Ishmael of Syria)
“
HERMIONE: I’m sorry, Severus.
SNAPE looks at her, and then swallows the pain. He indicates RON with a flick of his head.
SNAPE: Well, at least I’m not married to him.
”
”
Jack Thorne (Harry Potter and the Cursed Child: Parts One and Two (Harry Potter, #8))
“
Damon eats pain,” I told her. “He will find some way to take it and twist it and fit it down his throat, so he can swallow it. He’s made of it. You all can endure it until you overcome it, but Damon…he wants to be in hell.”
It’s where he shines.
I turned my eyes back up to the sky, sliding an arm under my head. “But still…he never cried.
”
”
Penelope Douglas (Hideaway (Devil's Night, #2))
“
Don’t leave. I want you to be with me.”
“You’ll have your family.”
I swallow before I say the words that will change this relationship forever. “You’re the one I need.”
“But that would mean meeting your family.”
It does, and I’m okay with that if it means she’s by my side. “I don’t care. I need you to be with me.”
She smiles and cradles my face with her hands. “Of course. I’ll come if it’s what you want, but this is going to change everything.”
“I know, but it’s what I want.
”
”
Georgia Cates (Beauty from Pain (Beauty, #1))
“
There is a pain – so utter –
It swallows substance up –
Then covers the Abyss with Trance –
So Memory can step
Around – across – opon it –
As one within a Swoon –
Goes safely – where an open eye –
Would drop Him – Bone by Bone.
”
”
Emily Dickinson
“
There is a pain so utter, it swallows being up;
The covers the abyss with a trance
So memory can step around, across, upon it.
”
”
Emily Dickinson
“
You take the pain like medicine, Terra had said in response to her tears. You swallow it down with a smile.
”
”
Alex Aster (Lightlark (Lightlark, #1))
“
Abolish these categories of pain
(or is it love)
Let it all be one pain
Pain swallows itself, dies like a star.
”
”
Alice Notley (Disobedience)
“
She'd been swallowed up in her own pain for so many years that she didn't notice his until it was too late.
”
”
Søren Sveistrup (The Chestnut Man)
“
Sometimes just seeing a woman smile is like a knife in the heart. It hurts and it rattles your whole system, but against all your instincts you swallow the pain and keep looking. After a while you realize it doesn’t hurt as much as you thought it would.
”
”
Richard Kadrey (Aloha from Hell (Sandman Slim, #3))
“
Why do I take a blade and slash my arms? Why do I drink myself into a stupor? Why do I swallow bottles of pills and end up in A&E having my stomach pumped? Am I seeking attention? Showing off? The pain of the cuts releases the mental pain of the memories, but the pain of healing lasts weeks. After every self-harming or overdosing incident I run the risk of being sectioned and returned to a psychiatric institution, a harrowing prospect I would not recommend to anyone.
So, why do I do it? I don't. If I had power over the alters, I'd stop them. I don't have that power. When they are out, they're out. I experience blank spells and lose time, consciousness, dignity. If I, Alice Jamieson, wanted attention, I would have completed my PhD and started to climb the academic career ladder. Flaunting the label 'doctor' is more attention-grabbing that lying drained of hope in hospital with steri-strips up your arms and the vile taste of liquid charcoal absorbing the chemicals in your stomach.
In most things we do, we anticipate some reward or payment. We study for status and to get better jobs; we work for money; our children are little mirrors of our social standing; the charity donation and trip to Oxfam make us feel good. Every kindness carries the potential gift of a responding kindness: you reap what you sow. There is no advantage in my harming myself; no reason for me to invent delusional memories of incest and ritual abuse. There is nothing to be gained in an A&E department.
”
”
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
“
Love"I'm in love with you," he said quietly.
"Augustus,"I said.
"I am," he said. He was staring at me, and I could see the corners of his eyes crinkling. "I'm in love with you, and I'm not in the business of denying myself the simple pleasure of saying true things. I'm in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we're all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we'll ever have, and I am in love with you."
"Augustus," I said again, not knowing what else to say. It felt like everything was rising up in me, like I was drowning in this weirdly painful joy, but I couldn't say it back. I couldn't say anything back. I just looked at him and let him look at me until he nodded, lips pursed, and turned away, placing the side of his head against the window.
”
”
John Green (The Fault in Our Stars)
“
I’m angry that we’ve been taught to swallow our pain to save you.
”
”
Lilly Dancyger (Burn It Down: Women Writing about Anger)
“
the core of addiction doesn’t lie in what you swallow or inject—it’s in the pain you feel in your head. Yet we have built a system that thinks we will stop addicts by increasing their pain. “If I had to design a system that was intended to keep people addicted, I’d design exactly the system that we have right now,
”
”
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
“
I want to breathe, I hate this night
I want to wake up, I hate this dream
I’m trapped inside of myself and I’m dead
Don’t wanna be lonely
Just wanna be yours
Why is it so dark where you’re not here
It’s dangerous how wrecked I am
Save me because I can’t get a grip on myself
Listen to my heartbeat
It calls you whenever it wants to
Because within this pitch black darkness
You are shining so brightly
Give me your hand save me save me
I need your love before I fall, fall
Give me your hand save me save me
I need your love before I fall, fall
Give me your hand save me save me
Give me your hand save me save me
Save me, save me
Today the moon shines brighter
on the blank spot in my memories
It swallowed me, this lunatic,
please save me tonight
(Please save me tonight,
please save me tonight)
Within this childish madness
you will save me tonight
I knew that your salvation
Is a part of my life
and the only helping hand that will embrase my pain
The best of me,
you’re the only thing I have
Please raise your voice
so that I can laugh again
Play on
Listen to my heartbeat,
it calls you whenever it wants to
Because within this pitch black darkness,
you are shining so brightly
Give me your hand save me save me
I need your love before I fall, fall
Give me your hand save me save me
I need your love before I fall, fall
Give me your hand save me save me
Give me your hand save me save me
Thank you for letting me be me
For helping me fly
For giving me wings
For straightening me out
For waking me from being suffocated
For waking me from a dream which was all I was living in
When I think of you the sun comes out
So I gave my sadness to the dog
(Thank you. For being ‘us’)
Give me your hand save me save me
I need your love before I fall, fall
Give me your hand save me save me
I need your love before I fall, fall
”
”
BTS
“
Winning cannot become your habit unless defeats have torn you apart
and you sit in the battle field
stitching back yourself
one piece at a time
laughing in the faces of all defeats.
”
”
Chetan M. Kumbhar (Panasu The Golden City & The Capasstars)
“
Allison."
I almost collapsed in relief. "Yeah," I whispered, forcing a pained smile as he stared at me as if I were a ghost. "It's me. Damn you, Kanin. You were a pain in the ass to find, you know that?"
Kanin didn't answer. Without warning, his hands rose, pressing to either side of my face as I went rigid. His stare was awed, hopeful, as if he couldn't quite believe I was real and had to touch me to make sure I wasn't a phantom.
"You're here." I barely caught the whisper, and Kanin's eyes closed again as he bowed his head. It was a broken sound, a man desperately grasping at the last thread of hope, when he had been in the darkness for so long. "You came."
And, as I stood, shocked, against the wall of the cell, Kanin sank to his knees in front of me, holding the backs of my legs. The top of his bowed head pressed against my thighs. "You came," he repeated, a chant holding him to sanity. I swallowed the lump in my throat and touched his broad shoulders, biting my lips to keep the tears in check, as the cell door opened with a creak, and the Prince beckoned us both to freedom.
”
”
Julie Kagawa (The Eternity Cure (Blood of Eden, #2))
“
I have spoken of Jonah, and of the story of him and the whale. — A fit story for ridicule, if it was written to be believed; or of laughter, if it was intended to try what credulity could swallow; for, if it could swallow Jonah and the whale it could swallow anything.
”
”
Thomas Paine (The Age of Reason)
“
There’s no more painful love than the love you feel when you’re in a railroad station and you exchange glances with someone whose train is headed in the other direction.
”
”
Yasmina Khadra (Swallows of Kabul)
“
Consider the capacity of the human body for pleasure. Sometimes, it is pleasant to eat, to drink, to see, to touch, to smell, to hear, to make love. The mouth. The eyes. The fingertips, The nose. The ears. The genitals. Our voluptific faculties (if you will forgive me the coinage) are not exclusively concentrated here. The whole body is susceptible to pleasure, but in places there are wells from which it may be drawn up in greater quantity. But not inexhaustibly. How long is it possible to know pleasure? Rich Romans ate to satiety, and then purged their overburdened bellies and ate again. But they could not eat for ever. A rose is sweet, but the nose becomes habituated to its scent. And what of the most intense pleasures, the personality-annihilating ecstasies of sex? I am no longer a young man; even if I chose to discard my celibacy I would surely have lost my stamina, re-erecting in half-hours where once it was minutes. And yet if youth were restored to me fully, and I engaged again in what was once my greatest delight – to be fellated at stool by nymphet with mouth still blood-heavy from the necessary precautions – what then? What if my supply of anodontic premenstruals were never-ending, what then? Surely, in time, I should sicken of it.
“Even if I were a woman, and could string orgasm on orgasm like beads on a necklace, in time I should sicken of it. Do you think Messalina, in that competition of hers with a courtesan, knew pleasure as much on the first occasion as the last? Impossible.
“Yet consider.
“Consider pain.
“Give me a cubic centimeter of your flesh and I could give you pain that would swallow you as the ocean swallows a grain of salt. And you would always be ripe for it, from before the time of your birth to the moment of your death, we are always in season for the embrace of pain. To experience pain requires no intelligence, no maturity, no wisdom, no slow working of the hormones in the moist midnight of our innards. We are always ripe for it. All life is ripe for it. Always.
”
”
Jesus I. Aldapuerta (The Eyes: Emetic Fables from the Andalusian De Sade)
“
I do need that time, though, for Naoko's face to appear. And as the years have passed, the time has grown longer. The sad truth is that what I could recall in five seconds all too needed ten, then thirty, then a full minute-like shadows lengthening at dusk. Someday, I suppose, the shadows will be swallowed up in darkness. There is no way around it: my memory is growing ever more distant from the spot where Naoko used to stand-ever more distant from the spot where my old self used to stand. And nothing but scenery, that view of the meadow in October, returns again and again to me like a symbolic scene in a movie. Each time is appears, it delivers a kick to some part of my mind. "Wake up," it says. "I'm still here. Wake up and think about it. Think about why I'm still here." The kicking never hurts me. There's no pain at all. Just a hollow sound that echoes with each kick. And even that is bound to fade one day. At the Hamburg airport, though, the kicks were longer and harder than usual. Which is why I am writing this book. To think. To understand. It just happens to be the way I'm made. I have to write things down to feel I fully comprehend them.
”
”
Haruki Murakami (Norwegian Wood)
“
Now I sat in my room, face swollen and eyes dry, teetering on the edge of a pain so vast I couldn't see its edges. It would swallow me whole, if I let it.
”
”
Alix E. Harrow (The Ten Thousand Doors of January)
“
Still perfect,” he said. “Read to me.”
“This isn’t really a poem to read aloud when you are sitting next to your sleeping mother. It has, like, sodomy and angel dust in it,” I said.
“You just named two of my favorite pastimes,” he said. “Okay, read me something else then?”
“Um,” I said. “I don’t have anything else?”
“That’s too bad. I am so in the mood for poetry. Do you have anything memorized?”
“‘Let us go then, you and I,’” I started nervously, “‘When the evening is spread out against the sky / Like a patient etherized upon a table.’”
“Slower,” he said.
I felt bashful, like I had when I’d first told him of An Imperial Affliction. “Um, okay. Okay. ‘Let us go, through certain half-deserted streets, / The muttering retreats / Of restless nights in one-night cheap hotels / And sawdust restaurants with oyster-shells: / Streets that follow like a tedious argument / Of insidious intent / To lead you to an overwhelming question . . . / Oh, do not ask, “What is it?” / Let us go and make our visit.’”
“I’m in love with you,” he said quietly.
“Augustus,” I said.
“I am,” he said. He was staring at me, and I could see the corners of his eyes crinkling. “I’m in love with you, and I’m not in the business of denying myself the simple pleasure of saying true things. I’m in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we’re all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we’ll ever have, and I am in love with you.”
“Augustus,” I said again, not knowing what else to say. It felt like everything was rising up in me, like I was drowning in this weirdly painful joy, but I couldn’t say it back. I
”
”
John Green
“
She swallowed and licked her lips. “It’s rather good.”
He laughed breathlessly. Have care, part of his brain whispered. This way only leads to pain. But his c*ck was pressing hard against the placket of his breeches and he wanted to take her hand and draw her away to his rooms and keep her there until she learned to scream in pleasure.
Until she screamed his name and no other.
”
”
Elizabeth Hoyt (Scandalous Desires (Maiden Lane, #3))
“
A pain in your throat may get worse when you swallow, may be almost unbearably painful when you swallow, but that doesn’t mean that the pain is gone when you’re not swallowing.
”
”
Sally Rooney (Two Stories)
“
Maine is not a death cult. I mean, it is, but it's a slow one. It creeps in like the tide, and without your even noticing, the ground around you is swallowed by water until it's gone
”
”
John Hodgman (Vacationland: True Stories from Painful Beaches)
“
You were my first crush.” She sobered, her voice strained as sincere green eyes slanted up to me . “And my only love.” Her throat bobbed as she swallowed, almost painfully. “I’ve been waiting for you my whole life.
”
”
A.L. Jackson (Come to Me Quietly (Closer to You, #1))
“
His lips covered hers as he laid the gauze on her leg. Fiery pain shot through her flesh as his lips swallowed her cry, then replaced it with such amazing sensation she wanted to whimper in return. He licked her lips. He didn’t steal her kiss. He didn’t take it. He cajoled it from her.
”
”
Lora Leigh (Elizabeth's Wolf (Breeds, #3))
“
CHORUS:
You that live in my ancestral Thebes, behold this Oedipus,- him who knew the famous riddles and was a man most masterful; not a citizen who did not look with envy on his lot- see him now and see the breakers of misfortune swallow him!
Look upon that last day always. Count no mortal happy till he has passed the final limit of his life secure from pain.
”
”
Sophocles (The Complete Greek Tragedies (4-vol. set))
“
So, time heals. Mostly. Sometimes carelessly. And in unsuspecting moments, the pain catches and reminds one of all that's been missing. The fulcrum of what might have been. But then it passes. Winter moves into spring and swallows return. The proximity of new skin returns to the sheets. Beauty does what is required. Jobs fulfil and conversations inspire. Loneliness becomes a mere Sunday. Scattered clothes. Empty bowls. Rotting fruit. Passing time. But still life in all its beauty and complexity.
”
”
Sarah Winman (Still Life)
“
There is an important idea in Nietzsche, of Amor fati, the "love of your fate," which is in fact your life. As he says, if you say no to a single factor in your life, you have unravelled the whole thing. Furthermore, the more challenging or threatening the situation or context to be assimilated and affirmed, the greater the stature of the person who can achieve it. The demon you can swallow gives you its power, and the greater life's pain, the greater life's reply.
”
”
Joseph Campbell (The Power of Myth)
“
After a while Mary said, “Zsadist?”
“Yeah?”
“What are those markings?”
His frowned and flicked his eyes over to her, thinking, as if she didn’t know? But then . . . well, she had been a human. Maybe she didn’t. “They’re slave bands. I was . . . a slave.”
“Did it hurt when they were put on you?”
“Yes.”
“Did the same person who cut your face give them to you?”
“No, my owner’s hellren did that. My owner . . . she put the bands on me. He was the one who cut my face.”
“How long were you a slave?”
“A hundred years.”
“How did you get free?”
“Phury. Phury got me out. That’s how he lost his leg.”
“Were you hurt while you were a slave?”
Z swallowed hard. “Yes.”
“Do you still think about it?”
“Yes.” He looked down at his hands, which suddenly were in pain for some reason. Oh, right. He’d made two
fists and was squeezing them so tightly his fingers were about to snap off at the knuckles.
“Does slavery still happen?”
“No. Wrath outlawed it. As a mating gift to me and Bella.”
“What kind of slave were you?”
Zsadist shut his eyes. Ah, yes, the question he didn’t want to answer. For a while it was all he could do to force himself to stay in the chair. But then, in a falsely level voice, he said,
“I was a blood slave. I was used by a female for blood.”
The quiet after he spoke bore down on him, a tangible weight.
“Zsadist? Can I put my hand on your back?”
His head did something that was evidently a nod, because Mary’s gentle palm came down lightly on his
shoulder blade. She moved it in a slow, easy circle.
“Those are the right answers,” she said. “All of them.”
He had to blink fast as the fire in the furnace’s window became blurry. “You think?” he said hoarsely.
“No. I know.
”
”
J.R. Ward (Father Mine (Black Dagger Brotherhood, #6.5))
“
Search for the answers I knew all along;
I lost myself,
We all fall down;
Never the wiser of what I've become
Alone I stand,
A broken man...
All I have is one last chance.
I won't turn my back on you.
Take my hand,
Drag me down.
If you fall,
Then I will too.
And I can't save what's left of you...
(Chorus)
Sing something new,
I have nothing left.
I can't face the dark without you.
There's nothing left to lose,
The fight never ends.
I can't face the dark without you.
Swallow me under and pull me apart.
I understand;
There's nothing left.
Pain so familiar and close to the heart;
No more no less,
I won't forget.
Come back down,
Save yourself.
I can't find my way to you.
And I can't bear to face the truth...
(chorus)
I wanted to forgive;
I'm trying to forget;
Don't leave me here again.
I am with you, forever, the end.
(chorus)
Holding the hand that holds me down.
I forgive you, forget you, the end.
Holding the hand that holds me down.
I forgive you, forget you, the end.
(classical finish)
”
”
Breaking Benjamin
“
Having lost his mother, father, brother, an grandfather, the friends and foes of his youth, his beloved teacher Bernard Kornblum, his city, his history—his home—the usual charge leveled against comic books, that they offered merely an escape from reality, seemed to Joe actually to be a powerful argument on their behalf…
The escape from reality was, he felt—especially right after the war—a worthy challenge… The pain of his loss—though he would never have spoken of it in those terms—was always with him in those days, a cold smooth ball lodged in his chest, just behind his sternum. For that half hour spent in the dappled shade of the Douglas firs, reading Betty and Veronica, the icy ball had melted away without him even noticing. That was the magic—not the apparent magic of a silk-hatted card-palmer, or the bold, brute trickery of the escape artist, but the genuine magic of art. It was a mark of how fucked-up and broken was the world—the reality—that had swallowed his home and his family that such a feat of escape, by no means easy to pull off, should remain so universally despised.
”
”
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
“
Honestly, I'm not sure how much longer I can keep doing this. It's like there are seven candles lit in my stomach. One, two, three, four, five, six, seven. Seven candles burning and smoking - lit - seven flames of doubt, fear, sorrow, pain, waste, hopelessness, despair. They turn my insides black with soot and ash. There is something at the back of my eyes- a pressure building, building, building - hot like the flames of seven candles, which no amount of breath can extinguish.
I imagine drinking glasses of water. One, two, three four, five, six, seven. I dive into the clearest pool. I drown myself in the coarse, dry sand. I swallow handfuls of crushed white salt, but the flames burn still - brighter, hotter, deeper. Sweat runs in delicate patterns down my back, over my crooked spine and jutting hips. I scratch at the wounds these last weeks have left, but I can't break free of them. The flies gather and vultures circle overhead. The fire eats away my flesh. The fire spreads. The fire runs through my veins. The fire courses beneath my muscles - my tendons - the marrow of my bones.
I sit rocking on the street corner. No, I can't keep doing this. I just can't.
”
”
Nic Sheff (Tweak: Growing Up On Methamphetamines)
“
Feyre," he said--softly enough that I faced him again. "Why?" He tilted his head to the side. "You dislike our kind on a good day. And after Andras . . ." Even in the darkened hallway, his usual bright eyes were shadowed. "So why?"
I took a step closer to him, my blood-covered feet sticking to the rug. I glanced down the stairs to where I could still see the prone form of the faerie and the stumps of his wings.
"Because I wouldn't want to die alone," I said, and my voice wobbled as I looked at Tamlin again, forcing myself to meet his stare. "Because I'd want someone to hold my hand until the end, and awhile after that. That's something everyone deserves, human or faerie." I swallowed hard, my throat painfully tight. "I regret what I did to Andras," I said, the words so strangled they were no more than a whisper. "I regret that there was . . . such hate in my heart. I wish I could undo it--and . . . I'm sorry. So very sorry.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
You are not a victim. You are a willing participant that has created your own anxiety through your negative mind, insecurities and actions. If you want to secure your future then the only way is through love, forgiveness and the willingness to admit you have participated in the uncomfortableness you are experiencing now. Stop telling yourself you are justified in hate, indifference, silence or bias. You are not. You can't build a positive life through battling others. The world is full of victims. No one wants to hear that story. People want to know how you did what the majority wouldn't do-you forgave and built up your enemies. It is seems totally rare and unheard of these days to swallow your pain and take the high road, but guess what? Those are the leaders that people admire and want to know. Those are the 1% who change the world and people's lives. So why do you want to be like the world when you can be beyond it?
”
”
Shannon L. Alder
“
Which father, which teacher, could prevent him from living his own life, from soiling himself with life, from loading himself with sin, from swallowing the bitter drink himself, from finding his own path? Do you think, my dear friend, that anybody is spared this path? Perhaps your little son, because you would like to see him spared sorrow and pain and disillusionment? But if you were to die ten times for him, you would not alter his destiny in the slightest.
”
”
Hermann Hesse
“
Christianity is not a promise to enjoy a life without pain nor to be given a shortcut through it. It is a promise that pain, sorrow, sin—ours and others’—will not swallow us, destroy us, define us, or have the final word. Jesus has won the victory. And in him so have we.
”
”
Stasi Eldredge (Becoming Myself: Embracing God's Dream of You)
“
It began with the twitch of her lower lip as it took on a life of its own, rippling outward to the corners of her mouth and forcing them upward into a helpless smile. She instantly clasped one hand over her mouth in a frantic attempt to silence the sound that was coming from her throat. The result was that she half-spluttered, half-coughed, her eyes painfully wide as she desperately wished a hole would emerge in the oriental carpet and mercifully swallow her up.
”
”
Sophie Barnes (How Miss Rutherford Got Her Groove Back)
“
He tries again, swallowing hard to ease away the painful lump in his throat. "It's just important. I love you. I'm yours. I need people to know."
"Alright," Lindsay says suddenly. He leans down to grab at Pip's bag, throwing stuff out onto the carpet, his iPod and phone and wallet and gloves and Attitude magazine until he finds what he's looking for, a green marker pen, and holds it between his teeth while he starts tugging at the hem of Pip's t-shirt. Pip's too surprised to do anything but submit, he lets Lindsay peel off his t-shirt and throw that on top of all the things from his bag then just watches as Lindsay pulls the pen out of the cap in his mouth and signs his name in big green letters on the side of Pip's stomach. He holds his breath, trying not to suck in the belly fat everybody else keeps telling him is imaginary. "There, you're mine, are you fucking happy now?" Lindsay snaps, and throws the recapped pen across the room to get lost in the bookcase somewhere.
”
”
Richard Rider (No Beginning, No End (Stockholm Syndrome, #3))
“
The last thing I want is for you to be afraid of me. But I want you to trust me. I need you to trust me." He sighs and I hear the pain and confusion in his voice.
"Why?"
"I don't know why and it scares the hell out of me." He swallows hard...
Part of me screams for him to run for his own safety, but I don't want him to move. My heart begs... Please stay with me. Forever.
”
”
Abi Ketner (Branded (Sinners, #1))
“
When the fight ends you can afford to relax. That’s the worst part. Winner or loser you have again eyes to see around you. Blood, butchered bodies, bodies pierced by arrows. You stir inside, your heart tightens, the feeling of loss wells up. The sense of smell is the next thing to revive, adding a new dimension of pain. I closed the eyes of the last cadet, blue eyes, unseeing, his body, so small, almost a child, the youngest cadets were all gone, their faces surprised in death. Cold lips never able again to kiss a girl. It’s then that the emptiness swallows you and you mourn inside. Damn you, Scharon. No! Damn you, Travellers.
”
”
Florian Armas (Io Deceneus: Journal of a Time Traveler (The Living Universe, #1))
“
Day followed day, and night followed night, until Dany knew she could not endure a moment longer. She would kill herself rather than go on, she decided one night...
Yet when she slept that night, she dreamt the dragon dream again. Viserys was not in it this time. There was only her and the dragon. Its scales were black as night, wet and slick with blood. Her blood, Dany sensed. Its eyes were pools of molten magma and when it opened its mouth, the flame came roaring out in a hot jet. She could hear it singing to her. She opened her arms to the fire, embraced it, let it swallow her whole, let it cleanse her and temper her and scour her clean. She could feel her flesh sear and blacken and slough away, could feel her blood boil and turn to steam, and yet there was no pain. She felt strong and new and fierce.
And the next day, strangely, she did not seem to hurt quite as much.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
Somehow or other, the loving parents had swallowed one of the Tempter's hooks, and the child was given total self-indulgence, which is far from free will. He still tempts. The ancient, primordial battle to destroy Community, to shatter Trinity, still continues. Creation still groans with the pain of it. Like it or not, we're caught in the middle.
”
”
Madeleine L'Engle (The Irrational Season (Crosswicks Journals, #3))
“
... And suddenly he thought, I'm the abnormal one now. Normalcy was a
majority concept, the standard of many and not the standard of just
one man.
Abruptly that realization joined with what he saw on their faces --
awe, fear, shrinking horror -- and he knew that they were afraid of
him. To them he was some terrible scourge they had never seen, a
scourge even worse than the disease they had come to live with. He was
an invisible spectre who had left for evidence of his existence the
bloodless bodies of their loved ones. And he understood what they felt
and did not hate them. His right hand tightened on the tiny envelope
of pills. So long as the end did not come with violence, so long as it
did not have to be a butchery before their eyes...
Robert Neville looked out over the new people of the earth. He knew he
did not belong to them; he knew that, like the vampires, he was
anathema and black terror to be destroyed. And, abruptly, the concept
came, amusing to him even in his pain.
A coughing chuckle filled his throat. He turned and leaned against the
wall while he swallowed the pills. Full circle, he thought while the
final lethargy crept into his limbs. Full circle. A new terror born in
death, a new superstition entering the unassailable fortress of
forever.
I am legend.
”
”
Richard Matheson (I Am Legend and Other Stories)
“
My body was a Pandora’s box of aches and pains. When Grandpa died all the ailments came jumping out. I was forever twitching and shaking. I had a persistent sore throat and had difficulty swallowing except when I was taking nips from my illicit cocktail. I was constantly constipated, holding everything in — a disorder that had started when I was two years old. It burned when I passed urine, and my migraines were so severe it felt on occasions as if I were going blind.
”
”
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
“
I am always hearing. . . the sound of a far off song. I do not exactly know where it is, or what it means; and I don't hear much of it, only the odour of its music, as it were, flitting across the great billows of the ocean outside this air in which I make such a storm; but what I do hear, is quite enough to make me able to bear the cry from the drowning ship. So it would you if you could hear it.'
'No it wouldn't,' returned Diamond stoutly. 'For they wouldn't hear the music of the far-away song; and if they did, it wouldn't do them any good. You see you and I are not going to be drowned, and so we might enjoy it.'
'But you have never heard the psalm, and you don't know what it is like. Somehow, I can't say how, it tells me that all is right; that it is coming to swallow up all the cries. . . . It wouldn't be the song it seems if it did not swallow up all their fear and pain too, and set them singing it themselves with all the rest.
”
”
George MacDonald (At the Back of the North Wind)
“
Vi?" Jag's soft voice called from the other room. I'd been soaking so long, the water in the tub was cold. I stepped out, careful not to get the book wet, and wrapped a towel around myself.
"In here," I whispered. He had switched the lamp on and was rubbing his eyes when I came into the bedroom.
"Hey."
I slipped the book back onto the table next to his bed. "I didn't get it wet."
"Not. That." His eyes raked over my only-towel-covered body with a hungry expression.
"Knock it off." I pulled the towel tighter and returned to the bathroom. He followed me, putting his hand on the door before I could close it. I looked anywhere but at him. Lying fully clothed in bed with him was bad enough.
I couldn't help it when I drank him in, starting at his feet and slowly creeping up to his neck, past his chin, lips, nose to his eyes. When I finally reached them, my heart clutched almost painfully. I swallowed hard and cleared my throat, playing with the end of my towel.
"Vi, babe-"
"Don't talk like that," I said.
He smiled his Jag-winner. I took a shuddering breath and tried to focus. "Don't smile like that either. It's not fair."
"Okay, then. Let's talk about being fair." He carefully wove his fingers through mine. The way he studied the ground was adorable. He took a few slow steps back into the bedroom, pulling me with him.
"Jag-
”
”
Elana Johnson (Possession (Possession, #1))
“
Charity is salt in the wound. It is painful. The state gives charity with the bitter hatred of a victim to his blackmailer. The receiver of free money is subjected to harassment, insult, and profound humiliation. Newspapers are enlisted to heap scorn on the arrogant bastards who choose to beg instead of starve or let their children starve. It is made clear that the poor seek charity as a great and sordid chicanery in which they delight. And there are some who do. As there are people who take delight in sticking hot needles deep into their abdomens, swallow pieces of broken bottles. A special taste. Speaking for humanity in general, the poor accept charity with a shame and loss of self-respect that is truly pitiful.
”
”
Mario Puzo (The Fortunate Pilgrim)
“
She wanted to die. She wanted to die. Because then it would be over. All the loss, all the grief, all the pain, the emptiness - over. And she had said nothing then. Nothing. Nor had she crawled into her room and swallowed her mother’s pills, or crawled into her bath and opened up her own wrists. As if death were somehow personal. As if death were somehow an enemy that could be faced and stared down, she would not give it the satisfaction of seeing how badly it had hurt her. Again.
”
”
Michelle Sagara West (Silence (The Queen of the Dead, #1))
“
Stay."
The strangled word, spoken in anguish, tore at her heart, ripped through her resolve. She swiped at the tears raining over her cheeks and slowly turned, forcing the painful truth past her lips. "I can't stay. I can no longer give you what you want. I can't give you a son."
Dallas stepped off the veranda and extended a bouquet of wildflowers toward her. "Then stay and give me what I need."
Her heart lurched at the abundance of flowers wilting within his smothering grasp. She shook her head vigorously. "You don't need me. There are a dozen eligible women in Leighton who would happily give you a son and within the month there will be at least a dozen more—"
"I'll never love any of them as much as I love you. I know that as surely as I know the sun will come up in the morning."
Her breath caught, her trembling increased, words lodged in her throat. He loved her? She watched as he swallowed.
"I know I'm not an easy man. I don't expect you to ever love me, but if you'll tolerate me, I give you my word that I'll do whatever it takes to make you happy—"
Quickly stepping forward, she pressed her shaking fingers against his warm lips. "My God, don't you know that I love you? Why do you think I'm leaving? I'm leaving because I do love you—so much. Dallas, I want you to have your dream, I want you to have your son."
Closing his eyes, he laid his roughened hand over hers where it quivered against his lips and pressed a kiss against the heart of her palm.
"I can't promise that I won't have days when I'll look toward the horizon and feel the aching emptiness that comes from knowing we'll never have a child to pass our legacy on to…"Opening his eyes, he captured her gaze. "But I know the emptiness you'll leave behind will eat away at me every minute of every day."
-Dallas and Dee
”
”
Lorraine Heath (Texas Glory (Texas Trilogy, #2))
“
Grief is shameless; it refuses to be ignored. If you let it have its way, it becomes fatal. If you try to remove it piece by piece, it only multiplies like a tumor. And if you try to fight it, it becomes like quicksand; you try to claw your way back to the surface, and for a second you feel the fresh air against your face, thinking you've survived, only to be pulled fiercely back down again, swallowed whole, nothing left.
”
”
Zeina Kassem (Crossing)
“
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
”
”
Nick Flynn (Another Bullshit Night in Suck City)
“
What do you think, Galen?" Lady Fern asked in a sugary voice.
Galen chewed slowly and painfully, swallowing tentatively.
It's very unique," he said, trying to look intrigued instead of disgusted. "It's excellent."
Lady Fern looked satisfied and turned to say something to her husband, while Galen added quietly under his breath, "...not."
--The Fire Stone
”
”
Riley Carney (The Fire Stone (The Reign of the Elements, #1))
“
The door is cracked
We used to meet
like water does land
no
not that
more like when skin touches skin
kissing fingertips
or when air escapes a lung
and is felt across the world
I've leapt over cracks in sidewalks
and swallowed away troublesome back pains
that could only be fixed with someone else's pills
We met by your house one stray day
and you drove me to the bay
where we sat and kissed like it was yesterday
And here you told me that you loved me
and that you always loved me
and that you would always love me
the wind blew and I held you
You rested your head on my shoulder
and the wind blew warm
Later, in your big red truck, we smoked some green
and I kissed you harder
and held your breasts, and felt between your legs
and with a gasp
you told me you were in love with me
And then you drove me back
and we promised it wouldn't be the end
not this time
The quill and inkwell on your foot
I'm a writer and you are my greatest art
I returned to my hell and dreamt of you once more
”
”
Dave Matthes (Strange Rainfall on the Rooftops of People Watchers: Poems and Stories)
“
Ask the river about it, my friend! Listen to it, laugh about it! Do you then really think that you have committed your follies in order to spare your son them? Can you then protect your son from Samsara? How? Through instruction, through prayers, through exhortation? My dear friend, have you forgotten that instructive story about Siddhartha, the Brahmin's son, whiuch you once told me here? Who protected Siddhartha the Samana from Samsara, from sin, greed and folly? Could his father's piety, his teacher's exhortations, his own knowledge, his own seeking, protect him? Which father, which teacher, could prevent him from living his own life, from soiing himself with life, from loading himself with sin, from swallowing the bitter drink himself, from finding his own path? Do you think, my dear friend, that anybody is spared this path? Perhaps your little son, because you would like to see him spared sorrow and pain and disillusionment? But if you were to die ten times for him, you would not alter his destiny in the slightest.
”
”
Hermann Hesse (Siddhartha)
“
We all want to live forever, right? Wrong! Think about watching your family die as you selfishly carry on. Your children aging and passing, your grandchildren, and so on. Think of all of the friends you’ll make but eventually lose. You don’t want that! No! You know the earth is eventually going to be swallowed by the sun, right? And one day you would be present for this greatest of all apocalypses. As fascinating as this event would be, scientifically speaking, this excitement would fade as the pain of thousand-degree flames engulfed your tender body and your aged mind would be so alone in this interminable torture. Does this sound like something you want? We didn't think so.
Immortality is stupid. Think before you wish.
This message brought to you by DIRECTV.
”
”
Joseph Fink (Mostly Void, Partially Stars (Welcome to Night Vale Episodes, #1))
“
Men are not born equal in themselves, so I think it beneath a man to postulate that they are. If I thought myself as good as Sokrates I should be a fool; and if, not really believing it, I asked you to make me happy by assuring me of it, you would rightly despise me. So why should I insult my fellow-citizens by treating them as fools and cowards? A man who thinks himself as good as everyone else will be at no pains to grow better. On the other hand, I might think myself as good as Sokrates, and even persuade other fools to agree with me; but under a democracy, Sokrates is there in the Agora to prove me wrong. I want a city where I can find my equals and respect my betters, whoever they are; and where no one can tell me to swallow a lie because it is expedient, or some other man's will.
”
”
Mary Renault (The Last of the Wine)
“
One week? One week was your limit? You said as long as it takes, so where are you?” She swallowed around the tightness in her throat. “You said I was your pain in the ass. Well, get your ass over here so I can be a pain in it. Maybe you gave up after one week, but I haven’t. I miss you, okay? I miss you, and you’re supposed to be outside.”
“Ruby,” he broke in. “Look out your window.” She spun around in time to see him pull up at the curb and get out of his car, still holding the phone to his ear. “I just hit a little traffic.
”
”
Tessa Bailey (His Risk to Take (Line of Duty, #2))
“
There are stages to the process of being betrayed by your society. One is jolted from a place of complacency by the discovery of difference, by hypocrisy, by inexplicable or incongruous ill treatment. What follows is a time of confusion—unlearning what one thought to be the truth. Immersing oneself in the new truth. And then a decision must be made. Some accept their fate. Swallow their pride, forget the real truth, embrace the falsehood for all they’re worth—because, they decide, they cannot be worth much. If a whole society has dedicated itself to their subjugation, after all, then surely they deserve it? Even if they don’t, fighting back is too painful, too impossible. At least this way there is peace, of a sort. Fleetingly. The alternative is to demand the impossible. It isn’t right, they whisper, weep, shout; what has been done to them is not right. They are not inferior. They do not deserve it. And so it is the society that must change. There can be peace this way, too, but not before conflict. No one reaches this place without a false start or two.
”
”
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
“
Ariel looked at her then, instead of the sky, instead of the horizon that surely beckoned to him. “Out of a thousand different winds, I think I can resist nine hundred and ninety-nine of them.
Now she was the one unable to swallow. “And the last one?”
"That one wrenches the beating heart from my chest, the blood from my veins, the marrow from my bones.” Grasping her hand, he brought it up to his face and rubbed it against his cheek. Pain radiated from his pale skin, from his eyes, from his lips when they grazed her knuckles. “You’ve two birds to do your bidding, my fair huntress, but I want you to choose me, to love me above all others, to make the pain in my soul worthwhile… or I would be free of you.
”
”
Lisa Mantchev (So Silver Bright (Théâtre Illuminata, #3))
“
Last lines:
Robert Neville looked out over the new people of the earth. He knew he did not belong to them; he knew that, like the vampires, he was anathema and black terror to be destroyed. And, abruptly, the concept came, amusing to him even in his pain.
A coughing chuckle filled his throat. He turned and leaned against the wall while he swallowed the pills. Full circle, he thought while the final lethargy crept into his limbs. Full circle. A new terror born in death, a new superstition entering the unassailable fortress of forever.
I am legend.
”
”
Richard Matheson (I Am Legend)
“
He moved around the wide counter, silent as always. She was sitting on the floor, her arms wrapped around her knees, her fist in her mouth to try to quiet her sobs, and he realized he hadn’t actually seen her cry before. [..]
She must have felt his eyes on her, for she suddenly swallowed her sob on a choked gasp and looked up at him, her huge, sorrow-filled eyes a sharper pain than the knife slash.
He moved slow enough, so as not to spook her, to give her plenty of time to move, but she stayed where she was, her huge eyes looking into his, and she fucking broke his heart, if he still possessed such a useless organ.
”
”
Anne Stuart (On Thin Ice (Ice, #6))
“
I am mad again, he thought. Tears brimmed. He swallowed in a tightened throat. I don't want to be. I'm tired, I'm tired and horny, I'm so tired I can't make sense out of any of it and my mind won't work right half the time I try. I'm thirsty. My head's all filled with kapok coffee wouldn't clear. Still, I wish I had some. Where am I going, what am I doing, stumbling in this smoking graveyard? It's not the pain; only that the pain keeps going on. He tried to let all his muscles go and stepped aimlessly from sidewalk to gutter, his mouth dryer and dryer and dryer. Well, he thought, if it hurts, it hurts. It's only pain.
”
”
Samuel R. Delany
“
And this time as the lashes come, try to think about the pain, instead of against it, because there is not one single aspect of life, past, present, or future, that does not tear your reason from you, to think on it. So think about the pain. This pain after all has its limits. You can chart its passage through your body. It has a beginning, middle, end. Imagine if it had a color. The first cut of the lash is what, red? Red, spreading into a brilliant yellow. And this one again, red, red, no yellow, and then white, white, white, white. . .Why have you incarcerated yourself in this palazzo of torture chambers, why do you not leave this place? Because you are a monster and this is a school for monsters, and if you leave here, then you will be completely, completely alone! Alone with this!
Don't weep in front of these strangers. Swallow it down. Don't weep in front of these strangers! Cry to heaven, cry to heaven, cry to heaven.
”
”
Anne Rice (Cry to Heaven)
“
When reading the history of the Jewish people, of their flight from slavery to death, of their exchange of tyrants, I must confess that my sympathies are all aroused in their behalf. They were cheated, deceived and abused. Their god was quick-tempered unreasonable, cruel, revengeful and dishonest. He was always promising but never performed. He wasted time in ceremony and childish detail, and in the exaggeration of what he had done. It is impossible for me to conceive of a character more utterly detestable than that of the Hebrew god. He had solemnly promised the Jews that he would take them from Egypt to a land flowing with milk and honey. He had led them to believe that in a little while their troubles would be over, and that they would soon in the land of Canaan, surrounded by their wives and little ones, forget the stripes and tears of Egypt. After promising the poor wanderers again and again that he would lead them in safety to the promised land of joy and plenty, this God, forgetting every promise, said to the wretches in his power:—'Your carcasses shall fall in this wilderness and your children shall wander until your carcasses be wasted.' This curse was the conclusion of the whole matter. Into this dust of death and night faded all the promises of God. Into this rottenness of wandering despair fell all the dreams of liberty and home. Millions of corpses were left to rot in the desert, and each one certified to the dishonesty of Jehovah. I cannot believe these things. They are so cruel and heartless, that my blood is chilled and my sense of justice shocked. A book that is equally abhorrent to my head and heart, cannot be accepted as a revelation from God.
When we think of the poor Jews, destroyed, murdered, bitten by serpents, visited by plagues, decimated by famine, butchered by each, other, swallowed by the earth, frightened, cursed, starved, deceived, robbed and outraged, how thankful we should be that we are not the chosen people of God. No wonder that they longed for the slavery of Egypt, and remembered with sorrow the unhappy day when they exchanged masters. Compared with Jehovah, Pharaoh was a benefactor, and the tyranny of Egypt was freedom to those who suffered the liberty of God.
While reading the Pentateuch, I am filled with indignation, pity and horror. Nothing can be sadder than the history of the starved and frightened wretches who wandered over the desolate crags and sands of wilderness and desert, the prey of famine, sword, and plague. Ignorant and superstitious to the last degree, governed by falsehood, plundered by hypocrisy, they were the sport of priests, and the food of fear. God was their greatest enemy, and death their only friend.
It is impossible to conceive of a more thoroughly despicable, hateful, and arrogant being, than the Jewish god. He is without a redeeming feature. In the mythology of the world he has no parallel. He, only, is never touched by agony and tears. He delights only in blood and pain. Human affections are naught to him. He cares neither for love nor music, beauty nor joy. A false friend, an unjust judge, a braggart, hypocrite, and tyrant, sincere in hatred, jealous, vain, and revengeful, false in promise, honest in curse, suspicious, ignorant, and changeable, infamous and hideous:—such is the God of the Pentateuch.
”
”
Robert G. Ingersoll (Some Mistakes of Moses)
“
To My Wife
You are like a young
white hen.
Her feathers ruffle
in the wind, her neck curves
down to drink, and
she rummages in the earth:
but, in walking, she has
your slow, queenly step,
haughty and proud.
She is better than the male.
She is like the females
of all the serene animals
who draw near to God.
Here, if my eye, if my judgment
doesn’t deceive me, among these,
you find your equals,
and in no other woman.
When evening lulls
the little hens to sleep,
they make sounds that call
to mind those mild, sweet
voices with which you argue
with your pains, and don’t know
that your voice has the soft, sad
music of the henyard.
You are like a pregnant
heifer,
still free, and without
heaviness, merry, in fact;
who, if someone strokes her, turns
her neck, where a tender
pink tinges her flesh.
If you meet up with her, and hear
her bellow, so mournful
is this sound that you tear
at the earth to give her
a present. In the same way,
I offer my gift to you
when you are sad.
You are like a tall, thin
female dog, that always
has so much sweetness
in her eyes and ferociousness
in her heart.
At your feet, she seems
a saint who burns
with an indomitable fervor
and in this way looks at you
as her God and Lord.
When you are at home, or going
down the street, to anyone who tries,
uninvited, to approach you,
she uncovers her shining
white teeth. And her love
suffers from jealousy.
You are like the fearful
rabbit. Within her narrow
cage, she stands upright
to look at you, and extends
her long, still ear; she deprives
herself of the husks and
roots that you bring her,
and cowers, seeking
the darkest corners.
Who might take away
this food? Who might
take away the fur which
she tears from her back
to add to the nest where
she will give birth?
Who would ever make
you suffer?
You are like the swallow
which returns in the spring.
But each autumn will depart—
you don’t have this art.
You have this of the swallow:
the light movements;
that which, to me, seemed
and was old, you proclaim
another spring.
You are like the provident
ant. She whom the grandmother
speaks of to the child as they
go out in the countryside.
And thus I find you
in the bumble bee
and in all the females
of all the serene animals
who draw near to God.
And in no other woman.
”
”
Umberto Saba
“
The sun rises bright and beautiful as if it feels no pain.
It must not see, it must not hear, it can't possibly or it would not be able to overcome so defiantly.
My bed creaks and whines when I leave it behind.
I don't know why it tries so hard to hold onto me but yet I continue to try and overcome.
I put on my shirt, my pants that fit me, find my socks and glue my heel back to my boot.
My gloves are lost, my coat is torn but my scarf still keeps me warm and so I continue to try and overcome.
Work has no pride, no place for me but I have no other place to be.
My broken dreams continue to rise, my hopes continue to fade but still I try to overcome.
A broken window and a gas tank on E, it's not Friday so I have to walk each day for at least another three.
And so I walk while the world cries and pleas and tries to swallow me but still I continue and try to overcome.
My lock on my door only turns halfway, but I don't have anything to steal anyway.
My fridge is bare but my cabinet still holds three so I continue to try and overcome.
The news haunts me, the weather threatens to rain down on me but another day has gone by.
And I have overcome, I have overcome … I have overcome - the sun has nothing on me.
”
”
Jennifer Loren
“
His mouth comes down on mine, harder now, more demanding, a raw, hungry need in him rising to the surface. “You belong to me,” he growls. “Say it.”
“Yes. Yes, I belong to you.” His mouth finds mine again, demanding, taking, drawing me under his spell.
“Say it again,” he demands, nipping my lip, squeezing my breast and nipple, and sending a ripple of pleasure straight to my sex.
“I belong to you,” I pant.
He lifts me off the ground with the possessive curve of his hand around my backside, angling my hips to thrust harder, deeper. “Again,” he orders, driving into me, his cock hitting the farthest point of me and blasting against sensitive nerve endings.
“Oh … ah … I … I belong to you.”
His mouth dips low, his hair tickling my neck, his teeth scraping my shoulders at the same moment he pounds into me and the world spins around me, leaving nothing but pleasure and need and more need.
I am suddenly hot only where he touches, and freezing where I yearn to be touched. Lifting my leg, I shackle his hip, ravenous beyond measure, climbing to the edge of bliss, reaching for it at the same time I’m trying desperately to hold back. Chris is merciless, wickedly wild, grinding and rocking, pumping.
“I love you, Sara,” he confesses hoarsely, taking my mouth, swallowing the shallow, hot breath I release, and punishing me with a hard thrust that snaps the last of the lightly held control I possess. Possessing me. A fire explodes low in my belly and spirals downward, seizing my muscles, and I begin to spasm around his shaft, trembling with the force of my release.
With a low growl, his muscles ripple beneath my touch and his cock pulses, his hot semen spilling inside me. We moan together, lost in the climax of a roller-coaster ride of pain and pleasure, spanning days apart, and finally collapse in a heap and just lie there. Slowly, I let my leg ease from his hip to the ground, and Chris rolls me to my side to face him.
Still inside me, he holds me close, pulling the jacket up around my back, trailing fingers over my jaw. “And I belong to you.
”
”
Lisa Renee Jones (Being Me (Inside Out, #2))
“
I used to read in books how our fathers persecuted mankind. But I never appreciated it. I did not really appreciate the infamies that have been committed in the name of religion, until I saw the iron arguments that Christians used. I saw the Thumbscrew—two little pieces of iron, armed on the inner surfaces with protuberances, to prevent their slipping; through each end a screw uniting the two pieces. And when some man denied the efficacy of baptism, or may be said, 'I do not believe that a fish ever swallowed a man to keep him from drowning,' then they put his thumb between these pieces of iron and in the name of love and universal forgiveness, began to screw these pieces together. When this was done most men said, 'I will recant.' Probably I should have done the same. Probably I would have said: 'Stop; I will admit anything that you wish; I will admit that there is one god or a million, one hell or a billion; suit yourselves; but stop.'
But there was now and then a man who would not swerve the breadth of a hair. There was now and then some sublime heart, willing to die for an intellectual conviction. Had it not been for such men, we would be savages to-night. Had it not been for a few brave, heroic souls in every age, we would have been cannibals, with pictures of wild beasts tattooed upon our flesh, dancing around some dried snake fetich.
Let us thank every good and noble man who stood so grandly, so proudly, in spite of opposition, of hatred and death, for what he believed to be the truth.
Heroism did not excite the respect of our fathers. The man who would not recant was not forgiven. They screwed the thumbscrews down to the last pang, and then threw their victim into some dungeon, where, in the throbbing silence and darkness, he might suffer the agonies of the fabled damned. This was done in the name of love—in the name of mercy, in the name of Christ.
I saw, too, what they called the Collar of Torture. Imagine a circle of iron, and on the inside a hundred points almost as sharp as needles. This argument was fastened about the throat of the sufferer. Then he could not walk, nor sit down, nor stir without the neck being punctured, by these points. In a little while the throat would begin to swell, and suffocation would end the agonies of that man. This man, it may be, had committed the crime of saying, with tears upon his cheeks, 'I do not believe that God, the father of us all, will damn to eternal perdition any of the children of men.'
I saw another instrument, called the Scavenger's Daughter. Think of a pair of shears with handles, not only where they now are, but at the points as well, and just above the pivot that unites the blades, a circle of iron. In the upper handles the hands would be placed; in the lower, the feet; and through the iron ring, at the centre, the head of the victim would be forced. In this condition, he would be thrown prone upon the earth, and the strain upon the muscles produced such agony that insanity would in pity end his pain.
I saw the Rack. This was a box like the bed of a wagon, with a windlass at each end, with levers, and ratchets to prevent slipping; over each windlass went chains; some were fastened to the ankles of the sufferer; others to his wrists. And then priests, clergymen, divines, saints, began turning these windlasses, and kept turning, until the ankles, the knees, the hips, the shoulders, the elbows, the wrists of the victim were all dislocated, and the sufferer was wet with the sweat of agony. And they had standing by a physician to feel his pulse. What for? To save his life? Yes. In mercy? No; simply that they might rack him once again.
This was done, remember, in the name of civilization; in the name of law and order; in the name of mercy; in the name of religion; in the name of Christ.
”
”
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
“
Tell me what to do."
His warm breath tickled my ear. "Relax."
"Please, Noah, I don't want to do this wrong. Tell me how to make you feel good."
He shifted so that his body rested beside mine, his leg and arm still draped over me. I felt small under his warmth and strength. His chocolate-brown eyes softened. "Being with you feels good. Touching you-"he tucked a curl behind my ear"-feels good. I have never wanted anyone like I want you. There's nothing you can do wrong when just breathing makes everything right."
His hand framed my face and his tone was edget with husky authority. "I want you, but only if you want me."
I kissed him back, allowing my arms to wrap around him. His fingers gently massaged my neck, releasing the tension, erasing my unease. The kiss became a drug and i craved more with every touch. Our bodies twined so tightly to one another, i had no idea where i began and he ended.
Noah felt strong and warm and muscular and safe and he smelled, oh, God, delicious. I couldn't stop kissing him if my life depend it upon it: his lips, his neck, his chest, and Noah seemed as hungry as me. We rolled and we touched and we shed unwanted clothes. I moaned and he moaned and my mind and soul and body stood on the edge of pure ecstasy.
And i waited. I waited for that moment of pausing for protection and the burning pain my friends described, but Noah never stopped and the pain never came, not even when i whispered his name and praise God several times in a row. Both of us gasped for air while kissing each other softly and i struggled to comprehend i was still a virgin.
He shifted off of me and tugged me close to him. My entire body became lazily warm, happy and sated. I listened to his heartbeat and closed my eyes, enjoying the relaxing pull of his hand in my hair. "Noah," i whispered. "I thought..." we were going to make love.
He tipped my chin, forcing me to look at him. "We have forever to work up to that, Echo. Let's enjoy every step of the way."
My mind drifted this way and that. Mostly between focusing on his heart, his touch and the sweetest word i had ever heard: forever.
One clear thought forced my eyes open. "You 're putting me to sleep."
"So?" he asked a little too innocently.
I swallowed. "I'll have nightmares."
"Then we 'll have an excuse to do this again.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Why have you done all this for me?" She turned her head to look at him. "Tell me the truth."
He shook his head slowly.
"I don't think I could have been more terrified of the devil than I was of you," she said, "when it was happening and in my thoughts and nightmares afterward. And when you came home to Willoughby and I realized that the Duke of Ridgeway was you, I thought I would die from the horror of it."
His face was expressionless. "I know," he said.
"I was afraid of your hands more than anything," she said. "They are beautiful hands."
He said nothing.
"When did it all change?" she asked. She turned completely toward him and closed the distance between them. "You will not say the words yourself. But they are the same words as the ones on my lips, aren't they?"
She watched him swallow.
"For the rest of my life I will regret saying them," she said. "But I believe I would regret far more not saying them."
"Fleur," he said, and reached out a staying hand.
"I love you," she said.
"No."
"I love you."
"It is just that we have spent a few days together," he said, "and talked a great deal and got to know each other. It is just that I have been able to help you a little and you are feeling grateful to me."
"I love you," she said.
"Fleur."
She reached up to touch his scar. "I am glad I did not know you before this happened," she said. "I do not believe I would have been able to stand the pain."
"Fleur," he said, taking her wrist in his hand.
"Are you crying?" she said. She lifted both arms and wrapped them about his neck and laid her cheek against his shoulder. "Don't, my love. I did not mean to lay a burden on you. I don't mean to do so. I only want you to know that you are loved and always will be."
"Fleur," he said, his voice husky from his tears, "I have nothing to offer you, my love. I have nothing to give you. My loyalty is given elsewhere. I didn't want this to happen. I don't want it to happen. You will meet someone else. When I am gone you will forget and you will be happy."
She lifted her head and looked into his face. She wiped away one of his tears with one finger. "I am not asking anything in return," she said. "I just want to give you something, Adam. A free gift. My love. Not a burden, but a gift. To take with you when you go, even though we will never see each other again."
He framed her face with his hands and gazed down into it. "I so very nearly did not recognize you," he said. "You were so wretchedly thin, Fleur, and pale. Your lips were dry and cracked, your hair dull and lifeless. But I did know you for all that. I think I would still be in London searching for you if you had not gone to that agency. But it's too late, love. Six years too late.
”
”
Mary Balogh (The Secret Pearl)
“
When Gabriel returned, he eagerly opened the wine, smiling to himself wickedly. He was in for a treat, and he knew it. He knew how Julianne looked when she tasted wine, and now he would have a repeat of her erotic performance from the other night. He felt himself twitch more than once in anticipation and wished that he had a video camera secretly placed in his condo somewhere. It would probably be too obvious to pull his camera out and take snapshots of her. He showed her the bottle first, noting with approval the impressed expression that passed across her face when she read the label. He’d brought this special vintage back from Tuscany, and it would have pained him to waste it on an undiscerning palate. He poured a little into her glass and stood back, watching, and trying very hard not to grin. Just as before, Julia swirled the wine slowly. She examined it in the halogen light. She closed her eyes and sniffed. Then she wrapped her kissable lips around the rim of the goblet and tasted it slowly, holding the wine in her mouth for a moment or two before swallowing. Gabriel sighed, watching her as the wine traveled down her long and elegant throat.
”
”
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
“
I live in a time of fear and the fear is not of war or weather or death or poverty or terror. The fear is of life itself. The fear is of tomorrow, a time when things do not get better but become worse. This is the belief of my time. I do not share it. The numbers of people will rise, the pain of migration will grow, the seas will bark forth storms, the bombs will explode in the markets, and mouths fighting for a place at the table will grow, as will the shouting and shoving. That is a given. Once the given is accepted, fear is pointless. The fear comes from not accepting it, from turning aside one's head, from dreaming in the fort of one's home that such things cannot be. The fear comes from turning inward and seeking personal salvation. The bones must be properly buried, amends must be made. Also, the beasts must be acknowledged. And the weather faced, the winds and rains lashing the face, still, they must be faced. So too, the dry ground screaming for relief. There is an industry peddling solutions, and these solutions insist no one must really change, except perhaps a little, and without pain. This is the source of the fear, this refusal to accept the future that is already here. In the Old Testament, the laws insist we must not drink blood, that the flesh must be properly drained or we will be outcasts from the Lord. They say these rules were necessary for clean living in some earlier time. I swallow the blood, all the bloods. I am that outlaw, the one crossing borders. The earlier time is over.
”
”
Charles Bowden (Some of the Dead Are Still Breathing: Living in the Future)
“
People try to get away from it all—to the country, to the beach, to the mountains. You always wish that you could too. Which is idiotic: you can get away from it anytime you like. By going within. Nowhere you can go is more peaceful—more free of interruptions—than your own soul. Especially if you have other things to rely on. An instant’s recollection and there it is: complete tranquillity. And by tranquillity I mean a kind of harmony. So keep getting away from it all—like that. Renew yourself. But keep it brief and basic. A quick visit should be enough to ward off all < . . . > and send you back ready to face what awaits you. What’s there to complain about? People’s misbehavior? But take into consideration: • that rational beings exist for one another; • that doing what’s right sometimes requires patience; • that no one does the wrong thing deliberately; • and the number of people who have feuded and envied and hated and fought and died and been buried. . . . and keep your mouth shut. Or are you complaining about the things the world assigns you? But consider the two options: Providence or atoms. And all the arguments for seeing the world as a city. Or is it your body? Keep in mind that when the mind detaches itself and realizes its own nature, it no longer has anything to do with ordinary life—the rough and the smooth, either one. And remember all you’ve been taught—and accepted—about pain and pleasure. Or is it your reputation that’s bothering you? But look at how soon we’re all forgotten. The abyss of endless time that swallows it all. The emptiness of all those applauding hands. The people who praise us—how capricious they are, how arbitrary. And the tiny region in which it all takes place. The whole earth a point in space—and most of it uninhabited. How many people there will be to admire you, and who they are. So keep this refuge in mind: the back roads of your self. Above all, no strain and no stress. Be straightforward. Look at things like a man, like a human being, like a citizen, like a mortal. And among the things you turn to, these two: i. That things have no hold on the soul. They stand there unmoving, outside it. Disturbance comes only from within—from our own perceptions. ii. That everything you see will soon alter and cease to exist. Think of how many changes you’ve already seen. “The world is nothing but change. Our life is only perception.
”
”
Marcus Aurelius (Meditations)
“
She dances,
She dances around the burning flames with passion,
Under the same dull stars,
Under the same hell with crimson embers crashing,
Under the same silver chains that wires,
All her beauty and who she is inside,
She's left with the loneliness of human existence,
She's left questioning how she's survived,
She's left with this awakening of brutal resilience,
Her true beauty that she denies,
As much she's like to deny it,
As much as it continues to shine,
That she doesn't even have to admit,
Because we all know it's true,
Her glory and success,
After all she's been through,
Her triumph and madness,
AND YET,
SHE STANDS.
Broken legs- but she's still standing,
Still dancing in this void,
You must wonder how she's still dancing,
You must wonder how she's not destroyed,
She doesn't even begin to drown within the flames,
But little do you realize,
Within these chains,
She weeps and she cries,
But she still goes on,
And just you thought you could stop her?
You thought you'd be the one?
Well, let me tell you, because you thought wrong.
Nothing will ever silence her,
Because I KNOW,
I know that she is admiringly strong,
Her undeniable beauty,
The triumph of her song,
She's shining bright like a ruby,
Reflecting in the golden sand,
She's shining brighter like no other,
She's far more than human or man,
AND YET,
SHE STANDS.
She continues to dance with free-spirit,
Even though she's locked in these chains,
Though she never desired to change it,
Even throughout the agonizing pain,
Throughout all the distress,
Anxiety, depression, tears and sorrow,
She still dances so beautify in her dress,
She looks forward to tomorrow,
Not because of a fresh start but a new page,
A new day full of opportunities,
Despite being trapped in her cage,
She still smiles after being beaten so brutally,
A smile that could brighten anyone's day,
She's so much more than anyone could ask for,
She's so much more than I could ever say,
She's a girl absolutely everyone should adore,
She never gets in the way,
Even after her hearts been broken,
Even after the way she has been treated,
After all these severe emotions,
After all all the blood she's bled,
AND YET,
SHE STANDS.
Even if sometimes she wonders why she's still here,
She wonders why she's not dead,
But there's this one thing that had been here throughout every tear,
Throughout the blazing fire leaving her cheeks cherry red,
Everyday this thing has given her a place to exist,
This thing, person, these people,
Like warm sunlight it had so softly kissed,
The apples of her cheeks,
Even when she's feeling feeble,
Always there at her worst and at her best
Because of you and all the other people,
She has this thing deep inside her chest,
That she will cherish forever,
Even once you're gone,
Because today she smiles like no other,
Even when the sun sets at dawn,
Because today is the day,
She just wants you to remember,
In dark and stormy weather,
It gets better.
And after what she's been through she knows,
Throughout the highs and the lows,
Because of you and all others,
After crossing the seas,
She has come to understand,
You have formed this key,
This key to free her from this land,
This endless gorge that swallowed her,
Her and other men,
She had never knew, nor had she planned,
That because of you,
She's free.
AND YET,
THIS VERY DAY,
SHE DANCES.
EVEN IN THE RAIN.
”
”
Gabrielle Renee
“
Do you know what a honey mushroom is?" she blurted out, plucking at the hairs on his arm, which was wrapped around her.
He was silent for a moment before letting out a husky laugh "No. Why?"
"It's the largest living thing on earth. Larger than trees, elephants, whales-this one living thing takes up over three square miles in Oregon." She could almost feel him turning that random fact over in his brain. She was glad she wasn't facing him. This would be so much harder if she had to look into his eyes instead of at the wall.
"Like the mushroom cap is over three miles across?" he asked.
Harper shook her head. "No, no. That's the amazing part. When you look at it-the part you see aboveground-it's this tiny little mushroom head. It looks so insignificant. They just pop up here and there" she gestures with her fingertips as though she could draw them in the air. "But it creates this root-like system called hyphae. And the hyphae-it spreads and grows and, kind of... takes over underground. One living thing, every cell genetically identical, spreading below the surface to take up this enormous amount of space."
Dan was quiet for a moment. "Why are you telling me this?" he asked, placing a kiss into her neck. Harper swallowed and fiddled with the edge of the sheet.
"Because thats' what my anxiety feels like-a honey mushroom." She felt Dan tense behind her, but she pushed on." A lot of times, someone on the outside, like you, maybe, sees these clues to it-my fidgeting, my mind seeming a million miles away, panic attacks. But inside" -she tapped her chest- "it's this intricate network of sharp pain and fear that's constantly growing and pulsing through me. It's always there, right beneath my skin, huge and controlling, but no one can see it. I just feel it. And it hurts. So badly. It makes me want to curl up into a ball or sprint out of my skeleton. This huge, inescapable thing inside me that controls me." she paused, picking aggressively at her nails; "It feels cruel to have your own body do that to you".
”
”
Mazey Eddings (A Brush with Love (A Brush with Love, #1))
“
Kate?” Anthony yelled again. He couldn’t see anyone; a dislodged bench was blocking the opening. “Can you hear me?”
Still no response.
“Try the other side,” came Edwina’s frantic voice. “The opening isn’t as crushed.”
Anthony jumped to his feet and ran around the back of the carriage to the other side. The door had already come off its hinges, leaving a hole just large enough for him to stuff his upper body into. “Kate?” he called out, trying not to notice the sharp sound of panic in his voice. Every breath from his lips seemed overloud, reverberating in the tight space, reminding him that he wasn’t hearing the same sounds from Kate.
And then, as he carefully moved a seat cushion that had turned sideways, he saw her. She was terrifyingly still, but her head didn’t appear to be stuck in an unnatural position, and he didn’t see any blood.
That had to be a good sign. He didn’t know much of medicine, but he held on to that thought like a miracle.
“You can’t die, Kate,” he said as his terrified fingers yanked away at the wreckage, desperate to open the hole until it was wide enough to pull her through. “Do you hear me? You can’t die!”
A jagged piece of wood sliced open the back of his hand, but Anthony didn’t notice the blood running over his skin as he pulled on another broken beam. “You had better be breathing,” he warned, his voice shaking and precariously close to a sob. “This wasn’t supposed to be you. It was never supposed to be you. It isn’t your time. Do you understand me?”
He tore away another broken piece of wood and reached through the newly widened hole to grasp her hand. His fingers found her pulse, which seemed steady enough to him, but it was still impossible to tell if she was bleeding, or had broken her back, or had hit her head, or had . . .
His heart shuddered. There were so many ways to die. If a bee could bring down a man in his prime, surely a carriage accident could steal the life of one small woman.
Anthony grabbed the last piece of wood that stood in his way and heaved, but it didn’t budge. “Don’t do this to me,” he muttered. “Not now. It isn’t her time. Do you hear me? It isn’t her time!” He felt something wet on his cheeks and dimly realized that it was tears. “It was supposed to be me,” he said, choking on the words. “It was always supposed to be me.”
And then, just as he was preparing to give that last piece of wood another desperate yank, Kate’s fingers tightened like a claw around his wrist. His eyes flew to her face, just in time to see her eyes open wide and clear, with nary a blink.
“What the devil,” she asked, sounding quite lucid and utterly awake, “are you talking about?”
Relief flooded his chest so quickly it was almost painful. “Are you all right?” he asked, his voice wobbling on every syllable.
She grimaced, then said, “I’ll be fine.”
Anthony paused for the barest of seconds as he considered her choice of words. “But are you fine right now?”
She let out a little cough, and he fancied he could hear her wince with pain. “I did something to my leg,” she admitted. “But I don’t think I’m bleeding.”
“Are you faint? Dizzy? Weak?”
She shook her head. “Just in pain. What are you doing here?”
He smiled through his tears. “I came to find you.”
“You did?” she whispered.
He nodded. “I came to— That is to say, I realized . . .” He swallowed convulsively. He’d never dreamed that the day would come when he’d say these words to a woman, and they’d grown so big in his heart he could barely squeeze them out. “I love you, Kate,” he said chokingly. “It took me a while to figure it out, but I do, and I had to tell you. Today.”
Her lips wobbled into a shaky smile as she motioned to the rest of her body with her chin. “You’ve bloody good timing.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
She shut her eyes against the realisation rising within her like a tidal wave. It would sweep away everything in its path once she admitted it. Consume her entirely. The thought was enough for her to straighten and wipe away her tears. 'I can't accept this.'
'It was made for you,' he smiled softly.
She couldn't bear that smile, his kindness and joy, as she corrected. 'I will not accept it.' She placed the orb back in its box and handed it to him. 'Return it.'
His eyes shuttered. 'It's a gift, not a fucking wedding ring.'
She stiffened. 'No, I'll look to Eris for that.'
He went still. 'Say that again.'
She made her face cold, the only shield she had against him. 'Rhys says Eris wants me for his bride. He'll do anything we want in exchange for my hand.'
The Siphons atop Cassian's hands flickered. 'You aren't considering saying yes.'
She said nothing. Let him believe the worst.
He snarled. 'I see. I get a little too close and you shove me away again. Back to where it's safe. Better to marry a viper like Eris than be with me.'
'I am not with you,' she snapped. 'I am fucking you.'
'The only thing fit for a bastard-born brute, right?'
'I didn't say that.'
'You don't need to. You've said it a thousand times before.'
'Then why did you bother to cut in at the ball?'
'Because I was fucking jealous!' he roared, wings splaying. 'You looked like a queen, and it was painfully obvious that you should be with a princeling like Eris and not a low-born nothing like me! Because I couldn't stand the sight of it, right down to my gods-damned bones! But go ahead, Nesta. Go ahead and fucking marry him and good fucking luck to you!'
'Eris is the brute,' she shot back. 'He is a brute and a piece of shit. And I would marry him because I am just like him!'
The words echoed through the room.
His pained face gutted her. 'I deserve Eris.' Her voice cracked.
Cassian panted, his eyes still lit with fury- and now with shock.
Nesta said hoarsely. 'You are good, Cassian. And you are brave, and brilliant, and kind. I could kill anyone who has ever made you feel less than that- less than what you are. And I know I'm a part of that group, and I hate it.' Her eyes burned, but she fought past it. 'You are everything I have never been, and will never be good enough for. Your friends know it, and I have carried it around with me all this time- that I do not deserve you.
The fury slid from his face.
Nesta didn't stop the tears that flowed, or the words that tumbled out. 'I didn't deserve you before the war, or afterward, and I certainly don't now.' She let out a low, broken laugh. 'Why do you think I shoved you away? Why do you think I wouldn't speak to you?' She put a hand on her aching chest. 'After my father died, after I failed in so many ways- denying myself of you...' She sobbed. 'It was my punishment. Don't you understand that?' She could barely see him through her tears. 'From the moment I met you, I wanted you more than reason From the moment I saw you in my house, you were all I could think about. And it terrified me. No one had ever held such power over me. And I am still terrified that if I let myself have you... it will be taken away. Someone will take it away, and if you're dead...' She buried her face in her hands. 'It doesn't matter,' she whispered. 'I do not deserve you, and I never, ever will.'
Utter silence filled the room. Such silence that she wondered if he'd left, and lowered her hands to see if he was there.
Cassian stood before her. Tears streaming down his beautiful, perfect face.
She didn't balk from it, letting him see her like this: her most raw, most base self. He'd always seen all of her, anyway.
He opened his mouth and tried to speak. Had to swallow and try again.
Nesta saw all the words in his eyes, though. The same ones she knew lay in her own.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
The Garden of Proserpine"
Here, where the world is quiet;
Here, where all trouble seems
Dead winds' and spent waves' riot
In doubtful dreams of dreams;
I watch the green field growing
For reaping folk and sowing,
For harvest-time and mowing,
A sleepy world of streams.
I am tired of tears and laughter,
And men that laugh and weep;
Of what may come hereafter
For men that sow to reap:
I am weary of days and hours,
Blown buds of barren flowers,
Desires and dreams and powers
And everything but sleep.
Here life has death for neighbour,
And far from eye or ear
Wan waves and wet winds labour,
Weak ships and spirits steer;
They drive adrift, and whither
They wot not who make thither;
But no such winds blow hither,
And no such things grow here.
No growth of moor or coppice,
No heather-flower or vine,
But bloomless buds of poppies,
Green grapes of Proserpine,
Pale beds of blowing rushes
Where no leaf blooms or blushes
Save this whereout she crushes
For dead men deadly wine.
Pale, without name or number,
In fruitless fields of corn,
They bow themselves and slumber
All night till light is born;
And like a soul belated,
In hell and heaven unmated,
By cloud and mist abated
Comes out of darkness morn.
Though one were strong as seven,
He too with death shall dwell,
Nor wake with wings in heaven,
Nor weep for pains in hell;
Though one were fair as roses,
His beauty clouds and closes;
And well though love reposes,
In the end it is not well.
Pale, beyond porch and portal,
Crowned with calm leaves, she stands
Who gathers all things mortal
With cold immortal hands;
Her languid lips are sweeter
Than love's who fears to greet her
To men that mix and meet her
From many times and lands.
She waits for each and other,
She waits for all men born;
Forgets the earth her mother,
The life of fruits and corn;
And spring and seed and swallow
Take wing for her and follow
Where summer song rings hollow
And flowers are put to scorn.
There go the loves that wither,
The old loves with wearier wings;
And all dead years draw thither,
And all disastrous things;
Dead dreams of days forsaken,
Blind buds that snows have shaken,
Wild leaves that winds have taken,
Red strays of ruined springs.
We are not sure of sorrow,
And joy was never sure;
To-day will die to-morrow;
Time stoops to no man's lure;
And love, grown faint and fretful,
With lips but half regretful
Sighs, and with eyes forgetful
Weeps that no loves endure.
From too much love of living,
From hope and fear set free,
We thank with brief thanksgiving
Whatever gods may be
That no life lives for ever;
That dead men rise up never;
That even the weariest river
Winds somewhere safe to sea.
Then star nor sun shall waken,
Nor any change of light:
Nor sound of waters shaken,
Nor any sound or sight:
Nor wintry leaves nor vernal,
Nor days nor things diurnal;
Only the sleep eternal
In an eternal night.
”
”
Algernon Charles Swinburne (Poems and Ballads & Atalanta in Calydon)
“
Quote from Father Tim during a sermon given after the former priest was found after a suicide attempt.
" 'Father Talbot has charged me to tell you that he is deeply repentant for not serving you as God appointed him to do, and as you hoped and needed him to do.
'He wished very much to bring you this message himself, but he could not. He bids you goodbye with a love he confesses he never felt toward you...until this day. He asks--and I quote him--that you might find it in your hearts to forgive him his manifold sins against God and this parish.'
He felt the tears on his face before he knew he was weeping, and realized instinctively that he would have no control over the display. He could not effectively carry on, no even turn his face away or flee the pulpit. He was in the grip of a wild grief that paralyzed everything but itself.
He wept face forward, then, into the gale of those aghast at what was happening, wept for the wounds of any clergy gone out into a darkness of self-loathing and beguilement; for the loss and sorrow of those who could not believe, or who had once believed but lost all sense of shield and buckler and any notion of God's radical tenderness, for the ceaseless besettings of the flesh, for the worthless idols of his own and of others; for those sidetracked, stumped, frozen, flung away, for those both false and true, the just and the unjust, the quick and the dead.
He wept for himself, for the pain of the long years and the exquisite satisfactions of the faith, for the holiness of the mundane, for the thrashing exhaustions and the endless dyings and resurrectings that malign the soul incarnate.
It had come to this, a thing he had subtly feared for more than forty years--that he would weep before the many--and he saw that his wife would not try to talk him down from this precipice, she would trust him to come down himself without falling or leaping.
And people wept with him, most of them. Some turned away, and a few got up and left in a hurry, fearful of the swift and astounding movement of the Holy Spirit among them, and he, too, was afraid--of crying aloud in a kind of ancient howl and humiliating himself still further. But the cry burned out somewhere inside and he swallowed down what remained and the organ began to play, softly, piously. He wished it to be loud and gregarious, at the top of its lungs--Bach or Beethoven, and not the saccharine pipe that summoned the vagabond sins of thought, word, and deed to the altar, though come to think of it, the rail was the very place to be right now, at once, as he, they, all were desperate for the salve of the cup, the Bread of Heaven.
And then it was over. He reached into the pocket of his alb and wondered again how so many manage to make in this world without carrying a handkerchief. And he drew it out and wiped his eyes and blew his nose as he might at home, and said, 'Amen.'
And the people said, 'Amen.
”
”
Jan Karon