Suspension Of Disbelief Quotes

I guess love is the real suspension of disbelief.

Willing Suspension of Disbelief

Top Gun,” I whispered to Lindsey. We’d started pointing out Luc’s ubiquitous pop culture references, having decided that because he cut his fangs in the Wild West, he’d been entranced by movies and television. You know, because living in a society of magically enhanced vampires didn’t require enough willing suspension of disbelief. -Merit in Chloe Neill’s Friday Night Bites

that willing suspension of disbelief for the moment, which constitutes poetic faith

Somehow I could lose myself in the ocean the same way I could lose myself in a good book. Maybe it was because both involved suspension--a suspension of weight, a suspension of disbelief--a willingness to surrender to something greater than oneself.

Harry's suspension of disbelief blew completely out the window. You're giving me a time machine to treat my sleep disorder. You're giving me a TIME MACHINE to treat my SLEEP DISORDER. YOU'RE GIVING ME A TIME MACHINE IN ORDER TO TREAT MY SLEEP DISORDER. "Ehehehehhheheh..." Harry's mouth said. He was now holding the necklace away from him as though it were a live bomb. Well, no, not as if it were a live bomb, that didn't begin to describe the severity of the situation. Harry held the necklace away from him as though it were a time machine.

But the suspension of disbelief could only go so far.

A wish is many things. It is hope and desire and daydreams. It is impossibility and improbability and something in between. It is stardust and well water and spectrums of light in the sky. It is half-melted birthday candles and Christmas lists. It is broken turkey bones, It is the willing suspension of disbelief. And sometimes it is desperation. It is a hole in your heart that wants filling. It is more-than-anything-in-the-world.

..Well, old dear, I guess love is the real suspension of disbelief.

When God is driven to the periphery of the public square, the human spiritual capacity longs for exercise, and it often finds it in the “suspension of disbelief” and activity of the imagination that are available in novels and movies.

I said it seemed to me that most marriages worked in the same way that stories are said to do, through the suspension of disbelief. It wasn't, in other words, perfection that sustained them so much as the avoidance of certain realities.

He respected the power of faith, the benevolence of churches, the strength religion gave so many people . . . and yet, for him, the one intellectual suspension of disbelief that was imperative if one were truly going to "believe" had always proved too big an obstacle for his academic mind. "I want to believe," he heard himself say.

Damn," Crystal sputtered, looking up from the dictionary in disbelief. "Oenophlygia: the state of being dunk. It really is a word". Johnny gloated unabashedly. "Just wouldn't listen, would you? Just couldn't stand that I might be way ahead of the game. Word to the wise," he added with a superior smirk. "Don't mess with a man of my experience in that arena.

...the grocery store poets do everything they can to encourage us in our willing suspension of disbelief.

It was disconcerting to live in a time in which accepting reality required a suspension of disbelief.

When it comes to creating compelling fiction, the devil may be in the details, but it is your imagination that ultimately allows your work to spread its wings and take flight. And fly it must. Only by soaring above the clouds of doubt can one truly achieve a suspension of disbelief

We may exhort ourselves to read tolerantly, we may quote Coleridge on the willing suspension of disbelief until we think ourselves totally suspended in a relativistic universe, and still we will find many books which postulate readers we refuse to become, books that depend on 'beliefs' or 'attitudes'...which we cannot adopt even hypothetically as our own.

MINISTER: All he has done is to find some means of bewitching the intelligence. He has only induced a radical suspension of disbelief. As in the early days of the cinema, all the citizens are jumping through the screen to lay their hands on the naked lady in the bathtub! AMBASSADOR: And yet, in fact, their fingers touch flesh. MINISTER: They believe they do. Yet all they touch is substantial shadow. AMBASSADOR: And what a beautiful definition of flesh! You know I am only substantial shadow, Minister, but if you cut me, I bleed. Touch me, I palpitate!

Charlie Munger gave me a great quotation on this subject, from Demosthenes: “Nothing is easier than self-deceit. For what each man wishes, that he also believes to be true.” The belief that some fundamental limiter is no longer valid—and thus historic notions of fair value no longer matter—is invariably at the core of every bubble and consequent crash. In fiction, willing suspension of disbelief adds to our enjoyment.

This was one of those odd thoughts that came out of the blue and struck me as both clever and logical. Hot chocolate wouldn’t be something desert people would naturally gravitate toward. (There are cold deserts, of course, but with two suns I always assumed Tatooine is mostly pretty warm. Now, of course, the Star Wars Essential Atlas and other official material backs up that assumption.) I also caught way more grief for this than I ever expected. Quite a few people took me to task for putting an Earth-based drink into the Star Wars universe. Of course, those same people apparently weren’t bothered by the Millennium Falcon, or lightsabers. It was, though, a reminder that you never know what word or image might jolt someone out of their suspension of disbelief. Anyway, why would anyone want to live in that Galaxy Far, Far Away if they don’t have chocolate? Inconceivable …

Virtual reality is the willing suspension of disbelief,

Children are capable, of course, of literary belief, when the story-maker's art is good enough to produce it. That state of mind has been called 'willing suspension of disbelief'. But this does not seem to me a good description of what happens. What really happens is that the story-maker proves a successful 'sub-creator'. He makes a Secondary World which your mind can enter. Inside it, what he relates is 'true': it accords with the laws of that world. You therefore believe it, while you are, as it were, inside. The moment disbelief arises, the spell is broken; the magic, or rather art, has failed. You are then out in the Primary World again, looking at the little abortive Secondary World from outside. If you are obliged, by kindliness or circumstance, to stay, then disbelief must be suspended (or stifled), otherwise listening and looking would become intolerable. But this suspension of disbelief is a substitute for the genuine thing, a subterfuge we use when condescending to games or make-believe, or when trying (more or less willingly) to find what virtue we can in the work of an art that has for us failed.

That's the way to tour Disneyland, with a complete suspension of disbelief, with a drunken sense of joy and eyes wide with wonder. Let the child inside you come out and play. Laugh and shout! Plunge into the mind and soul of Walt Disney. ---Ray Bradbury

To live with someone for a long time requires an element of fiction – the selective use of facts to craft an ongoing story. Also the suspension of disbelief: we must believe a story is real while we are in it, and the same goes, Tess thinks, for a marriage.

evidently there was such a thing as “the childhood best friends law,” by which any relationship involving two such individuals was immediately forgiven regardless of circumstance and then romanticized beyond any reasonable human being’s suspension of disbelief.

When Sean died she understood for the first time how completely human beings were dependent upon a suspension of disbelief in order to simply move forward through their days. If that suspension faltered, if you truly understood, even if only for a moment, that human beings were made of bones and blood that broke and sprayed with the slightest provocation, and that provocation was everywhere--in street curbs and dangling tree limbs, bicycles and pencils--well you would fly for the first nest in a tree, run flat-out for the first burrow you saw.

MOST TRAVEL, AND CERTAINLY the rewarding kind, involves depending on the kindness of strangers, putting yourself into the hands of people you don’t know and trusting them with your life. This risky suspension of disbelief is often an experience freighted with anxiety. But what’s the alternative? Usually there is none.

Just so. But hesitation, suspense, conflict between belief and disbelief- is sometimes such torture to a conscientious man, such as you are, that it's better to hang oneself at once.

Yanko allowed me to enter a world strange and fanciful. Although I had to cope daily with real and mundane matters, I found that some of the magic of his world stayed around my shoulders.

The fantastic is in complicity with the realist model, in the claims that realism makes to represent the true face of reality. It points to the gaps and inadequacies of realism, but does not question the legitimacy of its claims to represent reality. The concept of “suspension of disbelief', that beloved criterion of positivist criticism supposedly serving to establish the legitimacy of the fantastic, confirms this hegemony.

This was the Evangelical Revival that now began to take hold on the propertied class, who, frightened by what was happening in France, were anxiously mending their fences, spiritual as well as political. To escape rationalism’s horrid daughter, revolution, they were only too willing to be enfolded in the anti-intellectual embrace of Evangelicalism, even if it demanded faith and good works and a willing suspension of disbelief.

To visit a modern Concentrated Animal Feeding Operation (CAFO) is to enter a world that for all its technological sophistication is still designed on seventeenth-century Cartesian principles: Animals are treated as machines—“production units”—incapable of feeling pain. Since no thinking person can possibly believe this anymore, industrial animal agriculture depends on a suspension of disbelief on the part of the people who operate it and a willingness to avert one’s eyes on the part of everyone else.

The tenuous but precise way in which Le Fanu builds up the supernatural elements is akin to the pervasive effects of mildew on a solid wall. It is not by force but by accumulation that he demolishes disbelief and tears down the barrier that separates us from fear.

What did you tell me, Jesse? Sure Jake, Stephanie will do exactly what you tell her. Sure Jake, protecting her will be a piece of cake. “ Snorting in disbelief, he added, “Being at war is safer compared to this shit, and it’s a hell of a lot easier than looking after your girlfriend.

The ability to question alongside someone else is a form of “intellectual empathy.” When we have it, we imaginatively enter into how another person is looking at the world. We go beyond the willing suspension of disbelief to momentarily granting premises and commitments that we might otherwise reject to see how their framework holds together—if the whole framework holds together—and to discern how to respond in light of that. Intellectual empathy is a form of seeing how. As in, “Oh, I see how you could think that. It’s wrong, but I can see how it might make sense.” Or as in, “Oh, I see how you’re thinking there. That’s wrong for the following seventeen reasons!” Or, “Yes, that does make sense. That’s a good point.” It is an act that is aimed first toward the good of understanding, a good that persuasion may flow from but can never precede.

here is something that is impossible for anyone to believe. The human species has been in existence as Homo sapiens for (let us not quarrel about the exact total) at least one hundred and fifty thousand years. An instant in evolutionary time, this is nonetheless a vast history when contemplated by primates with brains and imaginations of the dimensions that we can boast. In order to subscribe to monotheistic religion, one must believe that humans were born, struggled, and expired during this time, often dying in childbirth or for want of elementary nurture, and with a life-expectancy of perhaps three decades at most. Add to these factors the turf wars between discrepant groups and tribes, alarming outbreaks of disease, which had no germ theory to explain let alone palliate them, and associated natural disasters and human tragedies. And yet, for all these millennia, heaven watched with indifference and then—and only in the last six thousand years at the very least—decided that it was time to intervene as well as redeem. And heaven would only intervene and redeem in remote areas of the Middle East, thus ensuring that many more generations would expire before the news could begin to spread! Let me send a voice to Sinai and cement a pact with just one tribe of dogged and greedy yokels. Let me lend a son to be torn to pieces because he is misunderstood. . . . Let me tell the angel Gabriel to prompt an illiterate and uncultured merchant into rhetorical flights. At last the darkness that I have imposed will lift! The willingness even to entertain such elaborately mad ideas involves much more than the suspension of disbelief, or the dumb credulity that greets magic tricks. It also involves ignoring or explaining away the many religious beliefs that antedated Moses.

Death shall reign bliss over the abyss to those who fear the end. All those who are dying will travel only once through the desolate. Dim it will be for the souls in gray, not ready to evanesce from this world. Grief will cling to ice, limbs will stiffen as timber, voices will go unheard through a death rattle, and our minds will turn into eternal shadow. All of the love you carry will stand on a thread of pinhole conviction. Your lifeless body will be entombed in your graveyard of disbelief. A path to an empty conscience is the only one that leads to naught. In the spiritual dimension after demise, we are the paradise lost that has disappeared.

Then it’s a deal, we’re friends.” […] “Can we just make one conditional rule here? That if we get into a situation where we know—absolutely—that we’re going to die, we can have—“ She pulled her hand away. “Don’t say it!” He did. “Sex.” She glared her disbelief. “You are such and asshole!” “I am,” Ian agreed. I’m afraid that accepting me for who I am comes with the territory when talking friendship.” “Stay in the shadows, asshole,” she said, then turned to stalk up the lawn toward the deck. “Thank you,” he said as he headed for the shrubs. “I appreciate our open-minded acceptance of my asshole-ishness.” And he wasn’t sure, but he could’ve sword that he heard Phoebe laugh.

There are two times we need to use suspension of disbelief when we go to the movies and when we enter a church .

Kalinske then described what made the videogame industry unique, what made it superbly unpredictable, and what tomorrow might or might not bring. But along this wild roller-coaster ride, there was one thing that would not change. “Suspension of disbelief. It’s always been the fundamental component of diversion, whether that diversion is books, movies, or the theater. Advances in gaming mean we will come to supply that component more effectively than any other medium. The interactive entertainment business is going to allow the Walter Mitty in all of us to finally realize our dreams. We are going to become great football players, race car drivers, or aviators. We are going to move into and occupy new worlds that were formerly only available to us in dreams.

Belief in Fate, like belief in God, requires a certain suspension of disbelief, the ability to accept without physical proof that there is something larger than yourself operating behind the scenes in the universe, there is a Plan that’s being followed and your own small life is a part of it.

The tall tales for which Diego was famous, improvised effortlessly as a spider spins his web, their pattern changing with each retelling, were fables wrapped in fables, woven so skillfully out of truth and fantasy that one thread could not be distinguished from the other, told with such artistry that they compelled the momentary suspension of disbelief.

Our divorce was an optical illusion, surely, because I am often still there, in my old home with my family. I can so easily fool myself, even without a scope, a lens, a patch of sky to measure my trauma, my blues, my perspective or my period of mourning. Suspension of disbelief can be a very real kind of haunting.

We feel afraid of the impossible in horror because we hold some flicker of belief in it. In a strangely backwards idiom, we say that this requires our “suspension of disbelief,” where doubt is a body that hovers or is hung and faith falls down to earth. It is fear’s twin.

Love cannot exist with understanding but understanding can bring about an attenuation of most things one recognizes as human. A tale of how to possibly navigate this conundrum in concert with being mgtow.

But hesitation, suspense, conflict between belief and disbelief- is sometimes such torture to a conscientious man, such as you are, that it's better to hang oneself at once.

Just as a viable fantasy relies on suspension of disbelief, so a viable reality relies on suspension of belief.

But really, my lord, ’tis a nerve-wracking situation and I would . . . well . . . If we could get it over?” Connall stared at her blankly, clearly taken completely by surprise at this outburst, then he frowned and echoed, “Get it over?” “Aye . . . well . . .” She forced a smile and began wringing her hands together as she explained, “Tis rather like knowing that someday soon, though you are not sure when exactly, you will have to approach the blacksmith about knocking a rotten tooth out.” “Knockin’ a rotten tooth . . .” Connall was staring at her with disbelief, though she didn’t understand why. Nor did she understand why, when he finally spoke, he sounded somewhat upset. “Me lady wife, I realize ye havenae—What on earth makes ye think—‘Knockin ’ out a rotten tooth’?” Eva bit her lip, unsure what she should say to improve the situation. He seemed rather offended by the comparison. “Well, I have never—I mean, from what I have been told, it does not sound like something to look forward to, my lord.” “What ha’e ye been told?” He sounded as if he were forcing patience. Eva considered whether she had the courage to repeat Mavis’s description and was quite sure she didn’t. It was one thing to be told that by another woman, it was quite another to repeat it to the man with the boiled sausage he intended to use on you. She shook her head helplessly, but Connall apparently wasn’t in the mood to humor her. “What’d that useless brother o’ yers tell ye?” “Oh, it was not Jonathan,” she assured him quickly. “It was my maid, Mavis . . . Well, she was not truly my maid. She worked in the kitchens, but did occasionally act as lady’s maid to me . . . Well, once or twice. She traveled to court with us because Jonathan said I needed a lady’s maid there,” Eva explained lamely, then fell silent, aware she’d been babbling. “I see, and what did this Mavis tell ye aboot what goes on between a husband and wife?” Connall was sounding a little less angry now, she noted with relief. Still, it was difficult to imagine telling him so she said instead, “Well she was describing what went on between the servants, not necessarily between husband and wife, if you see what I mean?” “Stop stalling,” he said quietly. “A wife shouldnae fear telling her husband ought.” Eva sighed at these words, it was becoming obvious that he wasn’t going to let this pass and she was going to have to repeat what Mavis had said. She was beginning to wish that she had never opened her mouth, but had simply awaited his pleasure in silent suspense. Unfortunately, she hadn’t done so. Deciding that there was nothing for it, she gathered her courage and blurted, “She said it appeared that the man and woman wrestled a bit and then he stuck his boiled sausage up between her legs.” Connall made an odd sound, somewhere between a cough and snort, then turned his head abruptly away so that she could not see his expression. Eva was not certain at first if he were angry or shocked, but then she noted the way his shoulders were shaking and suspected the man was actually laughing at her. Indignation quickly rose up in her, but before she could say anything, there was a knock at the door. Eva glared at her husband as he glanced around, then stood and headed for the door. “Yer flouncin’!” Connall crowed with amusement. “Damn me, I’d ha’e sworn ye were no a flouncer, but yer flouncin’!” Realizing

Suspension of Disbelief.

No such suspension of disbelief was needed on the morning of 13 September 1645. If I had been looking south from my house, I would have seen an awesome sight. During the civil war fought all over Britain and Ireland, the Scottish army led by General David Leslie surprised the Royalists and the Marquis of Montrose at Philiphaugh, west of Selkirk. In the early morning mist, he sent about 2,000 cavalry troopers through our little valley, perhaps keeping to the metalled surface of the old road leading to Oakwood Fort. They moved quietly around Howden Hill and, while Leslie led the rest of his army in a frontal assault, the cavalry attacked the rear of the Royalists and scattered them. Philiphaugh was a savage, sadistic rout with much unnecessary slaughter excused by fundamentalist piety. The greater part of the landscape of the valley was much altered after 1645. The fields, the thorn hedges, the shelterbelts of hardwoods, the steadings, the big houses and their policies are not old. After the middle of the 18th century, the pace of agricultural improvement quickened and shaped much of the countryside we see now and believe to be traditional. One of the most important catalysts was drainage and below where I sit in the evening stretches the 35-acre Tile Field. It is billiard-table flat because it was scraped for clay and at the western end stood a tile works. Its kilns were fired by the trees of the Hartwood and the clay puddled in a pond formed by the Common Burn and the Hartwoodburn.

I do confess I was drawn to him, and felt there was potential for a lasting friendship. I certainly didn't want to count that out at that time, so I kept my cynicism to myself. I know now that in so doing, I took the first step toward suspension of my own disbelief, completely oblivious to the slippery slope ahead.

It wasn't Vedette's easy slide into prejudice that unsettled Maria so much as the suspension of disbelief it suggested, as if reality took the crooked shape of the mind into which it was poured. What gave conspiracy the credibility reasonable explanation lacked? What hunger for order, even diabolical order, did it satisfy?

Man, Sub-creator’ was in one sense a new way of expressing what is often called ‘the willing suspension of disbelief, and Tolkien made it the central argument of the lecture. ‘What really happens,’ he wrote, ‘is that the story-maker proves a successful “sub-creator”. He makes a Secondary World which your mind can enter. Inside it, what he relates is “true”: it accords with the laws of that world. You therefore believe it, while you are, as it were, inside. The moment disbelief arises, the spell is broken; the magic, or rather art, has failed. You are then out in the Primary World again, looking at the little abortive Secondary World from outside.

We long for the suspension of self-consciousness, of the pseudo-analytic attitude that has become second nature; but neither art nor religion, historically the great emancipators from the prison of the self, retain the power to discourage disbelief. In a society based so largely on illusions and appearances, the ultimate illusions, art and religion, have no future.

We do not have to believe in magic spells for this to work. We only have to be able to enjoy a film. The same elements are at work: cinematic technology, suspension of disbelief, the director’s skill in organizing a compelling narrative. The result is the same. Life, too, is like this. What appears to us through the senses seems real and solid enough, but once we submit it to deeper scrutiny (whether through physics, postmodern philosophy, or Buddhist meditation), that out-thereness-in-its-own-right of the thing starts to dissolve. Once we notice its utter contingency, the gut feeling that there must be something solid and unchanging at its core weakens. The thing is seen not only to emerge from a complex set of causes and conditions but also to depend on a vast number of parts, attributes, and components. If we look closer still, we find that it is what it is because of the way we talk and think about it, because of the peculiar way in which our culture perceptually organizes it so that it makes sense. Nothing else, no extra metaphysical essence, is necessary. While language forces us to use the word “it,” ultimately there is nothing to which it refers. Life

I’ve started writing a treatise on the role of “willing suspension of disbelief” in fiction and drama. Its working title is The Technobabble Sufficiency.

Preparation for the interview therefore ceases to be about the actual content of the job and instead becomes a theatrical rehearsal, concerned primarily with costume, demeanour, eye contact, stage presence, learning one's lines. The character of the applicant must be placed within a seamless yet engaging narrative, and any outside interests incorporated into the work sphere (so for instance, for a retail job, an interest in films becomes "I like to keep track of all the latest DVD releases"). Above all, it is important to appear 'natural'. Actual experience is secondary to a willingness to blend in; to contribute to that collective suspension of disbelief which is vital to the smooth running of the contemporary workplace.

To refuse to go along with this performance and its mutual suspension of disbelief risks bringing the full weight of the institution down on the "customer"; he is reminded of his legal obligations and low status.

I believe all I'm told, I've disbelieved only too much in my long life, now I swallow everything, greedily. What I need now is stories, it took me a long time to know that, and I'm not sure of it.

I believe all I'm told, I've disbelieved only too much in my long life, now I swallow everything, greedily. What I need now is stories, it took me a long time to know that, and I'm not sure of it.

Mandelbrot moved beyond dimensions 0,1,2,3…to a seeming impossibility: fractional dimensions. The notion is a conceptual high-wire act. For nonmathematicians it requires a willing suspension of disbelief. Yet it proves extraordinarily powerful.

I said it seemed to me that most marriages worked in the same way that stories are said to do, through the suspension of disbelief. It wasn’t, in other words, perfection that sustained them so much as the avoidance of certain realities.

Vittoria was watching him. “Do you believe in God, Mr. Langdon?” The question startled him. The earnestness in Vittoria’s voice was even more disarming than the inquiry. Do I believe in God? He had hoped for a lighter topic of conversation to pass the trip. A spiritual conundrum, Langdon thought. That’s what my friends call me. Although he studied religion for years, Langdon was not a religious man. He respected the power of faith, the benevolence of churches, the strength religion gave so many people . . . and yet, for him, the intellectual suspension of disbelief that was imperative if one were truly going to “believe” had always proved too big an obstacle for his academic mind. “I want to believe,” he heard himself say. Vittoria’s reply carried no judgment or challenge. “So why don’t you?” He chuckled. “Well, it’s not that easy. Having faith requires leaps of faith, cerebral acceptance of miracles—immaculate conceptions and divine interventions. And then there are the codes of conduct. The Bible, the Koran, Buddhist scripture . . . they all carry similar requirements—and similar penalties. They claim that if I don’t live by a specific code I will go to hell. I can’t imagine a God who would rule that way.” “I hope you don’t let your students dodge questions that shamelessly.” The comment caught him off guard. “What?” “Mr. Langdon, I did not ask if you believe what man says about God. I asked if you believed in God. There is a difference. Holy scripture is stories . . . legends and history of man’s quest to understand his own need for meaning. I am not asking you to pass judgment on literature. I am asking if you believe in God. When you lie out under the stars, do you sense the divine? Do you feel in your gut that you are staring up at the work of God’s hand?” Langdon took a long moment to consider it. “I’m prying,” Vittoria apologized. “No, I just . . .” “Certainly you must debate issues of faith with your classes.” “Endlessly.” “And you play devil’s advocate, I imagine. Always fueling the debate.” Langdon smiled. “You must be a teacher too.” “No, but I learned from a master. My father could argue two sides of a Möbius Strip.” Langdon laughed, picturing the artful crafting of a Möbius Strip—a twisted ring of paper, which technically possessed only one side. Langdon had first seen the single-sided shape in the artwork of M. C. Escher.

You know, the suspension of disbelief is fragile. It’s hard to achieve it and hard to maintain. One bit of unnecessary gore, one hip colloquialism, one reference to anything outside the imaginary world you’ve created is enough to destroy that world.

Starting in the 1900s, from coast to coast and seven days a week, Americans more than anyone on Earth could immerse in the virtuosic fantasies created and sold by show business and the media. This was a new condition. As we spent more and more fabulous hours engaged in the knowing and willing suspension of disbelief, experiencing the unreal as real, we became more habituated to suspending disbelief unconsciously and involuntarily as well.

There are stories like Superman, which require suspension of disbelief for maximum enjoyment. Then there are stories like mine – real stories – where for the most part, disbelief need not be suspended. There are no flying humans, no unfamiliar planets, and no optical illusions.