Suspension Of Classes Quotes

Karen was radiant in a beautiful blue gown. Even her mother, for once, had said so. “Not just pretty, honey—you reek of class. Like Princess Grace from Morocco,” she’d said, beaming at her daughter.

Jack, this is Vance McGruder. I couldn’t find your cell number so I’m taking a chance on reaching you at the cottage. It’s Monday afternoon and I need you here as soon as possible. I’ve arranged for a one-way, first-class ticket on Delta Air Lines on their 3:15pm flight tomorrow afternoon to Atlanta and connecting on to LAX. I’ll have a car and driver at LAX to pick you up. Call me as soon as you get this message.

Of course, I couldn’t explain this vector calculus concept and so, slightly embarrassed in front of Rahul and the other Bengali students, I told Sanjit just that; he had cornered me, and honesty emerged as my only option. Simultaneous to my humiliating disclosure of the truth, Sanjit gradually inched toward where I was sitting. After hearing my reply, he slowly returned to his teacher stool and whiteboard, his back turned away from the class, the suspense building and his words impending, before turning around and breaking into speech, “Don’t trust your interior monologue. If you are asked something and you know it, then express or demonstrate it. Don’t just nod or say yes because then you are lying to yourself. Any ass can say yes, but not all asses can express it.” I modified my first impression: Sanjit was full of explicit aphorisms. Humbled, those words encouragingly rang between my ears for quite some time.

She knew how to hit to a hair's breadth that moment of evening when the light and the darkness are so evenly balanced that the constraint of day and the suspense of night neutralize each other, leaving absolute mental liberty...At times her whimsical fancy would intensify natural processes around her till they seemed a part of her own story. Rather they became a part of it; for the world is only a psychological phenomenon, and what they seemed, they were. The midnight airs and gusts, moaning amongst the tightly wrapped buds and bark of the winter twigs, were formulae of bitter reproach. A wet day was the expression of irremediable grief at her weakness in the mind of some vague ethical being whom she could not class definitely as the God of her childhood, and could not comprehend as any other.

Holly rolled out of bed and took off her purple and pink pajamas. Jeez, how babyish they were. For Christmas, she’d ask for something more grown-up. Not a leather teddy, but something more grown-up. She was not sure what a leather teddy was, but she heard girls talking in gym class and would have to Google it.

Myron lay sprawled next to a knee-knockingly gorgeous brunette clad only in a Class-B-felony bikini, a tropical drink sans umbrella in one hand, the aqua clear Caribbean water lapping at his feet, the sand a dazzling white powder, the sky a pure blue that could only be God's blank canvas, the sun a soothing and rich as a Swedish masseur with a snifter of cognac, and he was intensely miserable.

This was the Evangelical Revival that now began to take hold on the propertied class, who, frightened by what was happening in France, were anxiously mending their fences, spiritual as well as political. To escape rationalism’s horrid daughter, revolution, they were only too willing to be enfolded in the anti-intellectual embrace of Evangelicalism, even if it demanded faith and good works and a willing suspension of disbelief.

[I]n so far as postmodern politics involves a '[t]heoretical retreat from the problem of domination within capitalism,' it is here, in this silent suspension of class analysis, that we are dealing with an exemplary case of the mechanism of ideological displacement: when class antagonism is disavowed, when its key structuring role is suspended, 'other markers of social difference may come to bear an inordinate weight; indeed, they may bear all the weight of the sufferings produced by capitalism in addition to that attributable to the explicitly politicized marking.' In other words, this displacement accounts for the somewhat 'excessive' way the discourse of postmodern identity politics insists on the horrors of sexism, racism, and so on - this 'excess' comes from the fact that these other '-isms' have to bear the surplus-investment from the class struggle whose extent is not acknowledged.

Elites are the authoritarian’s most important promoters and collaborators. Afraid of losing their class, gender, or race privileges, influential individuals bring the insurgent into the political system, thinking that he can be controlled as he solves their problems (which often involves persecuting the left).30 Once the ruler is in power, elites strike an “authoritarian bargain” that promises them power and security in return for loyalty to the ruler and toleration of his suspension of rights. Some are true believers, and others fear the consequences of subtracting their support, but those who sign on tend to stick with the leader through gross mismanagement, impeachment, or international humiliation.

Grant pressed his back against the outside wall of the turquoise and white two-story home he and a team of Miami PD officers were about to storm. On the surface the place fit in perfectly into the upper middle class neighborhood. On the inside, however, it was a fully functioning cocaine lab.

The moment I met her she struck me dumb, deaf, and stupid. At only eighteen, she’d had everything— brains, beauty, class. And she’d known it too. In the eight years since, I’ve watched her toy with one man after another, sometimes for a weekend, sometimes for a couple of months. But the affairs always ended the same. With her handing him his hat and a don’t-slam-the-door-on-your-way-out.

And she did love Parker. She'd loved her from the very first time they stood in the alley and Parker provided what she wanted, what she needed, without a second thought. She had loved her since the day Parker introduced herself in class. And she couldn't have loved her more than the day she listened to the tale of hurt and betrayal this formidable hero faced from the ones she trusted the most.

For Zuk and the other woman boycotters, this endeavor was not about escaping the confines of being working class, but about protecting the rights of the working class. What this strategy innately relies on is the foremost recognition that poor and working-class people have and deserve rights in the first place—and aren’t plagues on society who are lazy, unwilling to apply themselves, or should, through some elaborate matrix and suspension of systemic blockades, simply not be working class. Existing in this socioeconomic bracket with these intrinsic financial realities was a legitimate life, across their families as well as their neighbors. And this communal approach to understanding their needs and successes was anchored deeply in protecting food prices for everyone rather than reverse engineering their individual lives to accommodate the price hike.

He singled out aspects of Quality such as unity, vividness, authority, economy, sensitivity, clarity, emphasis, flow, suspense, brilliance, precision, proportion, depth and so on; kept each of these as poorly defined as Quality itself, but demonstrated them by the same class reading techniques. He showed how the aspect of Quality called unity, the hanging-togetherness of a story, could be improved with a technique called an outline. The authority of an argument could be jacked up with a technique called footnotes, which gives authoritative reference. Outlines and footnotes are standard things taught in all freshman composition classes, but now as devices for improving Quality they had a purpose. And if a student turned in a bunch of dumb references or a sloppy outline that showed he was just fulfilling an assignment by rote, he could be told that while his paper may have fulfilled the letter of the assignment it obviously didn’t fulfill the goal of Quality, and was therefore worthless.

Like the best of the arts, pro football worked on multiple levels. For the loyalists, there was the fortune of the home team. For neutral or casual fans, there was action, skill, suspense, and violence. For gamblers, the wagering proposition. For those with a deeper interest, the game could exist on a larger canvas—as a morality play; a cultural metaphor; a crucible of values in which teamwork, sacrifice, and dedication were rewarded, while selfishness, cowardice, and sloth were harshly punished. What those who were contemptuous of sports misunderstood was not merely that a middle-class sports fan might revere football to the same degree that an inveterate theatergoer revered Shakespeare, but that he might do so for many of the same reasons.

I met Ana doing free weights,” Roger said. “This hard-body señorita was putting me to shame on squats, and I asked her how she got such a tight ass —” “And then she decked you.” “Nah, she loved it! She’s real proud of that butt — she should be. She took me to one of her classes, and I got hooked. She’s a Zumba instructor.” Grant absorbed that information for a moment. “You do...Zumba?” “It’s great! Much more fun than PT. You just get going...” He did a little two-step maneuver on the city street, dancing to an unknown Latin beat. “Cha cha cha. Heeuh? Ana does this a little better than me...” Grant tried to hold it in. He really did. But his body quivered, his shoulders shook, and soon a whooping laugh erupted — which lasted quite a few seconds. Roger abruptly stopped his dance. “You judge, Madsen. Not cool.

After further conferences that late spring the following plan was drawn up. Speidel, almost alone among the Army conspirators in the West, survived to describe it: An immediate armistice with the Western Allies but not unconditional surrender. German withdrawal in the West to Germany. Immediate suspension of the Allied bombing of Germany. Arrest of Hitler for trial before a German court. Overthrow of Nazi rule. Temporary assumption of executive power in Germany by the resistance forces of all classes under the leadership of General Beck, Goerdeler, and the trade-union representative, Leuschner. No military dictatorship. Preparation of a “constructive peace” within the framework of a United States of Europe. In the East, continuation of the war. Holding a shortened line between the mouth of the Danube, the Carpathian Mountains, the River Vistula and Memel.

Praise for The Witch Elm “‘I’ve always considered myself to be, basically, a lucky person.’ That’s the first line of Tana French’s extraordinary new novel. . . . Here’s a things-go-bad story Thomas Hardy could have written in his prime. . . . The book is lifted by French’s nervy, almost obsessive prose. . . . This is good work by a good writer. For the reader, what luck.” —Stephen King, The New York Times Book Review “Tana French is at her suspenseful best in The Witch Elm. . . . [Her] best and most intricately nuanced novel yet. . . . She is in a class by herself as a superb psychological novelist. . . . Get ready for the whiplash brought on by its final twists and turns.” —Janet Maslin, The New York Times “Like all of her novels, it becomes an incisive psychological portrait embedded in a mesmerizing murder mystery. [French] could make a Target run feel tense and revelatory.” —Los Angeles Times “Like all of French’s novels, The Witch Elm can be swooningly evocative. . . . Even if Toby isn’t on the Dublin Murder Squad, the events in The Witch Elm spur his great, transformative upheaval. The discovery they force on him revolves around one question: Whose story is this? By the time French is done retooling the mystery form—it seems there’s nothing she can’t make it do, no purpose she can’t make it serve—the answer is

You need to take some acting classes to learn to hide your huge crush on my husband better

Sandy’s was one of those places that made poor, white trash feel like high-class consumers. This was the kind of place you’d take your mistress to, but never your wife. Wives expected better. Mistresses were impressed by the blandness of the over-priced wine and the vast Italian menu options.

She doesn’t like alcohol in cakes. That’s Katie’s thing. And she isn’t into gluten-free or, you know, polenta. She doesn’t think it’s right for cake. Anyway, it’s what poor people eat.’ My dad winces, in spite of his best Dr Seuss face. ‘In developing countries like Mexico, I mean. You have to be middle-class to afford it here.’ That didn’t help. When you get stuck, stick to the facts – that’s what Dad always tells me. ‘She’d like a Victoria sponge with lots of cream and some fruit. Raspberries and jam. Something simple.’ He looks disappointed. I can see he wanted a statement of a cake. Like his love.

Our 182-passenger Boeing Classic this morning is under the able command of Captain Hiram Slatt, discharged from service in the United States Air Force mission in Afghanistan after six heroic deployments and now returned, following a restorative sabbatical at the VA Neuropsychiatric Hospital in Wheeling, West Virginia, to his “first love”—civilian piloting for North American Airways. Captain Slatt has informed us that, once we are cleared for takeoff, our flying time will be between approximately seventeen and twenty-two hours depending upon ever-shifting Pacific Ocean air currents and the ability of our seasoned Classic 878 to withstand gale-force winds of 90 knots roaring “like a vast army of demons” (in Captain Slatt’s colorful terminology) over the Arctic Circle. As you have perhaps noticed Flight 443 is a full—i.e., “overbooked”—flight. Actually most North American Airways flights are overbooked—it is Airways protocol to persist in assuming that a certain percentage of passengers will simply fail to show up at the gate having somehow expired, or disappeared, en route. For those of you who boarded with tickets for seats already taken—North American Airways apologizes for this unforeseeable development. We have dealt with the emergency situation by assigning seats in four lavatories as well as in the hold and in designated areas of the overhead bin. Therefore our request to passengers in Economy Plus, Economy, and Economy Minus is that you force your carry-ons beneath the seat in front of you; and what cannot be crammed into that space, or in the overhead bin, if no one is occupying the overhead bin, you must grip securely on your lap for the duration of the flight. Passengers in First Class may give their drink orders now. SECURITY:

In America, more than in any other country in the world, treason is just a matter of dates. ‘In the long run, all countries are dead,’ Ryan Griffiths says. ‘The same will happen to the United States.’ The History of the Fall of the American Republic, author still unborn, will no doubt recognize who and what to blame: the nihilistic hyper-partisanship of Newt Gingrich; Bill Clinton allowing China into the WTO on the mistaken assumption that capitalism and democracy were inevitably linked and that the American middle class would rise on the world’s swelling tides; Bush vs. Gore; the suspension of civil liberties in the aftermath of September 11; the wars in Afghanistan and Iraq; the explicit rejection of the ‘reality-based community’; the Tea Party; Citizens United; Obama’s failure to unify on immigration and health care; Mitch McConnell’s decision not to consider the appointment of Merrick Garland; the presidency of Donald Trump. And there are thousand upon thousands of politicians who put private and party interests ahead of the interests of the institutions, who developed contempt for government in and of itself and rode contempt to power.

The Ticklish Subject shows how today, in spite of the decline of the paternal metaphor and the inefficacy of ethical-political principles, global capitalist relations of production actually structure an ever more prohibitive and homogenized social reality: The true horror lies not in the particular content hidden beneath the universality of global Capital but, rather, in the fact that Capital is effectively an anonymous global machine blindly running its course; that there is in fact no particular Secret Agent animating it. The horror is not the (particular living) ghost in the (dead universal) machine, but the (dead universal) machine in the very heart of each (particular living) ghost. The conclusion to be drawn is thus that the problematic of multiculturalism (the hybrid coexistence of diverse cultural life-worlds) which imposes itself today is the form of appearance of its opposite, of the massive presence of capitalism as global world system: it bears witness to the unprecedented homogenization of today’s world. (Ticklish, p. 218) Multiculturalism – as well as postmodern efforts to reduce truth to “narratives” or “solidarity of belief” – simply further the interests of global capital. Žižek notes wryly that liberal pseudo-leftists really know all of this, but the problem is that they want to maintain their relatively comfortable lifestyles (bought at the expense of suffering in the Third World), and meanwhile to maintain the pose of revolutionary “beautiful souls.” Postmodern “post-politics” replaces the recognition of global ideological divisions with an emphasis on the collaboration of enlightened experts, technocrats, and specialists who negotiate to reach compromises. Such pragmatic “administration of social matters” accepts in advance the very global capitalist framework that determines the profitability of the compromise (Ticklish, p. 199). This suspension of the space for authentic politics leads to what Žižek calls “postmodern racism,” which ignores the universal rights of the political subject, proliferates divisions along cultural lines, and prevents the working class from politicizing its predicament. Even more seriously, according to Žižek, post-politics no longer merely represses the political, but forecloses it. Thus instead of violence as the neurotic “return of the repressed,” we see signs of a new kind of irrational and excessive violence. This new manifestation of violence results from the (psychotic) foreclosure of the Name of the Father that leads to a “return in the Real.” This violence is thus akin to the psychotic passage a l’acte: “a cruelty whose manifestations range from ‘fundamentalist’ racist and/or religious slaughter to the ‘senseless’ outbursts of violence by adolescents and the homeless in our megalopolises, a violence one is tempted to call Id-Evil, a violence grounded in no utilitarian or ideological reason” (Ticklish, p. 198). Where then, is the power to combat such foreclosure? The Ticklish Subject shows that the subversive power of subjectivity arises only when the subject annuls himself as subject: the acknowledgment of the integral division or gap in subjectivity allows the move from subjection to subjective destitution. Insofar as the subject concedes to the inherent failure of symbolic practices, he no longer presupposes himself as a unified subject. He acknowledges the nonexistence of the symbolic big Other and the monstrosity of the Real. Such acceptance involves the full assertion – rather than the effacement – of the gap between the Real and its symbolization. In contrast to the artificial object character of the imaginary capitalist ego, The Ticklish Subject discloses the “empty place” of the subject as a purely structural function, and shows that this functioning emerges only as the withdrawal from one’s substantial identity, as the disintegration of the “self” that is situated and defined within a communal universe of meaning.

The first half of your detention will be spent digging an eight foot deep hole in the meadow.” Darius stalked off with the other guys and I moved forward to collect my shovel. Orion scooped it up, holding it out for me. Before I took it he caught my hand, brushing his thumb across my palm and sending a shiver through me. He repeated the process on the other hand then pressed his index finger to his lips. “That'll stop your skin chaffing,” he whispered. I stared at him in complete surprise as he passed me the shovel and moved aside. “Thank you,” I said, confused as I stepped past him, making my way through the high grass and colourful array of meadow flowers as I walked toward the Heirs. The four of them had formed a circle and were already getting to work digging the hole. ... “Vega!” Orion beckoned me and I was grateful to put the shovel down. I was a little dizzy as I walked up to his high metal chair where he was sitting a few feet above my head. He now had a large umbrella set up over it and a flask of coffee in his hand which he'd apparently brought with him. His Atlas was propped on his knee and he looked like he was thoroughly enjoying his morning as he gazed down at my mud stained skin with a bright smile. Thanks to his magic, at least I didn't have any blisters on my hands. “Water.” Orion waved his hand and water gathered in the air before me, circling into a glistening sphere. Orion tossed me a cup and I caught it at the last second. The water dropped straight into it with a splash and I guzzled it down greedily, “That's favouritism, sir!” Caleb called. “You're right, how rude of me!” Orion shouted back, lifting a hand and a torrential waterfall poured down on all of the heirs. Max crowed like a cockerel, pounding his chest, seemingly spurred on by the downpour. The others didn't seem quite as happy as the water continued to fall down on them. A laugh rushed from my throat and Orion threw me a wink. “So I'm having a little trouble, Miss Vega.” “With what, sir?” “Telling you apart from your sister,” he said in a low voice that I imagined only I could hear through the torrential storm he was still casting over the Heirs. “And you never did answer my question. Blue or green?” A smile twisted up my lips and I shrugged, deciding to leave him in continued suspense over that question, walking back to join the group. “I want an answer by sundown,” he called after me and my grin grew even wider. ... “Shut the fuck up!” Orion shouted. “I'm trying to concentrate here.” “Watching porn again, sir?” Seth shot at him with a smirk. “Yeah, your mom's really improved since the last edition,” he answered without missing a beat and Seth's face dropped into a scowl as a laugh tore from my throat. “Do you know who is always watching porn?” Max chipped in. “You?” the three other guys answered in unison. They all burst out laughing and I fought the urge to join in. “Hilarious,” Max said dryly. “I meant Washer. He snuck off in class the other day to rub one out.” “Useless. Well up you go then,” he said and I moved toward the ladder, taking hold of the first rung. Orion stepped up close behind me and his fingers brushed my waist, barely perceptible but I felt it everywhere. It scored a line of goosebumps across my back and a heavenly shiver fluttered up my spine. Heated air pushed under my clothes, drying them out almost instantly. “Thank you,” I whispered for the second time today. What’s gotten into him? He took hold of the ladder either side of my hands. “Up,” he breathed against my cheek and hot wax seemed to pour down each of my legs, making it almost impossible to move. But somehow, I managed it.

In a temporary suspension of the Taylorist logic, Ford was forced to double the daily wage of his workers to keep the line staffed. As Braverman writes, this “opened up new possibilities for the intensification of labor within the plants, where workers were now anxious to keep their jobs.”8 These anxious workers were more productive. Indeed, Ford himself later recognized his wage increase as “one of the finest cost-cutting moves we ever made,” as he was able to double, and then triple, the rate at which cars were assembled by simply speeding up the conveyors.

5.0 out of 5 starsA great story! Enjoy reading it! By JMF on March 14, 2013 Format: Paperback Verified Purchase I enjoyed very much reading this book. I could not put this interesting family saga down! Amy Kwei's imagination brilliantly makes the characters come to life. She calls it a novel, yet it is obviously the story of her family. I learned much that I did not know about Chinese culture and tradition as well as life in the 1930s to the beginning of World War II. The facts were well researched. This is a most moving account of the tragic binding of women's feet and its consequences on one woman - the grandmother. I never understood why a country so highly civilized and refined in art and poetry could afflict such cruelty on the women in its upper class. How the grandmother as a child yearned to have fun running around with her brother, but was prevented to do so by her crippled feet. The description of the war and hardshiops of the Japanese occupation is vividly narrated and the upheaval war brought upon China. Yet the humanity of some Japanese-Americans is also beautifully described. Despite all these tragic happenings, the author keeps a positive and hopeful attitude. The novel is full of suspense and I hope the author is already working on a sequel and will not disappoint her readers, who are anxious to know how her family fared in the future. This book is a treasure!

Alex whispers, “There’s a thin line between love and hate. Maybe you’re confusing your emotions.” I scoot away from him. “I wouldn’t bet on it.” “I would.” Alex’s gaze turns toward the door to the classroom. Through the window, his friend is waving to him. They’re probably going to ditch class. Alex grabs his books and stands. Mrs. Peterson turns around. “Alex, sit down.” “I got to piss.” The teacher’s eyebrows furrow and her hand goes to her hip. “Watch your language. And the last time I checked, you don’t need your books in order to go to the restroom. Put them back on the lab table.” Alex’s lips are tight, but he places the books back on the table. “I told you no gang-related items in my class,” Mrs. Peterson says, staring at the bandanna he’s holding in front of him. She holds out her hand. “Hand it over.” He glances at the door, then faces Mrs. Peterson. “What if I refuse?” “Alex, don’t test me. Zero tolerance. You want a suspension?” She wiggles her fingers, signaling to hand the bandana over immediately or else. Scowling, he slowly places the bandana in her hand. Mrs. Peterson sucks in her breath when she snatches the bandanna from his fingers. I screech, “Ohmygod!” at the sight of the big stain on his crotch. The students, one by one, start laughing. Colin laughs the loudest. “Don’t sweat it, Fuentes. My great-grandma has the same problem. Nothing a diaper won’t fix.” Now that hits home because at the mention of adult diapers, I immediately think of my sister. Making fun of adults who can’t help themselves isn’t funny because Shelley is one of those people. Alex sports a big, cocky grin and says to Colin, “Your girlfriend couldn’t keep her hands out of my pants. She was showin’ me a whole new definition of hand warmers, compa.” This time he’s gone too far. I stand up, my stool scraping the floor. “You wish,” I say. Alex is about to say something to me when Mrs. Peterson yells, “Alex!” She clears her throat. “Go to the nurse and…fix yourself. Take your books, because afterward you’ll be seeing Dr. Aguirre. I’ll meet you in his office with your friends Colin and Brittany.” Alex swipes his books off the table and exits the classroom while I ease back onto my stool. While Mrs. Peterson is trying to calm the rest of the class, I think about my short-lived success in avoiding Carmen Sanchez. If she thinks I’m a threat to her relationship with Alex, the rumors that are sure to spread today could prove deadly.

Tits and ass and class - that's how you land a man with money, Tamara Anne. You've got two and can fake the last one.

when Gorbachev tried to restructure the Soviet Union into a federation of independent republics, but with the Communist Party still in control over the economy. A committee formed by Gorbachev’s Vice President Gennadi Yanayev, Prime Minister Valentin Pavlov, Defense Minister Dmitriy Yazov, KGB chief Vladimir Kryuchkov, and other high ranking officials, put Gorbachev under house arrest while he was on vacation. They reintroduced censorship of politics and the newspapers, and banned all political activity. They thought the population would support them, including most politicians, but they were wrong. Boris Yeltsin, who was the President of the Russian Republic, declared the coup illegal, and ended up with the support of the majority of the Russian citizens. The coup collapsed, when the military wouldn’t kill the people trying to protect the Russian Parliament building, nor would they put the Russian politicians under arrest. When he returned to power, Gorbachev was left without popular support from the citizens or the political class.

Gothic is the genre of fear. Our fascination with it is almost always revived during times of instability and panic. In the wake of the French Revolution, the Marquis de Sade described the rise of the genre as 'the inevitable product of the revolutionary shock with which the whole of Europe resounded,' and literary critics in the late eighteenth century mocked the work of early gothic writers Anne Radcliffe and Matthew Lewis by referring to it as 'the terrorist school' of writing. As Fred Botting writes in Gothic, his lucid introduction to the genre, it expresses our unresolved feelings about 'the nature of power, law, society, family and sexuality' and yet is extremely concerned with issues of social disintegration and collapse. It's preoccupied with all that is immoral, fantastic, suspenseful, and sensational and yet prone to promoting middle-class values. It's interested in transgression, but it's ultimately more interested in restitution; it alludes to the past yet is carefully attuned to the present; it's designed to evoke excessive emotion, yet it's thoroughly ambivalent; it's the product of revolution and upheaval, yet it endeavors to contain their forces; it's terrifying, but pretty funny. And, importantly, the gothic always reflects the anxieties of its age in an appropriate package, so that by the nineteenth century, familiar tropes representing external threats like crumbling castles, aristocratic villains, and pesky ghosts had been swallowed and interiorized. In the nineteenth century, gothic horrors were more concerned with madness, disease, moral depravity, and decay than with evil aristocrats and depraved monks. Darwin's theories, the changing roles of women in society, and ethical issues raised by advances in science and technology haunted the Victorian gothic, and the repression of these fears returned again and again in the form of guilt, anxiety, and despair. 'Doubles, alter egos, mirrors, and animated representations of the disturbing parts of human identity became the stock devices,' Botting writes, 'signifying the alienation of the human subject from the culture and language in which s/he is located.' In the transition from modernity to post-modernity, the very idea of culture as something stable and real is challenged, and so postmodern gothic freaks itself out by dismantling modernist grand narratives and playing games. In the twentieth century, 'Gothic [was] everywhere and nowhere,' and 'narrative forms and devices spill[ed] over from worlds of fantasy and fiction into real and social spheres.

Ben, go…back…to…class. Your mother’s insane, that’s all. She just needs to have a little lie-down.

Vittoria was watching him. “Do you believe in God, Mr. Langdon?” The question startled him. The earnestness in Vittoria’s voice was even more disarming than the inquiry. Do I believe in God? He had hoped for a lighter topic of conversation to pass the trip. A spiritual conundrum, Langdon thought. That’s what my friends call me. Although he studied religion for years, Langdon was not a religious man. He respected the power of faith, the benevolence of churches, the strength religion gave so many people . . . and yet, for him, the intellectual suspension of disbelief that was imperative if one were truly going to “believe” had always proved too big an obstacle for his academic mind. “I want to believe,” he heard himself say. Vittoria’s reply carried no judgment or challenge. “So why don’t you?” He chuckled. “Well, it’s not that easy. Having faith requires leaps of faith, cerebral acceptance of miracles—immaculate conceptions and divine interventions. And then there are the codes of conduct. The Bible, the Koran, Buddhist scripture . . . they all carry similar requirements—and similar penalties. They claim that if I don’t live by a specific code I will go to hell. I can’t imagine a God who would rule that way.” “I hope you don’t let your students dodge questions that shamelessly.” The comment caught him off guard. “What?” “Mr. Langdon, I did not ask if you believe what man says about God. I asked if you believed in God. There is a difference. Holy scripture is stories . . . legends and history of man’s quest to understand his own need for meaning. I am not asking you to pass judgment on literature. I am asking if you believe in God. When you lie out under the stars, do you sense the divine? Do you feel in your gut that you are staring up at the work of God’s hand?” Langdon took a long moment to consider it. “I’m prying,” Vittoria apologized. “No, I just . . .” “Certainly you must debate issues of faith with your classes.” “Endlessly.” “And you play devil’s advocate, I imagine. Always fueling the debate.” Langdon smiled. “You must be a teacher too.” “No, but I learned from a master. My father could argue two sides of a Möbius Strip.” Langdon laughed, picturing the artful crafting of a Möbius Strip—a twisted ring of paper, which technically possessed only one side. Langdon had first seen the single-sided shape in the artwork of M. C. Escher.

There is, in fact, a very perilous passage in the life of democratic peoples. When the taste for material enjoyments develops in one of these peoples more rapidly than enlightenment and the habits of freedom, there comes a moment when men are swept away and almost beside themselves at the sight of the new goods that they are ready to grasp. Preoccupied with the sole care of making a fortune, they no longer perceive the tight bond that unites the particular fortune of each of them to the prosperity of all. There is no need to tear from such citizens the rights they possess; they themselves willingly allow them to escape. The exercise of their political duties appears to them a distressing contretemps that distracts them from their industry. If it is a question of choosing their representatives, of giving assistance to authority, of treating the common thing in common, they lack the time; they cannot waste their precious time in useless work. These are games of the idle that do not suit grave men occupied with the serious interests of life. These people believe they are following the doctrine of interest, but they have only a coarse idea of it, and to watch better over what they call their affairs, they neglect the principal one, which is to remain masters of themselves. Since the citizens who work do not wish to think of the public, and the class that could take charge of this care to occupy its leisure no longer exists, the place of government is almost empty. If, at this critical moment, an ambitious, able man comes to take possession of power, he finds the way open to every usurpation. Let him see to it for a time that all material interests prosper, they will easily release him from the rest. Let him above all guarantee good order. Men who have a passion for material enjoyments ordinarily find out how the agitations of freedom trouble their well-being before perceiving how freedom serves to procure it for them; and at the least noise from public passions that penetrate into the midst of the little enjoyments of their private lives, they wake up and become restive; for a long time, fear of anarchy holds them constantly in suspense and always ready to throw out their freedom at the first disorder.

Gifted and Talented Education (GATE) and AP classes composed solely of White and Asian students Special education classrooms where Black students are overrepresented School orchestras with no Black, Brown, or Indigenous students Suspension and expulsion data showing that a disproportionate number of Black, Brown, and Indigenous students are suspended or expelled Remedial classrooms with high proportions of Black, Brown, and Indigenous students Honors classes with low proportions of Black, Brown, and Indigenous students

Nobody saw what happened next, or else nobody admitted to it. A couple of people said they saw the Kid stand up, turn around quickly, and sit down again. But neither of those people was there at the time. The teacher had turned her back to the class and was writing on the board. She heard something and looked around. Gordon Ritchie was coming towards her, reaching for her, whimpering. The Kid’s pen was sticking out of Gordon’s face. The Kid had stabbed him with it, stabbed him so hard that it pierced his cheek and impaled his tongue. The teacher backed away from Gordon, trying to take in what she was seeing. Bubbles of blood were coming out of his mouth. Some of the children ran out of the room. Others screamed or cried. The Kid just sat at his desk, as though there had been no interruption to the class.