Suspension Love Quotes

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There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Rejection is an opportunity for your selection.
Bernard Branson
Have you ever met someone for the first time, but in your heart you feel as if you’ve met them before?
JoAnne Kenrick (When A Mullo Loves A Woman (Pearl Kizzy, #1))
The more you love,the more love you have to give.It's the only feeling we have which is infinite...
Christina Westover (Precipice)
She was a ray of sunshine, a warm summer rain, a bright fire on a cold winter’s day, and now she could be dead because she had tried to save the man she loved.
Grace Willows
It doesn’t matter. I love you. That’s it. That’s all. I hope to hell it’s enough.
Maya Banks (No Place to Run (KGI, #2))
If there was one thing a former sniper could do well, it was wait. Patiently. Quietly. Without a sound. Barely a movement. Just him, a quiet mind and his breath.
J. Rose Black (Losing My Breath)
The softness, warmth and weight of her breast filled his palm. “I’ve imagined this for weeks,” he murmured. Thinking of her out there on the battlefield. In his tent. What more could a woman want? Quite a lot, actually.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
If "If freckles were lovely, and day was night, And measles were nice and a lie warn't a lie, Life would be delight,-- But things couldn't go right For in such a sad plight I wouldn't be I. If earth was heaven and now was hence, And past was present, and false was true, There might be some sense But I'd be in suspense For on such a pretense You wouldn't be you. If fear was plucky, and globes were square, And dirt was cleanly and tears were glee Things would seem fair,-- Yet they'd all despair, For if here was there We wouldn't be we.
E.E. Cummings
Oh, he did look like a deity – the perfect balance of danger and charm, he was at the same time fascinating and inaccessible, distant because of his demonstrated flawlessness, and possessing such strength of character that he was dismaying and at the same time utterly attractive in an enticing and forbidden way.
Simona Panova (Nightmarish Sacrifice (Cardew))
They say that when you're about to die, your life flashes before your eyes. They never tell you that when you watch someone you once loved dying, hovering between this life and the next, it's twice as painful, because you're reliving two lives that traveled one road together.
Becca Fitzpatrick (Black Ice)
I am the Love that Dare not Speak its Name
Alfred Bruce Douglas
I love you, Katherine James. I love you with everything I am. You're the best thing that has ever happened to me. Remember that." Gabe Rossiter
Pamela Clare (Naked Edge (I-Team, #4))
I always am in a role, lovely – for you, for them – even for myself. Yeah... Even when I’m alone, I am still in a role – and I myself am the most exacting audience I have ever had.
Simona Panova (Nightmarish Sacrifice (Cardew))
Desires are what can most easily ruin us, lovely.
Simona Panova (Nightmarish Sacrifice (Cardew))
Her gaze met his, her blue eyes filled with confusion and terror – and love. If Julian hadn’t already been in love with her, that would have done it.
Pamela Clare (Hard Evidence (I-Team, #2))
Why would he appear to be so freaking concerned about me to my fake boyfriend anyway? she thought. He needs to mind his own business and keep out of mine. Shallow, arrogant bastard!
Sharon Carter (Love Auction: Too Risky to Love Again)
I want you, Sage. I want to be inside you so badly," he whispered, as he ran his tongue over her ear. “I want to explore your entire body," he muttered.
Sharon Carter (Love Auction: Too Risky to Love Again)
You’re stuck with me.” She sniffled. “Promise?” He rested his forehead against hers. “Cross my heart.
Kaylea Cross (Out of Her League (Suspense Series, #1))
I wish i could really believe that---really believe that. I'm glad the two of you met as well.
Sharon Carter (Love Auction: Too Risky to Love Again)
The suspense: the fearful, acute suspense: of standing idly by while the life of one we dearly love, is trembling in the balance; the racking thoughts that crowd upon the mind, and make the heart beat violently, and the breath come thick, by the force of the images they conjure up before it; the desperate anxiety to be doing something to relieve the pain, or lessen the danger, which we have no power to alleviate; the sinking of soul and spirit, which the sad remembrance of our helplessness produces; what tortures can equal these; what reflections of endeavours can, in the full tide and fever of the time, allay them!
Charles Dickens (Oliver Twist)
It’s not so much where I want you,Sophie, as it is how. Nothing tastes quite like a woman, and no woman tastes like you. - Marc Hunter
Pamela Clare (Unlawful Contact (I-Team, #3))
You love me,” he said. “That’s all I need to know.” “You always say the right thing,” Savannah told him, her eyes so filled with love that he almost wept. “Sometimes it takes you awhile to get to it, but you always get there, and what you say is always worth waiting for.
Suzanne Brockmann (Out of Control (Troubleshooters, #4))
The coffee shop smell was strong enough to build a garage on.
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
When he reached her, he touched a hand to her face. Smiled. "Important. That's one word. Everything. That's another. Loved," he said, adding the most important word of all. "God, Darcy, you are so loved.
Cindy Gerard (To the Brink (The Bodyguards #3))
I can’t do more than this. Don’t ask me. If you ask, I’ll try and I’ll fail. You’ll end up hating me. And I’d rather die . . . than have you hate me. Or disappoint you. My own darkness, it still chips away at me.
J. Rose Black (Losing My Breath)
…You’re throwing us away because you’re afraid to let yourself fall in love. You’re searching for something that isn’t real. You’re not Eric Stone. He’s your protagonist. Eric Stone is make-believe and life isn’t an adventure novel.
Diane L. Kowalyshyn (Crossover (Cross your Heart and Die, #1))
I was never able to accept anyone else’s support but my own –
Simona Panova (Nightmarish Sacrifice (Cardew))
Paranoia. The more you think of an imaginary problem, the more you feel as though it’s real –
Simona Panova (Nightmarish Sacrifice (Cardew))
I want to take you under the moonlight.
Kassandra Cross (Carrie's First Time (Carrie #1))
Tempting as your offer is, I won’t go home with you. I can’t sleep with you, Justin. You say it doesn’t have to be that way, but you and I both know that’s the way it would be. You’re a risk I can’t afford to take.
Sarah Grimm (Not Without Risk)
Oh honey, someday a real man is going to make you see stars and you won't even be looking at the sky." Excerpt from Grace Willow's Last Minute Bride
Grace Willows
We've made a beautiful mess of things lately, haven't we?" He flashed that sexy crooked smile at me, which made my heart flutter. "But it's our crazy story," "It's been ours, only ours. There's been a lot of romance, sometimes way too much drama..." "very memorable comedy, a few pulse-racing action scenes..." "We've also had our fair share of suspense and raw terror, and unfortunately gut-wrenching heartache too." "I think we've covered it all, everything except fo being captured by aliens!" "But through it all you've loved me unconditionally, and I know how fortunate I am to have your love. I don't want to live without you, not for one more minute, not for one more second. I want to spend the rest of my days living my story with you...only you." "It is here that I fell in love with you" "And as fate would have it, it is here that I humbly kneel before you and ask you to be my wife.
Tina Reber (Love Unscripted (Love, #1))
Even I don’t know myself... In fact, I don’t know if I really have a self at all, as I’m constantly playing different roles and pretending – not so much on stage as in real life...
Simona Panova (Nightmarish Sacrifice (Cardew))
Emotions don’t interfere in my acting, nor in my life.
Simona Panova (Nightmarish Sacrifice (Cardew))
I kissed her, a long hard kiss. Because baby didn't know it, but baby was dead, and in a way I couldn't have loved her more.
Jim Thompson (The Killer Inside Me)
Whereas during those months of separation time had never gone quickly enough for their liking and they were wanting to speed its flight, now that they were in sight of the town they would have liked to slow it down and hold each moment in suspense, once the breaks went on and the train was entering the station. For the sensation, confused perhaps, but none the less poingant for that, of all those days and weeks and months of life lost to their love made them vaguely feel they were entitled to some compensation; this present hour of joy should run at half the speed of those long hours of waiting.
Albert Camus (The Plague)
You will never put yourself or any of my men in danger again. You could have slipped, fallen, broken your pretty neck, or fucking died. And I bet you didn’t even think about a sniper taking you out from afar.
Becky Wilde (Bratva Connection: Maxim (Whimsical Words Publishing))
He hugged her hard. "I love you. My life is so much better with you in it than out of it.
Cindy Gerard (To the Brink (The Bodyguards #3))
There isn’t any particular relationship between the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Stop opening yourself up to this womanizer.  He doesn't deserve to know a freaking thing about you," she chastised herself.
Sharon Carter (Love Auction: Too Risky to Love Again)
True forgiveness is letting go of something and moving forward with your life. I was stuck in the past, drowning in misery.
Sharon Carter (Love Auction: Too Risky to Love Again)
Will I see you again?” His grin had lost its wild flair. Instead, it was limp and very small. “Sure you will.” A pause. “In my next movie.” With one last look, he climbed in his car and drove away.
Willowy Whisper (Angel Gate)
i love you Ivy. I'll never stop loving you." "I prayed for one more chance to reach you," he said, "to tell you how much I love you and to tell you to keep on loving. Someone else was meant for you,Ivy, and you were meant for someone else.
Elizabeth Chandler (Kissed by an Angel/The Power of Love/Soulmates (Kissed by an Angel, #1-3))
You kissed me once and now you feel as if you’ve got some special kind of licence to do it whenever you want?
Simona Panova (Nightmarish Sacrifice (Cardew))
You can speak to me like you haven’t spoken even to yourself.
Simona Panova (Nightmarish Sacrifice (Cardew))
Don't forget you are with him for sex only. Remove the cobwebs as Sarah suggested. Have fun like auntie said. You don't have to get to know him.
Sharon Carter (Love Auction: Too Risky to Love Again)
Writing is not always a writer's playtime. It's actually a work in progress. Few understand this and mistakenly believe we're wasting time. But it's never a waste of time when doing what you love.
David Lucero (Big Jim)
Then his beautiful lips touched hers. A fluttering of wings, a cry of angels, a single beat of two hearts.
Chris Lange (Enchained)
True love has a habit of coming back.
Turcois Ominek
Sam…” “What?” she whispered. “Tell me what to do to fix it.” She shook her head and closed her eyes as though she couldn’t bear to see him. “You can’t fix it.” He had to. Failure here was not an option. “Let me try.
Kaylea Cross (No Turning Back (Suspense Series, #3))
You know what, your imagination works faster than your mind.
Simona Panova (Nightmarish Sacrifice (Cardew))
We do not remember days, Shemei, we remember moments, and the richness of life lies in memories we have forgotten.
Terri Herman-Poncé (In This Life)
She could not leave him hanging like this. “If you were hurt, I need to know.” It was a rule somewhere, in the good-guy handbook.
Tara Janzen (Crazy Wild (Steele Street, #3))
Optimism is the madness of insisting that all is well when we are miserable.
Rebecca Rosenberg (Champagne Widows: First Woman of Champagne, Veuve Clicquot)
I guess love is the real suspension of disbelief.
Melissa Bank (The Girls' Guide to Hunting and Fishing)
And now Anderson stood looking at his father. His hands were trembling with eagerness, extending toward him, wanting his father to embrace him. He wanted to love it back to life for all those lost times, for all those times of hope. “Permission to sit, sir?
Behcet Kaya (Murder on the Naval Base)
She covered his hand with hers over her abdomen. His was so much bigger than hers and had probably fired guns, rifles, and god knew what else, but right here, right now, his tenderness broke down her will as sure as any grenade.
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
Drama does not just walk into our lives. Either we create it, invite it, or associate with it.
Brandi L. Bates (Remains To Be Seen)
A selfish man would never visit a comatose woman every day for two months. He wouldn’t have done what was best for everyone involved, or given an employee a proper burial. These are the acts of a loving man––a man who cared too much.” “What are you saying?” “Sara’s my biological mother.
Diane L. Kowalyshyn (Crossover (Cross your Heart and Die, #1))
Yes, I’m sure the universe connected us and may do so again when it deems the time is right. Until then, in only a few short hours combined with a set of lovely messages, I have enjoyed something rarely found, a gemstone in the sands of time.
Charles Dyson (A Decade of Desire: Erotic Memoirs from The Office Diaries)
I think I am beginning to understand why grief feels like suspense. It comes from the frustration of so many impulses that had become habitual. Thought after thought feeling after feeling, action after action, had H. for their object. Now their target is gone. I keep on through habit fitting an harrow to the string, then I remember and have to lay the bow down. So many roads lead thought to H. I set out on one of them. But now there's an impassable frontierpost across it. So many roads once; now so many culs de sac.
C.S. Lewis (A Grief Observed)
You settle for less, you get less.
Brandi L. Bates (Remains To Be Seen)
He should probably make love to her.
Tara Janzen (Crazy Love (Steele Street, #5))
I love you. We’re getting married, and that’s the way it is. Get used to it.
Julie Garwood (The Ideal Man (Buchanan-Renard, #9))
This is what I love to see--different branches of law enforcement at each other's throats. It gives the bad guys the head start they need, which in turn gives us all job security.
Pamela Clare (Breaking Point (I-Team, #5))
And they...LIVED! Life isn't always ‘Happily Ever After’, rather, loving FOREVER, regardless.
Carmen DeSousa (She Belongs To Me (Southern Suspense, #1))
Trace pulled on his jeans but didn’t bother zipping them. Nor did he bother with a shirt. The sheriff smirked, scrutinizing his lack of clothing. “I can almost see why Callie is so taken with you.
Cricket Rohman (Colorado Takedown (The McAllister Brothers, #1))
Now lend me your ears. Here is Creative Writing 101: 1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted. 2. Give the reader at least one character he or she can root for. 3. Every character should want something, even if it is only a glass of water. 4. Every sentence must do one of two things—reveal character or advance the action. 5. Start as close to the end as possible. 6. Be a sadist. No matter sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of. 7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia. 8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages. The greatest American short story writer of my generation was Flannery O'Connor (1925-1964). She broke practically every one of my rules but the first. Great writers tend to do that.
Kurt Vonnegut Jr.
Your silence exists as does my self gathering. But so does the almost absolute silence of the world's dawning. In such suspension, before every utterance on earth, there is a cloud, an almost immobile air. The plants already breathe, while we still ask ourselves how to speak to each other, without taking breath away from them.
Luce Irigaray (To Be Two)
Callan sucked in a breath. As a sniper, he’d been trained by the Marines to know and recognize moments.  Moments when all the training—his focused mind, muscle memory, weapon knowledge . . .  When all the preparation—target reconnaissance, angle of attack, position scouting . . .  When all the setup—hidden amid the terrain, barrel aimed, trajectory known . . .  When everything came together in one crucial moment—when the sniper squeezed the trigger and took his shot.
J. Rose Black (Losing My Breath)
There are two ways of spreading light to be candle,or the mirror that reflects it.
Chetan Bhagat (Revolution 2020: Love, Corruption, Ambition)
There isn’t going to be a ‘next lover,’” Grant said automatically, outraged by the idea. “I’m the only man she’s going to have.
Lisa Kleypas (Someone to Watch Over Me (Bow Street Runners, #1))
He was a boy in love with another man’s woman and took on a job bigger than he was.
Donald Montano (Drink Deep from the Well of Good Intentions (The Return To Charleston Book 1))
Please,” I gasped out. He just brushed his lips against my jaw, my neck, my mouth. “Tamlin,” I begged. He palmed my breast, his thumb flicking over my nipple. I cried out, and he buried himself in me with a mighty stroke. For a moment, I was nothing, no one. Then we were fused, two hearts beating as one, and I promised myself it always would be that way as he pulled out a few inches, the muscles of his back flexing beneath my hands, and then slammed back into me. Again and again. I broke and broke against him as he moved, as he murmured my name and told me he loved me. And when that lightning once more filled my veins, my head, when I gasped out his name, his own release found him. I gripped him through each shuddering wave, savoring the weight of him, the feel of his skin, his strength. For a while, only the rasp of our breathing filled the room. I frowned as he withdrew at last—but he didn’t go far. He stretched out on his side, head propped on a fist, and traced idle circles on my stomach, along my breasts.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Do you think,” she said, “instead of having sex, we could make love?” “I’d love that,” Ken whispered.
Suzanne Brockmann (Out of Control (Troubleshooters, #4))
The things I want from you, darlin’, will give you nightmares, ones like you’ve never had before. A nightmare that will have you begging me not to wake you up.” --Lucca
Sarah Brianne (Lucca (Made Men, #4))
She smells like spring and flowers and rain, even though it’s winter. Sometimes, he thinks he loves her so much that his mind is unable to distinguish between love and obsession. Which is worse?
Christy A. Campbell (The Sharing Moon)
I guess the answer would be yes." "Got to love that word." He kissed her so sweetly then, it brought tears to her eyes. "Got it in you to say it again?" And then he did the unthinkable. He went down on one knee.
Cindy Gerard (To the Brink (The Bodyguards #3))
The fiery tickle of outrage burned up her throat. “How the hell would you know that when you never gave me a chance?” Something dark and scorching flickered behind his eyes. “Because no other girl has ever made me want to forget all my own rules for them.
Airicka Phoenix (Games of Fire)
He wanted to paddle her himself, then shake her, then sit her down in a chair and explain to her why she must never, ever get herself in a situation where she could be shot at again—and then throw himself at her feet.
Tara Janzen (Crazy Love (Steele Street, #5))
No matterwhat he did to make Claire’s life better or show her he’d changed, these memories would always linger in the recesses of his mind. For the rest of his life, he’d know what he’d done. Tony hated himself for all of it—hell, he always had the end justifies the means argument, but even he didn’t believe that anymore. Not now. Not now that he knew Claire and loved Claire.
Aleatha Romig (Convicted (Consequences, #3))
The man in 4B wondered if he could have your autograph. He told me his daughter is a huge fan.” Fan? What the hell? Dylan lifted himself up and looked over the back of his seat. Since when did covert operators have fans?
Tara Janzen (Crazy Love (Steele Street, #5))
He understood that she needed some time to get used to "them." He didn't. He knew exactly what was happening, and he didn't need another week, another month, another year, to get things in perspective. He loved her. It was that plain. That simple.
Cindy Gerard (To the Brink (The Bodyguards #3))
Gray. The overcast skies had the colour of deadened stones, and seemed closer than usually, as though they were phlegmatically observing my every movement with their apathetic emptily blue-less eyes; each tiny drop of hazy rain drifting around resembled transparent molten steel, the pavement looked like it was about to burst into disconsolate tears, even the air itself was gray, so ultimate and ubiquitous that colour was everywhere around me. Gray...
Simona Panova (Nightmarish Sacrifice (Cardew))
Their lips met in a slow, languid kiss. Salt from her tears mixed with her natural sweetness. She wrapped her arms around his neck and pressed closer. Her softness, her scent, she filled and overran his senses. He mouthed another kiss against her lips. Heat flared inside his abdomen when she opened her mouth, and kissed him back with firmer lips.  He sank into her embrace, the heated connection she offered. A kinetic warmth surged through him, lighting, igniting dormant pieces inside—like someone returning home . . . A soft groan, hushed breaths. Their mouths parted and found each other again. He slid his hand behind her neck as he deepened the kiss.
J. Rose Black (Losing My Breath)
I was recently living more comfortably surrounded by secrets... Like dozens of luxurious satiny pillows, they were embracing me from all directions into safe lulling warmth, thus isolating me from the sharp dead-cold edges of the truth hiding behind their endearingly smooth textures and tender soothing colours. Secrets could be so irresistibly beautiful...
Simona Panova (Nightmarish Sacrifice (Cardew))
One feels even in the midst of the traffic, or waking at night, Clarissa was positive, a particular hush, or solemnity; an indescribable pause; a suspense before Big Ben strikes. There! Out it boomed. First a warning, musical; then the hour, irrevocable. The leaden circles dissolved in the air. Such fools we are, she thought, crossing Victoria Street. For Heaven only knows why one loves it so, how one sees it so, making it up, building it round one, tumbling it, creating it every moment afresh; but the veriest frumps, the most dejected of miseries sitting on doorsteps (drink their downfall) do the same; can't be dealt with, she felt positive, by Acts of Parliament for that very reason: they love life. In people's eyes, in the swing, tramp, and trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment in June.
Virginia Woolf (Mrs. Dalloway)
Marriage isn’t a prison,” Karlee said. “It’s not supposed to hold two people captive.” “It’s not a prison, it’s a fortress. Marry me. Because you love me. Because of the baby. Because you want to protect our love.” “And all this time I thought you were afraid of commitment.” “I am,” Cole said. “I’m terrified you won’t make one.
Diane L. Kowalyshyn (Crossover (Cross your Heart and Die, #1))
There are no telegraphs on Tralfamadore. But you're right: each clump of symbols is a brief, urgent message-- describing a situation, a scene. We Tralfamadorians read them all at once, not one after the other. There isn't any particular relationship between all the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
There is no wilderness so dreary but that His love can illuminate it, no desolation so desolate but that He can sweeten it. I know what I am saying. It is no delusion. I believe the highest, purest happiness is known only to those who have learned Christ in sickrooms, in poverty, in racking suspense and anxiety, amid hardships, and at the open grave.
Elizabeth Payson Prentiss (Stepping Heavenward)
You must give me leave to flatter myself, my dear cousin, that your refusal of my addresses is merely words of course. My reasons for believing it are briefly these: -- It does not appear to me that my hand is unworthy your acceptance, or that the establishment I can offer would be any other than highly desirable. My situation in life, my connections with the family of De Bourgh, and my relationship to your own, are circumstances highly in its favor; and you should take it into farther consideration that in spite of your manifold attractions, it is by no means certain that another offer of marriage may ever be made you. Your portion is unhappily so small that it will in all likelihood undo the effects of your loveliness and amiable qualifications. As I must therefore conclude that you are not serious in your rejection of me, I shall chuse to attribute it to your wish of increasing my love by suspense, according to the usual practice of elegant females. (Mr. Collins, after proposing to Elizabeth Bennet and being refused, in Pride and Prejudice.)
Jane Austen
I desire you so much that I believe I might lose my reason. My body yearns for yours, and I crumble every single time you touch me. I've tried to be stronger but the memory of you inside me burns me. No man has ever made me feel the way you did. Whether you believe me or not, I will cherish that unforgettable moment for the rest of my life.
Chris Lange (The Lord of the Clans)
Sin is the monster we love to deny. It can stalk us, bite a slice out of our lives, return again and again, and even as we bleed and hobble, we prefer to believe nothing has happened. In Jesus Christ we are forgiven and empowered to overcome sin...but toying with an animal that is actually toying with us is a sure way to lose part of ourselves.
Frank E. Peretti (The Oath)
I do not possess the ability to draw or paint. I can’t sing or dance. I can’t knit or sew. But I am an artist. I have the ability to put onto paper, words that tell an intriguing story. I am a writer. A writer is someone who, with just words, can paint a beautiful picture. A writer can open up a world of imagination you didn’t realize was possible. When you open up a book and become so consumed in the story, you feel like you’re a part of it… you’re standing next to that character and feeling the same way that character feels, That’s the art of a writer. I am an artist. My inspiration is the world around me. My paintbrush is my words. My easel is my computer. My canvas is the mind of my reader.
Bri Justine (Heinous Crimes, Immoral Minds)
Of them all, it was the true love. Of them all, it was the best. That other sumptuous love which made one drunk, which one longed for, envied, believed in, that was not life. It was what life was seeking; it was a suspension of life. But to be close to a child, for whom one spent everything, whose life was protected and nourished by one's own, to have that child beside one, at peace, was the real, the deepest, the only joy.
James Salter (Light Years)
You’re making me think of something else now, but it’s related. I love watching little kids play. No matter where you look in the world, you’ll observe that kids are programmed to play. They learn through play. I think if we’re lucky we never forget how to play. And, I tell you, Gwinlyn, that’s one of the things I find most attractive about you. You like to play, and you like to play with me. Unfortunately, too many women I’ve met prefer to be grown up all the time. They take themselves too seriously.
John M. Vermillion (Awful Reckoning: A Cade Chase and Simon Pack Novel)
Sometimes a strikeout means that the slugger’s girlfriend just ran off with the UPS driver. Sometimes a muffed ground ball means that the shortstop’s baby daughter has a pain in her head that won’t go away. And handicapping is for amateur golfers, not ballplayers. Pitchers don’t ease off on the cleanup hitter because of the lumps just discovered in his wife’s breast. Baseball is not life. It is a fiction, a metaphor. And a ballplayer is a man who agrees to uphold that metaphor as though lives were at stake. Perhaps they are. I cherish a theory I once heard propounded by G.Q. Durham that professional baseball is inherently antiwar. The most overlooked cause of war, his theory runs, is that it’s so damned interesting. It takes hard effort, skill, love and a little luck to make times of peace consistently interesting. About all it takes to make war interesting is a life. The appeal of trying to kill others without being killed yourself, according to Gale, is that it brings suspense, terror, honor, disgrace, rage, tragedy, treachery and occasionally even heroism within range of guys who, in times of peace, might lead lives of unmitigated blandness. But baseball, he says, is one activity that is able to generate suspense and excitement on a national scale, just like war. And baseball can only be played in peace. Hence G.Q.’s thesis that pro ball-players—little as some of them may want to hear it—are basically just a bunch of unusually well-coordinated guys working hard and artfully to prevent wars, by making peace more interesting.
David James Duncan
He is blinded and nothing will open his eyes,nothing can,after having had truths so long before him in vain.--He will marry her and poor and miserable.God grant that her influence do not make him cease to be respectable!"---She looked over the letter again."So very fond of me!tis"nonsense all.She loves nobody but herself and her brother.Her friends leading her astray for years!She is quite as likely to have led them astray. They have all,perhaps, been corrupting one another;but if they are so much fonder of her than she is of them,she is the less likely to have been hurt except by their flattery.The only woman in the world,whom he could ever think of as a wife.....I firmly believe it.It is an attachment to govern his whole life. Accepted or refused,his heart is wedded to her for ever.The loss of Mary,I must consider as comprehending the loss of Crawford and Fanny.Edmund you do not know me.The families would never be connected,if you did not connected them. Oh!write,write.Finish it at once.Let there be an end of this suspense.Fix, commit,condemn yourself."-Fanny Price
Jane Austen (Mansfield Park)
It seems right now that all I’ve ever done in my life is making my way here to you.’ I could see that Rosie could not place the line from The Bridges of Madison County that had produced such a powerful emotional reaction on the plane. She looked confused. ‘Don, what are you…what have you done to yourself?’ ‘I’ve made some changes.’ ‘Big changes.’ ‘Whatever behavioural modifications you require from me are a trivial price to pay for having you as my partner.’ Rosie made a downwards movement with her hand, which I could not interpret. Then she looked around the room and I followed her eyes. Everyone was watching. Nick had stopped partway to our table. I realised that in my intensity I had raised my voice. I didn’t care. ‘You are the world’s most perfect woman. All other women are irrelevant. Permanently. No Botox or implants will be required. ‘I need a minute to think,’ she said. I automatically started the timer on my watch. Suddenly Rosie started laughing. I looked at her, understandably puzzled at this outburst in the middle of a critical life decision. ‘The watch,’ she said. ‘I say “I need a minute” and you start timing. Don is not dead. 'Don, you don’t feel love, do you?’ said Rosie. ‘You can’t really love me.’ ‘Gene diagnosed love.’ I knew now that he had been wrong. I had watched thirteen romantic movies and felt nothing. That was not strictly true. I had felt suspense, curiosity and amusement. But I had not for one moment felt engaged in the love between the protagonists. I had cried no tears for Meg Ryan or Meryl Streep or Deborah Kerr or Vivien Leigh or Julia Roberts. I could not lie about so important a matter. ‘According to your definition, no.’ Rosie looked extremely unhappy. The evening had turned into a disaster. 'I thought my behaviour would make you happy, and instead it’s made you sad.’ ‘I’m upset because you can’t love me. Okay?’ This was worse! She wanted me to love her. And I was incapable. Gene and Claudia offered me a lift home, but I did not want to continue the conversation. I started walking, then accelerated to a jog. It made sense to get home before it rained. It also made sense to exercise hard and put the restaurant behind me as quickly as possible. The new shoes were workable, but the coat and tie were uncomfortable even on a cold night. I pulled off the jacket, the item that had made me temporarily acceptable in a world to which I did not belong, and threw it in a rubbish bin. The tie followed. On an impulse I retrieved the Daphne from the jacket and carried it in my hand for the remainder of the journey. There was rain in the air and my face was wet as I reached the safety of my apartment.
Graeme Simsion (The Rosie Project (Don Tillman, #1))