Suspension Bridge Quotes

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Silence does for thinking what a suspension bridge does for space -- it makes connections.
E.L. Konigsburg (Silent to the Bone)
Good composition is like a suspension bridge; each line adds strength and takes none away... Making lines run into each other is not composition. There must be motive for the connection. Get the art of controlling the observer – that is composition.
Robert Henri
Everything was fucked up the second I stitched a hole in a wolf’s leg, and then woke up to a naked ex-boyfriend.
Lisa Kessler (The Lone Wolf's Wish (Sedona Pack #0.5))
Behind it was that vast suspension bridge which always troubles me because it reminds me that in this mechanized age I am as little able to understand my environment as any primitive woman who thinks that a waterfall is inhabited by a spirit, and indeed less so, for her opinion might from a poetical point of view be correct.
Rebecca West (Black Lamb and Grey Falcon)
...he said:"To love, we need passion, but also respect. Once, someone told me that all you needed to build lasting happiness was a woman who admired and respected her man. But now, I know that's wrong. Happiness is much more difficult to attain. It's like crossing a suspension bridge; it's fragile, shaky, and there's no guardrail. You have to find your own equilibrium. And for that to happen, it has to rest on two centers of gravity, on both partners.
Dương Thu Hương (Beyond Illusions)
Highly creative people have a gift for connecting supposedly unrelated elements and ideas. They cross borders without regard for customs posts or No Trespassing signs. They throw suspension bridges across great distances. These elegant and unexpected combinations flow together beautifully in the twilight zone, where metaphor and resemblance rules in place of logic and classification.
Robert Moss (Dreamgates: An Explorer's Guide to the Worlds of Soul, Imagination, and Life Beyond Death)
The feedback from the speakers changes and begins blasting death metal music so loudly into the sky that I swear the bridge suspensions are vibrating. The twins were in charge of the music selection. I catch sight of them on the side of the bridge, each with an arm raised, holding up their forefingers and pinkies in a devil sign, head-banging to the beat. They’re mouthing the words to the garbled voice screaming over the intense electric guitar and drums blasting out of the speakers. They might look pretty badass if it weren’t for their hobo clown outfits. It’s the loudest party the Bay Area has ever heard.
Susan Ee (End of Days (Penryn & the End of Days, #3))
the Delaware Memorial Bridge, the longest twin-span suspension bridge in the world.
Stephen Fry (Stephen Fry in America)
A spider web is a natural structure that works by ultimate tension, and an eggshell is a structure that works by ultimate compression. Both use the minimum and the appropriate material with maximum efficiency. Just as we learn to build suspension bridges with ropes and cables in imitation of spider webs, we can learn to build domes in imitation of eggshells, building in maximum tension or compression.
Nader Khalili (Ceramic Houses and Earth Architecture: How to Build Your Own)
Good composition is like a suspension bridge, each line adds strength and takes none away. Thus a work of art is finished from the beginning, as Whistler has said. If there are only ten lines, then they are the ten lines which comprehend the most. Composition is the freedom of a thing to be its greatest best by being in its right place in the organization. It is a just sense of the relation of things.
Robert Henri (The Art Spirit)
Lines are results, do not draw them for themselves. ... Lines give birth to lines. Drawing is not following a line on the model, it is drawing your sense of the thing. ... Make a drawing flow, stopping sometimes, and going on. ... Search for the simple constructive forces, line the lines of a suspension bridge. Get the few main lines and see what lines they call out. ... Have purpose in the places where lines stop.
Robert Henri
Why are you bringing these things up?" I asked softly. [...] Serena still wore that cold smile...Then, without warning, her face fell and she sighed heavily. "I'm saying all these things, Amelia, because you're my bestie." Serena's tone was sincere, but it made me scowl at her. The last time she'd called me "bestie," she'd shoved me over the guardrail of a suspension bridge. That kind of thing could really take the shine out of a word.
Tara Hudson (Elegy (Hereafter #3))
For some people the experience of crossing by carriage was positively terrifying. “You drive over to Suspension Bridge,” wrote Mark Twain, “and divide your misery between the chances of smashing down two hundred feet into the river below, and the chances of having a railway-train overhead smashing down onto you. Either possibility is discomforting taken by itself, but, mixed together, they amount in the aggregate to positive unhappiness.
David McCullough (The Great Bridge: The Epic Story of the Building of the Brooklyn Bridge)
It seems right now that all I’ve ever done in my life is making my way here to you.’ I could see that Rosie could not place the line from The Bridges of Madison County that had produced such a powerful emotional reaction on the plane. She looked confused. ‘Don, what are you…what have you done to yourself?’ ‘I’ve made some changes.’ ‘Big changes.’ ‘Whatever behavioural modifications you require from me are a trivial price to pay for having you as my partner.’ Rosie made a downwards movement with her hand, which I could not interpret. Then she looked around the room and I followed her eyes. Everyone was watching. Nick had stopped partway to our table. I realised that in my intensity I had raised my voice. I didn’t care. ‘You are the world’s most perfect woman. All other women are irrelevant. Permanently. No Botox or implants will be required. ‘I need a minute to think,’ she said. I automatically started the timer on my watch. Suddenly Rosie started laughing. I looked at her, understandably puzzled at this outburst in the middle of a critical life decision. ‘The watch,’ she said. ‘I say “I need a minute” and you start timing. Don is not dead. 'Don, you don’t feel love, do you?’ said Rosie. ‘You can’t really love me.’ ‘Gene diagnosed love.’ I knew now that he had been wrong. I had watched thirteen romantic movies and felt nothing. That was not strictly true. I had felt suspense, curiosity and amusement. But I had not for one moment felt engaged in the love between the protagonists. I had cried no tears for Meg Ryan or Meryl Streep or Deborah Kerr or Vivien Leigh or Julia Roberts. I could not lie about so important a matter. ‘According to your definition, no.’ Rosie looked extremely unhappy. The evening had turned into a disaster. 'I thought my behaviour would make you happy, and instead it’s made you sad.’ ‘I’m upset because you can’t love me. Okay?’ This was worse! She wanted me to love her. And I was incapable. Gene and Claudia offered me a lift home, but I did not want to continue the conversation. I started walking, then accelerated to a jog. It made sense to get home before it rained. It also made sense to exercise hard and put the restaurant behind me as quickly as possible. The new shoes were workable, but the coat and tie were uncomfortable even on a cold night. I pulled off the jacket, the item that had made me temporarily acceptable in a world to which I did not belong, and threw it in a rubbish bin. The tie followed. On an impulse I retrieved the Daphne from the jacket and carried it in my hand for the remainder of the journey. There was rain in the air and my face was wet as I reached the safety of my apartment.
Graeme Simsion (The Rosie Project (Don Tillman, #1))
I leaned down and looked at his handsome face. I wanted to kiss him in a way that would remain soft and true on his lips, all the while help him from escaping the overwhelming sense of sadnes that he felt. I pressed forward and kissed him, tasting the saltiness of fish against his lips, and the disappointment that he held so very deeply inside. I kissed him long and wide, yet limp and yielding, pulling myself away from reality to only drown in the fantasy of our love. I touched his mouth in such a loving way, that not even his incapability to reach into my soul, could tear us away from exchanging such romance. He immediately gave into the kiss, his sadness slowly giving way to the moment that we so intimately shared. It amazed me what a merman could do, even when flowing tears streamed down his face. Through the bridge of kissing, I had healed him, and he had healed me in return.
Keira D. Skye
Two murders. One bridge. And the truth as elusive as the fog.
Abigail Wilson (Midnight on the River Grey)
Within the fair’s buildings visitors encountered devices and concepts new to them and to the world. They heard live music played by an orchestra in New York and transmitted to the fair by long-distance telephone. They saw the first moving pictures on Edison’s Kinetoscope, and they watched, stunned, as lightning chattered from Nikola Tesla’s body. They saw even more ungodly things—the first zipper; the first-ever all-electric kitchen, which included an automatic dishwasher; and a box purporting to contain everything a cook would need to make pancakes, under the brand name Aunt Jemima’s. They sampled a new, oddly flavored gum called Juicy Fruit, and caramel-coated popcorn called Cracker Jack. A new cereal, Shredded Wheat, seemed unlikely to succeed—“shredded doormat,” some called it—but a new beer did well, winning the exposition’s top beer award. Forever afterward, its brewer called it Pabst Blue Ribbon. Visitors also encountered the latest and arguably most important organizational invention of the century, the vertical file, created by Melvil Dewey, inventor of the Dewey Decimal System. Sprinkled among these exhibits were novelties of all kinds. A locomotive made of spooled silk. A suspension bridge built out of Kirk’s Soap. A giant map of the United States made of pickles. Prune makers sent along a full-scale knight on horseback sculpted out of prunes, and the Avery Salt Mines of Louisiana displayed a copy of the Statue of Liberty carved from a block of salt. Visitors dubbed it “Lot’s Wife.
Erik Larson (The Devil in the White City)
The massive machine bore down on them. Nearly fourteen feet long and six wide, it seemed to completely fill the bridge. Almost a ton and a half of wood, glass, rubber, brass and steel, a monster, roaring and trumpeting as it approached its kill, the great shining black fender arches framing its huge goggling eyes. The thrusting tusks of its sprung-leaf suspension threatened to skewer any soft flesh and young bone that lay in its path. Black smoke billowed from its rear. Sparks spat from behind its grille. No dragon of ancient legend could have seemed more terrifying or more deadly.
Ben Elton (Time and Time Again)
The feedback from the speakers changes and begins blasting death metal music so loudly into the sky that I swear the bridge suspensions are vibrating. The twins were in charge of the music selection. I catch sight of them on the side of the bridge, each with an arm raised, holding up their forefingers and pinkies in a devil sign, head-banging to the beat. They’re mouthing the words to the garbled voice screaming over the intense electric guitar and drums blasting out of the speakers. They might look pretty badass if it weren’t for their hobo clown outfits. It’s the loudest party the Bay Area has ever heard.
Susan Ee (End of Days (Penryn & the End of Days, #3))
One of the few entry points to the Baltic Sea, the Kattegat passage is a busy and treacherous waterway. The entire region is a maze of fractured islands, shallow waters and tricky cur-rents which test the skills of all mariners. A vital sea route, the strait is used by large container ships, oil tankers and cruise ships alike and provides a crucial link between the Baltic coun-tries and Europe and the rest of the world. Navigating is difficult even in calm weather and clear visibility is a rare occurrence in these higher latitudes. During severe winters, it’s not uncommon for sections of the Baltic Sea to freeze, with ice occasionally drifting out of the straits, carried by the surface currents. The ship I was commandeering was on a back-and-forth ‘pendulum’ run, stopping at the ports of St Petersburg (Russia), Kotka (Finland), Gdańsk (Poland), Aarhus (Denmark) and Klaipėda (Lithuania) in the Baltic Sea, and Bremerhaven (Ger-many) and Rotterdam (Netherlands) in the North Sea. On this particular trip, the weather gods were in a benevolent mood and we were transiting under a faultless blue sky in one of the most picturesque regions of the world. The strait got narrower as we sailed closer to Zealand (Sjælland), the largest of the off-lying Danish islands. Up ahead, as we zigzagged through the laby-rinth of islands, the tall and majestic Great Belt Bridge sprang into view. The pylons lift the suspension bridge some sixty-five metres above sea level allowing it to accommodate the largest of the ocean cruise liners that frequently pass under its domi-nating expanse.
Jason Rebello (Red Earth Diaries: A Migrant Couple's Backpacking Adventure in Australia)
Pull in Friendships and Fresh Adventures: Five men are walking across the Golden Gate Bridge on an outing organized by their wives who are college friends. The women move ahead in animated conversation. One man describes the engineering involved in the bridge's long suspension. Another points to the changing tide lines below. A third asked if they've heard of the new phone apps for walking tours. The fourth observes how refreshing it is to talk with people who aren't lawyers like him. Yes, we tend to notice the details that most relate to our work or our life experience. It is also no surprise that we instinctively look for those who share our interests. This is especially true in times of increasing pressure and uncertainty. We have an understandable tendency in such times to seek out the familiar and comfortable as a buffer against the disruptive changes surrounding us. In so doing we can inadvertently put ourselves in a cage of similarity that narrows our peripheral vision of the world and our options. The result? We can be blindsided by events and trends coming at us from directions we did not see. The more we see reinforcing evidence that we are right in our beliefs the more rigid we become in defending them. Hint: If you are part of a large association, synagogue, civic group or special interest club, encourage the organization to support the creation of self-organized, special interest groups of no more than seven people, providing a few suggestions of they could operate. Such loosely affiliated small groups within a larger organization deepen a sense of belonging, help more people learn from diverse others and stay open to growing through that shared learning and collaboration. That's one way that members of Rick Warren's large Saddleback Church have maintained a close-knit feeling yet continue to grow in fresh ways. imilarly the innovative outdoor gear company Gore-Tex has nimbly grown by using their version of self-organized groups of 150 or less within the larger corporation. In fact, they give grants to those who further their learning about that philosophy when adapted to outdoor adventure, traveling in compact groups of "close friends who had mutual respect and trust for one another.
Kare Anderson (Mutuality Matters How You Can Create More Opportunity, Adventure & Friendship With Others)
These Claudines, then…they want to know because they believe they already do know, the way one who loves fruit knows, when offered a mango from the moon, what to expect; and they expect the loyal tender teasing affection of the schoolgirl crush to continue: the close and confiding companionship, the pleasure of the undemanding caress, the cuddle which consummates only closeness; yet in addition they want motherly putting right, fatherly forgiveness and almost papal indulgence; they expect that the sights and sounds, the glorious affairs of the world which their husbands will now bring before them gleaming like bolts of silk, will belong to the same happy activities as catching toads, peeling back tree bark, or powdering the cheeks with dandelions and oranging the nose; that music will ravish the ear the way the trill of the blackbird does; that literature will hold the mind in sweet suspense the way fairy tales once did; that paintings will crowd the eye with the delights of a colorful garden, and the city streets will be filled with the same cool dew-moist country morning air they fed on as children. But they shall not receive what they expect; the tongue will be about other business; one will hear in masterpieces only pride and bitter contention; buildings will have grandeur but no flowerpots or chickens; and these Claudines will exchange the flushed cheek for the swollen vein, and instead of companionship, they will get sex and absurd games composed of pinch, leer, and giggle—that’s what will happen to “let’s pretend.” 'The great male will disappear into the jungle like the back of an elusive ape, and Claudine shall see little of his strength again, his intelligence or industry, his heroics on the Bourse like Horatio at the bridge (didn’t Colette see Henri de Jouvenel, editor and diplomat and duelist and hero of the war, away to work each day, and didn’t he often bring his mistress home with him, as Willy had when he was husband number one?); the great affairs of the world will turn into tawdry liaisons, important meetings into assignations, deals into vulgar dealings, and the en famille hero will be weary and whining and weak, reminding her of all those dumb boys she knew as a child, selfish, full of fat and vanity like patrons waiting to be served and humored, admired and not observed. 'Is the occasional orgasm sufficient compensation? Is it the prize of pure surrender, what’s gained from all that giving up? There’ll be silk stockings and velvet sofas maybe, the customary caviar, tasting at first of frog water but later of money and the secretions of sex, then divine champagne, the supreme soda, and rubber-tired rides through the Bois de Boulogne; perhaps there’ll be rich ugly friends, ritzy at homes, a few young men with whom one may flirt, a homosexual confidant with long fingers, soft skin, and a beautiful cravat, perfumes and powders of an unimaginable subtlety with which to dust and wet the body, many deep baths, bonbons filled with sweet liqueurs, a procession of mildly salacious and sentimental books by Paul de Kock and company—good heavens, what’s the problem?—new uses for the limbs, a tantalizing glimpse of the abyss, the latest sins, envy certainly, a little spite, jealousy like a vaginal itch, and perfect boredom. 'And the mirror, like justice, is your aid but never your friend.' -- From "Three Photos of Colette," The World Within the Word, reprinted from NYRB April 1977
William H. Gass (The World Within the Word)
thrusting steel spires of Canary Wharf, the domed O2 Arena, then Tower Bridge and, finally, the London Eye and Westminster. The
Paul Pilkington (The One You Love (Emma Holden Suspense Mystery, #1))
He watched from the boat as they sailed past the sights of London – the thrusting steel spires of Canary Wharf, the domed O2 arena, then Tower Bridge, and finally the London Eye and Westminster. The sky was deep blue and the sun’s heat intense, so the cooling river breeze had been heaven. After disembarking, he headed for the tube. The day in the capital had been enjoyable. But now the holiday was over, and the real business was just beginning. It was time. Soon she would know just how bad it felt.
Paul Pilkington (The One You Love (Emma Holden Suspense Mystery, #1))
of London – the thrusting steel spires of Canary Wharf, the domed O2 arena, then Tower Bridge, and finally the London Eye and Westminster. The sky was deep blue and the sun’s heat intense, so the cooling river breeze had been heaven. After disembarking, he headed for the tube. The day in the capital had been enjoyable. But now the holiday was over, and the real
Paul Pilkington (The One You Love (Emma Holden Suspense Mystery, #1))
He watched from the boat as they sailed past the sights of London – the thrusting steel spires of Canary Wharf, the domed O2 arena, then Tower Bridge, and finally the London Eye and Westminster. The sky was deep blue and the sun’s heat intense,
Paul Pilkington (The One You Love (Emma Holden Suspense Mystery, #1))
He watched from the boat as they sailed past the sights of London – the thrusting steel spires of Canary Wharf, the domed O2 Arena, then Tower Bridge and, finally, the
Paul Pilkington (The One You Love (Emma Holden Suspense Mystery, #1))
Just look at the architecture," Dr Hartmann explained. Blueprint your feet, and you'll find a marvel that engineers have been trying to match for centuries. Your foot's centerpiece is the arch, the greastest weight-bearing design ever created. The beauty of any arch is the way it gets stronger under stress. The harder you push down, the tighter its parts mesh. No stonemason worth his trowel would ever stick a support under an arch; push up from underneath, and you weaken the whole structure. Buttressing the foot's arch from all sides is a high-tensile web of twenty-six bones, thirty-three joints, twelve rubbery tendons, and eighteen muscles, all stretching and flexing like an earthquake resistant suspension bridge.
Christopher McDougall
Bridge and, finally, the London Eye and Westminster. The sky was deep blue and the sun’s heat intense, so the cooling river breeze was heaven. After disembarking, he headed for the tube. The day in the capital had been enjoyable. But
Paul Pilkington (The One You Love (Emma Holden Suspense Mystery, #1))
strengthen the bottom structure of a railroad bridge. It also imposed a fine and ordered the suspension of manufacture on a manufacturer that illegally produced
조건녀찾기
He watched from the boat as they sailed past the sights of London – the thrusting steel spires of Canary Wharf, the domed O2 Arena, then Tower Bridge and, finally, the London Eye and Westminster. The sky was deep blue and the sun’s heat intense, so the cooling river breeze was heaven. After disembarking, he headed for the tube. The day in the capital had been enjoyable. But now the holiday was over, and the real business was just
Paul Pilkington (The One You Love (Emma Holden Suspense Mystery, #1))
Steel was the defining material of the Victorian era, allowing engineers to give full rein to their dreams of creating suspension bridges, railways, steam engines, and passenger liners.
Mark Miodownik (Stuff Matters: Exploring the Marvelous Materials That Shape Our Man-Made World)
The #Eco-Walk tour has become more popular with locals and visitors and Detour Roatan is proud to offer unique and island excursion with Suspension bridges Tours.
Eco Walk
A cool white, wintry light glazed the buildings on the highest hill: Will’s memorial, the unsightly chimney from the hospital, the modernist cathedral in Clifton. The jumble of styles and eras lent the city the semblance of a medieval Roman town. Laura drove the long way round, up past the Clifton Suspension Bridge, strung like an a engineer’s dream over a river sinking into the mud. Leigh Woods was on the far side, the trees dark, bereft of leaves, clawing at the sky.
Sanjida Kay (Bone by Bone)
Andrew closed his eyes for a moment, breathing in the memories of that night as the rest of the world moved on around him. He realized that even after all this time he hadn’t forgotten the smile she seemed to have patented, the light blue tank top she wore so well, or the way she had laughed when he accidentally spilled an entire can of Mountain Dew on the carpet she’d spent hours steam cleaning. And although he hadn’t kissed Cooper McKay that night, or even held her hand, he could still remember the feeling of finding out that love at first sight did truly exist.
Joey Jones (A Bridge Apart)
He watched from the boat as they sailed past the sights of London – the thrusting steel spires of Canary Wharf, the domed O2 Arena, then Tower Bridge and, finally, the London Eye and Westminster. The sky was deep blue and the sun’s heat intense, so the cooling river breeze was heaven. After disembarking, he headed for the tube. The day in the capital had been enjoyable. But now the holiday was
Paul Pilkington (The One You Love (Emma Holden Suspense Mystery, #1))
As she'd gotten stronger, and her new hair grew in, she'd started ranging farther from the room on top of the tower. Not into either city, at first, though she'd walked over to Oakland a couple of times, over the cantilever, and looked out at it. Things felt different over there, though she was never sure why. But where she felt best was on the suspension bridge, all wrapped in it, all the people hanging and hustling and doing what they did, and the way the whole thing grew a little, changed a little, every day. There wasn't anything like that, not that she knew of, not up in Oregon. At first she didn't even know that it made her feel good; it was just this weird thing, maybe the fever had left her a little crazy, but one day she'd decided she was just happy, a little happy, and she'd have to get used to it. But it turned out you could be sort of happy and restless at the same time, so she started keeping back a little of Skinner's junk-money to use to explore the city. And that was plenty to do, for a while. She found Haight Street and walked it all the way to the wall around Skywalker, with the Temple of Doom and everything sticking up in there, but she didn't try to go in. There was this long skinny park that led up to it, called the Panhandle, and that was still public. Way too public, she thought, with people, mostly old or anyway looking that way, stretched out side by side, wrapped in silvery plastic to keep the rays off, this crinkly stuff that glittered like those Elvis suits in a video they'd showed them sometimes, up in Beaverton. It kind of made her think of maggots, like if somebody rolled each one up in its own little piece of foil. They had a way of moving like that, just a little bit, and it creeped her out. The Haight sort of creeped her out, too, even though there were stretches that felt almost like you were on the bridge, nobody normal in sight and people doing things right out in public, like the cops were never going to come at all. But she wasn't ever scared, on the bridge, maybe because there were always people around she knew, people who lived there and knew Skinner. But she liked looking around the Haight because there were a lot of little shops, a lot of places that sold cheap food. She knew this bagel place where you could buy them a day old, and Skinner said they were better that way anyway. He said fresh bagels were the next thing to poison, like they'd plug you up or something. He had a lot of ideas like that. Most of the shops, she could actually go into, if she was quiet and smiled a little and kept her hands in her pockets.
William Gibson (Virtual Light (Bridge, #1))
Her feet went out from under her, but she didn't let go. She slammed onto the bridge, taking him with her...Then the ground slipped away from her as they both crashed through the flimsy guardrail and dropped into the water below.
Elizabeth Heiter (Secret Investigation (Tactical Crime Division #2))
Borsk watched Anya scoot away from the shuttle stop, her legs moving as fast as the blades on his family's restaurant's salad chopper. She was surprisingly speedy for a short girl. And surprisingly nice for a rich one. He wished he hadn't seen how respectful she was with Old Greeley, or how anxious she was to avoid special treatment, in both the greenhouse and out on the suspension bridge. He wished he hadn't seen the way her whole face lit up when anyone praised her art. He especially wished he hadn't seen her manage to seem disappointed, not relieved, when her dating pool color didn't match up with VJ Brown's. He wished he could keep thinking of her as a stuck-up rich kid. Then maybe he wouldn't feel so bad about totally ripping her off.
R.L.S. Hoff (Leaving Hope)
There are too many whys between us. How do we cross that interminably long bridge?
Mayumi Cruz (The Billionaire's Widow)
Her answer was simple but powerfully sensible:  “You just. . . do, Ricco. You just do. There’s no other way around it, except. . . doing it.” There was no other way around it.  Except doing it. Cross the bridge of seemingly endless whys.  Take one step forward. Then another. And another. Step after step, after step. And never once look back at the black expanse of their dark past.  Suddenly, it dawned on him. His love for Manel was more than his hate for what she had unintentionally done to his father. He loved her more than he hated her.
Mayumi Cruz (The Billionaire's Widow)
The spectacle interested him, interested him deeply, though it came over him that he wasn’t particularly eager for a way of life represented by marble and gilt and feathered hats. No, what seized his innermost attention, what held him there day after day in noon revery, was the sense of a great, elaborate structure, a system of order, a well-planned machine that drew all these people to itself and carried them up and down in iron cages and arranged them in private rooms. He admired the hotel as an invention, an ingenious design, a kind of idea, like a steam boiler or a suspension bridge. But could you say that a bridge or a steam boiler was an idea? In the warm, bright lobby Martin’s thoughts would grow confused, as if he had been falling into a fantastic dream,
Steven Millhauser (Martin Dressler: The Tale of an American Dreamer)
The old Waldo-Hancock Bridge crossed the Penobscot River from Verona Island in Hancock County to Waldo County in Maine. Built in 1931, it has since been replaced by a 2,040-foot modern suspension bridge that was opened on December 30, 2006…. It was on Verona Island where the wooden ship Roosevelt was built in 1905. This ship carried Robert Peary from New York to the Arctic in 1908 for his last expedition to the North Pole….
Hank Bracker
If we went to Les Agarves, which is twice the cost, but about as gourmet as we can get without actually being in France, that would qualify as a special evening out. Ronnie will do it on an anniversary or on a birthday, but I know his true opinion of it is that it’s not worth it. I’ve come to believe his taste buds can’t reach gourmet level so he can’t appreciate the difference. For him, then, it makes little sense. But it’s not only the food that is exquisite; it’s the ambience and the service. You feel you’re special, even if only for one night, one dinner. Ronnie likes to make it seem that only women want this. Sometimes I wonder if that’s not true. It’s certainly true when it comes to his friends or most of the husbands of my girlfriends. It’s almost as if there’s something unmanly about elegance. They’d rather associate themselves with Clint Eastwood than Cary Grant or George Clooney. Eastwood can be tough, virile and dangerous, and be grimy at the same time, except, of course, in a movie like The Bridges of Madison County, but men don’t talk about that film.
Andrew Neiderman (Lost in His Eyes: Romantic suspense)
them stared at the body now. A face without skin looked vaguely industrial, Darger thought. Red sinew wired the cheekbones to the jaw like the suspension cables of a bridge. Angular bone jutted here and there like the metal struts along a factory ceiling.
L.T. Vargus (Dark Passage (Violet Darger #7))
Jesuit, Joseph de Guibert, a French Jesuit, offers a charming analogy first made in the Middle Ages. A spirituality is like a bridge. Every bridge does pretty much the same thing—gets you from one place to another, sometimes over perilous ground, or a river, or great heights. But they do so in different ways. They might be built of rope, wood, bricks, stone or steel; as arches, cantilevers, or suspension bridges. “Hence,” writes Father de Guibert, “there will be a series of different types, with each one having its advantages and disadvantages. Each type is adaptable to given terrains and contours and not to others; yet each one in its own way achieves the common purpose—to provide a passage by means of an organic, balanced combination of materials and shapes.
James Martin (The Jesuit Guide to (Almost) Everything: A Spirituality for Real Life)
I was standing on the longest tightrope ever. A suspension bridge between a rock and a planet. Caught in the middle, between Mom and Dad, Weird and Stinky. Not a child, not an adult, but something in-between.
David Gerrold (Jumping Off the Planet (Dingilliad, #1))
You know, you shouldn’t be out in the woods like that by yourself, right?” Detective Bridge steps forward, finally flexing the authority I knew he had. He nods as if I’ve already agreed with him rather than staying silent. “It’s dangerous.” I’m exhausted, but I am alert enough to stiffen at his dark tone. There’s something about the look in his eyes. He doesn’t believe me.
Marlene Ridgway (Where Is She?)
The Golden Gate Bridge was a tall orange suspension bridge that connected the city of Don Francisco to the Marin Headlands on the other side. It had been built millennia ago by some ancient civilization,
Alan Gratz (The Dragon Lantern (The League of Seven, #2))
But too much stress causes the suspension bridge to collapse, the string of the violin to snap, and the drum head to burst. And stress can kill you.
Harold J. Sala (Making Your Emotions Work for You: *Coping with Stress *Avoiding Burnout *Overcoming Fear ...and More)
Private Tours and Excursions with Detour Roatan, that offer exciting and unique tours with Fishing Charters, Famous Suspension Bridges and more with Affordable prices
Detour Roatan
answered as they made their way onto the bridge that stretched over the Schuylkill River, connecting City Avenue to the Manayunk section of the city. It was three lanes going only in one direction. Drivers headed to City Avenue from Manayunk
Lisa Regan (Drop Dead Crime: Mystery and Suspense from the Leading Ladies of Murder (PI Jocelyn Rush, #2.5))
Solotol is a city of arches and bridges, where steps and pavements wind past tall buildings and lance out over steep rivers and gullies on slender suspension bridges and fragile stone arches. Roadways flow along the banks of water courses, looping and twisting over and under them; railways splay out in a tangle of lines and levels, swirling through a network of tunnels and caverns where underground reservoirs and roads converge, and from a speeding train passengers can look out to see galaxies of lights reflecting on stretches of dark water crossed by the slants of underground funiculars and the piers and ways of subterranean roads.
Iain M. Banks (Use of Weapons (Culture, #3))