Suspended From Work Quotes

She lived a good deal by herself, to herself, working, passing on from day to day, and always thinking, trying to lay hold on life, to grasp it in her own understanding. Her active living was suspended, but underneath, in the darkness, something was coming to pass. If only she could break through the last integuments!

I love the train. Sitting here I feel connected to the last time I sat here, and the train to London too. It is in-between, suspended; and in rapid motion towards and away from, it is also poised between. There's a magic in that, not a magic you can work, a magic that's just there, giving a little colour and exhilaration to everything.

Bred to the pavement and steel that became his life's work, he nonetheless marvels at the annual miracle of baby peregrine falcons hatching high atop the George Washington's towers, and at the sheer botanical audacity of grass, weeds, and ailanthus trees that defiantly bloom, far from topsoil, from metal niches suspended high above the water.

Sand as far as the eye can see, between the last hills and the sea -- the sea -- in the cold air of an afternoon almost past, and blessed by the wind that always blows from the north. The beach. And the sea. It could be perfection -- an image for divine eyes -- a world that happens, that's all, the mute existence of land and water, a work perfectly accomplished, truth --truth -- but once again it is the redeeming grain of a man that jams the mechanism of that paradise, a bagatelle capable on its own of suspending all that great apparatus of inexorable truth, a mere nothing, but one planted in the sand, an imperceptible tear in the surface of that sacred icon, a minuscule exception come to rest on the perfection of that boundless beach. To see him from afar he would be no more than a black dot: amid nothingness, the nothing of a man and a painter's easel. The easel is anchored by slender cords to four stones placed on the sand. It sways imperceptibly in the wind that always blows from the north. The man is wearing waders and a large fisherman's jacket. He is standing, facing the sea, twirling a slim paintbrush between his fingers. On the easel, a canvas.

But the punishment-body relation is not the same as it was in the torture during public executions. The body now serves as an instrument or intermediary: if one intervenes upon it to imprison it, or to make it work, it is in order to deprive the individual of a liberty that is regarded both as a right and as property. The body, according to this penality, is caught up in a system of constraints and privations, obligations and prohibitions. Physical pain, the pain of the body itself, is no longer the constituent element of the penalty. From being an art of unbearable sensations punishment has become an economy of suspended rights.

but we must be careful not to do our enemies’ work for them. To argue that to preserve our freedoms we must suspend our freedoms, that to safeguard elections we must cancel elections, that to defend ourselves from dictatorship we must appoint a dictator—what logic is this? We

Here I am, a bundle of past recollections and future dreams, knotted up in a reasonably attractive bundle of flesh. I remember what this flesh has gone through; I dream of what it may go through. I record here the actions of optical nerves, of taste buds, of sensory perception. And, I think: I am but one more drop in the great sea of matter, defined, with the ability to realize my existence. Of the millions, I, too, was potentially everything at birth. I, too, was stunted, narrowed, warped, by my environment, my outcroppings of heredity. I, too, will find a set of beliefs, of standards to live by, yet the very satisfaction of finding them will be marred by the fact that I have reached the ultimate in shallow, two-dimensional living - a set of values. This loneliness will blur and diminish, no doubt, when tomorrow I plunge again into classes, into the necessity of studying for exams. But now, that false purpose is lifted and I am spinning in a temporary vacuum. At home I rested and played, here, where I work, the routine is momentarily suspended and I am lost. There is no living being on earth at this moment except myself. I could walk down the halls, and empty rooms would yawn mockingly at me from every side. God, but life is loneliness, despite all the opiates, despite the shrill tinsel gaiety of "parties" with no purpose, despite the false grinning faces we all wear. And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter - they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. Yes, there is joy, fulfillment and companionship - but the loneliness of the soul in it's appalling self-consciousness, is horrible and overpowering.

It is a melancholy illusion of those who write books and articles that the printed word survives. Alas, it rarely does. The vast majority of printed works enter a state of suspended animation within a few weeks or years of publication, from which they are occasionally awakened, for equally short periods, by research students.

Imogene has twenty-two birdfeeders, some pole-mounted, some suspended from eaves, platform feeders and globe feeders, coffee can feeders and feeders that look like little Swiss chalets, and every evening, when she comes home from work, she drags a stepladder from one to the next, toting a bucket of mixed seeds, keeping them full. In

There were dozens of pictures similar to the one I had found in the Brooklyn Museum; the same forest, the same moon, the same silence. The moon was always full in these works, and it was always the same: small, perfectly round circle in the middle of the canvas, glowing with the palest white light. After I had looked at five or six of them, they gradually began to separate themselves from their surrounds, and I was no long able to see them as moons. They became holes in the canvas, apertures of whiteness looking out onto another work. Blakelock’s eye, perhaps. A blank circle suspended in space, gazing down at things that were no longer there.

The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.

…we must be careful not to do our enemies’ work for them. To argue that to preserve our freedoms we must suspend our freedoms, that to safeguard elections we must cancel elections, that to defend ourselves from dictatorship we must appoint a dictator – what logic is this?

Einstein, twenty-six years old, only three years away from crude privation, still a patent examiner, published in the Annalen der Physik in 1905 five papers on entirely different subjects. Three of them were among the greatest in the history of physics. One, very simple, gave the quantum explanation of the photoelectric effect—it was this work for which, sixteen years later, he was awarded the Nobel prize. Another dealt with the phenomenon of Brownian motion, the apparently erratic movement of tiny particles suspended in a liquid: Einstein showed that these movements satisfied a clear statistical law. This was like a conjuring trick, easy when explained: before it, decent scientists could still doubt the concrete existence of atoms and molecules: this paper was as near to a direct proof of their concreteness as a theoretician could give. The third paper was the special theory of relativity, which quietly amalgamated space, time, and matter into one fundamental unity. This last paper contains no references and quotes to authority. All of them are written in a style unlike any other theoretical physicist's. They contain very little mathematics. There is a good deal of verbal commentary. The conclusions, the bizarre conclusions, emerge as though with the greatest of ease: the reasoning is unbreakable. It looks as though he had reached the conclusions by pure thought, unaided, without listening to the opinions of others. To a surprisingly large extent, that is precisely what he had done.

For an instant he was able to cross the line and understand this strange loyalty of Jew to Jew. Those Jews who lived free in England were only there due to some quirk of fate instead of Aushwitz and every Jew knew that genocide could have happened to his own family except for that quirk of fate. Yet, as time stood suspended, Gilray was all gentiles who never quite understood Jews. He could befriend them, work with them, but never totally understand them. He was all white men who could never quite understand black men and all black men who could never quite understand whites. He was all normal men who could tolerate or even defend homosexuals...but never fully understand them. There is in us all that line that prevents us from fully understanding those who are different.

Children are capable, of course, of literary belief, when the story-maker's art is good enough to produce it. That state of mind has been called 'willing suspension of disbelief'. But this does not seem to me a good description of what happens. What really happens is that the story-maker proves a successful 'sub-creator'. He makes a Secondary World which your mind can enter. Inside it, what he relates is 'true': it accords with the laws of that world. You therefore believe it, while you are, as it were, inside. The moment disbelief arises, the spell is broken; the magic, or rather art, has failed. You are then out in the Primary World again, looking at the little abortive Secondary World from outside. If you are obliged, by kindliness or circumstance, to stay, then disbelief must be suspended (or stifled), otherwise listening and looking would become intolerable. But this suspension of disbelief is a substitute for the genuine thing, a subterfuge we use when condescending to games or make-believe, or when trying (more or less willingly) to find what virtue we can in the work of an art that has for us failed.

All collective undertakings require trust. From the games that children play to complex social institutions, humans cannot work together unless they suspend their judgments of one another.

Paris has a child, and the forest has a bird; the bird is called the sparrow; the child is called the gamin. Couple these two ideas which contain, the one all the furnace, the other all the dawn; strike these two sparks together, Paris, childhood; there leaps out from them a little being. Homuncio, Plautus would say. This little being is joyous. He has not food every day, and he goes to the play every evening, if he sees good. He has no shirt on his body, no shoes on his feet, no roof over his head; he is like the flies of heaven, who have none of these things. He is from seven to thirteen years of age, he lives in bands, roams the streets, lodges in the open air, wears an old pair of trousers of his father's, which descend below his heels, an old hat of some other father, which descends below his ears, a single suspender of yellow listing; he runs, lies in wait, rummages about, wastes time, blackens pipes, swears like a convict, haunts the wine-shop, knows thieves, calls gay women thou, talks slang, sings obscene songs, and has no evil in his heart. This is because he has in his heart a pearl, innocence; and pearls are not to be dissolved in mud. So long as man is in his childhood, God wills that he shall be innocent. If one were to ask that enormous city: "What is this?" she would reply: "It is my little one.

Everything becomes a blur when you travel beyond a certain speed. Distant objects may still be clear in outline, but the blurred foreground makes it impossible to attend to them. This landscape is unreal and the passengers in the express train turn to their books, their thoughts or their private fantasies. The subjectivism of our age has a good deal to do with this imprisonment in a speeding vehicle, and the fact that we made this vehicle ourselves, with all the tireless care that children give to a contrivance of wood and wire, does not save us from the sense of being trapped without hope of escape. A further effect of such vertiginous speed is a kind of anaesthesia, entirely natural when the operation of the senses by which we normally make contact with our environment is suspended. With no opportunity to assimilate what is going on, our powers of assimilation are inevitably weakened and certain numbness sets in; nothing is fully savoured and nothing is properly understood. Even fear (which exists to forewarn us of danger) is suspended. This would be so even if speed of change were the only factor involved, but the kind of environment in which a large part of humanity lives today --- the environment created by technology at the service of immediate, short-term needs – does much to intensify this effect. Outside of works of art which embody something beyond our physical needs, our own constructions bore us. Those who, when they have built something and admired the finished product for a decent moment, are ready to pull it down and start on something new have good sense on their side.

Almost all these [Amerindian] societies took pride in their ability to adopt children or captives – even from among those whom they considered the most benighted of their neighbours – and, through care and education, turn them into what they considered to be proper human beings. Slaves, it follows, were an anomaly: people who were neither killed nor adopted, but who hovered somewhere in between; abruptly and violently suspended in the midpoint of a process that should normally lead from prey to pet to family. As such, the captive as slave becomes trapped in the role of ‘caring for others’, a non-person whose work is largely directed towards enabling those others to become persons, warriors, princesses, ‘human beings’ of a particularly valued and special kind. As these examples show, if we want to understand the origins of violent domination in human societies, this is precisely where we need to look. Mere acts of violence are passing; acts of violence transformed into caring relations have a tendency to endure.

During the age of Christ, of his apostles, and of their first disciples, the doctrine which they preached was confirmed by innumerable prodigies. The lame walked, the blind saw, the sick were healed, the dead were raised, daemons were expelled, and the laws of Nature were frequently suspended for the benefit of the church [...] But the sages of Greece and Rome turned aside from the awful spectacle, and, pursuing the ordinary occupations of life and study, appeared unconscious of any alterations in the moral or physical government of the world. Under the reign of Tiberius, the whole earth, or at least a celebrated province of the Roman empire, was involved in a preternatural darkness of three hours. Even this miraculous event, which ought to have excited the wonder, the curiosity, and the devotion of mankind, passed without notice in an age of science and history. It happened during the lifetime of Seneca and the elder Pliny, who must have experienced the immediate effects, or received the earliest intelligence, of the prodigy. Each of these philosophers, in a laborious work, has recorded all the great phenomena of Nature, earthquakes, meteors, comets, and eclipses, which his indefatigable curiosity could collect. Both the one and the other have omitted to mention the greatest phenomenon to which the mortal eye has been witness since the creation of the globe.

With this warning, Mussolini demanded and was given authority to do just about whatever he wanted; but his initial priority, surprisingly, was good government. He knew that citizens were fed up with a bureaucracy that seemed to grow bigger and less efficient each year, so he insisted on daily roll calls in ministry offices and berated employees for arriving late to work or taking long lunches. He initiated a campaign to drenare la palude (“drain the swamp”) by firing more than 35,000 civil servants. He repurposed Fascist gangs to safeguard rail cargo from thieves. He allocated money to build bridges, roads, telephone exchanges, and giant aqueducts that brought water to arid regions. He gave Italy an eight-hour workday, codified insurance benefits for the elderly and disabled, funded prenatal health care clinics, established seventeen hundred summer camps for children, and dealt the Mafia a blow by suspending the jury system and short-circuiting due process. With no jury members to threaten and judges answerable directly to the state, the courts were as incorruptible as they were docile. Contrary to legend, the dictator didn’t quite succeed in making the trains run on time, but he earned bravos for trying.

The transitional state of a long journey has always seemed to me the most romantic and magical of places to find yourself in; marooned in a cosy pod of your own thoughts, suspended in mid-air, travelling through a wodge of silent, blank pages between two chapters. A place where phones dip in and out of consciousness and you’re forced to spend time with your thoughts, working out what needs to be reshaped and reordered. ” Excerpt From Everything I Know About Love Dolly Alderton This material may be protected by copyright.

The rabbis have written that when the earth had opened up and consumed Korah with the rest, his sons had by an apparent miracle stood firm above the abyss as though suspended in the air, because they would not depart from the tabernacle, but had admonished their father and his followers to desist from error.

I love the train. Sitting here I feel connected to the last time I sat here, and the train to London too. It is in-between, suspended; and in rapid motion towards and away from, it is also poised between. There’s a magic in that, not a magic you can work, a magic that’s just there, giving a little colour and exhilaration to everything.

Construction work was the city’s new brutalist art form, erecting its installations wherever you looked. Tall buildings fell and construction sites rose. Pipes and cables rose from and descended into the hidden depths. Telephone landlines ceased to work and water and power and gas services were randomly suspended. Construction work was the art of making the city become aware of itself as a fragile organism at the mercy of forces against which there was no appeal. Construction work was the mighty metropolis being taught the lessons of vulnerability and helplessness. Construction workers were the grand conceptual artists of our time and their installations, their savage holes in the ground, inspired not only hatred—because most people disliked modern art—but also awe.

ANA. Stop! [The trap stops]. THE DEVIL. You, Señora, cannot come this way. You will have an apotheosis. But you will be at the palace before us. ANA. That is not what I stopped you for. Tell me: where can I find the Superman? THE DEVIL. He is not yet created, Senora. THE STATUE. And never will be, probably. Let us proceed: the red fire will make me sneeze. [They descend]. ANA. Not yet created! Then my work is not yet done. [Crossing herself devoutly] I believe in the Life to Come. [Crying to the universe] A father! a father for the Superman! She vanishes into the void; and again there is nothing: all existence seems suspended infinitely. Then, vaguely, there is a live human voice crying somewhere. One sees, with a shock, a mountain peak shewing faintly against a lighter background. The sky has returned from afar; and we suddenly remember where we were.

we need a more capacious model of love. In this model, love is not predicated on sharing each other’s world as we might share a soul. It is predicated, instead, on sharing it as we might share a story. This analogy is not accidental. What is true of a story is true of love: for either one to work, you’d better be good at talking and good at listening. Likewise, if stories only succeed when we consent to suspend disbelief, relationships require of us something similar: the ability to let go of our own worldview long enough to be intrigued and moved by someone else’s. This is storybook love in a whole different sense of the phrase. It is not about living idyllically in our similarities, but about living peacefully and pleasurably in our differences. It is not bestowed from beyond the normal human realm but struggled for and gained, slowly and with effort. And it is not about unchanging love. It is about letting love change us.

Let us go to the child lying in the lap of His mother Mary and to the sacrificial victim suspended on the cross; there we shall really behold God, and there we shall look into His very heart. We shall see that He is compassionate and does not desire the death of the sinner, but that the sinner should “turn from his way and live” (Ezek. 33:11). From such speculation or contemplation spring true peace and true joy of heart. Therefore Paul says (1 Cor. 2:2): “I determine to know nothing except Christ.

I can read the newspapers only through Robert’s eyes, who only can read them at Vieusseux’s in a room sacred from the foot of woman. And this isn’t always satisfactory to me, as whenever he falls into a state of disgust with any political régime, he throws the whole subject over and won’t read a word more about it. Every now and then, for instance, he ignores France altogether, and I, who am more tolerant and more curious, find myself suspended over an hiatus (valde deflendus), and what’s to be said and done?

I must have roamed dementedly about for a time in the streets. When I at last got back to my own place, Faustine was again there ahead of me, coiled torpid in the bed like a loathsome boa-constrictor. She was already in the never-never land where ghouls like her belonged. I covered her face with one of the pillows, pressed down upon it with the weight of my whole body, held it there until she should have been dead ten times over. Yet when I removed the pillow to look, the black of strangulation was missing from her face. She was still in that state of suspended animation that defied me, a taunting smile visible about her lips. I had a gun in my valise, from years before when I'd been on an engineering job in the jungles of Ecuador. I got it out, looked it over. It was still in good working order, although it only had one bullet left in it. That one would be enough. She wasn't going to escape me! I pressed the muzzle to her smooth white forehead, mid-center. "Die, damn you!" I growled, and pulled the trigger back. It exploded with a crash. A film of smoke hid her face from me for a minute. When it had cleared again, I looked. There was no bullet-hole in her skull! A black powder-smudge marked the point of contact. The gun dropped to the floor with a thud. That ineradicable smile still glimmered up at me, as if to say: "You see? You can't." I rubbed my finger over the black; the skin was unbroken underneath. A blank cartridge, that must have been it. I raised her head; there was a rent in the sheet under it. I probed through it with two fingers. I could feel the bullet lying imbedded down in the stuffing of the mattress. ("Vampire's Honeymoon)

The world spinning. AUTHOR’S NOTE PHILIPPE PETIT WALKED A TIGHTROPE WIRE between the World Trade Center towers on August 7, 1974. I have used his walk in this novel, but all the other events and characters in this work are fictional. I have taken liberties with Petit’s walk, while trying to remain true to the texture of the moment and its surroundings. Readers interested in Petit’s walk should go to his book To Reach the Clouds (Faber and Faber, 2002) for an intimate account. The photograph used on page 237 is by Vic DeLuca, Rex Images, August 7, 1974, copyright Rex USA. To both of these artists I’m deeply indebted. The title of this book comes from the Alfred, Lord Tennyson poem “Locksley Hall.” That in turn was heavily influenced by the “Mu’allaqat,” or the “Suspended Poems,” seven long Arabic poems written in the sixth century. Tennyson’s poem mentions “pilots of the purple twilight dropping down with costly bales,” and the “Mu’allaqat” asks, “Is there any hope that this desolation can bring me solace?” Literature can remind us that not all life is already written down: there are still so many stories to be told.

Ursula having always that strange brightness of an essential flame that is caught, meshed, contravened. She lived a good deal by herself, to herself, working, passing on from day to day, and always thinking, trying to lay hold on life, to grasp it in her own understanding. Her active living was suspended, but underneath, in the darkness, something was coming to pass. If only she could break through the last integuments! She seemed to try and put her hands out, like an infant in the womb, and she could not, not yet. Still she had a strange prescience, an intimation of something yet to come.

competence.” “That, precisely, is the deadliness of second-handers. They have no concern for facts, ideas, work. They’re concerned only with people. They don’t ask: ‘Is this true?’ They ask: ‘Is this what others think is true?’ Not to judge, but to repeat. Not to do, but to give the impression of doing. Not creation, but show. Not ability, but friendship. Not merit, but pull. What would happen to the world without those who do, think, work, produce? Those are the egotists. You don’t think through another’s brain and you don’t work through another’s hands. When you suspend your faculty of independent judgment, you suspend consciousness. To stop consciousness is to stop life. Second-handers have no sense of reality. Their reality is not within them, but somewhere in that space which divides one human body from another. Not an entity, but a relation—anchored to nothing. That’s the emptiness I couldn’t understand in people. That’s what stopped me whenever I faced a committee. Men without an ego. Opinion without a rational process. Motion without brakes or motor. Power without responsibility. The second-hander acts, but the source of his actions is scattered in every other living person. It

I, too, will find a set of beliefs, of standards to live by, yet the very satisfaction of finding them will be marred by the fact that I have reached the ultimate in shallow, two-dimensional living- a set of values. This loneliness will blur and diminish, no doubt, when tomorrow I plunge again into classes, into the necessity of studying for exams. But now, that false purpose is lifted and I am spinning in a temporary vacuum. At home I rested and played, here, where I work, the routine is momentarily suspended and I am lost. There is no living being on earth at this moment except myself. I could walk down the halls, and empty rooms would yawn mockingly at me from every side. God, but life is loneliness, despite all the opiates, despite the shrill tinsel gaiety of "parties" with no purpose, despite the false grinning faces we all wear. And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter- they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. Yes, there is joy, fulfillment and companionship- but the loneliness of the would in its appalling self-consciousness, is horrible and overpowering-

A bell tinkles when I open the door and I’m hit by the smell – a powdery, fudgy, floral nostalgia-blast, encoded in my brain at some long-ago point to signify ‘femininity’, and I realize with a vague sense of disenchantment that this phenomenon – femininity – has not manifested itself at all as I expected, in the form of vanity table, crystal perfume atomizer, kimono suspended from silk-padded hanger, et cetera, but instead as a tangle of greyish underwear, old sports T-shirts for nighties and an unruly Boots-special-offer-dictated assortment of half-finished moisturizers, packets of face wipes and bunches of tampons.

We live on a spinning rock suspended in darkness, which evolves around a dying star. Our spinning rock was once ruled and owned by gigantic reptiles, all over! In sea, land, and air, gigantic reptiles roamed! Then a smaller rock fell from the sky and made a hole in the ground, so big that all the giant reptiles died! We live on a spinning rock we got from dragons flying through the air, and on this rock we kill each other over things like religion and money! And on this rock we make friends, we fall in love, we work hard to earn papers so we can buy things. On this rock we have dreams at night that remind us of beautiful places we have never been to, beautiful wonders we have never imagined before... we write stories and we make books, we try to travel to other rocks around us, we wonder if anyone else is out there. Our planet, and our existence as a human species, is bizarre! Our reality is bizarre! What we think is normal, when spelled out, is not normal at all. It's only normal because we are familiar with it. We are residents of a universe that is expanding at a rate of more than 5 billion meters per every few seconds, forming new realities and new substances with each expansion! We will never become familiar with even the very tip of what actually is! So why are any of us afraid of the possibilities of what could be? Why does this frighten us, why does this scare us? When we actually never know anything at all!

(William) Hamilton recast the central ideas (of the evolutionary theory of aging) in mathematical form. Though this work tells us a good deal about why human lives take the course they do, Hamilton was a biologist whose great love was insects and their relatives, especially insects which make both our lives and an octopus’s life seem rather humdrum. Hamilton found mites in which the females hang suspended in the air with their swollen bodies packed with newly hatched young, and the males in the brood search out and copulate with their sisters there inside the mother. He found tiny beetles in which the males produce “and manhandle sperm cells longer than their whole bodies. Hamilton died in 2000, after catching malaria on a trip to Africa to investigate the origins of HIV. About a decade before his death, he wrote about how he would like his own burial to go. He wanted his body carried to the forests of Brazil and laid out to be eaten from the inside by an enormous winged Coprophanaeus beetle using his body to nurture its young, who would emerge from him and fly off. 'No worm for me nor sordid fly, I will buzz in the dusk like a huge bumble bee. I will be many, buzz even as a swarm of motorbikes, be borne, body by flying body out into the Brazilian wilderness beneath the stars, lofted under those beautiful and un-fused elytra [wing covers] which we will all hold over our “backs. So finally I too will shine like a violet ground beetle under a stone.

States. It was not easy for Chinese to get into the country. In 1882 Congress had passed a law suspending the entry of Chinese laborers and “all persons of the Chinese race” except officials, teachers, students, tourists, and merchants, at the same time formally prohibiting the naturalization of Chinese. The 1882 Act was the culmination of decades of anti-Chinese propaganda and discrimination. In 1852 California Governor John Bigler described Chinese immigrants as “contract coolies, avaricious, ignorant of moral obligations, incapable of being assimilated and dangerous to the welfare of the state.” In 1854 the California Supreme Court reversed the conviction of a white man for killing a Chinese miner by invoking Section 14 of the California Criminal Act, which specified that “no Black or mulatto person, or Indian shall be allowed to give evidence in favor of, or against a white man.” In support of the decision Chief Justice Hugh Murray declared that “to let Chinese testify in a court of law would admit them to all the equal rights of citizenship. And then we might see them at the polls, in the jury box, upon the bench, and in our legislative halls.” In 1879 the California State constitution prohibited corporations and municipal works from hiring Chinese and authorized cities to remove Chinese from their boundaries.1 My father never told us how he got around the restrictions of the Exclusion Act, and we knew better than to probe because it was generally understood that the distinction between being here legally and illegally was a shadowy one.

There is an art to navigating London during the Blitz. Certain guides are obvious: Bethnal Green and Balham Undergrounds are no-goes, as is most of Wapping, Silvertown and the Isle of Dogs. The further west you go, the more you can move around late at night in reasonable confidence of not being hit, but should you pass an area which you feel sure was a council estate when you last checked in the 1970s, that is usually a sign that you should steer clear. There are also three practical ways in which the Blitz impacts on the general functioning of life in the city. The first is mundane: streets blocked, services suspended, hospitals overwhelmed, firefighters exhausted, policemen belligerent and bread difficult to find. Queuing becomes a tedious essential, and if you are a young nun not in uniform, sooner or later you will find yourself in the line for your weekly portion of meat, to be eaten very slowly one mouthful at a time, while non-judgemental ladies quietly judge you Secondly there is the slow erosion-a rather more subtle but perhaps more potent assault on the spirit It begins perhaps subtly, the half-seen glance down a shattered street where the survivors of a night which killed their kin sit dull and numb on the crooked remnants of their bed. Perhaps it need not even be a human stimulus: perhaps the sight of a child's nightdress hanging off a chimney pot, after it was thrown up only to float straight back down from the blast, is enough to stir something in your soul that has no rare. Perhaps the mother who cannot find her daughter, or the evacuees' faces pressed up against the window of a passing train. It is a death of the soul by a thousand cuts, and the falling skies are merely the laughter of the executioner going about his business. And then, inevitably, there is the moment of shock It is the day your neighbour died because he went to fix a bicycle in the wrong place, at the wrong time. It is the desk which is no longer filled, or the fire that ate your place of work entirely so now you stand on the street and wonder, what shall I do? There are a lot of lies told about the Blitz spirit: legends are made of singing in the tunnels, of those who kept going for friends, family and Britain. It is far simpler than that People kept going because that was all that they could really do. Which is no less an achievement, in its way.

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Miss Ophelia felt the loss; but, in her good and honest heart, it bore fruit unto everlasting life. She was more softened, more gentle; and, though equally assiduous in every duty, it was with a chastened and quiet air, as one who communed with her own heart not in vain. She was more diligent in teaching Topsy,—taught her mainly from the Bible,—did not any longer shrink from her touch, or manifest an ill-repressed disgust, because she felt none. She viewed her now through the softened medium that Eva’s hand had first held before her eyes, and saw in her only an immortal creature, whom God had sent to be led by her to glory and virtue. Topsy did not become at once a saint; but the life and death of Eva did work a marked change in her. The callous indifference was gone; there was now sensibility, hope, desire, and the striving for good,—a strife irregular, interrupted, suspended oft, but yet renewed again.

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So it came to pass that humans are forever conflicted by their prehistory of multilevel selection. They are suspended in unstable and constantly changing positions between the two extreme forces that created us. We are unlikely to yield completely to either force as the ideal solution to our social and political turmoil. To give in completely to the instinctual urgings born from individual selection would be to dissolve society. At the opposite extreme, to surrender to the urgings born from group selection would turn us into angelic robots--the outsized equivalent of ants. The external conflict is not God's test of humanity. It is not a machination of Satan. It is just the way things worked out. The conflict might be the only way in the entire Universe that human-level intelligence and social organization can evolve. We will find a way eventually to live with our inborn turmoil, and perhaps find pleasure in viewing it as the primary source of our creativity.

In due course I got my license. I was a pilot now, full fledged. I dropped into casual employments; no misfortunes resulting, intermittent work gave place to steady and protracted engagements. Time drifted smoothly and prosperously on, and I supposed—and hoped—that I was going to follow the river the rest of my days, and die at the wheel when my mission was ended. But by and by the war came, commerce was suspended, my occupation was gone. I had to seek another livelihood. So I became a silver miner in Nevada; next, a newspaper reporter; next, a gold miner in California; next, a reporter in San Francisco; next, a special correspondent in the Sandwich Islands; next, a roving correspondent in Europe and the East; next, an instructional torch-bearer on the lecture platform; and, finally, I became a scribbler of books, and an immovable fixture among the other rocks of New England. In so few words have I disposed of the twenty-one slow-drifting years that have come and gone since I last looked from the windows of a pilot-house.

But she had to write. And one letter to the Times, she used to say to Miss Brush, cost her more than to organise an expedition to South Africa (which she had done in the war). After a morning’s battle beginning, tearing up, beginning again, she used to feel the futility of her own womanhood as she felt it on no other occasion, and would turn gratefully to the thought of Hugh Whitbread who possessed — no one could doubt it — the art of writing letters to the Times. A being so differently constituted from herself, with such a command of language; able to put things as editors like them put; had passions which one could not call simply greed. Lady Bruton often suspended judgement upon men in deference to the mysterious accord in which they, but no woman, stood to the laws of the universe; knew how to put things; knew what was said; so that if Richard advised her, and Hugh wrote for her, she was sure of being somehow right. So she let Hugh eat his soufflé; asked after poor Evelyn; waited until they were smoking, and then said, “Milly, would you fetch the papers?

in Jackson’s palm, as if it were a gift—Jackson was reminded of his biology teacher from school who would hand you something—a bird’s egg, a leaf—and make you explain it to him rather than the other way round. The rock was a dark ironstone that looked like petrified tree-bark, and sandwiched in the center of it was a seam of milky opal, like a hazy summer sky at dawn. A notoriously tricky stone to work, the old man informed Jackson. He had been looking at it for two weeks now, he said, another two weeks and he might be ready to start cutting it, and Jackson said that in another two weeks he would be in a remand prison somewhere, but the guy had a great lawyer and made bail and got away with a suspended sentence. A year later Jackson received a parcel addressed to him at the police station. Inside there was no note, just a box, and in a nest lined with midnight-blue velvet was an opal pendant, a little plaque of sky. Jackson knew he was being given a lesson by the old man, but it had taken him many years to understand it. He was keeping the pendant for Marlee’s eighteenth birthday.

Yes indeed. I, too, have been very, very sad. This Christmas has come to me like a cloud. I can scarcely fancy England without that bright face and sympathetic hand, that princely nature, in which you might put your trust more reasonably than in princes. These ten years back he has stood to me almost in my father’s place; and now the place is empty — doubly. Since the birth of my child (seven years since) he has allowed us — rather, insisted on our accepting (for my husband was loth) — a hundred a year, and without it we should have often been in hard straits. His last act was to leave us eleven thousand pounds; and I do not doubt but that, if he had not known our preference of a simple mode of life and a freedom from worldly responsibilities (born artists as we both are), the bequest would have been greater still. As it is, we shall be relieved from pecuniary pressure, and your affectionateness will be glad to hear this, but I shall have more comfort from the consideration of it presently than I can at this instant, when the loss, the empty chair, the silent voice, the apparently suspended sympathy, must still keep painfully uppermost

All the long afternoon, the sea was suspended there before their eyes only as a canvas of attractive colouring might hang on the wall of a wealthy bachelor’s flat and it was only in the intervals between the ‘hands’ that one of the players, finding nothing better to do, raised his eyes to it to seek from it some indication of the weather or the time, and to remind the others that tea was ready. And at night they did not dine in the hotel, where, hidden springs of electricity flooding the great dining-room with light, it became as it were an immense and wonderful aquarium against whose wall of glass the working population of Balbec, the fishermen and also the tradesmen’s families, clustering invisibly in the outer darkness, pressed their faces to watch, gently floating upon the golden eddies within, the luxurious life of its occupants, a thing as extraordinary to the poor as the life of strange fishes or molluscs (an important social question, this: whether the wall of glass will always protect the wonderful creatures at their feasting, whether the obscure folk who watch them hungrily out of the night will not break in some day to gather them from their aquarium and devour them).

Among the fraudulent farmworker amnesties approved by the INS was one from Egyptian Mahmud Abouhalima,7 or—as he was known in the terrorist community—“Mahmud the Red.” Mahmud had come to the United States as a “tourist” from Germany—where he had been denied political asylum, but got around that by marrying an emotionally disturbed alcoholic, and then married another German woman after divorcing the first when she objected to his taking a second wife.8 At the end of 1985, Mahmud and his second wife took a “three-week” trip to the United States on tourist visas and promptly settled into an apartment in Brooklyn.9 Luckily for Mahmud, just as his tourist visa was expiring six months later, Schumer’s farmworker amnesty became law. So Mahmud submitted an application, claiming to have worked on a farm in South Carolina, despite having never left New York, except one short visit to the Michigan Islamic community.10 Mahmud was approved. Otherwise, crops would rot in the fields! And what a wonderful agricultural worker Mahmud was. He became a limo driver in New York, where he repeatedly had his license suspended for ripping off customers and speeding through red lights because he was busy reading the Koran.

It’s a gorgeous oddity of our existence – our loneliness is not caused by being on our own. Indeed, loneliness is best cured with aloneness, which is to say, a meaningful connection to ourselves. Moral loneliness is when the supply cord to connection, caring and doing the right thing by each other and the planet has been severed. We can’t tap into the point of life, to what matters. When you don’t know your true north, the disorientation is terrifying. You are suspended in a vague and directionless vastness. The Greeks argued that this kind of moral loneliness led to acedia – a state of spiritual apathy or listless sloth. The 13th-century theologian Thomas Aquinas described it as “the sorrow of the world”, this moral “asleepness.” As I ventured into the early stages of this journey, I quickly realized it was at the root of our disconnect from this one wild and precious life we’d been granted. And that we’d be revisiting it many times over. It’s an evolutionary response to shut down and go numb like this. When we can’t fight or flee from a horrible threat, we lie down and play dead – we freeze. Of course, freezing or numbing out can work as a survival trick for a while, but if we remain asleep, particularly as a society, we face our collective demise.

3.2 Practice radical open-mindedness. a. Sincerely believe that you might not know the best possible path and recognize that your ability to deal well with “not knowing” is more important than whatever it is you do know. b. Recognize that decision making is a two-step process: First take in all the relevant information, then decide. c. Don’t worry about looking good; worry about achieving your goal. d. Realize that you can’t put out without taking in. e. Recognize that to gain the perspective that comes from seeing things through another’s eyes, you must suspend judgment for a time—only by empathizing can you properly evaluate another point of view. 3.2 Practice radical open-mindedness. a. Sincerely believe that you might not know the best possible path and recognize that your ability to deal well with “not knowing” is more important than whatever it is you do know. b. Recognize that decision making is a two-step process: First take in all the relevant information, then decide. c. Don’t worry about looking good; worry about achieving your goal. d. Realize that you can’t put out without taking in. e. Recognize that to gain the perspective that comes from seeing things through another’s eyes, you must suspend judgment for a time—only by empathizing can you properly evaluate another point of view.

The Sumerian pantheon was headed by an "Olympian Circle" of twelve, for each of these supreme gods had to have a celestial counterpart, one of the twelve members of the Solar System. Indeed, the names of the gods and their planets were one and the same (except when a variety of epithets were used to describe the planet or the god's attributes). Heading the pantheon was the ruler of Nibiru, ANU whose name was synonymous with "Heaven," for he resided on Nibiru. His spouse, also a member of the Twelve, was called ANTU. Included in this group were the two principal sons of ANU: E.A ("Whose House Is Water"), Anu's Firstborn but not by Antu; and EN.LIL ("Lord of the Command") who was the Heir Apparent because his mother was Antu, a half sister of Anu. Ea was also called in Sumerian texts EN.KI ("Lord Earth"), for he had led the first mission of the Anunnaki from Nibiru to Earth and established on Earth their first colonies in the E.DIN ("Home of the Righteous Ones")—the biblical Eden. His mission was to obtain gold, for which Earth was a unique source. Not for ornamentation or because of vanity, but as away to save the atmosphere of Nibiru by suspending gold dust in that planet's stratosphere. As recorded in the Sumerian texts (and related by us in The 12th Planet and subsequent books of The Earth Chronicles), Enlil was sent to Earth to take over the command when the initial extraction methods used by Enki proved unsatisfactory. This laid the groundwork for an ongoing feud between the two half brothers and their descendants, a feud that led to Wars of the Gods; it ended with a peace treaty worked out by their sister Ninti (thereafter renamed Ninharsag). The inhabited Earth was divided between the warring clans. The three sons of Enlil—Ninurta, Sin, Adad—together with Sin's twin children, Shamash (the Sun) and Ishtar (Venus), were given the lands of Shem and Japhet, the lands of the Semites and Indo-Europeans: Sin (the Moon) lowland Mesopotamia; Ninurta, ("Enlil's Warrior," Mars) the highlands of Elam and Assyria; Adad ("The Thunderer," Mercury) Asia Minor (the land of the Hittites) and Lebanon. Ishtar was granted dominion as the goddess of the Indus Valley civilization; Shamash was given command of the spaceport in the Sinai peninsula. This division, which did not go uncontested, gave Enki and his sons the lands of Ham—the brown/black people—of Africa: the civilization of the Nile Valley and the gold mines of southern and western Africa—a vital and cherished prize. A great scientist and metallurgist, Enki's Egyptian name was Ptah ("The Developer"; a title that translated into Hephaestus by the Greeks and Vulcan by the Romans). He shared the continent with his sons; among them was the firstborn MAR.DUK ("Son of the Bright Mound") whom the Egyptians called Ra, and NIN.GISH.ZI.DA ("Lord of the Tree of Life") whom the Egyptians called Thoth (Hermes to the Greeks)—a god of secret knowledge including astronomy, mathematics, and the building of pyramids. It was the knowledge imparted by this pantheon, the needs of the gods who had come to Earth, and the leadership of Thoth, that directed the African Olmecs and the bearded Near Easterners to the other side of the world. And having arrived in Mesoamerica on the Gulf coast—just as the Spaniards, aided by the same sea currents, did millennia later—they cut across the Mesoamerican isthmus at its narrowest neck and—just like the Spaniards due to the same geography—sailed down from the Pacific coast of Mesoamerica southward, to the lands of Central America and beyond. For that is where the gold was, in Spanish times and before.

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Few grown humans can normally survive a fall of much more than twenty-five or thirty feet, though there have been some notable exceptions—none more memorable perhaps than that of a British airman in World War II named Nicholas Alkemade. In the late winter of 1944, while on a bombing run over Germany, Flight Sergeant Alkemade, the tail gunner on a British Lancaster bomber, found himself in a literally tight spot when his plane was hit by enemy flak and quickly filled with smoke and flames. Tail gunners on Lancasters couldn’t wear parachutes because the space in which they operated was too confined, and by the time Alkemade managed to haul himself out of his turret and reach for his parachute, he found it was on fire and beyond salvation. He decided to leap from the plane anyway rather than perish horribly in flames, so he hauled open a hatch and tumbled out into the night. He was three miles above the ground and falling at 120 miles per hour. “It was very quiet,” Alkemade recalled years later, “the only sound being the drumming of aircraft engines in the distance, and no sensation of falling at all. I felt suspended in space.” Rather to his surprise, he found himself to be strangely composed and at peace. He was sorry to die, of course, but accepted it philosophically, as something that happened to airmen sometimes. The experience was so surreal and dreamy that Alkemade was never certain afterward whether he lost consciousness, but he was certainly jerked back to reality when he crashed through the branches of some lofty pine trees and landed with a resounding thud in a snowbank, in a sitting position. He had somehow lost both his boots, and had a sore knee and some minor abrasions, but otherwise was quite unharmed. Alkemade’s survival adventures did not quite end there. After the war, he took a job in a chemical plant in Loughborough, in the English Midlands. While he was working with chlorine gas, his gas mask came loose, and he was instantly exposed to dangerously high levels of the gas. He lay unconscious for fifteen minutes before co-workers noticed his unconscious form and dragged him to safety. Miraculously, he survived. Some time after that, he was adjusting a pipe when it ruptured and sprayed him from head to foot with sulfuric acid. He suffered extensive burns but again survived. Shortly after he returned to work from that setback, a nine-foot-long metal pole fell on him from a height and very nearly killed him, but once again he recovered. This time, however, he decided to tempt fate no longer. He took a safer job as a furniture salesman and lived out the rest of his life without incident. He died peacefully, in bed, aged sixty-four in 1987. —

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Bao stays with me, and I am too exhausted to care if it is impossible or not. The sun moves across the cloudless sky, from east to west, and I drift. I feel as if I’m floating in space, suspended in time with invisible forces and impulses and energies humming all around me. There is no past and no future, only this present moment, this car moving along this road. Late that afternoon, I become aware that Bao is already a microscopic bundle of dividing cells in a womb. I can’t call it a vision, because it isn’t a vision. Nor is it a thought. It is more like a realization, something I hadn’t known a moment ago but know now. How is this possible? How is any of it possible? I find myself remembering the time my father brought home a crystal radio set. He let me watch while he set it up and then he showed me how to search for radio frequencies. I turned the dial as slowly and carefully as I could, but nothing happened. Then suddenly, I “got” something. I thought it was magic, until my father explained how crystal radios worked. That’s what I need now, I think. An explanation. I need someone to tell me how this works. Wittgenstein once said, All I know is what I have words for. Where, I wonder, are the words for this?

She emailed evidence about how blacks were twice as likely as whites to be suspended from school for the same behaviors; twice as likely to work for minimum wage in the same jobs; three times as likely to live in poverty; and five times as likely to go to prison. She provided readings from her Stigma and Prejudice class about how whites enjoyed an advantage over minorities in everything from lower prices at car dealerships to better fruits in their grocery stores. It was still very much a white person’s country, she told him, at the great expense of everyone else.

As the boy-god, whose symbol was the heart, was recognised as the god of childhood, this very satisfactorily accounts for one of the peculiar customs of the Romans. Kenneth tells us, in his Antiquities, that the Roman youths, in their tender years, used to wear a golden ornament suspended from their necks, called bulla, which was hollow, and heart-shaped. Barker, in his work on Cilicia, while admitting that the Roman bulla was heart-shaped, further states, that "it was usual at the birth of a child to name it after some divine personage, who was supposed to receive it under his care;" but that the "name was not retained beyond infancy, when the bulla was given up.

It is a huge slab of dark stone, square and rough, like the rocks at the bottom of the chasm. A large crack runs through the middle of it, and there are streaks of lighter rock near the edges. Suspended above the slab is a glass tank of the same dimensions, full of water. A light placed above the center of the tank shines through the water, refracting as it ripples. I hear a faint noise, a drop of water hitting the stone. It comes from a small tube running through the center of the tank. At first I think the tank is just leaking, but another drop falls, then a third, and a fourth, at the same interval. A few drops collect, and then disappear down a narrow channel in the stone. They must be intentional. “Hello.” Zoe stands on the other side of the sculpture. “I’m sorry, I was about to go to the dormitory for you, then saw you heading this way and wondered if you were lost.” “No, I’m not lost,” I say. “This is where I meant to go.” “Ah.” She stands beside me and crosses her arms. She is about as tall as I am, but she stands straighter, so she seems taller. “Yeah, it’s pretty weird, right?” As she talks I watch the freckles on her cheeks, dappled like sunlight through dense leaves. “Does it mean something?” “It’s the symbol of the Bureau of Genetic Welfare,” she says. “The slab of stone is the problem we’re facing. The tank of water is our potential for changing that problem. And the drop of water is what we’re actually able to do, at any given time.” I can’t help it—I laugh. “Not very encouraging, is it?” She smiles. “That’s one way of looking at it. I prefer to look at it another way—which is that if they are persistent enough, even tiny drops of water, over time, can change the rock forever. And it will never change back.” She points to the center of the slab, where there is a small impression, like a shallow bowl carved into the stone. “That, for example, wasn’t there when they installed this thing.” I nod, and watch the next drop fall. Even though I’m wary of the Bureau and everyone in it, I can feel the quiet hope of the sculpture working its way through me. It’s a practical symbol, communicating the patient attitude that has allowed the people here to stay for so long, watching and waiting. But I have to ask. “Wouldn’t it be more effective to unleash the whole tank at once?” I imagine the wave of water colliding with the rock and spilling over the tile floor, collecting around my shoes. Doing a little at once can fix something, eventually, but I feel like when you believe that something is truly a problem, you throw everything you have at it, because you just can’t help yourself.

My Seclusion Just like, I remember the- Fireflies at night, they all carry their- own light in flight. They fly higher and higher until they are out of sight. They are never in fear of the darkness because they carry their light. They constantly have hope, and it shines brightly. The firefly flies by, unlike me there are never shy. I am lying outside on the grounds a few feet from my home, yet I am still feeling all alone, listening to all the sounds of the night as they moan. I look at the full moon, knowing that I will be back in hell soon, seeing all the faces at lunch at noon. Wondering what is going to happen on my vacation in the upcoming summer in the months like in June. I lie on the cold hard ground outside looking up with the stars in the sky, remembering all the days flashing that have gone by, seeing all the faces that never even say hi, remembering the terror from the wandering eyes. (Right now) My head is pounding just like the thunder and lightning, the evil faces streaks crossed my face, with every bolt of lightning. This takes me back to when I was a little girl; I hope that the pink suspended feathers sweep them away in the white webs. So, I can have a sunny day on all these rainy days that seem to never end, I just do not have much to say. I am not safe anywhere… the voices haunt me as they do. However, I just have an overwhelming urge to cry, all night and watch movies by myself. Like, I have done, these last two years of my high school life. Is anything going to change? Why must I live like this? Why do I keep living? Why can I not just pass on? I look out my window, and sometimes it takes me back to when I was young. Some days I look out the window and the skies are scarlet, and that reminds me that I should be out doing things with people of my age. The summer has come and gone, and the school days have started with no one to see me, or even ask if I was alive. No one cares! Is the plan going to work? I have no idea at this point, yet I keep trying!

Merritt was about to reply, but she froze, her hand suspended in midair. The window happened to be positioned to mirror the opening of the next room with remarkable clarity. The naked form of Keir MacRae was reflected in the glass as he crossed the bedroom. She went hot and cold all over, riveted as he bent to take a pair of trousers from the leather trunk. His movements were easy, graceful with a sense of coiled power, and that body- "You're going to work through the night without any dinner at all?" she heard herself ask. -with those long, elegant expanses of tightly knit muscle and sinew- "I'll be fine," he said. -was magnificent. Fantasy wrought into flesh. And just before he fastened the trousers, she couldn't help noticing the man was incredibly endowed.

The vote only empowers you to represent abilities, whereas the beauty of work and actuality of capability qualify you as a true leader; otherwise, the majority vote is just a power game, not insight.” Ziauddin Khawaja, known as Ziauddin Butt, in the military coup against the elected Prime Minister of Pakistan, Nawaz Sharif, on October 12, 1999, under secret and mutual interests, assured the four corps commanders of that time of their loyalty to the army and in favor of General Musharraf. Military treachery was preferred over democratic values and the constitutional protection of the elected Prime Minister. If General Butt was a patriot, the worst general in history, Musharraf, would never have dared to hand over our beloved country to foreign forces. Every general tries to be a patriot and a hero after retirement. As many generals as there were in Pakistan and they broke, abrogated, or suspended the constitution from any angle, they were and are complete traitors to the Pakistani state, nation, and constitution, but also to the morale of the great forces, along with the traitorous judges of the judiciary, who participated equally. Not repeating such factors is a nation’s survival; otherwise, there will be no uniforms and no freedom. Staying within every institution’s limits is patriotism; give exemplary proof of your patriotism, and you are all subservient to the Constitution and those elected under the Constitution. Your oath is your declaration of respect and protection of democratic values; its violation is treason against the country and nation. On the other hand, Pakistani political parties and their leadership do not qualify in the context of politics since, if they are in power or opposition, they seek favor from the Armed Forces for their democratic dictatorship. The honest fact is that Pakistanis neither wanted nor wished to establish real democratic values and their enforcement. Lawmakers are unqualified and incapable of fulfilling the context of the Constitution, which is the essence of a pure and honest democracy with fair and transparent elections as per the will of voters, which never happened in Pakistan. Examples are visible and open to the world, even though no one feels sorry or ashamed for such an immoral, illegitimate, and unconstitutional mindset and trend of the Pakistani leadership of all political parties. Huge and widespread corruption is a threat to the Pakistani economy and people’s prosperity. IMF support and other benefits go into the hands of corrupt officials instead of prioritizing the well-being of society or individuals. Imposing taxes without prosperity in society and for people who already live below the poverty line is economic violence, not a beneficial impact. The fact is bare that the establishment misuses leaders and leaders misuse the establishment, which has become a national trend; consequently, state, nation, and constitution remain football for them, and they have been playing it for more than seven decades, losing the resources of land and people for their conflicts of interest. I can only suggest that you stop such a game before you defeat yourself.

In any case, the theory of Brownian motion was independently developed in 1900 by a Frenchman, Louis Bachelier. Bachelier was not actually concerned with the motion of microscopic particles suspended in a liquid. He was concerned with prices on the French stock market. Prices on the Bourse, like particles in a liquid, are subject to a vast array of random forces, so many that the prices’ behavior can only be studied probabilistically. This is exactly what Bachelier did in his remarkable doctoral thesis, “The Theory of Speculation.” Yet although his paper is couched in terms of futures and stock options and “call-o-more’s” (whatever those are), the mathematics is identical to that of Brownian motion, and Bachelier’s equation explaining the drift of prices with time is the same as the one Einstein later derived for the position of particles. In his paper Bachelier anticipated the Black-Scholes approach to options trading, and for his prescient work he has in recent years been crowned the “father of economic modeling.” At the time, though, Bachelier seems to have been ignored, and he passed into obscurity. Could Einstein have known of his predecessor’s work and merely transplanted the mathematics to particles? I am aware of no evidence that this is the case.

Same premise holds for the liberal critique of “American hegemony” (a term from the 1990s and early 2000s that is very rarely used anymore, but the premise still holds); from the position that America will hold a permanent hegemonic position. This cynical disbelief in the *end* of the Empire’s hegemony is what sustains the decadence that accelerates its precipitous decline. Same thing with global warming or any other exigencies. The denial of the “end” is what accelerates the end. The admission of the crisis is what accelerates the action necessary to negate the crisis and, therefore, turn the cynic into someone who can justify non-belief in the crisis because in the evaporation of the emergency, the proof that the emergency existed is removed, and, therefore, the cynic becomes even more assured that their cynicism is justified. If you do not believe in global warming and policies change to the point where carbon emissions are reduced and global warming is averted, the first thing a cynic will say is, “See! I told you global warming was nothing to worry about!” Same thing with the COVID quarantine and vaccine measures. If they did not work to evade the virus the cynic would cry that the measures were not effective and therefore nobody should trust the government. If the measure did work and the virus was evaded, the cynic would cling to the cynicism and say, “See! The crisis of the virus would have been averted! What is all the fuss? Why did everyone worry?” An ideology succeeds when the facts that at first appearance should serve to contradict it start to serve as arguments in its favor. There is a sense that “enjoyment itself, which we experience as ‘transgression’, is in its innermost status something imposed, ordered—when we enjoy… this obscene call ‘Enjoy!’, is the superego.” Cultural downfall is pressed into action—by the decadent attitudes of those who suspend disbelief even as the demise of hegemonic power is unfolding before their eyes. The same holds true for those who disbelieve that the Other can actually overtake them, and the downplaying of cunning tendencies in the Neighbors. There is an infantilizing process that misunderestimated the possibility that the Other can mobilize itself into a force that can become a “master”-signifier where you are the “subject” to the Other, the condescension that “their” power will remain virtual and never become fully realized as an actual force enacting violence upon you, this is the condescension of liberal compassion towards the “Neighbors.

Get the work rolling, involve actors contractually, build sets, collect props and costumes, expose negative, and so get the studio in deep. Once money in some significant amount had been spent, it would be difficult for Harry [Cohn, president of Columbia Pictures] to do anything except scream and holler. If he suspended a film that had been shooting for weeks, he’d be in for an irretrievable loss, not only of money but of ‘face.’ The thing to do was to get the film going.

Cook had seen an avocado before, but not like this---so smooth, so green. The fruit took an express route to the greenhouse, where workers propagated the seeds, first in soil, and then suspended slightly in water. Fairchild had included written instructions that only mature trees would fruit, after several years, not months. He advised that as soon as the seedlings grew reasonable roots, they should be shipped to experiment stations in California to be shared with farmers interested in experimental crops. Cook complied, and then mostly forgot about the avocado. In California, that single shipment helped build an industry. Other avocados turned up as well, from travelers or tourists who packed the oversized seeds as souvenirs. There were one-off stories that avocados had been spotted in America before, in Hollywood in 1886 or near Miami in 1894. But none were as sturdy as Fairchild's Chilean variety, prized for its versatility, color, and flavor---résumé of strong pedigree. Fairchild's avocado would turn out to be a mix of a Guatemalan avocado and a Mexican avocado and to have been only a short-term tenant in Chilean soil before Fairchild picked it up. But as with most popular fruits, the true geographic origin faded into irrelevance. Farmers and early geneticists dissected this sample and ones that came after it to create newer cultivars attuned to more specialized climates or tastes. This work yielded a twentieth-century variety called Fuerte, Spanish for "strong," growable in the coldest conditions ever tested on an avocado. It fell from favor after proving unable to ship even modest distances without bruising.

As the fierce battle raged on between Prince Assad and the soldiers, the small puddle nestled amidst the underbrush continued to mirror the night sky and the radiant moon. Its surface rippled gently, distorting the celestial reflection and adding an entrancing aura to the scene. Within the puddle's depths, a bright, luminescent orb seemed suspended in the water's embrace, mirroring the moon's radiance. Amidst the enchanting dance of ripples in the puddle, Dilaram, Princess Mehjabeen's loyal companion emerged, took a deep breath, and made a daring decision. She knew the danger that Prince Assad faced in the relentless battle with the soldiers, and her love and loyalty to the princess drove her to act. With her heart pounding, Dilaram raised her delicate hands and began whispering an incantation, her words imbued with ancient magic. Dilaram's incantation, born from the depths of her love and loyalty to Princess Mehjabeen, was a powerful spell that wove together the mystical forces of Tilsim Hoshruba. It was an incantation that had been passed down through generations of enchantresses, carefully guarded and used only in the direst of circumstances. The incantation itself was a blend of ancient words and intricate hand movements, a delicate dance of both spoken and unspoken magic. As Dilaram whispered the words and traced the patterns in the air, the spell took form: "By the moon's radiant light, by the heart's unwavering might, In the name of love, in the name of fate, Create for him an unseen gate." As Dilaram continued her chant, the magic came to life. It created a shimmering tunnel amidst the swampy underbrush. Prince Assad, still embroiled in combat, continued to face the soldiers with unwavering determination. His every strike was a testament to his prowess as a skilled warrior. Dilaram's incantation worked like a silent, invisible wind. It pulled Prince Assad away from the battlefield and into the concealed tunnel she had created. The soldiers, bewildered by his sudden disappearance, exchanged confused glances, their swords raised and ready. Within the concealed tunnel, Prince Assad was transported to safety, away from the immediate danger of the soldiers' blades. As he stepped into this mystical passage, the world around him shifted, and he found himself hidden from view. Dilaram's work was not done yet. Her incantation had created the gate, and now she whispered another set of words: "Through the veil of night, beyond the soldiers' sight, Guide him to where he'll be free, under the moon's decree." This incantation was designed to lead Prince Assad to a safe location, away from the soldiers' pursuit. It was as if the night itself had become his protector, guiding him to a place where he could regroup and remain hidden. With her final words, the portal shimmered and then vanished, leaving no trace of its existence. Dilaram, her heart heavy with concern for Prince Assad, disappeared inside the puddle, from where she had initiated the spell. She knew that the fate of both Prince Assad and Princess Mehjabeen hung in the balance, and the path they would choose was a destiny intertwined with the enigmatic realm of Tilsim Hoshruba.

The repressed refers to specific mental contents that have been banished from consciousness; the oppressed refers to human thinking that has been forced to become suspended or distorted. Whereas a repressed thought can return to consciousness through the re-routing of ideas, the oppressed involves an alteration, not in the contents of the mind, but in its capacities; it compromises the mental process that would have constructed the thought to begin with, producing a cumulative degradation of perception, thinking and communication. The repressed, therefore, re- sides in the unconscious as the successful work of censorship; the oppressed is also to be found in the unconscious but as a failed effort, bearing the trace of what might have been ideationally created.

Moon and his team were able to sound one battleship during each fourteen-hour day. When they returned at night they were exhausted from the grueling schedule. Moon said it was the only time that the tenders had to work harder than the diver. Holding a diver suspended at twenty feet for three hours at a time strained the muscles of even the strongest among us. We all worked together on the last two ships to give them some relief. The last ship sounded was the West Virginia. We worked the portside first, because the starboard side was partially blocked. The portside hull suffered a gasping torpedo wound three hundred feet long.

them entertained and supplied with a surfeit of horseflesh. But none to really worry about. Their source of food and sustenance, the buffalo, roamed the plains in record numbers and still ranged into every corner of Comancheria. The tribe’s low birth rates virtually guaranteed that their nomadic life following buffalo herds was infinitely sustainable. Their world was thus suspended in what seemed to be a perfect equilibrium, a balance of earth and wind and sun and sky that would endure forever. An empire under the bright summer moon. For those who witnessed the change at a very intimate and personal level, including Cynthia Ann and her husband, the speed with which that ideal world was dismantled must have seemed scarcely believable. She herself, the daughter of pioneers who were hammering violently at the age-old Comanche barrier that had defeated all other comers, now adopted into a culture that was beginning to die, was the emblem of the change. Somehow she and her husband, Peta Nocona, survived the cataclysm. As nomads, they moved constantly. One imagines her on one of these migrations, on horseback, moving slowly across the open grassy plain with hundreds of others, warriors in the vanguard, toward a wide, hazy horizon that would have looked to white men like unalloyed emptiness. There were the long trains of heavily packed mules and horses and the ubiquitous Comanche dogs. There were horses dragging travois that carried the huge tent poles and piled buffalo hides and scored the earth as they went along—perfectly parallel lines drawn on the prairie, merging and vanishing into the pale-blue Texas sky. All trailed by the enormous horse remuda, the source of their wealth. It must have been something to behold. Cynthia Ann lived a hard life. Women did all of the brutally hard work, including most of the work that went into moving camp. They did it from dawn till dark, led brief difficult lives, and did not complain about it; they did everything except hunt and fight. Her camp locations show just how far she roamed. Pah-hah-yuco’s camps were found in 1843 north of the Red River and south of modern-day Lawton, Oklahoma, on Cache Creek (the encampment was on a creek bank on the open prairie and stretched for half a mile).25 In 1844 he was camped on the Salt Plains of present-day north-central Oklahoma, on the Salt Fork of the Arkansas River,26 well north of the Washita, where Williams found him in 1846. In 1847 his band was spotted a hundred miles north of Austin, in rolling, lightly timbered prairie, camped in a village of one hundred fifty lodges,27 and again that same year in a village in the limestone hills and mesas west of Austin. She was identified as being with the Tennawish band in 1847, who often camped with the Penateka (with whom Pah-hah-yuco was often

A farmer had a beautiful, powerful horse that was the envy of his neighbors in the community. One day the horse jumped the fence and ran away. The farmer's neighbors were quick to come over and offer their regrets over the farmer's loss of such a horse. He simply shrugged and said, “Good thing, bad thing, who knows?” Then one day the horse came back to the farm along with five magnificent wild horses. The farmer and his son corralled the horses to train them for work on the farm. When they saw the horses, the neighbors rushed over to admire the horses and marvel at the farmer's good fortune. In response to their comments, he just shrugged and said, “Good thing, bad thing, who knows?” A few days later, the farmer's son was training one of the new horses and fell off and severely broke his leg. After several months, it became clear that the son would never walk normally again. The neighbors came by to offer their condolences over the son's infirmity. The farmer shrugged and said, “Good thing, bad thing, who knows?” Then war came to the kingdom and all of the young, able-bodied males were conscripted for the king's army, likely to never return home again. Because of his broken leg, the farmer's son was left at home. The neighbors, with much grief at their own losses, came by to comment on the farmer's good fortune in keeping his son. The farmer simply replied, “Good thing, bad thing, who knows?” Of course, the point of the story is you never know how things are going to play out over the long run, so why spend a lot of energy on mulling over whether any particular outcome is good or bad? Things can and will change. I think the reason Diane and I use “Good thing, bad thing, who knows?” as a catch phrase is that our experience with my multiple sclerosis has taught us to suspend judgment on what could happen or is likely to happen in life. It's taught us both to be more mindful—aware and intentional—about how we live our lives. In this final chapter of the book, I want to share some of those mindfulness lessons I've learned from MS in the hope that they'll be useful to you on your journey.

phone, twisted it out of her hand, and slammed it on the hook. “I cry good, don’t I?” she asked with a grin, and she was out the door.   “Davenport, Davenport,” Daniel moaned. He gripped handfuls of hair on the side of his head as he watched Jennifer finish the broadcast. “ . . . called by some the smartest man in the department, told me personally that he did not believe that Smithe is guilty of the spectacular murders and that he fears the premature arrest could destroy Smithe’s burgeoning career with the welfare department . . .” “Burgeoning career? TV people shouldn’t be allowed to use big words,” Lucas muttered. “So now what?” Daniel asked angrily. “How in the hell could you do this?” “I didn’t know I was,” Lucas said mildly. “I thought we were having a personal conversation.” “I told you that your dick was going to get you in trouble with that woman,” Daniel said. “What the hell am I going to tell Lester? He’s been out there in front of the cameras making his case and you’re talking to this puss behind his back. You cut his legs out from under him. He’ll be after your head.” “Tell him you’re suspending me. What’s bad? Two weeks? Then I’ll appeal to the civil-service board. Even if the board okays the suspension, it’ll be months from now. We should be able to put it off until this thing is settled, one way or another.” “Okay. That might do it.” Daniel nodded and then laughed unpleasantly, shaking his head. “Christ, I’m glad that wasn’t me getting grilled. You better get out of here before Lester arrives or we’ll be busting him for assault.”   At two o’clock in the morning the telephone rang. Lucas looked up from the drawing table where he was working on Everwhen, reached over, and picked it up. “Hello?” “Still mad?” Jennifer asked. “ You bitch. Daniel’s suspending me. I’m giving interviews to everybody except you guys, you can go suck—” “Nasty, nasty—” He slammed the receiver back on the hook. A moment later the phone rang again. He watched it like a cobra, then picked it up, unable to resist. “I’m coming over,” she said, and hung up. Lucas reached for it, to call her, to tell her not to come, but stopped with his hand on the receiver.   Jennifer wore a black leather jacket, jeans, black boots, and driving

Here I am, suspending all logic and reason to walk away from life as I know it to set off on a Totally Epic Quest." "Right?" Jack said. "I know exactly what you're saying. Isn't it funny how quickly we decided to believe all this crazy shit and just go with it? It's so completely irrational, but at the same time it just feels so right, doesn't it?" "It does," Brayden said. "Hey, did you bother to let your job know you'd be taking some time off?" "Uh-uh, you?" "Nah, I'm sure it'll all work out. Come to think of it, I didn't tell anyone where I was going. Friends, family, no one." "Me neither," Jack said. "In fact, I don't think I even bothered to lock my apartment door." "I'm pretty sure I left the stove on.

Experiment 1 began at noon on August 1, 1825. “I introduced through the perforation, into the stomach, the following articles of diet, suspended by a silk string: . . . a piece of high seasoned à la mode beef; a piece of raw salted fat pork; a piece of raw salted lean beef; . . . a piece of stale bread; and a bunch of raw sliced cabbage; . . . the lad continuing his usual employment about the house.” On the very first day of his research career, Beaumont’s work dealt a bruising blow to Fletcherism*—seventy-five years before it was invented: “2 p.m. Found the cabbage, bread, pork, and boiled beef all cleanly digested and gone from the string.” No chewing necessary.* Only the raw beef remained intact.

I For Marcel Proust. - The son of well-to-do parents who, whether from talent or weakness, engages in a so-called intellectual profession, as an artist or a scholar, will have a particularly difficult time with those bearing the distasteful title of colleagues. It is not merely that his independence is envied, the seriousness of his intentions mistrusted, and that he is suspected of being a secret envoy of the establishE:d powers. Such suspicions, though betraying a deepseated resentment, would usually prove well-founded. But the real resistances lie elsewhere. The occupation with things of the mind has by now itself become 'practical', a business with strict division of labour, departments and restricted entry. The man of independent means who chooses it out of repugnance for the ignominy of earning money will not be disposed to acknowledge the fact. For this he is punished. He is not a 'professional', is ranked in the competitive hierarchy as a dilettante no matter how well he knows his subject, and must, if he wants to make a career, show himself even more resolutely blinkered than the most inveterate specialist. The urge to suspend the division of labour which, within certain limits, his economic situation enables him to satisfy, is thought particularly disreputable: it betrays a disinclination to sanction the operations imposed by society, and domineering competence permits no such idiosyncrasies. The departmentalization of mind is a means of abolishing mind where it is not exercised ex officio, under contract. It performs this task all the more reliably since anyone who repudiates the division of labour - if only by taking pleasure in his work - makes himself vulnerable by its standards in ways inseparable from elements of his superiority. Thus is order ensured: some have to play the game because they cannot otherwise live, and those who could live otherwise are kept out because they do not want to play the game. It is as if the class from which independent intellectuals have defected takes its revenge, by pressing its demands home in the very domain where the deserter seeks refuge.

People, says Tarantoga, believe what they want to believe. Take astrology for instance. Astronomers, who after all should know more than anyone about the stars, tell us that they are giant balls of incandescent gas spinning since the world began and that their influence on our fate is considerably less than the influence of a banana peel, on which you can slip and break your leg. But there is no interest in banana peels, whereas serious periodicals include horoscopes and there are even pocket computers you can consult before you invest in the stock market to find out if the stars are favorable. Anyone who says that the skin of a fruit can have more effect on a person’s future than all the planets and stars combined won’t be listened to. An individual comes into the world because his father, say, didn’t withdraw in time, thereby becoming a father. The mother-to-be, seeing what happened, took quinine and jumped from the top of the dresser to the floor but that didn’t help. So the individual is born and he finishes school and works in a store selling suspenders, or in a post office. Then suddenly he learns that that’s not the way it was at all. The planets came into conjunction, the signs of the zodiac arranged themselves carefully into a special pattern, half the sky cooperated with the other half so that he could come into being and stand behind this counter or sit behind this desk. It lifts his spirits. The whole universe revolves around him, and even if things aren’t going well, even if the stars are lined up in such a way that the suspenders manufacturer loses his shirt and the individual consequently loses his job, it’s still more comforting than to know that the stars don’t really give a damn. Knock astrology out of his head, and the belief too that the cactus on his windowsill cares about him, and what is left? Barefoot, naked despair. So says Professor Tarantoga, but I see I am digressing.

Since the launch of the First Five-Year Plan in 1928, tens of thousands of their comrades in the urban centers had been working tirelessly to build power stations, steel mills, and manufacturing plants for heavy machinery. As this historic effort unfolded, it would be essential for the country’s grain-producing regions to do their part—by meeting the increased demand for bread in the cities with leaps in agricultural production. But to pave the way for this ambitious effort, it was deemed necessary to exile a million kulaks—those profiteers and enemies of the common good, who also happened to be the regions’ most capable farmers. The remaining peasants, who viewed newly introduced approaches to agriculture with resentment and suspicion, proved antagonistic to even the smallest efforts at innovation. Tractors, which were meant to usher in the new era by the fleet, ended up being in short supply. These challenges were compounded by uncooperative weather resulting in a collapse of agricultural output. But given the imperative of feeding the cities, the precipitous decline in the harvest was met with increased quotas and requisitions enforced at gunpoint. In 1932, the combination of these intractable forces would result in widespread hardship for the agricultural provinces of old Russia, and death by starvation for millions of peasants in Ukraine. (While many of the young loyalists (like Nina) who joined the udarniks in the countryside would have their faith in the Party tested by what they witnessed, most of Russia, and for that matter the world, would be spared the spectacle of this man-made disaster. For just as peasants from the countryside were forbidden to enter the cities, journalists from the cities were forbidden to enter the countryside; delivery of personal mail was suspended; and the windows of passenger trains were blackened. In fact, so successful was the campaign to contain awareness of the crisis, when word leaked out that millions were starving in Ukraine, Walter Duranty, the lead correspondent for The New York Times in Russia (and one of the ringleaders in the Shalyapin Bar), would report that these rumors of famine were grossly exaggerated and had probably originated with anti-Soviet propagandists. Thus, the world would shrug. And even as the crime unfolded, Duranty would win the Pulitzer Prize.)

…we must be careful not to do our enemies’ work for them. To argue that to preserve our freedoms we must suspend our freedoms, that to safeguard elections we must cancel elections, that to defend ourselves from dictatorship we must appoint a dictator – what logic is this?” ‘Dictator,’ Robert Harris

So are there lots of cows?” she asked before she could stop herself. “On the ranch, I mean.” Zane didn’t spare her a glance. “Some.” “Like twenty?” He glanced at her then, before turning his attention back to the road. “We run several thousand head of steers. Those are the ones that end up on your barbecue. I have another few hundred head of cows for breeding purposes.” “No bulls?” she asked, unable to keep from grinning. He sighed the sigh of the long suffering. “A dozen or so.” “A dozen bulls for a few hundred cows?” Mr. Hunk-in-a-hat, who had put his hat on the seat between them when he’d climbed into the cab, chuckled. “Yup.” “Yet another example of our patriarchal society ignoring the rights of cows.” “You worried about cows’ rights?” He sounded both incredulous and amused. “You a lawyer?” “No. And I’m not concerned about cows’ rights. Of course I want them treated humanely, as any civilized person would, but I’m not crazy.” “What are you, then?” “What?” He glanced at her. “If you’re not a lawyer, what are you?” “Oh.” For a second she thought he’d been referring to her mental state. “I work in real estate.” Fortunately Zane didn’t ask any questions about her career. She didn’t think that telling him she’d been suspended for litigation would improve his opinion of her.

Oli instructed Suspenders to get on his knees before reattaching himself to my side. The blond man obeyed with nothing more than a smoldering little smile. When he freed my erection from the band of my briefs, Oli rubbed against my thigh. “Tease him.” Oli’s mouth was hot against my face as he spoke to our third. “Work him up. He’ll come harder.” “Mmmm.

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Now, it may be objected that Orwell was no Borges, that Nineteen Eighty-Four is no postmodern literary experiment, and that I am considering the Appendix too curiously. Perhaps the Newspeak essay should be seen simply as a parody 'presented in the form of a mock-survey, scientific and historical, of the language of Oceania,' whose purpose is to illustrate 'how a totalitarian oligarchy uses the rational tools of science as the instrument of power.' Or perhaps the problem I have identified could be explained as one more manifestation of 'the generic contradiction between naturalism and satire that is the basic formal determinant of the book.' Furthermore, it is pointless to second-guess an author; there are commonsense explanations for Orwell's decision to place the Newspeak essay in an Appendix, and for his failure to identify precisely the essay's author; the incongruities between the Appendix and the novel proper do not reduce the political urgency of the total work; it is a mistake to come to Nineteen Eighty-Four with expectations derived from more conventional novels; paradoxes are the stuff of futuristic stories; readers have a duty to suspend their disbelief; even Homer nods. But, if it was unlike Orwell to lure us deliberately into a hall of mirrors, he certainly did not lack ingenuity. And, even if he encountered difficulties he was unable to solve, his imperfect solutions were consonant with the plan to convey a world deprived of 'objective truth.' Even though his handling of the Appendix may have had unforeseen consequences for the book as a whole, the confusion raised by the document nevertheless 'works.' The footnote's implied promise of verification is hollow, and the reader's attempts to determine the 'objective truth' about Oceania—its social and political structure, its language, its fate—are frustrated. By trying to reconcile the novel and the Appendix, we experience for ourselves—'outside' the novel, as it were—what it might be like to inhabit a world in which the authenticity (never mind the accuracy or objectivity) of all documents is in doubt, in which documents are almost dreamlike, unfixed in time, infused with self-contradiction, at once recognisable and cryptic. Those who keep a checklist of Orwell's 'prophecies' may credit him with anticipating and dramatising the age of 'disinformation.

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The delight in the moment and the gay façade become an excuse for absolving the listener from the thought of the whole, whose claim is comprised in proper listening. The listener is converted, along his line of least resistance, into the acquiescent purchaser. No longer do the partial moments serve as a critique of the whole; instead, they suspend the critique which the successful esthetic totality exerts against the flawed one of society. [Great modernist composers like Berg, Schönberg, and Webern] are called individualists [by other Marxists], and yet their work is nothing but a single dialogue with the powers that destroy individuality—powers whose “formless shadows” fall gigantically on their music. In music, too, collective powers are liquidating an individuality past saving, but against them only individuals are capable of consciously representing the aims of collectivity.

I got up and turned off the coffee machine, pouring the last of the brew into my cup. I sat back down and sipped it, wondering why I bothered; there was no reason for me to be awake and alert. I had all the leisure time a man could want—I was suspended from work, and being stalked by somebody who thought he was turning himself into me. And if he somehow missed me, I was still under investigation for a murder I hadn’t committed. Considering how many I had gotten away with, that was probably very ironic. I tried a hollow, mocking laugh at myself, but it sounded too spooky in the sudden silence of the empty house. So I slurped coffee and concentrated on self-pity for a while. It came surprisingly easily; I really was the victim of a gross miscarriage of justice, and it was a simple matter for me to feel wounded, martyred, betrayed by the very system I had served so long and well. Luckily, my native wit trickled back in before I began to sing country songs, and I turned my thoughts toward finding a way out of my predicament. But in spite of the fact that I finished the coffee—my third cup of the morning, too—I couldn’t seem to kick my brain out of the glutinous sludge of misery it had fallen into. I was reasonably sure that Hood could not find anything and make it stick to me; there was nothing there to find. But I also knew that he was very anxious to solve Camilla’s murder—both so that he would look good to the department and the press and, just as importantly, so he could make Deborah look bad. And if I added in the uncomfortable fact that he was obviously aided and abetted by Sergeant Doakes and his toxic tunnel vision, I had to conclude that the outlook was far from rosy. I didn’t really believe they would manufacture evidence merely in order to frame me, but on the other hand—why wouldn’t they? It had happened before, even with an investigating officer who had a whole lot less on the line. The

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All this is to say that plays such as we have been examining do not (like the rituals themselves) suspend life in order to stage a ritual. They embed the essential movement of that ritual in life's common fabric. They ritualize reality. The general interest, no doubt, of a representation of life such as we find in these plays may be great in itself; but in the present context it is something more distinctive than this which has the main interest. This is, that because the ritual movement is embedded in a representation of life, and grows out of that, the double, deep response in us as audience which I have suggested that it excites is excited not of something which stands apart from life, but of something which points back to that: and does so with all the power of a work of art. The ritual sequence emerges from, and returns into, the world we know. It enacts and elucidates one of life's constant potentialities. Unlike the ritual, the tragedy does not stand in isolation. Insofar as it represents life, it brings us back to our own lives. This is an art which springs from reality, has its time of independence, and takes us back whence it sprang. The profound excitation of our natures which has been the effect of the plays is directed back upon the normal waking experience which is that nature's permanent source and guide.

Indeed, it required a nose both subtle and unprejudiced to understand and appreciate and thoroughly enjoy that Paris—not the Paris of M. le Baron Haussmann, lighted by gas and electricity, and flushed and drained by modern science; but the "good old Paris" of Balzac and Eugène Sue and Les Mystères—the Paris of dim oil-lanterns suspended from iron gibbets (where once aristocrats had been hung);

While the mechanistic understanding of the cancer cell remained suspended in limbo between viruses and chromosomes, a revolution in the understanding of normal cells was sweeping through biology in the early twentieth century. The seeds of this revolution were planted by a retiring, nearsighted monk in an isolated abbey in Brno, Austria, who bred pea plants as a hobby. In the early 1860s, working alone, Gregor Mendel had identified a few characteristics in his purebred plants that were inherited from one generation to the next—the color of the pea flower, the texture of the pea seed, the height of the pea plant.

In sacred silence, we transcend our human condition. We stand (stasis) outside (ex) our ordinary egoic personality. This self-transcendence fulfills itself in the state of ecstasy, in which our psychic conditioning is temporarily suspended in utter bliss. The spiritual discipline of silence—and it is a discipline or a voluntary self-chastening—is thus not merely the absence of speech or utterance. What appears from the outside to be a negative condition is inwardly experienced as an immense richness, or fullness. For the discipline of silence is practiced not only in regard to the organ of speech, but also in regard to the mind itself. It includes the silencing of the mental chatter that characterizes the ordinary person. This deep inner silence is experienced as peace and, ultimately, as an abundance of bliss. As the British essayist Thomas Carlyle, in his work Sartor Resartus (1834), put it, “Silence is the element in which great things fashion themselves together.

In sacred silence, we transcend our human condition. We stand (stasis) outside (ex) our ordinary egoic personality. This self-transcendence fulfills itself in the state of ecstasy, in which our psychic conditioning is temporarily suspended in utter bliss. The spiritual discipline of silence—and it is a discipline or a voluntary self-chastening—is thus not merely the absence of speech or utterance. What appears from the outside to be a negative condition is inwardly experienced as an immense richness, or fullness. For the discipline of silence is practiced not only in regard to the organ of speech, but also in regard to the mind itself. It includes the silencing of the mental chatter that characterizes the ordinary person. This deep inner silence is experienced as peace and, ultimately, as an abundance of bliss. As the British essayist Thomas Carlyle, in his work Sartor Resartus (1834), put it, “Silence is the element in which great things fashion themselves together.” Sacred silence, then, is an activity that is really a counteractivity, for it engenders stillness. It is stillness. And that stillness opens up the dimension of spiritual existence—that luminous world that awaits our discovery as soon as we redirect our attention from external things to our own radiant depths.

Suspending self-judgment doesn’t just mean blowing off the “You suck” voice in our heads. It also means liberating ourselves from conventional expectations—from what we think our work “ought” to be or “should” look like.

Said Mr Jefferson: ‘It wd. have given us time.’ ‘modern dress for your statue… ‘I remember having written you while Congress sat at Annapolis, ‘on water communication between ours and the western country, ‘particularly the information…of the plain between ‘Big Beaver and Cuyahoga, which made me hope that a canal ‘…navigation of Lake Erie and the Ohio. You must have had ‘occasion of getting better information on this subject ‘and if you wd. oblige me ‘by a communication of it. I consider this canal, ‘if practicable, as a very important work. T. J. to General Washington, 1787 …no slaves north of Maryland district… …flower found in Connecticut that vegetates when suspended in air…. …screw more effectual if placed below surface of water. Those details at the opening of canto 31 are all, apart from the Latin lines, from the historical record, mostly from the ‘ten fat volumes’ of The Writings of Thomas Jefferson which Eliot had been given by his father and had passed on to Pound.

Then there are all those timeless human dilemmas like whom to marry, whether to have children, and what kind of work to pursue. If we had thousands of years in which to live, all those would be far less agonizing, too, since there’d be sufficient time to spend decades trying out each kind of possible existence. Meanwhile, no catalog of our time-related troubles would be complete without mentioning that alarming phenomenon, familiar to anyone older than about thirty, whereby time seems to speed up as you age—steadily accelerating until, to judge from the reports of people in their seventies and eighties, months begin to flash by in what feels like minutes. It’s hard to imagine a crueler arrangement: not only are our four thousand weeks constantly running out, but the fewer of them we have left, the faster we seem to lose them. And if our relationship to our limited time has always been a difficult one, recent events have brought matters to a head. In 2020, in lockdown during the coronavirus pandemic, with our normal routines suspended, many people reported feeling that time was disintegrating completely, giving rise to the disorienting impression that their days were somehow simultaneously racing by and dragging on interminably.

Hurry-Up Crowe. Yet there was something more, something intangible, that endowed Crowe with the ability to drive his crews at a clip that bowed to almost no obstacle, not a killing cold spell nor suffocating desert heat nor the boundaries of human endurance. Perhaps the secret was his ability to communicate a shared goal. Men choking on gasoline fumes in an underground tunnel nearly a mile long, or suspended on ropes two thousand feet in the air from the rim of a gorge, drills in hand, or sunk to their ankles in wet concrete under a remorseless desert sun might well question from time to time whether the work was worth the four or five dollars they earned for a punishing eight-hour shift. Frank Crowe made them understand the honor of participating in the creation of something eternal. “I’m proud that I had a hand in it,” said Tex Nunley, whose myriad jobs in Boulder Canyon included painting white crosses on solid rock walls to mark the center line of the tunnels the drillers were to drive through them. “Yes I am. I think it was a marvelous piece of work.

Activities to Develop the Proprioceptive System Lifting and Carrying Heavy Loads—Have the child pick up and carry soft-drink bottles to the picnic; laundry baskets upstairs; or grocery bags, filled with nonbreakables, into the house. He can also lug a box of books, a bucket of blocks, or a pail of water from one spot to another. Pushing and Pulling—Have the child push or drag grocery bags from door to kitchen. Let him push the stroller, vacuum, rake, shove heavy boxes, tow a friend on a sled, or pull a loaded wagon. Hard muscular work jazzes up the muscles. Hanging by the Arms—Mount a chinning bar in a doorway, or take your child to the park to hang from the monkey bars. When she suspends her weight from her hands, her stretching muscles send sensory messages to her brain. When she shifts from hand to hand as she travels underneath the monkey bars, she is developing upper-body strength. Hermit Crab—Place a large bag of rice or beans on the child’s back and let her move around with a heavy “shell” on her back. Joint Squeeze—Put one hand on the child’s forearm and the other on his upper arm; slowly press toward and away from his elbow. Repeat at his knee and shoulder. Press down on his head. Straighten and bend his fingers, wrists, elbows, knees, ankles, and toes. These extension and flexion techniques provide traction and compression to his joints and are effective when he’s stuck in tight spaces, such as church pews, movie theaters, cars, trains, and especially airplanes where the air pressure changes. Body Squeeze—Sit on the floor behind your child, straddling him with your legs. Put your arms around his knees, draw them toward his chest, and squeeze hard. Holding tight, rock him forward and back.

About Ukraine. The West is crying not because people are dying, they are just crying because white European people are dying. Another hand, in many parts of the world, from Palestine to Yamman, there are also people dying but nobody crying for them, no company suspending their work and no country imposing sanctions on the oppressor country.

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