Survivor Jeff Quotes

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My Manager forced me to put my beetle in my own ear, a clear waste and an act that gave me nightmares: of a burning city through which giant carnivorous lizards prowled, eating survivors off of balconies. In one particularly vivid moment, I stood on a ledge as the jaws closed in, heat-swept, and tinged with the smell of rotting flesh. Beetles intended for the tough, tight minds of children should not be used by adults. We still remember a kinder, gentler world.
Jeff VanderMeer (The Third Bear)
Learning how to play guitar is the one thing I always look back on with wonderment. I’m reminded of “What ifs?” every time I pick up a guitar. Where would I be? I have sort of a survivor’s guilt about it that makes me want it for everyone. Not the “guitar” exactly, but something like it for everybody. Something that would love them back the more they love it. Something that would remind them of how far they’ve come and provide clear evidence that the future is always unfolding toward some small treasure worth waiting for. At the very least, I wish everyone had a way to kill time without hurting anyone, including themselves. That’s what I wish. That’s what the guitar became for me that summer and is to me still.
Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)
Catastrophe and exuberance are often partners in the dance of irony.
Jeff W. Horton (The Great Collapse (Survivors of the Pulse, #1))
I have sort of a survivor’s guilt about it that makes me want it for everyone. Not the “guitar” exactly, but something like it for everybody. Something that would love them back the more they love it. Something that would remind them of how far they’ve come and provide clear evidence that the future is always unfolding toward some small treasure worth waiting for. At the very least, I wish everyone had a way to kill time without hurting anyone, including themselves. That’s what I wish.
Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)
A falcon screamed down from above and speared one of the two, and peeled off to rise again before the survivor had time to evade or mourn the loss, as if there had always been one and not two. As if there had always only ever been one Strange Bird. But from above, even dying, the companion defiant, urging the last on, and blessing the bird that had caught her, for it was only acting as to its nature and there was no cruelty in that.
Jeff VanderMeer (The Strange Bird (Borne, #1.5))
I’ve noticed before that people from New York and L.A. tend to have an attitude about their cities, a kind of survivor’s confidence that says, I’m from Real Life, and if you live in this hick town, you’re not even in the game. Always before I’d found this kind of amusing; Miami natives, after all, are just as rude and aggressive as New Yorkers, and just as sun-drenched and vacuous as Angelenos, and the combination is a unique and lethal challenge every time you drive. But something about the way Jackie said it made me feel a little bit provincial, and I wanted to say something to defend the ferocity of Miami traffic.
Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
We assume that it's better to survive things, but the ones who don't survive don't have to miss anyone.
Jeff Zentner (Goodbye Days)
There was silence in my office for what seemed like a very long time. It was not by any means a peaceful, contemplative silence. It was, instead, the kind of quiet that comes right after an explosion, when the survivors are looking around at all the dead bodies and wondering if another bomb is going to go off, and the eerie silence did not end until Deborah finally shook her head and said, “Jesus Christ.” That seemed to sum things up pretty well, so I didn’t say anything, and Deborah said it again and then added, “Dexter—I have to know.” I looked at her with surprise. She seemed to be very serious, but I couldn’t imagine what she was thinking. “Know what, Debs?” I said.
Jeff Lindsay (Double Dexter (Dexter #6))
I’m reminded of “What ifs?” every time I pick up a guitar. Where would I be? I have sort of a survivor’s guilt about it that makes me want it for everyone. Not the “guitar” exactly, but something like it for everybody. Something that would love them back the more they love it. Something that would remind them of how far they’ve come and provide clear evidence that the future is always unfolding toward some small treasure worth waiting for. At the very least, I wish everyone had a way to kill time without hurting anyone, including themselves. That’s what I wish. That’s what the guitar became for me that summer and is to me still.
Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)