Surgeon White Quotes

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You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
Alice Sebold (The Lovely Bones)
Because this ideal of the attractive but not whorish white woman, in a good marriage but not self-effacing, with a nice job but not so successful she outshines her man, slim but not neurotic over food, forever young without being disfigured by the surgeon’s knife, a radiant mother not overwhelmed by nappies and homework, who manages her home beautifully without becoming a slave to housework, who knows a thing or two but less than a man, this happy white woman who is constantly shoved under our noses, this woman we are all supposed to work hard to resemble – never mind that she seems to be running herself ragged for not much reward – I for one have never met her, not anywhere. My hunch is that she doesn’t exist.
Virginie Despentes (King Kong Theory)
My mind went back to that picture in the obstetrics book. A cow standing in the middle of a gleaming floor while a sleek veterinary surgeon in a spotless parturition overall inserted his arm to a polite distance. He was relaxed and smiling, the farmer and his helpers were smiling, even the cow was smiling. There was no dirt or blood or sweat anywhere. That man in the picture had just finished an excellent lunch and had moved next door to do a bit of calving just for the sheer pleasure of it, as a kind of dessert. He hadn't crawled shivering from his bed at two o'clock in the morning and bumped over twelve miles of frozen snow, staring sleepily ahead till the lonely farm showed in the headlights. He hadn't climbed half a mile of white fell-side to the doorless barn where his patient lay.
James Herriot (If Only They Could Talk (All Creatures Great and Small, #1))
I’m not saying ability doesn’t matter. It certainly helps. But there’s something powerful about realizing that you’ve undersold yourself—that somehow your mind confused lack of effort for inability. This is why, whenever people ask me what I’d most like to change about the white working class, I say, “The feeling that our choices don’t matter.” The Marine Corps excised that feeling like a surgeon does a tumor. A
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
The risks of smoking have been known since the 1930s; the U.S. surgeon general report of 1964 squarely faced down the tobacco industry. That put the tobacco propaganda machine into overdrive to squelch the science and any scientists who stood in their way.
John Yudkin (Pure, White, and Deadly: How Sugar Is Killing Us and What We Can Do to Stop It)
The tulips are too excitable; it is winter here Look at how white everything is, how quiet, how snowed in I am learning peacefulness, lying by myself quietly As light lies on these white walls, this bed, these hands I am nobody, I have nothing to do with explosions I have given my name and my dayclothes to the nurses, and my history to the anesthetist, and my body to the surgeons
Sylvia Plath (Ariel)
Note to self: Try to extend positive feelings associated with Scratch-Off win into all areas of life. Be bigger presence at work. Race up ladder (joyfully, w/smile on face), get raise. Get in best shape of life, start dressing nicer. Learn guitar? Make point of noticing beauty of world? Why not educate self re. birds, flowers, trees, constellations, become true citizen of natural world, walk around neighborhood w/kids, patiently teaching kids names of birds, flowers, etc. etc.? Why not take kids to Europe? Kids have never been. Have never, in Alps, had hot chocolate in mountain café, served by kindly white-haired innkeeper, who finds them so sophisticated/friendly relative to usual snotty/rich American kids (who always ignore his pretty but crippled daughter w/braids) that he shows them secret hiking path to incredible glade, kids frolic in glade, sit with crippled pretty girl on grass, later say it was most beautiful day of their lives, keep in touch with crippled girl via email, we arrange surgery here for her, surgeon so touched he agrees to do surgery for free, she is on front page of our paper, we are on front page of their paper in Alps? Ha ha. Just happy.
George Saunders (Tenth of December)
took particular care with the delicate boundary between angry red clot and pearly white brain. Get too obsessive about removing every last smudge of congealed blood, and you risk losing another million brain cells.
Rahul Jandial (Life Lessons From A Brain Surgeon: Practical Strategies for Peak Health and Performance)
Methodically, like a tested surgeon, Helen took Melvin through his experience as a coroner, going over his expertise in determining the cause and time of death in thousands of cases. After establishing his acumen in forensics,
Robert Bailey (Between Black and White (McMurtrie and Drake Legal Thrillers, #2))
We repeated the mapping. English now inhabited a tuft of brain tissue that originally housed Spanish. Cortex that led to no speech arrest previously had now become critical for fluency. The areas I could safely flag with white were fewer.
Rahul Jandial (Life Lessons From A Brain Surgeon: Practical Strategies for Peak Health and Performance)
The Peacemaker Colt has now been in production, without change in design, for a century. Buy one to-day and it would be indistinguishable from the one Wyatt Earp wore when he was the Marshal of Dodge City. It is the oldest hand-gun in the world, without question the most famous and, if efficiency in its designated task of maiming and killing be taken as criterion of its worth, then it is also probably the best hand-gun ever made. It is no light thing, it is true, to be wounded by some of the Peacemaker’s more highly esteemed competitors, such as the Luger or Mauser: but the high-velocity, narrow-calibre, steel-cased shell from either of those just goes straight through you, leaving a small neat hole in its wake and spending the bulk of its energy on the distant landscape whereas the large and unjacketed soft-nosed lead bullet from the Colt mushrooms on impact, tearing and smashing bone and muscle and tissue as it goes and expending all its energy on you. In short when a Peacemaker’s bullet hits you in, say, the leg, you don’t curse, step into shelter, roll and light a cigarette one-handed then smartly shoot your assailant between the eyes. When a Peacemaker bullet hits your leg you fall to the ground unconscious, and if it hits the thigh-bone and you are lucky enough to survive the torn arteries and shock, then you will never walk again without crutches because a totally disintegrated femur leaves the surgeon with no option but to cut your leg off. And so I stood absolutely motionless, not breathing, for the Peacemaker Colt that had prompted this unpleasant train of thought was pointed directly at my right thigh. Another thing about the Peacemaker: because of the very heavy and varying trigger pressure required to operate the semi-automatic mechanism, it can be wildly inaccurate unless held in a strong and steady hand. There was no such hope here. The hand that held the Colt, the hand that lay so lightly yet purposefully on the radio-operator’s table, was the steadiest hand I’ve ever seen. It was literally motionless. I could see the hand very clearly. The light in the radio cabin was very dim, the rheostat of the angled table lamp had been turned down until only a faint pool of yellow fell on the scratched metal of the table, cutting the arm off at the cuff, but the hand was very clear. Rock-steady, the gun could have lain no quieter in the marbled hand of a statue. Beyond the pool of light I could half sense, half see the dark outline of a figure leaning back against the bulkhead, head slightly tilted to one side, the white gleam of unwinking eyes under the peak of a hat. My eyes went back to the hand. The angle of the Colt hadn’t varied by a fraction of a degree. Unconsciously, almost, I braced my right leg to meet the impending shock. Defensively, this was a very good move, about as useful as holding up a sheet of newspaper in front of me. I wished to God that Colonel Sam Colt had gone in for inventing something else, something useful, like safety-pins.
Alistair MacLean (When Eight Bells Toll)
My mom’s white-blond hair is perfectly coiffed, her makeup tastefully understated, her Jil Sander cashmere turtleneck expensively minimalist. She has that sort of ageless beauty that only good genes, expensive skincare products, and a world-class surgeon can buy.
Liz Lawson (The Night In Question)
Stephen and Higgins began bleeding all hands. They only took eight ounces from each, but this, bowl after bowl, amounted to nine good buckets with foam of an extraordinary beauty: but they had rather more than their fair share of fools who would be fainting, because as the breeze declined and the heat increased a sickly slaughterhouse reek spread about the deck; and one of them (a young Marine) actually pitched into a brimming bucket as he fell and caused three more to lurch, so angering Dr Maturin that the next half dozen patients were drained almost white, like veal, while guards were placed over the buckets that remained. However, it was all over in an hour and fifteen minutes, both surgeons being brisk hands with a fleam; the corpses were dragged away by their friends to be recovered with sea-water or vinegar, according to taste; and finally, seeing that fair was fair, each surgeon bled the other.
Patrick O'Brian (The Far Side of the World (Aubrey & Maturin, #10))
She's in her usual Martha's dress, which is dull green, like a surgeon's gown of the time before. The dress is much like mine in shape, long and concealing, but with a bib apron over it and without the white wings and the veil. She puts on the veil to go outside, but nobody much cares who sees the face of a Martha.
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
White Fang received the nursing. Judge Scott's suggestion of a trained nurse was indignantly clamoured down by the girls, who themselves undertook the task. And White Fang won out on the one chance in ten thousand denied him by the surgeon. The latter was not to be censured for his misjudgement. All his life he had tended and operated on the soft humans of civilization, who live sheltered lives and had descended out of many sheltered generations. Compared with White Fang, they were frail and flabby, and clutched life without any strength in their grip. White Fang had come straight from the Wild, where the weak perish early and shelter is vouchsafed to none. In neither his father nor his mother was there any weakness, nor in the generations before them. A constitution of iron and vitality of the Wild were White Fang's inheritance, and he clung to life, the whole of him and every part of him, in spirit and in flesh, with the tenacity that of old belonged to all creatures.
Jack London (White Fang)
The British Royal Navy’s Surgeon Captain Thomas L. Cleave had seen the same phenomenon in so many remote areas to which he traveled in the early 1900s that he called all chronic illnesses the “saccharine diseases,” because so many of these ailments arrived in concert with the introduction of refined carbohydrates—principally sugar and white flour.
Nina Teicholz (The Big Fat Surprise: Why Butter, Meat and Cheese Belong in a Healthy Diet)
Be bigger presence at work. Race up ladder (joyfully, w/smile on face), get raise. Get in best shape of life, start dressing nicer. Learn guitar? Make point of noticing beauty of world? Why not educate self re. birds, flowers, trees, constellations, become true citizen of natural world, walk around neighborhood w/kids, patiently teaching kids names of birds, flowers, etc. etc.? Why not take kids to Europe? Kids have never been. Have never, in Alps, had hot chocolate in mountain café, served by kindly white- haired innkeeper, who finds them so sophisticated/friendly relative to usual snotty/rich American kids (who always ignore his pretty but crippled daughter w/braids) that he shows them secret hiking path to incredible glade, kids frolic in glade, sit with crippled pretty girl on grass, later say it was most beautiful day of their lives, keep in touch with crippled girl via email, we arrange surgery here for her, surgeon so touched he agrees to do surgery for free, she is on front page of our paper, we are on front page of their paper in Alps? Ha ha.
George Saunders
The doctors are busy with the repulsive but beneficent work of amputation. You see the sharp, curved knife enter the healthy, white body, you see the wounded man suddenly regain consciousness with a piercing cry and curses, you see the army surgeon fling the amputated arm into a corner, you see another wounded man, lying in a litter in the same apartment, shrink convulsively and groan as he gazes at the operation upon his comrade, not so much from physical pain as from the moral torture of anticipation. — You behold the frightful, soul-stirring scenes; you behold war, not from its conventional, beautiful, and brilliant side, with music and drum-beat, with fluttering flags and galloping generals, but you behold war in its real phase — in blood, in suffering, in death.
Leo Tolstoy (The Sebastopol Sketches (Penguin Classics))
Oh, yes,” said Lord Peter. He watched the cool fingers, fascinated, and the steady approach of the needle. “Yes—I’ve had it before—and, d’you know—I don’t care frightfully about it.”   He had brought up his right hand, and it closed over the surgeon’s wrist like a vise.   The silence was like a shock. The blue eyes did not waver; they burned down steadily upon the heavy white lids below them. Then these slowly lifted; the grey eyes met the blue—coldly, steadily—and held them.   When
Dorothy L. Sayers (Whose Body?)
The slaves destroyed tirelessly. Like the peasants in the Jacquerie or the Luddite wreckers, they were seeking their salvation in the most obvious way, the destruction of what they knew was the cause of their sufferings; and if they destroyed much it was because they had suffered much. [...] Now that they held power they did as they had been taught. In the frenzy of the first encounters they killed all. Yet they spared the priests whom they feared and the surgeons who had been kind to them. They, whose women had undergone countless violations, violated all the women who fell into their hands, often on the bodies of their still bleeding husbands, fathers and brothers. “Vengeance ! Vengeance” was their war-cry, and one of them carried a white child on a pike as a standard. And yet they were surprisingly moderate, then and afterwards, far more humane than their masters had been or would ever be to them. [...] Compared with what their masters had done to them in cold blood, what they did was negligible, and they were spurred on by the ferocity with which the whites in Le Cap treated all slave prisoners who fell into their hands.
C.L.R. James (The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution)
His introduction throws me. The only time I can envision "Hi, I'm a surgeon" as a fitting introduction is if I were on a gurney in a stark white room and a man wielding a scalpel was standing over me. Plus, it's been a while since we've talked careers with anyone. Jobs are rarely a topic of conversation anymore--they exist in a place and time too far away to seem interesting. "What do you do?" is not a question asked to define someone, because out here we're all working the same jobs: yachties, mechanics, navigators, weather-readers, fishermen, adventure travelers, storytellers.
Torre DeRoche (Love with a Chance of Drowning)
The word chimeric comes from Greek mythology, in which a chimera was a fire-breathing monster with the head of a lion, the body of a goat, and the tail of a snake. CAR T-cells are called “chimeric” because they begin with ordinary T-cells taken from a person’s blood (the so-called “killer” white blood cells that recognize and attack a broad range of bacteria or viruses) and attach a kind of lion’s head: a molecular signal that guides the T-cells to seek and destroy cancer. The T-cell part of the chimera is a powerful killer, and the antibody at the head makes the attack more specific, reducing side effects.
Rahul Jandial (Life Lessons From A Brain Surgeon: Practical Strategies for Peak Health and Performance)
Modern readers are responsive to Proust’s tireless and brilliant analyses of love because we, too, no longer take love for granted. Readers today are always making the personal public, the intimate political, the instinctual philosophical. Proust may have attacked love, but he did know a lot about it. Like us, he took nothing for granted. He was not on smug, cozy terms with his own experience. We read Proust because he knows so much about the links between childhood anguish and adult passion. We read Proust because, despite his intelligence, he holds reasoned evaluations in contempt and knows that only the gnarled knowledge that suffering brings us is of any real use. We read Proust because he knows that in the terminal stage of passion we no longer love the beloved; the object of our love has been overshadowed by love itself: “And this malady which Swann’s love had become had so proliferated, was so closely interwoven with all his habits, with all his actions, with his thoughts, his health, his sleep, his life, even with what he hoped for after his death, was so utterly inseparable from him, that it would have been impossible to eradicate it without almost entirely destroying him; as surgeons say, his love was no longer operable.
Edmund White (Marcel Proust: A Life)
The two men were slowly pacing the terrace in front of Dr. Raymond’s house. The sun still hung above the western mountain-line, but it shone with a dull red glow that cast no shadows, and all the air was quiet; a sweet breath came from the great wood on the hillside above, and with it, at intervals, the soft murmuring call of the wild doves. Below, in the long lovely valley, the river wound in and out between the lonely hills, and, as the sun hovered and vanished into the west, a faint mist, pure white, began to rise from the hills. Dr. Raymond turned sharply to his friend. “Safe? Of course it is. In itself the operation is a perfectly simple one; any surgeon could do it.
Arthur Machen (The Great God Pan)
My characters push the limits of the envelope when it comes to passion, love, and lust. They can be as elegant and distinguished as Lizzie's Darcy, or as wild and unrelenting as Cathy's Heathcliff; sometimes all in one bold personality. I also believe there is a wider universal mosaic on our planet than mere black and white. My contemporary healer/surgeon in the novel 'Hobble' is half Native American (Mayan Mexican + Peruvian, plus Scottish) and his lover is African American (African + European + American Indian). My people see the world differently; they're often mixed race or of a race, color, or nationality not normally associated with nor depicted in romantic and erotic novels or films as central, positively sexual, and realistic.
Neale Sourna (Hobble)
Some series teach us that ethnic features must be "fixed," by drastic means if necessary. Plastic surgeons with questionable ethics give insecure women of all ethnicities boob jobs, liposuction, and face-lifts on shows such as Extreme Makeover, The Swan, and Dr. 90210, ignoring medical risks and reinforcing problematic ideas about women's worth. Yet they don't make white surgical candidates feel like their cultural identity should also be on the chopping blocking - or that they'd be so much more attractive and fulfilled if only they didn't look so... Caucasian. In contrast, TV docs' scalpels reduce or remove racial markers on patients of colour. Black women's noses and lips are made smaller. In an increasingly common procedure targeting Asian women, creases are added to Asian women's eyelids.
Jennifer L. Pozner (Reality Bites Back: The Troubling Truth About Guilty Pleasure TV)
The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961
Sylvia Plath (Ariel)
We also had some fun with another hard-drinking and know-it-all reporter from one of the ‘red top’ tabloids. I solemnly informed him that his luck was in, because one of our trainee surgeons was a real wizard at organ transplantion. We told him that, if he was shot through the belly, we would try to exchange his worn-out liver for a new one – and then he could start his prodigious drinking career all over again. While that was sinking in, we even asked if he had any objection to receiving an Argentine donor organ if one became available. It was all a bit of military black humour of course, but the poor chap went white-faced, and tried to make me swear on the Bible that I’d never arrange such a procedure, and would finish him off with a lethal injection instead. Transplant surgery in a Forward Dressing Station? Come alongside, Jack…
Rick Jolly (Doctor for Friend and Foe: Britain's Frontline Medic in the Fight for the Falklands)
The story of The Rape of the Lock, sylphs and all, could have been told, though not so effectively, in prose. The Odyssey and the Comedy have something to say that could have been said well, though not equally well, without verse. Most of the qualities Aristotle demands of a tragedy could occur in a prose play. Poetry and prose, however different in language, overlapped, almost coincided, in content. But modern poetry, if it ‘says’ anything at all, if it aspires to ‘mean’ as well as to ‘be’, says what prose could not say in any fashion. To read the old poetry involved learning a slightly different language; to read the new involves the unmaking of your mind, the abandonment of all the logical and narrative connections which you use in reading prose or in conversation. You must achieve a trance-like condition in which images, associations, and sounds operate without these. Thus the common ground between poetry and any other use of words is reduced almost to zero. In that way poetry is now more quintessentially poetical than ever before; ‘purer’ in the negative sense. It not only does (like all good poetry) what prose can’t do: it deliberately refrains from doing anything that prose can do. Unfortunately, but inevitably, this process is accompanied by a steady diminution in the number of its readers. Some have blamed the poets for this, and some the people. I am not sure that there need be any question of blame. The more any instrument is refined and perfected for some particular function, the fewer those who have the skill, or the occasion, to handle it must of course become. Many use ordinary knives and few use surgeons’ scalpels. The scalpel is better for operations, but it is no good for anything else. Poetry confines itself more and more to what only poetry can do; but this turns out to be something which not many people want done. Nor, of course, could they receive it if they did. Modern poetry is too difficult for them. It is idle to complain; poetry so pure as this must be difficult. But neither must the poets complain if they are unread. When the art of reading poetry requires talents hardly less exalted than the art of writing it, readers cannot be much more numerous than poets. The explication of poetry is already well entrenched as a scholastic and academic exercise. The intention to keep it there, to make proficiency in it the indispensable qualification for white-collared jobs, and thus to secure for poets and their explicators a large and permanent (because a conscript) audience, is avowed. It may possibly succeed. Without coming home any more than it now does to the ‘business and bosoms’ of most men, poetry may, in this fashion, reign for a millennium; providing material for the explication which teachers will praise as an incomparable discipline and pupils will accept as a necessary moyen de parvenir. But this is speculation.
C.S. Lewis (An Experiment in Criticism)
In Hiding - coming summer of 2020 WAYNE ANTHONY SEEKS REDEMPTION FROM A BAD DAY - Although warned about getting the stitches wet, he believed a hot shower was the only road to his redemption. Experienced taught him the best way to relieve the tightness in his lower back was by standing beneath the near-scalding water. Dropping the rest of his clothing, he turned the shower on full blast. The hot water rushed from the showerhead filling the tiny room with steam, instantly the small mirror on the medicine cabinet fogged up. The man quietly pulled the shower curtain back and entered the shower stall without a sound. Years of acting as another’s shadow had trained him to live soundlessly. The hot water cascaded over his body as the echo from the pounding water deadened slightly. Grabbing the sample sized soap, he pulled the paper off and tossed the wrapper over the curtain rail. Wayne rubbed the clean smelling block until his large hands disappeared beneath the lather. He ignored the folded washcloth, opting to use his hands across his body. Gently he cleaned the injury allowing the slime of bacterial soap to remove the residual of the rust-colored betadine. All that remained when he finished was the pale orange smear from the antiseptic. This scar was not the only mar to his body. The water cascaded down hard muscles making rivulets throughout the thatches of dark hair. He raised his arms gingerly as he washed beneath them; the tight muscles of his abdomen glistened beneath the torrent of water. Opening a bottle of shampoo-slash-conditioner, he applied a dab then ran his hands across his scalp. Finally, the tension in his square jaw had eased, making his handsome face more inviting. The cords of his neck stood out as he rinsed the shampoo from his hair. It coursed down his chest leading down to his groin where the scented wash caught in his pelvic hair. Wayne's body was one of perfection for any woman; if that was, she could ignore the mutilations. Knife injuries left their mark with jagged white lines. Most of these, he had doctored himself; his lack of skill resulted in crude scars. The deepest one, undulated along the left side of his abdomen, that one had required the art of a surgeon. Dropping his arms, he surrenders himself to the pelting deluge from the shower. The steamy water cascaded down his body, pulling the soap toward the drain. Across his back, it slid down several small indiscernible pockmarks left by gunshot wounds, the true extent of their damage far beneath his skin. Slowly the suds left his body, snaking down his muscular legs. It slithered down the scars on his left knee, the result of replacement surgery after a thug took a bat to it. Wayne stood until the hot water cooled, and ran translucent over his body. Finally, he washes the impact of the long day from his mind and spirit.
Caroline Walken
She and her late husband, Leander Cross, a prominent surgeon of the darker nation, were, in my childhood, perhaps the leading host of the Gold Coast party circuit, a circuit my parents traveled often, because it was, in those days, what one did: glittering dinner at one house on the Friday, champagne brunch at another on the Sunday, caterers, cooks, even temporary butlers at the ready as the best of black Washington charged about in mad imitation of white people's foolishness.
Stephen L. Carter
My desk was covered with little white telephone messages. Office confetti. You think the universe comes to a halt when you are locked into your own little world, but it doesn’t. It goes on whether you’re in trial or at war or under the surgeon’s knife. Or dead.
Paul Levine (To Speak for the Dead (Jake Lassiter #1))
We have now developed for Agni a re-entry structure, for which we have developed this new material, a very light material called carbon-carbon. One day an orthopedic surgeon from Nizam Institute of Medical Sciences visited my laboratory. He lifted the material and found it so light that he took me to his hospital and showed me his patients. There were these little girls and boys with heavy metallic calipers weighing over three kilograms each, dragging their feet around. He said to me, “Please remove the pain of my patients” In three weeks, we made these floor-reaction Orthosis 300-gram calipers and took them to the orthopedic center. The children didn’t believe their eyes. From dragging around a three kilogram load on their legs, they could now move around! Their parents had tears in their eyes.
Nitin Agarwal (Best Victorian Sensationalism Novels Ever Written: Riveting Works on Mystery, Suspense, Deception & Betrayal (including The Woman in White, Lady Audley's Secret, East Lynne & more!) (Grapevine Books))
Dr. Charles Carrico was the first doctor to examine Kennedy as the President was being wheeled into the hospital. Carrico observed two wounds: a small bullet wound in the front lower neck and a large, gaping wound in the President’s head.3 He also noted that Kennedy “was blue-white or ashen in color, had slow, agonal spasmodic respiration without any coordination; made no voluntary movements; had his eyes open with the pupils dilated without any reaction to light; evidenced no palpable pulse; and had a few chest sounds which were thought to be heart beats.”4 No less than twelve doctors were soon at work on the President and Governor Connally. This group included four general surgeons, four anesthesiologists, the hospital’s chief neurologist, a urological surgeon, an oral surgeon, and a heart specialist.5
Bonar Menninger (Mortal Error: The Shot That Killed JFK)
The bird life, was, as ever, of great interest to ship’s surgeon McCormick. On seeing hovering over the ship what he believed to be a new species of Lestris, or Arctic Yager, described by Audubon, the great American bird illustrator, as an ‘indefatigable teaser of the smaller gulls’, he took a pot-shot at it. His shot failed to despatch the bird cleanly and, after descending near the deck, it recovered and flew away with one leg broken. McCormick, unusually, felt compelled to justify himself: ‘For notwithstanding that my duties as ornithologist compel me to take the lives of these most beautiful and interesting creatures . . . I never do so without a sharp sting of pain and qualm of conscience, so fond am I of all the feathered race.’ So fond, indeed, that on the same night he recorded that ‘Between midnight and one a.m. I succeeded in adding two more of the elegant white petrel to my collection, one falling dead on the quarter-deck and the other on the gun-room skylight . . . a third I shot . . . fell overboard into the sea.
Michael Palin (Erebus: One Ship, Two Epic Voyages, and the Greatest Naval Mystery of All Time)
Any culture that claims supremacy belongs on a surgeon's table.
Abhijit Naskar (Amantes Assemble: 100 Sonnets of Servant Sultans)
At around 5:00 pm, after the results came back, the surgeon said, “I believe your mother has appendicitis or a tumor. However, her white blood count is lower than what we typically see for appendicitis, and palpating her abdomen, it does not feel like a tumor. I would like to keep her here until tomorrow so we can monitor her symptoms. We will then know a lot more.” Richard responded: “I presume that in either case you will operate, is that correct?” “Yes.” “Then, shouldn’t you operate now, and bring both sets of tools?”[62] The surgeon proceeded to operate that evening. It turned out that Richard’s mother had a leaky appendix, and peritonitis (infection in the abdomen). Waiting another day would have been dangerous. The doctor, a man in his fifties and a faculty member at Harvard Medical School, observed that no one had ever taught him “Don’t wait for information if it won’t change your decision.
Dan Levy (Maxims for Thinking Analytically: The wisdom of legendary Harvard Professor Richard Zeckhauser)
Brailsford and his team continued to find 1 percent improvements in overlooked and unexpected areas. They tested different types of massage gels to see which one led to the fastest muscle recovery. They hired a surgeon to teach each rider the best way to wash their hands to reduce the chances of catching a cold. They determined the type of pillow and mattress that led to the best night’s sleep for each rider. They even painted the inside of the team truck white, which helped them spot little bits of dust that would normally slip by unnoticed but could degrade the performance of the finely tuned bikes.
James Clear (Atomic Habits: An Easy and Proven Way to Build Good Habits and Break Bad Ones)
Rebus nodded and made to follow, his gaze drifting to an engraved invitation on the marble mantelpiece. It was from the Royal College of Surgeons, something to do with a dinner at Surgeons’ Hall. ‘Black/white tie and decorations’ it said along the bottom. The only decorations he had were in a box in his hall cupboard. They went up every Christmas, if he could be bothered.
Ian Rankin (The Falls (Inspector Rebus, #12))
This is why, if you look outside barbershops today, you’ll often see a pole of red-and-white stripes. It signifies the blood and bandages of their forefathers’ ‘other’ jobs.
Jay Jayamohan (Everything That Makes Us Human: Case Notes of a Children's Brain Surgeon)
I’m not saying ability doesn’t matter. It certainly helps. But there’s something powerful about realizing that you’ve undersold yourself—that somehow your mind confused lack of effort for inability. This is why, whenever people ask me what I’d most like to change about the white working class, I say, “The feeling that our choices don’t matter.” The Marine Corps excised that feeling like a surgeon does a tumor.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
The Hermit: Doctor Strange from Marvel Comics - Doctor Strange’s journey from surgeon to Sorcerer Supreme, including his retreat into the study of the mystic arts, captures The Hermit’s search for deeper knowledge and the use of that knowledge for the greater good.
Elizabeth Goodwell (Tarot: Little White Book)
Cardiac surgery, to me, is very black and white. If you do a good job, the patients do fine. If you don’t, they die.
Joshua D. Mezrich (When Death Becomes Life: Notes from a Transplant Surgeon)
It's strange to be sitting here on the side of the tub, where for once I am taller than her. I have the vantage point to the curve of her nose, her dark lashes, the muscles of her neck and shoulders. If I feel an urge to cut her open, it's only because no surgeon can resist a perfect specimen. I tuck my uninjured hand between my thighs. I don't want to take her apart in the way most men would want to disassemble a woman. Not for any sort of power or hunger. I want to be close, and I don't know how to be close unless I'm elbow-deep in innards.
Andrew Joseph White, The Spirit Bares Its Teeth
They knew that as long as these plantations stood their lot would be to labour on them until they dropped. The only thing was to destroy them. From their masters they had known rape, torture, degradation, and, at the slightest provocation, death. They returned in kind. For two centuries the higher civilisation had shown them that power was used for wreaking your will on those whom you controlled. Now that they held power they did as they had been taught. In the frenzy of the first encounters they killed all, yet they spared the priests whom they feared and the surgeons who had been kind to them. They, whose women had undergone countless violations, violated all the women who fell into their hands, often on the bodies of their still bleeding husbands, fathers and brothers. “Vengeance! Vengeance!” was their war-cry, and one of them carried a white child on a pike as a standard.
C.L.R. James (The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution)
Dr. A.C. Jackson was a nationally recognized surgeon who was said by the Mayo Clinic to be the best African-American surgeon in the country. Jackson was one of fifteen African-American physicians in Tulsa at the time of the riot. He was only forty years old when he was gunned down outside his Greenwood home as he stood facing the vigilantes with his hands up. He told the mob that he was unarmed and that he wanted to go with them. He believed they were there to take him to safety at Convention Hall. As he walked out onto his front lawn, two men shot him down. While he was lying on the lawn, another man shot him in the leg. He bled to death in tremendous pain, unable to get help from the medical profession he so loved. He was a gentle man who sought only to do good for humanity and was beloved by both black and white associates.
Corinda Pitts Marsh (Holocaust in the Homeland: Black Wall Street's Last Days)
The surgeon, hand tired, asked me if I'd like to take over. Foggy, I did. I got my hand around the back of the young lifeless heart and squeezed. Tough, slippery, the sinewy muscle was a leather bag, filled with blood, rolling in the steamy chest cavity, tied to the tubes of the major vessels. Why was I doing this? My hand hurt. I gave up. The heart lay like a grayish-blue fruit on a tree of bones. Sickening. The face of the BMS was blue, turning white. The gash in his chest was bright red, turning to a clotted black. We'd ruined his body, even as he'd died. As I left the room, I heard Jo yell out with crisp authority: 'Any BMS students here? This is a chance you don't get often in your training, to learn to massage the heart. Great teaching case. Come on.
Samuel Shem (The House of God)
For GQ’s Andrew Corsello, Louis C.K.’s qualification to be considered El Supremo is that he is more than a comedian—he is a bug zapper of white lies and dark impulses, an urban shaman receiving and transmitting warped vibrations, a psychic surgeon delving into our shifty, cloaked selves.
James Wolcott (King Louie (Kindle Single))
Gabriel Solomon, our sandy-lashed, red-haired, soon-to-be-surgeon waiter, recited the night's menu: salad, broiled salmon, boiled red potatoes, sliced tomatoes and corn on the cob, all served family style. A vast slab of butter lay on a white plate next to baskets of bread- white Wonder bread and buttermilk biscuits, neither of which had ever touched our lips. There was a bottle of Hershey's chocolate syrup in the center of the table, a novelty for Jews who didn't mix dairy foods with meat. "The milk is from the farm's cows," Gabe explained. "It's pasteurized but it doesn't taste like city milk. If you'd like city milk, it will be delivered to you. But try the farm milk. Some guests love it. The children seem to enjoy it with syrup." Gabe paused. "I forgot to ask you, do you want your salad dressed or undressed?" Jack immediately replied, "Undressed of course," and winked. My mother worried about having fish with rolls and butter. "Fish is dairy," my father pronounced, immediately an expert on Jewish dietary laws. "With meat it's no butter and no milk for the children." Lil kept fidgeting in her straight-backed chair. "What kind of food is this?" she asked softly. "What do they call it?" "American," the two men said in unison. Within minutes Gabe brought us a bowl filled with iceberg lettuce, butter lettuce, red oak lettuce. "These are grown right here, in our own garden. We pick the greens daily. I brought you some oil and vinegar on the side, and a gravy boat of sour cream for the tomatoes. Take a look at these tomatoes." Each one was the size of a small melon, blood red, virtually seedless. Our would-be surgeon sliced them, one-two-three. We had not encountered such tomatoes before. "Beauties, aren't they?" asked Gabe. Jack held to certain eccentricities in his summer food. Without fail he sprinkled sugar over tomatoes, sugared his melons no matter how ripe and spread his corn with mustard- mustard!
Eleanor Widmer (Up from Orchard Street)
I got him back down to our camp near the lake, and we found him a doctor, a woman tending the wounded.” “A doctor or a woman?” “Both,” said Nathaniel. “A woman surgeon?” asked Elizabeth, confused. “The White Witch,” said Runs-from-Bears. “I’ve heard tell of her.
Sara Donati (Into the Wilderness (Wilderness, #1))
He had brought his bone saw in its leather case. And his white linen smock, the one he used to save his clothes when he had dirty work in store, and would have Li Chang wash and bleach after. An amputation would be the dirtiest work there was. He remembered the smocks the surgeons wore, layer on layer of red, dried blood darker under fresh red splashes, with the occasional white splinter of bone. Joshua prayed as he rode, prayed hard and desperately, prayed that the smock in his bag would be clean and white when he turned homeward.
Karen A. Wyle (What Heals the Heart (Cowbird Creek, #1))
In the days of his health and strength, Owen would have confidently refuted this picture of hopelessness, but he was tired and ill. His room now remained unheated most of the time and he was racked with coughs and ominous chest pains. In the long, miserable hours when sleep would not come, he found his eyes turning to that mouldy stain upon the wall, and he began to harbour dark thoughts. What was all this talk of the soul anyway? It could not be weighed or measured; die surgeon never discovered it. In any case it could not grant insight into stock market prices, could create no visible wealth. Indeed, there were brilliant people with titles like 'professor', people whose name trailed endless letters, who even after the most rigorous deliberations, most elegant applications of logic, doubted that such a thing as the soul existed at all. And after all, was not The City full of Smugsbys who possessed no discernible soul, yet lived after their fashion? The Great Mystery was nothing to them. They did not seek the Great Answer; they were not aware that there had ever been a Great Question! What business had he, a starving wretch, in seeking to nurture through his writings an invisible, odourless, weightless abstraction of dubious commercial value, when the very process merely drew attention away from the 'real' business of getting on? "The White Road
Ron Weighell (The White Road)
See—Mark tells the orange-faced flight attendant as they part a briefly-open-anyway curtain of water and enter the rain comparatively unseen, she shoeless and brown-skirted, his fashionable surgeon's shirt soaking quickly to a light green film over much health—dividing this fiction business into realistic and naturalistic and surrealistic and modern and postmodern and new-realistic and meta- is like dividing history into cosmic and tragic and prophetic and apocalyptic; is like dividing human beings into white and black and brown and yellow and orange. It atomizes, does not bind crowds, and, like everything timelessly dumb, leads to blind hatred, blind loyalty, blind supplication. Difference is no lover; it lives and dies dancing on the skins of things, tracing bare outlines as it feels for avenues of entry into exactly what it's made seamless.
David Foster Wallace (Girl with Curious Hair)
Allinson’s chain of cause and effect from white bread to constipation to chronic disease was given credibility in the late 1920s by the innovative and eccentric Scottish surgeon Sir Arbuthnot Lane in a book entitled The Prevention of the Diseases Peculiar to Civilization. The hypothesis would hold a tight grasp on a school of British medical researchers for decades to come.
Gary Taubes (Good Calories, Bad Calories: Challenging the Conventional Wisdom on Diet, Weight Control, and Disease)
I tried to stop my imagination at that point, but by then the image was more powerful than I was. I kept looking, I couldn’t take my eyes off it, the way you’ll watch open-heart surgery or an eye operation on TV, even though you know you shouldn’t, the remote in your hand, your thumb on the button, ready to zap away, but you wait too long: the shot of the sawed-open rib cage, the surgeon’s hands in their green plastic gloves holding the throbbing heart, the white eyeball hanging out of its socket, attached to the head by only a few bloody threads, will remain tattooed on your retinas for the rest of your life.
Herman Koch (The Ditch: A Novel)
Well, short of it is—” He held up a palm to stop protests from the younger Schuylers. “I got him back down to our camp near the lake, and we found him a doctor, a woman tending the wounded.” “A doctor or a woman?” “Both,” said Nathaniel. “A woman surgeon?” asked Elizabeth, confused. “The White Witch,” said Runs-from-Bears. “I’ve heard tell of her.” “And so has every soldier who set foot on that battlefield,” agreed Mr. Schuyler. “A Kahnyen’kehàka healer?” Elizabeth was curious enough to risk the displeasure of the rest of the audience with another question. Nathaniel shook his head. “No, a white woman, and English by the sound of her. Ian fetched her, and then it turned out she was his Auntie Claire. Brought her into camp just when I was thinking we couldn’t do much for the boy. And she hunkers down next to him and listens to his chest and then she forces something down his gullet, and she bundles him up. The thing to see, though, was the way he settled down when he heard her voice, talking low
Sara Donati (Into the Wilderness (Wilderness, #1))