Surge Sayings And Quotes

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Maybe that's what it all comes down to. Love, not as a surge of passion, but as a choice to commit to something, someone, no matter what obstacles or temptations stand in the way. And maybe making that choice, again and again, day in and day out, year after year, says more about love than never having a choice to make at all.
Emily Giffin (Love the One You're With)
I heard what you said.' Pump, pump, pump went his powerful arms. 'What you waiting to admit until I was almost dead, you fucking coward.' His lightening surged into her, sending her body arcing off the ground as he tried to jump-start her heart. He snarled in her ear, 'Now come say it to my face.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
I miss us too. I always have and I probably always will. Sometimes there are no happy endings. No matter what, I'll be losing something, someone. But maybe that's what it all comes down to. Love, not as a surge of passion, but as a choice to commit to something, someone, no matter what obstacles or temptations stand in the way. And maybe making that choice again and again, day in and day out, year after year,says more about love than never having a choice to make at all.
Emily Giffin (Love the One You're With)
What do we mean by saying that existence precedes essence? We mean that man first of all exists, encounters himself, surges up in the world-and defines himself afterward.
Jean-Paul Sartre (Existentialism is a Humanism)
Sometimes there are no happy endings, No matter what, I'll be losing something, someone. But maybe that's what it all comes down to. Love, not as a surge of passion, but as a choice to commit to something, someone, no matter what obstacles or temptations stand in the way. And maybe making that choice, again and again, day in and day out, year after year, says more about love than never having a choice to make at all.
Emily Giffin (Love the One You're With)
I carried the books to my room and read through the night. I loved the fiery pages of Mary Wollstonecraft, but there was a single line written by John Stuart Mill that, when I read it, moved the world: "It is a subject on which nothing final can be known." The subject Mill had in mind was the nature of women. Mill claimed that women have been coaxed, cajoled, shoved and squashed into a series of feminine contortions for so many centuries, that it is now quite impossible to define their natural abilities or aspirations. Blood rushed to my brain; I felt an animating surge of adrenaline, of possibility, of a frontier being pushed outward. Of the nature of women, nothing final can be known. Never had I found such comfort in a void, in the black absence of knowledge. It seemed to say: whatever you are, you are woman.
Tara Westover (Educated)
I am alive, he says to himself, I am alive! And life energy surges hotly through him, and delight, and appetite. How good to be in a body - even this old beat-up carcass - that still has warm blood and live semen and rich marrow and wholesome flesh!
Christopher Isherwood (A Single Man)
Sean reaches out between us and takes my wrist. He press his thumb on my pulse. My heartbeat trips and surges against his skin. I'm pinned by his touch, a sort of fearful magic. We stand and stand, and I wait for my pulse against his finger to slow, but it doesn't Finally, he releases my wrist and says," I'll see you on the cliffs tomorrow.
Maggie Stiefvater (The Scorpio Races)
You’re following me,” I say. “Yes, I am.” “That’s really annoying.” “I’m sure it probably feels that way, yes.” I stop. “I can take care of myself.” Overhead, the gas in the streetlamp surges. It grows brighter, harsher. There are no shadows anywhere as he looks at me. “That’s exactly what worries me.
Ally Carter (All Fall Down (Embassy Row, #1))
It’s so fucking cheap when people say I love you. It’s a name to stick on a surge of hormones, with a little hint of loyalty thrown in. I’ve never liked saying it. Here’s what I say: We’re together, now and until the end. You have everything I need to be happy. You make me feel right.
Joe Hill (The Fireman)
She’s Parisian, which is to say she’s melancholy. Her mood responds to the changing colours of her city. She can feel a sudden surge of sorrow or even hope for no reason at all. In the blink of an eye, all those lost memories and smells come flooding back, reminding her of loved ones who are no longer there. And time passing by.
Anne Berest (How To Be Parisian: Wherever You Are)
Do me a favor,” he whispers, curling my fingers over the back of his and bringing them to his mouth. “What?” His eyes never leave mine as he brushes his lips over my knuckles. “Dream of me tonight,” he says softly. He watches me, waiting for a response. I have no words, so I simply nod. He doesn’t need to know that no one else occupies my dreams. No one. “Dream of my lips, teasing you.” Straightening one of my fingers, he kisses the tip. His voice is like velvet and his words are like an aphrodisiac. “Dream of my tongue, tasting you.” His tongue sneaks out to flick the end of my finger. A surge of desire rocks my core. “And I’ll dream of you. Of what it feels like to be inside your warm, wet body.
M. Leighton (Up to Me (The Bad Boys, #2))
Brendan cleared his throat hard. “What does ‘follow’ mean?” “Don’t,” Deke rushed to say. “Don’t press it.” His thumb was already on the way back up. “Too late.” All three of his crew members surged to their feet. “No. Brendan, don’t tell me you just tapped the blue button,” Sanders groaned, hands on his mop of red hair. “She’s going to see you followed her. She’s going to know you internet stalked her.” “Can’t I just unfollow now?” Brendan started to tap again. Fox lunged forward. “No! No, that’s even worse. If she already noticed you followed her, she’s just going to think you’re playing games.” “Jesus. I’m deleting the whole thing,” Brendan said, throwing the offending device onto the dashboard.
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
I cud feal some thing growing in me it wer like a grean sea surging in me it wer saying, LOSE IT. Saying, LET GO. Saying, THE ONLYES POWER IS NO POWER The ruins of Canterbury Castle
Russell Hoban (Riddley Walker)
You're good at this,' she murmured. 'Do you often travel with girls who've been flayed?' That earned her a soft laugh. 'No.' Then quietly, as he ran a cloth along her lower back, just below the dip in her waist. 'Would you be jealous if I did?' I'm not a jealous person was what Evangeline intended to say, but instead the words 'of course' came out. Jacks laughed, louder this time. Embarrassment surged through her. 'That's not what I meant to say.' 'It's all right. I'd probably kill another man if I found him with you like this.' Jacks' hands pressed harder as they went to her shoulders and, one by one, ripped off the sleeves of her dress so that what remained of the gown completely fell away. She made a sound somewhere between a squeal and a gasp. 'What that really necessary?' 'No, but everyone should have their clothes ripped off at some point.' She imagined Jacks was mostly trying to distract her from all the pain, yet she blushed all the way from her cheeks to her chest. Out of the corner of her eye, she thought she saw him smile. And for a second, nothing hurt.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
You’re right,” Jacks said. “You’re not part of my world. You’re not one of those girls. And maybe that’s why.” “Why what?” “Why I can’t stop thinking about you.” Maddy rolled her eyes. “Guys like you don’t say that to girls like me.” “I’ve never said that to anyone, actually,” Jacks corrected. “In fact, I’ve never done anything like this before.” He let out a little laugh. “How am I doing?” He swallowed hard, trying to push down his nervousness. He was astonished to realize he was nervous. Somehow being around Maddy just put him in a different space. Jacks felt so present. Maddy stared at him, letting the anger and frustration surge through her. “Why are you doing this to me?” she asked finally. He paused, considering. “I’m being honest. I know you may not believe me. But I haven’t been able to not think about you. When we were in the back at the restaurant, and . . .” Jacks’s voice trailed off, his face coloring. “I still feel terrible about what I did. I lied to you and, even though I had good reasons for it, it was wrong of me.” Maddy studied him. Was he telling the truth? Jacks smiled. “I mean this in the best possible way: I’m not going to leave you alone until you let me make it up to you. I’m serious. I’ll be here every night. You might as well get me some pajamas and a toothbrush.” Despite her best efforts not to, Maddy laughed. She looked at Jacks and could see the faintest twinkle of light in his eyes. “So what you’re saying is that I should just give in and let you make it up to me. Otherwise you’ll be tormenting me like this for the rest of my life?” “Pretty much. Yeah.” “Well.” She sighed. “What do you have in mind?” “Come fly with me.
Scott Speer (Immortal City (Immortal City, #1))
Taryn Mitchell," he said, looking me in the eyes. "I love you. With all my heart." I felt all the blood rush from my body and surge right into my chest. All this time I waited for a man to say those words to me and mean it, and now I was hearing them from the one person I had hoped would say them. I gazed into his eyes and said what was in my heart. It was as easy and natural as breathing. "I love you too - more than anything in this world.
Tina Reber (Love Unscripted (Love, #1))
Maybe I'm missing something, but I don't rightly see how somebody who claims to have had -What'd you say? One partner?-can be welled trained." He had a point. Her brain clicked away. "I was referring to the instructional videotapes my agency has all its new employees watch." "They train you by watching videos?" His eyes narrowed reminding her of a hunter looking down a gun sight,"Now, ain't that interesting." She felt a little surge of pleasure as her child lost another few points on the Iowa Test of Basic Skills. Even a computer couldn't have picked a more perfect match.
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
Or how we feel a surge of love for a partner but we don't say anything because we're frozen with the fear of what those words might do to the relationship.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
We’re riders,” he says, as if that’s explanation enough. He takes hold of my hands and brings them to his chest. “So do whatever you need to get it out. You want to yell? Yell at me. You want to hit something? Hit me. I can take it.” Hitting him is the last thing I want to do, and suddenly, I’m done fighting it. “Come on,” he whispers. “Show me what you’ve got.” I surge up on my toes and kiss him
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Hunt hissed to Bryce through his gritted teeth, thunder cracking above him, "I heard what you said." Pump, pump, pump went his powerful arms. "What you waited to admit until I was almost dead, you fucking coward." His lightning surged into her, sending her body off the ground as he tried to jump-start her heart. He snarled in her ear, "Now come say it to my face.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Maybe that’s what it all comes down to. Love, not as a surge of passion, but as a choice to commit to something, someone, no matter what obstacles or temptations stand in the way. And maybe making that choice, again and again, day in and day out, year after year, says more about love than never having a choice to make at all
Emily Giffin
It’s wonderful to finally meet you,’ Scarlett managed. He smiled, wide and sincere. ‘I’m tempted to say you’re even prettier than I imagined, but I would hate you to think me unoriginal.’ ‘Too late,’ Julian coughed. A wrinkle formed between Nicolas’s thick brows as he noticed Scarlett’s companion. ‘And you are?’ ‘Julian.’ He offered his hand. But Nicolas refused to let go of Scarlett’s. ‘I wasn’t aware Scarlett had a brother.’ ‘I’m not her brother.’ Julian kept his tone friendly, but Scarlett felt a surge of bruising purple panic as devilry sparked in Julian’s eyes. ‘I’m not related to her at all. I’m an actor she played with during Caraval.’ He emphasized the words played with, and Scarlett could have choked him. Julian would choose now to finally be honest. Not that Nicolas appeared disturbed. The young count’s broad smile remained even as he petted Timber with his free hand. But Julian wasn’t finished. ‘I’m not surprised she’s never mentioned me. At the start of Caraval I don’t think she liked me much. But then we were given the same bedroom—’ ‘Julian, enough,’ Scarlett cut in.
Stephanie Garber (Finale (Caraval, #3))
...DAMNATION!' No device of the printer's art, not even capital letters, can indicate the intensity of that shriek of rage. Emerson is known to his Egyptian workers by the admiring sobriquet of Father of Curses. The volume as well as the content of his remarks earned him the title; but this shout was extraordinary even by Emerson's standards, so much so that the cat Bastet, who had become more or less accustomed to him, started violently, and fell with a splash into the bathtub. The scene that followed is best not described in detail. My efforts to rescue the thrashing feline were met with hysterical resistance; water surged over the edge of the tub and onto the floor; Emerson rushed to the rescue; Bastet emerged in one mighty leap, like a whale broaching, and fled -- cursing, spitting, and streaming water. She and Emerson met in the doorway of the bathroom. The ensuing silence was broken by the quavering voice of the safragi, the servant on duty outside our room, inquiring if we required his assistance. Emerson, seated on the floor in a puddle of soapy water, took a long breath. Two of the buttons popped off his shirt and splashed into the water. In a voice of exquisite calm he reassured the servant, and then transferred his bulging stare to me. I trust you are not injured, Peabody. Those scratches...' The bleeding has almost stopped, Emerson. It was not Bastet's fault.' It was mine, I suppose,' Emerson said mildly. Now, my dear, I did not say that. Are you going to get up from the floor?' No,' said Emerson. He was still holding the newspaper. Slowly and deliberately he separated the soggy pages, searching for the item that had occasioned his outburst. In the silence I heard Bastet, who had retreated under the bed, carrying on a mumbling, profane monologue. (If you ask how I knew it was profane, I presume you have never owned a cat.)
Elizabeth Peters (The Deeds of the Disturber (Amelia Peabody, #5))
There is a sacred calling on your life, and the question is: Will you spend your life flittering and fluttering about or take the time and really heed that call and create your own path to your highest good?...You cannot let other people define your life for you. You are the author of your own life...Real power is when you are doing exactly what you are supposed to be doing, the best it can be done. Authentic power. There's a surge, there's a kind of energy field that says, "I'm in my groove, I'm in my groove." And nobody has to tell you, "You go, girl," because you know you're already gone.
Oprah Winfrey
If thou art called to pass through tribulation; if thou art in perils among false brethren; if thou art in perils among robbers; if thou art in perils by land or by sea; If thou art accused with all manner of false accusations; if thine enemies fall upon thee; if they tear thee from the society of thy father and mother and brethren and sisters; and if with a drawn sword thine enemies tear thee from the bosom of thy wife, and of thine offspring, and thine elder son, although but six years of age, shall cling to thy garments, and shall say, My father, my father, why can’t you stay with us? O, my father, what are the men going to do with you? and if then he shall be thrust from thee by the sword, and thou be dragged to prison, and thine enemies prowl around thee like wolves for the blood of the lamb; And if thou shouldst be cast into the pit, or into the hands of murderers, and the sentence of death passed upon thee; if thou be cast into the deep; if the billowing surge conspire against thee; if fierce winds become thine enemy; if the heavens gather blackness, and all the elements combine to hedge up the way; and above all, if the very jaws of hell shall gape open the mouth wide after thee, know thou, my son, that all these things shall give thee experience, and shall be for thy good. The Son of Man hath descended below them all. Art thou greater than he?
Joseph Smith Jr. (The Doctrine and Covenants of the Church of Jesus Christ of Latter-Day Saints: Containing the Revelations Given to Joseph Smith ... With Some ... Successors in the Presidency of the Church)
Running away?" He taunted, as I drew my glamour to me, feeling it surge beneath my skin. "Always a coward, weren't you, prince? Never had the guts to really go for the kill." "You're right," I murmured, startling him. He frowned in wary surprise, and I smiled. "I always regretted my words against Puck. There was always a part of me that didn't want to go through with it." I lowered my blade, touching the tip to the floor. Ice spread from the point of the weapon, coating the ground and the walls, freezing the mirrors with sharp crinkling sounds. "But with you," I continued, narrowing my eyes, "it's different. You're the part of him that I hate. The part that revels in the chaos you cause, the lives you destroy. And I can say this with complete certainty - killing you will be a pleasure.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
Hearing has consequences. When I truly hear a person and the meanings that are important to him at that moment, hearing not simply his words, but him, and when I let him know that I have heard his own private personal meanings, many things happen. There is first of all a grateful look. He feels released. He wants to tell me more about his world. He surges forth in a new sense of freedom. He becomes more open to the process of change. I have often noticed that the more deeply I hear the meanings of the person, the more there is that happens. Almost always, when a person realize he has been deeply heard, his eyes moisten. I think in some real sense he is weeping for joy. It is as though he were saying, "Thank God, somebody heard me. Someone knows what it's like to be me.
Carl Rogers
Any movement or sound is a profession of faith, as the millstone grinding is explaining how it believes in the river. No metaphor can explain this, but I cannot stop pointing to the beauty. Every moment and place says, Put this design in your carpet. I want to be in such a passionate adoration that my tent gets pitched against the sky. Let the beloved come and sit like a guard dog in front of the tent. When the ocean surges, don't let me just hear it. Let is splash inside my chest.
Jalal ad-Din Muhammad ar-Rumi
Excellent,” said Queen Scarlet, flicking her tongue between her teeth. “A thrilling demonstration. Everything I was hoping for. As you say, Queen Burn, so much for that prophecy now, right? Peril, back to your place.” I hope you know how to control your new champion, Mother. Because she’s not just a threat to me. The crowd of dragons surged back, struggling to stay out of Peril’s path, as the dragonet walked slowly back to the little cage of rocks. This dragon could destroy the entire world.
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
It was her eyes and my eyes and I felt a surging sensation of rightness, of saying the right thing at the right time to the right person.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
One day in March AD 415, Hypatia set out from her home to go for her daily ride through the city. Suddenly, she found her way blocked by a “multitude of believers in God.”32 They ordered her to get down from her chariot. Knowing what had recently happened to her friend Orestes, she must have realized as she climbed down that her situation was a serious one. She cannot possibly have realized quite how serious. As soon as she stood on the street, the parabalani, under the guidance of a Church magistrate called Peter—“a perfect believer in all respects in Jesus Christ”33—surged round and seized “the pagan woman.” They then dragged Alexandria’s greatest living mathematician through the streets to a church. Once inside, they ripped the clothes from her body and, using broken pieces of pottery as blades, flayed her skin from her flesh. Some say that, while she still gasped for breath, they gouged out her eyes. Once she was dead, they tore her body into pieces and threw what was left of the “luminous child of reason” onto a pyre and burned her.34
Catherine Nixey (The Darkening Age: The Christian Destruction of the Classical World)
agreed with George, and suggested that we should seek out some retired and old-world spot, far from the madding crowd, and dream away a sunny week among its drowsy lanes—some half-forgotten nook, hidden away by the fairies, out of reach of the noisy world—some quaint-perched eyrie on the cliffs of Time, from whence the surging waves of the nineteenth century would sound far-off and faint.
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
She'll be fine," Alex says dismissively, as though I shouldn't worry about it—as though it's none of my concern. I have the sudden urge to kick him in the back of his head. He is kneeling in front of Lena, dabbing antibacterial cream on her leg. I'm mesmerized by the way his fingers move confidently along her skin, as though her body is his to treat and touch and tend to. She was mine before she was yours: The words are there, unexpectedly, surging from my throat to my tongue. I swallow them back.
Lauren Oliver (Hana (Delirium, #1.5))
... the demons already won, a long, long time ago. They devoured the vast majority of the universe, and that's why the planets are so relatively small, compared to the sheer amount of nothingness. It's why we're so very tiny, in the grand scheme of it all. But these things we erroneously call angels surged in strength, they spun out a complete universe from the scraps, and on select scraps, or on a select scrap, they prepared life to emerge." Rose glanced out over the room. "It would be easy to say that the universe is an unending repetition of creation and death. That this has happened before and it'll happen again, and this is the heartbeat of the universe. But in looking at the history of this world, both the clear history, and the one behind the curtain, something stands out. Us. We're another force. And we're only still emerging. We're change. We're an equal to them. We just don't realize it yet.
Wildbow
But maybe that's what it all comes down to. Love, not as a surge of passion, but as a choice to commit to something, someone, no matter what obstacles or temptations stand in the way. And maybe making that choice, again and again, day in and day out, year after year, says more about love than never having a choice to make at all.
Emily Giffin (Love the One You're With)
During the two months of our stay at Biarritz, my passion for Colette all but surpassed my passion for Cleopatra. Since my parents were not keen to meet hers, I saw her only on the beach; but I thought of her constantly. If I noticed she had been crying, I felt a surge of helpless anguish that brought tears to my own eyes. I could not destroy the mosquitoes that had left their bites on her frail neck, but I could, and did, have a successful fistfight with a red-haired boy who had been rude to her. She used to give me warm handfuls of hard candy. One day, as we were bending together over a starfish, and Colette's ringlets were tickling my ear, she suddenly turned toward me and kissed me on the cheek. So great was my emotion that all I could think of saying was, 'You little monkey.
Vladimir Nabokov (Speak, Memory)
Neel cuts in: "Where'd you grow up?" "Palo Alto," she says. From there to Stanford to Google: for a girl obsessed with the outer limits of human potential, Kat has stayed pretty close to home. Neel nods knowingly. "The suburban mind cannot comprehend the emergent complexity of a New York sidewalk." "I don't know about that," Kat says, narrowing her eyes. "I'm pretty good with complexity." "See, I know what you're thinking," Neel says, shaking his head. "You're thinking it's just an agent-based simulation, and everybody out here follows a pretty simple set of rules"-- Kat is nodding--"and if you can figure out those rules, you can model it. You can simulate the street, then the neighborhood, then the whole city. Right?" "Exactly. I mean, sure, I don't know what the rules are yet, but I could experiment and figure them out, and then it would be trivial--" "Wrong," Neel says, honking like a game-show buzzer. "You can't do it. Even if you know the rules-- and by the way, there are no rules--but even if there were, you can't model it. You know why?" My best friend and my girlfriend are sparring over simulations. I can only sit back and listen. Kat frowns. "Why?" "You don't have enough memory." "Oh, come on--" "Nope. You could never hold it all in memory. No computer's big enough. Not even your what's-it-called--" "The Big Box." "That's the one. It's not big enough. This box--" Neel stretches out his hands, encompasses the sidewalk, the park, the streets beyond--"is bigger." The snaking crowd surges forward.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
Love is not the primeval surge of libidinal lust that a person receives when meeting a suitable partner for the first time. Love in the truest sense of the term is born much later in a relationship, when both sides get to the know the truest selves of each other.
Abhijit Naskar (The Bengal Tigress: A Treatise on Gender Equality (Humanism Series))
These tribal wars, like the practice of circumcision, are brought about by the ego, selfishness, and aggression of men. I hate to say that, but it’s true. Both acts stem from their obsession with their territory—their possessions—and women fall into that category both culturally and legally. Perhaps if we cut their balls off, my country would become paradise. The men would calm down and be more sensitive to the world. Without that constant surge of testosterone, there’d be no war, no killing, no thieving, no rape. And if we chopped off their private parts, and turned them loose to run around and either bleed to death or survive, maybe they could understand for the first time what they’re doing to their women.
Waris Dirie (Desert Flower)
It was all the answer Rook needed. He plunged his hand into the soil, long fingers grasping down. This was no offering to the earth, but a command to it, and the forest surged around us. Bramble roots as wide around as kitchen tables heaved up from the ground, bristling with thorns longer and more wicked than any sword. When they reached their full height they branched, heaving higher, knotting together, until they gathered us up in a fortress like something out of an old tale, a place where a cursed princess slept imprisoned. I was gladdened by the sight of those vicious thorns more than I could say, and wondered whether the stories would have gone any differently if the princesses had been the ones telling them.
Margaret Rogerson (An Enchantment of Ravens)
One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling. Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home. Silver and blue, blue and silver. Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears. The voice of Volkheimer: What you could be. Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed. “Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass. The wind moves through his undershirt. He is a kite, a balloon. Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater. “It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.” Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it? The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass. Why doesn’t the wind move the light? Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand. “Stop,” he calls. “Halt,” he calls. But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.
Anthony Doerr (All the Light We Cannot See)
I suspect the next 10 years will be years of turmoil and hardship the globe over, and with that will come a surge in a certain kind of American patriotism. Therefore, American Christians will be challenged to remember where our true fealty lies. I’m not saying there’s no place for patriotism. But Christians are people whose first allegiance cannot be to a nation-state, not to any nation-state. Increased geopolitical tension may tempt us to forget that.
Lauren F. Winner
What kind of understanding?" he murmured almost absently, his mind clearly on other, more provocative things. The trace of amusement in his voice irritated her, as if he were merely humoring her. Savannah pushed at the solid wall of his chest to put a few inches between them. His large frame didn't budge, and she was locked in by his arm. She pushed at him again. "Forget it." He bent his head to taste the vulnerable line of her neck, to feel her pulse in the warm, moist cavern of his mouth. His blood surged and pounded. Little jackhammers began to beat at his skull. "I am listening to every word you say, ma petite," he murmured, lost in her softness, in the scent of her. He wanted her with every fiber of his being, every cell in his body. "I could repeat each word verbatim, if you desire.
Christine Feehan (Dark Magic (Dark, #4))
When Zach touches me … it’s like my skin stops being the barrier that holds me in and the world out. It feels like a boundary he can cross at will, to merge with me and fill me with this fire, from the depths of my chest to the surface of my skin. To make me, the individual, bigger, bursting at the seams, surging outward with something both undefinable and terrifying to lose. All this to say, I think he’s turned me into a hopeless fucking romantic. If it wasn’t for the fact that I’m loving every second of it, it might occur to me to be indignant.
Sophie Gonzales (If This Gets Out)
By the middle of the afternoon it had rained so much that the drains were overflowing, clogged up with leaves and newspapers. The water built up until it was sliding across the road in great sheets, rippled by the wind and parted like a football crowd by passing cars. I was shocked by the sheer volume of water that came pouring out of the darkness of the sky. Watching the weight of it crashing into the ground made me feel like a very young child, unable to understand what was really happening. Like trying to understand radio waves, or imagining computers communicating along glass cables. I leant my face against the window as the rain piled upon it, streaming down in waves, blurring my vision, making the shops opposite waver and disappear. There was a time when I might have found this exhilarating, even miraculous, but not that day. That day it made me nervous and tense, unable to concentrate on anything while the noise of it clattered against the windows and the roof. I kept opening the door to look for clear skies, and slamming it shut again. And then around teatime, from nowhere, I smashed all the dirty plates and mugs into the washing-up bowl. Something swept through me, swept out of and over me, something unstoppable, like water surging from a broken tap and flooding across the kitchen floor. I don't quite understand why I felt that way, why I reacted like that. I wanted to be saying it's just something that happens. But I was there, that day, slamming the kitchen door over and over again until the handle came loose. Smacking my hand against the worktop, kicking the cupboard doors, throwing the plates into the sink. Going fuckfuckfuck through my clenched teeth. I wanted someone to see me, I wanted someone to come rushing in, to take hold of me and say hey hey what are you doing, hey come on, what's wrong. But there was no one there, and no one came.
Jon McGregor (If Nobody Speaks Of Remarkable Things)
In the elderly, that hormone surge can be just as great as in younger people. Says the newspaper. Which might explain why, when Eefje is near, I always find myself starting to stammer and stutter a bit.
Hendrik Groen (The Secret Diary of Hendrik Groen, 83¼ Years Old)
don’t mean in that normal, time flies way,” Henry’s saying. “I mean feeling like it’s surging by so fast, and you try to reach out and grab it, you try to hold on, but it just keeps rushing away. And every second, there’s a little less time, and a little less air, and sometimes when I’m sitting still, I start to think about it, and when I think about it, I can’t breathe. I have to get up. I have to move.
Victoria E. Schwab (The Invisible Life of Addie LaRue)
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
Dodie Smith (I Capture the Castle)
So Captain Jack’s come a-courtin’.” Her hands stilled on the basket. “Who?” “The tall Shawnee who come by your cabin.” The tall one. Lael felt a small surge of triumph at learning his name. Captain Jack. Oddly, she felt no embarrassment. Lifting her shoulders in a slight shrug, she continued pulling the vines into a tight circle. “He come by, but I don’t know why.” “Best take a long look in the mirror, then.” Lael’s eyes roamed the dark walls. Ma Horn didn’t own one. “Beads and a blanket, was it?” She nodded and looked back down. “I still can’t figure out why some Shawnee would pay any mind to a white girl like me.” Ma Horn chuckled, her face alight in the dimness. “Why, Captain Jack’s as white as you are.” “What?” she blurted, eyes wide as a child’s. Ma Horn’s smile turned sober. “He’s no Indian, Shawnee or otherwise, so your pa says. He was took as a child from some-wheres in North Carolina. All he can remember of his past life is his white name—Jack.
Laura Frantz (The Frontiersman's Daughter)
I thought about how often this was needed in everyday life. How we feel lonely, sometimes to the point of tears, but we don’t let those tears come because we are not supposed to cry. Or how we feel a surge of love for a partner but we don’t say anything because we’re frozen with the fear of what those words might do to the relationship. Morrie’s approach was exactly the opposite. Turn on the faucet. Wash yourself with the emotion. It won’t hurt you. It will only help. If you let the fear inside, if you pull it on like a familiar shirt, then you can say to yourself, “All right, it’s just fear, I don’t have to let it control me. I see it for what it is.” Same for loneliness: you let go, let the tears flow, feel it completely—but eventually be able to say, “All right, that was my moment with loneliness. I’m not afraid of feeling lonely, but now I’m going to put that loneliness aside and know that there are other emotions in the world, and I’m going to experience them as well.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
The real experience of anger “is physiologic experience without acting out. The experience is one of a surge of power going through the system, along with a mobilization to attack. There is, simultaneously, a complete disappearance of all anxiety.
Gabor Maté (When the Body Says No)
An I-it relationship is basically what we create when we are in transactions with people whom we treat like objects - people who are simply there to serve us or complete a task. I-you relationships are characterized by human connection and empathy. Buber wrote, "When two people relate to each other authentically and humanly, God is the electricity that surges between them." After spending a decade studying belonging, authenticity, and shame, I can say for certain that we are hardwired for connection - emotionally, physically, and spiritually.
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
I want to apologize to you,” she says calmly. “Oh yeah? For what?” I don’t have time for this. We don’t have time for this. I push away thoughts of what will happen to Hana even if I manage to escape. She’ll be here, in the house . . . My stomach is clenching and unclenching. I’m worried the bread will come straight back up. I have to stay focused. What happens to Hana isn’t my concern, and it isn’t my fault, either. “For telling the regulators about 37 Brooks,” she says. “For telling them about you and Alex.” Just like that, my brain powers down. “What?" “I told them.” She lets out a tiny exhalation, as though saying the words has given her relief. “I’m sorry. I was jealous.” I can’t speak. I’m swimming through a fog. “Jealous?” I manage to spit out. “I—I wanted what you had with Alex. I was confused. I didn’t understand what I was doing.” She shakes her head again. I have a swinging, seasick feeling. It doesn’t make any sense. Hana—golden girl Hana, my best friend, fearless and reckless. I trusted her. I loved her. “You were my best friend.” “I know.” Again she looks troubled, as though trying to recall the meaning of the words. “You had everything.” I can’t stop my voice from rising. The anger is vibrating, ripping through me like a live current. “Perfect life. Perfect grades. Everything.” I gesture to the spotless kitchen, to the sunshine pouring over the marble counters like drizzled butter. “I had nothing. He was my one thing. My only—” The sickness surges up and I take a step forward, clenching my fists, blind with rage. “Why couldn’t you let me have it? Why did you have to take it? Why did you always take everything?
Lauren Oliver (Requiem (Delirium, #3))
May 27, 1941 Sunday we encountered specimens of the rarely appearing yellow lady's slipper. This orchis is fragilely beautiful. One tends to think of it almost as a phenomenon, without any roots or place in the natural world. And yet it, too, has had its tough old ancestors which have eluded fires and drought and freezes to pass on in this lovely form the boon of existence. If a plant so delicately lovely can at the same time be so toughly persistent and resistant to all natural enemies, can we doubt that hopes for a better an more rational world may not also withstand all assaults, be bequeathed from generation to generation, and come ultimately to flower? President Roosevelt says he has not lost faith in democracy; nor have I lost faith in the transcendent potentialities of LIFE itself. One has but to look about him to become almost wildly imbued with something of the massive, surging vitality of the earth.
Harvey Broome (Out Under The Sky Of The Great Smokies: A Personal Journal)
As soon as she stood on the street, the parabalani, under the guidance of a Church magistrate called Peter—“a perfect believer in all respects in Jesus Christ”33—surged round and seized “the pagan woman.” They then dragged Alexandria’s greatest living mathematician through the streets to a church. Once inside, they ripped the clothes from her body and, using broken pieces of pottery as blades, flayed her skin from her flesh. Some say that, while she still gasped for breath, they gouged out her eyes. Once she was dead, they tore her body into pieces and threw what was left of the “luminous child of reason” onto a pyre and burned her.34
Catherine Nixey (The Darkening Age: The Christian Destruction of the Classical World)
Hunt hissed to Bryce through his gritted teeth, thunder cracking above him, 'I heard what you said.' Pump, pump, pump went his powerful arms. 'What you waited to admit until I was almost dead, you fucking coward.' His lightning surged into her, sending her body arcing off the ground as he tried to jump-start her heard. He snarled in her ear. 'Now come say it to my face.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
I wrap my arms around his neck, feel his arms hesitate before they embrace me. Not as steady as they once were, but still warm and strong. A thousand moments surge through me. All the times these arms were my only refuge from the world. Perhaps not fully appreciated then, but so sweet in my memory, and now gone forever. “All right, then.” I release him. “It’s time,” says Tigris.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Nicolas sat very still just watching her. What he wanted to do was yank her back into the boat and weld their mouths together. Their bodies. He craved her like he would a drug. He made himself breath. In and out. He could read the desperation in her eyes, the fear. Not of him, for him. The tight coil in his belly began to relax. Not giving her time to argue or think, he simply caught her small wrists and lifted her into the boat. “We’re adults, remember? Now that we know it can happen, we’ll be more careful.” He managed a quick, teasing grin. “Until we don’t want to be careful.” Dahlia swallowed hard. She had courage, he had to give her that. Respect for her grew with every moment in her company. She didn’t back away from him, but held her ground. They were both standing up, and she had a long way to look up. “It could happen, Nicolas. You’ve never seen what pure energy can do, but I have. I generate heat when it happens and fires start. People get hurt.” “Have you ever made love to someone, Dahlia?” His voice was so low she had to strain to hear him. She felt the surge of darkness, of danger, something lethal and deadly emanating from him. “No, I’ve never wanted to get that close to anyone.” “Until now.” He wanted to hear her say it. At least give him that much. He needed that much. “Until now,” she agreed. Nicolas stepped away from her, sank back into position. “Thanks for not pushing me into the water. You must have thought about it.” “Don’t give me too much credit.” She made her way to the motor. “I wasn’t certain if I shoved, you’d fall.
Christine Feehan (Mind Game (GhostWalkers, #2))
Isaiah opens my car door and his warm silver eyes smile at me. “Hey.” I sweep my bangs from my eyes. “Hi.” He offers his hand and I accept. His fingers wrap around mine and heat surges up my arm, flushes my neck and settles into a blush on my face. He tugs gently and I slip out. I’m not sure if my body vibrates from the rumbling of the garage door closing or from the blood pounding in my veins. Our fingers lace together, and his other hand smoothly cups my hip. I suck in a breath, surprised that someone touches me so easily and with such care. “You look nice,” he says. “I’m in my school uniform.” White button-down blouse, maroon-and-black plaid skirt, and a pair of white Keds. Nothing spectacular. “I know.” The seductive slide in his voice causes the back of my neck to tickle.
Katie McGarry (Crash into You (Pushing the Limits, #3))
There’s a pretty good old rowboat. I’ll take you out for a row after supper.” “No, I will,” said Jesse. “Let me. I found her first, didn’t I, Winnie Foster? Listen, I’ll show you where the frogs are, and…” “Hush,” Tuck interrupted. “Everyone hush. I’ll take Winnie rowing on the pond. There’s a good deal to be said and I think we better hurry up and say it. I got a feeling there ain’t a whole lot of time.” Jesse laughed at this, and ran a hand roughly through his curls. “That’s funny, Pa. Seems to me like time’s the only thing we got a lot of.” But Mae frowned. “You worried, Tuck? What’s got you? No one saw us on the way up. Well, now, wait a bit--yes, they did, come to think of it. There was a man on the road, just outside Treegap. But he didn’t say nothing.” “He knows me, though,” said Winnie. She had forgotten, too, about the man in the yellow suit, and now, thinking of him, she felt a surge of relief. “He’ll tell my father he saw me.” “He knows you?” said Mae, her frown deepening. “But you didn’t call out to him, child. Why not?” “I was too scared to do anything ,” said Winnie honestly. Tuck shook his head. “I never thought we’d come to the place where we’d be scaring children,” he said. “I guess there’s no way to make it up to you, Winnie, but I’m sure most awful sorry it had to happen like that. Who was this man you saw?” “I don’t know his name,” said Winnie. “But he’s a pretty nice man, I guess.” In fact, he seemed supremely nice to her now, a kind of savior. And then she added, “He came to our house last night, but he didn’t go inside.” “Well, that don’t sound too serious, Pa,” said Miles. “Just some stranger passing by.” “Just the same, we got to get you home again, Winnie,” said Tuck, standing up decisively. “We got to get you home just as fast as we can. I got a feeling this whole thing is going to come apart like wet bread. But first we got to talk, and the pond’s the best place. The pond’s got answers. Come along, child. Let’s go out on the water.
Natalie Babbitt (Tuck Everlasting)
I don’t mean in a normal, time flies way," Henry's saying. "I mean feeling like it’s surging by so fast, and you try to reach out and grab it, you try to hold on, but it just keeps rushing away. And every second, there’s a little less time, and a little less air, and sometimes when I’m sitting still, I start to think about it, and when I think about it, I can’t breathe. I have to get up. I have to move.
Victoria E. Schwab (The Invisible Life of Addie LaRue)
I don’t mean in that normal, time flies way,” Henry’s saying. “I mean feeling like it’s surging by so fast, and you try to reach out and grab it, you try to hold on, but it just keeps rushing away. And every second, there’s a little less time, and a little less air, and sometimes when I’m sitting still, I start to think about it, and when I think about it, I can’t breathe. I have to get up. I have to move.
Victoria E. Schwab (The Invisible Life of Addie LaRue)
Depression goes through stages, but if left unchecked and not treated, this elevator ride will eventually go all the way to the bottom floor. And finally you find yourself bereft of choices, unable to figure out a way up or out, and pretty soon one overarching impulse begins winning the battle for your mind: “Kill yourself.” And once you get over the shock of those words in your head, the horror of it, it begins to start sounding appealing, even possessing a strange resolve, logic. In fact, it’s the only thing you have left that is logical. It becomes the only road to relief. As if just the planning of it provides the first solace you’ve felt that you can remember. And you become comfortable with it. You begin to plan it and contemplate the details of how best to do it, as if you were planning travel arrangements for a vacation. You just have to get out. O-U-T. You see the white space behind the letter O? You just want to crawl through that O and be out of this inescapable hurt that is this thing they call clinical depression. “How am I going to do this?” becomes the only tape playing. And if you are really, really, really depressed and you’re really there, you’re gonna find a way. I found a way. I had a way. And I did it. I made sure Opal was out of the house and on a business trip. My planning took a few weeks. I knew exactly how I was going to do it: I didn’t want to make too much of a mess. There was gonna be no blood, no drama. There was just going to be, “Now you see me, now you don’t.” That’s what it was going to be. So I did it. And it was over. Or so I thought. About twenty-four hours later I woke up. I was groggy; zoned out to the point at which I couldn’t put a sentence together for the next couple of days. But I was semifunctional, and as these drugs and shit that I took began to wear off slowly but surely, I realized, “Okay, I fucked up. I didn’t make it.” I thought I did all the right stuff, left no room for error, but something happened. And this perfect, flawless plan was thwarted. As if some force rebuked me and said, “Not yet. You’re not going anywhere.” The only reason I could have made it, after the amount of pills and alcohol and shit I took, was that somebody or something decided it wasn’t my time. It certainly wasn’t me making that call. It was something external. And when you’re infused with the presence of this positive external force, which is so much greater than all of your efforts to the contrary, that’s about as empowering a moment as you can have in your life. These days we have a plethora of drugs one can take to ameliorate the intensity of this lack of hope, lack of direction, lack of choice. So fuck it and don’t be embarrassed or feel like you can handle it yourself, because lemme tell ya something: you can’t. Get fuckin’ help. The negative demon is strong, and you may not be as fortunate as I was. My brother wasn’t. For me, despair eventually gave way to resolve, and resolve gave way to hope, and hope gave way to “Holy shit. I feel better than I’ve ever felt right now.” Having actually gone right up to the white light, looked right at it, and some force in the universe turned me around, I found, with apologies to Mr. Dylan, my direction home. I felt more alive than I’ve ever felt. I’m not exaggerating when I say for the next six months I felt like Superman. Like I’m gonna fucking go through walls. That’s how strong I felt. I had this positive force in me. I was saved. I was protected. I was like the only guy who survived and walked away from a major plane crash. I was here to do something big. What started as the darkest moment in my life became this surge of focus, direction, energy, and empowerment.
Ron Perlman (Easy Street: The Hard Way)
She holds out her arms to me and I feel a surge of happiness. Inside her half-open cloak there’s a glimpse of red. It’s her heart, I think. It must be her heart, on the outside of her body, glowing like neon, like a coal. Then I can’t see her any more. But I feel her around me, not like arms but like a small wind of warmer air. She’s telling me something. You can go home now, she says. It will be all right. Go home.
Margaret Atwood (Cat's Eye)
Hana?" Lena says softly. "Are you okay?" That single stupid question breaks me. All the metal fingers relax me at once, and the tears they've been holding back come surging up at once. Suddenly I am sobbing and telling her everything: about the raid, and the dogs, and the sounds of skulls cracking underneath regulator's nightsticks. Thinking about it again makes me feel like I might puke. At a certain point, Lena puts her arms around me and starts murmuring things into my hair. I don't even know what she's saying, and I don't care. JUst having her here—solid, real, on my side—makes me feel better than I have in weeks. Slowly I manage to stop crying, swallowing back the hiccups and sobs that are still running through me. I try to tell her that I've missed her, and that I've been stupid and wrong, but my voice is muffled and thick
Lauren Oliver (Hana (Delirium, #1.5))
Of course, none of that would matter if people heard Nina and Jesper arguing at the top of their lungs. They must have returned to the island and left theirgondel on the north side. Nina’s irritated voice floated over the graves, and Matthias felt a surge of relief, his steps quickening, eager for the sight of her. “I don’t think you’re showing proper appreciation for what I just went through,” Jesper was saying as he stomped through the cemetery. “You spent a night at the tables losing someone else’s money,” Nina shot back. “Isn’t that essentially a holiday for you?” Kaz knocked his cane hard against a gravestone and they both went quiet, moving swiftly into fighting stances. Nina relaxed as soon as she caught sight of the three of them in the shadows. “Oh, it’s you.” “Yes, it’s us.” Kaz used his cane to herd them both toward the center of the island. “And you would have heard us if you hadn’t been busy shouting at each other. Stop gawking like you’ve never seen a girl in a dress before, Matthias.” “I wasn’t gawking,” Matthias said with as much dignity as he could muster. But for Djel’s sake, what was he supposed to look at when Nina had irises tucked between … everything. “Be quiet, Brekker,” Nina said. “I like it when he gawks.” “How did the mission go?” Matthias asked, trying to keep his eyes on her face. 
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I came to find you last night," Lena says more quietly. "When I knew there was going to be a raid...I snuck out. I was there when—when the regulators came. I barely made it out. Alex helped me. We hid in a shed until they were gone..." I close my eyes and reopen them. I remember wiggling into the damp earth, bumping my hip against the window. I remember standing, and seeing the dark forms of bodies lying like shadows in the grass, and the sharp geometry of a small she shed, nestled in the trees. Lena was there. It was almost unimaginable. "I can't believe that. I can't believe you snuck out during a raid—for me." My throat feels thick again, and I will myself not to start crying. For a moment I am overwhelmed by a feeling so huge and strange, I have no name for it: It surges over the guilt and the shock and the envy; it plunges a hand into the deepest part of myself and roots me to Lena.
Lauren Oliver (Hana (Delirium, #1.5))
This seat taken?" My eyes grazing over the only other occupant, a guy with long glossy dark hair with his head bent over a book. "It's all yours," he says. And when he lifts his head and smiles,my heart just about leaps from my chest. It's the boy from my dreams. The boy from the Rabbit Hole,the gas station,and the cave-sitting before me with those same amazing,icy-blue eues, those same alluring lips I've kissed multiple times-but only in slumber, never in waking life. I scold my heart to settle,but it doesn't obey. I admonish myself to sit,to act normal, casual-and I just barely succeed. Stealing a series of surreptitious looks as I search through my backpack, taking in his square chin,wide generous lips,strong brow,defined cheekbones, and smooth brown skin-the exact same features as Cade. "You're the new girl,right?" He abandons his book,tilting his head in a way that causes his hair to stream over his shoulder,so glossy and inviting it takes all of my will not to lean across the table and touch it. I nod in reply,or at least I think I do.I can't be too sure.I'm too stricken by his gaze-the way it mirrors mine-trying to determine if he knows me, recognizes me,if he's surprised to find me here.Wishing Paloma had better prepared me-focused more on him and less on his brother. I force my gaze from his.Bang my knee hard against the table as I swivel in my seat.Feeling so odd and unsettled,I wish I'd picked another place to sit, though it's pretty clear no other table would have me. He buries his smile and returns to the book.Allowing a few minutes to pass,not nearly enough time for me to get a grip on myself,when he looks up and says, "Are you staring at me because you've seen my doppelganer roaming the halls,playing king of the cafeteria? Or because you need to borrow a pencil and you're too shy to ask?" I clear the lump from my throat, push the words past my lips when I say, "No one's ever accused me of being shy." A statement that,while steeped in truth, stands at direct odds with the way I feel now,sitting so close to him. "So I guess it's your twin-or doppelganer,as you say." I keep my voice light, as though I'm not at all affected by his presence,but the trill note at the end gives me away.Every part of me now vibrating with the most intense surge of energy-like I've been plugged into the wall and switched on-and it's all I can do to keep from grabbing hold of his shirt, demanding to know if he dreamed the dreams too. He nods,allowing an easy,cool smile to widen his lips. "We're identical," he says. "As I'm sure you've guessed. Though it's easy enough to tell us apart. For one thing,he keeps his hair short.For another-" "The eyes-" I blurt,regretting the words the instant they're out.From the look on his face,he has no idea what I'm talking about. "Yours are...kinder." My cheeks burn so hot I force myself to look away,as words of reproach stampede my brain. Why am I acting like such an inept loser? Why do I insist on embarrassing myself-in front of him-of all people? I have to pull it together.I have to remember who I am-what I am-and what I was born to do.Which is basically to crush him and his kind-or,at the very least,to temper the damage they do.
Alyson Noel (Fated (Soul Seekers, #1))
I thought about how often this was needed in everyday life. How we feel lonely, sometimes to the point of tears, but we don’t let those tears come because we are not supposed to cry. Or how we feel a surge of love for a partner but we don’t say anything because we’re frozen with the fear of what those words might do to the relationship. Morrie’s approach was exactly the opposite. Turn on the faucet. Wash yourself with the emotion. It won’t hurt you. It will only help. If you let the fear inside, if you pull it on like a familiar shirt, then you can say to yourself, “All right, it’s just fear, I don’t have to let it control me. I see it for what it is.” Same for loneliness: you let go, let the tears flow, feel it completely—but eventually be able to say, “All right, that was my moment with loneliness. I’m not afraid of feeling lonely, but now I’m going to put that loneliness aside and know that there are other emotions in the world, and I’m going to experience them as well.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
Angry heat tightens my skin. “Never took you for a coward,” I blurt. His head snaps in my direction. “What do you mean by that?” “You came here tonight for a reason. Why don’t you own up to it?” Before I can think about it, I lean across the center console and stare him directly in the face. “Do you always run from what you want?” Maybe I’m going out on a limb to imply he wants me, but the pulse throbbing at his neck tells me it’s so. And he is here, after all. His gaze drops to my mouth. “I can’t think of the last time I had anything I truly wanted,” he says huskily, so low I could hardly hear him. It’s more like I felt him. His words echo through me, striking a chord so deep that I’m sure there’s a reason for all this. A reason we’ve found each other, first in the mountains and now here. A reason. Something more. Something bigger than coincidence. “Me too.” He leans across the console. Sliding a hand behind my neck, he tugs my face closer. I move fluid, melting toward him. “Maybe it’s time to change that then.” At the first brush of his mouth, stinging heat surges through me, shocking me motionless. My veins and skin pop and pulse. I rise on my knees, clutch his shoulders with clawing fingers, trying to get closer. My hands drift, rounding over his smooth shoulders, skimming down a rock-hard chest. His heart beats like a drum beneath my fingers. My blood burns, lungs expand and smolder. I can’t draw enough air through my nose . . . or at least not enough to chill my steaming lungs. His hands slide over my cheeks, holding my face. His skin feels like ice to my blistering flesh, and I kiss him harder. “Your skin,” he whispers against my mouth,” it’s so . . .” I drink him in, his words, his touch, moaning at his taste, at the sudden burning pull of my skin. The delicious tugging in my back. He kisses me deeper with cool, dry lips. Moves his hands down my face, along my jaw to my neck. His fingertips graze beneath my ear, and I shiver. “Your skin is so soft, so warm . . .
Sophie Jordan (Firelight (Firelight, #1))
The girl had a special way of saying “anything”. The gods had blessed her voice with a special monopoly. It delivered an acoustic chocolate that was laced with all flavours of euphoria. The substance led to surges in testosterone in all types of men, including the average botanist. “Anything.” The way she handled the word endowed it with so many possibilities. Professor Khupe decided to investigate how many of these Ketiwe would let him explore. To his delight the parameters of the word had proven to be quite elastic.
Taona Dumisani Chiveneko (Sprout of Disruption (The Hangman's Replacement # 1))
The truth is quite the contrary: the author is not an indefinite source of significations which fill a work; the author does not precede the works, he is a certain functional principle by which, in our culture, one limits, excludes, and chooses; in short, by which one impedes the free circulation, the free manipulation, the free composition, decomposition, and recomposition of fiction. In fact, if we are accustomed to presenting the author as a genius, as a perpetual surging of invention, it is because, in reality, we make him function in exactly the opposite fashion. One can say that the author is an ideological product, since we represent him as the opposite of his historically real function. (When a historically given function is represented in a figure that inverse is, one has an ideological production). The author is therefore the ideological figure by which one marks the manner in which we fear the proliferation of meaning. In saying this, I seem to call for a form of culture in which fiction would not be limited by the figure of the author…
Michel Foucault (What is an Author?)
You might say, “I know I am an immortal spirit,” or “I am tired of this mad world, and peace is all I want”—until the phone rings. Bad news: The stock market has collapsed; the deal may fall through; the car has been stolen; your mother-in-law has arrived; the trip is cancelled, the contract has been broken; your partner has left you; they demand more money; they say it’s your fault. Suddenly there is a surge of anger, of anxiety. A harshness comes into your voice; “I can’t take any more of this.” You accuse and blame, attack, defend, or justify yourself, and it’s all happening on autopilot. Something is obviously much more important to you now than the inner peace that a moment ago you said was all you wanted, and you’re not an immortal spirit anymore either. The deal, the money, the contract, the loss or threat of loss are more important. To whom? To the immortal spirit that you said you are? No, to me. The small me that seeks security or fulfillment in things that are transient and gets anxious or angry because it fails to find it. Well, at least now you know who you really think you are.
Eckhart Tolle (A New Earth: Awakening to Your Life's Purpose)
Freedom to be oneself is a frighteningly responsible freedom, arid an individual moves toward it cautiously, fearfully, and with almost no confidence at first... To be responsibly self-directing means that one chooses—and then learns from the consequences. So clients find this a sobering but exciting kind of experience. As one client says—“I feel frightened, and vulnerable, and cut loose from support, but I also feel a sort of surging up or force or strength in me.” This is a common kind of reaction as the client takes over the self-direction of his own life and behavior.
Carl R. Rogers (On Becoming a Person: A Therapist's View of Psychotherapy)
A throbbing ache started to grow in her womb. She wanted more, wanted something... "Rothbury, please," she begged. "Please." And then his fingers were there, delving inside, spreading her moisture up and down and around her opening. Her hips circled and dipped along with his movements. She moaned, saying his name. He groaned, panting along with her. Expertly, he handled her. Rhythmically, sweetly, he tortured her. "Open my trousers," he breathed. She complied. Soon he was freed, his hardness jutting upward, seeking her heat. "Look at me," he bit out through his teeth. As if through a haze, she met his heated, intense gaze. "This is the only time in my life I will ever hurt you." Her brow scrunched and it was on the tip of her tongue to ask him just what exactly he meant, when the tip of his manhood pulsed at the opening of her center. "Hold on," he said, his voice strained. Charlotte gripped his shoulders. Rothbury gripped her hips. Lifting her, he hesitated for a moment. "Do you want it?" She nodded and made some sort of noise, half whimper and half the word "yes." He bent his head to suckle one of her breasts again. For long moments, he held her poised above him as he toyed with her nipples, flicking, lapping, and gently running the bottom row of his teeth against them. When she started to wriggle, he impaled her in one smooth, swift motion. She cried out, nearly surging off of him. "Shh. Shh." He kissed her eyelids, the apples of her cheeks. "Only this time, my angel. Only this time it hurts." He kept very still, waiting for some sort of response from her, she imagined. Where there was once only pleasure, she now felt a stabbing pain. It seemed to radiate around his arousal. Her breathing slowed. This couldn't be it. There had to be more... And then she felt a sort of tickling. She looked down at their joined bodies to find Rothbury using his thumb to flick quickly against a tiny nubbin of flesh hidden in her folds. It felt... wonderful. Like magic, her hips began to move of their own accord. Her breathing increased and the throbbing, damp pleasure returned. She rocked against him. "There you are, Charlotte," he murmured against her throat. "Better?" She nodded shakily, tiny shivers shimmering down her upper body as he nipped at her earlobe. His large hands held her backside tightly against him, controlling, rolling her with him in a primal rhythm.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Even if fate decreed that we had a bond, I definitely don’t recognize it. I don’t even like you.” “If we had no bad blood between us, would you . . . like me?” “I’d be attracted to you, but there’s no way I’d want anything permanent with you—bad blood or not.” “What the hell’s so wrong with me?” His eyes flickered, and the hint of uncertainty he’d just revealed was drowned out by a surge of arrogance. “I’m strong, I can protect you, and I’m rich. And I vow to you, lass, once you experience what it’s like to share my bed, you will no’ ever want to leave it.” His eyes bored into hers as he said the last, and despite herself, his utter confidence in this area affected her, forcing herself to wonder what tricks a twelve-century-old immortal would’ve picked up over the years. She inwardly shook herself. “MacRieve, when I settle down it’s going to be with a male that has—oh, I don’t know—a sense of humor, or of modesty. How about a lack of scathing hatred towards witches? Maybe a zest for life? Too much to ask that he’s born in the same millennium?” “Some of these things canna be changed, but know that I was no’ always so . . . grave as I am now.” “It doesn’t matter. We’re just too different. I need a male who will get along with my friends, my witch friends, who’ll be current enough to know the difference between emo rock and jangle pop, and who’ll be able to get me through the ice world in Zelda.” MacRieve was no doubt speculating in what ice dimension this mysterious land of Zelda was. He finally said, “These differences are surmountable—” “And the age difference? You keep talking about how young I am, but all you’re doing is reminding me how old you are. Any minute now you’re going to say something really lame like ‘When I was your age . . .,’ and I’m just not going to be able to keep from laughing at you.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
The fears of militarization Holbrooke had expressed in his final, desperate memos, had come to pass on a scale he could have never anticipated. President Trump had concentrated ever more power in the Pentagon, granting it nearly unilateral authority in areas of policy once orchestrated across multiple agencies, including the State Department. In Iraq and Syria, the White House quietly delegated more decisions on troop deployments to the military. In Yemen and Somalia, field commanders were given authority to launch raids without White House approval. In Afghanistan, Trump granted the secretary of defense, General James Mattis, sweeping authority to set troop levels. In public statements, the White House downplayed the move, saying the Pentagon still had to adhere to the broad strokes of policies set by the White House. But in practice, the fate of thousands of troops in a diplomatic tinderbox of a conflict had, for the first time in recent history, been placed solely in military hands. Diplomats were no longer losing the argument on Afghanistan: they weren’t in it. In early 2018, the military began publicly rolling out a new surge: in the following months, up to a thousand new troops would join the fourteen thousand already in place. Back home, the White House itself was crowded with military voices. A few months into the Trump administration, at least ten of twenty-five senior leadership positions on the president’s National Security Council were held by current or retired military officials. As the churn of firings and hirings continued, that number grew to include the White House chief of staff, a position given to former general John Kelly. At the same time, the White House ended the practice of “detailing” State Department officers to the National Security Council. There would now be fewer diplomatic voices in the policy process, by design.
Ronan Farrow (War on Peace: The End of Diplomacy and the Decline of American Influence)
The explosion was deafening; a huge cloud of fire rolled out the window after us, its immense heat brushing my face as we tumbled into the snow. We hit the ground and rolled. Flaming debris from the house came down around us; Griffin shoved me flat on my back, covering us both with his heavy coat. The echoes of the explosion reflected back across the river, then slowly dwindled away, like dying thunder. The leaping flames threw warm light onto the falling snow, turning it into a storm of sparks pouring down from the heavens. Griffin started to push himself off of me, then stoped. His hands were braced on either side of my shoulders, his legs twined with mine. Mt heart pounded, my palms sweated, and I was suddenly, acutely aware of how close his face was to mine. "You're a madman," he whispered. "An utter madman." "Perhaps," I allowed. "But it worked." The leaping light from the burning house painted his features in gold, highlighting his patrician nose and finding threads of brown and blue in his green eyes. His pupils widened, the irises contracting to silver. "Whatever am I going to do with you?" he murmured. The warmth of his breath feathered over my skin. Heat collected in my groin, my lips. My mouth was dry, my voice hoarse, and perhaps he was right and it was madness when I whispered, "Whatever you want." A shiver went through his body, perhaps because we were lying on the cold ground. But instead of getting up, he leaned closer, his overlong hair tumbling over his forehead. He paused, his mouth almost touching mine, his eyes seeming to ask a question. It was madness; it was folly; it was sheer selfishness. I was delusional, misguided, wrong, out of control. I needed to pull back, to say something sane, to re-establish mastery over myself. I could not do this. I could not take the risk. Later tonight, I'd relive this moment in my lonely bed and wonder if I'd done the right thing. But at least that would be familiar, would be something I knew how to cope with. And yet the very thought felt like dying. I surged forward, crossing the final, tiny gap and pressing my lips to his. It was awkward and desperate and frantic, but the feel of his mouth against mine sent a bolt of electricity straight down my spine. Just a moment, just this one kiss, surely that would be enough... Then he kissed me back, and it would never be enough, a thousand years of this would not be enough. His mouth was hungry and insistent, his tongue probing my lips, asking for greater intimacy. I granted it, tongues swirling together, mine followed his when it retreated and tasting him in return. There came the clanging of bells in the distance, the fire company alerted to the explosion. Griffin drew back a fraction. His breath was as raged as mine, which left me dazed with wonder. "My dear," he whispered against my lips. Then he swallowed convulsively. "We should leave, before the fire companies come." "Y-Yes." It was amazing I managed that much coherence. He closed his eyes and leaned his forehead against mine, our breaths mingling. "Will you come home with me?" Was he asking...? "Yes." Oh, God, yes. His lips curved into a smile.
Jordan L. Hawk (Widdershins (Whyborne & Griffin, #1))
Even though this duel has broken no rules, it’s not ben clean,” she said. “You began a brawl. Society will murmur its disapproval even before Ronan and Jess destroy your reputation.” “Society will disapprove of me?” Irex sneered. “Your reputation is not so lily white. Slave-lover.” Kestrel wobbled on her feet. It took her a moment to speak, and when she did, she wasn’t sure that what she said was true. “Whatever people say about me, my father will be your enemy.” Irex’s face was still sharp with hate, but he said, “Very well. You can live.” His voice became hesitant. “Did you tell the general about Faris?” Kestrel thought of her letter to her father. It had been simple. I have challenged Lord Irex to a duel, it had said. It will take place on his grounds today, two hours before sunset. Please come. “No. That would have defeated my purpose.” Irex gave Kestrel a look, one that she had seen before on the faces of her opponents in Bite and Sting. “Purpose?” he said warily. Kestrel felt triumph surge through her, stronger even than the pain in her knee. “I want my father to believe that I’ve legitimately won this duel. You are about to lose. You’ll throw the match, and give me a clear victory.” She smiled. “I want first blood, Irex. My father is watching. Make this look good.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Where the hell did the Pack find you two? At a beach volleyball tournament? Great tan. Love those curls.” LeBlanc shook his head. “He’s not even as big as I am. He’s what, six foot nothing? Two hundred pounds in steel-toed boots? Christ. I’m expecting some ugly bruiser bigger than Cain and what do I find? The next Baywatch star. Looks like his IQ would be low enough. Can he chew gum and tie his shoes at the same time?” Clay stopped playing with his chair and turned to face the mirror. He got up, crossed the room, and stood in front of me. I was leaning forward, one hand pressed against the glass. Clay touched his fingertips to mine and smiled. LeBlanc jumped back. “Fuck,” he said. “I thought that was one-way glass.” “It is.” Clay turned his head toward LeBlanc and mouthed three words. Then the door to his room opened and one of the officers called him out. Clay grinned at me, then sauntered out with the officer. As he left, a surge of renewed confidence ran through me. “What did he say?” LeBlanc asked. “Wait for me.” “What?” “It’s a challenge,” Marsten murmured from across the room. He didn’t look up from his magazine. “He’s inviting you to stick around and get to know him better.” “Are you going to?” LeBlanc asked. Marsten’s lips curved in a smile. “He didn’t invite me.” LeBlanc snorted. “For a bunch of killer monsters, the whole lot of you are nothing but hot air. All your rules and challenges and false bravado.” He waved a hand at me. “Like you. Standing there so nonchalantly, pretending you aren’t the least bit concerned about having the two of us in the room.” “I’m not.” “You should be. Do you know how fast I could kill you? You’re standing two feet away from me. If I had a gun or knife in my pocket, you’d be dead before you had time to scream.” “Really? Huh.” LeBlanc’s cheek twitched. “You don’t believe me, do you? How do you know I’m not packing a gun? There’s no metal detector at the door. I could pull one out now, kill you, and escape in thirty seconds.” “Then do it. I know, you don’t like our little games, but humor me. If you have a gun or a knife, pull it out. If not, pretend to. Prove you could do it." “I don’t need to prove anything. Certainly not to a smart-mouthed—” He whipped his hand up in mid-sentence. I grabbed it and snapped his wrist. The sound cracked through the room. The receptionist glanced over, but LeBlanc had his back to her. I smiled at her and she turned away. “You—fucking—bitch,” LeBlanc gasped, cradling his arm. “You broke my wrist.” “So I win.” His face purpled. “You smug—” “Nobody likes a sore loser,” I said. “Grit your teeth and bear it. There’s no crying in werewolf games. Didn’t Daniel teach you that?
Kelley Armstrong (Bitten (Otherworld, #1))
George is very far, right now, from sneering at any of these fellow creatures. They may be crude and mercenary and dull and low, but he is proud, is glad, is almost indecently gleeful to be able to stand up and be counted in their ranks—the ranks of that marvelous minority, The Living. They don't know their luck, these people on the sidewalk, but George knows his—for a little while at least—because he is freshly returned from the icy presence of The Majority, which Doris is to join. I am alive, he says to himself, I am alive! And life-energy surges hotly through him, and delight, and appetite. How good to be in a body—even this beat-up carcass—that still has warm blood and semen and rich marrow and wholesome flesh! The scowling youths on the corners see him as a dodderer no doubt, or at best as a potential score. Yet he claims a distant kinship with the strength of their young arms and shoulders and loins. For a few bucks he could get any one of them to climb into the car, ride back with him to his house, strip off butch leather jacket, skin-tight Levi's, shirt and cowboy boots and take a naked, sullen young athlete, in the wrestling bout of his pleasure. But George doesn't want the bought unwilling bodies of these boys. He wants to rejoice in his own body—the tough triumphant old body of a survivor. The body that has outlived Jim and is going to outlive Doris.
Christopher Isherwood (A Single Man)
...he never so much as looks at me. He just sits there reading his old history books, that really gets me. I ought to go up to him, I really feel this, I should say, Martin, it's so stupid reading all those books. Don't fool yourself, how many of these wretched books do you think you know? Go on, you've got plenty of intelligence, so let's say you read two books a week, for fifty years. In your lifetime, you'll have read how many? Five thousand? That's nothing. Nothing at all, compared to what we have here: two hundred and fifty thousand, seven hundred different books. And in the National Library, they've got fourteen million. We're just cockroaches. So we'd do better to have a bit of fun, look at each other, talk and reproduce, don't you think? If you like, we can go to Versailles, together, any time at all, we can go wherever you want to go, to some beach somewhere, I'll be your Pompadour and we'll love each other until the end of love, hand in hand, we'll gaze at the sea, the sea that begins and ceases and then again begins, the pounding of the surf, the flow of water, the flow of light coming in new every day, fresh surges from the deep, the tide will carry us off, and the flow of paper, every year fifty thousand new titles, fifty thousand books fighting for the chance to come swell our groaning bookshelves, and every year they make me more aware of my limited span, my old age and my insignificance.
Sophie Divry (The Library of Unrequited Love)
Did you just lose your virginity to me?” “What does it matter? Why are guys so obsessed with virgins anyway? Don't you want a more experienced partner? Jesus. It's not a commodity to be traded and won like a prize.” “That's not why I'm asking. I'm not obsessed with virgins; I'm obsessed with you. And I know that the first time can be weird or uncomfortable or even painful. If you'd told me, I would've …” “Would've what?” I whisper, my voice husky and low. I'm embarrassed, but I'm also enjoying this far more than I expected. My eyes lift to meet Spencer's, and this surge of happiness flows through me. He's alive. I feel like I've won the lottery or something. Just … don't tell him that. “I would've been more gentle,” he says, smiling slightly.
C.M. Stunich (The Secret Girl (Adamson All-Boys Academy, #1))
Fear. Alex knew he was a fine one to pontificate about fear. He'd issued the world's most tepid, careful marriage proposal. Because he'd been afraid to tell Genevieve he loved her. Not that it would have made much of a difference. She loved Harry. Harry in his youthful innocence had put his finger right on it. And Moncrieffe pushed the realization away. He took in a sharp breath. Harry took Moncrieffe's silence as a reason to go on. "God help me, it was only because I was afraid of losing her. And I honestly didn't feel I deserved her, for I had nothing to give her. I simply needed to know whether she loved me. I'm not proud of it, but I have never loved anyone more." Moncrieffe could still scarcely get the words out. "I just can't believe you would 'do' such a thing to someone you... loved." Osborne was very, very drunk, but he wasn't stupid. "But I couldn't hurt her, could I, if she didn't love me?" And now Harry's blue eyes fixed on him almost searchingly. Moncrieffe couldn't believe he had almost shown his hand. "You just said you weren't certain whether she did love you. And if she does love you anywhere as much as you claim to love her, imagine the pain you may have caused her with your whole charade." Harry looked up at him and blinked. And as he thought about it, his face slowly went white. After a moment he swallowed. "'Gallant' of you," Moncrieffe drawled, twisting the knife. Moncrieffe knew a surge of hatred for himself for saying it. But he wanted Harry to feel what he'd done to Genevieve.
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
To sit in Meditation is not the only method of practising Zazen. "We practise Dhyana in sitting, in standing, and in walking," says one of the Japanese Zenists. Lin Tsi (Rin-Zai) also says: "To concentrate one's mind, or to dislike noisy places, and seek only for stillness, is the characteristic of heterodox Dhyana." It is easy to keep self-possession in a place of tranquillity, yet it is by no means easy to keep mind undisturbed amid the bivouac of actual life. It is true Dhyana that makes our mind sunny while the storms of strife rage around us. It is true Dhyana that secures the harmony of heart, while the surges of struggle toss us violently. It is true Dhyana that makes us bloom and smile, while the winter of life covets us with frost and snow. "Idle
Kaiten Nukariya (The Religion of the Samurai A Study of Zen Philosophy and Discipline in China and Japan)
Snowbound up here with you. Without books or business to occupy my time, I wonder what I’ll do,” he added with a leer. She blushed gorgeously, but her voice was serious as she studied his face. “If things hadn’t gone so well for you-if you hadn’t accumulated so much wealth-you could have been happy up here, couldn’t you?” “With you?” “Of course.” His smile was as somber as hers. “Absolutely.” “Although,” he added, linking her hands behind her back and drawing her a little closer, “you may not want to remain up here when you learn your emeralds are back in their cases at Montmayne.” Her head snapped up, and her eyes shone with love and relief. “I’m so glad. When I realized Robert’s story had been fabrication, it hurt beyond belief to realize I’d sold them.” “It’s going to hurt more,” he teased outrageously, “when you realize your bank draft to cover their cost was a little bit short. It cost me $45,000 to buy back the pieces that had already been sold, and $5,000 to buy the rest back from the jeweler you sold them to.” “That-that unconscionable thief!” she burst out. “He only gave me $5,000 for all of them!” She shook her head in despair at Ian’s lack of bargaining prowess. “He took dreadful advantage of you.” “I wasn’t concerned, however,” Ian continued teasing, enjoying himself hugely, “because I knew I’d get it all back out of your allowance. With interest, of course. According to my figures,” he said, pausing to calculate in his mind what it would have taken Elizabeth several minutes to figure out on paper, “as of today, you now owe me roughly $151,126.” “One hundred and- what?” she cried, half laughing and half irate. “There’s the little matter of the cost of Havenhurst. I added that in to the figure.” Tears of joy clouded her magnificent eyes. “You bought it back from that horrid Mr. Demarcus?” “Yes. And he is ‘horrid.’ He and your uncle ought to be partners. They both possess the instincts of camel traders. I paid $100,000 for it.” Her mouth fell open, and admiration lit her face. “$100,000! Oh, Ian-“ “I love it when you say my name.” She smiled at that, but her mind was still on the splendid bargain he’d gotten. “I could not have done a bit better!” she generously admitted. “That’s exactly what he paid for it, and he told me after the papers were signed that he was certain he could get $150,000 if he waited a year or so.” “He probably could have.” “But not from you!” she announced proudly. “Not from me,” he agreed, grinning. “Did he try?” “He tried for $200,000 as soon as he realized how important it was to me to buy it back for you.” “You must have been very clever and skillful to make him agree to accept so much less.” Trying desperately not to laugh, Ian put his forehead against hers and nodded. “Very skillful,” he agreed in a suffocated voice. “Still, I wonder why he was so agreeable?” Swallowing a surge of laughter, Ian said, “I imagine it was because I showed him that I had something he needed more than he needed an exorbitant profit.” “Really?” she said, fascinated and impressed. “What did you have?” “His throat.
Judith McNaught (Almost Heaven (Sequels, #3))
Maybe we should do some more homework.” Homework had been their code word for making out before they’d realized that they hadn’t been fooling anyone. But Jay was true to his word, especially his code word, and his lips settled over hers. Violet suddenly forgot that she was pretending to break free from his grip. Her frail resolve crumbled. She reached out, wrapping her arms around his neck, and pulled him closer to her. Jay growled from deep in his throat. “Okay, homework it is.” He pulled her against him, until they were lying face-to-face, stretched across the length of the couch. It wasn’t long before she was restless, her hands moving impatiently, exploring him. She shuddered when she felt his fingers slip beneath her shirt and brush over her bare skin. He stroked her belly and higher, the skin of his hands rough against her soft flesh. His thumb brushed the base of her rib cage, making her breath catch. And then, like so many times before, he stopped, abruptly drawing back. He shifted only inches, but those inches felt like miles, and Violet felt the familiar surge of frustration. He didn’t say a word; he didn’t have to. Violet understood perfectly. They’d gone too far. Again. But Violet was frustrated, and it was getting harder and harder to ignore her disappointment. She knew they couldn’t play this unsatisfying game forever. “So you’re going to Seattle tomorrow?” He used the question to fill the rift between them, but his voice shook and Violet was glad he wasn’t totally unaffected. She wasn’t as quick to pretend that everything was okay, especially when what she really wanted to do was to rip his shirt off and unbutton his jeans. But they’d talked about this. And, time and time again, they’d decided that they needed to be sure. One hundred percent. Because once they crossed that line… She and Jay had been best friends since the first grade, and up until last fall that’s all they’d ever been. Now that she was in love with him, she couldn’t imagine losing him because they made the wrong decision. Or made it too soon. She decided to let Jay have his small talk. For now. “Yeah, Chelsea wants to go down to the waterfront and maybe do some shopping. It’s easier to be around her when it’s just the two of us. You know, when she’s not always…on.” “You mean when she’s not picking on someone?” “Exactly.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
I will not mention the name (and what bits of it I happen to give here appear in decorous disguise) of that man, that Franco-Hungarian writer... I would rather not dwell upon him at all, but I cannot help it— he is surging up from under my pen. Today one does not hear much about him; and this is good, for it proves that I was right in resisting his evil spell, right in experiencing a creepy chill down my spine whenever this or that new book of his touched my hand. The fame of his likes circulates briskly but soon grows heavy and stale; and as for history it will limit his life story to the dash between two dates. Lean and arrogant, with some poisonous pun ever ready to fork out and quiver at you, and with a strange look of expectancy in his dull brown veiled eyes, this false wag had, I daresay, an irresistible effect on small rodents. Having mastered the art of verbal invention to perfection, he particularly prided himself on being a weaver of words, a title he valued higher than that of a writer; personally, I never could understand what was the good of thinking up books, of penning things that had not really happened in some way or other; and I remember once saying to him as I braved the mockery of his encouraging nods that, were I a writer, I should allow only my heart to have imagination, and for the rest rely upon memory, that long-drawn sunset shadow of one’s personal truth. I had known his books before I knew him; a faint disgust was already replacing the aesthetic pleasure which I had suffered his first novel to give me. At the beginning of his career, it had been possible perhaps to distinguish some human landscape, some old garden, some dream- familiar disposition of trees through the stained glass of his prodigious prose... but with every new book the tints grew still more dense, the gules and purpure still more ominous; and today one can no longer see anything at all through that blazoned, ghastly rich glass, and it seems that were one to break it, nothing but a perfectly black void would face one’s shivering soul. But how dangerous he was in his prime, what venom he squirted, with what whips he lashed when provoked! The tornado of his passing satire left a barren waste where felled oaks lay in a row, and the dust still twisted, and the unfortunate author of some adverse review, howling with pain, spun like a top in the dust.
Vladimir Nabokov (The Stories of Vladimir Nabokov)
The bed sank as Amar sat beside me. Warm fingertips trailed across my cheek, brushing the hair from my forehead and sending sparks of light up my spine. His lips grazed my temples. “Soon, jaani.” I waited until his footsteps echoed outside before squinting around the room. Without him, it seemed colder. I retraced his touch lightly, careful to avoid smudging the imprint of his lips against my skin. He had called me jaani--“my life.” I stared at the closed door. Where his skin touched mine felt burnished, hallowed by the words he left hanging in the air. Jaani jaani jaani. I wanted him to say it again. I wanted him to say it closer to my ear, my neck…my lips. But the surge of warmth faded as the memory of my dream prickled behind my eyes. Magic was not the only coaxing, dangerous thing around me.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
It's not the same for you. You wanted a quiet life full of books and facts. You wanted to record the battles, not be in them. There is nothing wrong with you. You get to be angry that you killed a man today. You get to be angry that man tried to kill your friend. You get to feel however you want within these walls.' He's close enough now that I can feel his body heat through the thin cotton of my dressing gown. 'But not outside them.' It's not a question. 'We're riders,' he says, as if that's explanation enough. He takes hold of my hands and brings them to his chest. 'So do whatever you need to get it out. You want to yell? Yell at me. You want to hit something? Hit me. I can take it.' Hitting him is the last thing I want to do, and suddenly, I'm done fighting it. 'Come on,' he whispers. 'Show me what you've got.' I surge up on my toes and kiss him.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
I believe another one of the Song girls has a birthday coming up.” He sings, “You are sixteen, going on seventeen…” I feel a strong surge of love for him, my dad who I am so lucky to have. “What song are you singing?” Kitty interrupts. I take Kitty’s hands and spin her around the kitchen with me. “I am sixteen, going on seventeen; I know that I’m naïve. Fellows I meet may tell me I’m sweet; willingly I believe.” Daddy throws his dish towel over his shoulder and marches in place. In a deep voice he baritones, “You need someone older and wiser telling you what to do…” “This song is sexist,” Kitty says as I dip her. “Indeed it is,” Daddy agrees, swatting her with the towel. “And the boy in question was not, in fact, older and wiser. He was a Nazi in training.” Kitty skitters away from both of us. “What are you guys even talking about?” “It’s from The Sound of Music,” I say. “You mean that movie about the nun? Never seen it.” “How have you seen The Sopranos but not The Sound of Music?” Alarmed, Daddy says, “Kitty’s been watching The Sopranos?” “Just the commercials,” Kitty quickly says. I go on singing to myself, spinning in a circle like Liesl at the gazebo. “I am sixteen going on seventeen, innocent as a rose…Fellows I meet may tell me I’m sweet, and willingly I believe…” “Why would you just willingly believe some random fellows you don’t even know?” “It’s the song, Kitty, not me! God!” I stop spinning. “Liesl was kind of a ninny, though. I mean, it was basically her fault they almost got captured by the Nazis.” “I would venture to say it was Captain von Trapp’s fault,” Daddy says. “Rolfe was a kid himself--he was going to let them go, but then Georg had to antagonize him.” He shakes his head. “Georg von Trapp, he had quite the ego. Hey, we should do a Sound of Music night!” “Sure,” I say. “This movie sounds terrible,” Kitty says. “What kind of name is Georg?” We ignore her.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Most Americans have no idea of the scale of Third World immigration pouring into the country. This is where numbers can make a difference. Sometimes quantity is quality. So it’s significant that Americans are being so aggressively lied to about the number of illegal immigrants in the country. Has it ever seemed strange that there have been exactly 11 million illegals here for the past decade? Did they stop coming? That’s hard to believe. President Bush prosecuted border guards for getting too rough with illegals. President Obama encouraged one hundred thousand illegals to surge across the border, then put them on buses to their new homes in the United States, courtesy of the taxpayer. The reason we are angrily told there are 11 million illegals and you’re a racist if you say there is one more than that is that if Americans ever suspected there were 30 million illegal immigrants in the United States, our elected officials would find out what a “crisis” really is.
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
Into this dark truth which opens its cloak to shield us, dizzying, tidal; opens its sad wings to shoo us away, just to say yes, let that fine rain fall on the threshold; let it fall like wings beating, like a breaking-open. As a messenger from far away, drenched and burning with fever, carries his dispatch here, carries the word. But the patterns of the rain spread out and won’t let us hear, won’t let us see what happens. And that is what comes up to us, speaks to us and grabs us by the shoulders, what’s shaking and shouting at us is the rain, it’s the horizon dissolving. Now we shiver, we burn, facing that gateway, facing that drawbridge no-one will drop. No-one is going to listen. This dark truth, this swaying lightness like the whisper of endless bats, all sensing their way, all surging as one up the veins’ living corridors, all trying to flee the towers. To say yes, let that mist of rain fall against the threshold, let it fall on the walls; let it keep erasing them.
Coral Bracho
Letter You can see it already: chalks and ochers; Country crossed with a thousand furrow-lines; Ground-level rooftops hidden by the shrubbery; Sporadic haystacks standing on the grass; Smoky old rooftops tarnishing the landscape; A river (not Cayster or Ganges, though: A feeble Norman salt-infested watercourse); On the right, to the north, bizarre terrain All angular--you'd think a shovel did it. So that's the foreground. An old chapel adds Its antique spire, and gathers alongside it A few gnarled elms with grumpy silhouettes; Seemingly tired of all the frisky breezes, They carp at every gust that stirs them up. At one side of my house a big wheelbarrow Is rusting; and before me lies the vast Horizon, all its notches filled with ocean blue; Cocks and hens spread their gildings, and converse Beneath my window; and the rooftop attics, Now and then, toss me songs in dialect. In my lane dwells a patriarchal rope-maker; The old man makes his wheel run loud, and goes Retrograde, hemp wreathed tightly round the midriff. I like these waters where the wild gale scuds; All day the country tempts me to go strolling; The little village urchins, book in hand, Envy me, at the schoolmaster's (my lodging), As a big schoolboy sneaking a day off. The air is pure, the sky smiles; there's a constant Soft noise of children spelling things aloud. The waters flow; a linnet flies; and I say: "Thank you! Thank you, Almighty God!"--So, then, I live: Peacefully, hour by hour, with little fuss, I shed My days, and think of you, my lady fair! I hear the children chattering; and I see, at times, Sailing across the high seas in its pride, Over the gables of the tranquil village, Some winged ship which is traveling far away, Flying across the ocean, hounded by all the winds. Lately it slept in port beside the quay. Nothing has kept it from the jealous sea-surge: No tears of relatives, nor fears of wives, Nor reefs dimly reflected in the waters, Nor importunity of sinister birds.
Victor Hugo
She was still standing there several moments later when Ian walked in to invite her to ride with him. “Still trying to find your answer, sweetheart?” he asked with a sympathetic grin, mistaking the cause of her wary stare. “No, I found mine,” she said, her voice unintentionally accusing as she thrust both pieces of paper toward him. “What I would like to know,” she continued, unable to tear her gaze from him, “is how it happens to be the same answer you arrived at in a matter of moments.” His grin faded, and he shoved his hands into his pockets, ignoring the papers in her outthrust hand. His expression carefully impassive, he said, “That answer is a little more difficult than the one I wrote down for you-“ “You can do this-calculate all those figures in your mind? In moments?” He nodded curtly, and when Elizabeth continued to stare at him warily, as if he was a being of unknown origin, his face hardened. In a clipped, cool voice he said, “I would appreciate it if you would stop staring at me as if I’m a freak.” Elizabeth’s mouth dropped open at his tone and his words. “I’m not.” “Yes,” he said implacably. “You are. Which is why I haven’t told you before this.” Embarrassed regret surged through her at the understandable conclusion he’d drawn from her reaction. Recovering her composure, she started around the desk toward him. “What you saw on my face was wonder and awe, no matter how it must have seemed.” “The last thing I want from you is ‘awe,’” he said tightly, and Elizabeth belatedly realized that, while he didn’t care what anyone else thought of him, her reaction to all this was obviously terribly important to him. Rapidly concluding that he’d evidently had some experience with other people’s reaction to what must surely be a form of genius-and which struck them as “freakish”-she bit her lip, trying to decide what to say. When nothing came to mind, she simply let love guide her and reacted without artifice. Leaning back against the desk, she sent him an amused, sidelong smile and said, “I gather you can calculate almost as rapidly as you can read?” His response was short and chilly. “Not quite.” “I see,” she continued lightly. “I would guess there are close to ten thousand books in your library here. Have you read them all?” “No.” She nodded thoughtfully, but her eyes danced with admiring laughter as she continued, “Well, you’ve been quite busy the past few weeks-dancing attendance on me. No doubt that’s kept you from finishing the last thousand or two.” His face softened as she asked merrily, “Are you planning to read them all?” With relief, she saw the answering smile tugging at his lips. “I thought I’d attend to that next week,” he replied with sham gravity. “A worthy endeavor,” she agreed. “I hope you won’t start without me. I’d like to watch.” Ian’s shout of laughter was cut short as he snatched her into his arms and buried his face in her fragrant hair, his hands clenching her to him as if he could absorb her sweetness into himself. “Do you have any other extraordinary skills I ought to know about, my lord?” she whispered, holding him as tightly as he was holding her. The laugher in his voice was replaced by tender solemnity. “I’m rather good,” he whispered, “at loving you.
Judith McNaught (Almost Heaven (Sequels, #3))
Everything in Nature ran according to its own nature; the running of grass was in its growing, the running of rivers their flowing, granite bubbled up, cooled, compressed and crumbled, birds lived, flew, sang and died, everything did what it needed to do, each simultaneously running its own race, each by living according to its own nature together, never leaving any other part of the universe behind. The world’s Holy things raced constantly together, not to win anything over the next, but to keep the entire surging diverse motion of the living world from grinding to a halt, which is why there is no end to that race; no finish line. That would be oblivion to all. For the Indigenous Souls of all people who can still remember how to be real cultures, life is a race to be elegantly run, not a race to be competitively won. It cannot be won; it is the gift of the world’s diverse beautiful motion that must be maintained. Because human life has been give the gift of our elegant motion, whether we limp, roll, crawl, stroll, or fly, it is an obligation to engender that elegance of motion in our daily lives in service of maintaining life by moving and living as beautifully as we can. All else has, to me, the familiar taste of that domineering warlike harshness that daily tries to cover its tracks in order to camouflage the deep ruts of some old, sick, grinding, ungainly need to flee away from the elegance of our original Indigenous human souls. Our attempt to avariciously conquer or win a place where there are no problems, whether it be Heaven or a “New Democracy,” never mind if it is spiritually ugly and immorally “won” and taken from someone who is already there, has made a citifying world of people who, unconscious of it, have become our own ogreish problem to ourselves, our future, and the world. This is a problem that we cannot continue to attempt to competitively outrun by more and more effectively designed technological approaches to speed away from the past, for the specter of our own earth-wasting reality runs grinning competitively right alongside us. By developing even more effective and entertaining methods of escape that only burn up the earth, the air, animals, plants, and the deeper substance of what it should mean to be human, by competing to get ahead, we have created a brakeless competition that has outrun our innate beauty and marked out a very definite and imminent “finish” line. Living in and on a sphere, we cannot really outrun ourselves anyway. Therefore, I say, the entire devastating and hideous state of the world and its constant wounding and wrecking of the wild, beautiful, natural, viable and small, only to keep alive an untenable cultural proceedance is truly a spiritual sickness, one that will not be cured by the efficient use of the same thinking that maintains the sickness. Nor can this overly expensive, highly funded illness be symptomatically kept at bay any longer by yet more political, environmental, or social programs. We must as individuals and communities take the time necessary to learn how to indigenously remember what a sane, original existence for a viable people might look like. Though there are marvellous things and amazing people doing them, both seen and unseen, these do not resemble in any way the general trend of what is going on now. To begin remembering our Indigenous belonging on the Earth back to life we must metabolize as individuals the grief of recognition of our lost directions, digest it into a valuable spiritual compost that allows us to learn to stay put without outrunning our strange past, and get small, unarmed, brave, and beautiful. By trying to feed the Holy in Nature the fruit of beauty from the tree of memory of our Indigenous Souls, grown in the composted failures of our past need to conquer, watered by the tears of cultural grief, we might become ancestors worth descending from and possibly grow a place of hope for a time beyond our own.
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)
He opened the door after letting me pound on it for almost five minutes. His truck was in the carport. I knew he was here. He pulled the door open and walked back inside without looking at me or saying a word. I followed him in, and he dropped onto a sofa I’d never seen before. His face was scruffy. I’d never seen him anything but clean-shaven. Not even in pictures. He had bags under his eyes. He’d aged ten years in three days. The apartment was a mess. The boxes were gone. It looked like he had finally unpacked. But laundry was piled up in a basket so full it spilled out onto the floor. Empty food containers littered the kitchen countertops. The coffee table was full of empty beer bottles. His bed was unmade. The place smelled stagnant and dank. A vicious urge to take care of him took hold. The velociraptor tapped its talon on the floor. Josh wasn’t okay. Nobody was okay. And that was what made me not okay. “Hey,” I said, standing in front of him. He didn’t look at me. “Oh, so you’re talking to me now,” he said bitterly, taking a long pull on a beer. “Great. What do you want?” The coldness of his tone took me aback, but I kept my face still. “You haven’t been to the hospital.” His bloodshot eyes dragged up to mine. “Why would I? He’s not there. He’s fucking gone.” I stared at him. He shook his head and looked away from me. “So what do you want? You wanted to see if I’m okay? I’m not fucking okay. My best friend is brain-dead. The woman I love won’t even fucking speak to me.” He picked up a beer cap from the coffee table and threw it hard across the room. My OCD winced. “I’m doing this for you,” I whispered. “Well, don’t,” he snapped. “None of this is for me. Not any of it. I need you, and you abandoned me. Just go. Get out.” I wanted to climb into his lap. Tell him how much I missed him and that I wouldn’t leave him again. I wanted to make love to him and never be away from him ever again in my life—and clean his fucking apartment. But instead, I just stood there. “No. I’m not leaving. We need to talk about what’s happening at the hospital.” He glared up at me. “There’s only one thing I want to talk about. I want to talk about how you and I can be in love with each other and you won’t be with me. Or how you can stand not seeing me or speaking to me for weeks. That’s what I want to talk about, Kristen.” My chin quivered. I turned and went to the kitchen and grabbed a trash bag from under the sink. I started tossing take-out containers and beer bottles. I spoke over my shoulder. “Get up. Go take a shower. Shave. Or don’t if that’s the look you’re going for. But I need you to get your shit together.” My hands were shaking. I wasn’t feeling well. I’d been light-headed and slightly overheated since I went to Josh’s fire station looking for him. But I focused on my task, shoving trash into my bag. “If Brandon is going to be able to donate his organs, he needs to come off life support within the next few days. His parents won’t do it, and Sloan doesn’t get a say. You need to go talk to them.” Hands came up under my elbows, and his touch radiated through me. “Kristen, stop.” I spun on him. “Fuck you, Josh! You need help, and I need to help you!” And then as fast as the anger surged, the sorrow took over. The chains on my mood swing snapped, and feelings broke through my walls like water breaching a crevice in a dam. I began to cry. I didn’t know what was wrong with me. The strength that drove me through my days just wasn’t available to me when it came to Josh. I dropped the trash bag at his feet and put my hands over my face and sobbed. He wrapped his arms around me, and I completely lost it.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
Straightening reluctantly, she strolled about the room with forced nonchalance, her hands clasped behind her back, looking blindly at the cobwebs in the corner of the ceiling, trying to think what to say. And then inspiration struck. The solution was demeaning but practical, and properly presented, it could appear she was graciously doing him a favor. She paused a moment to arrange her features into what she hoped was the right expression of enthusiasm and compassion, then she wheeled around abruptly. “Mr. Thornton!” Her voice seemed to explode in the room at the same time his startled amber gaze riveted on her face, then drifted down her bodice, roving boldly over her ripened curves. Unnerved but determined, Elizabeth forged shakily ahead: “It appears as if no one has occupied this house in quite some time.” “I commend you on that astute observation, lady Cameron,” Ian mocked lazily, watching the tension and emotion play across her expressive face. For the life of him he could not understand what she was doing here or why she seemed to be trying to ingratiate herself this morning. Last night the explanation he’d given Jake had made sense; now, looking at her, he couldn’t quite believe any of it. Then he remembered that Elizabeth Cameron had always robbed him of the ability to think rationally. “Houses do have a way of succumbing to dirt when no one looks after them,” she stated with a bright look. “Another creditable observation. You’ve certainly a quick mind.” “Must you make this so very difficult!” Elizabeth exclaimed. “I apologize,” he said with mocking gravity. “Do go on. You were saying?” “Well, I was thinking, since we’re quite stranded here-Lucinda and I, I mean-with absolutely nothing but time on our hands, that this house could certainly use a woman’s touch.” “Capital idea!” burst out Jake, returning from his mission to locate the butter and casting a highly hopeful look at Lucinda. He was rewarded with a glare from her that could have pulverized rock. “It could use an army of servants carrying shovels and wearing masks on their faces,” the duenna countered ruthlessly. “You needn’t help, Lucinda,” Elizabeth explained, aghast. “I never meant to imply you should. But I could! I-“ She whirled around as Ian Thornton surged to his feet and took her elbow in a none-too-gentle grasp. “Lady Cameron,” he said. “I think you and I have something to discuss that may be better spoken in private. Shall we?” He gestured to the open door and then practically dragged her along in his wake. Outdoors in the sunlight he marched her forward several paces, then dropped her arm. “Let’s hear it,” he said. “Hear what?” Elizabeth said nervously. “An explanation-the truth, if you’re capable of it. Last night you drew a gun on me, and this morning you’re awash with excitement over the prospect over the prospect of cleaning my house. I want to know why.” “Well,” Elizabeth burst out in defense of her actions with the gun, “you were extremely disagreeable!” “I am still disagreeable,” he pointed out shortly, ignoring Elizabeth’s raised brows. “I haven’t changed. I am not the one who’s suddenly oozing goodwill this morning.” Elizabeth turned her head to the lane, trying desperately to think of an explanation that wouldn’t reveal to him her humiliating circumstances. “The silence is deafening, Lady Cameron, and somewhat surprising. As I recall, the last time we met you could scarcely contain all the edifying information you were trying to impart to me.” Elizabeth knew he was referring to her monologue on the history of hyacinths in the greenhouse. “I just don’t know where to begin,” she admitted. “Let’s stick to the salient points. What are you doing here?
Judith McNaught (Almost Heaven (Sequels, #3))
Gray burst into the galley. “Miss Turner is not eating.” The cramped, boxed-in nature of the space, the oppressive heat-it seemed an appropriate place to take this irrational surge of resentment. If only his emotion could dissipate through the ventilation slats as quickly as steam. “And good morning to you, too.” Gabriel wiped his hands on his apron without glancing up. “She’s not eating,” Gray repeated evenly. “She’s wasting away.” He didn’t even realize his knuckled cracked. He flexed his fingers impatiently. “Wasting away?” Gabriel’s face split in a grin as he picked up a mallet and attacked a hunk of salted pork. “Now what makes you say that?” “Her dress no longer fits properly. The neckline of her bodice is too loose.” Gabriel stopped pounding and looked up, meeting Gray’s eyes for the first time since he’d entered the galley. The mocking arch of the old man’s eyebrows had Gray clenching his teeth. They stared at each other for a second. Then Gray blew out his breath and looked away, and Gabriel broke into peals of laughter. “Never thought I’d live to see the day,” the old cook finally said, “when you would complain that a beautiful lady’s bodice was too loose.” “It’s not that she’s a beautiful lady-“ Gabriel looked up sharply. “It’s not merely that she’s a beautiful lady,” Gray amended. “She’s a passenger, and I have a duty to look out for her welfare.” “Wouldn’t that be the captain’s duty?” Gray narrowed his eyes. “And I know my duty well enough,” Gabriel continued. “It’s not as though I’m denying her food, now is it? I’m thinking Miss Turner just isn’t accustomed to the rough living aboard a ship. Used to finer fare, that one.” Gray scowled at the hunk of cured pork under Gabriel’s mallet and the shriveled, sprouted potatoes rolling back and forth with each tilt of the ship. “Is this the noon meal?” “This, and biscuit.” “I’ll order the men to trawl for a fish.” “Wouldn’t that be the captain’s duty?” Gabriel’s tone was sly. Gray wasn’t sure whether the plume of steam swirling through the galley originated for the stove or his ears. He didn’t care for Gabriel’s flippant tone. Neither did he care for the possibility of Miss Turner’s lush curves disappearing when he’d never had any chance to appreciate them. Frustrated beyond all reason, Gray turned to leave, wrenching open the galley door with such force, the hinges creaked in protest. He took a deep breath to compose himself, resolving not to slam the door shut behind him. Gabriel stopped pounding. “Sit down, Gray. Rest your bones.” With another rough sigh, Gray complied. He backed up two paces, slung himself onto a stool, and watched as the cook grabbed a tin cup from a hook on the wall and filled it, drawing a dipper of liquid from a small leather bucket. Then Gabriel set the cup on the table before him. Milk. Gabriel stared it. “For God’s sake, Gabriel. I’m not six years old anymore.” The old man raised his eyebrows. “Well, seeing as how you haven’t outgrown a visit to the kitchen when you’re in a sulk, I thought maybe you’d have a taste for milk yet, too. You did buy the goats.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))