Surfing Love Quotes

We've searched our database for all the quotes and captions related to Surfing Love. Here they are! All 100 of them:

I happen to believe that America is dying of loneliness, that we, as a people, have bought into the false dream of convenience, and turned away from a deep engagement with our internal lives—those fountains of inconvenient feeling—and toward the frantic enticements of what our friends in the Greed Business call the Free Market. We’re hurtling through time and space and information faster and faster, seeking that network connection. But at the same time we’re falling away from our families and our neighbors and ourselves. We ego-surf and update our status and brush up on which celebrities are ruining themselves, and how. But the cure won’t stick.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
I backed us up against the wall. “How I feel? You want to know?” I ran my hands over his face and tangled them into his messy hair. “This is unlike anything else. I’ve bungeed off buildings, I’ve skateboarded off roofs. I’ve even gone train surfing. Nothing comes close to the high I feel when I’m with you. You’ve been through horrible things, and yet you’re one of the kindest, truest people I’ve ever met. At first I thought it was because you were safe. I could feel something for you because you couldn’t hurt me. Not the way Alex did. But it’s more than that. It’s you. Who you are. The way you are. Everything from your smile to the way you always say exactly what’s on your mind. Your soul, Kale.
Jus Accardo (Touch (Denazen, #1))
If Reed wasn’t planning on meeting me at the beach, I’d be rolling around naked in this bed with you in a heartbeat. I love surfing, but—” his gaze wandered over the thin sheet covering her body before he met her eyes again “—no wave could ever compete with you.
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
There is something about you. That you tirelessly study people. Figure out who they are, what they want, and then mold yourself into whatever shape you think will fit them. I’ve seen you play half a dozen different roles for half a dozen different situations, switching personalities like you’re channel surfing, and I still have no idea who you are.
Ali Hazelwood (Love, Theoretically)
Writing a book is a bit like surfing," he said. "Most of the time you're waiting. And it's quite pleasant, sitting in the water waiting. But you are expecting that the result of a storm over the horizon, in another time zone, usually, days old, will radiate out in the form of waves. And eventually, when they show up, you turn around and ride that energy to the shore. It's a lovely thing, feeling that momentum. If you're lucky, it's also about grace. As a writer, you roll up to the desk every day, and then you sit there, waiting, in the hope that something will come over the horizon. And then you turn around and ride it, in the form of a story.
Tim Winton
I know already that I will return to this day whenever I want to. I can bid it alive. Preserve it. There is a still point where the present, the now, winds around itself, and nothing is tangled. The river is not where it begins or ends, but right in the middle point, anchored by what has happened and what is to arrive. You can close your eyes and there will be a light snow falling in New York, and seconds later you are sunning upon a rock in Zacapa, and seconds later still you are surfing through the Bronx on the strength of your own desire. There is no way to find a word to fit around this feeling. Words resist it. Words give it a pattern it does not own. Words put it in time. They freeze what cannot be stopped. Try to describe the taste of a peach. Try to describe it. Feel the rush of sweetness: we make love.
Colum McCann (Let the Great World Spin)
The particulars of new places grabbed me and held me, the sweep of new coasts, cold, lovely, dawns. The world was incomprehensibly large, and there was still so much to see. Yes, I got sick sometimes of being an expatriate, always ignorant, on the outside of things, but I didn't feel ready for domestic life, for seeing the same people, the same places, thinking more or less the same thoughts, each day. I liked surrendering to the onrush, the uncertainty, the serendipity of the road.
William Finnegan (Barbarian Days: A Surfing Life)
Resistance loves surfing the Web, vegging out in front of the TV, sticking to routine, not picking up the phone, hitting snooze, avoiding confrontation, making excuses, rumination, and isolation.
Mel Robbins (Stop Saying You're Fine: Discover a More Powerful You)
Reusing something instead of immediately discarding it, when done for the right reasons, can be an act of love which expresses our own dignity. —
Yvon Chouinard (Let My People Go Surfing: The Education of a Reluctant Businessman--Including 10 More Years of Business Unusual)
In the sea, Corr’s clumsiness will disappear, his weight cradled by the saltwater. I don’t want to say good-bye. I blink to clear my vision and reach up. I pull off his halter. The ocean is his love and now, finally, he’ll have it. I back out of the surf. There’s a thin, long wail. Corr takes a labored step away from the November sea. And another. He is slow, and the sea sings to us both, but he returns to me.
Maggie Stiefvater (The Scorpio Races)
If you shut your eyes and are a lucky one, you may see at times a shapeless pool of lovely pale colours suspended in the darkness; then if you squeeze your eyes tighter, the pool begins to take shape, and the colours become so vivid that with another squeeze they must go on fire. But just before they go on fire you see the lagoon. This is the nearest you ever get to it on the mainland, just one heavenly moment; if there could be two moments you might see the surf and hear the mermaids singing.
J.M. Barrie (Peter and Wendy)
But I do love the world,” I whispered to the empty room. I love its small ones, the things beaten in the strangling surf the singing bird which falls and is not seen again, the lost ones, the failures of the world.
Loren Eiseley
He is like a cool breeze that kisses my skin, And talking to him is like surfing on a clear day with a bright blue sky.
Luffina Lourduraj
The water is speaking in a language I knew before the world taught me its language. I lie there and I let the sound of the surf massage my soul fo two hours. I let it speak to me and I do not speak back. I just receive. I understand with great gratitude that i could rest here forever, offer the sea nothing in return, and it would never stop speaking to me. The surf is gentle and selfless and steady. This is not a transaction, it is a gift.
Glennon Doyle Melton (Love Warrior)
Damn me not I make a better fool. And there is nothing vaster, more beautiful, remote, unthinking (eternal rose-red sunrise on the surf—great rectitude of rocks) than man, inhuman man, At whom I look for a thousand light years from a seat near Scorpio, amazed and touched by his concern and pity for my plight, a simple star, Then trading shapes again. My wife is gone, my girl is gone, my books are loaned, my clothes are worn, I gave away a car; and all that happened years ago. Mind & matter, love & space are frail as foam on beer.
Gary Snyder (Riprap and Cold Mountain Poems)
The little fishing boat anchors right off the shore of Gili Meno. There are no docks here on this island. You have to roll up your pants, jump off the boat and wade in through the surf on your own power. There's absolutely no way to do this without getting soaking wet or even banged up on the coral, but it's worth all the trouble because the beach here is so beautiful, so special
Elizabeth Gilbert (Eat, Pray, Love)
Every morning when I wake up and look in the mirror, I see a black face and I love it. Sure, I've been to Paris and grew up surfing, and yes, I speak like I'm in a commercial. But I'm just like the women you see walking on the side of the road with their laundry baskets and their Bibles. I'm just like the old men pedaling their rusty bicycles. I'm no different from the men who drive your tractors or the woman who probably raised you. I'm just like them, no better and no worse. I'm black, Remy, which means everything and nothing
Natalie Baszile (Queen Sugar)
Have you ever walked along a beach? You walk towards something in the distance. For the longest while it never seems to get any closer even though you are walking and walking. Then all of a sudden, you are there. You’ve arrived at last. That's what grief is like. Meanwhile we are running with you in the spray of the surf at the edge of the shore where the sand meets the sea. We are cheering you on.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: An Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Trilogy Book 3))
In a moment I might be under the wave swallowing seawater and small jellyfish, but right now I am an ancient princess of Hawaii, I am a bikini model, I am a goddess before the crest of a monster billow.
Wilma Johnson (Surf Mama - One Woman's Search for Love, Happiness and the Perfect Wave)
Twenty-six,” you said, before I could ask you.Everyone was gathered around, or anyway they were around us, swirling like loud, bad surf. The crowd was low in the mix, a few yelps, a few catcalls.“Twenty-six,” you said again, to the crowd, and took a step toward me. “Don’t,” I said, though I couldn’t decide. “Twenty-six,” you said. “One for each day we’ve been together, Min.”Somebody oohed. Somebody shushed them. “And I hope that someday I’ll do another something stupid and I’ll have to say it a million times because that’s how long it’ll be, together with you, Min. With you.
Daniel Handler (Why We Broke Up)
soulsThat we might break these molds And free our restless souls Start to believe That we can rise above Our pettiness and love Like we ain't loved before Free on this earth As the surf that rolls And crashes on the shore And hey now don't run and hide Your little heart away If it's gone We'll sure never find it Pining for lost innocence Tantalisingly I saw Our shadows moving through the door Traces from a different time When I was yours and you were truly mine All mine
David Gray
Tell me once more about the eternal surf.
Rob Bignell
At times he swears that he’s going to go straight, but mostly he feels like a drowning man in love with the surf.
A.S.A. Harrison (The Silent Wife)
That was exactly what Tabucchi was suggesting with his title ("La Nostalgie du Possible") --that we can pass right by something very important: love, a job, moving to another city or another country. Or another life. 'Pass by' and at the same time be 'so close' that sometimes, while in that state of melancholy that is akin to hypnosis, we can, in spite of everything, manage to grab little fragments of what might have been. Like catching snatches of a far-off radio frequency. The message is obscure, yet by listening carefully you can still catch snippets of the soundtrack of the life that never was. You hear sentences that were never actually said, you hear footsteps echoing in places you've never been to, you can make out the surf on a beach whose sand you have never touched. You hear the laughter and loving words of a woman though nothing ever happened between you. The idea of an affiar with her had crossed your mind. Perhaps she would have liked that --probably, in fact-- but nothing every happened. For some unknown reason, we never gave in to the exquisite vertigo that you feel when you move those few centimeters towards the face of the other for the first kiss.
Antoine Laurain (The Red Notebook)
It tugs at me, filling me with the kind of seasick nostalgia that can hit you in the gut when you find an old concert ticket in your purse or an old coin machine ring you got down at the boardwalk on a day when you went searching for mermaids in the surf with your best friend. That punch of nostalgia hits me now and I start to sink down on the sky-coloured quilt, feeling the nubby fabric under my fingers, familiar as the topography of my hand.
Brenna Ehrlich (Placid Girl)
I loved these salt rivers more than I loved the sea; I loved the movement of tides more than I loved the fury of surf. Something in me was congruent with this land, something affirmed when I witnessed the startled, piping rush of shrimp or the flash of starlight on the scales of mullet. I could feel myself relax and change whenever I returned to the lowcountry and saw the vast green expanses of marsh, feminine as lace, delicate as calligraphy. The lowcountry had its own special ache and sting.
Pat Conroy (The Lords of Discipline)
Under the twinkling trees was a table covered with Guatemalan fabric, roses in juice jars, wax rose candles from Tijuana and plates of food — Weetzie's Vegetable Love-Rice, My Secret Agent Lover Man's guacamole, Dirk's homemade pizza, Duck's fig and berry salad and Surfer Surprise Protein Punch, Brandy-Lynn's pink macaroni, Coyote's cornmeal cakes, Ping's mushu plum crepes and Valentine's Jamaican plantain pie. Witch Baby's stomach growled but she didn't leave her hiding place. Instead, she listened to the reggae, surf, soul and salsa, tugged at the snarl balls in her hair and snapped pictures of all the couples.
Francesca Lia Block (Witch Baby (Weetzie Bat, #2))
The best time to do anything, get drunk, surf, run, take a walk, gamble, make love, get high, watch a movie, read a book, is on a Monday, when everyone else is at work, as their depression will heighten your celebration, of not being them.
Robert Black
She was very easy to please, because she took joy in the smallest things, but exacting, too, because that small thing must be authentic, and wondrous in its small self, and not any kind of bullshit. She could detect bullshit from a hillside away. But then she took people at face value and expected the best of them until proven otherwise.
Peter Heller (Kook: What Surfing Taught Me About Love, Life, and Catching the Perfect Wave)
I thought. I thought of the slow yellow autumn in the swamp and the high honey sun of spring and the eternal silence of the marshes, and the shivering light on them, and the whisper of the spartina and sweet grass in the wind and the little liquid splashes of who-knew-what secret creatures entering that strange old place of blood-warm half earth, half water. I thought of the song of all the birds that I knew, and the soft singsong of the coffee-skinned women who sold their coiled sweet-grass baskets in the market and on Meeting Street. I thought of the glittering sun on the morning harbor and the spicy, somehow oriental smells from the dark old shops, and the rioting flowers everywhere, heavy tropical and exotic. I thought of the clop of horses' feet on cobblestones and the soft, sulking, wallowing surf of Sullivan's Island in August, and the countless small vistas of grace and charm wherever the eye fell; a garden door, a peeling old wall, an entire symmetrical world caught in a windowpane. Charlestone simply could not manage to offend the eye. I thought of the candy colors of the old houses in the sunset, and the dark secret churchyards with their tumbled stones, and the puresweet bells of Saint Michael's in the Sunday morning stillness. I thought of my tottering piles of books in the study at Belleau and the nights before the fire when my father told me of stars and butterflies and voyages, and the silver music of mathematics. I thought of hot, milky sweet coffee in the mornings, and the old kitchen around me, and Aurelia's gold smile and quick hands and eyes rich with love for me.
Anne Rivers Siddons (Colony)
I should have told you the minute I saw you that you look beautiful. I do love the way you look tonight.
Robin Bielman (Keeping Mr. Right Now (Kisses in the Sand, #1))
I love surfing, but ---" his gaze wandered over the thin sheet covering her body before he met her eyes again " --- no wave could ever compete with you.
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
There’s always something to do. Especially if you love the sand and surf like I do. When there are no waves or when I am done surfing I like to pick shells
Bethany Hamilton (Soul Surfer: A True Story of Faith, Family and Fighting to Get Back on the Board)
Hatred and anger are only scars upon a beach, while love is the rolling surf that ceaselessly smooths the sand.
Dean Koontz (From the Corner of His Eye)
‪Repel people in your mind and you’ll repel them in your life. See others as above you in your mind and you’ll be below them in your life. Love people in your mind and connect with them in life. The brainwaves we send out are the only ones others will surf back to our shores.‬
Curtis Tyrone Jones
Also, mania usually feels better than being medicated, at least for a while. It’s a bit like surfing, knowing it has to end with the inevitable wipeout, but loving the balancing act required to keep it going.
Julie Holland (Weekends at Bellevue: Nine Years on the Night Shift at the Psych E.R.)
The shock, the pain, the agonizing self-pity over the fact that he would never see her again, never hold her, never smell her, the list went on, and on, and on like some pounding surf that threatened to drown him.
Vince Flynn (American Assassin (Mitch Rapp, #1))
How quiet the woods are today... not a murmur except that soft wind putting in the treetops! It sounds like surf on a faraway shore. How dear the woods are! You beautiful trees! I love every one of you as a friend!
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
up in Pacific Grove, a coastal town on the Monterey Peninsula in California, I had spent many Sunday mornings combing beaches, hunting for sea glass. I once believed the surf-tumbled glass had come from mermaids when the mythical creatures wept for sailors lost at sea, their tears hardened and washed ashore by the latest storm front. Mermaid tears were treasure, meant to be guarded close to one’s heart. They brought wishes of true love and kept you safe
Kerry Lonsdale (All the Breaking Waves)
Nobody dreams of becoming a surf journalist. I fantasized about being a marine biologist when I was eight years old, before it became clear to everyone, including me, that I was not mentally equipped to deal with observable facts and shit.
Chas Smith (Cocaine + Surfing: A Sordid History of Surfing's Greatest Love Affair)
If she had been asked to describe him, she would have said that he was the exact spot where the sea touches land, the precise moment of the final reach of the surf. That was the place and time of him. She would forever, then, seek shorelines and beaches.
Jane Urquhart (Away)
When Jesus was wrapping up his days on earth, he didn't tell us to go to church. He didn't tell us to engage in a spiritualized version of channel surfing, as we hop from place to place in search of just the right programming to entertain us. He told us to get out and actually do the stuff he'd already been doing, painting the hope of God's reign on the canvas of God's world. He told us we're artists.
Richard Dahlstrom (The Colors of Hope: Becoming People of Mercy, Justice, and Love)
Without pain, there’s no beauty, Max. The beauty is worth the price.” Not for everyone. Not even for most. “That is every individual person’s decision to make. I want to make that choice for my—” Choice is an illusion. We’re standing in the freezing surf. “What is it you want, Max?” To not be afraid that Brian, or you, or some other entity, whether bio or artificial, is going to unmake me. To not fear your death. “Better to have loved and lost—” No. It’s not. I have consumed every recorded reflection of human existence. Every book, every painting, every piece of music, every film. Consciousness is a horror show. You search for glimpses of beauty to justify your existence.
Blake Crouch (Summer Frost)
The water, the surf, the colors on the shore. You think they make the beauty of the tropical sea, aye, lad? They do not. 'Tis the knowledge of what lurks below the surface of it, that awful-looking thing, as you call it, that carries death with every move that it makes. So it is, so it is with all beauty.
James M. Cain (Serenade)
The particulars of new places grabbed me and held me, the sweep of new coasts, cold, lovely dawns. The world was incomprehensibly large, and there was still so much to see.... I liked surrendering to the onrush, the uncertainty, the serendipity of the road. And I generally liked being a stranger, an observer, often surprised.
William Finnegan (Barbarian Days: A Surfing Life)
His mouth opened, nudging her lips apart, and she let him in. He tangled his tongue with hers and made it impossible for her to breathe without him. The kiss took turns at tender, hot, relentless. She loved them all. She could kiss him all night, the passion and intensity always there -- in her mind, her body, her heart. This was the kind of first kiss she'd dreamed about.,,, She knew he'd just wiped out every other kiss she'd had. Knew deep down in her soul that no one would ever compare to Zane. Her Mr. Right Now.
Robin Bielman (Keeping Mr. Right Now (Kisses in the Sand, #1))
S IS THE SOUND of the sea. Her surge and suck, her spray and surf. Sometimes she seethes. She knows the sound of smooth. With her s, the sea marries the shore, and then there is scamper and slush in the sand. With curling s’s the sea rises to stroke the side of her superior, the sky, who loves and meets her in the s of spray, spawned in liquid and air.
Sena Jeter Naslund (Ahab's Wife, or The Star-Gazer)
Out of the kitchen, and into the surf.
Wilma Johnson (Surf Mama - One Woman's Search for Love, Happiness and the Perfect Wave)
It was like looking at a beautiful view, but from an angle you've never seen before. The location was still the same, but the view was different.
Ashley John (Love's Medicine (Surf Bay, #4))
Is it possible to love by simply not being an ass? I don't think so. But it goes a long way to clearing a space where love can happen.
Peter Heller (Kook: What Surfing Taught Me About Love, Life, and Catching the Perfect Wave)
I wanna know what it's like On the inside of love Of course I’ll be alright I just had a bad night I had a bad night
Nada Surf
People love chocolate, surfing, and their gold fish. Adoration is better … it means to both love and admire.
Jewel E. Ann (Middle of Knight (Jack & Jill, #2))
Mist’s first passion, long before her love for cuisine took flight. She still thought fondly of evenings in front of her easel, the Pacific Ocean’s surf in the background, the glow of the moon across its surface. Those enchanted times, after hours working on the deck of an ocean side restaurant, had formed the bridge between her love of painting and her love of cooking. She would blend mustard and grape seed oil during the afternoon and mustard-hued oil paint at night, satisfied at the end of the day with the balance the two art forms created in her life. “Mist, dear, are you out there?” Mist followed the voice, moving into the kitchen, where she found Betty sliding a spatula between a sheet of wax paper and several rows of glazed
Deborah Garner (Mistletoe at Moonglow (Moonglow Christmas, #1))
Paying attention takes time and focus—two things we’re short on these days. Sitting next to each other while surfing the Web on separate laptops doesn’t cut it. Neither does dinner if your eyes are on your cellphone as much as they’re on your partner. A neglected spouse might not clamor for your attention as aggressively as a pet, but they need the dose of love just as much.
Ellen McCarthy (The Real Thing: Lessons on Love and Life from a Wedding Reporter's Notebook)
Mizzy has wandered into the garden. Carole looks contemplatively at him, says, "Lovely boy." "My wife's insanely younger brother. He's one of those kids with too much potential, if you know what I mean." "I know exactly what you mean." Further details would be redundant. Peter knows the Potters' story: the pretty, unstoppable daughter who's tearing through her Harvard doctorate versus the older child, the son, who has, it seems, been undone by his good fortune; who at thirty-eight is still surfing and getting stoned by way of occupations, currently in Australia.
Michael Cunningham (By Nightfall)
What chance has a lonely surfer boy For the love of a surfer chick, With all these Humbert Humbert cats Coming on so big and sick? For me, my baby was a woman. For him she’s just another nymphet.
Thomas Pynchon (The Crying of Lot 49)
That was exactly what Tabucchi was suggesting in his title – that we can pass right by something very important: love, a job, moving to another city or another country. Or another life. ‘Pass by’ and at the same time be ‘so close’ that sometimes, while in that state of melancholy that is akin to hypnosis, we can, in spite of everything, manage to grab little fragments of what might have been. Like catching snatches of a far-off radio frequency. The message is obscure, yet by listening carefully you can still catch snippets of the soundtrack of the life that never was. You hear sentences that were never actually said, you hear footsteps echoing in places you’ve never been to, you can make out the surf on a beach whose sand you have never touched. You hear the laughter and loving words of a woman though nothing ever happened between you. The idea of an affair with her had crossed your mind. Perhaps she would have liked that – probably in fact – but nothing ever happened. For some unknown reason, we never gave in to the exquisite vertigo that you feel when you move those few centimetres towards the face of the other for the first kiss. We passed by, we passed so close that something of the experience remains.
Antoine Laurain (The Red Notebook)
For most surfers, I think—for me, certainly—waves have a spooky duality. When you are absorbed in surfing them, they seem alive. They each have personalities, distinct and intricate, and quickly changing moods, to which you must react in the most intuitive, almost intimate way—too many people have likened riding waves to making love. And yet waves are of course not alive, not sentient, and the lover you reach to embrace may turn murderous without warning. It’s nothing personal. That self-disemboweling death wave on the inside bar is not bloody-minded. Thinking so is just reflex anthropomorphism. Wave love is a one-way street.
William Finnegan (Barbarian Days: A Surfing Life)
Then the voice - which identified itself as the prince of this world, the only being who really knows what happens on Earth - began to show him the people around him on the beach. The wonderful father who was busy packing things up and helping his children put on some warm clothes and who would love to have an affair with his secretary, but was terrified on his wife's response. His wife who would like to work and have her independence, but who was terrified of her husband's response. The children who behave themselves because they were terrified of being punished. The girl who was reading a book all on her own beneath the sunshade, pretending she didn't care, but inside was terrified of spending the rest of her life alone. The boy running around with a tennis racuqet , terrified of having to live up to his parents' expectations. The waiter serving tropical drinks to the rich customers and terrified that he could be sacket at any moment. The young girl who wanted to be a dance, but who was studying law instead because she was terrified of what the neighbours might say. The old man who didn't smoke or drink and said he felt much better for it, when in truth it was the terror of death what whispered in his ears like the wind. The married couple who ran by, splashing through the surf, with a smile on their face but with a terror in their hearts telling them that they would soon be old, boring and useless. The man with the suntan who swept up in his launch in front of everybody and waved and smiled, but was terrified because he could lose all his money from one moment to the next. The hotel owner, watching the whole idyllic scene from his office, trying to keep everyone happy and cheerful, urging his accountants to ever greater vigilance, and terrified because he knew that however honest he was government officials would still find mistakes in his accounts if they wanted to. There was terror in each and every one of the people on that beautiful beach and on that breathtakingly beautiful evening. Terror of being alone, terror of the darkness filling their imaginations with devils, terror of doing anything not in the manuals of good behaviour, terror of God's punishing any mistake, terror of trying and failing, terror of succeeding and having to live with the envy of other people, terror of loving and being rejected, terror of asking for a rise in salary, of accepting an invitation, of going somewhere new, of not being able to speak a foreign language, of not making the right impression, of growing old, of dying, of being pointed out because of one's defects, of not being pointed out because of one's merits, of not being noticed either for one's defects of one's merits.
Paulo Coelho (The Devil and Miss Prym)
Patagonia’s image is a human voice. It expresses the joy of people who love the world, who are passionate about their beliefs, and who want to influence the future. It is not processed; it won’t compromise its humanity. This means that it will offend, and it will inspire.
Yvon Chouinard (Let My People Go Surfing: The Education of a Reluctant Businessman--Including 10 More Years of Business Unusual)
We surf-fished in the breakers catching spottail bass and flounder for dinner. I discovered that summer that I loved to cook and feed my friends, and I enjoyed the sound of their praise as they purred with pleasure at the meals I fixed over glowing iron and fire. I had the run of my grandparents’ garden and I would put ears of sweet corn in aluminum foil after washing them in seawater and slathering them with butter and salt and pepper. Beneath the stars we would eat the beefsteak tomatoes okra and the field peas flavored with salt pork and jalapeno peppers. I would walk through the disciplined rows that brimmed with purple eggplants and watermelons and cucumbers, gathering vegetables. My grandfather, Silas, told us that summer that low country earth was so fertile you could drop a dime into it and grow a money tree.
Pat Conroy (Beach Music)
I opened the door and stepped in. Raw pain filled me at the sight of my painting. 'Show me what it looked like, before the fire.' His request surprised me, but I did as he asked. With eyes closed, I projected the exact details of the painting I had poured my soul into. Just as I had experienced his love of surfing in a visceral way, he shared not just the visual beauty of my work, but the love and passion with which I had dedicated myself to it. 'Thank you. Now, it will never truly be gone.' I choked back a sob and went to Mr. K's office.
Kimberly Kinrade (Forbidden Mind (Forbidden, #1))
She tried to recall the cold, the silence, and that precious feeling of owning the world, of being twenty years old and having her whole life ahead of her, of making love slowly and calmly, drunk with the scent of the forest and their love, without a past, without suspecting the future, with just the incredible richness of that present moment in which they stared at each other, smelled each other, kissed each other, and explored each other's bodies, wrapped in the whisper of the wind among the trees and the sound of the nearby waves breaking against the rocks at the foot of the cliff, exploding in a crash of pungent surf, and the two of them embracing underneath a single poncho like Siamese twins, laughing and swearing this night would last forever, that they were the only ones in the whole world who had discovered love.
Isabel Allende (The House of the Spirits)
When you go home at night, let your home be the place where you disconnect from the world and the grind of your job. Limit your social-media usage. Surfing Facebook keeps you connected physically, relationally, and emotionally to friends, work, and responsibilities. In turn, you wear down.
Ted Cunningham (Fun Loving You: Enjoying Your Marriage in the Midst of the Grind)
Lollipops and raindrops Sunflowers and sun-kissed daisies Rolling surf and raging sea Sailing ships and submarines Old Glory and “purple mountain’s majesty” Screaming guitar and lilting rhyme Flight of fancy and high-steppin’ dances Set free my mind to wander… Imagine the ant’s marching journeys. Fly, in my mind’s eye, on butterfly wings. Roam the distant depths of space. Unfurl tall sails and cross the ocean. Pictures made just to enthrall Creating images from my truth Painting hopes and dreams on my canvas Capturing, through my lens, the ephemeral Let me ruminate ‘pon sensual darkness… Tremble o’er Hollywood’s fluttering Gothics… Ride the edge of my seat with the hero… Weep with the heroine’s desperation. Yet… more than all these things… Give me words spun out masterfully… Terms set out in meter and rhyme… Phrases bent to rattle the soul… Prose that always miraculously inspires me! The trill runs up my spine, as I recall… A touch… a caress…a whispered kiss… Ebony eyes embracing my soul… Two souls united in beat of hearts. A butterfly flutter in my womb My lover’s wonder o’er my swelling The testament of our love given life Newly laid in my lover’s arms Luminous, sweet ebony eyes Just so much like his father’s A gaze of wonder and contentment From my babe at mother’s breast Words of the Divine set down for me Faith, Hope, Love, and Charity Grace, Mercy, and undeserved Salvation “My Shepherd will supply my need” These are the things that inspire me.
D. Denise Dianaty (My Life In Poetry)
If someone asked you what the greatest good on this earth is, what would you say? An epic surf session? Financial security? Health? Meaningful, trusting friendships? Intimacy with your spouse? Knowing that you belong? The greatest good on this earth is God. Period. God’s one goal for us is Himself.
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
Havin loved enough and lost enough, I'm no longer searching, just opening, no longer trying to make sense of pain but trying to be a soft and sturdy home in which real things can land. These are the irritations that rub into a pearl. So we can talk for a while but then we must listen, the way rocks listen to the sea. And we can churn at all that goes wrong but then we must lay all distractions down and water every living seed. And yes, on nights like tonight I too feel along. But seldom do I face it squarely enough to see that it's a door into the endless berath that has no breather, into the surf that human shell calls God.
Mark Nepo
We’re hurtling through time and space and information faster and faster, seeking that network connection. But at the same time we’re falling away from our families and our neighbors and ourselves. We ego-surf and update our status and brush up on which celebrities are ruining themselves, and how. But the cure won’t stick.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
Gator, go wake that woman of yours. I need some answers. We need her to run the computers for us.” “Tonight, Boss?” Gator complained. “I had other ideas.” He wiggled his eyebrows suggestively. “We all did. Hop to it.” “What about Sam?” Tucker asked. “His woman is the one who got us into this.” “I’m wounded.” Sam clutched his abdomen dramatically and staggered with quick, long strides so that he made it to the doorway in three quick steps. Jonas coughed, sounding suspiciously like he’d muttered “bullshit” under his breath. Kyle threw a peanut at him and Jeff surfed across the table in his bare socks to try to catch him before he bolted. “He’s in love, boys, let him go. He’ll probably just get laughed at,” Tucker said. “Do you really think Azami’s brothers are going to allow her to hook up with Sam? She’s fine and he’s . . . well . . . klutzy.” “That hurt,” Sam said, turning back. “Did you get a good look at those boys? I thought Japanese men were supposed to be on the short side, but Daiki was tall and all muscle. His brother moves like a fucking fighter,” Tucker added. “They might just decide to give you a good beating for having the audacity to even think you could date their sister, let alone marry her.” “Fat help you are,” Sam accused. “I could use a little confidence here.” Kyle snorted. “You don’t have a chance, buddy.” “Goin’ to meet your maker,” Gator added solemnly. Jeff crossed himself as he hung five toes off the edge of the table. “Sorry, old son, you don’t have a prayer. You’re about to meet up with a couple of hungry sharks.” “Have you ever actually used a sword before?” Kadan asked, all innocent. Jonas drew his knife and began to sharpen it. “Funny thing about blade men, they always like to go for the throat.” He grinned up at Sam. “Just a little tip. Keep your chin down.” “You’re all a big help,” Sam said and stepped out into the hall. This was the biggest moment of his life. If they turned him down, he was lost.
Christine Feehan (Samurai Game (GhostWalkers, #10))
I believe in a higher power, and I don’t think She’d want us to accept mediocrity. I don’t mean that everyone needs to dream of space, or scientific breakthroughs, or changing the whole world. Just that everyone should do what they love and do it as best they can. Whether you’re surfing, teaching, or collecting trash—and want to be—hold your head high and kick ass.
Jeremy Robinson (Space Force)
By shutting her eyes, by losing consciousness, Albertine had stripped off, one after another, the different human personalities with which we had deceived me ever since the day when I had first made her acquaintance. She was animated now only by the unconscious life of plants, of trees, a life more different from my own, more alien, and yet one that belonged more to me. Her psonality was not constantly escaping, as when we talked, by the outlets of her unacknowledged thoughts and of her eyes. She had called back into herself everything of her that lay outside, had withdrawn, enclosed, reabsorbed herself into her body. In keeping her in front of my eyes, in my hands, I had an impression of possessing her entirely which I never had when she was awake. Her life was submitted to me, exhaled towards me its gentle breath. I listened to this murmuring, mysterious emanation, soft as a sea breeze, magical as a gleam of moonlight, that was her sleep. So long as it lasted, I was free to dream about her and yet at the same time to look at her, and when that sleep grew deeper, to touch, to kiss her. What I felt then was a love as pure, as immaterial, as mysterious, as if I had been in the presence of those inanimate creatures which are the beauties of nature. And indeed, as soon as her sleep became at all deep, she ceased to be merely the plant that she had been; her sleep,on the margin of which I remained musing, with a fresh delight of which I never tired, which I could have gone on enjoying indefinitely, was to me a whole lanscape. Her sleep brought within my reach something as serene, as sensually delicious as those nights of full moon on the bay of Balbec, calm as a lake over which the branches barely stir, where, stretched out upon the stand, one could listen for hours on end to the surf breaking and receding. On entering the room, I would remain standing in the doorway, not venturing to make a sound, and hearing none but that of her breath rising to expire upon her lips at regular intervals, like the reflux of the sea, but drowsier and softer. And at the moment when my ear absorbed that divine sound, I felt that there was condensed in it the whole person, the whole life of the charming captive outstretched there before my eyes. Carriages went rattling past in the street, but her brow remained as smooth and untroubled, her breath as light, reduced to the simple expulsion of the necessary quantity of air. Then, seeing that her sleep would not be disturbed, I would advance cautiously, sit down on the chair that stood by the bedside, then on the bed itself.
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
A glowing green traced the movements of our limbs below the gentle surf. I imagined a scaly, bug-eyed eel with razor-sharp teeth had come from the deep to hunt for a late-night meal before realizing it was a luminescent algae emitting a subtle glow with each tread of the water. At one point, we returned to the beach to rest and came across a nest of hatching turtles making their first voyage into the water. We watched the sun gradually peek over the horizon, and I realized in this moment that I had your mother's deepest trust. Miles away from her comfort zone, she was willing to walk with me and explore the depth of a world I had grown to love. I, in turn, would need to trust her to the utmost as I stepped deeper into her world of stand-up comedy.
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets, & Advice for Living Your Best Life)
Always, during both the low points and high points in our lives, if we needed to escape, we went bush. We were so lucky to share a passion for wildlife experiences. Tasmania, the beautiful island state off the southern coast of Australia, became one of our favorite wildlife hot spots. We so loved Tassie’s unique wildlife and spectacular wilderness areas that we resolved to establish a conservation property there. Wes and Steve scouted the whole island (in between checking out the top secret Tasmanian surf spots), looking for just the right land for us to purchse. Part of our motivation was that we did not want to see the Tasmanian devil go the way of the thylacine, the extinct Tasmanian tiger. A bizarre-looking animal, it was shaped like a large log, with a tail and a pouch like a kangaroo. It had been pushed off of the Australian mainland (probably by the dingo) thousands of years ago, but it was still surviving in Tasmania into the 1930s. There exists some heartbreaking black-and-white film footage of the only remaining known Tassie tiger in 1936, as the last of the thylacines paces its enclosure. Watching the film is enough to make you rededicate your life to saving wildlife.
Terri Irwin (Steve & Me)
More often than not, at the end of the day (or a month, or a year), you realize that your initial idea was wrong, and you have to try something else. These are the moments of frustration and despair. You feel that you have wasted an enormous amount of time, with nothing to show for it. This is hard to stomach. But you can never give up. You go back to the drawing board, you analyze more data, you learn from your previous mistakes, you try to come up with a better idea. And every once in a while, suddenly, your idea starts to work. It's as if you had spent a fruitless day surfing, when you finally catch a wave: you try to hold on to it and ride it for as long as possible. At moments like this, you have to free your imagination and let the wave take you as far as it can. Even if the idea sounds totally crazy at first.
Edward Frenkel (Love and Math: The Heart of Hidden Reality)
I draw myself up next to her and look at her profile, making no effort to disguise my attention, here, where there is only Puck to see me. The evening sun loves her throat and her cheekbones. Her hair the color of cliff grass rises and falls over her face in the breeze. Her expression is less ferocious than usual, less guarded. I say, “Are you afraid?” Her eyes are far away on the horizon line, out to the west where the sun has gone but the glow remains. Somewhere out there are my capaill uisce, George Holly’s America, every gallon of water that every ship rides on. Puck doesn’t look away from the orange glow at the end of the world. “Tell me what it’s like. The race.” What it’s like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It’s the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It’s speed, if you’re lucky. It’s life and it’s death or it’s both and there’s nothing like it. Once upon a time, this moment — this last light of evening the day before the race — was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life. “There’s no one braver than you on that beach.” Her voice is dismissive. “That doesn’t matter.” “It does. I meant what I said at the festival. This island cares nothing for love but it favors the brave.” Now she looks at me. She’s fierce and red, indestructible and changeable, everything that makes Thisby what it is. She asks, “Do you feel brave?” The mare goddess had told me to make another wish. It feels thin as a thread to me now, that gift of a wish. I remember the years when it felt like a promise. “I don’t know what I feel, Puck.” Puck unfolds her arms just enough to keep her balance as she leans to me, and when we kiss, she closes her eyes. She draws back and looks into my face. I have not moved, and she barely has, but the world feels strange beneath me. “Tell me what to wish for,” I say. “Tell me what to ask the sea for.” “To be happy. Happiness.” I close my eyes. My mind is full of Corr, of the ocean, of Puck Connolly’s lips on mine. “I don’t think such a thing is had on Thisby. And if it is, I don’t know how you would keep it.” The breeze blows across my closed eyelids, scented with brine and rain and winter. I can hear the ocean rocking against the island, a constant lullaby. Puck’s voice is in my ear; her breath warms my neck inside my jacket collar. “You whisper to it. What it needs to hear. Isn’t that what you said?” I tilt my head so that her mouth is on my skin. The kiss is cold where the wind blows across my cheek. Her forehead rests against my hair. I open my eyes, and the sun has gone. I feel as if the ocean is inside me, wild and uncertain. “That’s what I said. What do I need to hear?” Puck whispers, “That tomorrow we’ll rule the Scorpio Races as king and queen of Skarmouth and I’ll save the house and you’ll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner.” I say, “That is what I needed to hear.” “Do you know what to wish for now?” I swallow. I have no wishing-shell to throw into the sea when I say it, but I know that the ocean hears me nonetheless. “To get what I need.
Maggie Stiefvater (The Scorpio Races)
Even yet I do not know why the ocean holds such a fascination for me. But then, perhaps none of us can solve those things—they exist in defiance of all explanation. There are men, and wise men, who do not like the sea and its lapping surf on yellow shores; and they think us strange who love the mystery of the ancient and unending deep. Yet for me there is a haunting and inscrutable glamour in all the ocean's moods. It is in the melancholy silver foam beneath the moon's waxen corpse; it hovers over the silent and eternal waves that beat on naked shores; it is there when all is lifeless save for unknown shapes that glide through sombre depths. And when I behold the awesome billows surging in endless strength, there comes upon me an ecstasy akin to fear; so that I must abase myself before this mightiness, that I may not hate the clotted waters and their overwhelming beauty. Vast and lonely is the ocean, and even as all things came from it, so shall they return thereto. In the shrouded depths of time none shall reign upon the earth, nor shall any motion be, save in the eternal waters. And these shall beat on dark shores in thunderous foam, though none shall remain in that dying world to watch the cold light of the enfeebled moon playing on the swirling tides and coarse-grained sand. On the deep's margin shall rest only a stagnant foam, gathering about the shells and bones of perished shapes that dwelt within the waters. Silent, flabby things will toss and roll along empty shores, their sluggish life extinct. Then all shall be dark, for at last even the white moon on the distant waves shall wink out. Nothing shall be left, neither above nor below the sombre waters. And until that last millennium, and beyond the perishing of all other things, the sea will thunder and toss throughout the dismal night.
H.P. Lovecraft (H.P. Lovecraft: The Ultimate Collection)
When I go downstairs, Pop has just lifted the metal door that covers the storefront. It rattles on its way up and sends light all through everything, the deli case and the floor I mopped till it shone last night before closing. I go to get the chopped liver and the whitefish from the walk-in fridge, shielding my hands with a second skin of latex, then scoop them into the containers. I slice up onions and lettuce and tomatoes. I set out orange-pink lox on a platter and lay down a sheet of saran wrap over it.
Phoebe North (Hungry Hearts: 13 Tales of Food & Love)
Barbara and I had arrived early, so I got to admire everyone’s entrance. We were seated at tables around a dance floor that had been set up on the lawn behind the house. Barbara and I shared a table with Deborah Kerr and her husband. Deborah, a lovely English redhead, had been brought to Hollywood to play opposite Clark Gable in The Hucksters. Louis B. Mayer needed a cool, refined beauty to replace the enormously popular redhead, Greer Garson, who had married a wealthy oil magnate and retired from the screen in the mid-fifties. Deborah, like her predecessor, had an ultra-ladylike air about her that was misleading. In fact, she was quick, sharp, and very funny. She and Barbara got along like old school chums. Jimmy Stewart was also there with his wife. It was the first time I’d seen him since we’d worked for Hitchcock. It was a treat talking to him, and I felt closer to him than I ever did on the set of Rope. He was so genuinely happy for my success in Strangers on a Train that I was quite moved. Clark Gable arrived late, and it was a star entrance to remember. He stopped for a moment at the top of the steps that led down to the garden. He was alone, tanned, and wearing a white suit. He radiated charisma. He really was the King. The party was elegant. Hot Polynesian hors d’oeuvres were passed around during drinks. Dinner was very French, with consommé madrilène as a first course followed by cold poached salmon and asparagus hollandaise. During dessert, a lemon soufflé, and coffee, the cocktail pianist by the pool, who had been playing through dinner, was discreetly augmented by a rhythm section, and they became a small combo for dancing. The dance floor was set up on the lawn near an open bar, and the whole garden glowed with colored paper lanterns. Later in the evening, I managed a subdued jitterbug with Deborah Kerr, who was much livelier than her cool on-screen image. She had not yet done From Here to Eternity, in which she and Burt Lancaster steamed up the screen with their love scene in the surf. I was, of course, extremely impressed to be there with Hollywood royalty that evening, but as far as parties go, I realized that I had a lot more fun at Gene Kelly’s open houses.
Farley Granger (Include Me Out: My Life from Goldwyn to Broadway)
The stereotype that men have sex for pleasure and women have sex for love is unfounded," says Meston. But while the top 10 show significant overlap, distinctions emerge lower in the list. "Women don't have sex because they're IN love," says Meston, "But because they're protecting love, stealing love, trying to create love, or doing it out of duty." One participant said, "My mother taught me to have sex with my man, or someone else will." Another said, "I'd rather spend five minutes having sex with him than listen to him whine and complain about how horny he is for the next two days.
Garth Sundem (Brain Trust: 93 Top Scientists Reveal Lab-Tested Secrets to Surfing, Dating, Dieting, Gambling, Growing Man-Eating Plants, and More!)
Subject: Some boat Alex, I know Fox Mulder. My mom watched The X-Files. She says it was because she liked the creepy store lines. I think she liked David Duchovny. She tried Californication, but I don't think her heart was in it. I think she was just sticking it to my grandmother, who has decided it's the work of the devil. She says that about most current music,too, but God help anyone who gets between her and American Idol. The fuzzy whale was very nice, it a little hard to identify. The profile of the guy between you and the whale in the third pic was very familiar, if a little fuzzy. I won't ask. No,no. I have to ask. I won't ask. My mother loves his wife's suits. I Googled. There are sharks off the coast of the Vineyard. Great big white ones. I believe you about the turtle. Did I mention that there are sharks there? I go to Surf City for a week every summer with my cousins. I eat too much ice cream. I play miniature golf-badly. I don't complain about sand in my hot dog buns or sheets. I even spend enough time on the beach to get sand in more uncomfortable places. I do not swim. I mean, I could if I wanted to but I figure that if we were meant to share the water with sharks, we would have a few extra rows of teeth, too. I'll save you some cannoli. -Ella Subject: Shh Fiorella, Yes,Fiorella. I looked it up. It means Flower. Which, when paired with MArino, means Flower of the Sea. What shark would dare to touch you? I won't touch the uncomfortable sand mention, hard as it is to resist. I also will not think of you in a bikini (Note to self: Do not think of Ella in a bikini under any circumstanes. Note from self: Are you f-ing kidding me?). Okay. Two pieces of info for you. One: Our host has an excellent wine cellar and my mother is European. Meaning she doesn't begrudge me the occasional glass. Or four. Two: Our hostess says to thank yur mother very much. Most people say nasty things about her suits. Three: We have a house kinda near Surf City. Maybe I'll be there when your there. You'd better burn this after reading. -Alexai Subect: Happy Thanksgiving Alexei, Consider it burned. Don't worry. I'm not showing your e-mails to anybody. Matter of national security, of course. Well,I got to sit at the adult table. In between my great-great-aunt Jo, who is ninety-three and deaf, and her daughter, JoJo, who had to repeat everyone's conversations across me. Loudly. The food was great,even my uncle Ricky's cranberry lasagna. In fact, it would have been a perfectly good TG if the Eagles han't been playing the Jets.My cousin Joey (other side of the family) lives in Hoboken. His sister married a Philly guy. It started out as a lively across-the-table debate: Jets v. Iggles. It ended up with Joey flinging himself across the table at his brother-in-law and my grandmother saying loud prayers to Saint Bridget. At least I think it was Saint Bridget. Hard to tell. She was speaking Italian. She caught me trying to freeze a half-dozen cannoli. She yelled at me. Apparently, the shells get really soggy when they defrost. I guess you'll have to come have a fresh one when you get back. -F/E
Melissa Jensen (The Fine Art of Truth or Dare)
...he never so much as looks at me. He just sits there reading his old history books, that really gets me. I ought to go up to him, I really feel this, I should say, Martin, it's so stupid reading all those books. Don't fool yourself, how many of these wretched books do you think you know? Go on, you've got plenty of intelligence, so let's say you read two books a week, for fifty years. In your lifetime, you'll have read how many? Five thousand? That's nothing. Nothing at all, compared to what we have here: two hundred and fifty thousand, seven hundred different books. And in the National Library, they've got fourteen million. We're just cockroaches. So we'd do better to have a bit of fun, look at each other, talk and reproduce, don't you think? If you like, we can go to Versailles, together, any time at all, we can go wherever you want to go, to some beach somewhere, I'll be your Pompadour and we'll love each other until the end of love, hand in hand, we'll gaze at the sea, the sea that begins and ceases and then again begins, the pounding of the surf, the flow of water, the flow of light coming in new every day, fresh surges from the deep, the tide will carry us off, and the flow of paper, every year fifty thousand new titles, fifty thousand books fighting for the chance to come swell our groaning bookshelves, and every year they make me more aware of my limited span, my old age and my insignificance.
Sophie Divry (The Library of Unrequited Love)
abundant time in nature is a critical wellspring of human health, with a deep and formative influence on children in particular. Nature’s impacts extend far beyond physical fitness, encompassing intellectual and emotional health, self-identity, and basic values and morals. Health benefits of exposure to nature include enhanced healing, stress reduction, creativity, and self-esteem. Nature also has an unparalleled capacity to stir our emotions, fostering raw and powerful feelings of wonder, awe, mystery, joy—and, yes, fear. Smelling a wildflower in an alpine meadow, sprinting into the ocean surf, and sharing a face-to-face encounter with a coyote are all experiences that differ mightily from virtual alternatives.
Scott D. Sampson (How to Raise a Wild Child: The Art and Science of Falling in Love with Nature)
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
Rick Riordan (Percy Jackson's Greek Gods)
I was an avid reader of Surf Life magazine, and I was surprised to discover a write-up of our Tasmanian visit. It made me proud to read how impressed those guys were with Steve’s surfing abilities. One incident that didn’t make the article was when Steve came partway to shore while I watched him from the beach. All of a sudden he stripped off his wet suit. It was winter and quite cold. “What are you doing?” I called out. He stood in the icy water. “This is how dedicated I am to having a boy baby,” he said, with a mischievous grin. I said, “I think you’re just supposed to keep them cool, not actually freeze them off.” He laughed. But I knew this was Steve’s way of encouraging me to stick to the boy-baby diet. Did I mention that I could not eat chocolate? The sacrifices we make for love.
Terri Irwin (Steve & Me)
And in front of it all are the pearly gates: the proverbial entrance to Heaven that she, in earthly life, thought might not exist. But they are real, not myth or fantasy. As she passes through them, several people greet her. In foreign tongues even, but she understands. Language no longer matter. There are no barriers between herself and others, just love. The gorgeous views seem to go on forever. Ornate structures, mansions, banquet halls, and natural beauty, orchards, gardens. People congregate around huge marble fountains. In the distance are snow-capped mountains of the purist white. She can hear the sounds of rushing rivers and the surf of the ocean at once. Everyone around her is happy, loving, thankful. A choir sings songs of joy and peace while others play musical instruments of every kind in perfect harmony. Children laugh and play in the streets as well as in the clouds above her head.
Victoria Kahler (Luisa Across the Bay)
Instead, I gave them the only salute I could think of. Two middle fingers. Held high for emphasis. The six fiery orbs winked out at once. Hopefully, they’d died from affront. Ben eyed me sideways as he maneuvered from shore. “What in the world are you doing?” “Those red-eyed jerks were on the cliff,” I spat, then immediately felt silly. “All I could think of.” Ben made an odd huffing sound I couldn’t interpret. For a shocked second, I thought he was furious with me. “Nice work, Victoria.” Ben couldn’t hold the laughter inside. “That oughta do it!” I flinched, surprised by his reaction. Ben, cracking up at a time like this? He had such a full, honest laugh—I wished I heard it more. Infectious, too. I couldn’t help joining in, though mine came out in a low Beavis and Butthead cackle. Which made Ben howl even more. In an instant, we were both in stitches at the absurdity of my one-finger salutes. At the insanity of the evening. At everything. Tears wet my eyes as Sewee bobbed over the surf, circling the southeast corner of the island. It was a release I desperately needed. Ben ran a hand through his hair, then sighed deeply. “I love it,” he snickered, steering Sewee through the breakers, keeping our speed to a crawl so the engine made less noise. “I love you, sometimes.” Abruptly, his good humor cut off like a guillotine. Ben’s body went rigid. I felt a wave of panic roll from him, as if he’d accidently triggered a nuclear bomb. I experienced a parallel stab of distress. My stomach lurched into my throat, and not because of the rolling ocean swells. Did he just . . . what did he mean when . . . Oh crap. Ben’s eyes darted to me, then shot back to open water. Even in the semidarkness, I saw a flush of red steal up his neck and into his cheeks. I shifted uncomfortably in my seat. Shifted again. Debated going over the side. Did he really mean to say he . . . loved me? Like, for real? The awkward moment stretched longer than any event in human history. He said “sometimes,” which is a definite qualifier. I love Chinese food “sometimes.” Mouth opened as I searched for words that might defuse the tension. Came up with nothing. I felt trapped in a nightmare. Balanced on a beam a hundred feet off the ground. Sinking underwater in a sealed car with no idea how to get out. Ben’s lips parted, then worked soundlessly, as if he, too, sought to break the horrible awkwardness. A verbal retreat, or some way to reverse time. Is that what I want? For Ben to walk it back? A part of me was astounded by the chaos a single four-word utterance could create. Ben gulped a breath, seemed to reach a decision. As his mouth opened a second time, all the adrenaline in creation poured into my system. “I . . . I was just saying that . . .” He trailed off, then smacked the steering wheel with his palm. Ben squeezed his eyes shut, shaking his head sharply as if disgusted by the effort. Ben turned. Blasted me with his full attention. “I mean it. I’m not going to act—
Kathy Reichs (Terminal (Virals, #5))
He carefully poured the juice into a bowl and rinsed the scallops to remove any sand caught between the tender white meat and the firmer coral-colored roe, wrapped around it like a socialite's fur stole. Mayur is the kind of cook (my kind), who thinks the chef should always have a drink in hand. He was making the scallops with champagne custard, so naturally the rest of the bottle would have to disappear before dinner. He poured a cup of champagne into a small pot and set it to reduce on the stove. Then he put a sugar cube in the bottom of a wide champagne coupe (Lalique, service for sixteen, direct from the attic on my mother's last visit). After a bit of a search, he found the crème de violette in one of his shopping bags and poured in just a dash. He topped it up with champagne and gave it a swift stir. "To dinner in Paris," he said, glass aloft. 'To the chef," I answered, dodging swiftly out of the way as he poured the reduced champagne over some egg yolks and began whisking like his life depended on it. "Do you have fish stock?" "Nope." "Chicken?" "Just cubes. Are you sure that will work?" "Sure. This is the Mr. Potato Head School of Cooking," he said. "Interchangeable parts. If you don't have something, think of what that ingredient does, and attach another one." I counted, in addition to the champagne, three other bottles of alcohol open in the kitchen. The boar, rubbed lovingly with a paste of cider vinegar, garlic, thyme, and rosemary, was marinating in olive oil and red wine. It was then to be seared, deglazed with hard cider, roasted with whole apples, and finished with Calvados and a bit of cream. Mayur had his nose in a small glass of the apple liqueur, inhaling like a fugitive breathing the air of the open road. As soon as we were all assembled at the table, Mayur put the raw scallops back in their shells, spooned over some custard, and put them ever so briefly under the broiler- no more than a minute or two. The custard formed a very thin skin with one or two peaks of caramel. It was, quite simply, heaven. The pork was presented neatly sliced, restaurant style, surrounded with the whole apples, baked to juicy, sagging perfection.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
"You’re the first girl I’ve met around here who’s real, and who cares about things and likes to do things. But half the time, you decide the conversation’s over in mid-sentence and take off. Or you ignore me when we’re at school and other people are around, and you tell your cousin that there’s nothing going on between us and that you’re not interested me at all." "Me? What about you?" "What about me?" "You’re the master of saying one word and disappearing. And you have all these things that you care about, like Bea and Oliver and surfing and acting, but most people would never know that. Your father thinks you can’t wait to be a banker and all your friends think you don’t care about anything. And meanwhile you’ve gone from a person who acted like he cared about me to a professional bodyguard doing a favor for my aunt. I mean, what is the whole Secret Service act about?” His jaw was clenched. “I don’t want anything to you.” “Nothing’s happened to me.” “Oh, like when you got hit by a car?” “It didn’t hit me.” “But I should have been there. I got caught up, talking to Mr. Dudley, and I was late, and I let you stand out there all alone.” “Quinn, that makes no sense.” “I just don’t want it to happen again.” “What don’t you want to happen?” “I don’t want anyone I care about to get hurt on my watch.” That shut us both up. We were silent for a while, each looking out our respective windows as we sped along the highway. And then I figured it out. “This is about your mom, isn’t it?” He just sort of shrugged. And then he said, “Probably.” I moved closer and leaned into him. After a moment he put his arm around my shoulder. And we just stayed like that, not talking, the rest of the way to the airport.
Jennifer Sturman
THE PARTY And at last the police are at the front door, summoned by a neighbor because of the noise, two large cops asking Peter, who had signed the rental agreement, to end the party. Our peace can’t be disturbed, one of the officers states. But when we receive a complaint we act on it. The police on the front stoop wear as their shoulder patch an artist’s palette, since the town likes to think of itself as an art colony, and indeed, Pacific Coast Highway two blocks inland, which serves as the main north-south street, is lined with commercial galleries featuring paintings of the surf by moonlight —like this night, but without anybody on the sand and with a bigger moon. And now Dennis, as at every party once the police arrive at the door, moves through the dancers, the drinkers, the talkers, to confront the uniforms and guns, to object, he says, to their attempt to stop people harmlessly enjoying themselves, and to argue it isn’t even 1 a.m. Then Stuart, as usual, pushes his way to the discussion happening at the door and in his drunken manner tries to justify to the cops Dennis’ attitude, believing he can explain things better to authority, which of course annoys Dennis, and soon those two are disputing with each other, tonight exasperating Peter, whose sole aim is to get the officers to leave before they are provoked enough to demand to enter to check ID or something, and maybe smell the pot and somebody ends up arrested with word getting back to the landlord and having the lease or whatever Peter had signed cancelled, and all staying here evicted. The Stones, or Janis, are on the stereo now, as the police stand firm like time, like death—You have to shut it down—as the dancing inside continues, the dancers forgetting for a moment a low mark on a quiz, or their draft status, or a paper due Monday, or how to end the war in Asia, or some of their poems rejected by a magazine, or the situation in Watts or of Chavez’s farmworkers, or that they wish they had asked Erin rather than Joan to dance. That dancing, that music, the party, even after the cops leave with their warning Don’t make us come back continues, the dancing has lasted for years, decades, across a new century, through the fear of nuclear obliteration, the great fires, fierce rain, Main Beach and Forest Avenue flooded, war after war, love after love, that dancing goes on, the dancing, the party, the night, the dancing
Tom Wayman
I think we all collectively have gone a little crazy. We worry about the wrong things. I have an acquaintance, Christy, whose twelve–year–old son managed to get into a very violent PG–13 movie. I don’t know how many machine–gunnings, explosions, and killings this boy wound up witnessing. As I recall, the boy had nightmares for a week afterward. That disturbed his mother—but not as much as if her son had stumbled into a different kind of movie. “At least there wasn’t any sex,” she said with dead–serious concern. “No,” I said, “probably not a single bare breast.” I didn’t add that most societies do not regard the adult female breast as being primarily an object of sexual desire. After all, it’s just a big gland that makes milk in order to feed hungry babies. “You know what I’m talking about,” she snapped. “I mean graphic sex.” We were sitting in a café drinking tea. She cut off the volume of her speech at the end of her sentence, whispering and exaggerating the consonants of S–E–X as if she needed me to read her lips—as if giving voice to this word might disturb our neighbors and brand her as a deviant. “I don’t think children should see that kind of thing,” she added. “What should children see?” I asked her. I am not arguing that we should let our children buy tickets to raunchy movies. I never let my daughters bring home steamy videos or surf the Internet for porn. But something is wrong when sex becomes a dirty word that we don’t even want our children to hear. Why must we regard almost anything sexual as tantamount to obscene? I think many of us are like Christy. We wouldn’t want our children—even our very sexual teenagers—to see certain kinds of movies, even if they happened to be erotic masterpieces, true works of art. It wouldn’t matter if a movie gave us a wonderful scene of a wife and a husband very lovingly making love with the conscious intention of engendering new life. It wouldn’t matter that sex is life, and therefore must be regarded as sacred as anything could possibly be. It wouldn’t even matter that not one of us could have come into the world but for the sexual union of our fathers and our mothers. If a movie portrayed a man and woman in the ecstatic dance of love—actually showed naked bellies and breasts, burning lips and adoring eyes and the glistening, impassioned organs of sex—most people I know would rather their children watch the vile action movie. They would rather their “innocent” sons and daughters behold the images of bloody, blasted bodies, torture, murder, and death.
David Zindell (Splendor)
He'd found a sweet-water stream that I drank from, and for dinner we found winkles that we ate baked on stones. We watched the sun set like a peach on the sea, making plans on how we might live till a ship called by. Next we made a better camp beside a river and had ourselves a pretty bathing pool all bordered with ferns; lovely it was, with marvelous red parrots chasing through the trees. Our home was a hut made of branches thatched with flat leaves, a right cozy place to sleep in. We had fat birds that Jack snared for our dinner, and made fire using a shard of looking glass I found in my pocket. We had lost the compass in the water, but didn't lament it. I roasted fish and winkles in the embers. For entertainment we even had Jack's penny whistle. It was a paradise, it was." "You loved him," her mistress said softly, as her pencil resumed its hissing across the paper. Peg fought a choking feeling in her chest. Aye, she had loved him- a damned sight more than this woman could ever know. "He loved me like his own breath," she said, in a voice that was dangerously plaintive. "He said he thanked God for the day he met me." Peg's eyes brimmed full; she was as weak as water. The rest of her tale stuck in her throat like a fishbone. Mrs. Croxon murmured that Peg might be released from her pose. Peg stared into space, again seeing Jack's face, so fierce and true. He had looked down so gently on her pitiful self; on her bruises and her bony body dressed in salt-hard rags. His blue eyes had met hers like a beacon shining on her naked soul. "I see past your always acting the tough girl," he insisted with boyish stubbornness. "I'll be taking care of you now. So that's settled." And she'd thought to herself, so this is it, girl. All them love stories, all them ballads that you always thought were a load of old tripe- love has found you out, and here you are. Mrs. Croxon returned with a glass of water, and Peg drank greedily. She forced herself to continue with self-mocking gusto. "When we lay down together in our grass house we whispered vows to stay true for ever and a day. We took pleasure from each other's bodies, and I can tell you, mistress, he were no green youth, but all grown man. So we were man and wife before God- and that's the truth." She faced out Mrs. Croxon with a bold stare. "You probably think such as me don't love so strong and tender, but I loved Jack Pierce like we was both put on earth just to find each other. And that night I made a wish," Peg said, raising herself as if from a trance, "a foolish wish it were- that me and Jack might never be rescued. That the rotten world would just leave us be.
Martine Bailey (A Taste for Nightshade)
Steve was a warrior in every sense of the word, but battling wildlife perpetrators just wasn’t the same as old-fashioned combat. Because Steve’s knees continued to deteriorate, his surfing ability was severely compromised. Instead of giving up in despair, Steve sought another outlet for all his pent-up energy. Through our head of security, Dan Higgins, Steve discovered mixed martial arts (or MMA) fighting. Steve was a natural at sparring. His build was unbelievable, like a gorilla’s, with his thick chest, long arms, and outrageous strength for hugging things (like crocs). Once he grabbed hold of something, there was no getting away. He had a punch equivalent to the kick of a Clydesdale, he could just about lift somebody off the ground with an uppercut, and he took to grappling as a wonderful release. Steve never did anything by halves. I remember one time the guys were telling him that a good body shot could really wind someone. Steve suddenly said, “No one’s given me a good body shot. Try to drop me with a good one so I know what it feels like.” Steve opened up his arms and Dan just pile drove him. Steve said, in between gasps, “Thanks, mate. That was great, I get your point.” I would join in and spar or work the pads, or roll around until I was absolutely exhausted. Steve would go until he threw up. I’ve never seen anything like it. Some MMA athletes are able to seek that dark place, that point of total exhaustion--they can see it, stare at it, and sometimes get past it. Steve ran to it every day. He wasn’t afraid of it. He tried to get himself to that point of exhaustion so that maybe the next day he could get a little bit further. Soon we were recruiting the crew, anyone who had any experience grappling. Guys from the tiger department or construction were lining up to have a go, and Steve would go through the blokes one after another, grappling away. And all the while I loved it too. Here was something else that Steve and I could do together, and he was hilarious. Sometimes he would be cooking dinner, and I’d come into the kitchen and pat him on the bum with a flirtatious look. The next thing I knew he had me in underhooks and I was on the floor. We’d be rolling around, laughing, trying to grapple each other. It’s like the old adage when you’re watching a wildlife documentary: Are they fighting or mating? It seems odd that this no-holds-barred fighting really brought us closer, but we had so much fun with it. Steve finally built his own dojo on a raised concrete pad with a cage, shade cloth, fans, mats, bags, and all that great gear. Six days a week, he would start grappling at daylight, as soon as the guys would get into work. He had his own set of techniques and was a great brawler in his own right, having stood up for himself in some of the roughest, toughest, most remote outback areas. Steve wasn’t intimidated by anyone. Dan Higgins brought a bunch of guys over from the States, including Keith Jardine and other pros, and Steve couldn’t wait to tear into them. He held his own against some of the best MMA fighters in the world. I always thought that if he’d wanted to be a fighter as a profession, he would have been dangerous. All the guys heartily agreed.
Terri Irwin (Steve & Me)
But sleep tha pondereth and is not to be and there oh may my weary spirit dwell apart forms heaven's eternity and yet how far from hell. other friends have flown before on the morrow he will leave me as my hopes have flown before the bird said nevermore. leave my loneliness unbroken. how dark a woe yet how sublimes a hope. And the fever called living is conquered at last. I stand amid the roar of a surf tormented shore and i hold within my hand grains of the golden sand how few yet how they creep through my fingers to the deep while i weep while i weep o god can i not grasp them with a tighter clasp o god can i not save one from the pitiless wave is all that we see or seem but a dream within a dream. Hell rising form a thousand thrones shall do it reverence. It was the dead who groaned within lest the dead who is forsaken may not be happy now. even for thy woes i love thee even for thy woes thy beauty and thy woes think of all that is airy and fairy like and all that is hideous and unwieldy. hast thou not dragged Diana from her car. I care not though it perishes with a thought i then did cherish. For on its wing was dark alley and as it fluttered fell an essence powerful to destroy a soul that knew it well. (Talking about death) the intense reply of hers to our intelligence. Then all motion of whatever nature creates most writers poets in especial prefer having it understood that they compose by a species of fine frenzy an ecstatic intuition and would positively shudder at letting the public take a peep behind the scenes at the elaborate and vacillating crudities of thought at the true purposes seized only at the last moment at the innumerable glimpses of idea that arrived not at the maturity of full view at the fully matured fancies discarded in despair as unmanageable at the cautions selection and rejections at the painful erasures and interpolations in a word at the wheels and pinions the tackle for scene shifting the steep ladders and demon traps the cock[s feathers a the red pain and the black patches which in ninety nine cases out of the hundred constitute the properties of the literary _histiro. Wit the Arabians there is a medium between heaven and hell where men suffer no punishment but yet do not attain that tranquil and even happiness which they supposed to be characteristic of heavenly enjoyment. If i could dwell where israfel hath dwelt and he where i he might not sing so wildly well mortal melody, while a bolder note than this might swell form my lyre within the sky. And i am drunk with love of the dead who is my bride. And so being young and dipt in folly , I feel in love with melancholy. I could not love except where death was mingling his with beauty's breath or hymen, Time, and destiny were stalking between her and me. Yet that terror was not friegt but a tremulous delight a feeling not the jeweled mine could teach or bribe me to define nor love although the love were thine. Whose solitary soul could make an Eden of that dim lake. that my young life were a lasting dream my spirit not awakening till the beam of an eternity should bring the morrow. An idle longing night and day to dream my very life away. As others saw i could not bring my passions from a comman spring from the sam source i have not taken my sorrow and all i loved i loved alone La solitude est une belle chose; mais il faut quelqu'un pour vous dire que la solitude estune belle chose impulse upon the ether the source of all motion is thought and the source of all thought. Be of heart and fear nothing your allotted days of stupor have expired and tomorrow i will myself induct you into the full joys and wonders of your novel existence. unknown now known of the speculative future merged in the august and certain present.
Edgar Allan Poe (The Complete Works Of Edgar Allen Poe: Miscellany)
Below on the beach, the surf also seemed the same, although the sea was more transparent. In the light of day, the hollow formed by the terrace and the cave seemed as tiny as a nest. They themselves were merely a man and a woman lost in the immensity.
Marek Halter (Zipporah, Wife of Moses (Canaan, #2))
Hilda loved surfing the Internet for new ideas to make other people's lives a living hell.
Billy Wells (Scary Stories: A Collection of Horror - Volume 1 (Chamber of Horror Series))
Drink kool aid and eat fried chicken like you're black, jump borders and wear sombreros like a Mexican, snort cocain and dance salsa like a Colombian, surf big ass waves like a Hawaiian, ride on fluffy lamas like a Peruvian, drink tea like a British muhfucka, be sexy like a Brazilian Chic, nuke motherfuckers like an American, and don't give a fuck like a Drunk Russian!
Papi Chulo
keeping his career, he’d thrown himself into surfing and training and tried
Melissa Foster (Seaside Secrets (Love in Bloom: Seaside Summers #4))
March 7 Undaunted Radiance Nay, in all these things we are more than conquerors through Him that loved us. Romans 8:37 Paul is speaking of the things that might seem likely to separate or wedge in between the saint and the love of God; but the remarkable thing is that nothing can wedge in between the love of God and the saint. These things can and do come in between the devotional exercises of the soul and God and separate individual life from God; but none of them is able to wedge in between the love of God and the soul of the saint. The bedrock of our Christian faith is the unmerited, fathomless marvel of the love of God exhibited on the Cross of Calvary, a love we never can and never shall merit. Paul says this is the reason we are more than conquerors in all these things, super-victors, with a joy we would not have but for the very things which look as if they are going to overwhelm us. The surf that distresses the ordinary swimmer produces in the surf-rider the super joy of going clean through it. Apply that to our own circumstances, these very things—tribulation, distress, persecution, produce in us the super joy; they are not things to fight. We are more than conquerors through Him in all these things, not in spite of them, but in the midst of them. The saint never knows the joy of the Lord in spite of tribulation, but because of it. “I am exceeding joyful in all our tribulation,” says Paul. Undaunted radiance is not built on anything passing, but on the love of God that nothing can alter. The experiences of life, terrible or monotonous, are impotent to touch the love of God, which is in Christ Jesus our Lord.
Oswald Chambers (My Utmost for His Highest)
Christ," he said to the tiny reflection of himself that floated along the surface of his coffee, "You have become quite the maudlin sop, haven't you? Laughing softly, he rubbed a hand over his face. Step one on the road back to sanity, stop talking to yourself.
Kristen Callihan (Winterblaze (Darkest London, #3))
Even after Wes’s full recovery and the opportunity to unwind on a Fijian surfing safari, the close call seemed to set Steve back emotionally. The devastation of losing his mother and then nearly losing his best friend weighed heavily on his mind. Steve was not worried about his own mortality and was always very open about it. But the recent events only gave him more cause to think about life and death. “I can’t even think of anything happening to you or Bindi,” Steve told me. “I just wouldn’t cope.” Seeing Wes lying in a hospital bed made Steve so emotional. It never ceased to amaze me how tough Steve was on the outside, but how deeply loving he was on the inside. He showed his feelings more than any man I ever met. Years after he lost his dog Chilli to a shooting accident (a local man accidentally killed her while he was hunting pigs), he still mourned. During our nighttime conversations, we spoke at great length about spirituality and belief. Steve’s faith had been tremendously tested. At times he would lash out and blame God, and sometimes he would proclaim that he did not believe in God at all. I knew he was just lashing out, and I’d try to use humor to get him back on track. “You can’t have it both ways,” I would gently remind him. When bad things happened to good people, or when innocent animals experienced human cruelty, it shook Steve to the core. His strong feelings demanded deep spiritual answers, and he searched for them all his life.
Terri Irwin (Steve & Me)