Supper Quotes

We've searched our database for all the quotes and captions related to Supper. Here they are! All 100 of them:

Hope is a good breakfast, but it is a bad supper.
Francis Bacon
How many times have I told you? Polite persons do not take supper in the nude.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
And [he] sailed back over a year and in and out of weeks and through a day and into the night of his very own room where he found his supper waiting for him and it was still hot
Maurice Sendak (Where the Wild Things Are)
One word, Ma'am," he said, coming back from the fire; limping, because of the pain. "One word. All you've been saying is quite right, I shouldn't wonder. I'm a chap who always liked to know the worst and then put the best face I can on it. So I won't deny any of what you said. But there's one more thing to be said, even so. Suppose we have only dreamed, or made up, all those things-trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones. Suppose this black pit of a kingdom of yours is the only world. Well, it strikes me as a pretty poor one. And that's a funny thing, when you come to think of it. We're just babies making up a game, if you're right. But four babies playing a game can make a play-world which licks your real world hollow. That's why I'm going to stand by the play world. I'm on Aslan's side even if there isn't any Aslan to lead it. I'm going to live as like a Narnian as I can even if there isn't any Narnia. So, thanking you kindly for our supper, if these two gentlemen and the young lady are ready, we're leaving your court at once and setting out in the dark to spend our lives looking for Overland. Not that our lives will be very long, I should think; but that's a small loss if the world's as dull a place as you say.
C.S. Lewis (The Silver Chair (Chronicles of Narnia, #4))
Of course ." A wicked gleam entered his eyes. "But I only turn girls into salamanders on Tuesdays. Luckily for you, it´s a Wednesday, which is the day I drink a goblet of orphan´s blood for supper.
Margaret Rogerson (Sorcery of Thorns (Sorcery of Thorns, #1))
All she heard next of the strange conversation behind the sofa was Mrs. Pendragon saying something about sending Twinkle (or was his name Howl?) to bed without supper and Twinkle daring her to 'jutht TRY it.
Diana Wynne Jones (House of Many Ways (Howl's Moving Castle, #3))
When your past shows up to haunt you, make sure it comes after supper so it doesn't ruin your whole day.
Jay Wickre
To have some deep feeling about Buddhism is not the point; we just do what we should do, like eating supper and going to bed. This is Buddhism.
Shunryu Suzuki (Zen Mind, Beginner's Mind: Informal Talks on Zen Meditation and Practice)
The philosopher Diogenes was eating bread and lentils for supper. He was seen by the philosopher Aristippus, who lived comfortably by flattering the king. Said Aristippus, 'If you would learn to be subservient to the king you would not have to live on lentils.' Said Diogenes, 'Learn to live on lentils and you will not have to be subservient to the king".
Anthony de Mello
Henry," said Charlotte, who appeared to have recovered from her shock, "if you set yourself on fire deliberately, I will institute divorce proceedings. Now sit down and eat your supper. And say hello to our guest.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
I said, names aren't important," he repeated. There was a silence between them for some seconds, then the Ranger said: "Do you know what is important?" Will shook his head. "Supper is important!
John Flanagan (The Ruins of Gorlan (Ranger's Apprentice, #1))
Aragorn: Gentlemen! We do not stop 'til nightfall. Pippin: But what about breakfast? Aragorn: You've already had it. Pippin: We've had one, yes. But what about second breakfast? [Aragorn stares at him, then walks off.] Merry: Don't think he knows about second breakfast, Pip. Pippin: What about elevensies? Luncheon? Afternoon tea? Dinner? Supper? He knows about them, doesn't he? Merry: I wouldn't count on it Pip.
Peter Jackson
Her Kind I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have done my hitch over the plain houses, light by light: lonely thing, twelve-fingered, out of mind. A woman like that is not a woman, quite. I have been her kind. I have found the warm caves in the woods, filled them with skillets, carvings, shelves, closets, silks, innumerable goods; fixed the suppers for the worms and the elves: whining, rearranging the disaligned. A woman like that is misunderstood. I have been her kind. I have ridden in your cart, driver, waved my nude arms at villages going by, learning the last bright routes, survivor where your flames still bite my thigh and my ribs crack where your wheels wind. A woman like that is not ashamed to die. I have been her kind.
Anne Sexton (To Bedlam and Part Way Back)
I would pick them when they bloomed. And when she called me home for supper, I'd place them in her hair and the contrast would take my breath away.
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
Buttercup's mother hesitated, then put her stew spoon down. (This was after stew, but so is everything. When the first man first clambered from the slime and made his first home on land, what he had for supper that first night was stew.)
William Goldman (The Princess Bride)
Sassenach, I've been stabbed, bitten, slapped, and whipped since supper - which I didna get to finish. I dinna like to scare children an I dinna like to flog men, and I've had to do both. I've two hundred English camped three miles away, and no idea what to do about them. I'm tired, I'm hungry, and I'm sore. If you've anything like womanly sympathy about ye, I could use a bit!
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Maybe we weren't at the Last Supper, but we're certainly going to be at the next one.
Bella S. Abzug
If the sky falls they shall have clouds for supper.
Charles Simic (The World Doesn't End: Prose Poems)
Then it don' matter. Then I'll be all aroun' in the dark. I'll be ever'where - wherever you look. Wherever they's a fight so hungry people can eat, I'll be there. Wherever they's a cop beatin' up a guy, I'll be there. If Casy knowed, why, I'll be in the way guys yell when they're mad an' - I'll be in the way kids laugh when they're hungry an' they know supper's ready. An' when our folks eat the stuff they raise an' live in the houses they build, why, I'll be there.
John Steinbeck (The Grapes of Wrath)
The Last Supper is supposed to be thirteen men. Who is this woman? "Everyone misses it, our preconceived notions of this scene are so powerful that our mind blocks out the incongruity and overrides our eyes.
Dan Brown (The da Vinci Code (Robert Langdon, #2))
Sona looked slightly horrified. “Cordelia has a tendency to throw herself into every situation headlong,” she said to Tessa and Will. “I’m sure you understand.” “Oh, we do,” said Will. “We’re always speaking very sternly to our children about that very thing. ‘If you don’t throw yourself into situations headlong, James and Lucie, you can expect bread and water for supper again.’  ” Alastair choked on a laugh. Sona stared at Will as if he were a lizard with feathers.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
Wherever they’s a fight so hungry people can eat, I’ll be there. Wherever they’s a cop beatin’ up a guy, I’ll be there. If Casy knowed, why, I’ll be in the way guys yell when they’re mad an’—I’ll be in the way kids laugh when they’re hungry n’ they know supper’s ready. An’ when our folks eat the stuff they raise an’ live in the houses they build—why, I’ll be there.
John Steinbeck (The Grapes of Wrath)
Once I saw a chimpanzee gaze at a particularly beautiful sunset for a full 15 minutes, watching the changing colors [and then] retire to the forest without picking a pawpaw for supper.
Adriaan Kortlandt
Whenever they's a fight so hungry people can eat, I'll be there. Whenever they's a cop beatin' up a guy, I'll be there . . . . I'll be in the way guys yell when they're mad an'-I'll be in the way kids laugh when they're hungry an' they know supper's ready. An' when our folks eat the stuff they raise an' live in the houses they build-why, I'll be there." Tom Joad
John Steinbeck (The Grapes of Wrath)
Oh, how I despised remaining silent under such awful judgment. I’d like to remind each man who held such poor opinions of a woman that their beloved mothers were, in fact, women. I didn’t see any men running about, birthing the world’s population then going on to make supper and tend to the house. Most of them buckled to their knees when the slightest sniffle attacked them.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
Henry," said Charlotte, who seemed to have recovered from her shock, "if you set yourself on fire deliberately, I will institute divorce proceedings. Now sit down and eat your supper. And say hello to our guest.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
I'll bet I'm as old as you are." "I'm older than Sanskrit." "Well, I was waitress at the Last Supper." "I'm so old I remember when McDonald's had only sold a hundred burgers." "You win.
Tom Robbins (Still Life with Woodpecker)
In any case, fire burns; that's its nature, and you can't expect to change that. You can use it to cook your meat or to burn down your neighbor's house. And is the fire you use for cooking any different from the one you use for burning? And does that mean you should eat your supper raw?" Maddy shook her head, still puzzled. "So what you're saying is . . . I shouldn't play with fire," she said at last. Of course you should," said One-Eye gently. "But don't be surprised if the fire plays back.
Joanne Harris (Runemarks (Runemarks, #1))
She's an ugly little thing. No child should look like that. Pale and sour, like a glass of milk that's turned." "And so skinny!" the cook replied. "Never finishes her supper." Crouched beside the girl, the boy turned to her and whispered, "Why don't you eat?" "Because everything she cooks tastes like mud." "Tastes fine to me." "You'll eat anything." They bent their ears back to the crack in the cupboard doors. A moment later the boy whispered, "I don't think you're ugly." "Shhhh!" the girl hissed. But hidden by the deep shadows of the cupboard, she smiled.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
Do you not find it happens very often, that you are as gay as Garrick at dinner and then by supper-time you wonder why God made the world?
Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
Books are, let's face it, better than everything else. If we played cultural Fantasy Boxing League, and made books go 15 rounds in the ring against the best that any other art form had to offer, then books would win pretty much every time. Go on, try it. “The Magic Flute” v. Middlemarch? Middlemarch in six. “The Last Supper” v. Crime and Punishment? Fyodor on points. See? I mean, I don’t know how scientific this is, but it feels like the novels are walking it. You might get the occasional exception -– “Blonde on Blonde” might mash up The Old Curiosity Shop, say, and I wouldn’t give much for Pale Fire’s chance against Citizen Kane. And every now and again you'd get a shock, because that happens in sport, so Back to the Future III might land a lucky punch on Rabbit, Run; but I'm still backing literature 29 times out of 30.
Nick Hornby (The Polysyllabic Spree)
Do you seriously envision St. Paul or Calvin or Luther opening bottles of Welch's Grape Juice in the sacristy before the service? Luther at least would turn over in his grave.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
What could smell better than supper being cooked by someone else?
Sue Grafton (E is for Evidence (Kinsey Millhone, #5))
Women don't have a say in my house. But, just between us, don't do what you did during supper last time in front of her again.” “You mean when I threw my fork at that rat?” “No. I mean when you hit it, even in the dark.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Oh that's lovely," said Bunny. "Olive, you've got a date." "Why would you say something so foolish?" Olive asked, really annoyed. "We're two lonely people having supper." "Exactly," said Bunny. "That's a date.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
He was calmly eating his soup, laughing with pleasant good-humour, as if he had come all the way to Calais for the express purpose of enjoying supper at this filthy inn, in the company of his arch-enemy.
Emmuska Orczy (The Scarlet Pimpernel)
believe that this way of living, this focus on the present, the daily, the tangible, this intense concentration not on the news headlines but on the flowers growing in your own garden, the children growing in your own home, this way of living has the potential to open up the heavens, to yield a glittering handful of diamonds where a second ago there was coal. This way of living and noticing and building and crafting can crack through the movie sets and soundtracks that keep us waiting for our own life stories to begin, and set us free to observe the lives we have been creating all along without ever realizing it. I don’t want to wait anymore. I choose to believe that there is nothing more sacred or profound than this day. I choose to believe that there may be a thousand big moments embedded in this day, waiting to be discovered like tiny shards of gold. The big moments are the daily, tiny moments of courage and forgiveness and hope that we grab on to and extend to one another. That’s the drama of life, swirling all around us, and generally I don’t even see it, because I’m too busy waiting to become whatever it is I think I am about to become. The big moments are in every hour, every conversation, every meal, every meeting. The Heisman Trophy winner knows this. He knows that his big moment was not when they gave him the trophy. It was the thousand times he went to practice instead of going back to bed. It was the miles run on rainy days, the healthy meals when a burger sounded like heaven. That big moment represented and rested on a foundation of moments that had come before it. I believe that if we cultivate a true attention, a deep ability to see what has been there all along, we will find worlds within us and between us, dreams and stories and memories spilling over. The nuances and shades and secrets and intimations of love and friendship and marriage an parenting are action-packed and multicolored, if you know where to look. Today is your big moment. Moments, really. The life you’ve been waiting for is happening all around you. The scene unfolding right outside your window is worth more than the most beautiful painting, and the crackers and peanut butter that you’re having for lunch on the coffee table are as profound, in their own way, as the Last Supper. This is it. This is life in all its glory, swirling and unfolding around us, disguised as pedantic, pedestrian non-events. But pull of the mask and you will find your life, waiting to be made, chosen, woven, crafted. Your life, right now, today, is exploding with energy and power and detail and dimension, better than the best movie you have ever seen. You and your family and your friends and your house and your dinner table and your garage have all the makings of a life of epic proportions, a story for the ages. Because they all are. Every life is. You have stories worth telling, memories worth remembering, dreams worth working toward, a body worth feeding, a soul worth tending, and beyond that, the God of the universe dwells within you, the true culmination of super and natural. You are more than dust and bones. You are spirit and power and image of God. And you have been given Today.
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
How do you plan to scare people tonight?" asked a hollow-voiced spector. "I'll wait until they sit down to supper, then scream whenever someone sticks his knife in his meat." I'll haunt the bedchambers," said another. "A bloody ax at midnight always gets a good reaction." A ghost with a purplish tinge to his aura spoke next. "I can top both of you. I'm going to dress like a guard and haunt the privy. I'll hide in the hole and when anyone sits down I'll wail, 'Who goes there? State your business!
E.D. Baker (Once Upon a Curse (The Tales of the Frog Princess, #3))
After killing the red-haired man, I took myself off to Quinn’s for an oyster supper.
Michael Cox (The Meaning of Night (The Meaning of Night, #1))
Every night it's the same... I have supper in my red dish and drinking water in my yellow dish... Tonight I think I'll have my supper in the yellow dish and my drinking water in the red dish. Life is too short not to live it up a little!
Charles M. Schulz (The Complete Peanuts, Vol. 8: 1965-1966)
Today is your big moment. Moments, really. The life you've been waiting for is happening all around you. The scene unfolding right outside your window is worth more than the most beautiful painting, and the crackers and peanut butter that you're having for lunch on the coffee table are as profound, in their own way, as the Last Supper. This is it. This is life in all its glory, swirling and unfolding around us, disguised as pedantic, pedestrian non-events. But pull off the mask and you will find your life, waiting to be made, chosen, woven, crafted." -Cold Tangerines
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
For John was running, and this was terrible. Because if you ran, time ran. You yelled and screamed and raced and rolled and tumbled and all of a sudden the sun was gone and the whistle was blowing and you were on your long way home to supper. When you weren't looking, the sun got around behind you! The only way to keep things slow was to watch everything and do nothing! You could stretch a day to three days, sure, just by watching!
Ray Bradbury (Dandelion Wine)
Well then,' said Femworth as he came to his feet, 'let's go. Sounds like a delightful challenge before supper. Stimulate the appetite, or kill it. Interesting either way.
Donita K. Paul (DragonQuest (DragonKeeper Chronicles, #2))
The present life of man upon earth, O King, seems to me in comparison with that time which is unknown to us like the swift flight of a sparrow through the mead-hall where you sit at supper in winter, with your Ealdormen and thanes, while the fire blazes in the midst and the hall is warmed, but the wintry storms of rain or snow are raging abroad. The sparrow, flying in at one door and immediately out at another, whilst he is within, is safe from the wintry tempest, but after a short space of fair weather, he immediately vanishes out of your sight, passing from winter to winter again. So this life of man appears for a little while, but of what is to follow or what went before we know nothing at all.
Bede (Ecclesiastical History of the English People)
Though we eat little flesh and drink no wine, Yet let's be merry; we'll have tea and toast; Custards for supper, and an endless host Of syllabubs and jellies and mincepies, And other such ladylike luxuries.
Percy Bysshe Shelley (The Complete Poems)
Water will wear away stone, but it won’t cook supper. Everything has its own strengths. Said with enough irony, it could also imply that since the gods surely had a purpose for everyone the person in question must be good for something, but the speaker couldn’t fathom what it might be.
Ann Leckie (Ancillary Sword (Imperial Radch, #2))
I will see Master Thorn settled.” Silas paused to sniff the air beside Elisabeth. “Then, Miss Scrivener, I shall draw you a bath. I believe supper is also in order. And—has no one lit the lamps?” He looked aggrieved. “I have hardly been absent for twenty-four hours, and already the world has descended into ruin.
Margaret Rogerson (Sorcery of Thorns (Sorcery of Thorns, #1))
Why do we marry, why take friends and lovers? Why give ourselves to music, painting, chemistry or cooking? Out of simple delight in the resident goodness of creation, of course; but out of more than that, too. Half earth's gorgeousness lies hidden in the glimpsed city it longs to become.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
In this world, there are two times. There is mechanical time and there is body time." "They do not keep clocks in their houses. Instead, they listen to their heartbeats. They feel the rhythms of their moods and desires." "Then there are those who think their bodies don't exist. They live by mechanical time. They rise at seven o'clock in the morning. They eat their lunch at noon and their supper at six. They arrive at their appointments on time, precisely by the clock.
Alan Lightman (Einstein’s Dreams)
It's to the Capitol's advantage to have us divided among ourselves. Another tool to cause misery in our district. A way to plant hatred between the starving workers [of the Seam] and those who can generally count on supper and thereby ensure we will never trust one another.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Her death the dividing mark: Before and After. And though it’s a bleak thing to admit all these years later, still I’ve never met anyone who made me feel loved the way she did. Everything came alive in her company; she cast a charmed theatrical light about her so that to see anything through her eyes was to see it in brighter colours than ordinary – I remember a few weeks before she died, eating a late supper with her in an Italian restaurant down in the Village, and how she grasped my sleeve at the sudden, almost painful loveliness of a birthday cake with lit candles being carried in procession from the kitchen, faint circle of light wavering in across the dark ceiling and then the cake set down to blaze amidst the family, beatifying an old lady’s face, smiles all round, waiters stepping away with their hands behind their backs – just an ordinary birthday dinner you might see anywhere in an inexpensive downtown restaurant, and I’m sure I wouldn’t even remember it had she not died so soon after, but I thought about it again and again after her death and indeed I’ll probably think about it all my life: that candlelit circle, a tableau vivant of the daily, commonplace happiness that was lost when I lost her
Donna Tartt (The Goldfinch)
A weak faith can lay hold on a strong Christ.
Thomas Watson (The Lord's Supper)
It's like pretending to be Santa and then stabbing someone with a candy cane!
Ellery Adams (Chili Con Corpses (A Supper Club Mystery, #3))
sometimes a man stands up during supper and walks outdoors, and keeps on walking, because of a church that stands somewhere in the East. And his children say blessings on him as if he were dead. And another man, who remains inside his own house, stays there, inside the dishes and in the glasses, so that his children have to go far out into the world toward that same church, which he forgot.
Rainer Maria Rilke
Jesus Christ came not to condemn you but to save you, knowing your name, knowing all about you, knowing your weight right now, knowing your age, knowing what you do, knowing where you live, knowing what you ate for supper and what you will eat for breakfast, where you will sleep tonight, how much your clothing cost, who your parents were. He knows you individually as though there were not another person in the entire world. He died for you as certainly as if you had been the only lost one. He knows the worst about you and is the One who loves you the most. If you are out of the fold and away from God, put your name in the words of John 3:16 and say, “Lord, it is I. I’m the cause and reason why Thou didst on earth come to die.” That kind of positive, personal faith and a personal Redeemer is what saves you. If you will just rush in there, you do not have to know all the theology and all the right words. You can say, “I am the one He came to die for.” Write it down in your heart and say, “Jesus, this is me—Thee and me,” as though there were no others. Have that kind of personalized belief in a personal Lord and Savior.
A.W. Tozer (And He Dwelt Among Us: Teachings from the Gospel of John)
Every real thing is a joy, if only you have eyes and ears to relish it, a nose and tongue to taste it.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
Man was made to lead with his chin; he is worth knowing only with his guard down, his head up and his heart rampant on his sleeve.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
Only miracle is plain; it is in the ordinary that groans with the weight of glory.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
I made cranberry sauce, and when it was done put it into a dark blue bowl for the beautiful contrast. I was thinking, doing this, about the old ways of gratitude: Indians thanking the deer they'd slain, grace before supper, kneeling before bed. I was thinking that gratitude is too much absent in our lives now, and we need it back, even if it only takes the form of acknowledging the blue of a bowl against the red of cranberries.
Elizabeth Berg (Open House)
There must be something ghostly in the air of Christmas — something about the close, muggy atmosphere that draws up the ghosts, like the dampness of the summer rains brings out the frogs and snails.
Jerome K. Jerome (Told After Supper)
I forget myself sometimes, but then I look up, as I am looking up now, and I see in my mind's eye a sheild, strangely changed by a rich encrusting of jewel-like barnacles and cold-water coral, with an eight foot tooth sticking right out of the middle of it. I reach out and the edge of that tooth is still so bitingly sharp after all these years that just a gentle brush with the fingers might send a rain of blood down on these pages. And I bend my head, not too close, and I am sure I can hear, very faintly: Once I set the sea alight With a single fiery breath.... Once I was so mighty that I thought My name was Death.... Sing out loud until you're eaten, Song of melancholy blisss, For the mighty and the middling All shall come to THIS.... The Supper is still singing.
Cressida Cowell
West looks up. 'This is the best time to hunt, when the animals are out looking for their suppers. 'Course, with a painted sky, light's not always good.' I never heard someone call the sky painted before, but it's the perfect word. Clouds outlined in gold streak across the firmament, casting uneven shadows over the landscape.
Stacey Lee (Under a Painted Sky)
Then it don't matter. I'll be all around in the dark - I'll be everywhere. Wherever you can look - wherever there's a fight, so hungry people can eat, I'll be there. Wherever there's a cop beatin' up a guy, I'll be there. I'll be in the way guys yell when they're mad. I'll be in the way kids laugh when they're hungry and they know supper's ready, and when the people are eatin' the stuff they raise and livin' in the houses they build - I'll be there, too. - Tom Joad
John Steinbeck (The Grapes of Wrath)
They had supper and went away, and Ivan Ilyich was left alone with the consciousness that his life was poisoned and was poisoning the lives of others, and that this poison did not weaken but penetrated more and more deeply into his whole being. With this consciousness, and with physical pain besides the terror, he must go to bed, often to lie awake the greater part of the night. Next morning he had to get up again, dress, go to the law courts, speak, and write; or if he did not go out, spend at home those twenty-four hours a day each of which was a torture. And he had to live thus all alone on the brink of an abyss, with no one who understood or pitied him.
Leo Tolstoy (The Death of Ivan Ilych)
What is good is difficult, and what is difficult is rare.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
I have seem even those who have long since abjured God die in grace. . . . Atheists don't use their drying to bargain for a better seat at the table; indeed they may not even believe supper is being served. They are not storing up 'merit.'; They just smile because their heart is ripe. They are kind for no particular reason; they just love.
Stephen Levine (A Year to Live: How to Live This Year as If It Were Your Last)
The Viscount stepped into the room. "Came to see if you was dead," he said. "Laid Pom odds you weren't." Lethbridge passed his hand across his eyes. "I'm not," he replied in a faint voice. "No. I'm sorry," said the Viscount simply. He wandered over to the table and sat down. "Horry said she killed you, Pom said So she might, I said No. Nonsense." Lethbridge still holding a hand to his aching head tried to pull himself together. "Did you?" he said. His eyes ran over his self invited guest. "I see. Let me assure you once more that I am very much alive." "Well I wish you'd put your wig on," complained the Viscount. "What I want to know is why did Horry hit you on the head with a poker?" Lethbridge gingerly felt his bruised scalp. "With a poker was it? Pray ask her, though I doubt if she will tell you." "You shouldn't keep the front door open," said the Viscount. "What's to stop people coming in and hitting you over the head? It's preposterous." "I wish you'd go home," said Lethbridge wearily. The Viscount surveyed the supper-table with a knowing eye. "Card-party?" he inquired.
Georgette Heyer (The Convenient Marriage)
A white lie is not a lie at all. It is where you tell the truth but you do not tell all of the truth. This means that everything you say is a white lie because when someone says, for example, "What do you want to do today?" you say, "I want to do painting with Mrs. Peters," but you don't say, "I want to have my lunch and I want to go to the toilet and I want to go home after school and I want to play with Toby and I want to have my supper
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
She hated Mr. Meanie. But she'd gotten to know him and they'd reached an understanding of sorts. Now she was to have him for supper. "Don't tell me you're feeling guilty?" Breaking off a piece of the wing, she brought it to her lips and took a bite. It did taste good. Very good. "I wonder if all grouchy males are this palatable." Drew choked. She looked up, tilting her head. "Are you all right?" He turned a dull red. "Eat your supper, Connie.
Deeanne Gist (A Bride Most Begrudging)
Those who don't feel this Love pulling them like a river, those who don't drink dawn like a cup of spring water or take sunset like supper, those who don't want to change, let them sleep. This Love is beyond the study of theology, that old trickery and hypocrisy. If you want to improve your mind that way sleep on. I've given up on my brain. I've torn the cloth to shreds and thrown it away. If you're not completely naked wrap your beautiful robe of words around you, and sleep.
Jalal ad-Din Muhammad ar-Rumi
I think oysters are more beautiful than any religion,' he resumed presently. 'They not only forgive our unkindness to them; they justify it, they incite us to go on being perfectly horrid to them. Once they arrive at the supper-table they seem to enter thoroughly into the spirit of the thing. There's nothing in Christianity or Buddhism that quite matches the sympathetic unselfishness of an oyster.
Saki
A cold supper, were you thinking? I asked dubiously. I was not, he said firmly, I mean to light a roaring fire in the kitchen hearth, fry up a dozen eggs in butter, and eat them all, then lay ye down on the hearth rug and roger ye 'till you - is that all right? he inquired, noticing my look. 'Til I what? I asked fascinated by his description of the evening's program. 'Til ye burst into flame and take me with ye, I suppose, he said, and stooping, swooped me up into his arms and carried me across the darkened threshold.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
Paper Matches My aunts washed dishes while the uncles squirted each other on the lawn with garden hoses. Why are we in here, I said, and they are out there? That’s the way it is, said Aunt Hetty, the shriveled-up one. I have the rages that small animals have, being small, being animal. Written on me was a message, “At Your Service,” like a book of paper matches. One by one we were taken out and struck. We come bearing supper, our heads on fire.
Paulette Jiles
But if you didn't have more urgent things to do after supper [in boot camp], you could write a letter, loaf, gossip, discuss the myriad mental shortcomings of sergeants and, dearest of all, talk about the female of the species (we became convinced that there was no such creatures, just mythology created by inflamed imaginations - one boy in our company claimed to have seen a girl, over at regimental headquarters; he was unanimously judged a liar and a braggart).
Robert A. Heinlein (Starship Troopers)
For all its rooted loveliness, the world has no continuing city here; it is an outlandish place, a foreign home, a session in via to a better version of itself-and it is our glory to see it so and to thirst until Jerusalem comes home at last. We were given appetites, not to consume the world and forget it, but to taste its goodness and hunger to make it great.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
Yes. Just now, I was actually trying to rank 'I love you, I like you, I worship you, I have to have my cock inside you,' in terms of relative sincerity. Did I day that? he said sounding slightly startled. Yes. Weren't you listening? No, he admitted. I meant every word of it though. His hand cupped one buttock, weighing it appreciatively. Still do come to that. What, even that last one? I laughed and rubbed my forehead gently against his chest, feeling his jaw rest snugly on top of my head. Oh, aye, he said gathering me firmly against him with a sigh. I will say the flesh requires a bit of supper and a wee rest before I think of doin' it again, but the spirit is always willing. God, ye have the sweetest fat wee bum. Only seeing it makes me want to give it yea again directly. It's lucky ye're wed to a decrepit auld man, Sessenach, or ye'd be on your knees with your arse in the air this minute.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
The goblins of the city may hold committees to divide a single potato, but the strong and the cruel still sit on the hill, and drink vodka, and wear black furs, and slurp borscht by the pail, like blood. Children may wear through their socks marching in righteous parades, but Papa never misses his wine with supper. Therefore, it is better to be strong and cruel than to be fair. At least, one eats better that way. And morality is more dependent on the state of one’s stomach than of one’s nation.
Catherynne M. Valente (Deathless)
The gotta, as in: “I think I’ll stay up another fifteen-twenty minutes, honey, I gotta see how this chapter comes out.” Even though the guy who says it spent the day at work thinking about getting laid and knows the odds are good his wife is going to be asleep when he finally gets up to the bedroom. The gotta, as in: “I know I should be starting supper now — he’ll be mad if it’s TV dinners again — but I gotta see how this ends.” I gotta know will she live. I gotta know will he catch the shitheel who killed his father. I gotta know if she finds out her best friend’s screwing her husband. The gotta. Nasty as a hand-job in a sleazy bar, fine as a fuck from the world’s most talented call-girl. Oh boy it was bad and oh boy it was good and oh boy in the end it didn’t matter how rude it was or how crude it was because in the end it was just like the Jacksons said on that record — don’t stop til you get enough.
Stephen King (Misery)
I always wondered why the makers leave housekeeping and cooking out of their tales. Isn't it what all the great wars and battles are fought for -- so that at day's end a family may eat together in a peaceful house? The tale tells how the Lords of Manva hunted & gathered roots & cooked their suppers while they were camped in exile in the foothills of Sul, but it doesn't say what their wives & children were living on in their city left ruined & desolate by the enemy. They were finding food too, somehow, cleaning house & honoring the gods, the way we did in the siege & under the tyranny of the Alds. When the heroes came back from the mountain, they were welcomed with a feast. I'd like to know what the food was and how the women managed it.
Ursula K. Le Guin (Voices (Annals of the Western Shore, #2))
It felt like being shot with an arrow, and Will jerked back. His wineglass crashed to the floor and shattered. He lurched to his feet, leaning both hands on the table. He was vaguely aware of stares, and the landlords anxious voice in his ear, but the pain was too great to think through, almost too great to breathe through. The tightness in his chest, the one he had thought of as one end of a cord tying him to Jem, had pulled so taut that it was strangling his heart. He stumbled away from his table, pushing through a knot of customers near the bar, and passed to the front door of the inn. All he could think of was air, getting air into his lungs to breathe. He pushed the doors open and half-tumbled out into the night. For a moment the pain in his chest eased, and he fell back against the wall of the inn. Rain was sheeting down, soaking his hair and clothes. He gasped, his heart stuttering with a misture of terror and desperation. Was this just the distance from Jem affecting him? He had never felt anything like this, even when Jem was at his worst, even when he'd been injured and Will had ached with sympathetic pain. The cord snapped. For a moment everything went white, the courtyard bleeching through as if with acid. Will jackknifed to his knees, vomiting up his supper into the mud. When the spasms had passed , he staggard to his feet and blindly away from the inn, as if trying to outpace his own pain. He fetched up against the wall of the stables, beside the horse trough. He dropped to his knees to plunge his hands into the icy water-and saw his own reflection. There was his face, as white as death, and his shirt, and a spreading stain of red across the front. With wet hands he siezed at his lapels and jerked the shirt open. In the dim light that spilled from the inn, he could see that his parabati rune, just over his heart, was bleeding. His hands were covered in blood, blood mixed with rain, the same ran that was washing the blood away from his chest, showing the rune as it began to fade from black to silver, changing all that had been sense in Will's life into nonsense. Jem was dead.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
That's why I wanted to use Supper at Six to teach chemistry. Because when women understand chemistry, they begin to understand how things work." Roth looked confused. "I'm referring to atoms and molecules, Roth," she explained. "The real rules that govern the physical world. When women understand these basic concepts, they can begin to see the false limits that have been created for them." "You mean by men." "I mean by artificial cultural and religious policies that put men in the highly unnatural role of single-sex leadership. Even a basic understanding of chemistry reveals the danger of such a lopsided approach." "Well," he said, realizing he'd never seen it that way before, "I agree that society leaves much to be desired, but when it comes to religion, I tend to think it humbles us--teaches us our place in the world." "Really?" she said, surprised. "I think it lets us off the hook. I think it teachers us that nothing is really our fault; that something or someone else is pulling the strings; that ultimately, we're not to blame for the way things are; that to improve things, we should pray. But the truth is, we are very much responsible for the badness of the world. And we have the power to fix it.
Bonnie Garmus (Lessons in Chemistry)
All money is imaginary," answered the Calcatrix simply. "Money is magic everyone agrees to pretend is not magic. Observe! You treat it like magic, wield it like magic, fear it like magic! Why should a body with more small circles of copper or silver or gold than anyone else have an easy life full of treats every day and sleeping in and other people bowing down? The little circles can't get up and fight a battle or make a supper so splendid you get full just by looking at it or build a house of a thousand gables. They can do those things because everyone agrees to give them power. If everyone agreed to stop giving power to pretty metals and started giving it to thumbnails or mushroom caps or roof shingles or first kisses or tears or hours or puffin feathers, those little circles would just lay there tarnishing in the rain and not making anyone bow their noses down to the ground or stick them up in the air.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
Today is your big moment. Moments, really. The life you’ve been waiting for is happening all around you. The scene unfolding right outside your window is worth more than the most beautiful painting, and the crackers and peanut butter that you’re having for lunch on the coffee table are as profound, in their own way, as the Last Supper. This is it. This is life in all its glory, swirling and unfolding around us, disguised as pedantic, pedestrian non-events. But pull of the mask and you will find your life, waiting to be made, chosen, woven, crafted. Your life, right now, today, is exploding with energy and power and detail and dimension, better than the best movie you have ever seen. You and your family and your friends and your house and your dinner table and your garage have all the makings of a life of epic proportions, a story for the ages. Because they all are. Every life is. You have stories worth telling, memories worth remembering, dreams worth working toward, a body worth feeding, a soul worth tending, and beyond that, the God of the universe dwells within you, the true culmination of super and natural. You are more than dust and bones. You are spirit and power and image of God. And you have been given Today.
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
Gandalf and Pippin came to Merry's room, and there they found Aragorn standing by the bed. 'Poor old Merry!' cried Pippin, and he ran to the bedside, for it seemed to him that his friend looked worse and a greyness in his face, as if a weight of years and sorrow lay upon him; and suddenly a fear seized Pippin that Merry would die. 'Do not be afraid,' Aragorn said, 'I came in time, and I have called him back. He is weary now, and grieved, and he has taken a hurt like the lady Eowyn, daring to smite that deadly thing. But these evils can be amended, so strong and gay a spirit is in him. His grief he will not forget; but it will not darken his heart, it will teach him wisdom.' Then Aragorn laid his hand on Merry's head, and passing his hand gently through the brown curls , he touched the eyelids, and called him by name. And when the fragrance of athelas stole through the room, like the scent of orchards, and of heather in the sunshine full of bees, suddenly Merry awoke, and he said: 'I am hungry. What is the time?' 'Past supper-time now,' said Pippin; 'though I daresay I could bring you something, if they will let me.' 'They will indeed," said Gandalf, . 'And anything else that this Rider of Rohan may desire, if it can be found in Minas Tirith, where his name is in honour." 'Good!' said Merry. 'Then I would like supper first, and after that a pipe.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
It was wonderful love that Christ should rather die for us than for the angels that fell. They were creatures of a more noble extract, and in all probability might have brought greater revenues of glory to God; yet that Christ should pass by those golden vessels, and make us clods of earth into stars of glory -- Oh, the hyperbole of Christ's love!
Thomas Watson (The Lord's Supper)
He seemed to weave, like the spider, from pure impulse, without reflection. Every man's work, pursued steadily, tends in this way to become an end in itself, and so to bridge over the loveless chasms of life. Silas's hand satisfied itself with throwing the shuttle, and his eye with seeing the little squares in the cloth complete themselves under his effort. Then there were the calls of hunger; and Silas, in his solitude, had to provide his own breakfast, dinner, and supper, to fetch his own water from the well, and put his own kettle on the fire; and all these immediate promptings helped, along with the weaving, to reduce his life to the unquestioning activity of a spinning insect. He hated the thought of the past; there was nothing that called out his love and fellowship toward the strangers he had come amongst; and the future was all dark, for there was no Unseen Love that cared for him. Thought was arrested by utter bewilderment, not its old narrow pathway was closed, and affection seemed to have died under the bruise that had fallen on its keenest nerves.
George Eliot (Silas Marner)
All right, silent dark bear with angry frown, tell me more about your land.” He settled back down, picturing it. “I would tend to our land from the moment the sun rose to when it set and then you ...she would tend to me.” He laughed at her expression again. The world of exile camps and the Valley felt very far away, and he wanted to lie there forever. “Let me tell you about your bride,” she said, propping herself up on her elbows. “Both of you would cultivate the land. You would hold the plow, and she would walk alongside you with the ox, coaxing and singing it forward. A stick in her hand, of course, for she would need to keep both the ox and you in line.” “What would we...that is, my bride and I, grow?” “Wheat and barley.” “And marigolds.” Her nose crinkled questioningly. “I would pick them when they bloomed,” he said. “And when she called me home for supper, I’d place them in her hair and the contrast would take my breath away.” “How would she call you? From your cottage? Would she bellow, ‘Finnikin!’?” “I’d teach her the whistle. One for day and one for night.” “Ah, the whistle, of course. I’d forgotten the whistle.
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
Dr. Urbino caught the parrot around the neck with a triumphant sigh: ça y est. But he released him immediately because the ladder slipped from under his feet and for an instant he was suspended in the air and then he realized that he had died without Communion, without time to repent of anything or to say goodbye to anyone, at seven minutes after four on Pentecost Sunday. Fermina Daza was in the kitchen tasting the soup for supper when she heard Digna Pardo's horrified shriek and the shouting of the servants and then of the entire neighborhood. She dropped the tasting spoon and tried to run despite the invincible weight of her age, screaming like a madwoman without knowing yet what had happened under the mango leaves, and her heart jumped inside her ribs when she saw her man lying on his back in the mud, dead to this life but still resisting death's final blow for one last minute so that she would have time to come to him. He recognized her despite the uproar, through his tears of unrepeatable sorrow at dying without her, and he looked for her for the last and final time with eyes more luminous, more grief-stricken, more grateful that she had ever seen them in the half century of a shared life, and he managed to say to her with his last breath: "Only God knows how much I loved you.
Gabriel García Márquez (Love in the Time of Cholera)
O Lord, refresh our sensibilities. Give us this day our daily taste. Restore to us soups that spoons will not sink in, and sauces which are never the same twice. Raise up among us stews with more gravy than we have bread to blot it with, and casseroles that put starch and substance in our limp modernity. Take away our fear of fat and make us glad of the oil which ran upon Aaron's beard. Give us pasta with a hundred fillings, and rice in a thousand variations. Above all, give us grace to live as true men - to fast till we come to a refreshed sense of what we have and then to dine gratefully on all that comes to hand. Drive far from us, O Most Bountiful, all creatures of air and darkness; cast out the demons that possess us; deliver us from the fear of calories and the bondage of nutrition; and set us free once more in our own land, where we shall serve Thee as Thou hast blessed us - with the dew of heaven, the fatness of the earth, and plenty of corn and wine. Amen.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
In the world of my imagination, Esther was still my companion, and her love gave me the strength to go forward and explore all my frontiers. In the real world, she was pure obsession, sapping my energy, taking up all the available space, and obliging me to make an enormous effort just to continue with my life. How was it possible that, even after two years, I had still not managed to forget her? I could not bear having to think about it anymore, analyzing all the possibilities, and trying various ways out: deciding simply to accept the situation, writing a book, practicing yoga, doing some charity work, seeing friends, seducing women, going out to supper, to the cinema (always avoiding adaptations of books, of course, and seeking out films that had been specially written for the screen), to the theater, the ballet, to soccer games. The Zahir always won, though; it was always there, making me think, "I wish she was here with me.
Paulo Coelho (The Zahir)
How most people carry on is a mystery. What they talk about at supper. How they can stand to sit in front of a TV from eight until Leno every night. How they can think bowling is fun. How they choose their neckties. How they bear the weight of everyday life without screaming. How a person can go through a whole life and never once contemplate suicide, like people who have never once wanted to be a movie star. How one young man can be handsome and strong and marry and heiress and work at Debevoise and Plimpton and retire to Nantucket to await the visits of his grandchildren, how they can be sailing in the bay while another young man, exactly like the first, can end up in a glass room in Lexington, Kentucky, on Haldol and Thorazine, without hope, without a girlfriend, without a future, and how easily the one can become the other. How one woman can take Gatorade to every one of her son's lacrosse games and another can lie in bed all day weeping, popping generic drugs, watching Oprah as though waiting for the Second Coming, and piling her dirty dishes in the laundry room. How life goes in bad directions when your heart is asleep. It's a mystery and there is no answer. (95)
Robert Goolrick (The End of the World as We Know It: Scenes from a Life)
Did it fall out?" Leo asked. "Is she bald?" "No, not at all. It's just that her hair is...green." To look at Leo's face, one would think it was Christmas morning. "What shade of green?" "Leo, hush," Win said urgently. "You are not to torment her. It's been a very trying experience. We mixed a peroxide paste to take the green out, and I don't know if it worked or not. Amelia was helping her to wash it a little while ago. And no matter what the result is, you are to say nothing." "You're telling me that tonight, Marks will be sitting at the supper table with hair that matches the asparagus, and I'm not supposed to remark on it?" He snorted. "I'm not that strong." "Please, Leo," Poppy murmured, touching his arm. "If it were one of your sisters, you wouldn't mock." "Do you think that little shrew would have any mercy on me, were the situations reversed?" He rolled his eyes as he saw their expressions. "Very well, I'll try no to jeer. But I make no promises." Leo sauntered toward the house in no apparent hurry. He didn't deceive either of his sisters. "How long do you think it will take him to find her?" Poppy asked Win. "Two, perhaps three minutes," Win replied, and they both sighed.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
We live in an age in which saving is subterfuge for spending. No doubt you sincerely believe that there is margarine in your refrigerator because it is more economical than butter. But you are wrong. Look in your bread drawer. How many boxes of cute snack crackers are there? How many packages of commercial cookies reeking of imitation vanilla badly masked with oil of coconut? How many presweetened breakfast cereals? Tell me now that you bought the margarine because you couldn't afford butter. You see - you can't. You bought the bread drawer of goodies because you were conned into them; and you omitted the butter because you were conned out of it. The world has slipped you culinary diagrams instead of food. It counts on your palate being not only wooden, but buried under ten coats of synthetic varnish as well. Therefore, the next time you go to check out of the supermarket, simply put back one box of crackers, circle round the dairy case again, swap your margarine for a pound of butter and walk up to the checker with your head held high, like the last of the big spenders. This is no time for cost-counters: It is time to be very rich or very poor - or both at once.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
We may see a Creature with forty-nine heads Who lives in the desolate snow, And whenever he catches a cold (which he dreads) He has forty-nine noses to blow. 'We may see the venomous Pink-Spotted Scrunch Who can chew up a man with one bite. It likes to eat five of them roasted for lunch And eighteen for its supper at night. 'We may see a Dragon, and nobody knows That we won't see a Unicorn there. We may see a terrible Monster with toes Growing out of the tufts of his hair. 'We may see the sweet little Biddy-Bright Hen So playful, so kind and well-bred; And such beautiful eggs! You just boil them and then They explode and they blow off your head. 'A Gnu and a Gnocerous surely you'll see And that gnormous and gnorrible Gnat Whose sting when it stings you goes in at the knee And comes out through the top of your hat. 'We may even get lost and be frozen by frost. We may die in an earthquake or tremor. Or nastier still, we may even be tossed On the horns of a furious Dilemma. 'But who cares! Let us go from this horrible hill! Let us roll! Let us bowl! Let us plunge! Let's go rolling and bowling and spinning until We're away from old Spiker and Sponge!
Roald Dahl (James and the Giant Peach)
Food of Love Eating is touch carried to the bitter end. -Samuel Butler II I'm going to murder you with love; I'm going to suffocate you with embraces; I'm going to hug you, bone by bone, Till you're dead all over. Then I will dine on your delectable marrow. You will become my personal Sahara; I'll sun myself in you, then with one swallow Drain you remaining brackish well. With my female blade I'll carve my name In your most aspiring palm Before I chop it down. Then I'll inhale your last oasis whole. But in the total desert you become You'll see me stretch, horizon to horizon, Opulent mirage! Wisteria balconies dripping cyclamen. Vistas ablaze with crystal, laced in gold. So you will summon each dry grain of sand And move towards me in undulating dunes Till you arrive at sudden ultramarine: A Mediterranean to stroke your dusty shores; Obstinate verdue, creeping inland, fast renudes Your barrens; succulents spring up everywhere, Surprising life! And I will be that green. When you are fed and watered, flourishing With shoots entwining trellis, dome and spire, Till you are resurrected field in bloom, I will devour you, my natural food, My host, my final supper on the earth, And you'll begin to die again.
Carolyn Kizer
I remember this country back when I was growing up. We went to church, we ate family suppers around the table, and it would never even have crossed a kid's mind to tell an adult to fuck off. There was plenty of bad there, I don't forget that, but we all knew exactly where we stood and we didn't break the rules lightly. If that sounds like small stuff to you, if it sounds boring or old-fashioned or uncool, think about this: people smiled at strangers, people said hello to neighbors, people left their doors unlocked and helped old women with their shopping bags, and the murder rate was scraping zero. Sometime since then, we started turning feral. Wild got into the air like a virus, and it's spreading. Watch the packs of kids roaming inner-city estates, mindless and brakeless as baboons, looking for something or someone to wreck. Watch the businessmen shoving past pregnant women for a seat on the train, using their 4x4s to force smaller cars out of their way, purple-faced and outraged when the world dares to contradict them. Watch the teenagers throw screaming stamping tantrums when, for once, they can't have it the second they want it. Everything that stops us being animals is eroding, washing away like sand, going and gone.
Tana French (Broken Harbour (Dublin Murder Squad, #4))
The Christian soul knows it needs Divine Help and therefore turns to Him Who loved us even while we were yet sinners. Examination of conscience, instead of inducing morbidity, thereby becomes an occasion of joy. There are two ways of knowing how good and loving God is. One is by never losing Him, through the preservation of innocence, and the other is by finding Him after one has lost Him. Repentance is not self-regarding, but God-regarding. It is not self-loathing, but God-loving. Christianity bids us accept ourselves as we really are, with all our faults and our failings and our sins. In all other religions, one has to be good to come to God—in Christianity one does not. Christianity might be described as a “come as you are” party. It bids us stop worrying about ourselves, stop concentrating on our faults and our failings, and thrust them upon the Saviour with a firm resolve of amendment. The examination of conscience never induces despair, always hope…Because examination of conscience is done in the light of God’s love, it begins with a prayer to the Holy Spirit to illumine our minds. A soul then acts toward the Spirit of God as toward a watchmaker who will fix our watch. We put a watch in his hands because we know he will not force it, and we put our souls in God’s hands because we know that if he inspects them regularly they will work as they should…it is true that, the closer we get to God, the more we see our defects. A painting reveals few defects under candlelight, but the sunlight may reveal it as daub. The very good never believe themselves very good, because they are judging themselves by the Ideal. In perfect innocence each soul, like the Apostles at the Last Supper, cries out, “Is it I, Lord” (Matt. 26:22).
Fulton J. Sheen (Peace of Soul: Timeless Wisdom on Finding Serenity and Joy by the Century's Most Acclaimed Catholic Bishop)
As Candide went back to his farm, he reflected deeply on the Turk's remarks. He said to Pangloss and Martin: "That good old man seems to me to have made himself a life far preferable to that of the six Kings with whom we had the honor of having supper." "Great eminence," said Pangloss, " is very dangerous, according to the report of all philosophers. For after all, Eglon, King of the Moabites, was assassinated by Ehud; Absolom was hanged by his hair and pierced with three darts; King Naab son of Jeroboam was killed by Baasha..." "I also know", said Candide, "that we must cultivate our garden." "You are right," said Pangloss, "for when man was put in the Garden of Eden, he was put there ut operaretur eum, to work; which proves that man was not born to rest." "Let us work without reasoning," said Martin, "it is the only way to make life endurable." All the little society entered into this laudable plan; each one began to exercise his talents. The little piece of land produced much. True, Cunégonde was very ugly; but she became and excellent pastry cook; Paquette embroidered; the old woman took care of the linen. No one, not even Friar Giroflée, failed to perform some service; he was a very good carpenter, and even became an honorable man; and Pangloss sometimes said to Candide: "All events are linked together in the best of all possible worlds. for after all, if you had not been expelled from a fine castle with great kicks in the backside for love of Mademoiselle Cunégonde, if you had not been subjected to the Inquisition, if you had not traveled about America on foot, if you had not given the Baron a great blow with your sword, if you had not lost all your sheep from the good country of Eldorado, you would not be here eating candied citrons and pistachios." "That is well said," replied Candide, "but we must cultivate our garden.
Voltaire (Candide)
In winter you wake up in this city, especially on Sundays, to the chiming of its innumerable bells, as though behind your gauze curtains a gigantic china teaset were vibrating on a silver tray in the pearl-gray sky. You fling the window open and the room is instantly flooded with this outer, peal-laden haze, which is part damp oxygen, part coffee and prayers. No matter what sort of pills, and how many, you've got to swallow this morning, you feel it's not over for you yet. No matter, by the same token, how autonomous you are, how much you've been betrayed, how thorough and dispiriting in your self-knowledge, you assume there is still hope for you, or at least a future. (Hope, said Francis Bacon, is a good breakfast but bad supper.) This optimism derives from the haze, from the prayer part of it, especially if it's time for breakfast. On days like this, the city indeed acquires a porcelain aspect, what with all its zinc-covered cupolas resembling teapots or upturned cups, and the tilted profile of campaniles clinking like abandoned spoons and melting in the sky. Not to mention the seagulls and pigeons, now sharpening into focus, now melting into air. I should say that, good though this place is for honeymoons, I've often thought it should be tried for divorces also - both in progress and already accomplished. There is no better backdrop for rapture to fade into; whether right or wrong, no egoist can star for long in this porcelain setting by crystal water, for it steals the show. I am aware, of course, of the disastrous consequence the above suggestion may have for hotel rates here, even in winter. Still, people love their melodrama more than architecture, and I don't feel threatened. It is surprising that beauty is valued less than psychology, but so long as such is the case, I'll be able to afford this city - which means till the end of my days, and which ushers in the generous notion of the future.
Joseph Brodsky
Between the onion and the parsley, therefore, I shall give the summation of my case for paying attention. Man's real work is to look at the things of the world and to love them for what they are. That is, after all, what God does, and man was not made in God's image for nothing. The fruits of his attention can be seen in all the arts, crafts, and sciences. It can cost him time and effort, but it pays handsomely. If an hour can be spent on one onion, think how much regarding it took on the part of that old Russian who looked at onions and church spires long enough to come up with St. Basil's Cathedral. Or how much curious and loving attention was expended by the first man who looked hard enough at the inside of trees, the entrails of cats, the hind ends of horses and the juice of pine trees to realize he could turn them all into the first fiddle. No doubt his wife urged him to get up and do something useful. I am sure that he was a stalwart enough lover of things to pay no attention at all to her nagging; but how wonderful it would have been if he had known what we know now about his dawdling. He could have silenced her with the greatest riposte of all time: Don't bother me; I am creating the possibility of the Bach unaccompanied sonatas. But if man's attention is repaid so handsomely, his inattention costs him dearly. Every time he diagrams something instead of looking at it, every time he regards not what a thing is but what it can be made to mean to him - every time he substitutes a conceit for a fact - he gets grease all over the kitchen of the world. Reality slips away from him; and he is left with nothing but the oldest monstrosity in the world: an idol. Things must be met for themselves. To take them only for their meaning is to convert them into gods - to make them too important, and therefore to make them unimportant altogether. Idolatry has two faults. It is not only a slur on the true God; it is also an insult to true things. They made a calf in Horeb; thus they turned their Glory into the similitude of a calf that eateth hay. Bad enough, you say. Ah, but it was worse than that. Whatever good may have resided in the Golden Calf - whatever loveliness of gold or beauty of line - went begging the minute the Israelites got the idea that it was their savior out of the bondage of Egypt. In making the statue a matter of the greatest point, they missed the point of its matter altogether.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))