Superman Sayings And Quotes

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Who says I'm not Superman?" You were looking at me with one eye closed against the sun. I shrugged "You would have recued me by now if you were Superman." I said quietly. "Who says I haven't? " Anyone would say you haven't. Anyone's just looking at it wrong then." You pushed yourself up a little, onto your elbows."Anyways, I can't steal you and rescue you. That would give me multiple personalities." And you don't have them already?
Lucy Christopher (Stolen (Stolen, #1))
Anyway, if you need your heroes to be perfect, you won't have very many. Even Superman had his Kryptonite. I'd rather have my heroes be more like me: trying to do the right thing, sometimes messing up. Making mistakes. Saying you're sorry. And forgiving other people when they mess up, too.
Madeleine George (The Difference Between You and Me)
Bes had indeed put on his ugly outfit. He climbed onto the roof of the limbo and stood there, legs planted, arms akimbo, like superman-exept with only the underwear. I wasn't sure what to say except: "Put some clothes on!" "These children are under my protection," Bes insisted. "I don't know you," I said, "I never met you before today." "Nonsense. You expressly asked for my attention." "I didn't ask for the Speedo Patrol!
Rick Riordan (The Throne of Fire (The Kane Chronicles, #2))
At this point, if someone came in here and said he was Superman and he could piss that shark away from here, I’d say fine and dandy. I’d even hold his dick for him.
Peter Benchley (Jaws)
Behold, I bring you the Superman! The Superman is the meaning of the earth. Let your will say: The Superman shall be the meaning of the earth! I beg of you my brothers, remain true to the earth, and believe not those who speak to you of otherworldly hopes! Poisoners are they, whether they know it or not. Despisers of life are they, decaying ones and poisoned ones themselves, of whom the earth is weary: so away with them!
Friedrich Nietzsche (Thus Spoke Zarathustra)
We must be conventional, Jack, or we are so cruelly, so vilely misunderstood. Even you, who are a man, cannot say what you think without being misunderstood and vilified
George Bernard Shaw (Man and Superman)
You can't deny we work well together. I could be your sidekick, if you want. Like Superman and Lois Lane. Or Peter Pan and Tinker Bell." "Tinker Bell isn't menacing." "Which proves how much you need me," I insisted. "Fairies are terrifying." He sat up straighter and dusted off his pants. "Fairies don't exist. Neither do Graymasons." "That's what humans say about vampires and werewolves," I argued. "So we're agreed.
Cecily White (Prophecy Girl (Angel Academy, #1))
You don't need wings but courage to be SUPERMAN!!!!
Subhasis Das (Mom Says No Girlfriend)
There probably were things worse than the guy you had a crush on saying that kind of thing about your sister, but not many. Maddy could do way better than teeth-and-hair guy.
Gwenda Bond (Fallout (Lois Lane, #1))
I don't say it was a bad one. But bad or good, I didn't choose to be cut to your measure. And I won't be cut to it.
George Bernard Shaw (Man and Superman)
They say that your superheroes say a lot about you. Americans have Superman, Spiderman, and Batman. Danes have . . . well . . . Cakeman.
Meik Wiking
If you’re interested in mastery,” says University of Cambridge, England, neuropsychologist Barbara Sahakian, “you have to learn this lesson. To really achieve anything, you have to be able to tolerate and enjoy risk. It has to become a challenge to look forward to. In all fields, to make exceptional discoveries you need risk—you’re just never going to have a breakthrough without it.
Steven Kotler (The Rise of Superman: Decoding the Science of Ultimate Human Performance)
Wonder Woman’ is gifted with tremendous physical strength—but unlike Superman she can be injured.” Marston went on, “ ‘Wonder Woman’ has bracelets welded on her wrists; with these she can repulse bullets. But if she lets any man weld chains on these bracelets, she loses her power. This, says Dr. Marston, is what happens to all women when they submit to a man’s domination.
Jill Lepore (The Secret History of Wonder Woman)
To say that I fail at small talk is like saying Superman dislikes kryptonite.
Ruby Dixon (Barbarian's Rescue (Ice Planet Barbarians, #14))
Imagination,” says futurist and philosopher Jason Silva, “allows us to conceive of delightful future possibilities, pick the most amazing one, and pull the present forward to meet it.
Steven Kotler (The Rise of Superman: Decoding the Science of Ultimate Human Performance)
Nekhbet shrieked in alarm. I turned to see what was going on. Immediately, I wished I could burn my eyes out of my head. Liz made a gagging sound. "Lord, no! That's wrong!" "Agh!" Emma shouted, in perfect baboon-speak. "Make him stop!" Bes had indeed put on his ugly outfit.He climbed onto the roof of the limo and stood there, legs planted, arms akimbo, like Superman- except with only the underwear. For those faint of heart I wont go into detail, but Bes, all of a meter tall, was showing off his disgusting physique- his potbelly, hairy limbs, awful feet, gross flabby bits- and wearing only a blue Speedo. Imagine the worst looking person you've ever seen on a public beach- the person for whom swimwear should be illegal. Bes looked worse than that. I wasn't sure what to say except: "Put some clothes on!" Bes laughed= the sort of guffaw that says Ha-ha! I'm amazing! "Not until they leave," he said. "Or I'll be forced to scare them back to the Duat." "This is not your affair, dwarf god!" Nekhbet snarled, averting her eyes from his horribleness. "Go away!" "These children are under my protection," Bes insisted "I don't know you," I said. "I never met you before today." "Nonsense. You expressly asked for my protection." "I didn't ask for the Speedo Patrol!" Bes leaped off the limo and landed in front of my circle placing himself between Babi and me. The dwarf was even more horrible from behind. His back was so hairy it looked like a mink coat. And on the back of his Speedo was printed DWARF PRIDE.
Rick Riordan
[Christianity] is a religion for slaves and women!' said the warrior of old. (Slaves and women were largely the same thing.) 'It is a religion for slaves and women' says the advocate of the Superman. Well? Who did the work of all the ancient world? Who raised the food and garnered it and cooked it and served it? Who built the houses, the temples, the aqueducts, the city wall? Who made the furniture, the tools, the weapons, the utensils, the ornaments--made them strong and beautiful and useful? Who kept the human race going, somehow, in spite of the constant hideous waste of war, and slowly built up the real industrial civilization behind that gory show?--Why just the slaves and women.
Charlotte Perkins Gilman (The Man-Made World)
This is a love story,” Michael Dean says, ”but really what isn’t? Doesn’t the detective love the mystery or the chase, or the nosey female reporter who is even now being held against her wishes at an empty warehouse on the waterfront? Surely, the serial murder loves his victims, and the spy loves his gadgets, or his country or the exotic counterspy. The ice-trucker is torn between his love for ice and truck and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk. Just as the housewives live for catching glimpses of their own botoxed brows in gilded hall mirrors and the rocked out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on hookbook. Because this is reality, they are all in love, madly, truly, with the body-mic clipped to their back-buckle and the producer casually suggesting, “Just one more angle.”, “One more jello shot.”. And the robot loves his master. Alien loves his saucer. Superman loves Lois. Lex and Lana. Luke loves Leia, til he finds out she’s his sister. And the exorcist loves the demon, even as he leaps out the window with it, in full soulful embrace. As Leo loves Kate, and they both love the sinking ship. And the shark, god the shark, loves to eat. Which is what the Mafioso loves too, eating and money and Pauly and Omertà. The way the cowboy loves his horse, loves the corseted girl behind the piano bar and sometimes loves the other cowboy. As the vampire loves night and neck. And the zombie, don’t even start with the zombie, sentimental fool, has anyone ever been more love-sick than a zombie, that pale dull metaphor for love, all animal craving and lurching, outstretched arms. His very existence a sonnet about how much he wants those brains. This, too is a love story.
Jess Walter (Beautiful Ruins)
What would you like to be?" Nina asks. Nathaniel tosses his magical tablecloth. "A superhero," he says. "A new one." Caleb is sure they could muster up Superman on short notice. "What's wrong with the old ones?" Everything it turns out. Nathaniel doesn't like Superman because he can be felled by Kryptonite. Green Lantern's ring doesn't work on anything yellow. The Incredible Hulk is too stupid. Even Captain Marvel runs the risk of being tricked into saying the word Shazam! and turning himself back into young Billy Batson. "How about Ironman?" Caleb suggests. Nathaniel shakes his head. "He could rust." "Aquaman?" "Needs water." "Nathaniel," Nina says gently, "nobody's perfect." "But they are supposed to be." Nathaniel explains, an d Caleb understands. Tonight, Nathaniel needs to be invincible.
Jodi Picoult (Perfect Match)
I am sorry to say that it is a common practice with romancers to announce their hero as a man of extraordinary genius, and to leave his works entirely to the reader's imagination; so that at the end of the book you whisper to yourself ruefully that but for the author's solemn preliminary assurance you should hardly have given the gentleman credit for ordinary good sense.
George Bernard Shaw (Man and Superman)
God is the ultimate fantasy of the Superiority Principle. Milton’s Lucifer, the ultimate individual, the most romantic figure in all of literature, is the Superiority Principle made flesh. Lord Byron loved him. Cesare Borgia came close. Caesar or nothing, as he liked to say. Every individual loves the Prince of Darkness! As Milton declared, ‘To reign is worth ambition though in Hell: Better to reign in Hell, than serve in Heav’n.’ That is the philosophy of the individual, the motto of the Superman.
Mark Romel
It's hard to look at sad faces. I'm not Superman, so I can't say anything big like I'll protect everyone on Earth. I'm not a modest guy who will say it's enough if I can protect as many people as my two hands can handle, either. I want to protect... a mountain load of people. - Ichigo Kurosaki
Tite Kubo (Bleach, Volume 06)
Life isn’t just about defying death,” Raj says, his voice coming through the speakers on either side of the television. “It’s also about defying yourself, about insisting on transformation. As long as you can transform, my friends, you cannot die. What does Clark Kent have in common with the chameleon? Right when they’re on the brink of destruction, they change. Where have they gone? Nowhere we can see. The chameleon has become a branch. Clark Kent has become Superman.
Chloe Benjamin (The Immortalists)
Life isn’t just about defying death,’ Raj says, his voice coming through the speakers on either side of the television. ‘It’s also about defying yourself, about insisting on transformation. As long as you can transform, my friends, you cannot die. What does Clark Kent have in common with the chameleon? Right when they’re on the brink of destruction, they change. Where have they gone? Nowhere we can see. The chameleon has become a branch. Clark Kent has become Superman.
Chloe Benjamin (The Immortalists)
Why do dictators come to power? Because the people wanted to have an easy life. They did not want to solve their own problems by their own effort. They were all waiting for some saint or superman to show up from somewhere and shoulder all their troubles by himself. And that's what dictators took advantage of. It's the ones who empower a dictator who deserve most of the blame. But the ones who don't support him actively - who watch it happening without saying anything - they'e just as much to blame.
Yoshiki Tanaka (Dawn (Legend of the Galactic Heroes, #1))
Perhaps in the process of reconstructing its corporeal form, this new and wholly original entity achieved a complete mastery of all matter; able to shape reality by the manipulation of its basic building blocks. When news of this being's phenomenal genesis was first released to the world, a certain phrase was used that has--at varying times--been attributed both to me and to others. On the newsflashes coming over our tvs on that fateful night, one sentence was repeated over and over again: 'The superman exists and he's American.' I never said that, although I do recall saying something similar to a persistent reporter who would not leave without a quote. I presume the remark was edited or toned down so as not to offend public sensibilities; in any event, I never said 'The superman exists and he's American.' What I said was 'God exists and he's American.' If that statement starts to chill you after a couple of moments' consideration, then don't be alarmed. A feeling of intense and crushing religious terror at the concept indicates only that you are still sane.
Alan Moore (Watchmen)
He taught me that the measure of a man lies not in what he says but what he does.
Grant Morrison (All-Star Superman #6)
So are you saying I’m your Superman?” --- Josh Copeland
Dawn Chartier (His Wicked Desire (Vieux Carré Witch Sister, #2))
I’ve gotten really good at pulling the veil down,” says Way, “at camouflaging reality, locking out my conscious mind and riding my focus into the zone.
Steven Kotler (The Rise of Superman: Decoding the Science of Ultimate Human Performance)
If ever you say you can’t do something,” shouts the announcer, “remember Danny Way.
Steven Kotler (The Rise of Superman: Decoding the Science of Ultimate Human Performance)
It doesn't matter if you're seventeen or fifty-seven, if you come from a poor background or a rich one, if you went to the best schools or the worst. It. Doesn't. Matter. What matters is listening to the small voice at the back of your head that says *This is what gives me joy.* It's about fighting naysayers and self-doubt when you feel you can't fight for even one more second. It's about standing up when all you want to do is lie down until life stops hitting you. It's not easy. It was never *meant* to be easy. But it can be done if we *choose* to do it.
J. Michael Straczynski (Becoming Superman: My Journey from Poverty to Hollywood with Stops Along the Way at Murder, Madness, Mayhem, Movie Stars, Cults, Slums, Sociopaths, and War Crimes)
In some other state, a person might say to himself, "I believe I shall pose as Superman by the side of the road!" But in Florida, that person is also going to say, "But first, I shall remove my pants!
Dave Barry (Best. State. Ever.: A Florida Man Defends His Homeland)
In July 1970, the Women’s Liberation Basement Press, in Berkeley, California, launched an underground comic book called It Aint Me Babe. The cover of its first issue featured Wonder Woman marching in a rally protesting stock comic-book plots. Inside, Supergirl tells Superman to get lost, Veronica ditches Archie for Betty, Petunia Pig tells Porky Pig to cook his own dinner, and when Iggy tells Lulu “No girls allowed!” she has only one thing to say: “Fuck this shit!
Jill Lepore (The Secret History of Wonder Woman)
You realize this makes us mortal enemies? You’re now the Lex Luthor to my Superman, the Magneto to my Professor Xavier.” “With your comic book obsession obviously still in full effect, I’d say I’m more the Wendy to your Peter Pan complex.
Emma Chase (Appealed (The Legal Briefs, #3))
I’m saying that if you want to be happy, eradicate your attachment; cut your concrete concepts. The way to cut them is not troublesome—just change your attitude; switch your attitude, that’s all. It’s not really a big deal! It’s really skillful, reasonable. The way Buddhism explains this is reasonable. It’s not something in which you have to super-believe. I’m not saying you have to try to be a superwoman or superman. It’s reasonable and logical. Simply changing your attitude eliminates your concrete concepts.
Thubten Yeshe (The Essence of Tibetan Buddhism: The Three Principal Aspects of the Path and An Introduction to Tantra)
Man measures his strength by his destructiveness. What is his religion? An excuse for hating ME. What is his law? An excuse for hanging YOU. What is his morality? Gentility! an excuse for consuming without producing. What is his art? An excuse for gloating over pictures of slaughter. What are his politics? Either the worship of a despot because a despot can kill, or parliamentary cockfighting. I spent an evening lately in a certain celebrated legislature, and heard the pot lecturing the kettle for its blackness, and ministers answering questions. When I left I chalked up on the door the old nursery saying—"Ask no questions and you will be told no lies.
George Bernard Shaw (Man and Superman)
So, I still say Batman is way better than Superman.” She looked smugly at him. “You’re crazy,” he said between bites totally taking her bait. “Superman is practically immortal unless he’s exposed to Kryptonite. That’s the only thing that can kill him. Batman’s human. He’s killable.” “Killable?” She snorted. “Is that even a word, Buddha Boy?
Harper Bentley (Gable (The Powers That Be, #1))
Because life must go on. We have to keep up appearances. We can't risk doing anything suspicious. All the greatest superheroes had other identities. They had real, everyday lives to keep them grounded and their sects safe. They had people to lice and fight for in the real world. Superman had Lois Lane. Spider-Man had--" "Mary Jane." "I was going to say Gwen.
M.G. Buehrlen (The Untimely Deaths of Alex Wayfare (Alex Wayfare #2))
Depression goes through stages, but if left unchecked and not treated, this elevator ride will eventually go all the way to the bottom floor. And finally you find yourself bereft of choices, unable to figure out a way up or out, and pretty soon one overarching impulse begins winning the battle for your mind: “Kill yourself.” And once you get over the shock of those words in your head, the horror of it, it begins to start sounding appealing, even possessing a strange resolve, logic. In fact, it’s the only thing you have left that is logical. It becomes the only road to relief. As if just the planning of it provides the first solace you’ve felt that you can remember. And you become comfortable with it. You begin to plan it and contemplate the details of how best to do it, as if you were planning travel arrangements for a vacation. You just have to get out. O-U-T. You see the white space behind the letter O? You just want to crawl through that O and be out of this inescapable hurt that is this thing they call clinical depression. “How am I going to do this?” becomes the only tape playing. And if you are really, really, really depressed and you’re really there, you’re gonna find a way. I found a way. I had a way. And I did it. I made sure Opal was out of the house and on a business trip. My planning took a few weeks. I knew exactly how I was going to do it: I didn’t want to make too much of a mess. There was gonna be no blood, no drama. There was just going to be, “Now you see me, now you don’t.” That’s what it was going to be. So I did it. And it was over. Or so I thought. About twenty-four hours later I woke up. I was groggy; zoned out to the point at which I couldn’t put a sentence together for the next couple of days. But I was semifunctional, and as these drugs and shit that I took began to wear off slowly but surely, I realized, “Okay, I fucked up. I didn’t make it.” I thought I did all the right stuff, left no room for error, but something happened. And this perfect, flawless plan was thwarted. As if some force rebuked me and said, “Not yet. You’re not going anywhere.” The only reason I could have made it, after the amount of pills and alcohol and shit I took, was that somebody or something decided it wasn’t my time. It certainly wasn’t me making that call. It was something external. And when you’re infused with the presence of this positive external force, which is so much greater than all of your efforts to the contrary, that’s about as empowering a moment as you can have in your life. These days we have a plethora of drugs one can take to ameliorate the intensity of this lack of hope, lack of direction, lack of choice. So fuck it and don’t be embarrassed or feel like you can handle it yourself, because lemme tell ya something: you can’t. Get fuckin’ help. The negative demon is strong, and you may not be as fortunate as I was. My brother wasn’t. For me, despair eventually gave way to resolve, and resolve gave way to hope, and hope gave way to “Holy shit. I feel better than I’ve ever felt right now.” Having actually gone right up to the white light, looked right at it, and some force in the universe turned me around, I found, with apologies to Mr. Dylan, my direction home. I felt more alive than I’ve ever felt. I’m not exaggerating when I say for the next six months I felt like Superman. Like I’m gonna fucking go through walls. That’s how strong I felt. I had this positive force in me. I was saved. I was protected. I was like the only guy who survived and walked away from a major plane crash. I was here to do something big. What started as the darkest moment in my life became this surge of focus, direction, energy, and empowerment.
Ron Perlman (Easy Street: The Hard Way)
When Felix walked off the project,” says Walshe, “it was the darkest moment in his life. But a phobia—that’s deeply rooted fear. To face that, to come back, to trust strangers with his life, to put himself back into position to do something no one else had ever conceived of? I’ve seen plenty of astounding feats of human performance, but emotionally, Felix’s journey is the farthest I’ve ever seen an athlete come.
Steven Kotler (The Rise of Superman: Decoding the Science of Ultimate Human Performance)
Son: I can't go to school today. Father: Why not? Son: I don't feel well. Teacher: Where don't you feel well? Son: In school! *** What's the difference between man and Superman? Man wears underwear under the trouser and superman wears it over the trouser. *** Thomas Edison walks into a bar and orders a beer. The bartender says, "Okay, I'll serve you a beer. Just don't get any ideas." *** What happened when the ghost asked for a whiskey at his local bar?
Various (Best Jokes 2014)
When you’re arrogant and egotistical,” says Dr. Olds, “you’re shutting out complexity, novelty, and unpredictability to preserve a distorted self-image. Any incoming information that could lead to self-doubt is stamped out. It’s a massive data reduction. Humility moves in the other direction, it opens us up and increases incoming information. As a result, there is more opportunity for pattern recognition, more dopamine, and less need for judgmental metacognition.
Steven Kotler (The Rise of Superman: Decoding the Science of Ultimate Human Performance)
Herdsmen, I say, but they call themselves the good and just. Herdsmen, I say, but they call themselves the believers in the orthodox belief. Behold the good and just! Whom do they hate most? Him who breaketh up their tables of values, the breaker, the lawbreaker:--he, however, is the creator. Behold the believers of all beliefs! Whom do they hate most? Him who breaketh up their tables of values, the breaker, the law-breaker--he, however, is the creator. Companions, the creator seeketh, not corpses--and not herds or believers either. Fellow-creators the creator seeketh--those who grave new values on new tables. Companions, the creator seeketh, and fellow-reapers: for everything is ripe for the harvest with him. But he lacketh the hundred sickles: so he plucketh the ears of corn and is vexed. Companions, the creator seeketh, and such as know how to whet their sickles. Destroyers, will they be called, and despisers of good and evil. But they are the reapers and rejoicers. Fellow-creators, Zarathustra seeketh; fellow-reapers and fellow-rejoicers, Zarathustra seeketh: what hath he to do with herds and herdsmen and corpses! And thou, my first companion, rest in peace! Well have I buried thee in thy hollow tree; well have I hid thee from the wolves. But I part from thee; the time hath arrived. 'Twixt rosy dawn and rosy dawn there came unto me a new truth. I am not to be a herdsman, I am not to be a grave-digger. Not any more will I discourse unto the people; for the last time have I spoken unto the dead. With the creators, the reapers, and the rejoicers will I associate: the rainbow will I show them, and all the stairs to the Superman. To the lone-dwellers will I sing my song, and to the twain-dwellers; and unto him who hath still ears for the unheard, will I make the heart heavy with my happiness. I make for my goal, I follow my course; over the loitering and tardy will I leap. Thus let my on-going be their down-going!
Friedrich Nietzsche (The Works of Friedrich Nietzsche)
how new that way is will now emerge. But for the moment we need to examine our own answers to the question. Who do we say Jesus is? Would we like to think of him as simply a great human teacher? Would we prefer him as a Superman figure, able to ‘zap’ all the world’s problems into shape? Are we prepared to have the easy answers of our culture challenged by the actual Jesus, by his redefined notion of messiahship, and by the call, coming up in the next section, to follow him in his risky vocation?
N.T. Wright (Mark for Everyone (The New Testament for Everyone))
Cassie, stop. I can't do this." He pulls back to meet my hurt gaze. "I know why you're doing this." I draw a breath, letting it out on a long exhale. "You don't trust me with your heart. You're afraid if you give it to me there's a chance it could be broken again." "It's been shattered once. In afraid next time it won't get broken. It'll be obliterated," he says quietly. I press a single kiss to his lips. "You're my Superman. You're not supposed to be afraid of anything." "Even Superman had weaknesses.
Rhonda James (Jersey Girl (Sticks & Hearts, #1))
Cassie, stop. I can't do this.' He pulls back to meet my hurt gaze. 'I know why you're doing this.' I draw a breath, letting it out on a long exhale. 'You don't trust me with your heart. You're afraid if you give it to me there's a chance it could be broken, again.' 'It's been shattered once. I'm afraid next time it won't get broken. It'll be obliterated,' he says quietly. I press a single kiss to his lip. 'You're my Superman. You're not supposed to be afraid of anything.' 'Even Superman had weaknesses.
Rhonda James (Jersey Girl (Sticks & Hearts, #1))
ultimately, most of us would choose a rich and meaningful life over an empty, happy one, if such a thing is even possible. “Misery serves a purpose,” says psychologist David Myers. He’s right. Misery alerts us to dangers. It’s what spurs our imagination. As Iceland proves, misery has its own tasty appeal. A headline on the BBC’s website caught my eye the other day. It read: “Dirt Exposure Boosts Happiness.” Researchers at Bristol University in Britain treated lung-cancer patients with “friendly” bacteria found in soil, otherwise known as dirt. The patients reported feeling happier and had an improved quality of life. The research, while far from conclusive, points to an essential truth: We thrive on messiness. “The good life . . . cannot be mere indulgence. It must contain a measure of grit and truth,” observed geographer Yi-Fu Tuan. Tuan is the great unheralded geographer of our time and a man whose writing has accompanied me throughout my journeys. He called one chapter of his autobiography “Salvation by Geography.” The title is tongue-in-cheek, but only slightly, for geography can be our salvation. We are shaped by our environment and, if you take this Taoist belief one step further, you might say we are our environment. Out there. In here. No difference. Viewed that way, life seems a lot less lonely. The word “utopia” has two meanings. It means both “good place” and “nowhere.” That’s the way it should be. The happiest places, I think, are the ones that reside just this side of paradise. The perfect person would be insufferable to live with; likewise, we wouldn’t want to live in the perfect place, either. “A lifetime of happiness! No man could bear it: It would be hell on Earth,” wrote George Bernard Shaw, in his play Man and Superman. Ruut Veenhoven, keeper of the database, got it right when he said: “Happiness requires livable conditions, but not paradise.” We humans are imminently adaptable. We survived an Ice Age. We can survive anything. We find happiness in a variety of places and, as the residents of frumpy Slough demonstrated, places can change. Any atlas of bliss must be etched in pencil. My passport is tucked into my desk drawer again. I am relearning the pleasures of home. The simple joys of waking up in the same bed each morning. The pleasant realization that familiarity breeds contentment and not only contempt. Every now and then, though, my travels resurface and in unexpected ways. My iPod crashed the other day. I lost my entire music collection, nearly two thousand songs. In the past, I would have gone through the roof with rage. This time, though, my anger dissipated like a summer thunderstorm and, to my surprise, I found the Thai words mai pen lai on my lips. Never mind. Let it go. I am more aware of the corrosive nature of envy and try my best to squelch it before it grows. I don’t take my failures quite so hard anymore. I see beauty in a dark winter sky. I can recognize a genuine smile from twenty yards. I have a newfound appreciation for fresh fruits and vegetables. Of all the places I visited, of all the people I met, one keeps coming back to me again and again: Karma Ura,
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
This is a love story, Michael Deane says. But, really, what isn’t? Doesn’t the detective love the mystery, or the chase, or the nosy female reporter, who is even now being held against her wishes at an empty warehouse on the waterfront? Surely the serial murderer loves his victims, and the spy loves his gadgets or his country or the exotic counterspy. The ice trucker is torn between his love for ice and truck, and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk just as the Housewives live for catching glimpses of their own Botoxed brows in gilded hall mirrors, and the rocked-out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on Hookbook, and because this is reality, they are all in love—madly, truly—with the body mic clipped to their back buckle, and the producer casually suggesting just one more angle, one more Jell-O shot. And the robot loves his master, alien loves his saucer, Superman loves Lois, Lex, and Lana, Luke love Leia (till he finds out she’s his sister), and the exorcist loves the demon even as he leaps out the window with it, in full soulful embrace, as Leo loves Kate and they both love the sinking ship, and the shark—God, the shark loves to eat, which is what the Mafioso loves, too—eating and money and Paulie and omerta` --the way the cowboy loves his horse, loves the corseted girl behind the piano bar, and sometimes loves the other cowboy, as the vampire loves night and neck, and the zombie—don’t even start with the zombie, sentimental fool; has anyone ever been more lovesick than a zombie, that pale, dull metaphor for love, all animal craving and lurching, outstretched arms, his very existence a sonnet about how much he wants those brains? This, too, is a love story.
Jess Walter (Beautiful Ruins)
When I came to men for the first time, then did I commit the hermit's folly, the great folly: I appeared in the market-place. And when I spoke to all, I spoke to none. In the evening, however, rope-dancers were my companions, and corpses; and I myself almost a corpse. With the new morning, however, there came to me a new truth: Then did I learn to say 'Of what account to me are market-place and crowd and crowd-noise and long crowd-ears!' You higher men, learn this from me: In the market-place no one believes in higher men. But if you will speak there, very well! The crowd, however, sputters 'We are all equal.' 'You higher men,' — so sputters the crowd — 'there are no higher men, we are all equal; man is man, before God — we are all equal!' Before God! — Now, however, this God has died. Before the crowd, however, we will not be equal. You higher men, go away from the market-place! Before God! — Now however this God has died! You higher men, this God was your greatest danger. Only since he lay in the grave have you again arisen. Only now comes the great noontide, only now does the higher man become — master! Have you understood this word, O my brothers? You are frightened: Do your hearts turn giddy? Does the abyss here yawn for you? Does the hell-hound here yelp at you? Well! Take heart, you higher men! Only now does the mountain of the human future begin to work. God has died: Now we desire that the Superman live!
Friedrich Nietzsche (Thus Spoke Zarathustra)
If only something would happen. Something being the revelation that transfigures existence; works a miraculous presto-chango upon the mundane mortal world - turning the toads and cockroaches back into handsome princes, the Clark Kents into Superman - that calls unexpectedly up on the phone and says: "your name has just been picked from a hat, like a rabbit, and we're giving you a million dollars", - or that announces in a sudden telegram: "Congratulations! Lady Rockerfeller has just died and left you several estates and an enchanted sources of continual private income". But instead, day after day, there are hardboiled eggs instead of frogs legs for breakfast, and doubts and worries buzz and sting like the evils in Pandora's box.
Sylvia Plath (The Journals of Sylvia Plath)
Nietzsche attacks violently the ideas of 1789: liberty, equality, fraternity, and that meant of course liberalism, and democracy, and socialism, and communism, and anarchism. [...] [B]ut Nietzsche also rejects the conservatives, and this is only a defensive position which, because it is only defensive, is being eroded and has no future. What remained on the political plane? What remained? Superman. But what is the political meaning of superman? So whatever one may say against Marx, [against] the way from Marx to practical Marxist politics (including Lenin), is very simple. But there is no clear way leading from Nietzsche, who touches all political hot irons with the greatest gaiety, one could almost say [that] this did not lead anywhere.
Leo Strauss (Leo Strauss on Nietzsche's Beyond Good & Evil)
In a hurry to escape he let himself out of the house and walked to the truck. Before he could climb inside Marilee raced down the steps. Breathless,she came to a sudden halt in front of him. At the dark look in his eyes she swallowed. "Please don't go,Wyatt. I've been such a fool." "You aren't the only one." He studied her with a look that had her heart stuttering.A look so intense, she couldn't look away. "I've been neating myself up for days,because I wanted things to go my way or no way." "There's no need.You're not the only one." Her voice was soft,throaty. "You've always respected my need to be independent.But I guess I fought the battle so long,I forgot how to stop fighting even after I'd won the war." "You can fight me all you want. You know Superman is indestructable." Again that long,speculative look. "I know I caught you off guard with that proposal. It won't happen again. Even when I understood your fear of commitment, I had to push to have things my way.And even though I still want more, I'm willing to settle for what you're willing to give,as long as we can be together." She gave a deep sigh. "You mean it?" "I do." "Oh,Wyatt.I was so afraid I'd driven you away forever." He continued studying her. "Does this mean you're suffering another change of heart?" "My heart doesn't need to change. In my heart,I've always known how very special you are.It's my head that can't seem to catch up." She gave a shake of her head,as though to clear it. "I'm so glad you understand me. I've spent so many years fighting to be my own person, it seems I can't bear to give up the battle." A slow smile spread across his face, changing it from darkness to light. "Marilee,if it's a sparring partner you want,I'm happy to sigh on. And if,in time,you ever decide you want more, I'm your man." He framed her face with his hands and lowered his head,kissing her long and slow and deep until they were both sighing with pleasure. Her tears started again,but this time they were tears of joy. Wyatt brushed them away with his thumbs and traced the tracks with his lips. Marilee sighed at the tenderness. It was one of the things she most loved about this man. Loved. Why did she find it so hard to say what she was feeling? Because,her heart whispered, love meant commitment and promises and forever after,and that was more than she was willing to consider. At least for now. After a moment he caught her hand. "Where are we going?" "Your place.It's closer than the ranch, and we've wasted too much time already." "i can't leave the ambulance..." "All right." He turned away from the ranch truck and led her toward her vehicle. "See how easy I am?" At her little laugh he added, "I'm desperate for some time alone with you." Alone. She thought about that word. She'd been alone for so long.What he was offering had her heart working overtime. He was willing to compromise in order to be with her. She was laughing through her tears as she turned the key in the ignition. The key that had saved his life. "Wyatt McCord,I can't think of anything I'd rather be than alone with you.
R.C. Ryan (Montana Destiny)
This condition of the crucifixion, then, is a symbolic expression for the state of extreme conflict, where one simply has to give up, where one no longer knows, where one almost loses one's mind. Out of that condition grows the thing which is really fought for. For Nietzsche, it would be the birth of the Superman. We would say it was the birth of the self. Only through extreme pain do you experience yourself; you believe then that you are a unit. Before that, you can imagine that you are anybody, the Pope or Mussolini-you are not necessarily yourself. Afterwards, when you have undergone this extraordinary experience of the self, there are no illusions any longer. Jung, C. G.. Nietzsche's Zarathustra: Notes of the Seminar given in 1934-1939. Two Volumes: 1-2, unabridged (Jung Seminars) (p. 449)
C.G. Jung (Nietzsche's Zarathustra: Notes of the Seminar given in 1934-1939 C.G. Jung)
Mankind surely does not represent an evolution toward a better or stronger or higher level, as progress is now understood. This “progress” is merely a modern idea, which is to say, a false idea. The European of today, in his essential worth, falls far below the European of the Renaissance; the process of evolution does not necessarily mean elevation, enhancement, strengthening. True enough, it succeeds in isolated and individual cases in various parts of the earth and under the most widely different cultures, and in these cases a higher type certainly manifests itself; something which, compared to mankind in the mass, appears as a sort of superman. Such happy strokes of high success have always been possible, and will remain possible, perhaps, for all time to come. Even whole races, tribes and nations may occasionally represent such lucky accidents.
Friedrich Nietzsche (The Anti-Christ)
Mankind surely does not represent an evolution toward a better or stronger or higher level, as progress is now understood. This 'progress' is merely a modern idea, which is to say, a false idea. The European of today, in his essential worth, falls far below the European of the Renaissance; the process of evolution does not necessarily mean elevation, enhancement, strengthening. True enough, it succeeds in isolated and individual cases in various parts of the earth and under the most widely different cultures, and in these cases a higher type certainly manifests itself; something which, compared to mankind in the mass, appears as a sort of superman. Such happy strokes of high success have always been possible, and will remain possible, perhaps, for all time to come. Even whole races, tribes and nations may occasionally represent such lucky accidents.
Friedrich Nietzsche (The Anti-Christ)
The Eternal Return has certainly not been thought by philosophers or by those who are concerned about Nietzsche in the contemporary history of ideas, and this because the Eternal Return can not be thought of. It is a revelation that presents next to the Silvaplana rock, or on the threshold of the Gateway of the Moment, where the Two Ways meet. You will have to travel step by step along the path of Western yoga that Nietzsche rediscovered and practiced, putting his feet in the tracks that he left in the paths of the high peaks, relive their great pains and divine glories, reaching to reach similar tonalities of the soul, to be possessed by Dionysus and his ancient drunkenness, Luciferian, that makes dance in the solitude of forests and lost from a solar age, laughing and crying at the same time. And this is not achieved by the philosophers of the intellect or the beings 'of the flock'. For to achieve this, the Circle will have to be traversed for several eternities, again at the Gateway of the Moment, already predestined at noon. In addition, the doctrine of the Eternal Return is selective. As the initiatory practice Tantric Panshatattva is not for the paśu [animal], but only for some heroes or viryas, thus the Noon is reached by the 'Lords of the Earth' and by the poets of the Will to Power, predestined in a mysterious way to perform the Superman, that individualistic and aristocratic mutation. The 'herd', the vulgar, has nothing to do with all this, including here the scientists, technologists and most philosophers, politicians and government of the Kaliyuga. Nietzsche's description of the Eternal Return is found in some aphorisms that precede 'The Gay Science', Joyful Science, using Nietzsche the Provencal term, Occitan, from 'Gay'. Joyful Science will be that of the one who has accepted the Eternal Return of all things and has transmuted the values. The one of Superman. There is also a description in the schemes of 'The Will to Power'. In they all take hold, with genius that transcends their time, of the scientific knowledge and the mechanics of the time, which does not lose validity to the doctrine, let us say better to the revealed Idea, to the Revelation that, of somehow, it was also in the Pythagoreans, in their Aryan-Hyperborean form, differentiating itself from other elaborations made in the millennia of the East. Also would have been veiled in the Persian reformer Zarathustra. We are going to reproduce what Nietzsche has written about the Eternal Return. In the schemes of 'The Will to Power', he says: 'Everything returns and returns eternally; We can not escape this.
Miguel Serrano
Waternish Estate was sold to a Dutchman in the 1960s when Bad-tempered Donald died. In turn, the Dutchman sold a part of the estate to the Scottish singer-songwriter Donovan. Donovan was the first of the British musicians to adopt the flower-power image. He is most famous for the psychedelically fabulous smash hits “Sunshine Superman,” “Season of the Witch” and “The Fat Angel,” and for being the first high-profile British pop star to be arrested for the possession of marijuana. Donovan has a history of being deeply groovy and of being most often confused with Bob Dylan, which reportedly annoys Donovan quite a lot. “Sometime in the early seventies, Bob Dylan bought part of the estate,” Mum tells me. “But he put a water bed on the second floor of the house for whatever it is these hippies get up to, and it came crashing through the ceiling.” “Not Bob Dylan,” I say. “Donovan.” “Who?” Mum says.
Alexandra Fuller (Cocktail Hour Under the Tree of Forgetfulness)
I don't give him a chance to argue, I just kiss him. Gently at first, but then I'm no longer able to hold back. He opens, granting me access to explore and tease his tongue with mine. Soon, he's giving as much as he takes, cupping my ass in his hands and lifting me until I straddle his waist. My lips begin to travel as I slowly rock my pelvis back and forth, leaving open-mouthed kisses down his neck, nipping and suckling from one side to the other. "Cassie, stop. I can't do this." He pulls back to meet my hurt gaze. "I know why you're doing this." I draw a breath, letting it out on a long exhale. "You don't trust me with your heart. You're afraid if you give it to me there's a chance it could be broken again." "It's been shattered once. I'm afraid next time it won't get broken. It'll be obliterated," he says quietly. I press a single kiss to his lips. "You're my Superman. You're not supposed to be afraid of anything." "Even Superman had weaknesses.
Rhonda James (Jersey Girl (Sticks & Hearts, #1))
Here’s the thing, people: We have some serious problems. The lights are off. And it seems like that’s affecting the water flow in part of town. So, no baths or showers, okay? But the situation is that we think Caine is short of food, which means he’s not going to be able to hold out very long at the power plant.” “How long?” someone yelled. Sam shook his head. “I don’t know.” “Why can’t you get him to leave?” “Because I can’t, that’s why,” Sam snapped, letting some of his anger show. “Because I’m not Superman, all right? Look, he’s inside the plant. The walls are thick. He has guns, he has Jack, he has Drake, and he has his own powers. I can’t get him out of there without getting some of our people killed. Anybody want to volunteer for that?" Silence. “Yeah, I thought so. I can’t get you people to show up and pick melons, let alone throw down with Drake.” “That’s your job,” Zil said. “Oh, I see,” Sam said. The resentment he’d held in now came boiling to the surface. “It’s my job to pick the fruit, and collect the trash, and ration the food, and catch Hunter, and stop Caine, and settle every stupid little fight, and make sure kids get a visit from the Tooth Fairy. What’s your job, Zil? Oh, right: you spray hateful graffiti. Thanks for taking care of that, I don’t know how we’d ever manage without you.” “Sam…,” Astrid said, just loud enough for him to hear. A warning. Too late. He was going to say what needed saying. “And the rest of you. How many of you have done a single, lousy thing in the last two weeks aside from sitting around playing Xbox or watching movies? “Let me explain something to you people. I’m not your parents. I’m a fifteen-year-old kid. I’m a kid, just like all of you. I don’t happen to have any magic ability to make food suddenly appear. I can’t just snap my fingers and make all your problems go away. I’m just a kid.” As soon as the words were out of his mouth, Sam knew he had crossed the line. He had said the fateful words so many had used as an excuse before him. How many hundreds of times had he heard, “I’m just a kid.” But now he seemed unable to stop the words from tumbling out. “Look, I have an eighth-grade education. Just because I have powers doesn’t mean I’m Dumbledore or George Washington or Martin Luther King. Until all this happened I was just a B student. All I wanted to do was surf. I wanted to grow up to be Dru Adler or Kelly Slater, just, you know, a really good surfer.” The crowd was dead quiet now. Of course they were quiet, some still-functioning part of his mind thought bitterly, it’s entertaining watching someone melt down in public. “I’m doing the best I can,” Sam said. “I lost people today…I…I screwed up. I should have figured out Caine might go after the power plant.” Silence. “I’m doing the best I can.” No one said a word. Sam refused to meet Astrid’s eyes. If he saw pity there, he would fall apart completely. “I’m sorry,” he said. “I’m sorry.
Michael Grant (Hunger (Gone, #2))
Yet it is the Outsider’s belief that life aims at more life, at higher forms of life, something for which the Superman is an inexact poetic symbol (as Dante’s description of the beatific vision is expressed in terms of a poetic symbol); so that, in a sense, Urizen is the most important of the three functions. The fall was necessary, as Hesse realized. Urizen must go forward alone. The other two must follow him. And as soon as Urizen has gone forward, the Fall has taken place. Evolution towards God is impossible without a Fall. And it is only by this recognition that the poet can ever come to ‘praise in spite of; for if evil is ultimately discord, unresolvable, then the idea of dennoch preisen is a self-contradiction. And yet it must be clearly recognized and underlined that this is not the Hegelian ‘God’s in his heaven, all’s right with the world’. Even if the evil is necessary, it remains evil, discord, pain. It remains an Existential fact, not something that proves to be something else when you hold it in the right light. It is as if there were two opposing armies: the Hegelian view holds that peace can be secured by proving that there is really no ground for opposition; in short, they are really friends. The Blakeian view says that the discord is necessary, but it can never be resolved until one army has. completely exterminated the other. This is the Existential view, first expressed by Soren Kierkegaard, the Outsider’s view and, incidentally, the religious view. The whole difference between the Existentialist and the Hegelian viewpoint is implicit in the comparison between the title of Hegel’s book, The Philosophy of History, and James Joyce’s phrase, ‘History is a nightmare from which I am trying to awake’ Blake provided the Existentialist view with a symbolism and mythology. In Blake’s view, harmony is an ultimate aim, but not the primary aim, of life; the primary aim is to live more abundantly at any cost. Harmony can come later.
Colin Wilson (The Outsider)
Flow is an extremely potent response to external events and requires an extraordinary set of signals. The process includes dopamine, which does more than tune signal-to-noise ratios. Emotionally, we feel dopamine as engagement, excitement, creativity, and a desire to investigate and make meaning out of the world. Evolutionarily, it serves a similar function. Human beings are hardwired for exploration, hardwired to push the envelope: dopamine is largely responsible for that wiring. This neurochemical is released whenever we take a risk or encounter something novel. It rewards exploratory behavior. It also helps us survive that behavior. By increasing attention, information flow, and pattern recognition in the brain, and heart rate, blood pressure, and muscle firing timing in the body, dopamine serves as a formidable skill-booster as well. Norepinephrine provides another boost. In the body, it speeds up heart rate, muscle tension, and respiration, and triggers glucose release so we have more energy. In the brain, norepinephrine increases arousal, attention, neural efficiency, and emotional control. In flow, it keeps us locked on target, holding distractions at bay. And as a pleasure-inducer, if dopamine’s drug analog is cocaine, norepinephrine’s is speed, which means this enhancement comes with a hell of a high. Endorphins, our third flow conspirator, also come with a hell of a high. These natural “endogenous” (meaning naturally internal to the body) opiates relieve pain and produce pleasure much like “exogenous” (externally added to the body) opiates like heroin. Potent too. The most commonly produced endorphin is 100 times more powerful than medical morphine. The next neurotransmitter is anandamide, which takes its name from the Sanskrit word for “bliss”—and for good reason. Anandamide is an endogenous cannabinoid, and similarly feels like the psychoactive effect found in marijuana. Known to show up in exercise-induced flow states (and suspected in other kinds), this chemical elevates mood, relieves pain, dilates blood vessels and bronchial tubes (aiding respiration), and amplifies lateral thinking (our ability to link disparate ideas together). More critically, anandamide also inhibits our ability to feel fear, even, possibly, according to research done at Duke, facilitates the extinction of long-term fear memories. Lastly, at the tail end of a flow state, it also appears (more research needs to be done) that the brain releases serotonin, the neurochemical now associated with SSRIs like Prozac. “It’s a molecule involved in helping people cope with adversity,” Oxford University’s Philip Cowen told the New York Times, “to not lose it, to keep going and try to sort everything out.” In flow, serotonin is partly responsible for the afterglow effect, and thus the cause of some confusion. “A lot of people associate serotonin directly with flow,” says high performance psychologist Michael Gervais, “but that’s backward. By the time the serotonin has arrived the state has already happened. It’s a signal things are coming to an end, not just beginning.” These five chemicals are flow’s mighty cocktail. Alone, each packs a punch, together a wallop.
Steven Kotler (The Rise of Superman: Decoding the Science of Ultimate Human Performance)
One of the most effective ways to quicken your story’s pace is to move from a static description of an object, place or person to an active scene. The classic method for accomplishing this is to have your character interact with the subject that’s been described. For instance, let’s say you’ve just written three paragraphs describing a wedding dress in a shop window. You’ve detailed the Belgian lace veil, the beaded bodice, the twelve-foot train, even the row of satin buttons down the sleeves. Instinctively you feel it’s time to move into an action scene, but how do you do it without making your transition obvious? A simple, almost seamless way is to initiate an action between your character (let’s call her Miranda) and the dress you’ve just described. Perhaps Miranda could be passing by on the sidewalk when the dress in the window catches her attention. Or she could walk into the shop and ask the shopkeeper how much the dress costs. This method works well to link almost any static description with a scene of action. Describe an elegant table, for instance, complete with crystal goblets, damask tablecloth, monogrammed napkins and sterling silver tableware; then let the maid pull a cloth from her apron and begin to polish one of the forks. Or describe a Superman kite lying beside a tree, then watch as a little girl grabs the string and begins to run. You will still be describing, but the nature of your description will have changed from static to active, thus quickening the story’s pace. Throughout
Rebecca McClanahan (Word Painting: A Guide to Writing More Descriptively)
Have you ever suddenly understood something in a “flash of recognition”? Have you ever known of someone who became an “overnight success”? Here is a great secret that holds the key to great accomplishment: both that “sudden flash” and that “overnight success” were the final, breakthrough results of a long, patient process of edge upon edge upon edge. Any time you see what looks like a breakthrough, it is always the end result of a long series of little things, done consistently over time. No success is immediate or instantaneous; no collapse is sudden or precipitous. They are both products of the slight edge. Now, I’m not saying that quantum leaps are a myth because they don’t really happen. As a matter of fact, they do happen. Just not the way people think they do. The term comes from particle physics, and here’s what it means in reality: a true quantum leap is what happens when a subatomic particle suddenly jumps to a higher level of energy. But it happens as a result of the gradual buildup of potential caused by energy being applied to that particle over time. In other words, it doesn’t “just suddenly happen.” An actual quantum leap is something that finally happens after a lengthy accumulation of slight-edge effort. Exactly the way the water hyacinth moves from day twenty-nine to day thirty. Exactly the way the frog’s certain death by drowning was “suddenly” transformed into salvation by butter. A real-life quantum leap is not Superman leaping a tall building. A real quantum leap is Edison perfecting the electric light bulb after a thousand patient efforts—and then transforming the world with it.
Jeff Olson (The Slight Edge: Turning Simple Disciplines into Massive Success and Happiness)
There would seem to be only one question for philosophy to resolve: what must I do? Despite being combined with an enormous amount of unnecessary confusion, answers to the question have at any rate been given within the philosophical tradition of the Christian nations. For example, in Kant's Critique of Practical Reason, or in Spinoza, Schopenhauer and especially Rousseau. But in more recent times, since Hegel's assertion that all that exists is reasonable, the question of what one must do has been pushed to the background and philosophy has directed its whole attention to the investigation of things as they are, and to fitting them into a prearranged theory. This was the first step backwards. The second step, degrading human thought yet further, was the acceptance of the struggle for existence as a basic law, simply because that struggle can be observed among animals and plants. According to this theory the destruction of the weakest is a law which should not be opposed. And finally, the third step was taken when the childish originality of Nietzche's half-crazed thought, presenting nothing complete or coherent, but only various drafts of immoral and completely unsubstantiated ideas, was accepted by the leading figures as the final word in philosophical science. In reply to the question: what must we do? the answer is now put straightforwardly as: live as you like, without paying attention to the lives of others. Turgenev made the witty remark that there are inverse platitudes, which are frequently employed by people lacking in talent who wish to attract attention to themselves. Everyone knows, for instance, that water is wet, and someone suddenly says, very seriously, that water is dry, not that ice is, but that water is dry, and the conviction with which this is stated attracts attention. Similarly, the whole world knows that virtue consists in the subjugation of one's passions, or in self-renunciation. It is not just the Christian world, against whom Nietzsche howls, that knows this, but it is an eternal supreme law towards which all humanity has developed, including Brahmanism, Buddhism, Confucianism and the ancient Persian religion. And suddenly a man appears who declares that he is convinced that self-renunciation, meekness, submissiveness and love are all vices that destroy humanity (he has in mind Christianity, ignoring all the other religions). One can understand why such a declaration baffled people at first. But after giving it a little thought and failing to find any proof of the strange propositions, any rational person ought to throw the books aside and wonder if there is any kind of rubbish that would not find a publisher today. But this has not happened with Nietzsche's books. The majority of pseudo-enlightened people seriously look into the theory of the superman, and acknowledge its author to be a great philosopher, a descendant of Descartes, Leibniz and Kant. And all this has come about because the majority of the pseudo-enlightened men of today object to any reminder of virtue, or to its chief premise: self-renunciation and love - virtues that restrain and condemn the animal side of their life. They gladly welcome a doctrine, however incoherently and disjointedly expressed, of egotism and cruelty, sanctioning the ideas of personal happiness and superiority over the lives of others, by which they live.
Leo Tolstoy
Man, rather the Superman, by participating with his Self, not with his 'I', in the immense process of Energy, which Nietzsche calls Will of Power, He does it without changing anything, accepting the fatality of chance of the Eternal Return, because you can not modify it, you can not change a single blade, or a detail, or a star. However, by accepting the Eternal Return, having had the 'vision' (which includes nostalgia) has passed, in an instant (at the Gateway of the Moment) to modify everything irremediably and forever. How? Giving The Sense your acceptance. That is, he has created, he has invented an Inexistent Flower, but it is more real than all the flowers of the gardens of the earth. We will not try to explain this mostly, because you can not. the same Superman is a creation of this kind, non-existent, an illusion. Pure magic. It is not real and it is more real than everything real. Without us everything will return, without doubt, but when we enter to intervene, wishing it with the Self and from the Self, everything will return in a different way, everything will be different, even when nothing has changed apparently. However, the alteration is essential, definitive: chance has been transformed into destination. Amor fati takes ownership of the process. This is why Nietzsche is a magician, a poet-magician. We will return to this key point and center of the Drama, which is thus transmuted into game, in the Great Game of the Maya-Power, in the Dance of the Shakti-Power. It's a Comedy, a Gay-Comedy, a histrionics, a slapstick, an affair cheerful, or a joy of pain, as Nietzsche would like to say, imagining that 'the highest music would be the one that could interpret the joy of pain and none another.' It is a Divine Comedy.
Miguel Serrano
This is a love story, Michael Deane says. But, really, what isn’t? Doesn’t the detective love the mystery, or the chase, or the nosy female reporter, who is even now being held against her wishes at an empty warehouse on the waterfront? Surely the serial murderer loves his victims, and the spy loves his gadgets or his country or the exotic counterspy. The ice trucker is torn between his love for ice and truck, and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk, just as the Housewives live for catching glimpses of their own Botoxed brows in gilded hall mirrors, and the rocked-out dude on ’roids totally wants to shred the ass of the tramp-tatted girl on Hookbook, and because this is reality, they are all in love—madly, truly—with the body mic clipped to their back buckle, and the producer casually suggesting just one more angle, one more Jell-O shot. And the robot loves his master, alien loves his saucer, Superman loves Lois, Lex, and Lana, Luke loves Leia (till he finds out she’s his sister), and the exorcist loves the demon even as he leaps out the window with it, in full soulful embrace, as Leo loves Kate and they both love the sinking ship, and the shark—God, the shark loves to eat, which is what the mafioso loves, too—eating and money and Paulie and omertà—the way the cowboy loves his horse, loves the corseted girl behind the piano bar, and sometimes loves the other cowboy, as the vampire loves night and neck, and the zombie—don’t even start with the zombie, sentimental fool; has anyone ever been more lovesick than a zombie, that pale, dull metaphor for love, all animal craving and lurching, outstretched arms, his very existence a sonnet about how much he wants those brains? This, too, is a love story.
Jess Walter (Beautiful Ruins)
The Eternal Return has certainly not been thought by philosophers or by those who are concerned about Nietzsche in the contemporary history of ideas, and this because the Eternal Return can not be thought of. It is a revelation that presents itself next to the Silvaplana rock, or on the threshold of the Gateway of the Moment, where the Two Ways meet. You will have to travel step by step along the path of Western yoga that Nietzsche rediscovered and practiced, putting his feet in the tracks that he left in the paths of the high peaks, relive their great pains and divine glories, reaching to reach similar tonalities of the soul, to be possessed by Dionysus and his ancient drunkenness, Luciferian, that makes dance in the solitude of forests and lost from a solar age, laughing and crying at the same time. And this is not achieved by the philosophers of the intellect or the beings 'of the flock'. For to achieve this, the Circle will have to be traversed for several eternities, again at the Gateway of the Moment, already predestined at noon. In addition, the doctrine of the Eternal Return is selective. As the initiatory practice Tantric Panshatattva is not for the paśu [animal], but only for some heroes or viryas, thus the Noon is reached by the 'Lords of the Earth' and by the poets of the Will to Power, predestined in a mysterious way to perform the Superman, that individualistic and aristocratic mutation. The 'herd', the vulgar, has nothing to do with all this, including here the scientists, technologists and most philosophers, politicians and government of the Kaliyuga. Nietzsche's description of the Eternal Return is found in some aphorisms that precede 'The Gay Science', Joyful Science, using Nietzsche the Provencal term, Occitan, from 'Gay'. Joyful Science will be that of the one who has accepted the Eternal Return of all things and has transmuted the values. The one of Superman. There is also a description in the schemes of 'The Will to Power'. In they all take hold, with genius that transcends their time, of the scientific knowledge and the mechanics of the time, which does not lose validity to the doctrine, let us say better to the revealed Idea, to the Revelation that, of somehow, it was also in the Pythagoreans, in their Aryan-Hyperborean form, differentiating itself from other elaborations made in the millennia of the East. Also would have been veiled in the Persian reformer Zarathustra. We are going to reproduce what Nietzsche has written about the Eternal Return. In the schemes of 'The Will to Power', he says: 'Everything returns and returns eternally; We can not escape this.
Miguel Serrano
The Eternal Return has certainly not been thought by philosophers or by those who are concerned about Nietzsche in the contemporary history of ideas, and this because the Eternal Return can not be thought of. It is a revelation that presents itself next to the Silvaplana rock, or on the threshold of the Gateway of the Moment, where the Two Ways meet. You will have to travel step by step along the path of Western yoga that Nietzsche rediscovered and practiced, putting his feet in the tracks that he left in the paths of the high peaks, relive their great pains and divine glories, reaching to reach similar tonalities of the soul, to be possessed by Dionysus and his ancient drunkenness, Luciferian, that makes dance in the solitude of forests and lost from a solar age, laughing and crying at the same time. And this is not achieved by the philosophers of the intellect or the beings 'of the flock'. For to achieve this, the Circle will have to be traversed for several eternities, again at the Gateway of the Moment, already predestined at noon. In addition, the doctrine of the Eternal Return is selective. As the initiatory practice Tantric Panshatattva is not for the paśu [animal], but only for some heroes or viryas, thus the Noon is reached by the 'Lords of the Earth' and by the poets of the Will to Power, predestined in a mysterious way to perform the Superman, that individualistic and aristocratic mutation. The 'herd', the vulgar, has nothing to do with all this, including here the scientists, technologists and most philosophers, politicians and government of the Kaliyuga. Nietzsche's description of the Eternal Return is found in some aphorisms that precede 'The Gay Science', Joyful Science, using Nietzsche the Provencal term, Occitan, from 'Gay'. Joyful Science will be that of the one who has accepted the Eternal Return of all things and has transmuted the values. The one of Superman. There is also a description in the schemes of 'The Will to Power'. In they all take hold, with genius that transcends their time, of the scientific knowledge and the mechanics of the time, which does not lose validity to the doctrine, let us say better to the revealed Idea, to the Revelation that, of somehow, it was also in the Pythagoreans, in their Aryan-Hyperborean form, differentiating itself from other elaborations made in the millennia of the East. Also would have been veiled in the Persian reformer Zarathustra. We are going to reproduce what Nietzsche has written about the Eternal Return. In the schemes of 'The Will to Power', he says: 'Everything returns and returns eternally; We can not escape this.
Miguel Serrano
Love is the world's superman.
Matshona Dhliwayo
People flocked like lemmings to the water's edge all across Michigan's vast coastline every pretty summer evening to watch the spectacular sunsets. They were marvelous spectacles, a fireworks display most nights- a kaleidoscope of color and light in the sky, white clouds turning cotton candy pink, Superman ice cream blue, and plum purple, the sun a giant fireball that seemed to melt in the water as it began to slink behind the wavy horizon. Sunsets are one of our simplest and most profound gifts, Sam remembered her grandma telling her years ago as they walked the shoreline looking for witches' stones- the ones with holes in them- or pretty Petoskeys to make matching necklaces. They remind us that we were blessed to have enjoyed a perfect day, and they provide hope that tomorrow will be even better. It's God's way of saying good night with His own brand of fireworks.
Viola Shipman (The Recipe Box)
I’m very glad, Herr Hitler, to hear you say this. There’s such a lot of nonsense talked about blond men, about the Nordic race, about the cult of Wotan and the spirit of the Edda, as if no one else on the globe had any right to exist, or at best to exist only in a second-class position, as subhuman creatures. Those idiotic windbags have no idea what harm their spouting causes. For all they do is arouse inferiority complexes and hatred in those who don’t happen to be lucky enough to be born blond, and so they divide the German Volk into two racial halves: the Germanic and the non-Germanic people.” “I’ve expressly and repeatedly forbidden this sort of thing!” Hitler interrupted, flaring up. “All that rubbish about the Thing places, the solstice festivals, the Midgard snake, and all the rest of the rubbish they dredge up from the German prehistory! Then they read Nietzsche with fifteen-year-old boys and, using incomprehensible quotations, paint a picture of the superman, exhorting the boys: ‘That is you – or that is what you are to become.
Otto Wagener (Hitler: Memoirs Of A Confidant)
They say it takes a hero to gaze unflinchingly past their childhood indoctrinations. But my father’s indoctrination was pure goodness. “Everyone is brainwashed,” my father says. “It just depends on what you wash your brain with.” He brainwashed me to want to be like him — a hero. He showed me that a hero can be like the moon, quietly impacting the changing tides of life while the world sleeps, without needing the sun splash of a public stage. From the day his disability attacked him until this very moment, my father walks with “abilities” far less than other mortal men. But it’s what’s on the inside that makes my Ta, or anyone, a Superman.
Levi Welton
They say it takes a hero to gaze unflinchingly past their childhood indoctrinations. But my father’s indoctrination was pure goodness. “Everyone is brainwashed,” my father says. “It just depends on what you wash your brain with.” He brainwashed me to want to be like him — a hero. He showed me that a hero can be like the moon, quietly impacting the changing tides of life while the world sleeps, without needing the sun splash of a public stage. From the day his disability attacked him until this very moment, my father walks with “abilities” far less than other mortal men. But it’s what’s on the inside that makes my Ta, or anyone, a Superman
Levi Welton
Whyte says, “Places designed with distrust get what they were looking for.
Evan Puschak (Escape into Meaning: Essays on Superman, Public Benches, and Other Obsessions)
The Chupacabra Sonnet Chihuahuas need guns for strength, They feel naked without concealed carry. To them I say, with all humility, Open your eyes muchacho - ¡chupacabra aquí! You may keep your gun, I won't say a word, But don't confuse them to be your safe haven. Own them in secret, but think of using them, And you'll face the wrath of this kraken. You may conceal, you may carry, if law allows, But dare not raise your gun at a reformador. To the wounded stranger I am ointment, But to the inhuman vermin I am volcano. Carrying a gun every moron feels like superman. Stand up to cruelty unarmed, then you are human.
Abhijit Naskar (High Voltage Habib: Gospel of Undoctrination)
In fact, Nietzsche would say that that human type in the process of becoming reality en masse is no sovereign superman but “the last man,” who does nothing but work. The new human type, standing exposed to excessive positivity without any defense, lacks all sovereignty. The depressive human being is an animal laborans that exploits itself—and it does so voluntarily, without external constraints. It is predator and prey at once.
Byung-Chul Han (The Burnout Society)
What we don't preserve will eventually vanish. What we have preserved says as much about us as it does about [the thing we preserved], what we recognize as significant.
Evan Puschak (Escape into Meaning: Essays on Superman, Public Benches, and Other Obsessions)
Shortly before four in the afternoon on the third Monday in the month of May, the people of the city of Metropolis learned the meaning of joy. They had no explanation for this feeling, and there were gaps in their knowledge of what had gone on in their lives so far that day. It was as though they were all waking up, or at least opening their eyes, for the first time in an awfully long time. The first thing many of them saw was the red-and-blue figure of Superman drawing a line across their sky, and he became the symbol of their joy. It felt like a miracle, though none could say why.
Elliot S. Maggin (Miracle Monday)
Henry and Wanda stand to Sophia’s left and inform the group they’re from Columbus, Ohio. “Go Buckeyes!” Henry says. He pulls his button-down apart at the chest like he’s Superman to reveal an Ohio State T-shirt underneath.
Elin Hilderbrand (Natural Selection)
I wonder if Connor’s DNA is superhuman too,” I mumble beneath my breath. And his eyes flit to me! I’m not making this up. Maybe he truly does have superhuman hearing. “Lo,” I say softly, breaking up his short conversation with Garrison. “Hmm?” he asks, swishing around the salsa with a chip. His other hand clutches my leg while I’m on his back. “Do you think Connor might be Batman or Superman?” Lo drops me. I land on my ass, and I gape up at him. “Lo!” It’s not the first time he’s dropped me mid-piggyback after I mentioned a DC character.
Krista Ritchie (Some Kind of Perfect (Calloway Sisters #5))
Flow is more than an optimal state of consciousness — one where we feel our best and perform our best — it also appears to be the only practical answer to the question: What is the meaning of life? Flow is what makes life worth living. “There are moments that stand out from the chaos of the everyday as shining beacons,” wrote Csikszentmihalyi, alongside psychologist Susan Jackson, in Flow in Sports. “In many ways, one might say that the whole effort of humankind through millennia of history has been to capture these fleeting moments of fulfillment and make them part of everyday existence.
Steven Kotler (The Rise of Superman: Decoding the Science of Ultimate Human Performance)
Once danger becomes its own reward, risk moves from a threat to be avoided to a challenge to be risen toward. An entirely new relationship with fear begins to develop. When risk is a challenge, fear becomes a compass — literally pointing people in the direction they need to go next (i.e., the direction that produces more flow). “If you’re interested in mastery,” says University of Cambridge, England, neuropsychologist Barbara Sahakian, “you have to learn this lesson. To really achieve anything, you have to be able to tolerate and enjoy risk. It has to become a challenge to look forward to. In all fields, to make exceptional discoveries you need risk — you’re just never going to have a breakthrough without it.
Steven Kotler (The Rise of Superman: Decoding the Science of Ultimate Human Performance)
For starters, risk is always relative. While some danger must be courted for flow, confrontations with mortality are not required. In fact, even physical risk itself is optional. A shy man need only cross the room to say hello to an attractive woman to trigger this rush. In casual conversation, merely telling someone the truth can serve the same purpose. “To reach flow,” explains Harvard psychiatrist Ned Hallowell, “one must be willing to take risks. The lover must lay bare his soul and risk rejection and humiliation to enter this state. The athlete must be willing to risk physical harm, even loss of life, to enter this state. The artist must be willing to be scorned and despised by critics and the public and still push on. And the average person — you and me — must be willing to fail, look foolish, and fall flat on our faces should we wish to enter this state.
Steven Kotler (The Rise of Superman: Decoding the Science of Ultimate Human Performance)
Adopting a “power pose” for one minute increases testosterone, decreases cortisol, and increases feelings of power and tolerance for risk—important biological determinants of confidence.A power pose is simply body language that is open and expansive, with chest out, shoulders back, and eyes looking straight ahead. Think Superman stance or William Wallace stepping out from the front line as if to say, “Come at me, bro.
Simon Marshall (The Brave Athlete: Calm the F*ck Down and Rise to the Occasion)
The humanistic beliefs, then, of most secular people should be recognized as exactly that—beliefs. They cannot be deduced logically or empirically from the natural, material world alone. If there is no transcendent reality beyond this life, then there is no value or meaning for anything.64 To hold that human beings are the product of nothing but the evolutionary process of the strong eating the weak, but then to insist that nonetheless every person has a human dignity to be honored—is an enormous leap of faith against all evidence to the contrary. Even Nietzsche, however, cannot escape his own scalpel. He blasted secular liberals for being inconsistent and cowardly. He believed that calls for social bonding and benevolence for the poor and weak meant “herd-like uniformity, the ruin of the noble spirit, and the ascendency of the masses.”65 He wanted to turn from the “banal creed” of modern liberalism to the tragic, warrior culture (the “Ubermensch” or “Superman”) of ancient times. He believed the new “Man of the Future” would have the courage to look into the bleakness of a universe without God and take no religious consolation. He would have the “noble spirit” to be “superbly self-fashioning” and not beholden to anyone else’s imposed moral standards.66 All of these declarations by Nietzsche compose, of course, a profoundly moral narrative. Why is the “noble spirit” noble? Why is it good to be courageous, and who says so? Why is it bad to be inconsistent? Where did such moral values come from, and what right does Nietzsche have, by his own philosophy, to label one way of living noble or good and other ways bad?67 In short, he can’t stop doing what he tells everyone else to stop doing. Thus, Eagleton observes, Nietzsche’s “Man of the Future” has not abolished God at all. “Like the Almighty, he rests upon nothing but himself.” We see that there is no truly irreligious human being. Nietzsche is calling people to worship themselves, to grant the same faith and authority to themselves that they once put in God. Even Nietzsche believes. “The autonomous, self-determining Superman is yet another piece of counterfeit theology.”68 We have seen that the secular humanism Nietzsche despised lacks a good grounding for its moral values.69 However, the even greater dangers of Nietzsche’s antihumanism are a matter of historical record. Peter Watson details how Nietzsche’s views were important inspirations in the twentieth century to totalitarian figures of both the Left and Right, of both Nazism and Stalinism.70
Timothy J. Keller (Making Sense of God: Finding God in the Modern World)
This saying of Nietzsche is well known: "Nicht fort sollst du dich pflanzen, sondern hinauf. Dazu helfe dir der Garten der Ehe." (Do not plant for the future but for the heights. May the garden of marriage help you in that.) It refers to the idea that today’s man is a mere form of transition whose only purpose is to prepare the birth of the "superman," being ready to sacrifice himself for him, and to withdraw at his arising. We have already done justice to the craze of the superman and this finalism that postpones the possession of an absolute meaning of existence to a hypothetical future humanity. But from the wordplay of Nietzsche’s saying, one can deduce the endorsement of a concept that marriage should serve to reproduce not "horizontally" (such is the meaning of fortpflanzen), simply breeding, but rather "vertically," toward the summit (hinauf pflanzen), elevating one’s own line. In fact, this would be the only higher justification of marriage and family. Today it is nonexistent, because of the objective existential situation of which we have spoken, and because of the processes of dissolution that have severed the profound ties that can spiritually unite the generations. Even a Catholic, Charles Peguy, had spoken of being a father as the "great adventure of modem man," given the utter uncertainty of what his own offspring may be, given the improbability that in our day the child might receive anything more than mere "life" from the father. I have already emphasized that it is not about having or not having that paternal quality, not only physical, that existed in the ancient family and that grounded his authority. Even if this quality were still present—and, in principle, one should assume that it could still be present in the differentiated man—it would be paralyzed by the presence of a refractory and dissociated material in the younger generation. As we have said, the state of the modem masses is by now such that, even if figures having the stature of true leaders were to appear, they would be the last to be followed. Thus one should not deceive oneself about the formation and education still possible for an offspring born in an environment like that of present society, even if the father were such in a more than legal sense.
Julius Evola (Ride the Tiger: A Survival Manual for the Aristocrats of the Soul)
Bottom line, though, was: my dad was my hero. In fact, he was my superhero: whenever we would go for walks, I would say “you be Superman and I’ll be Batman
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
Now many people have tried to offer reverse ontological arguments (what we might call 'Bizarro' arguments after Superman’s Doppelgänger) in order to undercut one’s intuitive justification for believing that (1) [It is possible that a maximally great being (aka God) exists.] You can appeal to any sort of world in which God does not exist, whether it be a world with nothing in it, or a single particle...or a world with lots of particles...So long as someone stipulates that ONLY such things exist, one rules out God and, hence, maximal greatness. I think the problem with all such Bizarro ontological arguments is that the second premise 2) But there is a possible world in which God does not exist...begs the question by assuming that the concept of maximal greatness is incoherent. Just because we can imagine a world in which a single particle (or whatever) exists gives no reason for thinking that such a world is metaphysically possible... To do that, you have to know first that maximal greatness is impossible. Now you might think, 'But isn’t the theist in the same boat? For him to know that it is possible that a maximally great being exists, he must presuppose or know first that it is impossible that only a single particle exists.' Not at all! The theist’s confidence in (1) is based upon the intuitive coherence of maximal greatness, considered in and of itself. He then infers that a world with only a single particle or whatever is impossible. It is a conclusion from, not a presupposition of, the ontological argument. By contrast, the bizarro objection is based, not on the admittedly intuitive possibility of a particle (say, a quark or a boson), considered in and of itself, but rather on the world’s consisting wholly of such a particle. The possibility of that speculation is not given to you by the possibility of the particle itself but requires the incoherence of maximal greatness.
William Lane Craig
Did you ever say yes to a pleasure? oh my friends, then you also said yes to all pain. all things are linked, entwined, in love with one another.
Nico Neruda (Nietzsche: 365 Profound Quotes from the Superman of Philosophy)
Finding Superman In today’s vernacular, Yeshua’s Way is indeed the way of superheroes. In this sense, was He not the first superhero, and we now His apprentices, born into His identity and learning to fly? Would we not rush to see and experience this truth about Yeshua, our Father, and ourselves through the power of the Holy Spirit? Think of yourself as Superman or Superwoman. If Superman were to forget that he’s Superman, he would only be Clark Kent and Clark Kent can’t fly. Only Superman can fly. And having forgotten that he’s actually Superman, Clark no longer knows he can fly. How then does Clark Kent go about flying again? Someone would need to tap Clark Kent on the shoulder and say, “Umm . . . excuse me, but you’re Superman. If you take off that shirt and tie (surrender them) you’ll find you’re clothed in another suit in which you can fly.” Then Clark Kent would need to believe this is true. Only then could he go about the business of rushing to the phone booth, letting go of his old Clark Kent costume, and fly once more as Superman. In the same way, we who are clothed in Christ have great power and none greater than to love—without which, to quote Paul, the rest is nothing. But only in surrendering the old business suit do we see who we really are. Who are you being right now, at this moment? Do you want to “fly” again? Or maybe you want to fly for the first time, because our life ‘flying’ is loving God with all your heart, loving yourself as you are loved, and loving all others as yourself. As much, it is operating in the dimension unbound by space and time, called the miraculous.
Ted Dekker (Waking Up: To The Way of Love)
all pain is an opportunity for growth and that without it we would become stagnant. She would say “even though you may not believe it, you are stronger than anything that comes upon you. Something will always come to knock you down and sometimes guess what? You’re going to fall. That’s life. The winning is simply in getting back up and moving on. Sooner or later the pain will either go away or become bearable. And sometimes, the thing that has you so messed up today is not even a memory a year from now. You just have to hold on.
Beverly James (And Along Came Superman)
The female editor chairing the session considered this for a moment, then said, “Well, you know, rape’s been very good to us, but do you have a new angle on the rape thing?” On one level, her statement was understandable given the scandals and tabloid-style sex stories that drove sales of People magazine in the ’80s. But for me, hearing a woman say “rape’s been very good to us” was life-changing. I believe there is a trapdoor under all of us that has a single pin keeping it closed; it only takes one nudge, at the right time, to pop it open. With that comment, my pin was pushed, the trapdoor opened, and I fell through.
J. Michael Straczynski (Becoming Superman: My Journey from Poverty to Hollywood)
HELPING KIDS MANAGE EMOTIONAL FLASHBACKS This list is for social workers, teachers, relatives, neighbors and friends to help children from traumatizing families. It is adapted from the steps at the beginning of this chapter. Depending on the age of the child, some steps will be more appropriate than others. Even if you are not in a position to help other kids, please read this list at least once for the benefit of your own inner child. Help the child develop an awareness of flashbacks [inside “owies”]: “When have you felt like this before? Is this how it feels when someone is being mean to you?” Demonstrate that “Feeling in danger does not always mean you are in danger.” Teach that some places are safer than others. Use a soft, easy tone of voice: “Maybe you can relax a little with me.” “You’re safe here with me.” “No one can hurt you here.” Model that there are adults interested in his care and protection. Aim to become the child’s first safe relationship. Connect the child with other safe nurturing adults, groups, or clubs. Speak soothingly and reassuringly to the child. Balance “Love & Limits:” 5 positives for each negative. Set limits kindly. Guide the child’s mind back into her body to reduce hyper-vigilance and hyperarousal. a. Teach systemic relaxation of all major muscle groups b. Teach deep, slow diaphragmatic breathing c. Encourage slowing down to reduce fear-increasing rushing d. Teach calming centering practices like drawing, Aikido, Tai Chi, yoga, stretching e. Identify and encourage retreat to safe places Teach “use-your-words.” In some families it’s dangerous to talk. Verbal ventilation releases pain and fear, and restores coping skills. Facilitate grieving the death of feeling safe. Abuse and neglect beget sadness and anger. Crying releases fear. Venting anger in a way that doesn’t hurt the person or others creates a sense of safety. Shrink the Inner Critic. Make the brain more user-friendly. Heighten awareness of negative self-talk and fear-based fantasizing. Teach thought-stopping and thought substitution: Help the child build a memorized list of his qualities, assets, successes, resources. Help the child identify her 4F type & its positive side. Use metaphors, songs, cartoons or movie characters. Fight: Power Rangers; Flight: Roadrunner, Bob the Builder; Freeze: Avatar; Fawn: Grover. Educate about the right/need to have boundaries, to say no, to protest unfairness, to seek the protection of responsible adults. Identify and avoid dangerous people, places and activities. [Superman avoids Kryptonite. Shaq and Derek Jeter don’t do drugs.] Deconstruct eternity thinking. Create vivid pictures of attainable futures that are safer, friendlier, and more prosperous. Cite examples of comparable success stories.
Pete Walker (Complex PTSD: From Surviving to Thriving)
Then here is a question by Mrs. Baynes: "There seems to be a growing conviction in our world that it is heroic to murder for the sake of the cause one is serving, and lily-livered to be held back by the thought of what that means. Has the pathological element in Nietzsche's idea of the pale criminal helped to foster this point of view?" Well, it is generally said that Nietzsche was at the bottom of the world war and the new revolution in Germany, and so on. Nietzsche himself would be highly astonished to hear such news. He surely never dreamt that he would be called the father of all this modern political evil. That really comes more from the misunderstanding to which Nietzsche is exposed. For he made one considerable mistake which of course would not be generally considered a mistake. But I call it a mistake that he ever published Zarathustra. That is a book which ought not to be published; it should be reserved for people who have undergone a very careful training in the psychology of the unconscious. Only then, having given evidence of not being overthrown by what the unconscious occasionally says, should people have access to the book. For in Zarathustra we have to deal with a partial revelation of the unconscious. It is full of inspiration, of the immediate manifestation of the unconscious, and therefore should be read with due preparation, with due knowledge of the style and the intentions of the unconscious. If a man reads Zarathustra unprepared, with all the naive presuppositions of our actual civilization, he must necessarily draw wrong conclusions as to the meaning of the "Superman," "the Blond Beast," "the Pale Criminal," and so on. And such people will surely draw such conclusions as murder-for-the-sake-of-the-cause. Many suicides have felt themselves justified by Zarathustra — as any damned nonsense can be justified by Zarathustra. So it is generally assumed that Nietzsche is at the bottom of a whole host of evils on account of his immoral teaching, while as a matter of fact, Nietzsche himself and his teaching are exceedingly moral, but only to people who really understand how to read it. Jung, C. G.. Nietzsche's Zarathustra: Notes of the Seminar given in 1934-1939. Two Volumes: 1-2, unabridged (Jung Seminars) (p. 475-476). Princeton University Press.
C.G. Jung (Nietzsche's Zarathustra: Notes of the Seminar given in 1934-1939 C.G. Jung)