Superficial Charm Quotes

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Charm is often despised but I can never see why. No one has it who isn't capable of genuinely liking others, at least at the actual moment of meeting and speaking. Charm is always genuine; it may be superficial but it isn't false.
P.D. James (The Children of Men)
Anya looked upon Nin admirably. Having him as a partner-in-crime—if only on this one occasion, which she hoped would only be the start of something more—was more revitalizing than the cheap thrills of a cookie-cutter shallow, superficial romance, where the top priority was how beautiful a person was on the outside.
Jess C. Scott (The Other Side of Life)
Traits that are common among psychopathic serial killers--a grandiose sense of self-worth, persuasiveness, superficial charm, ruthlessness, lack of remorse, and the manipulation of others--are also shared by politicians and world leaders.
Kevin Dutton (The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success)
Do women feel anything more keenly than curiosity? No, they will go to any lengths to find out, to know,to feel, what they have always dreamed of! Once their excited curiosity has been aroused, women will stoop to anything, commit any folly, take any risks. They stop at nothing. I am speaking of women who are real women, who operate on three different levels. Superficially cool and rational, they have three secret compartments: the first is constantly full of womanly fret and anxiety; the second is a sort of innocent guile, like the fearsome sophistry of the self-righteous; and the last is filled with an engaging dishonesty, a charming deviousness, a consummate duplicity, with all those perverse qualities in fact that can drive a foolish, unwary love to suicide, but which by others may be judged quite delightful.
Guy de Maupassant
The cult of self dominates our cultural landscape. This cult has within it the classic traits of psychopaths: superficial charm, grandiosity, and self-importance; a need for constant stimulation, a penchant for lying, deception, and manipulation, and the inability to feel remorse or guilt. This is, of course, the ethic promoted by corporations. It is the ethic of unfettered capitalism. It is the misguided belief that personal style and personal advancement, mistaken for individualism, are the same as democratic equality. In fact, personal style, defined by the commodities we buy or consume, has become a compensation for our loss of democratic equality. We have a right, in the cult of the self, to get whatever we desire. We can do anything, even belittle and destroy those around us, including our friends, to make money, to be happy, and to become famous. Once fame and wealth are achieved, they become their own justification, their own morality. How one gets there is irrelevant. Once you get there, those questions are no longer asked.
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
The emptiness of the narcissist often means that they are only focused on whatever is useful or interesting to them at the moment. If at that moment it is interesting for them to tell you they love you, they do. It’s not really a long game to them, and when the next interesting issue comes up, they attend to that. The objectification of others—viewing other people as objects useful to his needs—can also play a role. When you are the only thing in the room, or the most interesting thing in the room, then the narcissist’s charisma and charm can leave you convinced that you are his everything. The problem is that this is typically superficial regard, and that superficiality results in inconsistency, and emotions for the narcissistic person range from intense to detached on a regular basis. This vacillation between intensity and detachment can be observed in the narcissist’s relationships with people (acquaintances, friends, family, and partners), work, and experiences. A healthy relationship should feel like a safe harbor in your life. Life throws us enough curve balls in the shape of money problems, work issues, medical issues, household issues, and even the weather. Sadly, a relationship with a narcissist can be one more source of chaos in your life, rather than a place of comfort and consistency.
Ramani Durvasula (Should I Stay or Should I Go?: Surviving a Relationship with a Narcissist)
No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with itshideous fires, you will feel it, you will feel it terribly.Now, wherever you go, you charm the world. Will it always be so? . . . You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius-- is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it.You smile? Ah! when you have lost it you won't smile. . . . People say sometimes that beauty is only superficial.That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders.It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible. . . . Yes, Mr. Gray, the gods have been good to you.But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully.When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats.Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth while you have it. Don't squander the gold of your days,listening to the tedious, trying to improve the hopeless failure,or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals,of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing. . . . A new Hedonism-- that is what our century wants. You might be its visible symbol.With your personality there is nothing you could not do.The world belongs to you for a season. . . . The moment I met you I saw that you were quite unconscious of what you really are, of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself.I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last--such a little time.The common hill-flowers wither, but they blossom again.The laburnum will be as yellow next June as it is now.In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but youth!
Oscar Wilde (The Picture of Dorian Gray)
Traits that are common among psychopathic serial killers, Kouri observes—a grandiose sense of self-worth, persuasiveness, superficial charm, ruthlessness, lack of remorse, and the manipulation of others—are also shared by politicians and world leaders: individuals running not from the police, but for office. Such a profile, notes Kouri, allows those who present with it to do what they like when they like, completely unfazed by the social, moral, or legal consequences of their actions.
Kevin Dutton (The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success)
the superficial charm, the servile chatter that makes a favorable impression on a visitor, but that often cloaks an ineducable incompetence.
Marcel Proust (Swann's Way (In Search of Lost Time, #1))
Their analysis revealed that a number of psychopathic attributes were actually more common in business leaders than in so-called disturbed criminals--attributes such as superficial charm, egocentricity, persuasiveness, lack of empathy, independence, and focus--and the main difference between the groups was in the more "antisocial" aspects of the syndrome: the criminals' lawbreaking, physical aggression, and impulsivity dials were cranked up higher.
Kevin Dutton (The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success)
Yoga has been superficially misunderstood by certain Western writers, but its critics have never been its practitioners. Among many thoughtful tributes to yoga may be mentioned one by Dr. C. G. Jung, the famous Swiss psychologist. “When a religious method recommends itself as ‘scientific,’ it can be certain of its public in the West. Yoga fulfills this expectation,” Dr. Jung writes.10 “Quite apart from the charm of the new and the fascination of the half-understood, there is good cause for Yoga to have many adherents. It offers the possibility of controllable experience and thus satisfies the scientific need for ‘facts’; and, besides this, by reason of its breadth and depth, its venerable age, its doctrine and method, which include every phase of life, it promises undreamed-of possibilities. “Every religious or philosophical practice means a psychological discipline, that is, a method of mental hygiene. The manifold, purely bodily procedures of Yoga11 also mean a physiological hygiene which is superior to ordinary gymnastics and breathing exercises, inasmuch as it is not merely mechanistic and scientific, but also philosophical; in its training of the parts of the body, it unites them with the whole of the spirit, as is quite clear, for instance, in the Pranayama exercises where Prana is both the breath and the universal dynamics of the cosmos…. “Yoga practice...would be ineffectual without the concepts on which Yoga is based. It combines the bodily and the spiritual in an extraordinarily complete way. “In the East, where these ideas and practices have developed, and where for several thousand years an unbroken tradition has created the necessary spiritual foundations, Yoga is, as I can readily believe, the perfect and appropriate method of fusing body and mind together so that they form a unity which is scarcely to be questioned. This unity creates a psychological disposition which makes possible intuitions that transcend consciousness.
Paramahansa Yogananda (Autobiography of a Yogi (Self-Realization Fellowship))
Psychopaths lack empathy, have a superficial charm and a grandiose sense of self-worth, and are pathological liars. As well, they are cunning and manipulative, lack remorse, are emotionally shallow, refuse to accept responsibility for their actions, and indulge in a parasitic lifestyle.
Catherine Gildiner (Good Morning, Monster: A Therapist Shares Five Heroic Stories of Emotional Recovery)
While Annabel possessed the sylphid grace of a fairy-tale princess, unstudied and seemingly spontaneous, yet with a dreamy air, Willy presented a dramatic contrast: brash, brusque, heavy-jawed, with eyes that engaged too directly, and too often ironically. Willy’s considerable charm was at first obscured, to the superficial eye, by a certain stolidity in her figure, as in her character.
Joyce Carol Oates (The Accursed (The Gothic Saga, #5))
It’s a job, just like any other one, as long as it’s voluntary – which it was, on my part. The thing is, older men have always been especially fond of me. I’m naturally charming. I thought that I could have a lot of things that I wanted at once – no emotional involvement, lots of fun adventures with people in different environments, socialization and conversation – things that are so superficial but I would master them, I would become so skilled at this superficiality that it would be like acting in a play. I’m a certain person during certain hours. As this person I get to have so many new adventures, and hone the craft of seduction, which is one of the ultimate skills a person can have. Great courtesans during history were very knowledgeable about a variety of subjects and spoke multiple languages and such. They were able to seduce because they had great minds, along with their looks.
Mia Wolfe (Jessica's Secret)
They make a key distinction between psychopathy and sociopathy, describing the psychopath as an individual who maintains no sense of morality or empathy (while manifesting traits such as superficial charm and lack of remorse), while the sociopath does have a sense of morality and a conscience but does not maintain a sense of right and wrong as held by their culture. In other words, they know what constitutes moral and decent conduct toward other people but choose not to engage in such conduct.
Ramani S. Durvasula ("Don't You Know Who I Am?": How to Stay Sane in an Era of Narcissism, Entitlement, and Incivility)
Their analysis revealed that a number of psychopathic attributes were actually more common in business leaders than in so-called ‘disturbed’ criminals – attributes such as superficial charm, egocentricity, persuasiveness, lack of empathy, independence and focus – and that the main difference between the groups was in the more ‘antisocial’ aspects of the syndrome: the criminals’ law-breaking, physical aggression and impulsivity dials (to return to our analogy of earlier) were cranked up higher.
Kevin Dutton (The Wisdom of Psychopaths)
You could pretend that Guenever was a sort of man-eating lioncelle herself, or that she was one of those selfish women who insist on ruling everywhere. In fact, this is what she did seem to be to a superficial inspection. She was beautiful, sanguine, hot-tempered, demanding, impulsive, acquisitive, charming - she had all the proper qualities for a man-eater. But the rock on which these easy explanations founder, is that she was not promiscuous. There was never anybody in her life except Lancelot and Arthur. She never ate anybody except these. And even these she did not eat in the full sense of the word. People who have been digested by a man-eating lioncelle tend to become nonentities - to live no life except within the vitals of the devourer. Yet both Arthur and Lancelot, the people whom she apparently devoured, lived full lives, and accomplished things of their own. She lived in warlike times, when the lives of young people were as short as those of airmen in the twentieth century. In such times, the elderly moralists are content to relax their moral laws a little, in return for being defended. The condemned pilots, with their lust for life and love which is probably to be lost so soon, touch the hearts of young women, or possibly call up an answering bravado. Generosity, courage, honesty, pity, the faculty to look short life in the face - certainly comradeship and tenderness - these qualities may explain why Guenever took Lancelot as well as Arthur. It was courage more than anything else - the courage to take and give from the heart, while there was time. Poets are always urging women to have this kind of courage. She gathered her rose-buds while she might, and the striking thing was that she only gathered two of them, which she kept always, and that those two were the best.
T.H. White (The Ill-Made Knight (The Once and Future King, #3))
Because it was impossible, he allowed himself to imagine, just once, what it would be like to face Laurent as a man . . . if there had been no animosity between their countries, Laurent journeying to Akielos as part of an embassy, Damen’s attention superficially caught by the blond hair. They’d attend banquets and sports together, and Laurent . . . he had seen Laurent with those he cultivated, charming and edged without being lethal; and he was honest enough with himself to admit that if he had encountered Laurent in that mode, all golden lashes and needling remarks, he might well have found himself in some danger.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
In fact, psychopaths are only rarely violent or psychotic. Standard in psychopathy, however, is the display of more cunning traits such as Machiavellian egocentricity, demonstrating pathological lying, being manipulative, superficial charm, living a parasitic lifestyle, displaying a calculated ability to regulate one’s own behavior in order to exploit others for personal gain, in addition to a grandiose sense of self-worth, failing to accept responsibility for personal actions, blame externalization, and having unconcern for the feelings of others. Traits that are all ordinary in communists, socialists, and fascists.
Mikkel Clair Nissen (Manipulism and the Weapon of Guilt: Collectivism Exposed)
This is the tragedy of the madwoman. She whips us, and we achieve things. And so we think the whipping is why we achieved things and we’ll never achieve anything without the whipping. This is the most common reason we hear when people resist self-compassion. They’re worried that if they stop beating themselves up, they’ll lose all motivation, they’ll just sit around watching Real Housewives of Anywhere and eating Lucky Charms in a bowl full of Bud Light. This argument doesn’t stand up to even the most superficial investigation. Are we really working toward our goals only because we’ll torture ourselves if we stop, so that as soon as we put down the whip we’ll sink into eternal apathy? Of course not. In fact, it’s the opposite: We only whip ourselves because our goals matter so much that we’re willing to suffer this self-inflicted pain if that’s what it takes. And we believe that because we’ve always done it that way, it must be why we’ve accomplished as much as we have. Diligent practice of self-compassion works; it lowers stress hormones and improves mood.8 And many years of research have confirmed that self-forgiveness is associated with greater physical and mental well-being.9 All without diminishing your motivation to do the things that matter to you.
Emily Nagoski (Burnout: The Secret to Unlocking the Stress Cycle)
Here, reader, thou must pardon us if we stop a while to lament the capriciousness of Nature in forming this charming part of the creation designed to complete the happiness of man; with their soft innocence to allay his ferocity, with their sprightliness to soothe his cares, and with their constant friendship to relieve all the troubles and disappointments which can happen to him. Seeing then that these are the blessings chiefly sought after and generally found in every wife, how must we lament that disposition in these lovely creatures which leads them to prefer in their favour those individuals of the other sex who do not seem intended by nature as so great a masterpiece! For surely, however useful they may be in the creation, as we are taught that nothing, not even a louse, is made in vain, yet these beaus, even that most splendid and honoured part which in this our island nature loves to distinguish in red, are not, as some think, the noblest work of the Creator. For my own part, let any man chuse to himself two beaus, let them be captains or colonels, as well-dressed men as ever lived, I would venture to oppose a single Sir Isaac Newton, a Shakespear, a Milton, or perhaps some few others, to both these beaus; nay, and I very much doubt whether it had not been better for the world in general that neither of these beaus had ever been born than that it should have wanted the benefit arising to it from the labour of any one of those persons. If this be true, how melancholy must be the consideration that any single beau, especially if he have but half a yard of ribbon in his hat, shall weigh heavier in the scale of female affection than twenty Sir Isaac Newtons!
Henry Fielding (Jonathan Wild)
what is a psychopath? The short version.” “A person who is superficially charming and well-spoken; demonstrates inflated self-esteem, arrogance, and a sense of superiority; is consistently deceitful and prone to pathological lying; is cunning and manipulative, maneuvering others for his or her own personal gain; has no remorse and feels no guilt; is callous, inconsiderate, and unconcerned by the pain and suffering of others; shows shallow affect, demonstrating a limited range and depth of emotional responses and feelings; exhibits minimal fear responses and a disinclination to change behavior in response to pain or negative social stimuli; and gets bored easily, needing constant stimulation.
Paul Draker (Pyramid Lake)
Yoga has been superficially misunderstood by certain Western writers, but its critics have never been its practitioners. Among many thoughtful tributes to yoga may be mentioned one by Dr. C. G. Jung, the famous Swiss psychologist. “When a religious method recommends itself as ‘scientific,’ it can be certain of its public in the West. Yoga fulfills this expectation,” Dr. Jung writes (7). “Quite apart from the charm of the new, and the fascination of the half-understood, there is good cause for Yoga to have many adherents. It offers the possibility of controllable experience, and thus satisfies the scientific need of ‘facts,’ and besides this, by reason of its breadth and depth, its venerable age, its doctrine and method, which include every phase of life, it promises undreamed-of possibilities. “Every religious or philosophical practice means a psychological discipline, that is, a method of mental hygiene. The manifold, purely bodily procedures of Yoga (8) also mean a physiological hygiene which is superior to ordinary gymnastics and breathing exercises, inasmuch as it is not merely mechanistic and scientific, but also philosophical; in its training of the parts of the body, it unites them with the whole of the spirit, as is quite clear, for instance, in the Pranayama exercises where Prana is both the breath and the universal dynamics of the cosmos. “When the thing which the individual is doing is also a cosmic event, the effect experienced in the body (the innervation), unites with the emotion of the spirit (the universal idea), and out of this there develops a lively unity which no technique, however scientific, can produce. Yoga practice is unthinkable, and would also be ineffectual, without the concepts on which Yoga is based. It combines the bodily and the spiritual with each other in an extraordinarily complete way. “In the East, where these ideas and practices have developed, and where for several thousand years an unbroken tradition has created the necessary spiritual foundations, Yoga is, as I can readily believe, the perfect and appropriate method of fusing body and mind together so that they form a unity which is scarcely to be questioned. This unity creates a psychological disposition which makes possible intuitions that transcend consciousness.” The Western day is indeed nearing when the inner science of self- control will be found as necessary as the outer conquest of nature. This new Atomic Age will see men’s minds sobered and broadened by the now scientifically indisputable truth that matter is in reality a concentrate of energy. Finer forces of the human mind can and must liberate energies greater than those within stones and metals, lest the material atomic giant, newly unleashed, turn on the world in mindless destruction (9).
Paramahansa Yogananda (Autobiography of a Yogi (Illustrated and Annotated Edition))
There presently exist three recognized conceptualizations of the antisocial construct: antisocial personality disorder (ASPD) as outlined in the Diagnostic and Statistical Manual of Mental Disorders (DSM-5; American Psychiatric Association, 2013), dissocial personality disorder in the International Classification of Diseases (ICD-10; World Health Organization, 1992), and psychopathy as formalized by Hare with the Psychopathy Checklist—Revised (PCL-R; Hare, 2003). A conundrum for therapists is that these conceptualizations are overlapping but not identical, emphasizing different symptom clusters. The DSM-5 emphasizes the overt conduct of the patient through a criteria set that includes criminal behavior, lying, reckless and impulsive behavior, aggression, and irresponsibility in the areas of work and finances. In contrast, the criteria set for dissocial personality disorder is less focused on conduct and includes a mixture of cognitive signs (e.g., a tendency to blame others, an attitude of irresponsibility), affective signs (e.g., callousness, inability to feel guilt, low frustration tolerance), and interpersonal signs (e.g., tendency to form relationships but not maintain them). The signs and symptoms of psychopathy are more complex and are an almost equal blend of the conduct and interpersonal/affective aspects of functioning. The two higher-order factors of the PCL-R reflect this blend. Factor 1, Interpersonal/Affective, includes signs such as superficial charm, pathological lying, manipulation, grandiosity, lack of remorse and empathy, and shallow affect. Factor 2, Lifestyle/Antisocial, includes thrill seeking, impulsivity, irresponsibility, varied criminal activity, and disinhibited behavior (Hare & Neumann, 2008). Psychopathy can be regarded as the most severe of the three disorders. Patients with psychopathy would be expected to also meet criteria for ASPD or dissocial personality disorder, but not everyone diagnosed with ASPD or dissocial personality disorder will have psychopathy (Hare, 1996; Ogloff, 2006). As noted by Ogloff (2006), the distinctions among the three antisocial conceptualizations are such that findings based on one diagnostic group are not necessarily applicable to the others and produce different prevalence rates in justice-involved populations. Adding a further layer of complexity, therapists will encounter patients who possess a mixture of features from all three diagnostic systems rather than a prototypical presentation of any one disorder.
Aaron T. Beck (Cognitive Therapy of Personality Disorders)
Let us go and sit in the shade," said Lord Henry. "Parker has brought out the drinks, and if you stay any longer in this glare, you will be quite spoiled, and Basil will never paint you again. You really must not allow yourself to become sunburnt. It would be unbecoming." "What can it matter?" cried Dorian Gray, laughing, as he sat down on the seat at the end of the garden. "It should matter everything to you, Mr. Gray." "Why?" "Because you have the most marvellous youth, and youth is the one thing worth having." "I don't feel that, Lord Henry." "No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with its hideous fires, you will feel it, you will feel it terribly. Now, wherever you go, you charm the world. Will it always be so? ... You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius--is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it. You smile? Ah! when you have lost it you won't smile.... People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders. It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible.... Yes, Mr. Gray, the gods have been good to you. But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats. Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals, of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing.... A new Hedonism--that is what our century wants. You might be its visible symbol. With your personality there is nothing you could not do. The world belongs to you for a season.... The moment I met you I saw that you were quite unconscious of what you really are, of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself. I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last--such a little time. The common hill-flowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but youth!
Oscar Wilde (The Picture of Dorian Gray)
Rule by decree has conspicuous advantages for the domination of far-flung territories with heterogeneous populations and for a policy of oppression. Its efficiency is superior simply because it ignores all intermediary stages between issuance and application, and because it prevents political reasoning by the people through the withholding of information. It can easily overcome the variety of local customs and need not rely on the necessarily slow process of development of general law. It is most helpful for the establishment of a centralized administration because it overrides automatically all matters of local autonomy. If rule by good laws has sometimes been called the rule of wisdom, rule by appropriate decrees may rightly be called the rule of cleverness. For it is clever to reckon with ulterior motives and aims, and it is wise to understand and create by deduction from generally accepted principles. Government by bureaucracy has to be distinguished from the mere outgrowth and deformation of civil services which frequently accompanied the decline of the nation-state—as, notably, in France. There the administration has survived all changes in regime since the Revolution, entrenched itself like a parasite in the body politic, developed its own class interests, and become a useless organism whose only purpose appears to be chicanery and prevention of normal economic and political development. There are of course many superficial similarities between the two types of bureaucracy, especially if one pays too much attention to the striking psychological similarity of petty officials. But if the French people have made the very serious mistake of accepting their administration as a necessary evil, they have never committed the fatal error of allowing it to rule the country—even though the consequence has been that nobody rules it. The French atmosphere of government has become one of inefficiency and vexation; but it has not created and aura of pseudomysticism. And it is this pseudomysticism that is the stamp of bureaucracy when it becomes a form of government. Since the people it dominates never really know why something is happening, and a rational interpretation of laws does not exist, there remains only one thing that counts, the brutal naked event itself. What happens to one then becomes subject to an interpretation whose possibilities are endless, unlimited by reason and unhampered by knowledge. Within the framework of such endless interpretive speculation, so characteristic of all branches of Russian pre-revolutionary literature, the whole texture of life and world assume a mysterious secrecy and depth. There is a dangerous charm in this aura because of its seemingly inexhaustible richness; interpretation of suffering has a much larger range than that of action for the former goes on in the inwardness of the soul and releases all the possibilities of human imagination, whereas the latter is consistently checked, and possibly led into absurdity, by outward consequence and controllable experience.
Hannah Arendt (The Origins of Totalitarianism)
MY DEAR MISS BROOKE,—I have your guardian's permission to address you on a subject than which I have none more at heart. I am not, I trust, mistaken in the recognition of some deeper correspondence than that of date in the fact that a consciousness of need in my own life had arisen contemporaneously with the possibility of my becoming acquainted with you. For in the first hour of meeting you, I had an impression of your eminent and perhaps exclusive fitness to supply that need (connected, I may say, with such activity of the affections as even the preoccupations of a work too special to be abdicated could not uninterruptedly dissimulate); and each succeeding opportunity for observation has given the impression an added depth by convincing me more emphatically of that fitness which I had preconceived, and thus evoking more decisively those affections to which I have but now referred. Our conversations have, I think, made sufficiently clear to you the tenor of my life and purposes: a tenor unsuited, I am aware, to the commoner order of minds. But I have discerned in you an elevation of thought and a capability of devotedness, which I had hitherto not conceived to be compatible either with the early bloom of youth or with those graces of sex that may be said at once to win and to confer distinction when combined, as they notably are in you, with the mental qualities above indicated. It was, I confess, beyond my hope to meet with this rare combination of elements both solid and attractive, adapted to supply aid in graver labors and to cast a charm over vacant hours; and but for the event of my introduction to you (which, let me again say, I trust not to be superficially coincident with foreshadowing needs, but providentially related thereto as stages towards the completion of a life's plan), I should presumably have gone on to the last without any attempt to lighten my solitariness by a matrimonial union. Such, my dear Miss Brooke, is the accurate statement of my feelings; and I rely on your kind indulgence in venturing now to ask you how far your own are of a nature to confirm my happy presentiment. To be accepted by you as your husband and the earthly guardian of your welfare, I should regard as the highest of providential gifts. In return I can at least offer you an affection hitherto unwasted, and the faithful consecration of a life which, however short in the sequel, has no backward pages whereon, if you choose to turn them, you will find records such as might justly cause you either bitterness or shame. I await the expression of your sentiments with an anxiety which it would be the part of wisdom (were it possible) to divert by a more arduous labor than usual. But in this order of experience I am still young, and in looking forward to an unfavorable possibility I cannot but feel that resignation to solitude will be more difficult after the temporary illumination of hope. In any case, I shall remain,     Yours with sincere devotion,      EDWARD CASAUBON
George Eliot (Middlemarch)
No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with its hideous fires, you will feel it, you will feel it terribly. Now, wherever you go, you charm the world. Will it always be so? ... You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius--is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it. You smile? Ah! when you have lost it you won't smile.... People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders. It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible.... Yes, Mr. Gray, the gods have been good to you. But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats. Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals, of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing.... A new Hedonism--that is what our century wants. You might be its visible symbol. With your personality there is nothing you could not do. The world belongs to you for a season.... The moment I met you I saw that you were quite unconscious of what you really are, of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself. I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last--such a little time. The common hill-flowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but youth!
Oscar Wilde (The Picture of Dorian Gray)
David was no chameleon, but he could adapt himself adroitly and with charm. He was also adept at discouraging bores who tried to presume on a superficial acquaintanceship. Without being rude he arranged it so they ceased to exist. I saw this happen several times, and was much amused.
Ralph Ricketts
Despite our bad reputation, sociopaths are categorically known for our exceptional, albeit superficial, charm.
M.E. Thomas (Confessions of a Sociopath: A Life Spent Hiding in Plain Sight)
many psychopaths hold down important jobs. Key characteristics of psychopathy include pathological lying, a lack of remorse and a high degree of superficial charm, and it is these traits that enable a psychopath to hide in plain sight. He (or she) might adopt a persona and play the role so well that those associated with him (or her) have no concept of the true lack of emotion that exists beneath the well-thought-out personality that has been adopted. Maggie
Rachel Abbott (Kill Me Again (DCI Tom Douglas, #5))
Key characteristics of psychopathy include pathological lying, a lack of remorse and a high degree of superficial charm, and it is these traits that enable a psychopath to hide in plain sight. He (or she) might adopt a persona and play the role so well that those associated with him (or her) have no concept of the true lack of emotion that exists beneath the well-thought-out personality that has been adopted.
Rachel Abbott (Kill Me Again (DCI Tom Douglas, #5))
Glibness/superficial charm. Grandiose sense of self-worth. Pathological lying. Cunning/manipulative. Lack of remorse or guilt. Callous/lack of empathy. Failure to accept responsibility for his own actions. Psychopaths and narcissists never admit they are in the wrong, even when faced with contradictory, completely overwhelming evidence against them – unless it suits a purpose in their manipulative scheme of things. Indeed, in all of my years of working with psychopaths, never once have I heard a word of contrition from any of them, and I have got right inside their heads in doing so. Consciously or subconsciously, none of these deviants wanted to get arrested
Christopher Berry-Dee (Talking With Psychopaths - A journey into the evil mind)
Charm is often despised but I can never see why. No one has it who isn’t capable of genuinely liking others, at least at the actual moment of meeting and speaking. Charm is always genuine; it may be superficial but it isn’t false.
P.D. James (The Children of Men)
Sociopaths are the guys who get into brutal bar fights; psychopaths are better as hired assassins who leave no trace. The rage of psychopaths tends to be more quietly menacing. They wear a cold smile that hides the terror that they will perpetrate when they are ready. Sociopaths are messy and bombastic with their rage. Both patterns are similar. A significant proportion of psychopaths were raised in homes and settings characterized by violence and neglect, but psychopaths tend to be more coolly efficient and interpersonally skilled, so they may appear as glib and superficially charming. They are much more skilled at manipulating people and, as such, psychopaths make better criminals than sociopaths do, perhaps because, according to researchers like Robert Hare, they really do not have a grasp on that which is “morally right,” which makes it a bit more seamlessly simple to violate laws and norms.
Ramani S. Durvasula ("Don't You Know Who I Am?": How to Stay Sane in an Era of Narcissism, Entitlement, and Incivility)
Both patterns are similar. A significant proportion of psychopaths were raised in homes and settings characterized by violence and neglect, but psychopaths tend to be more coolly efficient and interpersonally skilled, so they may appear as glib and superficially charming. They are much more skilled at manipulating people and, as such, psychopaths make better criminals than sociopaths do, perhaps because, according to researchers like Robert Hare, they really do not have a grasp on that which is “morally right,” which makes it a bit more seamlessly simple to violate laws and norms.
Ramani S. Durvasula ("Don't You Know Who I Am?": How to Stay Sane in an Era of Narcissism, Entitlement, and Incivility)
No one has it who isn’t capable of genuinely liking others, at least at the actual moment of meeting and speaking. Charm is always genuine; it may be superficial but it isn’t false.
Laurell K. Hamilton (Anita Blake, Vampire Hunter Collection 16-19 (Anita Blake, Vampire Hunter, #16-19))
... the following example for this type of neurotic love relation to be found frequently today fleals with men who in their emotional development have remained stuck in an infantile attachment to mother. These are men who have never been weaned as it were from mother. These men still feel like children; they want mother's protection, love, warmth, care, and admiration; they want mother's unconditional love, a love which is given for no other reason than that they need it, that they are mother's child, that they are helpless. Such men frequently are quite affectionate and charming if they try to induce a woman to love them, and even after they have succeeded in this. But their relationship to the woman (as, in fact, to all othe people) remains superficial and irresponsible. Their aim is to be loved, not to love. There is usually a good deal of vanity in this type of man, more or less hidden grandiose ideas. If they have found the right woman, they feel secure, on top of the world, and can display a great deal of affection and charm, and this is the reason why these men are often so deceptive. But when, after a while, the woman does not continue to live up to their phantastic expectations, conflicts and resentment start to develop. If the woman is not always admiring them, if she makes claims for a life of her own, if She wants to be loved and protected herself, and in extreme cases, if she is not willing to condone his love affairs with other women (or even have an admiring interest in them), the man feels deeply hurt and disappointed, and usually rationalizes this feeling with the idea that the woman 'does not love him, is selfish, or is domineering'. Anything short of the attitude of a loving mother toward a charming child is taken as proof of a lack of love. These men usually confuse their affectionate behavior, their wish to please, with genuine love and thus arrive at the conclusion that they are being treated quite unfairly; they imagine themselves to be the great lovers and complain bitterly about the ingratitude of their love partner. In rare cases such a mother-centered person can function without any severe disturbances. If his mother, in fact, 'loved' him in an overprotective manner (perhaps being domineering, but without being destructive), if he finds a wife of the same motherly type, if his special gifts and talents permit him to use his charm and be admired (as is the case sometimes with successful politicians), he is 'well adjusted' in a social sense, without ever reaching a higher level of maturity. But under less favorable conditions -and these are naturally more frequent- his love life, if not his social life, will be a serious disappointment; conflicts, and frequently intense anxiety and depression arise when this type of personality is left alone.
Erich Fromm (The Art of Loving)
I was hoping Lady Anders might do me the honor of the supper waltz,” Hazlit said. The smile he aimed at Helene dazzled, for all it didn’t reach his eyes. “I promised this set to my brother,” Lady Helene replied, her show of regret equally superficial. “Perhaps you’d lead Miss Windham out in my stead? She’s been sitting here this age, good enough to keep a widow company amid all this gaiety.” Maggie glanced at her friend but saw only devilment in Helene’s eyes. “Lady Magdalene?” Hazlit held out a gloved hand. “May I have this dance?” The smile dimmed on his handsome face, and his gaze held hers. As much to get away from his inspection as anything, Maggie put her hand in his and rose. “I would be honored.” “Lady Helene, my thanks,” he said, holding up his left hand for Maggie to place her fingers over his knuckles. And it would be a blasted waltz. “You do not look honored,” he said, leading her to a position on the floor. “You look like you’re plotting the end of an association with Lady Anders.” “Helene has a peculiar sense of humor, but she knows I will retaliate at some point. I’ll make her dance with His Grace or perhaps with Deene.” “That would set tongues wagging.” He held out his left hand for Maggie to place her right in it. When she hesitated, he put her left hand on his shoulder, and took her right in his. “Really, Lady Magdalene, am I so offensive as all that? Your parents allow me under their roof, and your sister was happy enough to marry my half brother.” His hand at her waist was warm, even through her gown and stays. “You enjoy being difficult,” Maggie said as the orchestra began the introduction. “It isn’t becoming in a grown man. I’d take offense but I suspect you’re like this with most everybody.” “I can be charming.” “When it suits your purpose,” she said as the music began. “That isn’t charm, Mr. Hazlit. That is guile.” His
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
Zero Empathy It has already been mentioned but it still can’t be stressed enough. Narcissists have zero empathy, meaning that they also feel no remorse for their evil deeds. They are egocentric, never apologize, don’t know how to apologize; are expert story- tellers, present themselves as having high morals, are untruthful and manipulative, have superficial charm and an imposed sense of (false/ fake) social grace or philosophy, and feign like, love or care to get what they want. They can make themselves appear as the hero with superior morality when in reality they are evil, heartless and cold inside. An extreme narcissist truly has no shame or problem with ruining someone else’s life.
Theresa J. Covert (Divorcing and Healing from a Narcissist: Emotional and Narcissistic Abuse Recovery. Co-parenting after an Emotionally destructive Marriage and Splitting up with with a toxic ex)
Psychopaths lack empathy, have a superficial charm and a grandiose sense of self-worth, and are pathological liars. As
Catherine Gildiner (Good Morning, Monster: A Therapist Shares Five Heroic Stories of Emotional Recovery)
she thinks that everyone is much stupider than her. She’s a classic sociopath: she’s charming and manipulative, she believes she’s entitled, she never genuinely feels guilt, and when she offers an apology, it’s superficial. She mimics happiness and she can probably mimic love.
Ilona Andrews (Magic Rises (Kate Daniels, #6))
Wrote Kennan after the war: “The truth is—there is no avoiding it— that Franklin Roosevelt, for all his charm and for all his skill as a political leader, was, when it came to foreign policy, a very superficial man, ignorant, dilettantish, with a severely limited intellectual horizon.
Lynne Olson (A Question of Honor: The Kosciuszko Squadron: Forgotten Heroes of World War II)
... the function of giving enjoyment and pleasure leads any sensate art at is decadent stage to degrade one of its own socio-cultural values to a mere means of sensual enjoyment on the level of 'wine, women and song'. Second, in its endeavour to portay reality as it appears to our senses, it becomes the art of pregressively thinner and more illusory surfaces instead of reflecting the essence of sensory phenomena. Thus it is destined to become ever more superficial, puerile, empty and misleading. Third, in its quest for sensory and sensational 'hits', for stimulation and excitement as the necessary conditions for sensory enjoyment, it is increasingly and fatally deflected from positive to negative phenomena — from ordinary types and events to those which are pathological, from the fresh air of normal socio-cultural reality to the social sewers, until it becomes a museum of pathology and of negative aspects of sensory reality. Fourth, its charming diversity impels it to seek ever-greater variety, until all harmony, unity and balance are submerged in an ocean of incoherency and chaos. Fifth, this diversity, together with the effort to give pleasure, and to stimulate, leads to an increasing complication of technical means; and this, in turn, tends to make of these instrumentalities an end in themselves — one which is pursued to the detriment of the inner value and quality of fine arts. Sixth, sensate art, as we have seen, is the art of the professional artists creating for the public. Such specialization, while in itself a distintic advantage, results, in the later phases of sensate culture, in the separation of artists from the community — a factor from whichboth parties suffer, as well as the fine arts themselves.
Pitirim A. Sorokin
These people are often charismatic, sexy, entertaining and have a superficial charm that allows them to seduce people.
Angela Marsons (Evil Games (DI Kim Stone, #2))
When a person is usually superficially charming but unempathetic, entitled, and disrespectful, then on a bad day is really nasty, doesn’t apologize, and blames you, that is more likely to be narcissism.
Ramani Durvasula (It's Not You: Identifying and Healing from Narcissistic People)