Superb Girl Quotes

We've searched our database for all the quotes and captions related to Superb Girl. Here they are! All 19 of them:

To many, I was myth incarnate, the embodiment of a most superb legend, a fairy tale. Some considered me a monster, a mutation. To my great misfortune, I was once mistaken for an angel. To my mother, I was everything. To my father, nothing at all. To my grandmother, I was a daily reminder of loves long lost. But I knew the truth—deep down, I always did. I was just a girl.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
Ah! my poor Bahorel, she is a superb girl, very literary, with tiny feet, little hands, she dresses well, and is white and dimpled, with the eyes of a fortune-teller. I am wild over her.
Victor Hugo
Whereas I could conform to an emo crowd easily enough, pretending to matriculate from upper crust asshats was too surreal. Goose insisted my stellar attitude and superb language skills had to be put on hold while we were inside the building, which meant to had to keep my big fat cow shut. It was the equivalent of asking a little girl not to scream the first time she was personally introduced to Hannah Montana.
J.A. Saare (Dead, Undead, or Somewhere in Between (Rhiannon's Law, #1))
Mary never made it to the board meeting. Cunning Elizabeth simply arranged for her cousin's tennis instructor to "delay" her for an hour or two. The man was evidently a superb athlete, though it was entirely Mary's fault that she fell asleep afterwards. Elizabeth took control of the company that very afternoon, by a vote of six to one, while a sated Mary slept. And the silly girl never knew what hit her.
Barbara Taylor Bradford (Being Elizabeth (Ravenscar, #3))
When we read certain portions of “Leaves of Grass” we seem to see a vast phalanx of Great Companions passing for ever along the cosmic roads, stalwart Pioneers of the Universe. There are superb young men, athletic girls, splendid and savage old men—for the weak seem to have perished by the roadside.
H. Havelock Ellis
Ant then, opening her eyes, how fresh like frilled linen clean from a laundry, laid in wicker trays the roses looked; and dark and prim the red carnations, holding their heads up; and all the sweet peas spreading in their bowls, tinged violet, snow white, pale - as if it were the evening and girls in muslin frocks came out to pick sweet peas and roses after the superb summer's day, with its almost blue-black sky, its delphiniums, its carnations, its arum lilies was over; and it was the moment between six and seven when every flower - roses, carnations, irises, lilac - glows; white, violet, red, deep orange; every flower seems to burn by itself, softly, purely in the misty beds; and how she loved the grey-white moths spinning in and out, over the cherry pie, over the evening primroses!
Virginia Woolf (Mrs. Dalloway)
Suddenly, opposite the Théâtre des Variétés, I saw a profile to my liking. A good head and a full figure. I was charmed, and said ‘By Jove! What a fine girl!’ “It only remained for me to see her face. A woman’s face is the dessert, while the rest is ... the roast. “I hastened on and overtook her, and she turned around suddenly under a gas lamp. She was charming, quite young, dark, with large black eyes, and I immediately invited her to supper. She accepted without any hesitation, and a quarter of an hour later we were sitting at supper in my lodgings. ‘Oh, how comfortable it is here!’ she said as she came in, and she looked about her with evident satisfaction at having found a supper and a room on that bitter night. She was superb, so beautiful that she astonished me, and her figure fairly captivated me.
Guy de Maupassant (A Very French Christmas: The Greatest French Holiday Stories of All Time))
CHILDHOOD I That idol, black eyes and yellow mop, without parents or court, nobler than Mexican and Flemish fables; his domain, insolent azure and verdure, runs over beaches called by the shipless waves, names ferociously Greek, Slav, Celt. At the border of the forest—dream flowers tinkle, flash, and flare,—the girl with orange lips, knees crossed in the clear flood that gushes from the fields, nakedness shaded, traversed, dressed by rainbow, flora, sea. Ladies who stroll on terraces adjacent to the sea; baby girls and giantesses, superb blacks in the verdigris moss, jewels upright on the rich ground of groves and little thawed gardens,—young mothers and big sisters with eyes full of pilgrimages, sultanas, princesses tyrannical of costume and carriage, little foreign misses and young ladies gently unhappy. What boredom, the hour of the “dear body” and “dear heart.” II
Arthur Rimbaud (Illuminations: Prose poems (New Directions Paperbook, No. 56))
Alice's Cutie Code TM Version 2.1 - Colour Expansion Pack (aka Because this stuff won’t stop being confusing and my friends are mean edition) From Red to Green, with all the colours in between (wait, okay, that rhymes, but green to red makes more sense. Dang.) From Green to Red, with all the colours in between Friend Sampling Group: Fennie, Casey, Logan, Aisha and Jocelyn Green  Friends’ Reaction: Induces a minimum amount of warm and fuzzies. If you don’t say “aw”, you’re “dead inside”  My Reaction: Sort of agree with friends minus the “dead inside” but because that’s a really awful thing to say. Puppies are a good example. So is Walter Bishop. Green-Yellow  Friends’ Reaction: A noticeable step up from Green warm and fuzzies. Transitioning from cute to slightly attractive. Acceptable crush material. “Kissing.”  My Reaction: A good dance song. Inspirational nature photos. Stuff that makes me laugh. Pairing: Madison and Allen from splash Yellow  Friends’ Reaction: Something that makes you super happy but you don’t know why. “Really pretty, but not too pretty.” Acceptable dating material. People you’d want to “bang on sight.”  My Reaction: Love songs for sure! Cookies for some reason or a really good meal. Makes me feel like it’s possible to hold sunshine, I think. Character: Maxon from the selection series. Music: Carly Rae Jepsen Yellow-Orange  Friends’ Reaction: (When asked for non-sexual examples, no one had an answer. From an objective perspective, *pushes up glasses* this is the breaking point. Answers definitely skew toward romantic or sexual after this.)  My Reaction: Something that really gets me in my feels. Also art – oil paintings of landscapes in particular. (What is with me and scenery? Maybe I should take an art class) Character: Dean Winchester. Model: Liu Wren. Orange  Friends’ Reaction: “So pretty it makes you jealous. Or gay.”  “Definitely agree about the gay part. No homo, though. There’s just some really hot dudes out there.”(Feenie’s side-eye was so intense while the others were answering this part LOLOLOLOLOL.) A really good first date with someone you’d want to see again.  My Reaction: People I would consider very beautiful. A near-perfect season finale. I’ve also cried at this level, which was interesting. o Possible tie-in to romantic feels? Not sure yet. Orange-Red  Friends’ Reaction: “When lust and love collide.” “That Japanese saying ‘koi no yokan.’ It’s kind of like love at first sight but not really. You meet someone and you know you two have a future, like someday you’ll fall in love. Just not right now.” (<-- I like this answer best, yes.) “If I really, really like a girl and I’m interested in her as a person, guess. I’d be cool if she liked the same games as me so we could play together.”  My Reaction: Something that gives me chills or has that time-stopping factor. Lots of staring. An extremely well-decorated room. Singers who have really good voices and can hit and hold superb high notes, like Whitney Houston. Model: Jasmine Tooke. Paring: Abbie and Ichabod from Sleepy Hollow o Romantic thoughts? Someday my prince (or princess, because who am I kidding?) will come? Red (aka the most controversial code)  Friends’ Reaction: “Panty-dropping levels” (<-- wtf Casey???).  “Naked girls.” ”Ryan. And ripped dudes who like to cook topless.”  “K-pop and anime girls.” (<-- Dear. God. The whole table went silent after he said that. Jocelyn was SO UNCOMFORTABLE but tried to hide it OMG it was bad. Fennie literally tried to slap some sense into him.)  My Reaction: Uncontrollable staring. Urge to touch is strong, which I must fight because not everyone is cool with that. There may even be slack-jawed drooling involved. I think that’s what would happen. I’ve never seen or experienced anything that I would give Red to.
Claire Kann (Let's Talk About Love)
You are the epitome of every desire or dream I’ve conceived of since before I can remember, and that is a very specific kind of torment. An unparalleled beauty, a superb lover, a woman of grace and kindness and intellect whom I can only respect and admire. A fantasy in the flesh, here in my house. With my name.
Kerrigan Byrne (Seducing a Stranger (Goode Girls #1))
She talked to Sidelnikov, and all the material on the serf composer is here. His name was Maxim Sasontovich Beriozovsky, and he was born on 16 October 1745 in Glukhov. In 1765 he was sent to the Musical Academy of Bologna, where he studied under Padre Tartini the Elder, who was a pupil of Mozart. He became an honorary member of the Bologna Academy, as well as being a member of other musical academies. He wrote the opera Demophones, based on texts by Metastasio, for the Livorno Opera. He composed a great deal of superb music and became very well known in Italy In 1774 he returned to Russia at the wish of Potyomkin, who proposed that he found a musical academy in Kremenschug. He fell in love with a serf actress belonging to Count Razoumovsky. When the Count heard of it he raped the girl and dispatched her to Siberia. Beriozovsky went to St. Petersburg where he started to drink heavily and in 1777 took his own life. In Bologna there lives someone called Napoleone Fonti, aged seventy, who knows a lot about Beriozovsky and what happened to him. His scores are in Bologna and Livorno
Andrei Tarkovsky
Li Chengjing finally realized the feelings of Ruan-shi, Huo Xue-shi, Huo Changyuan and others when they . faced Cheng Yujin's tongue. This girl was too superb with her words and had the ability to render her opponents truly speechless. Anything he said would come back biting at him, but staying silent was not an option either. Li Chengjing completely gave up casoning. Instead, he reached out and pulled Cheng Yujin into his embrace as he spoke to her softly, "Alright, whatever you say is correct. I cannot argue with you. But the matter of concubines is totally wronging me. Listen until I finish first before you scold me again, okay?
Greetings ninth uncle
Nevertheless, it strikes me more and more that America’s reputation for materialism is unfounded—that is, if a materialist is a person who thoroughly enjoys the physical world and loves material things. In this sense, we are superb materialists when it comes to the construction of jet aircraft, but when we decorate the inside of these magnificent monsters for the comfort of passengers it is nothing but frippery. High-heeled, narrow-hipped, doll-type girls serving imitation, warmed-over meals. For our pleasures are not material pleasures but symbols of pleasure—attractively packaged but inferior in content.
Alan W. Watts (The Book on the Taboo Against Knowing Who You Are)
Nevertheless, it strikes me more and more that America’s reputation for materialism is unfounded—that is, if a materialist is a person who thoroughly enjoys the physical world and loves material things. In this sense, we are superb materialists when it comes to the construction of jet aircraft, but when we decorate the inside of these magnificent monsters for the comfort of passengers it is nothing but frippery. High-heeled, narrow-hipped, doll-type girls serving imitation, warmed-over meals. For our pleasures are not material pleasures but symbols of pleasure—attractively packaged but inferior in content. The explanation is simple: most of our products are being made by people who do not enjoy making them, whether as owners or workers. Their aim in the enterprise is not the product but money, and therefore every trick is used to cut the cost of production and hoodwink the buyer, by coloring and packaging chicanery, into the belief that the product is well and truly made. The only exceptions are those products which simply must be excellent for reasons of safety or high cost of purchase—aircraft, computers, space-rockets, scientific instruments, and so forth. But the whole scheme is a vicious circle, for when you have made the money what will you buy with it? Other pretentious fakes made by other money-mad manufacturers. The
Alan W. Watts (The Book: On the Taboo Against Knowing Who You Are)
Do they this often?” Kassandra asked, unable to draw her eyes from the men. “Often enough,” Joanna replied softly. “They are superb, are they not?” Kassandra watched a little longer before she nodded. “It is as well they are not enemies.” The men locked swords just as Royce happened to be facing the balcony. The moment he saw the women, he stepped away, disengaging with a quick word to Alex, who turned and looked up. “You are back,” Alex said as he joined Royce in lowering his sword. “How was Gunter’s?” “Sticky,” Joanna replied. “We were very bad. Are you done?” “Yes, of course,” Royce said. “I hope we didn’t disturb you.” He looked to Kassandra as he spoke. She returned his scrutiny calmly despite the sudden, rapid beating of her heart. With difficulty, she dragged her gaze away and followed Joanna down the steps from the balcony. As the women emerged into the gallery, Joanna said, “Why ever would I be disturbed by the sight of my husband and my brother seemingly intent on skewering each other?” “You know it is only play,” Alex said, a touch defensively. “It relaxes us.” “I would hate to see how you fight when you are not relaxed,” Joanna rejoined, but tenderly. Between these two flowed a love and understanding so absolute that Kassandra felt compelled to look away lest she trespass even inadvertently in a realm where only they belonged. Royce must have felt the same, for after a quick glance, he turned his attention to Kassandra. “And what did you think of your excursion?” “It was wonderful. Everything was as I imagined, only more so.” “You will make enthusiasm the fashion.” “Will I?” she asked, scarcely aware of what she said, for awareness of him overwhelmed all else. He stood, sword in hand, the damp fabric of his shirt revealing the powerful, sculpted muscles of his chest and arms. He looked, she thought, uncannily like the warriors she and every other young Akoran girl had peeked at during illicit visits to the training fields, giggling behind their hands even as they goggled appreciatively. Yet he was British from the top of his golden head to the bottom of his brilliantly polished boots.
Josie Litton (Kingdom Of Moonlight (Akora, #2))
As a man, I was a failure. A pathetic teacher lusting after Catholic school girls in short skirts. As a monster, I'm superb. It's comforting to know my place in the world.
Thomm Quackenbush (Danse Macabre (Night's Dream, #2))
On faisait tourner en boucle "Girl from the North Country" (surtout dans la version live de Sing Sing avec Johnny Cash), "I want you" et "Just like a woman". Sans compter l'indicible bonheur avec lequel, après quelques chopes de vin rouge, on trimardait dans le cimetière en braillant "oisive jeunesse, à tout asservie, par délicatesse j'ai perdu ma vie", surtout que venait de paraître la superbe traduction de Petre Solomon, je crois, "trândavă junețe, roabă orișicui, din delicatețe, viața mi-o pierdui… un jour viendra, quand nous nous aimerons." [Ne puneam de zeci de ori "Girl from the North Country" (în special în varianta concertului de la Sing Sing cu Johnny Cash), "I want you" și "Just like a woman". Asta, ca să nu mai spun de indicibila fericire cu care, după câteva stacane de vin roșu, haihuiam prin cimitir urlând "oisive jeunesse, à tout asservie, par délicatesse j'ai perdu ma vie", mai cu seamă că apăruse superba traducere  — a lui Petre Solomon, cred — "trândavă junețe, roabă orișicui, din delicatețe, viața mi-o pierdui… O să vină-o zi, când ne vom iubi"] (p. 90-91)
Daniel Cristea-Enache (Cartea ca destin. Daniel Cristea-Enache în dialog cu Dan C. Mihăilescu)
Mopai's stories draw us into the lives of South Africans- from a lesbian couple trying to survive homophobia, to a woman living with albinism and insists on staring down at misogynist violence in many forms- from sex-for-grade abuse in college campuses to the way patriarchal societies pits women against each other to the way such patriarchy limits men's lives too. She is a superb storyteller and I'm eager to see what she does next.
Mona Eltahawy (The Seven Necessary Sins for Women and Girls)
took my parents for granted, and my nurse was simply warmth, sugar biscuits, hot milk and safety to me. Connie was the first human being outside myself to whom my heart flew out. She was about my own size and wore a blue cashmere frock which, as was usual for baby girls in those days, came down to her feet. Her hair, which was yellow and like the down on a chicken, was cut short like a boy’s, and she had white button boots on her tiny feet. We were both supplied by nurse’s sister with a tin mug and a spoon, and I, copying Connie, walked round and round and round under the big kitchen table, rattling the spoon in the mug. It is difficult to describe the joy of that occasion. From where we stumped round under the table I could see the feet of Rose Francis and her sister pushed into cosy bedroom slippers and stretched out in front of a glowing fire in the kitchen range: I could see the bottom of their big white aprons, and their balls of wool (for they were evidently knitting) rolling down onto the floor from their laps from time to time, to be chased by a kitten who was playing in the hearth. But the superb thing was Connie herself, her fluff of canary hair, her sky-blue dress, her white boots, her odd staggering yet rhythmic gait, and the sound of the spoon rattling in her tin cup. I think that was the one and only time that I ever saw Connie, but I have never forgotten her, and the odd piercing joy of my first conscious awareness of what was, to me at all events, the sheer loveliness of another human being.
Caryll Houselander (A Rocking Horse Catholic (Illustrated))