Sunshine On My Face Quotes

We've searched our database for all the quotes and captions related to Sunshine On My Face. Here they are! All 100 of them:

I need to be alone. I need to ponder my shame and my despair in seclusion; I need the sunshine and the paving stones of the streets without companions, without conversation, face to face with myself, with only the music of my heart for company.
Henry Miller (Tropic of Cancer (Tropic, #1))
I call you sunshine,' he whispers and brushes his knuckles down my face, 'because when you smile, you light me up inside.
Kristen Proby (Rock with Me (With Me in Seattle, #4))
Tuck," I breathe, and then he kisses me. I've been kissed before. But nothing like this. He kisses me with surprising tenderness, for all of his gusty talk. Still cupping my face, he gently brushes his lips against mine, slowly, like he's memorizing what I feel like. My eyes close. My head swims with his smell, grass and sunshine and musky cologne. He kisses me again, a litte more firmly, and then he pulls back to look down into my face.
Cynthia Hand
I am a free man―and I need my freedom. I need to be alone. I need to ponder my shame and my despair in seclusion; I need the sunshine and the paving stones of the streets without companions, without conversation, face to face with myself, with only the music of my heart for company. What do you want of me? When I have something to say, I put it in print. When I have something to give, I give it. Your prying curiosity turns my stomach! Your compliments humiliate me! Your tea poisons me! I owe nothing to any one. I would be responsible to God alone―if He existed!
Henry Miller (Tropic of Cancer (Tropic, #1))
Looking for Your Face From the beginning of my life I have been looking for your face but today I have seen it Today I have seen the charm, the beauty, the unfathomable grace of the face that I was looking for Today I have found you and those who laughed and scorned me yesterday are sorry that they were not looking as I did I am bewildered by the magnificence of your beauty and wish to see you with a hundred eyes My heart has burned with passion and has searched forever for this wondrous beauty that I now behold I am ashamed to call this love human and afraid of God to call it divine Your fragrant breath like the morning breeze has come to the stillness of the garden You have breathed new life into me I have become your sunshine and also your shadow My soul is screaming in ecstasy Every fiber of my being is in love with you Your effulgence has lit a fire in my heart and you have made radiant for me the earth and sky My arrow of love has arrived at the target I am in the house of mercy and my heart is a place of prayer
Jalal ad-Din Muhammad ar-Rumi (The Love Poems of Rumi)
i am a free man— and i need my freedom. i need to be alone. i need to ponder my shame and my despair in seclusion; i need the sunshine and the paving stones of the streets without companions, without conversation, face to face with myself, with only the music of my heart for company.
Henry Miller
I’m always nice. And I don’t scare people.' Ashley smiled sweetly and patted my back where her hand was resting. 'Of course not, sweetie. You’re always sunshine and rainbows.' I was going to sunshine and rainbows her face if she didn’t watch it.
Tammy Blackwell (Time Mends (Timber Wolves Trilogy, #2))
I am a free man—and I need my freedom. I need to be alone. I need to ponder my shame and my despair in seclusion; I need the sunshine and the paving stones of the streets without companions, without conversation, face to face with myself, with only the music of my heart for company. What do you want of me? When I have something to say, I put it in print. When I have something to give, I give it. Your prying curiosity turns my stomach! Your compliments humiliate me! Your tea poisons me! I owe nothing to any one. I would be responsible to God alone—if He existed!
Giovanni Papini (Un uomo finito)
So who is she? No wait, let me guess. Skin of the finest porcelain. Hair of the softest silk. A voice like birdsong, a smile like sunshine, and a mouth that would sate your brightest and darkest wishes. "You've met her?" "Oh yes, my friend. We all know her. We've all pursued her. Some of us have even been lucky enough to have her. We've been drunk on her sin, become fools of her favor. she might have borne a different face each time, but her name was always the same. Trouble.
Alethea Kontis (Enchanted (Woodcutter Sisters, #1; Books of Arilland, #1))
Honey, there’s not a single woman in this town who doesn’t know about Sanctuary, Land of the Bodacious Gods. Heck, me and my girlfriends want to get together and vote Mama Lo an award for her policy against hiring any man not seriously buff…Not that you’re not buff. You can certainly hold your own against the Sanctuary Hotties. But face it, haven’t you ever noticed that this place is like Hooters for women? (Sunshine) No, I can honestly say that I’ve never noticed how good-looking the men at Sanctuary are. Nor have I ever cared. (Talon)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
As long as I can hear the sweet melody of your words, I need not; The angel’s secret, to be whispered in my ears As long as I can lace your silky fingers round my own, I need not; Pretty diamonds, nor big cash nor gold As long as I can watch the handsome sunshine of your face, I need not; Open skies, nor snowfall, nor the rain As long as I can gaze into the emeralds of your eyes, I need not; New colors, new wings or paradise As long as I can feel the tender tickle of your breath, I need not; The drifting wind, nor its call, nor caress As long as I can feel your soft lips upon mine, I need not; Melted sugar, nor the most expensive of wines As long as I can feel your warm body close to me I need not; A blanket, nor a bonfire's luxury As long as I can see you every morning I wake, I need not; A mirror, nor a cloud, nor shade As long as I can keep you in every petal of memories I need not: Dreams, nor desires, nor fantasies And as long as I can hold you in every moment that I breathe, I need not; Oxygen, nor blood, nor heartbeats.
Sanober Khan
Nora Stephens,” he says, “I’ve racked my brain and this is the best I can come up with, so I really hope you like it.” His gaze lifts, everything about it, about his face, about his posture, about him made up of sharp edges and jagged bits and shadows, all of it familiar, all of it perfect. Not for someone else, maybe, but for me. “I move back to New York,” he says. “I get another editing job, or maybe take up agenting, or try writing again. You work your way up at Loggia, and we’re both busy all the time, and down in Sunshine Falls, Libby runs the local business she saved, and my parents spoil your nieces like the grandkids they so desperately want, and Brendan probably doesn’t get much better at fishing, but he gets to relax and even take paid vacations with your sister and their kids. And you and I—we go out to dinner. “Wherever you want, whenever you want. We have a lot of fun being city people, and we’re happy. You let me love you as much as I know I can, for as long as I know I can, and you have it fucking all. That’s it. That’s the best I could come up with, and I really fucking hope you say—” I kiss him then, like there isn’t someone reading one of the Bridgerton novels five feet away, like we’ve just found each other on a deserted island after months apart. My hands in his hair, my tongue catching on his teeth, his palms sliding around behind me and squeezing me to him in the most thoroughly public groping we’ve managed yet. “I love you, Nora,” he says when we pull apart a few inches to breathe. “I think I love everything about you.
Emily Henry (Book Lovers)
JUST FOR TODAY, I will live through this day only. I will not brood about yesterday or obsess about tomorrow. I will not set far-reaching goals or try to overcome all of my problems at once. I know that I can do something for 24 hours that would overwhelm me if I had to keep it up for a lifetime. JUST FOR TODAY, I will be happy. I will not dwell on thoughts that depress me. If my mind fills with clouds, I will chase them away and fill it with sunshine. JUST FOR TODAY, I will accept what is. I will face reality. I will correct those things that I can correct and accept those I cannot. JUST FOR TODAY, I will improve my mind. I will read something that requires effort, thought and concentration. I will not be a mental loafer. JUST FOR TODAY, I will make a conscious effort to be agreeable. I will be kind and courteous to those who cross my path, and I'll not speak ill of others. I will improve my appearance, speak softly, and not interrupt when someone else is talking. Just for today, I will refrain from improving anybody but myself. JUST FOR TODAY, I will do something positive to improve my health. If I'm a smoker, I'll quit. If I'm overweight, I will eat healthfully -- if only for today. And not only that, I will get off the couch and take a brisk walk, even if it's only around the block. JUST FOR TODAY, I will gather the courage to do what is right and take the responsibility for my own actions.
Abigail Van Buren
This is the swamp as I see it, but what I can’t capture on canvas is you as I see you. No brush or paint will ever show the hero that you are. It will never be able to portray the sound of your voice when you whisper my name. The way my skin tingles when you touch me. The passion of you inside me. I love you, Talon. I know that I can’t keep you. No one can ever tame a wild beast. You have a job to do and so do I. I only hope that when you think of me, it’ll bring a smile to your face. Love always, Sunshine. (Sunshine's note)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
I’m in control. But it’s a lie, because now I’ve tasted him. His lips are salty-sweet with yesterday’s laughter … digging in the black sands beneath Wonderland’s sunshine, playing leapfrog atop mushroom caps, and resting in the shade of black satin wings. I try to shake off the spell, but he angles his face and deepens the kiss. “Embrace me … embrace your destiny.” He breaks the barrier of my lips, touching his tongue to mine, a sensation too wickedly delicious to deny. As our tongues entwine, his lullaby purrs through my blood and bones, carrying me to the stars. Behind closed eyes, I’m floating against a velvet sky, lungs filled with night air. On some level, I know I’m still in the middle of a fire-warmed chamber, yet my wings pantomime flight on a cool breeze. I’m dancing with Morpheus in the heavens, no longer imprisoned by gravity. Fluttering our wings in unison, we twist and whirl a weightless waltz among stars that coil and uncoil in feathery sparks high above Wonderland’s warped and wonderful landscapes. Each time we spin, then return to each other’s arms, I laugh, because at last I’m me. I’m a me I’ve longed to be in my innermost fantasies—spontaneous, impetuous, and seductive.
A.G. Howard (Splintered (Splintered, #1))
What did you see when you died?" He has that tenative half smile, like he's almost embarrassed by what he's saying. "Because I'm guessing it wasn't the Sea of Tranquility." And when I look at him, I'm not so sure it wasn't. “Where did you go?" His voice drops just slightly and loses even the suggestion of a smile. He's watching me like he's not sure he's allowed to ask the question, and he's not even sure he wants the answer. I can almost see his grandfather's words and Josh's doubts about them swimming in his head. On every side of me are the lights and the tools and the wood and the boots and the boy I want to see forever. And if the my Sea of Tranquility were real, it would be this place, here, with him. I don't say anything right away, because I just want one minute to look at his face before I give him my last secret. And then I tell him. "Your garage.
Katja Millay (The Sea of Tranquility)
Listen to me. I will spill my insides for you once only. We were three—I am the green, the growing, the day. I loved the moon, the silver night, and he loved the sunshine, fierce and hot, and she loved me because the sun must love the day. And the sun and I stood in a valley of stone and faced death, because we wanted to spare the night, who had suffered a thousand deaths already, and we didn't want him to bleed any more. But he would not allow it. He swooped from the sky and clenched death in both hands, and we wore his blood like skin.
Amy Lane (Wounded (Little Goddess, #2))
I wrapped my arms around his neck and my legs around his waist. “So we’re coming back for Thanksgiving next year, right?” Alex sighed. “Maybe.” In other words, yes. I beamed. “Maybe we could come up early and go apple pick—” “Don’t push your luck.” Fair enough. We’d go apple picking the year after next. Seven hundred-odd days should be enough time to convince him. “Alex?” “Yes, Sunshine?” “I love you.” His face softened. “I love you, too.” His lips brushed over mine before he whispered, “But don’t think that’ll save you from the spanking you’re getting once we’re back in the cabin.” A shiver of anticipation rippled through me. I couldn’t wait.
Ana Huang (Twisted Love (Twisted, #1))
The smile that spread across my face felt like sunshine warming me from the inside out
Caprice Crane (Forget About It)
yeah, sure, the sun will age my skin, and all these giggles and smiles with you will, over time, will crack up my face and give me wrinkles...sunshine, giggles, smiles, you? that's happiness, baby i'm living!
D. Bodhi Smith (Bodhi Simplique Impressionist Photography and Insights (#5))
Will took a deep breath. When he exhaled . . . I thought my eyes were playing tricks on me. We'd been in near-total darkness so long, I wasn't sure why Will's outline suddenly seemed clearer. I could see the texture of his jeans, the individual tufts of his hair, the blue of his eyes. His skin was glowing with a soft, warm golden light as if he'd ingested sunshine. 'Whoa,' Meg said. Rachel's eyebrows floated towards her hairline. Nico smirked. 'Friends, meet my glow-in-the-dark boyfriend.' 'Could you not make a big deal about it?' Will asked. I was speechless. How could anyone not make a big deal about this? As far as demigod powers went, glowing in the dark was perhaps not as showy as skeleton-summoning or tomato-vine mastery, but it was still impressive. And, like WIll's skill at healing, it was gentle, useful and exactly what we needed in a pinch. 'I'm so proud,' I said. Will's face turned the colour of sunlight shining through a glass of cranberry juice. 'Dad, I'm just glowing. I'm not graduating at the top of my class.' 'I'll be proud when you do that, too,' I assured him.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
I change the channel to another movie. An old one, but new to me. And, ironically, a thin, gorgeous blonde—Meg Ryan, maybe—rides her bike on a country road. She smiles like she has no cares in the world. Like no one ever judges her. Like her life is perfect. Wind through her hair and sunshine on her face. The only thing missing are the rainbows and butterflies and cartoon birds singing on her shoulder. Maybe I should grab my bike and try to catch up with Mom, Mike, and the kids. They can't be going very fast. I would love to feel like that, even if it's just for a second—free and peaceful and normal. Suddenly, there's a truck. It can't be headed toward Meg Ryan. Could it? Yes. Oh my God. No! Meg Ryan just got hit by that truck. Figures. See what happens when you exercise?
K.A. Barson (45 Pounds (More or Less))
But what my car needs is gas, not memories! How can you make a car go on memories?' B.D. scratched under her Admiral's hat. 'What'd you think gas was, girl? 'Course there's all sorts of fuel, wind and wishes and chocolate cake and collard greens and water and brawn, but you're wanting the kind that burns in an engine. That kind of gas is nothing more than the past stored up and fermented and kept down in the cellar of the earth till it's wanted. Gas is saved-up sunlight. Giant ferns and apples of immortality and dimetrodons and cyclopses and werewhales drank up the sun as it shone on their backs a million years ago and used it to be a bigger fern or make more werewhales or drop seeds of improbability.' Her otter's paws moved quick and sure, selecting a squat, square bottle here and a round rosy one there. 'It so happens sunshine has a fearful memory. It sticks around even after its favorite dimetrodon dies. Gets hard and wily. Turns into something you can touch, something you can drill, something you can pour. But it still remembers having one eye and slapping the ocean's face with a great heavy tail. It liked making more dinosaurs and growing a frond as tall as a bank. It likes to make things alive, to make things go.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
...somewhere, rational Sophie is thinking that it’s not such a good idea to let my guard down so much, the not so rational one just wants to act normal, have fun, and punch the rational Sophie in the face.
Nikki Rae (Sunshine (Sunshine, #1))
My aunt used to say grief was a lot like swimming in the ocean. On the good days, we could float on top with our heads above water, feeling the sunshine on our faces. But on the bad days, the water grew violent, and it was difficult not to get sucked under and drown. The only thing we could do was learn to be stronger swimmers.
Vi Keeland (Inappropriate)
He was now suddenly hot, as hot as if he’d been in a kitchen baking cinnamon rolls in August. I already knew vampires could sweat, under certain conditions, like being chained to a wall of a house with sunlight coming in through the windows. He was sweating again now. Some of his sweat fell on me. I’ve always rather liked sweat. On other occasions when I’ve had a naked, sweating male body up against mine, I’ve tended to feel that it meant he was getting into what was going on. This usually produces a similar enthusiasm in me. Not that there was anything going on…exactly. Yet. Remember how fast and suddenly this was all happening. And if he was in shock so was I. Maybe my brain hadn’t fully come with me in that zap through the void, like my clothes manifestly hadn’t. With a truly masterful erection now pressed against me I turned my head again and licked his sweating shoulder. What happened next probably lasted about ten seconds. Maybe less. I don’t think I heard the sound he made; I think I only felt it. He moved his hands again, to tip my face toward him, and kissed me. I can’t say I noticed any fangs. I had the lingering vestige of sense not to try anything clever with my teeth, which with a human lover I would have. But I was nonetheless busy with tongue and hands. I wriggled a little under him. I kissed him back as he tangled his fingers in my hair. I arched up off the floor a trifle to press myself more thoroughly against him. I was undoubtedly making some noises of my own…
Robin McKinley (Sunshine)
When girls like us fall, there’s no one to catch us. Least of all that boy for whom we’ve taken the fall. We’re the girls with secrets and witchy hearts. We’re the girls who listen to sad songs. Who slow dance to them with tears streaming down our faces, even as a smile lingers on our lips. Who cry in our pillows at night and who ride our sunshine-yellow bicycle along the empty, desolate, miserable places, where no one goes.
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
When my foot was on the sands and my face towards the broad, bright bay, no language can describe the effect of the deep, clear azure of the sky and ocean, the bright morning sunshine on the semicircular barrier of craggy cliffs surmounted by green swelling hills, and on the smooth, wide sands, and the low rocks out at sea—looking, with their clothing of weeds and moss, like little grass-grown islands—and above all, on the brilliant, sparkling waves. 
Anne Brontë (Agnes Grey)
I just don't feel like you're trying hard enough," one friend says to me. How can I tell her that not trying has become the whole point, the whole plan? That is to say, I have been trying to go limp in the face of my heartache, as another friend says he does in the face of his anxiety. Think of it as an act of civil disobedience, he says. Let the police peel you up. I have been trying to place myself in a land of great sunshine, and abandon my will therewith.
Maggie Nelson (Bluets)
You are funny like a kid and awesome like a princess Unseen like an angel, like the morning sunshine… Kindness like a river and highness like a mountain, In the middle of the Rheine, the cute face and sweet lips … (La la la la, La la , mmmm , mm …) Keep the lovely smile, in your juicy icy eyes Open the heaven for my eyes, forever angel voice Never angry never harsh, never mad never marsh Dear or darling, either diamond or dime, Overall the dream of the world
M.F. Moonzajer (A moment with God ; Poetry)
You're a ray of bright light in my very dark world, Ric. It's like when I step outside and take my sunglasses off to let the sun shine on my face. It gets a little lighter in here.' Pres gently tapped his pointer finger against his temple. 'When I'm in my office ..... there's no light. When I'm in my bedroom alone ..... there's no light. When I sit in my bedroom alone ..... there's no light. When I sit in my kitchen, eating my very carefully prepared meal - for one - there's no light. But when I'm around you, wrapped in your arms, kissing you, laughing with you, making love to you, everything's do damn bright ..... like sunshine.
A.E. Via (You Can See Me)
There was a feeling of freshness and vigour in the very streets; and when I got free of the town, when my foot was on the sands and my face towards the broad, bright bay, no language can describe the effect of the deep, clear azure of the sky and ocean, the bright morning sunshine on the semicircular barrier of craggy cliffs surmounted by green swelling hills, and on the smooth, wide sands, and the low rocks out at sea—looking, with their clothing of weeds and moss, like little grass–grown islands—and above all, on the brilliant, sparkling waves. And then, the unspeakable purity—and freshness of the air! There was just enough heat to enhance the value of the breeze, and just enough wind to keep the whole sea in motion, to make the waves come bounding to the shore, foaming and sparkling, as if wild with glee. Nothing else was stirring—no living creature was visible besides myself. My footsteps were the first to press the firm, unbroken sands;—nothing before had trampled them since last night’s flowing tide had obliterated the deepest marks of yesterday, and left them fair and even, except where the subsiding water had left behind it the traces of dimpled pools and little running streams.
Anne Brontë (Agnes Grey)
I blew a strand of hair out of my face and wandered to a table where spices and herbs were laid out in jewellike bowls. Rosemary, thyme, spearmint, cinnamon, cardamom. Their fragrance beckoned me. My fingers twitched. A pinch of delicate reddish-orange threads lay in a clear bowl. They smelled of sunshine. Saffron. For success. I knew exactly what to make.
Rajani LaRocca (Midsummer's Mayhem)
Golden daffodils dance in the gentle breeze, birds twitter a happy song and sunshine caresses my face as I taste the delicious sweetness of springtime again.
Peggy Toney Horton
Oh, I’m sorry!” he said. “I just fell out of the sky. I constructed a helicopter in midair, burst into flames halfway down, crash-landed and barely survived. But by all means – let’s talk about your dining table!” He snatched up a half-melted goblet. “Who puts a dining table on the beach where innocent demigods can crash into it? Who does that?” The girl clenched her fists. Leo was pretty sure she was going to march down the crater and punch him in the face. Instead she looked up at the sky. “REALLY?” she screamed at the empty blue. “You want to make my curse even worse? Zeus! Hephaestus! Hermes! Have you no shame?” “Uh …” Leo noticed that she’d just picked three gods to blame, and one of them was his dad. He figured that wasn’t a good sign. “I doubt they’re listening. You know, the whole split-personality thing—” “Show yourself!” the girl yelled at the sky, completely ignoring Leo. “It’s not bad enough I am exiled? It’s not bad enough you take away the few good heroes I’m allowed to meet? You think it’s funny to send me this—this charbroiled runt of a boy to ruin my tranquillity? This is NOT FUNNY! Take him back!” “Hey, Sunshine,” Leo said. “I’m right here, you know.” She growled like a cornered animal. “Do not call me Sunshine! Get out of that hole and come with me now so I can get you off my island!” “Well, since you asked so nicely …” Leo didn’t know what the crazy girl was so worked up about, but he didn’t really care. If she could help him leave this island, that was totally fine by him. He clutched his charred sphere and climbed out of the crater. When he reached the top, the girl was already marching down the shoreline. He jogged to catch up. She gestured in disgust at the burning wreckage. “This was a pristine beach! Look at it now.” “Yeah, my bad,” Leo muttered. “I should’ve crashed on one of the other islands. Oh, wait – there aren’t any!” She snarled and kept walking along the edge of the water.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
I turned and looked out the window at the snow and tried to think of the year-round sunshine in California. I tasted salt as tears streamed down my face and into my mouth. Marge said, "You can't move.
Madelon Phillips
No, wait, let me guess. Skin of the finest porcelin. Hair of the softest silk. A voice like birdsong, a smile like sunshine, and a mouth … that could sate your brightest and darkest wishes.” “You’ve … m-met her?” “Oh yes, my friend. We all know her. We’ve all pursued her. Some of us have even been lucky enough to have her. We’ve been drunk on her sin, become fools for her favor. She might have borne a different face each time, but her name was always the same. Trouble
Althea Kontis
A clatter of metal against the concrete made me look back. Liam had moved on from the car to a nearby pile of bikes that were tangled together like brambles. He picked through the frames and spokes and wheels, working carefully, trying to get down to whatever he'd seen under them.... "Do you actually know how to ride?" "Do I know how to ride?" Liam scoffed, leaning over the bike's seat so his face was inches from mine. His pale blue eyes were electric with his excitement; they sent a charge through me, sizzling the rest of the world into peaceful, quiet static. That last bit of distance must have been as unbearable to him as it was to me, because his fingers came down over where my hands rested on the busted leather seat. I felt his touch spread over my skin like late afternoon sunshine. His lips skimmed my cheek, his breath warm against my ear as he said in low, honeyed tones, "Not only can I ride, darlin', but I can give you a few pointers– "Hey, Hell's Angels!" Cole barked. "I didn't bring you in here to shop around for yourselves! Get your assess over here!" Liam expression clouded over as he pulled back, the fluttering excitement vanishing like a candle blown out. with a single breath. I must have looked as disappointed as I felt, letting out a small sound of irritation, because just like that he was smiling again as he tucked a loose strand of hair back over my ear. A softer, smaller smile than before, but one meant for me. It warmed me down to my bones.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
I take, O cross, thy shadow For my abiding place I ask no other sunshine than The sunshine of His face Content to let the world go by To know no gain nor loss My sinful self my only shame My glory all the cross. (Elizabeth C. Clephane, Public Domain)
Bob Sorge (Secrets of the Secret Place)
It was raining hard the evening Holly died. One of those summer rains that seem to come from nowhere and catch all but the most compulsively weather-conscious off guard. She was beautiful, Holly, and much too good for me by a long stretch. Big soulful eyes. A beautiful face framed in a flowing mane of brunette hair that would lift along the edges at the slightest breeze. Full soft lips that conveyed warmth and sunshine when she smiled, and tender sensuality when they brushed across mine in the quiet darkness of our bedroom. It is no exaggeration to say that I worshiped the ground my wife walked on — perhaps less secretly than would have been wise had it been any woman but Holly. For whatever reason, she adored me, and ours was a mutual admiration society. She thought me the finest man who’d ever walked this earth, and could not imagine going through life with anyone other than me. I thought the world a better place for her being in it, and each time she rose from our tangled sheets to dress in the morning, I was certain birds began to sing songs of joy simply because she was awake.
Bobby Underwood (The Memory of Rain)
My face wasn’t the same as I remembered, either. I saw a squarer jaw then I used to have, and my hair was bleached out from the summer’s sunshine. Not half bad, I realized. Standing there, I looked a long time at myself. Which was precisely why there were no mirrors in Paradise.
Sarina Bowen (Goodbye Paradise (Hello Goodbye, #1))
Nathan kept trying to reassure him. “It doesn’t have to mean anything. Not to you. You can forget it, if you’d rather.” Matt listened to Nathan’s heartbeat, fast and light like a deer flashing through sunshine and shadow. “Listen, Nathan…” Nathan was silent, but Matt could feel the immediate tension down his spine. “I loved Rachel with all my heart. You’re right, nothing changes that. But—I never wanted her the way I want you.” Nathan slid out from under him, rolled over. His face was different, grave but sort of lit from within in a way that gave Matt a funny pain in his chest.
Josh Lanyon (Snowball in Hell (Doyle and Spain, #1))
Afternoon sunshine streamed through the lace curtains, an assault of warmth on my face, and I scowled. The skies should have opened, should have drenched the earth until it drowned. On that day, the day I’d watched my mother go into the ground, the whole fucking world should’ve cried until their eyes bled.
Pepper Winters (Take Me: Twelve Tales of Dark Possession)
Those rose-tinted glasses look good on you, Sunshine.” Sunshine? I was sure he meant that mockingly, but the butterflies in my stomach stirred to life anyway, fanning away my anger. Traitors. “Thanks. You can borrow them. You need them more than I do,” I said pointedly. A low chuckle slipped from his throat, and I almost fell to the floor in shock. Tonight was turning out to be a night of firsts. Alex’s hand trailed up my spine until it rested on the back of my neck, leaving a cascade of tingles in their wake. “I feel it dripping all over me.” He did not—what? An inferno consumed my body. “You’re—you—no, I’m not!” I sputtered, pushing him away and scrambling off him. My core pulsed. Oh my God, what if I was? I couldn’t look, afraid I’d see a telltale wet spot on his jeans. I’d have to move to Antarctica. Build myself an ice cave and learn to speak penguin because I could never show my face in Hazelburg, D.C., or any city where I could run into Alex Volkov again. His chuckle blossomed into a full-blown laugh. The effect of his real smile was so devastating, even amid my mortification, that all I could do was stare at the way his face lit up and the sparkle that transformed his eyes from beautiful to downright breathtaking. Holy crap. Perhaps I should be grateful he never smiled, because if that was what he looked like while doing it…womankind didn’t stand a chance. “I’m talking about your bleeding heart,” he drawled. “What did you think I was talking about?” “I—you—” Forget Antarctica. I had to move to Mars. Alex’s laughter subsided, but the twinkle in his eyes remained.
Ana Huang (Twisted Love (Twisted, #1))
Leta will manage. She’s tough. But Tate is going to learn some things that will hurt him badly. I think he should hear it from his mother.” He sighed angrily. “So I called her up on a pay phone and told her I knew everything, and that she should tell Tate the truth before he hears it on the evening news. After thirty-six years of silence, she suddenly became very vocal. She called me a name I won’t repeat, told me what she thought of me and my career and hung up. When I rang back, she wouldn’t pick up the phone.” He ran his hands through his hair. “What do I do?” “Suppose I invite her here to stay with me, for a visit,” she suggested. “Then you can talk to her again…” “There’s no time, Cecily.” He spread his hands on his thighs and a look of torment lined his broad, strong face. “I’m going to have to tell him myself.” She winced. “I’m sorry.” He sighed. “I’m sorry, too. He’s going to hate all of us for a little while, even Leta. I told her that. It made her furious, but it’s the truth. We’re going to have a bad thunderstorm that will last for a few weeks, and then there will be a ray of sunshine.” She smiled. “We may have a tornado instead.
Diana Palmer (Paper Rose (Hutton & Co. #2))
But for me all the East is contained in that vision of my youth. It is all in that moment when I opened my young eyes on it. I came upon it from a tussle with the sea—and I was young—and I saw it looking at me. And this is all that is left of it! Only a moment; a moment of strength, of romance, of glamour—of youth!... A flick of sunshine upon a strange shore, the time to remember, the time for a sigh, and—good-bye!—Night—Good-bye...!” He drank. “Ah! The good old time—the good old time. Youth and the sea. Glamour and the sea! The good, strong sea, the salt, bitter sea, that could whisper to you and roar at you and knock your breath out of you.” He drank again. “By all that’s wonderful, it is the sea, I believe, the sea itself—or is it youth alone? Who can tell? But you here—you all had something out of life: money, love—whatever one gets on shore—and, tell me, wasn’t that the best time, that time when we were young at sea; young and had nothing, on the sea that gives nothing, except hard knocks—and sometimes a chance to feel your strength—that only—what you all regret?” And we all nodded at him: the man of finance, the man of accounts, the man of law, we all nodded at him over the polished table that like a still sheet of brown water reflected our faces, lined, wrinkled; our faces marked by toil, by deceptions, by success, by love; our weary eyes looking still, looking always, looking anxiously for something out of life, that while it is expected is already gone—has passed unseen, in a sigh, in a flash—together with the youth, with the strength, with the romance of illusions.
Joseph Conrad (Youth, a Narrative)
Do you know what I am, butterfly?” the unicorn asked hopefully, and he replied. “Excellent well, you’re a fishmonger. You’re my everything, you are my sunshine, you are old and gray and full of sleep, you’re my pickle-face, consumptive Mary Jane.” He paused, fluttering his wings against the wind, and added conversationally, “Your name is a golden bell hung in my heart. I would break my body to pieces to call you once by your name.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
Things I will never forget: my name, my made-up birthday, the rattle of a train in a tunnel. The sweet grit of toothpaste. The bitterness of coffee and blood. The dark of the Hospital at night. My mother’s face, when she was young. *   *   * Things other people will forget: where they come from, how old they are, the faces of the people they love. The right words for bowl and sunshine and sidewalk. What is a beginning and what is an end.
Laura van den Berg (Find Me)
I am glad that it is old and big. I myself am of an old family, and to live in a new house would kill me. A house cannot be made habitable in a day; and, after all, how few days go to make up a century. I rejoice also that there is a chapel of old times. We Transylvanian nobles love not to think that our bones may lie amongst the common dead. I seek not gaiety nor mirth, not the bright voluptuousness of much sunshine and sparkling waters which please the young and gay. I am no longer young; and my heart, through weary years of mourning over the dead, is not attuned to mirth. Moreover, the walls of my castle are broken; the shadows are many, and the wind breathes cold through the broken battlements and casements. I love the shade and the shadow, and would be alone with my thoughts when I may.” Somehow his words and his look did not seem to accord, or else it was that his cast of face made his smile look malignant and saturnine.
Bram Stoker (Dracula)
Good morning, Sunshine,” Alessandro whispered, dragging the satiny soft object across the tip of her nose. Curiosity made her open her eyes. A rose. A blue rose. “I figured a single rose was safer than a dozen considering the massacre of the last blue roses I gave you,” he smiled sheepishly. “Happy birthday, darling.” Bree blinked and tried to remember what day it was. The fifteenth apparently. She groaned and pulled the blankets back over her head. She was officially thirty today. “Come on now, up we go,” Alessandro pulled the blankets off her face and grabbed her arm, bringing her up. “For my birthday, I want sleep,” she groaned. Gianni had suffered through a painful night as another tooth was starting to come in and thus his parents had suffered as well. “Nope, we’ve got a long day ahead of us. Let’s go.” “Why?” Bree yawned. “Because thirty years ago you were born and my life as I knew it would never be the same,” Alessandro explained, nuzzling her neck.
E. Jamie (The Betrayal (Blood Vows, #2))
When I went to bed, I stared earnestly at my face in the glass. Was I really good-looking? Honestly I couldn't say I thought so! I hadn't got a straight Grecian nose, or a rosebud mouth, or any of the things you ought to have. It is true that a curate once told me that my eyes were like "imprisoned sunshine in a dark, dark wood" - but curates always know so many quotations, and fire them off at random. I'd much prefer to have Irish blue eyes than dark green ones with yellow flecks! Still, green is a good colour for adventuresses.
Agatha Christie
I loved her in all the complicated ways a flower thrives in a garden. I loved the way she tended to me like I was somethin’ precious and not monstrous. I loved the way she wore blooms in her hair and inked into her skin ’cause she spoke the language of flowers better than the language of men, and she’d always been so in sync with her surroundin’s. I loved the way she turned her face up to me as if seekin’ sunlight, needin’ the warmth of my praise and presence to grow and thrive. It was a heady fuckin’ thing, bein’ someone’s sunshine, their rain, their entire ecosystem.
Giana Darling (Inked in Lies (The Fallen Men, #5))
We have nothing!” Bree reached out and slapped him with all her might. He couldn’t know the baby she carried was his. Not ever. Alessandro’s dark eyes flashed angrily at her for a split second, making Bree’s insides tense in anticipation of his rage, but then he smiled at her, his hand going to her thigh. “Well, I was hoping we’d get to know each other a little better before delving into S & M, but I’m game if you are, sunshine.” “I want you to get out,” “And I want you naked screaming my name, now that you know it,” Alessandro growled, leaning in so that his breath brushed across her face in a tantalizing caress.
E. Jamie (The Vendetta (Blood Vows, #1))
Then the time came for you to be your own man and take on the world, and you did. But somewhere along the line, you changed. You stopped being you. You let people stick a finger in your face and tell you you’re no good. And when things got hard, you started looking for something to blame, like a big shadow. Let me tell you something you already know. The world ain’t all sunshine and rainbows. It’s a very mean and nasty place and I don’t care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is going to hit as hard as life. But it ain’t about how hard you hit. It’s about how hard you can get hit and keep moving forward. How much you can take and keep moving forward. That’s how winning is done! Now if you know what you’re worth then go out and get what you’re worth. But you’ve got to be willing to take the hits, and not pointing fingers saying you ain’t where you want to be because of him, or her, or anybody! Cowards do that and that ain’t you! You’re better than that! I’m always going to love you no matter what. No matter what happens. You’re my son and you’re my blood. You’re the best thing in my life. But until you start believing in yourself, you ain’t going to have a life.
Charlie Wardle (Managing Stress & Preventing Depression (Climb Your Mountain))
Kingsley’s phone begins to ring, and her ringtone almost makes me grin. It has Lake and Falcon chuckling. ‘It’s your daddy calling, and you know he’s gonna chew your ear off. It’s your daddy calling, all you’re gonna hear is blah, blah, blah, blah, blah.’ “Hey, Dad,” she answers. “No, we came back early.” She smiles. “Yeah, it was okay.” She leans back against the couch and catches me watching her. I glance away as she continues, “No, nothing happened. We just felt like coming back before the other students.” After a short silence, she quickly rambles, “Someone’s knocking at the door. Gotta go. Love you, Dad.” She hangs up and pulls a worried face at the phone. “That was close.” “You’re not telling your father about the avalanche?” I ask. “There’s no need to worry him about something that’s done and dealt with,” she brushes it off. Changing the subject, Layla asks, “Which ringtone do you have for me?” “Oh!” Instantly the frown vanishes, and Kingsley grins at Layla. “You’re going to love it.” A moment later ‘You are my sunshine,’ comes from the phone. “Aww… thanks, my friend,” Layla coos. Lake leans over the back of the chair. “And me?” Kingsley looks at him from over her shoulder. “Have you heard of Lucas, the spider?” “Yeah.” “You have Lucas.” Kingsley presses play, and then you hear, ‘What you eating? I’m starving.’ “That’s perfect,” Falcon chuckles. “Now I have to hear mine.” “One sec.” Kingsley scrolls to his name and then I let out a bark of laughter. “You have a call from God. Haa-llelujah! Haa-llelujah!” “Badass,” Falcon grins, obviously happy with it. “This is Mason’s.” Kingsley grins mischievously, which tells me I’m not going to like it. Then a butler’s serious voice sounds up, ‘Excuse me, but I’m afraid someone is endeavoring to contact you telephonically. Shall I tell them to fuck off?’ Lake cracks up, disappearing behind the couch which doesn’t help shit seeing as I can hear the fucker laughing his ass off.
Michelle Heard (Mason (Trinity Academy #2))
You will laugh at my extravagance; but, I assure you, that a dozen times in as many months the longing has seized me to die at thirty, while life was still untarnished, amidst the roses of love, in the embrace of passion. To bid farewell to the feast at its brightest, before disappointment has come, having lived in this sunshine and celestial air, and well-nigh spent myself in love, not a leaf dropped from my crown, not an illusion perished in my heart, what a dream is there! Think what it would be to bear about a young heart in an aged body, to see only cold, dumb faces around me, where even strangers used to smile; to be a worthy matron! Can Hell have a worse torture?
Honoré de Balzac (Works of Honore de Balzac)
Peter Lord said: “Oh, well, I suppose she and Roderick Welman will live happy ever afterwards.” Hercule Poirot said: “My dear friend, you suppose nothing of the sort!” “Why not? She’ll forgive him the Mary Gerrard business. It was only a wild infatuation on his part, anyway.” Hercule Poirot said: 'It goes deeper than that… There is, sometimes, a deep chasm between the past and the future. When one has walked in the valley of the shadow of death, and come out of it into the sunshine—then, mon cher, it is a new life that begins… The past will not serve….” He waited a minute and then went on: “A new life… That is what Elinor Carlisle is beginning now—and it is you who have given her that life.” “No.” “Yes. It was your determination, your arrogant insistence that compelled me to do as you asked. Admit now, it is to you she turns in gratitude, is it not?” Peter Lord said slowly: “Yes, she’s very grateful—now… She asked me to go and see her—often.” “Yes, she needs you.” Peter Lord said violently: “Not as she needs—him!” Hercule Poirot shook his head. “She never needed Roderick Welman. She loved him, yes, unhappily—even desperately.” Peter Lord, his face set and grim, said harshly: “She will never love me like that.” Hercule Poirot said softly: “Perhaps not. But she needs you, my friend, because it is only with you that she can begin the world again.
Agatha Christie (Sad Cypress (Hercule Poirot, #22))
Kami Castillo My Books Browse ▾ Community ▾ All down the stone steps on either side were periwinkles in full flower, and she could now see what it was that had caught at her the night before and brushed, wet and scented, across her face. It was wistaria. Wistaria and sunshine . . . she remembered the advertisement. Here indeed were both in profusion. The wistaria was tumbling over itself in its excess of life, its prodigality of flowering; and where the pergola ended the sun blazed on scarlet geraniums, bushes of them, and nasturtiums in great heaps, and marigolds so brilliant that they seemed to be burning, and red and pink snapdragons, all outdoing each other in bright, fierce colour. The ground behind these flaming things dropped away in terraces to the sea, each terrace a little orchard, where among the olives grew vines on trellises, and fig-trees, and peach-trees, and cherry-trees. The cherry-trees and peach-trees were in blossom--lovely showers of white and deep rose-colour among the trembling delicacy of the olives; the fig-leaves were just big enough to smell of figs, the vine-buds were only beginning to show. And beneath these trees were groups of blue and purple irises, and bushes of lavender, and grey, sharp cactuses, and the grass was thick with dandelions and daisies, and right down at the bottom was the sea. Colour seemed flung down anyhow, anywhere; every sort of colour piled up in heaps, pouring along in rivers....
Elizabeth von Arnim (The Enchanted April)
So are you, sunshine,” Paige replied. “Bad night?” Even though he didn’t take off his sunglasses, I knew he was staring straight at me. “I’ve had better,” he said with an entirely straight face, while I coloured up from head to toe. “I’ve had worse.” … “Now, now children,” Paige intervened, entirely oblivious to the extreme level of bitchy subtext flying across the table. “Let’s not have fisticuffs … Can we kiss and make up?” Nick turned up one corner of his mouth and nodded. “I’m game if you are, Vanessa.” “I think she means figuratively,” I said, adding cream to my coffee. “I’m a professional.” “Really?” He rested his elbows on the table and pushed his glasses up over his eyebrows. “I probably owe you some money then.
linsdey kelk
Amory." "Yes, Beatrice." (Such a quaint name for his mother; she encouraged it.) "Dear, don't think of getting out of bed yet. I've always suspected that early rising in early life makes one nervous. Clothilde is having your breakfast brought up." "All right." "I am feeling very old to-day, Amory," she would sigh, her face a rare cameo of pathos, her voice exquisitely modulated, her hands as facile as Bernhardt's. "My nerves are on edge—on edge. We must leave this terrifying place to-morrow and go searching for sunshine." Amory's penetrating green eyes would look out through tangled hair at his mother. Even at this age he had no illusions about her. "Amory." "Oh, yes." "I want you to take a red-hot bath—as hot as you can bear it, and just relax your nerves. You can read in the tub if you wish.
F. Scott Fitzgerald (This Side of Paradise)
Riko is dead,’ Jeremy insisted, strident, and it hurt him to his bones to watch the way Jean recoiled. ‘What are you so afraid of? He can’t hurt you anymore.’ Jean laughed, short and sharp, and Jeremy’s heart broke at the sound of it. ‘Jean, please.’ Jean dug trembling fingers into his temples and closed his eyes as he stepped back away from Jeremy. ‘Call him [Kevin], then,’ he said, ‘because I won’t. I won’t. I am Jean Moreau. I know my place. I am-’ He bit off whatever else he might have said, but the force it took to choke it back had his lips curling in a fierce snarl. Jeremy could only watch in retched silence as Jean tried to walk himself back from the edge. He cast his phone aside in favor of catching Jean’s face in his hands, and the way Jean flinched at his touch was almost his undoing.
Nora Sakavic (The Sunshine Court (All For the Game, #4))
You need some help, Rosie?” His footsteps quicken behind me, and before I can respond, I feel his calloused hands on my waist. I accidently slide back against his chest and inhale the scent that has always clung to his whole family—something like forests, damp leaves, and sunshine. I suppose when your father is a woodsman you’re bound to carry the scent of oak in your veins. One breath is all I get the chance for, though; he kicks the door open and sets me down on the front stoop, then takes a step back. I turn to face him, hoping to thank him for the help and in the same sentence admonish him for carrying me like a little girl. Instead, I smile. He’s still Silas—Silas who left a year ago, the boy just a little older than my sister. His eyes are still sparkling and expressive, hair still the brown-black color of pine bark, body broad-shouldered and a little too willowy for his features. He’s still there, but it’s as if someone new has been layered on top of him. Someone older and stronger who isn’t looking a me as if I’m Scarlett’s kid sister . . . someone who makes me feel dizzy and quivery. How did this happen? Calm down. It’s just Silas. Sort of. “You’re staring,” he says cautiously, looking worried. “Oh. Um, sorry,” I say, shaking my head. Silas shoves his hands into his pockets with a familiar sway. “It’s just been a while, that’s all.” “Yeah, no kidding. You’re heavier than I remember.” I frown, mortified. “Oh, no, wait. I didn’t mean it like that, just that you’ve gotten older. Wait, that doesn’t sound much better . . .” Silas runs a hand through his hair and curses under his breath. “No, I get it.” I let him off the hook, grinning. Something about seeing him nervous thaws some of my shyness.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
If you could have frozen that moment in time, like we so often do in our photos, you would have seen my father about to reach into the throat of Jacques Landry and pull out his bullying heart. You would also see genuine fear in Mr. Landry’s broad face. More important, though, what I am trying to tell you is that within this quick exchange I understood that it is inside all of us men to be both menacing and cowardly. It is in all of us to have virtue and value and yet it is also in our power to fall into irrelevant novelty or, even worse, elicit indifference from the people we’ve loved. This is the challenge, I suppose, of fatherhood. And so I knew that, despite my father’s errors, he loved me. He loved us. I also knew that big and important parts of him were sorry because I knew that he was willing to fight. What more could I ask for? I will never apologize for loving him back.
M.O. Walsh (My Sunshine Away)
I heard a rapid alternation of notes, a vibrating staccato of an ancient instrument, nearly as old as nature herself, a cricket singing in my garden last night, the first time this year. When turning my garden's soil, I often uncover crickets, curmudgeons that scramble to find solitude and cover from the light, but I rarely hear their ancient song 'till near summer's end. Although the wind is now lofting the branches and rustling the leaves, the evening sun still warms my face. And my garden still blooms full with pink-papered hollyhocks and blue, green spikes of lavender, and roses, bright pinks and yellows, all glowing from sunshine-swelled canes, and zinnias, rainbow-shingled orbs, and more. And yet, I am already dreading the coming of fall, all dressed in small rags of red, yellow, and orange. I know that my summer garden is nearing its end, as hailed by the cricket's song.
Jeffrey A. White (A Blueness I Could Eat Forever)
Oh, are you doing magic? Let’s see it, then.’ She sat down. Ron looked taken aback. ‘Er – all right.’ He cleared his throat. ‘Sunshine, daisies, butter mellow, Turn this stupid, fat rat yellow.’ He waved his wand, but nothing happened. Scabbers stayed grey and fast asleep. ‘Are you sure that’s a real spell?’ said the girl. ‘Well, it’s not very good, is it? I’ve tried a few simple spells just for practice and it’s all worked for me. Nobody in my family’s magic at all, it was ever such a surprise when I got my letter, but I was ever so pleased, of course, I mean, it’s the very best school of witchcraft there is, I’ve heard – I’ve learnt all our set books off by heart, of course, I just hope it will be enough – I’m Hermione Granger, by the way, who are you?’ She said all this very fast. Harry looked at Ron and was relieved to see by his stunned face that he hadn’t learnt all the set books off by heart either.
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
answered Jo, who now spoke in a maternal way of all mankind. "Yes, I remember, but the life I wanted then seems selfish, lonely, and cold to me now. I haven't given up the hope that I may write a good book yet, but I can wait, and I'm sure it will be all the better for such experiences and illustrations as these," and Jo pointed from the lively lads in the distance to her father, leaning on the Professor's arm, as they walked to and fro in the sunshine, deep in one of the conversations which both enjoyed so much, and then to her mother, sitting enthroned among her daughters, with their children in her lap and at her feet, as if all found help and happiness in the face which never could grow old to them. "My castle was the most nearly realized of all. I asked for splendid things, to be sure, but in my heart I knew I should be satisfied, if I had a little home, and John, and some dear children like these. I've got them all, thank God, and am the happiest woman in the world," and Meg laid her hand on her tall boy's head, with a face full of tender and devout content.
Louisa May Alcott (Little Women (Illustrated))
MY HOUSE I have built me a house at the end of the street Where the tall fir trees stand in a row, With a garden beside it where, purple and gold, The pansies and daffodils grow: It has dear little windows, a wide, friendly door Looking down the long road from the hill, Whence the light can shine out through the blue summer dusk And the winter nights, windy and chill To beckon a welcome for all who may roam ... ‘Tis a darling wee house but it’s not yet a home. It wants moonlight about it all silver and dim, It wants mist and a cloak of grey rain, It wants dew of the twilight and wind of the dawn And the magic of frost on its pane: It wants a small dog with a bark and a tail, It wants kittens to frolic and purr, It wants saucy red robins to whistle and call At dusk from the tassels of fir: It wants storm and sunshine as day follows day, And people to love it in work and in play. It wants faces like flowers at the windows and doors, It wants secrets and follies and fun, It wants love by the hearthstone and friends by the gate, And good sleep when the long day is done: It wants laughter and joy, it wants gay trills of song On the stairs, in the hall, everywhere, It wants wooings and weddings and funerals and births, It wants tears, it wants sorrow and prayer, Content with itself as the years go and come ... Oh, it needs many things for a house to be home! Walter Blythe
L.M. Montgomery (The Blythes Are Quoted)
Breathing heavily, he glared down at her with glassy belligerence. “I said get out of my dreams.” His face was like the mask of some ancient god of war, beautiful and harsh, the mouth contorted, lips parted enough to reveal the edges of animal-white teeth. Win was amazed, excited, the tiniest bit frightened … but this was Merripen … and as she stared at him, the edge of fear melted and she drew his head down to hers, and he kissed her. She had always imagined there would be roughness, urgency, impassioned pressure. But his lips were soft, grazing over hers with the heat of sunshine, the sweetness of summer rain. She opened to him in wonder, the solid weight of him in her arms, his body pressing into the crumpled layers of her skirts. Forgetting everything in the passionate tumult of discovery, Win reached around his shoulders, until he winced and she felt the bulk of his bandage against her palm. “Kev,” she said breathlessly, “I’m so sorry, I … no, don’t move. Rest.” She curled her arms loosely around his head, shivering as he kissed her throat. He nuzzled against the gentle rise of her breast, pressed his cheek against her bodice, and sighed. After a long, motionless minute, while her chest rose and fell beneath his heavy head, Win spoke hesitantly. “Kev?” A slight snore was her reply. The first time she had ever kissed a man, she thought ruefully, and she had put him to sleep.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
What will this day be like? I wonder What will my future be? I wonder It could be so exciting To be out in the world To be free My heart should be wildly rejoicing Oh, what's the matter with me? I've always longed for adventure To do the things I've never dared Now here I'm facing adventure Then why am I so scared? A captain with seven children What's so fearsome about that? Oh, I must stop these doubts All these worries If I don't I just know I'll turn back I must dream of the things I am seeking I am seeking the courage I lack The courage to serve them with reliance Face my mistakes without defiance Show them I'm worthy And while I show them I'll show me So let them bring on all their problems I'll do better than my best I have confidence They'll put me to the test But I'll make them see I have confidence in me Somehow I will impress them I will be firm, but kind And all those children Heaven bless them They will look up to me And mind me With each step I am more certain Everything will turn out fine I have confidence The world can all be mine They'll have to agree I have confidence in me I have confidence in sunshine I have confidence in rain I have confidence that spring will come again Besides, which you see I have confidence in me Strength doesn't lie in numbers Strength doesn't lie in wealth Strength lies in nights of peaceful slumbers When you wake up Wake up! It's healthy All I trust I leave my heart to All I trust becomes my own I have confidence in confidence alone (Oh, help) I have confidence in confidence alone Besides, which you see I have confidence in me
Sound of music
With a scowl, he turned from the window, but it was too late. The sight of Lady Celia crossing the courtyard dressed in some rich fabric had already stirred his blood. She never wore such fetching clothes; generally her lithe figure was shrouded in smocks to protect her workaday gowns from powder smudges while she practiced her target shooting. But this morning, in that lemon-colored gown, with her hair finely arranged and a jeweled bracelet on her delicate wrist, she was summer on a dreary winter day, sunshine in the bleak of night, music in the still silence of a deserted concert hall. And he was a fool. "I can see how you might find her maddening," Masters said in a low voice. Jackson stiffened. "Your wife?" he said, deliberately being obtuse. "Lady Celia." Hell and blazes. He'd obviously let his feelings show. He'd spent his childhood learning to keep them hidden so the other children wouldn't see how their epithets wounded him, and he'd refined that talent as an investigator who knew the value of an unemotional demeanor. He drew on that talent as he faced the barrister. "Anyone would find her maddening. She's reckless and spoiled and liable to give her husband grief at every turn." When she wasn't tempting him to madness. Masters raised an eyebrow. "Yet you often watch her. Have you any interest there?" Jackson forced a shrug. "Certainly not. You'll have to find another way to inherit your new bride's fortune." He'd hoped to prick Masters's pride and thus change the subject, but Masters laughed. "You, marry my sister-in-law? That, I'd like to see. Aside from the fact that her grandmother would never approve, Lady Celia hates you." She did indeed. The chit had taken an instant dislike to him when he'd interfered in an impromptu shooting match she'd been participating in with her brother and his friends at a public park. That should have set him on his guard right then. A pity it hadn't. Because even if she didn't despise him and weren't miles above him in rank, she'd never make him a good wife. She was young and indulged, not the sort of female to make do on a Bow Street Runner's salary. But she'll be an heiress once she marries. He gritted his teeth. That only made matters worse. She would assume he was marrying her for her inheritance. So would everyone else. And his pride chafed at that. Dirty bastard. Son of shame. Whoreson. Love-brat. He'd been called them all as a boy. Later, as he'd moved up at Bow Street, those who resented his rapid advancement had called him a baseborn upstart. He wasn't about to add money-grubbing fortune hunter to the list. "Besides," Masters went on, "you may not realize this, since you haven't been around much these past few weeks, but Minerva claims that Celia has her eye on three very eligible potential suitors." Jackson's startled gaze shot to him. Suitors? The word who was on his lips when the door opened and Stoneville entered. The rest of the family followed, leaving Jackson to force a smile and exchange pleasantries as they settled into seats about the table, but his mind kept running over Masters's words. Lady Celia had suitors. Eligible ones. Good-that was good. He needn't worry about himself around her anymore. She was now out of his reach, thank God. Not that she was ever in his reach, but- "Have you got any news?" Stoneville asked. Jackson started. "Yes." He took a steadying breath and forced his mine to the matter at hand.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
A few minutes later the Witch herself walked out on to the top of the hill and came straight across and stood before Aslan. The three children, who had not seen her before, felt shudders running down their backs at the sight of her face; and there were low growls among all the animals present. Though it was bright sunshine everyone felt suddenly cold. The only two people present who seemed to be quite at their ease were Aslan and the Witch herself. It was the oddest thing to see those two faces--the golden face and the dead-white face--so close together. Not that the Witch looked Aslan exactly in his eyes; Mrs. Beaver particularly noticed this. “You have a traitor there, Aslan,” said the Witch. Of course everyone present knew that she meant Edmund. But Edmund had got past thinking about himself after all he’d been through and after the talk he’d had that morning. He just went on looking at Aslan. It didn’t seem to matter what the Witch said. “Well,” said Aslan, “his offense was not against you.” “Have you forgotten the Deep Magic?” asked the Witch. “Let us say I have forgotten it,” answered Aslan gravely. “Tell us of this Deep Magic.” “Tell you?” said the Witch, her voice growing suddenly shriller. “Tell you what is written on that very Table of Stone which stands beside us? Tell you what is written in letters deep as a spear is long on the trunk of the World Ash Tree? Tell you what is engraved on the scepter of the Emperor-Beyond-the-Sea? You at least know the magic which the Emperor put into Narnia at the very beginning. You know that every traitor belongs to me as my lawful prey and that for every treachery I have a right to a kill.” “Oh,” said Mr. Beaver. “So that’s how you came to imagine yourself a Queen--because you were the Emperor’s hangman. I see.” “Peace, Beaver,” said Aslan, with a very low growl.
C.S. Lewis (The Chronicles of Narnia The Lion, the Witch & the Wardrobe)
My hands, which for some reason keep ending up on his waist lately, curl into fists. Beta Sinta grabs one and holds on. “Let go,” I demand. “No.” My eyebrows snap together. “Why not?” “Because your gut reaction is always to punch, and I don’t like being tickled.” Tickled? Tickled! Indignation swamps me. I’ll show him a tickle. Before I can move, he drops the reins and captures my other hand, easily maneuvering both my hands into one of his. He picks the reins back up with the other. As usual, he gains the upper hand with disgustingly little effort, and I end up with both arms around him, my face buried in his back. Beta Sinta’s crisp, masculine scent of citrus and sunshine fills my nose. Hard muscle ripples under my cheek. I’m frighteningly aware of all the places his broad, powerful body touches mine, and I shiver despite the heat. “Let. Me. Go,” I grind out. “I. Said. No.” I open my mouth, teeth bared. “If you bite me, I swear to the Gods I’ll dumpyou off this horse and make you walk.” I close my mouth. The town is still miles away. “I won’t bite.” “Or punch.” I grit my teeth. “You’re asking a lot.” “Am I?” he drawls, tightening his grip on my wrists until I hiss. “Ow! Fine. Or punch.” His fingers loosen. “Is that your binding word?” My eyes widen. Beta Sinta says he needs me for information, but he already knows more about the ways of magic than is good for me. “Fine. It’s my binding word.” It’s like pulling my own teeth, but I’m desperate to stop hugging him. He’s too hot and…and…something. “Ever,” he stipulates. Something between a laugh and a snort explodes from me. “Don’t push your luck.” “A day, then. Starting now.” “Fine. A day,” I agree, fuming. He lets go of my wrists. I sit up so fast I almost tumble off the back of the horse. Beta Sinta’s chuckle is almost as irritating as the jolt of magic that seals the deal.
Amanda Bouchet (A Promise of Fire (Kingmaker Chronicles, #1))
I have known its fascination since: I have seen the mysterious shores, the still water, the lands of brown nations, where a stealthy Nemesis lies in wait, pursues, overtakes so many of the conquering race, who are proud of their wisdom, of their knowledge, of their strength. But for me all the East is contained in that vision of my youth. It is all in that moment when I opened my young eyes on it. I came upon it from a tussle with the sea—and I was young—and I saw it looking at me. And this is all that is left of it! Only a moment; a moment of strength, of romance, of glamour—of youth!... A flick of sunshine upon a strange shore, the time to remember, the time for a sigh, and—good-bye!—Night—Good-bye...!” He drank. “Ah! The good old time—the good old time. Youth and the sea. Glamour and the sea! The good, strong sea, the salt, bitter sea, that could whisper to you and roar at you and knock your breath out of you.” He drank again. “By all that’s wonderful, it is the sea, I believe, the sea itself—or is it youth alone? Who can tell? But you here—you all had something out of life: money, love—whatever one gets on shore—and, tell me, wasn’t that the best time, that time when we were young at sea; young and had nothing, on the sea that gives nothing, except hard knocks—and sometimes a chance to feel your strength—that only—what you all regret?” And we all nodded at him: the man of finance, the man of accounts, the man of law, we all nodded at him over the polished table that like a still sheet of brown water reflected our faces, lined, wrinkled; our faces marked by toil, by deceptions, by success, by love; our weary eyes looking still, looking always, looking anxiously for something out of life, that while it is expected is already gone—has passed unseen, in a sigh, in a flash—together with the youth, with the strength, with the romance of illusions.
Joseph Conrad (Youth, a Narrative)
Raging storm. The universe booms around me. She approaches. Frightfully, I stand. Yes. Stuck. Stuck in wonderment. Something so strong, so beautiful. Swirling around me. Will it absorb me? Maybe. Or might it pass by? It could. Rolling waves of rage and chaos. Cracks of thunder echo in my chest. I am in the storm now. How? Dancing in the wind. In her chaos. Can I become a part of her forever? I must be able to. This feeling, so wonderful. Maybe she will only pass me by. Leave me to fall from the sky? I hope not. This raging storm around me. So dangerous. So pure. Nothing but nature in her utter glory. Pushing me into motion. I spin in the midst of her, taking in the power. The walls of motion. Confusion surrounds me. Particles forcing together and cracking apart. I’m frightful again, the noise overpowering me. I hunch into a ball, scared of what will become of me. Still suspended in the air. But she silences. The sky clears around me. It must be the eye of the storm. The center of everything. The center of her. Yes. The sunshine blinds me. I raise my hand to shield my face. The silence a melody in my ear. Ah, finally soothed. How extraordinary this is, floating and rising. It overcomes me. This space. Joy? But then I feel the air shift. The power making my hair rise. And suddenly, I’m moving again. She moves along. This raging, rolling storm. The air sucking me up and down. Ripping me apart. Spinning. Spinning. Spinning. Fear consumes me again as the storm takes hold. Confusion. So much confusion. I cry, thinking I might die. But it’s over. I look at my hands. My feet. Back on the ground. She rolls away. Spinning beautifully onward. My, the power. But the question. Always the question. Do I love? Do I hate? Her beautiful, frightening glory. My dear raging storm. I drop the note into my lap. My hand comes up, covering my mouth in shock. I blink down at the note, trying to slow down my heart rate. Because Noah wrote this. He wrote all of this. And he wrote it about me. About how I make him feel. I think back to his project. How he told me it was about me. The eye of the storm. Chaos. Confusion. Awe.
Jillian Dodd (The Party (London Prep #5))
We were never introduced, ye know. I’m Mrs. Lord’s brother. You can call me Ruaidri.” “I’m not calling you anything, I’m leaving.” “And what is your name, Sunshine? Ye’re his sister, aren’t ye?” “Yes, I’m his sister, and there is no need for you to know my name, no need for you to be asking me all these questions and trying to detain me, no need for me to stay here when I must go.” He grinned, wickedly. “I won’t tell if you won’t.” “Tell what?” “Yer brother, if you let me steal a kiss.” She gasped, coloring hotly. “You—you are a rogue and a scoundrel to even suggest such a thing!” “I may indeed be a rogue and a scoundrel but if I am, it’s not for wantin’ a kiss from a pretty lass.” He straightened up from the window, his strong, perfect teeth very white in the glint of moonlight. “Oblige me?” “No!” “I’m bettin’ it’ll be far more explosive than what’s about to transpire down there in the garden. Come here, Sunshine. I’ve a mind to see if those lips of yers were made for kissin’.” Nerissa’s mouth fell open. Her face went white, then flooded with color, and she was so shocked she could not even take another step backward. Seeing it, the Irishman laughed and made a little dismissive gesture with his hand. “Ah, don’t mind me, lass. I’m just messin’ about with ye. I’d never hurt ye, not in a million years. I’m perfectly harmless.” “You—you don’t look harmless.” “No?” He arched a brow, his gaze dropping pointedly to her bosom, the nip of her waist and the flare of her hips with undisguised interest. “How do I look?” Dangerous. Virile. Predatory. Fascinating. “I can’t answer that.” “Not scared of me now, are ye?” “After what you just said to me? No, I am not scared. What I am, sir, is offended. Outraged.” “I paid ye a complement and ye’re offended? Outraged? Saint’s alive, what would your reaction be if I paid ye an insult?” “I can’t believe I’m standing here having this absurd conversation with you. You are rude and obnoxious and drunk, and I have already given you far more time and attention than you deserve. Good evening, sir.” He went back to looking down at the garden below, his gaze far more keen and watchful than his drunken state should allow. “’ Twould be a better one if ye came over here and let me give ye that kiss.” “Ohhh!” Incensed, she turned on her heel and hurried for the stairs, hearing his laughter ringing out behind her.
Danelle Harmon (The Wayward One (The de Montforte Brothers, #5))
By the old Moulmein Pagoda, lookin' lazy at the sea, There's a Burma girl a-settin', and I know she thinks o' me; For the wind is in the palm-trees, and the temple-bells they say: "Come you back, you British soldier; come you back to Mandalay!" Come you back to Mandalay, Where the old Flotilla lay: Can't you 'ear their paddles chunkin' from Rangoon to Mandalay ? On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay! 'Er petticoat was yaller an' 'er little cap was green, An' 'er name was Supi-yaw-lat - jes' the same as Theebaw's Queen, An' I seed her first a-smokin' of a whackin' white cheroot, An' a-wastin' Christian kisses on an 'eathen idol's foot: Bloomin' idol made o' mud Wot they called the Great Gawd Budd Plucky lot she cared for idols when I kissed 'er where she stud! On the road to Mandalay... When the mist was on the rice-fields an' the sun was droppin' slow, She'd git 'er little banjo an' she'd sing "Kulla-lo-lo! With 'er arm upon my shoulder an' 'er cheek agin my cheek We useter watch the steamers an' the hathis pilin' teak. Elephints a-pilin' teak In the sludgy, squdgy creek, Where the silence 'ung that 'eavy you was 'arf afraid to speak! On the road to Mandalay... But that's all shove be'ind me - long ago an' fur away An' there ain't no 'busses runnin' from the Bank to Mandalay; An' I'm learnin' 'ere in London what the ten-year soldier tells: "If you've 'eard the East a-callin', you won't never 'eed naught else." No! you won't 'eed nothin' else But them spicy garlic smells, An' the sunshine an' the palm-trees an' the tinkly temple-bells; On the road to Mandalay... I am sick o' wastin' leather on these gritty pavin'-stones, An' the blasted English drizzle wakes the fever in my bones; Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand, An' they talks a lot o' lovin', but wot do they understand? Beefy face an' grubby 'and - Law! wot do they understand? I've a neater, sweeter maiden in a cleaner, greener land! On the road to Mandalay... Ship me somewheres east of Suez, where the best is like the worst, Where there aren't no Ten Commandments an' a man can raise a thirst; For the temple-bells are callin', an' it's there that I would be By the old Moulmein Pagoda, looking lazy at the sea; On the road to Mandalay, Where the old Flotilla lay, With our sick beneath the awnings when we went to Mandalay! O the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay !
Rudyard Kipling (Mandalay)
She faced her pretend Arin. His scar was healed. His gray eyes were startlingly clear. “You’re not real,” she reminded him. “I feel real.” He brushed one finger across her lower lip. It suddenly seemed that there were no clouds in the sky, and that she sat in full sunshine. “You feel real,” he said. The puppy yawned, her jaws closing with a snap. The sound brought Kestrel to herself. She felt a little embarrassed. Her pulse was high. But she couldn’t stop pretending. Kestrel reached beneath her skirts to pull down a knee-high stocking. Arin made a sound. “I want to feel the grass beneath my feet,” Kestrel told him. “Someone’s going to see you.” “I don’t care.” “But that someone is me, and you should have a care, Kestrel, for my poor heart.” He reached under the hem of her dress to catch her hand in the act of pulling down the second stocking. “You’re treating me quite badly,” he said, and slid the stocking free, his palm skimming along the path of her calf. He looked at her. His hand wrapped around her bare ankle. Kestrel became shy…though she had known full well what she was doing. Arin grinned. With his free hand, he plucked a blade of grass. He tickled it against the sole of her foot. She laughed, jerking away. He let her go. He settled down beside her, lying on his stomach on the grass, propped up by his elbow. Kestrel lay on her back. She heard birdsong: high and long, with a trill at the end. She gazed up at the sky. It was blue enough for summer. “Perfect,” she said. “Almost.” She turned to look at him, and he was already looking at her. “I’m going to miss you when I wake up,” she whispered, because she realized that she must have fallen asleep under the sun. Arin was too real for her imagination. He was a dream. “Don’t wake up,” he said. The air smelled like new leaves. “You said you trusted me.” “I did.” He added, “I do.” “You are a dream.” He smiled. “I lied to you,” Kestrel said. “I kept secrets. I thought it was for the best. But it was because I didn’t trust you.” Arin shifted onto his side. He caressed her cheek lightly with the back of his hand. That trailing sensation felt like the last note of the bird’s song. “No,” he agreed, his voice gentle. “You didn’t.” Kestrel woke. The puppy was draped across her feet, sleeping. Her stockings lay in a small heap beside her. The sun had climbed in the sky. Her cheek was flushed, the skin tight: a little sunburned. The puppy twitched, still lost in sleep. Kestrel envied her. She rested her head again on the grass. She closed her eyes, and tried to find her way back into her dream.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
On quitting Bretton, which I did a few weeks after Paulina’s departure—little thinking then I was never again to visit it; never more to tread its calm old streets—I betook myself home, having been absent six months. It will be conjectured that I was of course glad to return to the bosom of my kindred. Well! the amiable conjecture does no harm, and may therefore be safely left uncontradicted. Far from saying nay, indeed, I will permit the reader to picture me, for the next eight years, as a bark slumbering through halcyon weather, in a harbour still as glass—the steersman stretched on the little deck, his face up to heaven, his eyes closed: buried, if you will, in a long prayer. A great many women and girls are supposed to pass their lives something in that fashion; why not I with the rest? Picture me then idle, basking, plump, and happy, stretched on a cushioned deck, warmed with constant sunshine, rocked by breezes indolently soft. However, it cannot be concealed that, in that case, I must somehow have fallen overboard, or that there must have been wreck at last. I too well remember a time—a long time—of cold, of danger, of contention. To this hour, when I have the nightmare, it repeats the rush and saltness of briny waves in my throat, and their icy pressure on my lungs. I even know there was a storm, and that not of one hour nor one day. For many days and nights neither sun nor stars appeared; we cast with our own hands the tackling out of the ship; a heavy tempest lay on us; all hope that we should be saved was taken away. In fine, the ship was lost, the crew perished. As far as I recollect, I complained to no one about these troubles. Indeed, to whom could I complain? Of Mrs. Bretton I had long lost sight. Impediments, raised by others, had, years ago, come in the way of our intercourse, and cut it off. Besides, time had brought changes for her, too: the handsome property of which she was left guardian for her son, and which had been chiefly invested in some joint-stock undertaking, had melted, it was said, to a fraction of its original amount. Graham, I learned from incidental rumours, had adopted a profession; both he and his mother were gone from Bretton, and were understood to be now in London. Thus, there remained no possibility of dependence on others; to myself alone could I look. I know not that I was of a self-reliant or active nature; but self-reliance and exertion were forced upon me by circumstances, as they are upon thousands besides; and when Miss Marchmont, a maiden lady of our neighbourhood, sent for me, I obeyed her behest, in the hope that she might assign me some task I could undertake.
Charlotte Brontë (Villette)
Besides, I know you loved my Lucy . . ." Here he turned away and covered his face with his hands. I could hear the tears in his voice. Mr. Morris, with instinctive delicacy, just laid a hand for a moment on his shoulder, and then walked quietly out of the room. I suppose there is something in a woman's nature that makes a man free to break down before her and express his feelings on the tender or emotional side without feeling it derogatory to his manhood. For when Lord Godalming found himself alone with me he sat down on the sofa and gave way utterly and openly. I sat down beside him and took his hand. I hope he didn't think it forward of me, and that if her ever thinks of it afterwards he never will have such a thought. There I wrong him. I know he never will. He is too true a gentleman.I said to him, for I could see that his heart was breaking, "I loved dear Lucy, and I know what she was to you, and what you were to her. She and I were like sisters, and now she is gone, will you not let me be like a sister to you in your trouble? I know what sorrows you have had, though I cannot measure the depth of them. If sympathy and pity can help in your affliction, won't you let me be of some little service, for Lucy's sake?" In an instant the poor dear fellow was overwhelmed with grief. It seemed to me that all that he had of late been suffering in silence found a vent at once. He grew quite hysterical,and raising his open hands, beat his palms together in a perfect agony of grief. He stood up and then sat down again, and the tears rained down his cheeks. I felt an infinite pity for him, and opened my arms unthinkingly. With a sob he laid his head on my shoulder and cried like a wearied child, whilst he shook with emotion. We women have something of the mother in us that makes us rise above smaller matters when the mother spirit is invoked. I felt this big sorrowing man's head resting on me, as though it were that of a baby that some day may lie on my bosom, and I stroked his hair as though he were my own child. I never thought at the time how strange it all was. After a little bit his sobs ceased, and he raised himself with an apology, though he made no disguise of his emotion. He told me that for days and nights past, weary days and sleepless nights, he had been unable to speak with any one, as a man must speak in his time of sorrow. There was no woman whose sympathy could be given to him, or with whom, owing to the terrible circumstance with which his sorrow was surrounded, he could speak freely. "I know now how I suffered," he said, as he dried his eyes, "but I do not know even yet, and none other can ever know, how much your sweet sympathy has been to me today. I shall know better in time, and believe me that, though I am not ungrateful now, my gratitude will grow with my understanding. You will let me be like a brother, will you not, for all our lives, for dear Lucy's sake?" "For dear Lucy's sake," I said as we clasped hands."Ay, and for your own sake," he added, "for if a man's esteem and gratitude are ever worth the winning, you have won mine today. If ever the future should bring to you a time when you need a man's help,believe me, you will not call in vain. God grant that no such time may ever come to you to break the sunshine of your life, but if it should ever come, promise me that you will let me know." He was so earnest, and his sorrow was so fresh, that I felt it would comfort him, so I said, "I promise.
Bram Stoker (Dracula)
You must be Miss Hendricks.” Eyes the color of a storm-darkened sky, and just as intense, held me mute. “Rebekah,” James corrected. “That’s what she told us to call her.” I couldn’t read Frank’s expression. Was he displeased with me? Wary? Grateful? Maybe just exhausted and sorrowful. His gaze slid over to Janie. He held out his hands. She jerked away, her arms tight around my neck, her mouth filled with whimpers. “I’m sorry.” I tried to smile. His arms dropped to his sides. Ollie and the boys grabbed at his hands. Janie turned for another peek at the man she didn’t recognize, thumb in her mouth, eyes big as saucers. “Don’t be scared of your daddy, Janie.” I jiggled her as I wrinkled my nose in her direction. She unplugged her mouth and laughed, just as I’d intended. I took a deep breath and stepped toward Frank. He reached for her again. She clung to me. I peeled her off, handed her into his calloused hands. She stared at him for a moment before Ollie pressed close to her daddy and smiled into her sister’s face. “It’s Daddy, Janie. Daddy.” Janie reached out baby fingers and touched Frank’s face, gently, timidly. Then the grin we all knew so well broke out like sunshine on a gray day. Moisture rose in Frank’s eyes. I turned away.
Anne Mateer (Wings of a Dream)
Taita,’ she called to me, ‘sing with me!’ And when I obeyed she smiled with pleasure. My voice was one of the many reasons that, whenever she was able, she kept me near her; my tenor complemented her lovely soprano to perfection. We sang one of the old peasant love songs that I had taught her, and which was still one of her favourites: My heart flutters up like a wounded quail when I see my beloved’s face and my cheeks bloom like the dawn sky to the sunshine of his smile
Wilbur Smith (River God (Ancient Egypt, #1))
The Rhythm of the Night" This is the rhythm of the night The night, oh yeah The rhythm of the night This is the rhythm of my life My life, oh yeah The rhythm of my life You could put some joy upon my face Oh, sunshine in an empty place Take me to turn to, and babe I'll make you stay Oh, I can ease you of your pain Feel you give me love again Round and round we go, each time I hear you say This is the rhythm of the night The night, oh yeah The rhythm of the night This is the rhythm of my life My life, oh yeah The rhythm of my life Won't you teach me how to love and learn There'll be nothing left for me to yearn Think of me and burn, and let me hold your hand I don't wanna face the world in tears Please think again, I'm on my knees Sing that song to me, no reason to repent I know you wanna say it
Corona
Where were you on the night of March 7?" Typical detective stuff you hear on television all the time. It's so phony. I hate it. Most people can't remember where they were three nights ago much less on a particular date. I know I can't. The times you remember are the ones you're supposed to: Christmas Day, the Fourth of July, your birthday. As you get older and occasionally look back, even those days drift together into one small blob of memories. But you always remember the first time and the last. You remember your first day of school and the last. You remember the first time you went to the show by yourself and the last time you saw your grandfather. The first time you made love. Most of the nights of my life have passed by barely noticed, like the black squares of rosary beads slipping through the wrinkled fingers in the last pew. But later, when I've looked back, I've realized that a few ink colored seeds have taken root in my mind and have grown into oaken strength. My dreams drift back and nestle in their branches. If those nights were suddenly not to be, I, who had come to lean on them, to relish those few surviving leaves of a young autumn that has passed and will not come again, would not know where I'd been. And I'd wonder, even more so, if there was anywhere to go. Every Chicago winter delivers four gray weeks, with rare spots of sunshine that are apparently the flipside of hell. Teeth bared, the wind comes snarling off the lake with every intention of shredding the skin off your face. Numb since November, hands can no longer tell or care if they are wearing gloves. Snowmen, offsprings of childhood enthusiasm, are rarely born during these weeks. Along with the human spirit, the temperature continues to plummet. The ground is smothered by aging layers of ice and snow. Looking at a magazine ad, you see a vaguely familiar blanket of green. Squinting back through months of brown snow, salt-marked shoes, running noses, icy railings, slippery sidewalks, and smoking sewers, you try to recall the feeling of grass. February is four weeks of hanging onto the ropes, waiting to be saved from a knockout by the bell of spring. One year, I was invited to Engrim University's President's Ball, which was to be held on the first Saturday in February. I don't know why I was invited. Most of the students who received invitations were involved in a number of extracurricular activities; they participated in student government, belonged to various clubs, were presidents of fraternities or sororities, were doing extremely well academically or were, in some other way, pleasing the gods. I was never late with my tuition payments. Maybe that was it. Regardless, the President's Ball was to be held in the main ballroom of one of Chicago's swankiest hotels. I thought it was an excellent opportunity to impress Sarah with my importance. A light snowfall was dotting the night air when
John R. Powers (The Unoriginal Sinner and the Ice-Cream God (Loyola Classics))
April 15 MORNING “My God, my God, why hast Thou forsaken me?” — Psalm 22:1 WE here behold the Saviour in the depth of His sorrows. No other place so well shows the griefs of Christ as Calvary, and no other moment at Calvary is so full of agony as that in which His cry rends the air — “My God, my God, why hast Thou forsaken me?” At this moment physical weakness was united with acute mental torture from the shame and ignominy through which He had to pass; and to make His grief culminate with emphasis, He suffered spiritual agony surpassing all expression, resulting from the departure of His Father’s presence. This was the black midnight of His horror; then it was that He descended the abyss of suffering. No man can enter into the full meaning of these words. Some of us think at times that we could cry, “My God, my God, why hast Thou forsaken me?” There are seasons when the brightness of our Father’s smile is eclipsed by clouds and darkness; but let us remember that God never does really forsake us. It is only a seeming forsaking with us, but in Christ’s case it was a real forsaking. We grieve at a little withdrawal of our Father’s love; but the real turning away of God’s face from His Son, who shall calculate how deep the agony which it caused Him? In our case, our cry is often dictated by unbelief: in His case, it was the utterance of a dreadful fact, for God had really turned away from Him for a season. O thou poor, distressed soul, who once lived in the sunshine of God’s face, but art now in darkness, remember that He has not really forsaken thee. God in the clouds is as much our God as when He shines forth in all the lustre of His grace; but since even the thought that He has forsaken us gives us agony, what must the woe of the Saviour have been when He exclaimed, “My God, my God, why hast Thou forsaken me?
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
It was good for me to be afflicted. (Psalm 119:71) It is a remarkable occurrence of nature that the most brilliant colors of plants are found on the highest mountains, in places that are the most exposed to the fiercest weather. The brightest lichens and mosses, as well as the most beautiful wildflowers, abound high upon the windswept, storm-ravaged peaks. One of the finest arrays of living color I have ever seen was just above the great Saint Bernard Hospice near the ten-thousand-foot summit of Mont Cenis in the French Alps. The entire face of one expansive rock was covered with a strikingly vivid yellow lichen, which shone in the sunshine like a golden wall protecting an enchanted castle. Amid the loneliness and barrenness of that high altitude and exposed to the fiercest winds of the sky, this lichen exhibited glorious color it has never displayed in the shelter of the valley. As I write these words, I have two specimens of the same type of lichen before me. One is from this Saint Bernard area, and the other is from the wall of a Scottish castle, which is surrounded by sycamore trees. The difference in their form and coloring is quite striking. The one grown amid the fierce storms of the mountain peak has a lovely yellow color of a primrose, a smooth texture, and a definite form and shape. But the one cultivated amid the warm air and the soft showers of the lowland valley has a dull, rusty color, a rough texture, and an indistinct and broken shape. Isn’t it the same with a Christian who is afflicted, storm-tossed, and without comfort? Until the storms and difficulties allowed by God’s providence beat upon a believer again and again, his character appears flawed and blurred. Yet the trials actually clear away the clouds and shadows, perfect the form of his character, and bestow brightness and blessing to his life. Amidst my list of blessings infinite Stands this the foremost, that my heart has bled; For all I bless You, most for the severe. Hugh Macmillan
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
Flowers dance tonight, Petals move with a delicate grace, Seductive built in the dance, As my heart gazed on your lovely face. Passion soft passion gentle, A air of a sweet tease, Touching, feeling..loving, Just tell me how to please. The flower opens wide, Let's the sunshine in, My heart thinks of her, For the loving to begin. Restless waters move to the call, Slowly back and forth in harmony, Sweetness and sensuality, For me to deeply feel and lovingly see. The flowers roots, Her stems, her petals so red, My heart does not think of anyone, Else to share our bed. Soft skin to the touch, Soft lips to kiss with slowness and heat, Tonight we make love in passion, To a warm sound and tender melody of a lovers beat.
Albert Alexander Bukoski
Sunshine and musk and dusty violets, but so faint. I breathed again: her skin, and her hair, oh dear god her hair…Tears ran down my face, my neck, dripped on my hands onto her shirt. All I had left of her. So faint. So very faint.
Nicola Griffith (Stay (Aud Torvingen #2))
Beneath the Cross of Jesus I fain would take my stand, The shadow of a mighty rock Within a weary land; A home within the wilderness, A rest upon the way, From the burning of the noontide heat, And the burden of the day. Upon the Cross of Jesus Mine eye at times can see The very dying form of One Who suffered there for me. And from my smitten heart with tears, These wonders I confess, The wonder of His glorious love, And my own worthlessness. I take, O Cross, thy shadow For my abiding place; I ask no other sunshine than The sunshine of His face; Content to let the world go by, To know no gain nor loss, My sinful self my only shame, My glory all the Cross.
Mrs. Charles E. Cowman (Streams in the Desert Morning and Evening: 365-Day Devotional)
He took a step closer to me, the laughter still dancing on his face. 'Feeling better today?' I mumbled some noncommittal response. 'Good,' he said, either ignoring or hiding his amusement. 'But just in case, I wanted to give you this,' he added, pulling some papers from his tunic and extending them to me. I bit the inside of my cheek as I stared down at the three pieces of paper. It was a series of five-lined... poems. There were five of them altogether, and I began sweating at words I didn't recognise. It would take me an entire day just to figure out what these words meant. 'Before you bolt or start yelling...' he said, coming around to peer over my shoulder. If I'd dared, I could have leaned back into his chest. His breath warmed my neck, the shell of my ear. He cleared his throat and read the first poem. There once was a lady most beautiful Spirited, if a little unusual Her friends were few But how the men did queue But to all she gave a refusal. My brows rose so high I thought they'd touch my hairline, and I turned, blinking at him, our breath mingling as he finished the poem with a smile. Without waiting for my response, Tamlin took the papers and stepped a pace away to read the second poem, which wasn't nearly as polite as the first. By the time he read the third poem, my face was burning. Tamlin paused before he read the fourth, then handed me back the papers. 'Final word in the second and fourth line of each poem,' he said, jerking his chin toward the papers in my hands. Unusual. Queue. I looked at the second poem. Slaying. Conflagration. 'These are-' I stared. 'Your list of words was too interesting to pass up. And not good for love poems at all.' When I lifted my brow in silent inquiry, he said, 'We had contests to see who could write the dirtiest limericks while I was living with my father's war-band by the border. I don't particularly enjoy losing, so I took it upon myself to become good at them.' I didn't know how he'd remembered that long list I'd compiled- I didn't want to. Sensing I wasn't about to draw an arrow and shoot him, Tamlin took the papers and read the fifth poem, the dirtiest and foulest of them all. When he finished, I tipped back my head and howled, my laughter like sunshine shattering age-hardened ice.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I looked toward the small vent in the corner of the ceiling through which the music entered my cell. The source must have been far away, for it was just a faint stirring of notes, but when I closed my eyes, I could hear it more clearly. I could... see it. As if it were a grand painting, a living mural. There was beauty in the music- beauty and goodness. The music folded over itself like batter being poured from a bowl, one note atop another, melting together to form a whole, rising, filling me. It wasn't wild music, but there was a violence of passion in it, a swelling kind of joy and sorrow. I pulled my knees to my chest, needing to feel the sturdiness of my skin, even with the slime of the oily paint upon it. The music built a path, an ascent founded upon archways of colour. I followed it, walking out of that cell, through layers of earth, up and up- into fields of cornflowers, past a canopy of trees, and into the open expanse of sky. The pulse of the music was like hands that gently pushed me onward, pulling me higher, guiding me through the clouds. I'd never seen clouds like these- in their puffy sides, I could discern faces fair and sorrowful. They faded before I could view them too clearly, and I looked into the distance to where the music summoned me. It was either a sunset or a sunrise. The sun filled the clouds with magenta and purple, and its orange-gold rays blended with my path to form a band of shimmering metal. I wanted to fade into it, wanted the light of that sun to burn me away, to fill me with such joy that I would become a ray of sunshine myself. This wasn't music to dance to- it was music to worship, music to fill in the gaps of my soul, to bring me to a place where there was no pain. I didn't realise I was weeping until the wet warmth of a tear splashed upon my arm. But even then I clung to the music, gripping it like a ledge that kept me from falling. I hadn't realised how badly I didn't want to tumble into that deep dark- how much I wanted to stay here among the clouds and colour and light. I let the sounds ravage me, let them lay me flat and run over my body with their drums. Up and up, building to a palace in the sky, a hall of alabaster and moonstone, where all that was lovely and kind and fantastic dwelled in peace. I wept- wept to be so close to that palace, wept for the need to be there. Everything I wanted was there- the one I loved was there- The music was Tamlin's fingers strumming my body; it was the gold of his eyes and the twist of his smile. It was that breathy chuckle, and the way he said those three words. It was this I was fighting for, this I had sworn to save. The music rose- louder, grander, faster, from wherever it was played- a wave that peaked, shattering the gloom of my cell. A shuddering sob broke from me at the sound faded into silence. I sat there trembling and weeping, too raw and exposed, left naked by the music and the colour in my mind.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
How to Love (The Sonnet) How do I love thee? Lemme count the ways. No wait, why bother counting, When I can shower you with praise! When there's sunshine on your face, Lemme drink it like miracle syrup. When your soul is blue and cloudy, Lemme be your personal stand-up. Your achievements are my own, As such they boost my swag. When you are mad at yourself, Lemme be your punching bag. Give me your body or not, I don't care. I just wanna be there to wipe your every tear.
Abhijit Naskar (Girl Over God: The Novel)
My son and I talk quietly about nothing much. We feel small in the universe, and together. Later, as we are leaving, he runs on ahead down a tunnel of briar and blackthorn. The tunnel is at first in shadow, but as I watch him run he passes into a place where the sunshine falls so brightly that he is burned up by it, lost to my sight, and suddenly the knowledge that he will die strikes me and every leaf falls from the trees around us and the air greys to ash and colour is utterly lost – and then life and hue pour back into the world as quickly as they were drained from it, and the leaves flicker greenly on the trees again. I run to catch up with him, calling loudly, and he turns to face me at the edge of the wood. As I kneel down on the earth he raises a hand in the air, fingers spread wide. I reach my hand towards his and meet it palm to palm, finger to finger, his skin strange as stone against mine.
Robert Macfarlane (Underland: A Deep Time Journey)
And my shadow touched hers as though in an embrace. Then, as if taken with a fleeting thought, I stepped over to the window and laid the rose I had just broken off in Maria's lap. I then slid silently away, as though I feared being caught in the act. How often was this little course of events, which seemed so significant to me, repeated! I scarcely know. To me it is as if I had laid a thousand roses in the ailing Maria's lap, as if our shadows had embraced innumerable times. Never once did Maria mention this episode; yet from the gleam in her great radiant eyes, I sensed that she was happy about it. Perhaps these hours, when we two sat together and in silence enjoyed a great, tranquil, deep joy, were so beautiful that I felt no need for any that were more beautiful still. My old uncle quietly left us to ourselves. One day, however, as I sat by him amongst all the resplendent flowers over which great golden butterflies hovered dreamily, he spoke to me in a quiet, thoughtful voice: 'Your soul is drawn to suffering, my boy.' And therewith he laid his hand upon my head as though wishing to add something more. Yet he remained silent. Perhaps he didn't know either what he had awakened in me by this, and what was mightily stirred to life in me from that day. One day, as I again stepped over to the window where Maria sat as usual, I saw that her face had turned pale and rigid in death. Sunbeams darted across her bright, delicate form; her untied golden hair fluttered in the wind and it seemed to me as if no illness had carried her off but that she had died without visible cause - an enigma. I placed the last rose in her hand. She took it with her to the grave. Soon after Maria's death I left for the city. But the memory of those tranquil days filled with sunshine have remained alive in me, more alive perhaps than the noisome present. I shall never again see the little town at the bottom of the valley - yes, I am loath to return to it again. I believe I should be unable to do so, even though I am at times seized by a deep yearning for those ever youthful things of the past. For I know that I should only look in vain for that which is lost without trace; I would no longer find there what lives on in my memory alone - just like the here and now- and what would that bring me but endless torment.
Georg Trakl (Poems and Prose)
I have everything I want. The fame. The stardom. I’ve reached success others can only fantasize about. I see my name and face on beauty products. It’s a dream! The spotlight, I mean. I’m afraid this marriage is falling apart and hasn’t been working for years. I suspect all the women he’s been with. Too many to name. But if I bring it up, he gets mad and even denies it. And if I leave now…I could lose everything I’ve worked for. He made my fortune. He can take it away. For now, I will just pose and smile. But I hate to admit, something is still missing.
Sunshine Rodgers (The Ring Does Not Fit)
My Bundle of Joy I see the smile on her face Her heart full of praise In her, there is so much grace She looks at me as I gaze “Mother, I made it,” she says “I knew you would,” I say “How did you know?” she asks Then for her, I had this answer “Since the day I first saw you I recognised greatness Truly, the Lord has been gracious To give me a child of such kindness Blessed with distinct gifts He took away my tears Replaced my rainy days With a radiant sunshine He gave me you, my pride Such an amazing child Who brings me comfort What a special encounter Of having you in my life We pray for each other And rejoice together I will cherish you forever My bundle of joy
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
Well, this isn’t awkward at all,” Hailee whispered. And even though it was dark, and I could barely see her, I was aware of everything. The soft sound of every breath she took, the warm current flowing between us. The way my skin tingled, and my pulse raced at her close proximity, despite the fact I hadn’t even touched her. Turning onto my side, I traced the profile of her face. “Get some sleep.” I choked out the words to stop myself from doing something stupid. Like telling her it didn’t feel awkward to me at all. That it felt pretty damn near perfect. “Night, Cameron.” “Night, Sunshine.” A beat of silence passed and then her sleepy voice cut through the quiet. “Cameron?” “Yeah?” “Thank you.” As I felt the pull of sleep, my mind was a jumble of thoughts. Of me and Hailee. Of all the reasons why this was a really bad fucking idea. But one thought stood out above all the others. It was the first time I’d ever fallen to sleep with a girl in my bed. And I liked it. I liked it a whole lot.
L.A. Cotton (The Trouble with You (Rixon Raiders, #1))
She’s like sunshine on my face. Warm and bright. I feel like I’ve been living in the shade, in a dark corner, and rather than dragging me kicking and screaming out of it—like so many people have tried to—she’s just shifted over a little bit to share her light.
Elsie Silver (A Photo Finish (Gold Rush Ranch, #2))
Did you seriously just yank me out of Steele's bed to come and sleep with you?" I asked, folding my arms over my chest with a mocking smile. "Come on, Sunshine. You're not actually that jealous of your besties, are you?" He glared back at me, closing the space between us, then backing me up until my calves hit the edge of his bed and I sat down heavily. "Princess," he murmured with a wicked smile touching his full lips. "If that was my intention, I'd have your legs already wrapped around my face and you damn well know it.
Tate James
Only silly people who never stop to think are afraid of death. It’s as stupid to talk of being scared of dying as it is to talk of being scared to be born. I like being alive, sir, and I mean to go on living as long as I can because this body is made to enjoy the things in this life, things like the sunshine on your hands and face and the smell of flowers and the sound of my old tabby cat purring away by the fire, but when I die I shall have another life and a different set of pleasures and pains.
Victor Canning (Mr Finchley Takes the Road (Mr Finchley, #3))
Seriously. I’ll wager you aren’t ten years older than me.” “I bet I am.” “So what? So when I’m eighty, you’ll be ninety. It’s just a number.” I relaxed on a pile of pillows on my end of the boat. Eyes closed, I enjoyed the sunshine’s warmth on my face with the intermittent quack of ducks floating on the cool breeze. “I’m just saying, I’m not sure your eighty-year-old self will enjoy being chased by a gaggle of ninety-year-old women at the old folks’ home.” “And I’m just saying if you were there, I’d let you catch me.
Kelly Elizabeth Huston (Tex Miller Is Dead (Found Families #1))