Sunset Viewing Quotes

Sunsets, like childhood, are viewed with wonder not just because they are beautiful but because they are fleeting.

Her satellite made one full orbit around Planet Earth every sixteen hours. It was a prison that came with an endlessly breathtaking view— vast blue oceans and swirling clouds and sunrises that set half the world on fire.

I gaze out at the glittering sea, the breathtaking sky above it, and think of birds and the moment before the fall, and how my sister as a child had been strong enough for the both of us, and I wonder when exactly that changed. I don't know when, but it did. Jake was right - I'm strong in a way June never was. Because I know that I want to be here. Even with the pain. Even with the ugliness. I've seen the other side - marching side by side down city streets with people who all believe they can change the world and the view of the sunset from Fridgehenge and Tom Waits lyrics and doing the waltz and kisses so hot they melt into each other and best friends who hold your hand and stretching out underneath a sky draped with stars and everything else. There is so much beauty in just existing. In being alive. I don't want to miss a second.

Two roads diverged in a yellow wood, but I chose neither one. Instead, I set sail in my little boat to watch a sunset from a different view that couldn't be seen from shore. Then I climbed the tallest mountain peak to watch the amber sun through the clouds. Finally, I traveled to the darkest part of the valley to see the last glimmering rays of light through the misty fog. It was every perspective I experienced on my journey that left the leaves trodden black, and that has made all the difference.

As the saturating colors of sun-life fade from sight, the ominous moon reaches out its long arm and applies the dark dyes of night.

Think of the long trip home. Should we have stayed at home and thought of here? Where should we be today? Is it right to be watching strangers in a play in this strangest of theatres? What childishness is it that while there's a breath of life in our bodies, we are determined to rush to see the sun the other way around? The tiniest green hummingbird in the world? To stare at some inexplicable old stonework, inexplicable and impenetrable, at any view, instantly seen and always, always delightful? Oh, must we dream our dreams and have them, too? And have we room for one more folded sunset, still quite warm?

A good book is never exhausted. It goes on whispering to you from the wall. Books perfume and give weight to a room. A bookcase is as good as a view, as the sight of a city or a river. There are dawns and sunsets in books - storms, fogs, zephyrs. I read about a family whose apartment consists of a series of spaces so strictly planned that they are obliged to give away their books as soon as they've read them. I think they have misunderstood the way books work. Reading a book is only the first step in the relationship. After you've finished it, the book enters on its real career. It stand there as a badge, a blackmailer, a monument, a scar. It's both a flaw in the room, like a crack in the plaster, and a decoration. The contents of someone's bookcase are part of his history, like an ancestral portrait. - in "About books; recoiling, rereading, retelling", The New York Times, February 22, 1987

I couldn't help but remember a similar moment, another view of infinite sunset as I sat side by side with Asuna, watching the end of Aincrad. Her voice echoed in my ears: We'll always be together.

Rose stood in the last faint beams of sunset. “Whoa!” “Is he wearing a leather cat suit?” “Holy Mother!" “Dude!” The guys all quickly averted their eyes and raised their hands to further block any chance of catching a view. Anything to not see Rose in his painted-on leather one-piece that left absolutely nothing to the imagination. “Stunning, right?” Rose spread his palms as far as the cuffs would allow. “Oh, I’m stunned.” Ayden looked ill. Rose looked down at himself with admiration. “Not many males can pull off this look.” “No male can pull off that look.” "Actually, his finely sculptured physique would be considered the perfect complement for this type of anatomically revealing attire which accentuates his—” “Bloody hell, Jayden, shut it!” “Dude, this is so not right.” “I feel like it’s looking at me.” “Feel like what’s looking at—? Oh. Oh! Ugh, now I feel like it’s looking at me too.” “How can it be looking at both of us?” “Are you serious?” “I’m gonna be sick.” “Someone please gouge out my eyes.

A sunset a forest a snow storm a certain river view are more to me than many friends.

Perfection is a paradigm meant to keep us striving and learning and growing. Like a wondrous sunset, perfection may be beyond our reach, but it is within our view and well worth seeking after.

I watched the sunset from the comfort of my bathtub, which has a clear bottom so I had an unobstructed view.

I have admired the romantic elegance of the Place de la Concorde in Paris, have felt the mystic message from a thousand glittering windows at sunset in New York, but to me the view of the London Thames from our hotel window transcends them all for utilitarian grandeur - something deeply human.

Anything is better than the silence when she answered to hands gesturing and was indifferent to the movement of lips. When she saw every little thing and colors leaped smoldering into view. She will forgo the most violent of sunsets, stars as fat as dinner plates and all the blood of autumn and settle for the palest yellow if it comes from her Beloved.

I had a great view of the sunset. At least until father went and changed the channel. Dammit, dad!

The existentialists' view of love is not romantic, because they do not believe in love as an abstract force or amorous sunset walks along the beach. However, Cox also said, "if your idea of romance is somewhat more gothic and stormy, full of heartache, yearning and the thwarted desire to possess breaking up, making up and breaking up again, tears before bedtime and tears in the rain, then maybe it is romantic".

As we drew nearer we could see that the three men fishing seemed old and solemn-looking men. They sat on three chairs in the punt and watched intently their lines. And the red sunset threw a mystic light upon the waters and tinged with fire the towering woods and made a golden glory of the piled-up clouds. It was an hour of deep enchantment of ecstatic hope and longing. The little sail stood out against the purple sky the gloaming lay around us wrapping the world in rainbow shadows and behind us crept the night. We seemed like knights of some old legend sailing across some mystic lake into the unknown realm of twilight unto the great land of the sunset. We did not go into the realm of twilight we went slap into that punt where those three old men were fishing. We did not know what had happened at first because the sail shut out the view but from the nature of the language that rose up upon the evening air we gathered that we had come into the neighbourhood of human beings and that they were vexed and discontented.

During the next few years I wrote a series of Martian pensées, Shakespearean "asides," wandering thoughts, long night visions, predawn half-dreams. The French, like St. John Perce, practice this to perfection. It is the half-poem, half-prose paragraph that runs as little as one hundred words or as long as a full page on any subject, summoned by weather, time, architectural facade, fine wine, good victuals, a view of the sea, quick sunsets, or a long sunrise. From these elements one upchucks rare hairballs or a maundering Hamlet-like soliloquy.

Justin: I am falling so in love with you. Her body electrified. Celeste wiped her eyes and read his text again. The drone of the plane disappeared; the turbulence was no more. There was only Justin and his words. Justin: I lose myself and find myself at the same time with you. Justin: I need you, Celeste. I need you as part of my world, because for the first time, I am connected to someone in a way that has meaning. And truth. Maybe our distance has strengthened what I feel between us since we’re not grounded in habit or daily convenience. We have to fight for what we have. Justin: I don’t know if I can equate what I feel for you with anything else. Except maybe one thing, if this makes any sense. Justin: I go to this spot at Sunset Cliffs sometimes. It’s usually a place crowded with tourists, but certain times of year are quieter. I like it then. And there’s a high spot on the sandstone cliff, surrounded by this gorgeous ice plant, and it overlooks the most beautiful water view you’ve ever seen. I’m on top of the world there, it seems. Justin: And everything fits, you know? Life feels right. As though I could take on anything, do anything. And sometimes, when I’m feeling overcome with gratitude for the view and for what I have, I jump so that I remember to continue to be courageous because not every piece of life will feel so in place. Justin: It’s a twenty-foot drop, the water is only in the high fifties, and it’s a damn scary experience. But it’s a wonderful fear. One that I know I can get through and one that I want. Justin: That’s what it’s like with you. I am scared because you are so beyond anything I could have imagined. I become so much more with you beside me. That’s terrifying, by the way. But I will be brave because my fear only comes from finally having something deeply powerful to lose. That’s my connection with you. It would be a massive loss. Justin: And now I am in the car and about to see you, so don’t reply. I’m too flipping terrified to hear what you think of my rant. It’s hard not to pour my heart out once I start. If you think I’m out of mind, just wave your hands in horror when you spot the lovesick guy at the airport. Ten minutes went by. He had said not to reply, so she hadn’t. Justin: Let’s hope I don’t get pulled over for speeding… but I’m at a stoplight now. Justin: God, I hope you aren’t… aren’t… something bad. Celeste: Hey, Justin? Justin: I TOLD YOU NOT TO REPLY! Justin: I know, I know. But I’m happy you did because I lost it there for a minute. Celeste: HEY, JUSTIN? Justin: Sorry… Hey, Celeste? Celeste: I am, unequivocally and wholly falling in love with you, too. Justin: Now I’m definitely speeding. I will see you soon.

i could step off the end of this pier but i got shit to do and an appointment on tuesday to shed uninvited blood and tissue i'll miss you, i say to the river to the water to the son or daughter i thought better of i could fall in love with jersey at sunset but i leave the view to the rats and tiptoe back

In addition to the little ecosystem developing around my raft, I am constantly surrounded by a display of natural wonders. The acrobatic dorados perform beneath ballets of fluffy white clouds. The clouds glide across the sky until they join at the horizon to form whirling, flaming sunsets that are slowly doused by nightfall. Then, as if the sun had suddenly crashed, thousands of glistening galaxies are flung out into deep black night. There is no bigger sky country than the sea. But I cannot enjoy the incredible beauty around me. It lies beyond my grasp, taunting me. Knowing it can be stolen from me at any time, by a Dorado or shark attack or by a deflating raft, I cannot relax and appreciate it. It is beauty surrounded by ugly fear. I write in my log that it is a view of heaven from a seat in hell.

You must not be angry with me for having been so sad yesterday; I was very happy, very content, but in my very best moments I am always for some reason sad. As for my crying, that means nothing. I don’t know myself why I am always crying. I feel ill and irritable; my sensations are due to illness. The pale cloudless sky, the sunset, the evening stillness – all that – I don’t know – but I was somehow in the mood yesterday to take a dreary and miserable view of everything, so that my heart was to fall any did the relief of tears. But why am I writing all this to you? It is hard to make all that clear to one’s own heart and still harder to convey it to another. But you, perhaps, will understand me. Sadness and laughter both at once! How kind you are really. You looked into my eyes yesterday as though to read in them what I was feeling and were delighted with my rapture.

I surveyed the broad view of our old world under the sunset of that long day

The sunset turned the downtown skyline to red gold. The sea stretched ahead of us in silky sheets of blue, and for now all I had to do was stand at the prow and enjoy the view.

Sunrise and sunset are all the same from an observer's point of view. As life is the same at birth and at death. The true Self continues.

We might find it easy to look at some majestic view like a glorious sunset or the grandeur of the mountains and ponder the magnificence of God's handiwork. But this sense needs to extend beyond the "wow" moments to encompass all of our experience of his world. We have the same problem when we only recognize God in some incredible occurrence in our lives and forget that he provides for us, cares for us and protects us moment by moment, day after day. God did not just create at some time in the past; he is the Creator - past, present and future." (The Lost World of Genesis One.)

Most broadly understood, lectio divina involves receiving God's revelation wherever it occurs. This means that there are other media beyond Scriptures that can also be engaged with in this same prayerful way. We can, for example, apply it to the reading of a book or article. In fact, it is very appropriately used when reading something devotional-say, for example, the book you now hold in your hands. But we can also open our senses and attend to God's revelation while listening to music, viewing a work of art, contemplating an icon, talking to a friend, listening to a sermon or watching a sunset.

XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.

Questions of Travel There are too many waterfalls here; the crowded streams hurry too rapidly down to the sea, and the pressure of so many clouds on the mountaintops makes them spill over the sides in soft slow-motion, turning to waterfalls under our very eyes. —For if those streaks, those mile-long, shiny, tearstains, aren't waterfalls yet, in a quick age or so, as ages go here, they probably will be. But if the streams and clouds keep travelling, travelling, the mountains look like the hulls of capsized ships, slime-hung and barnacled. Think of the long trip home. Should we have stayed at home and thought of here? Where should we be today? Is it right to be watching strangers in a play in this strangest of theatres? What childishness is it that while there's a breath of life in our bodies, we are determined to rush to see the sun the other way around? The tiniest green hummingbird in the world? To stare at some inexplicable old stonework, inexplicable and impenetrable, at any view, instantly seen and always, always delightful? Oh, must we dream our dreams and have them, too? And have we room for one more folded sunset, still quite warm? But surely it would have been a pity not to have seen the trees along this road, really exaggerated in their beauty, not to have seen them gesturing like noble pantomimists, robed in pink. —Not to have had to stop for gas and heard the sad, two-noted, wooden tune of disparate wooden clogs carelessly clacking over a grease-stained filling-station floor. (In another country the clogs would all be tested. Each pair there would have identical pitch.) —A pity not to have heard the other, less primitive music of the fat brown bird who sings above the broken gasoline pump in a bamboo church of Jesuit baroque: three towers, five silver crosses. —Yes, a pity not to have pondered, blurredly and inconclusively, on what connection can exist for centuries between the crudest wooden footwear and, careful and finicky, the whittled fantasies of wooden cages. —Never to have studied history in the weak calligraphy of songbirds' cages. —And never to have had to listen to rain so much like politicians' speeches: two hour of unrelenting oratory and then a sudden golden silence in which the traveller takes a notebook, writes: "Is it lack of imagination that makes us come to imagined places, not just stay at home? Or could Pascal have been entirely right about just sitting quietly in one's room? Continent, city, country, society: the choice is never wide and never free. And here, or there...No. Should we have stayed at home, wherever that may be?

I’ve reached that point in my journey, where there is more scenery in the rear view mirror than there is roadway ahead, I now have the time to write. I would rather hit the end of the road at full throttle than coast to a stop in the sunset.

You live an insular existence, going from your soundproofed cars to your air-conditioned, insulated houses. People would not say God is dead if they only looked up at the spectacular panorama of the night sky, or had an unobstructed view of the sunset.

I will never listen to ocean waves or view a beautiful sunset in quite the same way again. That is perhaps the greatest gift one can gain by delving into calculus: It is a whole new way of looking at the world, accessible only through the realm of mathematics.

And now for me, faith is less of a brick edifice of belief and doctrine and right answers than it is a wide-open sky ringed with pine trees black against a cold sunset, an altar, a welcome, bread and wine, an unfathomably ferocious love, and a profound sense of my belovedness.

How is it the seasons change? Do they change so slowly so creepingly because we so rarely break away from whatever it was that we were dreaming to notice? What the season brings us to suffer (because seasons, no matter how lovely, will bring us to suffer) it brings when we are not looking. I know the look of a cracked landscape, winter in black and white, flat and finite with a sunset on the horizon like a red heartbeat suffering there. It will take me longer each morning now to go out and face it, the leaves shivering then falling about as if to remind that somehow despite leavings, there is some magic, some beauty there. I don’t want it: the mountain view, the shimmer of summer rain, a troutfilled creek. How is it that I came to be here this way with the wind a suggestion that it was, indubitably was, autumn (already and again)?

Jake was right--I'm strong in a way June never was. Because I know that I want to be here. Even with the pain. Even with the ugliness. I've seen the other side--marching side by side down city streets with people who all believe they can change the world and the view of the sunset from Fridgehenge and Tom Waits lyrics and doing the waltz and kisses so hot they melt into each other and best friends who hold your hand and stretching out underneath a sky draped with stars and everything else. There is so much beauty in just existing. In being alive. I don't want to miss a second.

The Artist’s impressions of a walk in the woods. The Artist’s view on viewing. The Artist on Art. How do you get your ideas for stories, Mr. Valentine? Well, I simply exploit everything I come into contact with. One ended, of course, by losing all spontaneity. You saw people as characters, sunsets as an excuse for similes—

Meat may go up in price — it has done — but books won’t. Admission to picture galleries and concerts and so forth will remain quite low. The views from Richmond Hill or Hindhead, or along Pall Mall at sunset, the smell of the earth, the taste of fruit and of kisses — these things are unaffected by the machinations of trusts and the hysteria of stock exchanges.

Van Gogh's view of the world becomes a lamp that reveals corners of my heart that I didn't know were there- and all of this happens immediately, even though he died 88 years before I was born. So ask yourself this: Is The Starry Night infallible? The questions doesn't make sense. Though grammatically sound, it is a query with no meaning. I could just as easily ask "How much does a sunset weigh?" The beauty of The Starry Night isn't in it being fallible or infallible. It's a window into another person's soul. Let's try another question: Is The Starry Night true? If we're talking logic or math, this question is as nonsensical as the first. But if we ask with the perspective of an artist or philosopher, we might find that, yes, The Starry Night is very true- it tells us truths about the human experience. It's a testament to how grief feels and the numinous quality we often experience when we peer deeply into the night sky... It is somehow more true than facts- it resonates in some deeper chamber of the human heart. So let me ask you two more questions: Is the Bible infallible? Is it true?

Tourists see invisible things. Sometimes their point of view eluded him. By now, he was often the first in the group to raise his camera: to a roadside shrine or a sunset, to a buffalo plowing a paddy, ribs curved like a boat. But why were the others laughing at a billboard advertising Perlwite soap? What was fascinating about two village women grinding chilies on a stone? The dust of familiarity still lay in patches on the scenes through which he moved.

But all of that is mostly invisible to me, an enchanting landscape painted on a see-through curtain in front of a stage where scenes of unspeakable horror play out. I can go for weeks without even seeing the beach, kept busy by emergency calls: fights, stabbings, shootings, burglaries, robberies, rapes, drunks, domestics, suicides. I spend more time in run-down housing projects and trailer parks than I do admiring sunsets. But they don’t pay me to enjoy the view

pensées, Shakespearian “asides,” wandering thoughts, long night visions, predawn half-dreams. The French, like St. John Perse, practice this to perfection. It is the half-poem, half-prose paragraph that runs as little as one hundred words or as long as a full page on any subject, summoned by weather, time, architectural facade, fine wine, good victuals, a view of the sea, quick sunsets, or a long sunrise. From these elements one upchucks rare hairballs or a maundering Hamlet-like soliloquy.

The ground is unrelenting. We can leave it — and that’s its own kind of shock, an elated rush of triumph. Flight is easy when it’s beautiful. It’s easy when it’s washed in the calm, golden glow of sunsets, and our view is vast, and we are in the company of clouds and vultures and our friends who can also fly. But we must come back down. When the impact is ugly, demeaning, when it slows down time and splits your senses, you don’t just have to come down, you have to come back together, and then you have to hike back up and take off again, now knowing more precisely what you risk.

Heaven’s Door" I’d search the world for Heaven’s Door, Over mountains and valleys, each sandy shore. I’d find the stairway, soaring through clouds, I'd climb each step, without making a sound. I’d arrive at the door of glimmering gold, I’d slip through unnoticed, not stirring a soul. I’d gasp at its beauty, at its rivers and trees, I’d stray from the paths, I’d hide among leaves. I’d tiptoe unseen, under sun and sky blue, I’d search every corner until I found you. I’d capture a tear, catch a glimpse of your hair, As you danced and you twirled, without any care. You’d smile and you’d laugh, like a bird you’d be free, I’d try not to cry, you’re there without me. I’d stay my hand from touching your face, From calling your name, to feel your embrace. You’d open your mouth and your voice would be pure, I’d treasure the sound, no more pain you’d endure. I’d stay ‘til the sunset, when I’d have to leave, A pain in my heart, my spirit in grief. I’d blow you a kiss, let it drift to the sky, I’d whisper ‘I love you’ and bid you goodbye. I'd pass through the door, I’d descend out of view, Knowing that one day, some day, I’d again be with you. - Elsie

I said that it was a beautiful sunset, and Alina said no, it was a sunrise. We argued about it, actually. I told her that the sun in the picture was setting because it was obviously a view from our camp near Gelendzhik, overlooking the Black Sea. That would mean the painting was looking to the west. “Alina said that it didn’t matter. Even if the sun is setting on Gelendzhik, that only means that it is rising in Bucharest. Or Vienna. Or Paris. The sun is always rising somewhere. From then on, whenever I felt low, whenever I lost hope and the world felt darkest, Alina would remind me: the sun is rising.

At the crest of the hill outside Agor, Henry pulled the car to the side of the road and we got out to take in the view. In the falling shadows, the little Arab village at the foot of the Jewish settlement looked nothing like so grim and barren as it had a few minutes before when we’d driven down its deserted main street. A desert sunset lent a little picturesqueness even to that cluster of faceless hovels. As for the larger landscape, you could see, particularly in this light, how someone might get the impression that it had been created in only seven days, unlike England, say, whose countryside appeared to be the creation of a God who’d had four or five chances to come back to perfect it and smooth it out, to tame and retame it until it was utterly habitable by every last man and beast. Judea was something that had been left just as it had been made; this could have passed for a piece of the moon to which the Jews had been sadistically exiled by their worst enemies rather than the place they passionately maintained was theirs and no one else’s from time immemorial. What he finds in this landscape, I thought, is a correlative for the sense of himself he would now prefer to effect, the harsh and rugged pioneer with that pistol in his pocket.

What is life? It is the flash of a firefly in the night. It is a breath of a buffalo in the wintertime. It is as the little shadow that runs across the grass and loses itself in the sunset." -- Said by Chief Crowfoot, Blackfoot Indian Chief. This last entry was written in red ink and decorated with a border of green-ink stars; the anthologist wished to emphasize its "personal significance." "A breath of a buffalo in the wintertime" -- that exactly evoked his view of life. Why worry? What was there to "Sweat about"? Man was nothing, a mist, a shadow absorbed by shadows. But damn it, you do worry, scheme, fret over your fingernails and the warnings of hotel managements.

Darkness Always Ends No matter how your day goes, the sun always rises the next day. You get a fresh start. Likewise, I’ve learned every dark season in life comes to an end. If you hang in there long enough, you’ll reach the dawn. I believe God created that sunrise-sunset pattern as a reminder for us when life gets difficult. For official records, we measure time by the midnight hour. Our calendar days go from midnight to midnight. We begin and end our days in darkness. And when we consider our days, we split them into two parts: daytime first, followed by nighttime. Light first, then the darkness. But not everyone views the cycle that way. The biblical account of creation reverses our cycle: “And there was evening and there was morning, one day” (Genesis 1:5). The Jewish calendar follows suit with that original creation account. That calendar runs from sunset to sunset. The full hours of darkness come first, followed by the full hours of light. In other words, from God’s perspective, each day ends with light. Year after year, I’ve derived such encouragement from that picture. I believe this is why the psalmist David wrote, “Weeping may last for the night, but a shout of joy comes in the morning” (Psalm 30:5). You have every reason to believe for a miracle. You have every reason to believe God won’t abandon you. Nothing in this life lasts forever. Your dark season will come to an end. And chances are, it won’t take until your dying day. It won’t kill you. Things might look bleak at first, but they can improve. With night and day, God has given us a picture of hope. The sun always rises. Things will always get brighter. “The end of a matter is better than its beginning” (Ecclesiastes 7:8). Whether it’s a day or a season in your life, it doesn’t matter how things look in the midst of it. What matters is how it ends. Oftentimes, for the circumstances to improve, we must take particular steps along the way. A bright outcome might depend, in part, on how we choose to respond to what has occurred. Or preemptive steps might put us at an advantage down the road. God give us a role to perform. But the breakthrough is available.

The light stayed wan, but reached further, every new minute, until the whole sky was gold, but pale, not enough to see by, too weak to cast the faintest shadow. Then warmer streaks bloomed, and lit the horizon, and finally the sun rose, unstoppable, for a second as red and angry as a sunset, then settling to a hot yellow blaze, half-clearing the horizon, and throwing immediate shadows, at first perfectly horizontal, then merely miles long. The sky washed from pale gold to pale blue, down through all the layers, so the world above looked newly deep as well as infinitely high and infinitely wide. The night dew had settled the dust, and until it dried the air was crystal. The view was pure and clear in every direction.

I know that a brighter view may be taken, and if the sadder has been emphasized in these letters, it is only because we feel you know less about it. For more has been written about the successes than about the failures, and it seems to us that it is more important that you should know about the reverses than about the successes of the war. We shall have all eternity to celebrate the victories, but we have only the few hours before sunset in which to win them. We are not winning them as we should, because the fact of the reverses is so little realized, and the needed reinforcements are not forthcoming, as they would be if the position were thoroughly understood. Reinforcements of men and women are needed, but, far above all, reinforcements of prayer. And so we have tried to tell you the truth the uninteresting, unromantic truth about the heathen as we find them, the work as it is. More workers are needed. No words can tell how much they are needed, how much they are wanted here. But we will never try to allure anyone to think of coming by painting coloured pictures, when the facts are in black and white. What if black and white will never attract like colours ? We care not for it ; our business is to tell the truth. The work is not a pretty thing, to be looked at and admired. It is a fight. And battlefields are not beautiful. But if one is truly called of God, all the difficulties and discouragements only intensify the Call. If things were easier there would be less need. The greater the need, the clearer the Call rings through one, the deeper the conviction grows: it was God s Call. And as one obeys it, there is the joy of obedience, quite apart from the joy of success. There is joy in being with Jesus in a place where His friends are few ; and sometimes, when one would least expect it, coming home tired out and disheartened after a day in an opposing or indifferent town, suddenly how, you can hardly tell such a wave of the joy of Jesus flows over you and through you, that you are stilled with the sense of utter joy. Then, when you see Him winning souls, or hear of your comrades victories, oh ! all that is within you sings, I have more than an overweight of joy !

In camp, too, a man might draw the attention of a comrade working next to him to a nice view of the setting sun shining through the tall trees of the Bavarian woods (as in the famous water color by Dürer), the same woods in which we had built an enormous, hidden munitions plant. One evening, when we were already resting on the floor of our hut, dead tired, soup bowls in hand, a fellow prisoner rushed in and asked us to run out to the assembly grounds and see the wonderful sunset. Standing outside we saw sinister clouds glowing in the west and the whole sky alive with clouds of ever-changing shapes and colors, from steel blue to blood red. The desolate grey mud huts provided a sharp contrast, while the puddles on the muddy ground reflected the glowing sky. Then, after minutes of moving silence, one prisoner said to another, “How beautiful the world could be!

Helen was bewildered to find herself surrounded by air as warm as the breath of summer. Slowly she walked into a large gallery, constructed of thousands of flashing, glittering glass panes in a network of wrought-iron ribs. It was a glasshouse, she realized in bewilderment. On a rooftop. The ethereal construction, as pretty as a wedding cake, had been built on a sturdy brickwork base, with iron pillars and girders welded to vertical struts and diagonal tiers. "This is for my orchids," she said faintly. Rhys came up behind her, his hands settling at her waist. He nuzzled gently at her ear. "I told you I'd find a place for them." A glass palace in the sky. It was magical, an inspired stroke of romantic imagination, and he had built it for her. Dazzled, she took in the view of London at sunset, a red glow westering across the leaden sky. The clouds were torn in places, gold light spilling through the fire-colored fleece.

It doesn’t ever change. Does the sun not set in your dreams?” Eena grinned at his profile, remembering the first time Ian had noticed the same peculiarity. “No. It never sets.” She watched his brow wrinkle as he wondered at the view. “What good is a stagnant sunset?” Eena looked at the auburn lights. The question made her think for a moment. “Well, it’s always exactly what I want it to be, right between day and night.” “But I thought the beauty of a sunset was watching it change, marveling at the shift in colors as they intensify and then eventually fade.” “All that leaves you with is darkness,” she muttered. He turned to look at her. “You’re afraid of the dark?” She shook her head. “I’m afraid of what happens in the dark.” A look of concern questioned her meaning. “Nightmares,” she explained. “And solitude. And loneliness. The dark is where monsters come to life and people feel the need to leave you. Life is never secure in the dark. You never see things clearly in the dark.

Marlboro Man picked me up the next evening, exactly one month before our wedding day. Our evening apart had made the heart grow fonder, and we greeted each other with a magnificently tight embrace. It filled my soul, the way his arms gripped me…how he almost always used his superior strength to lift me off the ground. A wannabe strong, independent woman, I was continually surprised by how much I loved being swept, quite literally, off my feet. We drove straight into the sunset, arriving on his ranch just as the sky was changing from salmon to crimson, and I gasped. I’d never seen anything so brilliant and beautiful. The inside of Marlboro Man’s pickup glowed with color, and the tallgrass prairie danced in the evening breeze. Things were just different in the country. The earth was no longer a mere place where I lived--it was alive. It had a heartbeat. The sight of the country absolutely took my breath away--the vast expanse of the flat pastures, the endless view of clouds. Being there was a spiritual experience.

You know,” I said, “you don’t owe New Fiddleham anything. You don’t need to help them.” “Look,” Charlie said as we clipped past Market Street. He was pointing at a man delicately painting enormous letters onto a broad window as we passed. NONNA SANTORO’S, it read, although the RO’S was still just an outline. “That Italian restaurant?” “Yes,” he smiled. “They will be opening their doors for the first time very soon. Sweet family. I bought my first meal in New Fiddleham from that man. A couple of meatballs from a street cart were about all I could afford at the time. He’s an immigrant, too. He’s going to do well. His red sauce is amazing.” “That’s grand for him, then,” I said. “I like it when doors open,” said Charlie. “Doors are opening in New Fiddleham every day. It is a remarkable time to be alive anywhere, really. Do you think our parents could ever have imagined having machines that could wash dishes, machines that could sew, machines that do laundry? Pretty soon we’ll be taking this trolley ride without any horses. I’ve heard that Glanville has electric streetcars already. Who knows what will be possible fifty years from now, or a hundred. Change isn’t always so bad.” “Your optimism is both baffling and inspiring,” I said. “The sun is rising,” he replied with a little chuckle. I glanced at the sky. It was well past noon. “It’s just something my sister and I used to say,” he clarified. “I think you would like Alina. You often remind me of her. She has a way of refusing to let the world keep her down.” He smiled and his gaze drifted away, following the memory. “Alina found a rolled-up canvas once,” he said, “a year or so after our mother passed away. It was an oil painting—a picture of the sun hanging low over a rippling ocean. She was a beautiful painter, our mother. I could tell that it was one of hers, but I had never seen it before. It felt like a message, like she had sent it, just for us to find. “I said that it was a beautiful sunset, and Alina said no, it was a sunrise. We argued about it, actually. I told her that the sun in the picture was setting because it was obviously a view from our camp near Gelendzhik, overlooking the Black Sea. That would mean the painting was looking to the west. “Alina said that it didn’t matter. Even if the sun is setting on Gelendzhik, that only means that it is rising in Bucharest. Or Vienna. Or Paris. The sun is always rising somewhere. From then on, whenever I felt low, whenever I lost hope and the world felt darkest, Alina would remind me: the sun is rising.” “I think I like Alina already. It’s a heartening philosophy. I only worry that it’s wasted on this city.” “A city is just people,” Charlie said. “A hundred years from now, even if the roads and buildings are still here, this will still be a whole new city. New Fiddleham is dying, every day, but it is also being constantly reborn. Every day, there is new hope. Every day, the sun rises. Every day, there are doors opening.” I leaned in and kissed him on the cheek. “When we’re through saving the world,” I said, “you can take me out to Nonna Santoro’s. I have it on good authority that the red sauce is amazing.” He blushed pink and a bashful smile spread over his face. “When we’re through saving the world, Miss Rook, I will hold you to that.

My bedroom is separated from the main body of my house so that I have to go outside and cross some pseudo-Japanese stepping stones in order to go to sleep at night. Often I get rained on a little bit on my way to bed. It’s a benediction. A good night kiss. Romantic? Absolutely. And nothing to be ashamed of. If reality is a matter of perspective, then the romantic view of the world is as valid as any other - and a great deal more rewarding. It makes of life and unpredictable adventure rather that a problematic equation. Rain is the natural element for romanticism. A dripping fir is a hundred times more sexy than a sunburnt palm tree, and more primal and contemplative, too. A steady, wind-driven rain composed music for the psyche. It not only nurtures and renews, it consecrates and sanctifies. It whispers in secret languages about the primordial essence of things. Obviously, then, the Pacific Northwest's customary climate is perfect for a writer. It's cozy and intimate. Reducing temptation (how can you possibly play on the beach or work in the yard?), it turns a person inward, connecting them with what Jung called "the bottom below the bottom," those areas of the deep unconscious into which every serious writer must spelunk. Directly above my writing desk there is a skylight. This is the window, rain-drummed and bough-brushed, through which my Muse arrives, bringing with her the rhythms and cadences of cloud and water, not to mention the latest catalog from Victoria's Secret and the twenty-three auxiliary verbs. Oddly enough, not every local author shares my proclivity for precipitation. Unaware of the poetry they're missing, many malign the mist as malevolently as they non-literary heliotropes do. They wring their damp mitts and fret about rot, cursing the prolonged spillage, claiming they're too dejected to write, that their feet itch (athlete's foot), the roof leaks, they can't stop coughing, and they feel as if they're slowly being digested by an oyster. Yet the next sunny day, though it may be weeks away, will trot out such a mountainous array of pagodas, vanilla sundaes, hero chins and god fingers; such a sunset palette of Jell-O, carrot oil, Vegas strip, and Kool-Aid; such a sea-vista display of broad waters, firred islands, whale spouts, and boat sails thicker than triangles in a geometry book, that any and all memories of dankness will fizz and implode in a blaze of bedazzled amnesia. "Paradise!" you'll hear them proclaim as they call United Van Lines to cancel their move to Arizona.

It scares us more than anything except death. Being alone. Our fear of solitude is so ingrained that given the choice of being alone or being with others we opt for safety in numbers, even at the expense of lingering in painful, boring, or totally unredeeming company. And yet more of us than ever are alone. While many more Americans have their solo lifestyles thrust on them--people die, people go away--a huge and growing population is choosing to be alone. Nonetheless, we persist in the conviction that a solitary existence is the harshest sentence life can mete to us. We loathe being alone--anytime, anywhere, for too long, for whatever reason. From childhood we're conditioned to accept that when alone we instinctively ache for company, that loners are outsiders yearning to get in rather than people who are content with their own company. Alone, we squander life by rejecting its full potential and wasting its remaining promises. Alone, we accept that experiences unshared are barely worthwhile, that sunsets viewed singly are not as spectacular, that time spent apart is fallow and pointless. And so we grow old believing we are nothing by ourselves, steadfastly shunning the opportunities for self-discovery and personal growth that time alone could bring us.

I had never seen the view at this time before, at the very pinnacle of night when sunset was far behind us and dawn had not yet risen rosy-fingered from the horizon. The night was ashen, tones of granite and iron and heather in the ripples of the waves, which were calmer than earlier in the day. It was as if even the ocean was drowsy – a pale, weighty moon hung full and pregnant in the sky, its reflection floating lambent on the water.

The Ozarks are mountains in the Deep South sense of the word, not pyramidal peaks or potential ski slopes or alpine crags, but irregular elevations, a succession of low, deep green ridges, a sea of long, lumpy hills to the horizon in a dramatic panorama. That there is an identifiable and sundown-framed horizon in their midst gives the Ozarks their uniqueness: mountains that allow a great, gaudy, and effulgent sunset. No single Ozarkian topographical feature is apparent, but the whole of it – the broad shifting vista of elongated hills – appears like flattened and thickly forested mesas. And the view is especially moving because it seems unpeopled, the isolated communities hidden in hollows and behind the slopes, some of which are bunchy with old-growth trees, still remote and beautiful.

through. The eastern part of the city all the way to The Rigolets was bathed in a soft golden sunlight, almost like a beach at sunset. To the west, however, there was a wicked billowing black mass of clouds, an advancing stampede that blotted out both sky and earth. A seabird’s view of startling weather patterns was one of the major perks of this office: this sky looked not only scenic but particularly menacing. He could imagine the shock waves it was literally sending to all those boat captains out on the Lake trying to get back to the harbor, not to mention the fear in the hearts of all of the Carnival krewe captains who were trying to get their parades lined up and rolling. “Well, better to rain on Lundi Gras than Mardi Gras,” he thought. He heard noises in his outer office and stuck his head out to see if maybe he had a paying client after all. A short round lady with a distressed look was

Though the sun does not revolve the earth, the illusion that our vision provides is the sunrises and the sunsets, that is, our vision is always mirror-imaged, it is better to look into your view about your vision

This circular concept of time remains prevalent in the religion and philosophy of many indigenous and Eastern cultures. But in the West, our awareness of cycles has been overshadowed by a linear view of time, one that emphasizes beginnings and endings and strives for progress over repetition. Why did linear time come to dominate the Western way of thinking? Part of the reason is cultural, having to do with the way that Judeo-Christian thought describes the story of humanity not as a wheel but as a distinct trajectory through time. But equally important is that as we have come to see ourselves as separate from nature, we have built structures and systems that distance us from its circular rhythms. Electric light allows us to keep our own schedules, obscuring the phases of the moon and draining the sunrise and sunset of the meaning they once carried. Rather than matching our appetites to the harvests, we match the harvests to our desires. We have big watery strawberries all year round, forgetting that there was once a time when they were available only in June and tasted like sweet red fire. Our buildings heat and cool the air to a consistent temperature regardless of the weather outside. Our sound machines play any birdsong on demand, regardless of where those birds are in their migratory arc. Thus, disconnected from participation in these natural cycles, we have forgotten that time moves in loops as well as lines.

We would routinely be exposed to the sunset as we were waiting to open up the telescopes for nighttime viewing atop the very high altitude Mauna Kea mountain in Hawaii, USA. That would be followed by exposure to bright industrial LASER light during the night. It was around this time that I started suffering with chronic fatigue and mental confusion. I had these exposures in my mid thirties and by my mid forties I was seeing rainbow halos around bright nighttime lights and my mental and physical health mysteriously collapsed.

So would you protect me if I were in harms way?” She knew Cal’s answer before he even spoke it. The stern look that he had fixed on her revealed it plainly. “Yes.” Tamera uncrossed her legs, and stood up from the table. She stepped down from the bench onto the ground, and walked up close to Cal. “Your question wasn’t exactly asked right before,” she told him. “What question?” Cal asked perplexed. “You know. What do I want out of life?” “Oh. How would you have asked it then?” “I would have asked… what are your aspirations.” “Okay then. What are your aspirations?” “Well, a family is among them. I don’t want to be single forever.” “So what are you waiting for?” “The same thing that you are, Cal.” “The right person.” “Exactly it.” “I think I’ve already found that.” “Really? So what’s the hold up?” “I live on the edge… and… I don’t know how comfortable that view would be for someone else.” “So is there a someone in particular that you have in mind?” “Yes.” “Well, I can’t speak for everyone, but as someone, I can tell you that I don’t mind heights.” Cal reached up and gently caressed the side of Tamera’s face. Excuse barriers had been removed, there was nothing else to hold him back, and the green light got the go that it was designed to get. Cal leaned down to his compatible crush, and gave her a kiss that heated up the night.

On the one hand, using precise philosophical categories and analyses in scriptures such as the Centrist ones, whose primary aim is to provide the means for the transcendence of dualistic thinking altogether, in order to give way to unmediated direct insight into the nature of all phenomena is like attempting to apply a mathematical formula in order to capture the experience of being completely absorbed in a wonderful piece of music or watching a breathtaking sunset. So, "pure logic" is surely not the ultimate key to understanding Buddhist texts and views, and we should not expect to find the ultimately correct conceptual presentation of facts and experiences on the Buddhist path that by definition lie outside the realm of conceptual mind anyway. Even on the mundane plane, what would be the finally correct presentation of the taste of chocolate? And even if there were such a thing, what would its relevance be for the actual experience of tasting chocolate? After all that has been said here, it should be clear that I do not hold a brief for some kind of "mysticism" or even "irrationalism." At the same time, we must accept that "pure experience" per se does not lead to an understanding of treatises that are grounded in a rational format to speak about something that is beyond the confines of language and reason. In the realm of the actual experience that such texts point to, reason and language have lost all meaning and the work of the scholar has reached its end.

I stood on a rise, overlooking the plague valley. Matthew was beside me. The last thing I remembered was crawling into my sleeping bag after the whiskey had hit me like a two-by-four to the face. Now my friend was here with me. “I’ve missed you. Are you feeling better?” How much was this vision taking out of him? “Better.” He didn’t appear as pale. He wore a heavy coat, open over a space camp T-shirt. “I’m so relieved to hear that, sweetheart. Why would you bring us here?” “Power is your burden.” I surveyed all the bodies. “I felt the weight of it when I killed these people.” “Obstacles multiply.” “Which ones?” A breeze soughed over the valley. “Bagmen, slavers, militia, or cannibals?” He held up the fingers of one hand. “There are now five. The miners watch us. Plotting.” “But miners are the same as cannibals, right?” He shuffled his boots with irritation. “Miners, Empress.” “Okay, okay.” I rubbed his arm. “Are you and Finn being safe?” His brows drew together as he gazed out. “Smite and fall, mad and struck.” I looked with him, like we were viewing a sunset, a beautiful vista. Not plague and death. “You’ve told me those words before.” “So much for you to learn, Empress. Beware the inactivated card.” One Arcana’s powers lay dormant—until he or she killed another player. “Who is it?” “Don’t ask, if you ever want to know.” Naturally, I started to ask, but he cut me off. “Do you believe I see far?” He peered down at me. “Do you believe I see an unbroken line that stretches on through eternity? Centuries ago, I told an Empress that a future incarnation of hers would live in a world of ash where nothing grew. She never believed me.” I could imagine Phyta or the May Queen surveying verdant fields and crops, doubting the Fool. “Now I tell you that dark days are ahead. Will you believe me?” “I will. I do. Please tell me what will happen. How dark?” “Darkest. Power is your burden; knowing is mine.” His expression turned pleading, his soft brown eyes imploring. “Never hate me.” I raised my hands, cradling his face. “Even when I was so mad at you, I never hated you.” “Remember. Matthew knows best.” He sounded like his mom—when she’d tried to drown him: Mother knows best, son. I dropped my hands. “It scares me when you say that.” “Do you know what you really want? I see it. I feel it. Think, Empress. See far.” I was trying! “Help me, then. I’m ready. Help me see far!” “All is not as it seems. What would you sacrifice? What would you endure?” “To end the game?” His voice grew thick as he said, “Things will happen beyond your wildest imaginings.” “Good things?” His eyes watered. “Good, bad, good, bad, good, good, bad, bad, good-bye. You are my friend.

The microbiome may vary from day to day, from sunrise to sunset, or even from meal to meal, but such variations are small compared to the early changes. This dynamism of the adult microbiome conceals a background of constancy.

Thanks again to Alan Butler's work, this time I was able to inspect the work of Hesiod in connection with the Phaistos Disc for being calendrical, and now I view it through the lens of ancient Egypt by projecting it directly onto the circular zodiac of Dendera. Hesiod has used three different references to the days in his work: (the first ..); (the middle ..); and (.. of the month). With this system which he had used, I linked the "first" references to the zodiac's portals on the East; the "middle" references to the Fullmoon days of the month which are located on the zodiac's western portals; and the "of the month" references to the zodiac's days which are located right after passing by and finishing the rotation beyond the eastern portals. Therefore, Hesiod has recognized Egypt's month's count of days (And tell your slaves the thirtieth is the month's best-suited day). He has also explicitly identified the beginning of the Equinox and Solstice portals on the zodiac based on the zodiac's anticlockwise orientation while emphasizing the more prominent role of the Summer Solstice in the calendar system (The first and fourth and seventh days are holy days to men, the eighth and ninth as well). Hesiod has also issued a warning against, Apophis, the snake demon (But shun the fifth day, fifth days are both difficult and dread). Hesiod has recognized Egypt's royal-cosmic copulation event that takes place at the culmination of the Summer Solstice (The first ninth, though, for human beings, is harmless, quite benign for planting and for being born; indeed, it's very fine For men and women both; this day is never bad all through) Hesiod has identified the exact position of the newly born infant boy on the zodiac (For planting vines the middle sixth is uncongenial but good for the birth of males) and also established the Minoan bull's head rhyton connection with Egypt (The middle fourth, which is a day to soothe and gently tame the sheep and curved-horned), (Open a jar on the middle fourth),(And on the fourth the long and narrow boats can be begun). Hesiod gave Osiris' role in the ancient Egyptian agrarian Theology to men (two Days of the waxing month stand out for tasks men have to do, the eleventh and the twelfth) and pointed out the right location of the boar on the zodiac (Geld your boar on the eighth of the month) and counted on top of these days the days of the mule which comes afterward (on the twelfth day of the month [geld] the long-laboring mule) - since the reference to the mule in the historical text comes right after that of the boar's and both are grouped together conceptually with the act of gelding. He has also identified the role of Isis for resurrecting Osiris after the Summer Solstice event (On the fourth day of the month bring back a wife to your abode) and even referred to the two female figures on the zodiac and identified them as, Demeter and Persephone, the two mythical Greek queens (Upon the middle seventh throw Demeter's holy grain) where we see them along with the reference to Poseidon (i.e. fishes and water) right next to them as the account exists in the Greek mythology. Even more, Hesiod knows when the sequence of the boats' appearances begins on the zodiac (And on the fourth the long and narrow boats can be begun). Astonishingly enough, he mentions the solar eclipse when the Moon fully blocks the Sun (the third ninth's best of all, though this is known by few) and also glorifies sunrise and warns from sunset on that same day (Again, few know the after-twentieth day of the month is best ..) and identifies the event's dangerous location on the west (.. at dawn and that it worsens when the sun sinks in the west).

Lord, help me through this raging storm. Give me the eyes to see past the clouds that have taken form, and blocked the view from me. Take my hand, and guide my heart, lead me from this night. Make the darkness all depart, and shine Your loving light. Stay here close, and do not go. My faith in You will stand. Take the lead, and I will follow to a brighter land.

I look at the creation, and am filled with inspiration. I'm a child of the King, and that's my motivation. I encourage everyone to get to know Jesus. He is the view that makes everything glorious. The blues, the greens, and the greys are all gorgeous. All worked together in His Hands that hold us together.

A living light brightens around your heart, and tranquil sensations erupt in your being as you place your faith in the supreme, all powerful, King Jesus. The wall falls down, and a view of gratitude awakens beyond the grasp of the natural eyes.

Lord, take my hand and guide me through the storm tonight that clouds my view. I see the day just up ahead, the valley, green, where I will tread. I see the grade I will attain from the lesson of this pain. The sun is rising up tonight, and I can see its holy light. I see the sky, auspicious blue, above a field where my faith grew. That's the place where I will be once I've walked this raging sea.

At the same time, she couldn’t say she was fully in favor of marriage, either. Marital union, she reflected as she swathed herself in a woolen blanket and stepped out onto the balcony to watch the sunset, was definitely for women of a different kind. Women with a certain flexibility of character, biddable women, women who were comfortable with such concepts as compromise or accommodation. Miss Prim was definitely not one of those. She couldn’t see herself compromising over anything. It wasn’t that she didn’t want to—she’d always valued the concept in the abstract—she just couldn’t imagine it in practice. She had a certain resistance, she’d realized in various situations throughout her life, to relinquishing, even in part, her view of things. While she found this resistance tiresome, in some ways she was also inwardly proud of it. Why should she concede that a certain composer was superior to another, she told herself, remembering a heated argument about music at the house of friends, when she was absolutely sure that he wasn’t?

I am at your mercy.” Matthias cracked one of his whips. “Get up and get in the house.” “As you wish.” Rose wrinkled his nose, picked a banana peel off his lap, and stood in the last faint beams of sunset. “Whoa!” “Is he wearing a leather cat suit?” “Holy Mother!" “Dude!” The guys all quickly averted their eyes and raised their hands to further block any chance of catching a view. Anything to not see Rose in his painted-on leather one-piece that left absolutely nothing to the imagination. Their reactions were pure entertainment. “Stunning, right?” Rose spread his palms as far as the cuffs would allow. “Oh, I’m stunned.” Ayden looked ill. Rose looked down at himself with admiration. “Not many males can pull off this look.” “No male can pull off that look.” “Actually, his finely sculptured physique would be considered the perfect complement for this type of anatomically revealing attire which accentuates his—” “Bloody hell, Jayden, shut it!” “Dude, this is so not right.” “I feel like it’s looking at me.” “Feel like what’s looking at—? Oh. Oh! Ugh, now I feel like it’s looking at me too.” “How can it be looking at both of us?” “Are you serious?” “I’m gonna be sick.” “Someone please gouge out my eyes.” “He might as well be naked.” “Already did that,” Rose said dryly and gave me a suggestive wink. “Ask Aurora.” “What!” Now the crowd had eyes on me. I frantically shook my head. “No, no, no. It’s not what you think. He was in the water with most,” my hands circled over my abdomen, “stuff covered.” “Most?” Ayden almost shrieked. The orange-red flames on his arms flashed blue-white.

I'd watch the birds as a boy and Tutor Weng would snatch me back to his side. He'd had a smile for me then, knowing a child's dream to follow the birds skyward, but said that if I wished to fly, the only wings I could wear were those he offered, those made of books and learning. Only learning lifted us free and let us soar and glide with broad view and swift movement, and, persuaded, I'd put my wandering eyes back in his hands.

forever they say that seeing is believing and so i say: i see you in the sunsets that meet the vast ocean and disappear into the distance. i see you in the never-ending galaxies that i can only glimpse with the naked eye. i see you in the view of the treetops or the city lights that seem to stretch for an eternity. even in this fleeting life, i see you in all these wonders that remind me to believe there's such a thing as forever. ❤️

Fortieth Pole is particularly good for evening beach barbecues with kids—the water is calm and warm, and you’ll have a magnificent view of the sunset. Smith’s Point is hands down my favorite beach because you can access both the waves of the ocean and the flat water of the sound.

Jeeps; they were rugged vehicles). There were years when my kids climbed on my friends’ cars (even better). Because you can drive onto it, Fortieth Pole is particularly good for evening beach barbecues with kids—the water is calm and warm, and you’ll have a magnificent view of the sunset. Smith’s Point is hands down my favorite beach because you can access both the waves of the ocean and the flat water of the sound. There’s

He saw that the sun was riding low in the sky. It would be sunset soon. He had planned to be at the Mallory docks, Key West’s sunset mecca, for the island’s signature moment, but he was juiced by the idea that he might know where Finbar McShane was. There would be another sunset tomorrow. If he was still here to see it. The parking lane was one-way. It took him on a swing under the causeway and then out at the entrance to another marina. He saw boat ramps and, beyond them, the houseboats grouped together on the water like a floating village. Most of them had smaller runabouts with outboards attached to back-door docks and decks. The houseboats were painted in pastels, two-story structures sitting on barges and lashed together to create a community. From Bosch’s angle of view he counted eight houses extending out into Garrison Bight. The second

His father had an eternal view of the best sunsets upstate New York had to offer, but he didn’t have life. He didn’t have a voice. He didn’t have hands to slap his sons on the shoulder or stroke Phoebe’s hair when he thought no one else was looking. Beckett would have given anything to have just one more conversation with his dad. One more hug. One more look. But there were no more chances. Just an emptiness where a great man had once been. And the shadow of a new man encroaching.

You ever lived on an island?” Julie shook her head. “No, ma’am.” “Well, get used to a new way of life, hon. Island time is very different than regular time. We close up shop early and go home to enjoy the sounds of the marsh and the moonlit views of the ocean. We ain’t about working on the island.

They perceive artistic elegance in the form of the land and living things, much the same as in our Western tradition. This sensitivity toward natural design is quite outside the pragmatism that might dominate the lives of people subsisting directly from wild resources. Koyukon people often comment that a day or a scene is particularly beautiful, and they are attentive to fleeting moments mountains outlined against the sky, reflections on still water, a bird's song in the quietness. In their language, words like nizoonh ("pretty") or hutaadla'o ("beautiful) communicate these feelings. This is not a new way of seeing, as the ancient riddles and the statements of elders indicate. A man spent several minutes describing a particular midwinter sunset, its color glowing on the frozen river and the snow-covered mountainside, snow on the trees reflecting amber, and long shadows cast by timber on the slopes. He said his wife had called him out so he could see it, and he stood a long time watching. Both he and his wife are old, and he says that the oldest people during his childhood had this same admiration for beauty.

And of course walking through the quaint, sun-drenched town, the historic buildings—by law none were allowed to be more than two stories tall, because anything higher might impede a neighbor’s view of the sunset—each painted a different shade of pink or blue or yellow, stopping for ice cream or groceries at the locally owned shops.

They have the place to themselves and for a while they simply sit and look out at the view, her body relaxing into his. The cloudless sky is a spectacular wash of graduated colors- navy highest above them, fading to lighter cyan closer to the earth, under-lit by the rosy blush of the sun hovering upon the horizon. There is a peace to the place, a certain stillness, nothing but the setting sun and the occasional silhouette of a soaring bird to distract from the awe-inspiring view.

Incidentally, the claim that watching sunsets is no different that viewing porn was actually tested and debunked in a 2000 brain scan study.[ 121] Cocaine addicts and healthy controls viewed films of: 1) explicit sexual content, 2) outdoor nature scenes, and 3) individuals smoking crack cocaine. The results: cocaine addicts had nearly identical brain activation patterns when viewing both porn and a crack pipe. However, for all subjects brain activation patterns when viewing nature scenes were completely different from the porn-viewing patterns. All subjects had the same brain activation patterns for porn. The important takeaway is that drugs can activate the ‘sex’ neurons and trigger a buzz without actual sex. So can internet porn. Golf and sunsets cannot.

Though I was there only a short time, one thing about the Relay Station did impress me very strongly. Everywhere else I’d been, one could look “down” at the earth and watch it turning on its axis, bringing new continents into view with the passing hours. But here there was no such change. The earth kept the same face turned forever toward the station. It was true that night and day passed across the planet beneath, but with every dawn and sunset, the station was still in exactly the same place. It was poised eternally above a spot in Uganda, two hundred miles from Lake Victoria. Because of this, it was hard to believe that the station was moving at all, though actually it was traveling round the earth at over six thousand miles an hour. But because it took exactly one day to make the circuit, it would remain hanging over Africa forever—just as the other two stations hung above the opposite coasts of the Pacific.

The apartment was completely quiet. She walked across the floor to the door and slid it open. A small balcony presented her with a view of the sunset: above her the cosmos was deep purple and far ahead, at the horizon, where the setting sun rolled behind the distant mountains, the sky glowed with bright vivid red. Wind fanned her, bringing with it a scent of some flower she didn't know. She sat down on the floor of the balcony, behind the trellised rail, and cried.

Negativity can feel familiar if that’s where you’re used to living. If you expect that things won’t work out, you can’t be disappointed, right? In fact, the mind is wired to emphasize negativity. The brain evolved to prioritize the sight of a predator over the aesthetic perfection of the sunset framing that predator as it bounds toward you with supper in mind. By default, we watch for predators and miss the sunsets entirely. This hardwired instinct is a liability in the modern world. It’s literally poisonous. Negative thinking releases stress hormones, raises blood pressure, suppresses your immune system, and leads to a host of other health problems. Negative thinking impairs your cognitive ability and memory. Worst of all, negativity becomes a self-fulfilling prophecy. When you expect a negative outcome, you tune your intuition to act accordingly, creating the dreaded outcome and reinforcing that negative response: “See? I told you it was going to turn out like this!” It’s a downward spiral that’s also contagious. When you take a cynical view of life, your toxic outlook infects everyone around you, at home and at work.

The sun had just laid the first orange slices on the horizon. It lit up the manicured grounds of the clubhouse on the rise, the rooftops of the condos in the distance, making the country club look a but like Disney World. Birdie had been to Disney World, but she’d never liked it. It didn’t feel like real life. The view was enough to make a person think that God was smiling on Horatio Balmeade. He would never have to worry about frost, unless it might kill his imported pine trees, which had no business being in Georgia in the first place. A person could assume that his club would never have any problems, that it would always be perfect, and that at some point it was inevitable it would swallow up the mess of the orchard. But Birdie saw it differently. She took it as a good omen that the sun, though it was shining on Horatio Balmeade and all of his glittering property, was the exact same color every morning. That is, it was the exact same color as peaches.

I own an island, Constance—a private island in the Florida Keys. It’s west of No Name Key and northeast of Key West. It’s not a big island, but it’s a jewel. It is called Halcyon. I have a house there; a breezy mansion furnished with books and instruments and paintings; it offers both sunrise and sunset views; and it has been stocked with all the rare wines, champagnes, and delicacies you could ever wish for. I’ve been preparing this idyll over the years with painstaking, excessive care. It was to be a bastion; my last and final retreat from the world. But—as I was recovering in that hut in Ginostra—I realized that such a place, no matter how ideal, would be unbearably lonely without another person—the one, the perfect person—with whom to share it.” He paused. “Need I name that person?

She knew she should help, but the sunset was a streak of pastel orange and purple, the fire was crackling away peacefully, and Leo was practically in the buff—the view was now firmly planted in Fantasies She Never Knew She Had.

I looked toward the small vent in the corner of the ceiling through which the music entered my cell. The source must have been far away, for it was just a faint stirring of notes, but when I closed my eyes, I could hear it more clearly. I could... see it. As if it were a grand painting, a living mural. There was beauty in the music- beauty and goodness. The music folded over itself like batter being poured from a bowl, one note atop another, melting together to form a whole, rising, filling me. It wasn't wild music, but there was a violence of passion in it, a swelling kind of joy and sorrow. I pulled my knees to my chest, needing to feel the sturdiness of my skin, even with the slime of the oily paint upon it. The music built a path, an ascent founded upon archways of colour. I followed it, walking out of that cell, through layers of earth, up and up- into fields of cornflowers, past a canopy of trees, and into the open expanse of sky. The pulse of the music was like hands that gently pushed me onward, pulling me higher, guiding me through the clouds. I'd never seen clouds like these- in their puffy sides, I could discern faces fair and sorrowful. They faded before I could view them too clearly, and I looked into the distance to where the music summoned me. It was either a sunset or a sunrise. The sun filled the clouds with magenta and purple, and its orange-gold rays blended with my path to form a band of shimmering metal. I wanted to fade into it, wanted the light of that sun to burn me away, to fill me with such joy that I would become a ray of sunshine myself. This wasn't music to dance to- it was music to worship, music to fill in the gaps of my soul, to bring me to a place where there was no pain. I didn't realise I was weeping until the wet warmth of a tear splashed upon my arm. But even then I clung to the music, gripping it like a ledge that kept me from falling. I hadn't realised how badly I didn't want to tumble into that deep dark- how much I wanted to stay here among the clouds and colour and light. I let the sounds ravage me, let them lay me flat and run over my body with their drums. Up and up, building to a palace in the sky, a hall of alabaster and moonstone, where all that was lovely and kind and fantastic dwelled in peace. I wept- wept to be so close to that palace, wept for the need to be there. Everything I wanted was there- the one I loved was there- The music was Tamlin's fingers strumming my body; it was the gold of his eyes and the twist of his smile. It was that breathy chuckle, and the way he said those three words. It was this I was fighting for, this I had sworn to save. The music rose- louder, grander, faster, from wherever it was played- a wave that peaked, shattering the gloom of my cell. A shuddering sob broke from me at the sound faded into silence. I sat there trembling and weeping, too raw and exposed, left naked by the music and the colour in my mind.

However much our bios, ‘life of the flesh’, may be headed quietly towards a retirement at Sunset View, this antiphon reminds us that in our true zoe, ‘spiritual life’, we are all ‘dawn-treaders’.

Myron stayed on the street for an hour and people-watched. He liked people-watching. Great views of sunsets and water and greens are wonderful, he supposed, but after a while, they become something you barely notice. But if you’re in a spot where you can watch people walk by—every race, gender, size, shape, religion, language, whatever—you are never bored. Everyone is their own universe—a life, a dream, a hope, a sorrow, a joy, a surprise, a revelation, a story with a beginning, a middle, and an end—even when they simply walk by you on the street. The

He looked out across the field. He seemed to have forgotten where he was, and for a while Larry rocked, bats fluttering over his view and crickets chirping in the monkey grass along the edge of the porch and his mother's wind chime jingling, delicate notes too tender to be metal, more like soft bone on wire; he'd always thought the chime sounded like a skeleton playing a guitar, and for a time they sat together on the porch and watched the sun scald the sky red and the trees black.

wincing, as a scree of loose stone fell to the ground with a clatter. She thought Cameron might stand. Instead, he sat on the rock as if watching a sunset, in full view of the mothership. Piper finally found her voice. She reached up and took his wrist, tugging. But really, what did she think she would do? Drag him off, give him a concussion against the hot, baked ground? “It’s going to see us.” “It can already see us.” Jeanine piped up. “We haven’t seen any shuttles since leaving

Banalata Sen Jibananda Das. Translated from the original Bengali by Amitabha Mukerjee A thousand years I have walked these paths, From the harbour at Malacca in the dark of night To the straits of Ceylon at glimmer of dawn. Much have I travelled - The grey world of Ashoka-Bimbisara, Further yet, The dark city of Vidharbha; Around me life foams its stormy breath. Weary of soul, I found a moment's respite in her presence - She: Banalata Sen of Natore. Her hair the ancient darkness of Vidisha, Face a sculpture from Sravasthi. A sailor in distant oceans, rudderless, lost, When hoves into view Island of grass through fronds of cinnamon, A green relief So she felt to me. In the darkness she spoke - "All these years, where had you been?" Her eyebrows arched like the soaring wings of a bird - She: Banalata Sen of Natore. With the sound of dewdrops, Comes evening. The sunset fringe of gold on the eagle's wing Melts into the night And the glow of fireflies. Birds return to nest - The shop of life Shuttered for the day. Left behind in the darkness Face to face - Only she: Banalata Sen of Natore. Original translation 11/90

As Annie Dillard wrote: "We have less time than we knew." I wanted my mother to understand that I didn't plan picnics and parties because life was perfect and easy—I planned them because it wasn't. I planned them because my friend had died, because another friend's father had been diagnosed with cancer, because none of us knew what the future held. I planned them because, on the long, difficult slog up the mountain, it's important to stop and look at the view. I planned them because what is all the work for if you cannot gather the people you love around you in a golden sunset and laugh together? I planned them because winter was coming and we needed warm memories to sustain us. We have less time than we knew. I understood that now.

So this is Paris, where my great-grandparents came from...the place that gave me my roots...and new friends! My house has a thousand rooms...one for every place we've passed through! My ceiling is sometimes a dome of stars...other times a fiery sunset...and still other times...the wild dance of storm clouds... My time is that of the seasons... My family speaks all languages... But we don't have to open our mouths to understand each other. One look is enough... We work together to create something that none of us alone would be able to. We mix our diversities with passion and what comes out is infinitely better than what is mine or yours... Grandad Tenzin would say it's alchemy. While it's true that I don't have a tiled roof, brick walls or a fixed address to write on an envelope...if you think about it I have much, much more... Swimming pool with a view... Gymnastics and acrobatic lessons every day... Ethnic cuisines and nightly entertainment... And day after day I can enjoy everything...without possessing anything! I read somewhere --WHERE YOUR TREASURE LIES, THERE YOUR HEART WILL BE. Well my heart lies with this big family of travelers... They are my treasure! That's why I can feel at home anywhere, though I have no home anywhere... Deep down, wanderers are like flowing rivers.. which, with their twists and turns, are always looking for their own way to reach the sea... If you think about it, isn't the same true of everyone? We may go along our separate ways , but our hearts must beat the world over!

I was talking to a homeless man at a laundromat recently, and he said when we reduce Christian spirituality to math, we defile the holy. I thought that was very beautiful and comforting. Because I have never been good at math. Many of our attempts to understand christian faith have only cheapened it. I can no more understand the totality of God than a pancake I made for breakfast understands the complexity of me. The little we do understand, that grain of sand our minds are capable of grasping, those ideas, such as “God is good”, “God feels”, “God knows all”, are enough to keep our hearts dwelling on his majesty and otherness forever. This past summer I made the point to catch sunsets...fire in the clouds. I never really wanted to make the trip...but once I got up there, I always loved it...all that beauty happens right above the heads of more than a million people who never notice it. Here is what I’ve started thinking. All the wonder of God happens right above our arithmetic and formula. The more I climb outside my pat answers, the more invigorating the view; the more my heart enters into worship. When we worship God, we worship a being our experience does not give us the tools to understand. If we could, God would not inspire awe.” —Blue Like Jazz, by Donald Miller

liked the Big Banana a lot more when it wasn’t bouncing through subterranean rapids or drifting towards inter-dimensional waterfalls. A strong wind filled the sail. The sunset turned the downtown skyline to red gold. The sea stretched ahead of us in silky sheets of blue, and for now all I had to do was stand at the prow and enjoy the view.