Sunlight Through Window Quotes

You are sunlight through a window, which I stand in, warmed. My darling.

I will wake a hundred times, lost in the madness of this nightmare, until the sunlight streaming through my windows finally burns the scene away. Even then, hours later, I cannot be sure I am not still in my dream. I am afraid that, one night, I will never wake. I will be doomed to rush to that door over and over again, running from a nightmare in which I am always, forever, lost.

Looking from outside into an open window one never sees as much as when one looks through a closed window. There is nothing more profound, more mysterious, more pregnant, more insidious, more dazzling than a window lighted by a single candle. What one can see out in the sunlight is always less interesting than what goes on behind a windowpane. In that black or luminous square life lives, life dreams, life suffers.

The wise speak only of what they know, Gríma son of Gálmód. A witless worm have you become. Therefore be silent, and keep your forked tongue behind your teeth. I have not passed through fire and death to bandy words with a serving-man till the lightning falls.' There was a roll of thunder. The sunlight became blotted out from the eastern windows; the whole hall became suddenly dark as night. The fire faded to sullen embers. Only Gandalf could be seen, standing white and tall before the blackened hearth.

I want a riot laser," Eve snapped at Peabody. "Full body armor." She yanked a six-inch combat knife from its leather sheath and watched with glee, as its wicked serrated edge caught the sunlight through her little window. Peabody's eyes popped. "Sir?" "I'm going down to maintenance, and I'm going locked and loaded. I'm taking those piss-brain sons of bitches out, one by one. Then I'm going to haul what's left of the bodies into my vehicle and set it on fire." "Jesus, Dallas, I thought we had a red flag." "I've got a red flag. I've got one." Her eyes wheeled to Peabody. "I've got under fifty miles on my ride since those lying, cheating, sniveling shitheads said it was road ready. Road ready? Do you want me to tell you about road ready?" "I would like that very much, Lieutenant. If you'd sheathe that knife first.

Red onions are especially divine. I hold a slice up to the sunlight pouring in through the kitchen window, and it glows like a fine piece of antique glass. Cool watery-white with layers delicately edged with imperial purple...strong, humble, peaceful...with that fiery nub of spring green in the center...

He softened, and it felt green. “I’ll be your hands.” “And I’ll be your sanity.” He leaned forward then. He kissed me. In our room, as cool winter sunlight filtered in through the window. It was sweet and warm, and I’d never wanted anything more.

In my mind, I built stairways. At the end of the stairways, I imagined rooms. These were high, airy places with big windows and a cool breeze moving through. I imagined one room opening brightly onto another room until I'd built a house, a place with hallways and more staircases. I built many houses, one after another, and those gave rise to a city -- a calm, sparkling city near the ocean, a place like Vancouver. I put myself there, and that's where I lived, in the wide-open sky of my mind. I made friends and read books and went running on a footpath in a jewel-green park along the harbour. I ate pancakes drizzled in syrup and took baths and watched sunlight pour through trees. This wasn't longing, and it wasn't insanity. It was relief. It got me through.

Kestrel's eyes slipped shut. She faded in and out of sleep. When Arin spoke again, she wasn't sure whether he expected her to to hear him. 'I remember sitting with my mother in a carriage.' There was a long pause. Then Arin's voice came again in that slow, fluid way that showed the singer in him. 'In my memory, I am small and sleepy, and she is doing something strange. Every time the carriage turns into the sun, she raises her hand as if reaching for something. The light lines her fingers with fire. Then the carriage passes through shadows, and her hand falls. Again sunlight beams through the window, and again her hand lifts. It becomes and eclipse.' Kestrel listened, and it was as if the story itself was an eclipse, drawing its darkness over her. 'Just before I fell asleep,' he said, 'I realized that she was shading my eyes from the sun.' She heard Arin shift, felt him look at her. 'Kestrel.' She imagined how he would sit, lean forward. How he would look in the glow of the carriage lantern. 'Survival isn't wrong. You can sell your honor in small ways, so long as you guard yourself. You can pour a glass of wine like it's meant to be poured, and watch a man drink, and plot your revenge.' Perhaps his head tilted slightly at this. 'You probably plot even in your sleep.' There was a silence as long as a smile. 'Plot away, Kestrel. Survive. If I hadn't lived, no one would remember my mother, not like I do.' Kestrel could no longer deny sleep. It pulled her under. 'And I would never have met you.

The sunlight pouring in the east window came through her lids and made a dark red beet soup that moved with the rhythm of her heart...

What are you doing?” Celaena lifted another piece of paper. “If His Pirateness can’t be bothered to clean for us, then I don’t see why I can’t have a look.” “He’ll be here any second,” Sam hissed. She picked up a flattened map, examining the dots and markings along the coastline of their continent. Something small and round gleamed beneath the map, and she slipped it into her pocket before Sam could notice. “Oh, hush,” she said, opening the hutch on the wall adjacent to the desk. “With these creaky floors, we’ll hear him a mile off.” The hutch was crammed with rolled scrolls, quills, the odd coin, and some very old, very expensive-looking brandy. She pulled out a bottle, swirling the amber liquid in the sunlight streaming through the tiny porthole window. “Care for a drink?

What if you allowed your God to exist in he simple words of compassion others offer you? ... What if the greatest beauty of the day is the shaft of sunlight through our window? What if the worst thing happened and you rose anyway? What if you trusted in the human scale? What if you listened harder to the story of the man on the cross who found a way to endure his suffering more than to the one about the impossible magic of the Messiah? Would you see the miracle in that?

What's home for you?" he asked. .. "A small town and a quiet library, where the sunlight slants through the window just right, making everything golden and soft and...

The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.

The boy and the girl had both known loss, and their grief did not leave them. Sometimes he would find her standing by a window, fingers playing in the beams of sunlight that streamed through the glass, or sitting on the front steps of the orphanage, staring at the stump of the oak next to the drive. Then he would go to her, draw her close, and lead her to the shores of Trivka's pond, where the insects buzzed and the grass grew high and sweet, where old wounds might be forgotten. She saw sadness in the boy too. Though the woods still welcomed him, he was separate from them now, the bond born into his bones burned away in the same moment that he'd given up his life for her.

Sunlight slanted through the windows, turning his eyes the color of strong tea.

He gazes through sunlight's buttresses, back down the refectory at the others, wallowing in their plenitude of bananas, thick palatals of their hunger lost somewhere in the stretch of morning between them and himself. A hundred miles of it, so suddenly. Solitude, even among the meshes of this war, can when it wishes so take him by the blind gut and touch, as now, possessively. Pirate's again some other side of a window, watching strangers eat breakfast.

One day when I went to see him (Picasso), we were looking at the dust dancing in a ray of sunlight that slanted in through one of the high windows. He said to me, 'Nobody has any real importance to me. As far as I'm concerned, other people are like those little grains of dust floating in the sunlight. It takes only a push of the broom and out they go.'I told him I had often noticed in his dealings with others that he considered the rest of the world only little grains of dust. But I said, as it happened, I was a little grain of dust gifted with autonomous movement and who didn't therefore need a broom. I could go out by myself.

Andrew ignored him, but Neil didn't mind. He was content for now to look, arms folded over the back of his seat and chin propped on a forearm. He didn't know what he was looking for. Andrew looked as he always had, and Neil knew his face as well as he knew every iteration of his own. Despite that, something seemed different. Maybe it was the sunlight streaming through the window, making Andrew's pale hair shine brighter and his hazel eyes seem almost gold. Whatever it was, it was disorienting. A wordless question buzzed under Neil's skin, leaving him restless and out-of-sorts.

Josef followed the small group of kids through the raised doorway onto the bridge of the St. Louis. The bridge was a narrow, curving room that stretched from one side of the ship to the other. Bright sunlight streamed in through two dozen windows, offering a panoramic view of the vast blue-green Atlantic and wispy white clouds. Throughout the wood-decked room were metal benches with maps and rulers on them, and the walls were dotted with mysterious gauges and meters made of shining brass.

Oliver's boardroom was actually a library. A good library. A library where books looked worn-out and well read and loved on. The library was two stories tall with a balcony wrapped around the top level. The big window on the top floor was propped half open. A rebel beam of sunlight pushed through the clouds, shining through the rain beads stuck to the screen and glass. And then that strange, golden rain light shone warm and pretty over Oliver's books. I wondered if the sun had missed the books, had waited as long as it possibly cold to shine over those spines again. I knew how that felt, to love a story so much you didn't just want to read it, you wanted to feel it.

Sorry I overheard that, but I'm glad he's staying," Luke's sister said. "Not just because he'll be near me but because it gives him a chance to get over you." Jocelyn sounded defensive. "Amatis-" "It's been a long time, Jocelyn," Amatis said. "If you don't love him, you ought to let him go." Jocelyn was silent. Clary wished she could see her mother's expression- did she looked sad? Angry? Resigned? Amatis gave a little gasp. "Unless- you do love him?" "Amatis, I can't-" "You do! you do!" There was a sharp sound, as if Amatis had clapped her hands together. "I knew you did! I always knew it!" "It doesn't matter." Jocelyn sounded tired. "It wouldn't be fair to Luke." "I don't want to hear it." There was a rustling noise, and Jocelyn made a sound of protest. Clary wondered if Amatis had actually grabbed hold of her mother. "If you love him, you go right now and tell him. Right now, before he goes to the Council." "But they want him to be their Council member! And he wants to-" "All Lucian wants," said Amatis firmly, "is you. You and Clary. That's all he ever wanted. Now go." Before Clary had a chance to move, Jocelyn dashed out into the hallway. She headed toward the door- and saw Clary, flattened against the wall. Halting, she opened her mouth in surprise. "Clary!" She sounded as if she were trying to make her voice bright and cheerful, and failed miserably. "I didn't realize you were here." Clary stepped away from the wall, grabbed hold of the doorknob, and threw the door wide open. Bright sunlight poured into the hall. Jocelyn stood blinking in the harsh illumination, her eyes on her daughter. "If you don't go after Luke," Clary said, enunciating very clearly, "I, personally, will kill you." For a moment Jocelyn looked astonished. Then she smiled. "Well," she said, "if you put it like that." A moment later she was out of the house, hurrying down the canal path toward the Accords Hall. Clary shut the door behind her and leaned against it. Amatis, emerging from the living room, darted past her to lean on the window sill, glancing aniously out through the pane. "Do you think she'll catch him before he gets to the Hall?" "My mom's spent her whole life chasing me around," Clary said. "She moves fast.

WHAT THE LIVING DO Johnny, the kitchen sink has been clogged for days, some utensil probably fell down there. And the Drano won't work but smells dangerous, and the crusty dishes have piled up waiting for the plumber I still haven't called. This is the everyday we spoke of. It's winter again: the sky's a deep, headstrong blue, and the sunlight pours through the open living-room windows because the heat's on too high in here and I can't turn it off. For weeks now, driving, or dropping a bag of groceries in the street, the bag breaking, I've been thinking: This is what the living do. And yesterday, hurrying along those wobbly bricks in the Cambridge sidewalk, spilling my coffee down my wrist and sleeve, I thought it again, and again later, when buying a hairbrush: This is it. Parking. Slamming the car door shut in the cold. What you called that yearning. What you finally gave up. We want the spring to come and the winter to pass. We want whoever to call or not call, a letter, a kiss--we want more and more and then more of it. But there are moments, walking, when I catch a glimpse of myself in the window glass, say, the window of the corner video store, and I'm gripped by a cherishing so deep for my own blowing hair, chapped face, and unbuttoned coat that I'm speechless: I am living. I remember you.

As writers we are always seeking support. First we should notice that we are already supported every moment. There is the earth below our feet and there is the air, filling our lungs and emptying them. We should begin from this when we need support. There is the sunlight coming through the window and the silence of the morning. Begin from these. Then turn to face a friend and feel how good it is when she says, “I love your work.” Believe her as you believe the floor will hold you up, the chair will let you sit.

He pulled out a book here and there, but what kept catching his attention were the diagonal tunnels of sunlight rolling in through the dormer windows. All around him dust motes rose and fell, shimmering, quivering in those shafts of roiling light. He found several shelves full of old editions of classical writers and began vaguely browsing, hoping to find a cheap edition of Virgil's Aeneid, which he had only ever read in a borrowed copy. It wasn't really the great poem of antiquity that Dorrigo Evans wanted though, but the aura he felt around such books--an aura that both radiated outwards and took him inwards to another world that said to him that he was not alone. And this sense, this feeling of communion, would at moments overwhelm him. At such times he had the sensation that there was only one book in the universe, and that all books were simply portals into this greater ongoing work--an inexhaustible, beautiful world that was not imaginary but the world as it truly was, a book without beginning or end.

The tinkle of a wind chime stirred from over a window. Purple and white phlox cascaded cheerfully over the top of a nearby stone wall. Sunlight sifted through the weave of her straw hat, casting freckles of light on her nose and cheeks that shifted, out of focus, as she walked.

I wake up, I feel the inescapable oppression of the sunlight pouring through my bedroom window, and I am struck by the fact that I am alone. And that everyone is alone. And that everything I understood seven hours ago has already changed, and that I have to learn everything again.

Whats home to you?" "Home to me? Home is a small town and a quiet library where the sunlight slants through the window just right, making everything golden and soft.

Naysayers can't prevent your brilliance and purpose from entering the world. It will seep under doors like water flooding into a room. Its shafts will beam through windows like dazzling rays on a bright, summery morning. Within the sunlight are galaxies and constellations filled with opportunities for you to take. All you have to do is create the environment for its manifestation and keep striving, keep going.

Now there grows among all the rooms, replacing the night's old smoke, alcohol and sweat, the fragile, musaceous odor of Breakfast: flowery, permeating, surprising, more than the colour of winter sunlight, taking over not so much through any brute pungency or volume as by the high intricacy to the weaving of its molecules, sharing the conjuror's secret by which - though it is not often Death is told so clearly to fuck off - the living genetic chains prove even labyrinthine enough to preserve some human face down ten or twenty generations... so the same assertion-through-structure allows this war morning's banana fragrance to meander, repossess, prevail. Is there any reason not to open every window, and let the kind scent blanket all Chelsea? As a spell, against falling objects...

There is a particular kind of afternoon sun that exists only in autumn. A golden light drapes itself over the world of that hour. It falls through the afternoon sky, fine and faint as a swirl of cigarette smoke caught in the wind, nearly transparent. So sweet, that light, insisting softly, goldly against the windows.

Oliver liked to keep the windows and shutters wide open in the afternoon, with just the swelling sheer curtains between us and life beyond, because it was a 'crime' to block away so much sunlight and keep such a landscape from view, especially when you didn't have it all life long, he said. Then the rolling fields of the valley leading up to the hills seemed to sit in a rising mist of olive green: sunflowers, grapevines, swatches of lavender, and those squat and humble olive trees stooping like gnarled, aged scarecrows gawking through our window as we lay naked on my bed, the smell of his sweat, which was the smell of my sweat, and next to me my man-woman whose man-woman I was, and all around us Mafalda's chamomile-scented laundry detergent, which was the torrid afternoon world of our house.

The sunlight comes through my window as it sets It meets my weary eyes, but I don’t fret It’s almost blinding As if it’s love itself;temporarily illuminating

I look out the window at the clouds parting in the same way my bad mood is, sunlight peeking through both. And I know for a fact: there’s more than one kind of magic in this world.

Hey, Melissa-is there anything I should know about having this kid that isn't in the books I've been reading?" Sunlight streamed through the window, making the golden, hormone-induced mutton chops glisten upon my cheeks. As I waited for her answer, I thumbed through the glossy parenting magazines on her kitchen table. A candle flickered by the sink, adding sweetness to the spit-up scented air that was gutting punched in the face by a diaper change...

Magnus was the one who hesitated. "Can I ask you something? You loved a Shadowhunter." "Do you think I stopped?" "When you loved a Shadowhunter, were you ever afraid?" "I was always afraid," said Tessa. "It's natural to be afraid of losing the most previous thing in the world. But don't be too afraid, Magnus. I know warlocks and Shadowhunters are very different, and there is a divide between your worlds that can be hard to cross. But as someone once said to me, the right man will not care. You can build a bridge over the divide and find each other. You can build something much greater than either of you could ever have built on your own." There was a silence after she spoke, as they both thought of the ages they had seen pass already, and the ages to come. The sunlight was still bright through the window outside Magnus's Rome hotel room, but it would not last. Magnus said reluctantly, "But we do lose love, in the end. We both know that." "No," said Tessa. "Love changes you. Love changes the world. You cannot lose that love, no matter how long you live, I think. Trust love. Trust him." Magnus wanted to, but he could not forget Asmodeus telling him he was a curse upon the world.. He remembered begging Shinyun with his eyes not to tell Alec who Magnus's father was. He did not want to lie to Tessa. He did not know how to promise he would do what she advised. "What if I lost him by telling the truth?" "What if you lost him by hiding it.?

Words - take her with you let her rest in your rhymes Words - take her away somewhere beyond time Words - ease her breathing lay her softly on the floor there - let her linger and listen like ever before Leave her windows uncovered at night and fill her room with the citylights as they illuminate the sky it reminds her of the people outside cause she won't sleep unless she heals her loneliness Walk with her beneath the treetops create new paths and memories show her how the sunlight glances through the gaps between the leaves Words - help her change the world in only one verse tell her to reach for the stars and to always put love first Leave her windows uncovered at night and fill her rooms with the citylights as they illuminate the sky it reminds her of the people outside it reminds her of the people it reminds her of the people it reminds her of the people outside.

The happiness will come slowly, the way light filters in through the window in the early morning hours. So slowly you don't even notice the night is ending, until you wake up and see the sunlight.

Sunlight came through the windows slowly, like something liquid pouring between the red curtains on to the rug. The sunlight was like an arpeggio that Tom could almost hear -- this time Chopin, perhaps.

They turn the water off, so I live without water, they build walls higher, so I live without treetops, they paint the windows black, so I live without sunshine, they lock my cage, so I live without going anywhere, they take each last tear I have, I live without tears, ...they take my heart and rip it open, I live without heart, they take my life and crush it, so I live without a future, they say I am beastly and fiendish, so I have no friends, they stop up each hope, so I have no passage out of hell, they give me pain, so I live with pain, they give me hate, so I live with my hate, they have changed me, and I am not the same man, they give me no shower, so I live with my smell, they separate me from my brothers, so I live without brothers, who understands me when I say this is beautiful? who understands me when I say I have found other freedoms? I cannot fly or make something appear in my hand, I cannot make the heavens open or the earth tremble, I can live with myself, and I am amazed at myself, my love, my beauty, I am taken by my failures, astounded by my fears, I am stubborn and childish, in the midst of this wreckage of life they incurred, I practice being myself, and I have found parts of myself never dreamed of by me, they were goaded out from under rocks in my heart when the walls were built higher, when the water was turned off and the windows painted black. I followed these signs like an old tracker and followed the tracks deep into myself followed the blood-spotted path, deeper into dangerous regions, and found so many parts of myself, who taught me water is not everything, and gave me new eyes to see through walls, and when they spoke, sunlight came out of their mouths, and I was laughing at me with them, we laughed like children and made pacts to always be loyal, who understands me when I say this is beautiful?

He was now suddenly hot, as hot as if he’d been in a kitchen baking cinnamon rolls in August. I already knew vampires could sweat, under certain conditions, like being chained to a wall of a house with sunlight coming in through the windows. He was sweating again now. Some of his sweat fell on me. I’ve always rather liked sweat. On other occasions when I’ve had a naked, sweating male body up against mine, I’ve tended to feel that it meant he was getting into what was going on. This usually produces a similar enthusiasm in me. Not that there was anything going on…exactly. Yet. Remember how fast and suddenly this was all happening. And if he was in shock so was I. Maybe my brain hadn’t fully come with me in that zap through the void, like my clothes manifestly hadn’t. With a truly masterful erection now pressed against me I turned my head again and licked his sweating shoulder. What happened next probably lasted about ten seconds. Maybe less. I don’t think I heard the sound he made; I think I only felt it. He moved his hands again, to tip my face toward him, and kissed me. I can’t say I noticed any fangs. I had the lingering vestige of sense not to try anything clever with my teeth, which with a human lover I would have. But I was nonetheless busy with tongue and hands. I wriggled a little under him. I kissed him back as he tangled his fingers in my hair. I arched up off the floor a trifle to press myself more thoroughly against him. I was undoubtedly making some noises of my own…

I stood in a clearing among a stand of beech trees, leaves as red as rubies, branches black as jet. It was sunset, and shafts of richly colored sunlight struck through the delicate pillars of the tree trunks, as if through the lancet windows of a cathedral.

The car continued to run onward through the bright sunshine, laughing voices floating out of its windows in all directions. Ahead of them, the white road extended off into the distance, and at the end of it, a tiled rooftop shone warmly, bathed in sunlight.

Looking at Christ there above the desert he couldn't stand it any longer on the train. Dead men were on that train dead men or live men and he wasn't either so he had no business being there. He had no business being anywhere there was no place for him he was forgotten and abandoned and left forever alone. So he jumped out of the train right through the window and started running toward Christ. The nightmare train went on through the sunlight its whistle screeching and the dead men inside laughing. But he was alone in the desert running running till his lungs squeaked running toward Christ who floated there in the heat with purple robes. He ran and he ran and he ran and finally he came up to Christ. He threw himself into the hot sand at the feet of Christ and began to cry.

There I stretched out on the low bed and remained for days, sick. If Tertullian came to the window of heaven to rejoice in the sight of the damned, as he said he’d do, he might have seen my leg across his line of vision through the sunlight. That was how I felt.

Sunset Room The evening slowly ambered and the sun got cold yet fervent. There was emptiness sithout any sign of human activity. Room was filled with sun rays relaxing on the sofas, mashing and peeking through the glass window. Everything was depicting the the absence of life yet illuminating by the warmth.

Why the devil couldn’t it have been blue?” I said to myself. And this thought—one of the most profound ever made since the discovery of butterflies—consoled me for my misdeed and reconciled me with myself. I stood there, looking at the corpse with, I confess, a certain sympathy. The butterfly had probably come out of the woods, well-fed and happy, into the sunlight of a beautiful morning. Modest in its demands on life, it had been content to fly about and exhibit its special beauty under the vast cupola of a blue sky, al sky that is always blue for those that have wings. It flew through my open window, entered by room, and found me there. I suppose it had never seen a man; therefore it did not know what a man was. It described an infinite number of circles about my body and saw that I moved, that I had eyes, arms, legs, a divine aspect, and colossal stature. Then it said to itself, “This is probably the maker of butterflies.” The idea overwhelmed it, terrified it; but fear, which is sometimes stimulating, suggested the best way for it to please its creator was to kiss him on the forehead, and so it kissed me on the forehead. When I brushed it away, it rested on the windowpane, saw from there the portrait of my father, and quite possibly perceived a half-truth, i.e., that the man in the picture was the father of the creator of butterflies, and it flew to beg his mercy. Then a blow from a towel ended the adventure. Neither the blue sky’s immensity, nor the flowers’ joy, nor the green leaves’ splendor could protect the creature against a face towel, a few square inches fo cheap linin. Note how excellent it is to be superior to butterflies! For, even if it had been blue, its life would not have been safe; I might have pierced it with a pin and kept it to delight my eyes. It was not blue. This last thought consoled me again. I placed the nail of my middle finger against my thumb, gave the cadaver a flip, and it fell into the garden. It was high time; the provident ants were already gathering around…Yes, I stand by my first idea: I think that it would have been better for the butterfly if it had been born blue.

Zeke stood up. He held the Tater Tot up to the sunlight streaming in through the cafeteria window. Some kids sitting at tables nearby took notice. They listened in as Zeke began to recite: "Oh, Tater Tot, oh, Tater Tot, so tiny and round, What an amazing potato taste in you I have found! Crispy on the outside, soft and mushy inside - What kind of mysterious potato do you hide? Russet, white, Yukon gold or Idaho? Are you mashed or baked or fried - I really don't know! Mystery spud so tasty and round, What an amazing lunchtime treat in you I have found." Everyone at the table applauded, and Zeke bowed. The kids around him clapped and whooped and laughed.

But this was nothing so crass as carnal desire, not for her—rather, or so it seemed, what she had renounced was the very life that her body represented. The sunlight that came splintering through the wide window, dissolving into grains of sand, and the beauty of that body that, though this was not visible to the eye, was also ceaselessly splintering…the overwhelming inexpressibility of the scene beat against him like a wave breaking on the rocks, alleviating even those terrifyingly unknowable compulsions...

The first egg is white. I move the eggcup a little, so it's now in the watery sunlight that comes through the window and falls, brightening, waning, brightening again, on the tray. The shell of the egg is smooth but also grained; small pebbles of calcium are defined by the sunlight, like craters on the moon. It's a barren landscape, yet perfect; it's the sort of desert the saints went into, so their minds would not be distracted by profusion. I think that this is what God must look like: an egg. The life of the moon may not be on the surface, but inside. The egg is glowing now, as if it had an energy of its own. To look at the egg gives me intense pleasure. The sun goes and the egg fades. I

A Wish on the Sun" "I see the world beyond a tiny window that allows a glimpse of Heaven into my life. Those who dwell in that enviable light cannot hear me through the glass that muffles my cries. They do not appear to see my face pressed against this barrier. I watch them live, carefree and smiling. Even when our eyes lock—mine wide and weary—theirs squint beyond notice of me. They can't peer past the glass, the sunlight glaring off its surface. They don't see me. They won't see me. I make a wish on the sun, staring into its fiery brightness, imagining it blinding me to the beauty beyond my reach. Would my hell feel so awful then? The sun, this nearest star, absorbs my deepest wish for the thousandth time. 'Save me! Hold my hand! Pretend to care!' The light is blocked by a figure stepping past my window, and I feel the universe turn its cold shoulder on me. Despair smothers the hope that made my lips move in utterance of a desperate wish. It ebbs and weakens, but it does not die. The flicker of an ember remains, enough to ignite hope again—another time. All storms eventually cease, do they not? Once more, I press my face against the glass to view a glimpse of Heaven lived by the undeserving. I savor the sunlight, the only thing powerful enough to penetrate the window that bars me in hell. The warm rays touch me. I imagine God's fingers caressing my face—and the dying ember of hope suddenly inflames.

You are sunlight through a window, which I stand in, warmed.

It took almost an hour to get to Bernard's house. Somewhere in Long Island. Beautiful trees. I'd never seen such beautiful trees. Out in the driveway, one of Bernard's nephews had slit his pants legs to the knee and was running up and down in the sunlight, watching how they caught the breeze. Inside the house, people stood around a table piled with food talking about Isaac. I knew I didn't belong there. I felt like a fool and an imposter. I stood by the window, making myself invisible. I didn't think it would be so painful. And yet. To hear people talk about the son I'd only been able to imagine as if he were as familiar to them as a relative was almost too much to bear. So I slipped away. I wandered through the rooms of Isaac's half-brother's house. I thought: My son walked on this carpet. I came to a guest bedroom. I thought: From time to time, he slept in this bed. This very bed! His head on these pillows. I lay down. I was tired, I couldn't help myself. The pillow sank under my cheek. And as he lay here, I thought, he looked out this very window, at that very tree.

The dawn, even when it is cold and melancholy, never fails to shoot through my limbs as with arrows of sparkling piercing ice. I pull aside the thick curtains, and search for the first glow in the sky which shows that life is breaking through. And with my cheek leant upon the window pane I like to fancy that I am pressing as closely as can be upon the massy wall of time, which is for ever lifting and pulling and letting fresh spaces of life in upon us. May it be mine to taste the moment before it has spread itself over the rest of the world!

It was the sunlight coming through the window that woke Alex up; mother nature's own alarm clock rudely snapped him back to consciousness. The white light poured in so arrogantly that it was too much for his eyes to handle. Squinting did not seem enough to defend against it and the light slipped between his fingers when he held up his hand in an attempt to shield his eyes.

She woke to the sound of the sea, the sound of home. A cool breeze floated through the open window, carrying a dandelion seed inside with it. Jinny-Joes as she called them, although Nana Martha insisted they were called fairies in Yorkshire, and if you caught one you had to make a wish. Olivia watched it dance in a shaft of sunlight before it settled onto the pillow beside her. She picked it up and twirled it around between her thumb and finger. Something about its fragility spoke to her of letting go, of being blown on the wind to some unknown place. She closed her eyes and made a wish.

Sometimes he would find her standing by a window, fingers playing in the beams of sunlight that streamed through the glass, or sitting on the front steps of the orphanage, staring at the stump of the oak next to the drive. Then he would go to her, draw her close, and lead her to the shores of Trivka’s pond, where the insects buzzed and the grass grew high and sweet, where old wounds might be forgotten.

Solo For Ear-Trumpet The carriage brushes through the bright Leaves (violent jets from life to light); Strong polished speed is plunging, heaves Between the showers of bright hot leaves The window-glasses glaze our faces And jar them to the very basis — But they could never put a polish Upon my manners or abolish My most distinct disinclination For calling on a rich relation! In her house — (bulwark built between The life man lives and visions seen) — The sunlight hiccups white as chalk, Grown drunk with emptiness of talk, And silence hisses like a snake — Invertebrate and rattling ache…. Then suddenly Eternity Drowns all the houses like a sea And down the street the Trump of Doom Blares madly — shakes the drawing-room Where raw-edged shadows sting forlorn As dank dark nettles. Down the horn Of her ear-trumpet I convey The news that 'It is Judgment Day!' 'Speak louder: I don't catch, my dear.' I roared: 'It is the Trump we hear!' 'The What?' 'THE TRUMP!' 'I shall complain! …. the boy-scouts practising again.

Sometimes he would find her standing by a window, fingers playing in the beams of sunlight that streamed through the glass, or sitting on the front steps of the orphanage, staring at the stump of the oak next to the drive.

I was thrilled and grateful to be safely away from that maniac. Do you have any idea what it’s like to wake up and realize that no one is going to rape you that day? How wonderful it is to see the sunlight pouring through your window? How great it is to just walk around without a heavy chain on your wrist or ankle? It feels amazing. And once you have that feeling, you want your full independence. In other words, you want your whole life back.

But it was the second guy who caught my eye. Like the girl, he, too, paused by the door, seeming even more wary than she looked. The sunlight streaming in through the windows highlighted the rich honey in his dark chocolate brown hair, even as it cast his face in shadow. The tan skin of his arms resembled marble—hard, but smooth and supple at the same time. He must have passed through the mist spewed up by the fountain outside, because his black T-shirt was wet in places and the damp patches clung to his skin. The wetness allowed me to see just how muscled his chest was. Oh, yeah, I totally ogled that part of him, right up until I spotted the silver cuff on his right wrist. Given the angle, I couldn’t tell what crest was stamped into the metal, but I glanced at the others, who also wore cuffs. I sighed. So they belonged to some Family then. Wonderful. This day just kept getting better.

I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.

I hurry back to the apartment, wondering how long I’ve been gone. I push the door open, then promptly drop the frozen peas. Silas grins at me, shirtless, slightly toned chest glimmering in the sunlight pouring in through the dirty windows. His pants are slung wantonly low on his hips, and I can’t help thinking about the drawings I left behind, the way non-Silas’s abs looked nearly identical to real Silas’s, and therefore everything might look identical . . . My face flushes and I exhale shakily.

Sunlight still leaked in through the windows of the town house. The scent of citrus and the sea and baked bread still filled every room. And distantly... Children were still laughing in the streets. Home. Home was the same- home was untouched. I squeezed Rhys's hand so tightly I thought he'd complain, but he only squeezed tight back. And even thought we had all bathed, as we stood there... there was a grime to us. Like the blood hadn't entirely washed off. And I realised that home was indeed the same, but we... perhaps we were not.

Grandfather died a few days after his hundredth birthday. Both Father and I were there at the end, in the room where I'd been born, forty-four years ago. It was not unlike that day, with sunlight streaming through the windows, and hummingbirds hovering outside, iridescent sun-glittering flashes of jewels. A dove was calling, back in the cool shade. Grandfather's hand was cool, as cool as the river. He tried to sit up to look out at the sunlight. "Sycamores grow by running water," he sang, "cottonwoods by still water," and then he died, and I felt a century slip away.

The lace curtains fluttered, and the sweet rich smell of Outdoors pushed through the open sash window- eucalyptus and lemon myrtle and overripe mangoes starting to boil on her father's prized tree. Vivien folded the papers back into the drawer and jumped to her feet. The sky was cloudless, blue as the ocean and drum-skin tight. Fig leaves glittered in the bright sunlight, frangipanis sparkled pink and yellow, and birds called to one another in the thick rain forest behind the house. It was going to be a stinker, Vivien realized with satisfaction, and later there'd be a storm. She loved storms: the angry clouds and the first fat drops, the rusty smell of thirsty red dirt, and the lashing rain against the walls as Dad paced back and forth on the veranda with his pipe in his mouth and a shimmer in his eyes, trying to keep his thrill in check as the palm trees wailed and flexed.

The beauty of the sensation was so intense that fear dropped away. It felt like a kind of birth. She opened her eyes. Sunlight through a foggy window. A green plant on a shelf. The dim delicious fall air. She was a new baby—skin frail as paper, arms weak as milk, brain forming shapes into thought.

She wandered to the window, staring out at a path of stone arches that led through the east garden. The arches had overgrown with roses, clematis, and honeysuckle, forming a fragrant tunnel that led to a stone-walled summerhouse with a wood-latticed ceiling. Memories of McKenna were everywhere in the garden... his hands moving carefully among the roses, pruning the dead blossoms... his tanned face dappled with the sunlight that broke through the leaves and lattices... the hair on the back of his neck glittering with sweat as he shoveled gravel onto the path, or weeded the raised flower beds.

In these considerations there may be an entire philosophy for someone with the strength to draw conclusions. It won’t be me. Lucid vague thoughts and logical possibilities occur to me, but they all dim in the vision of a ray of sunlight that gilds a pile of dung like wetly squished dark straw, on the almost black soil next to a stone wall.   That’s how I am. When I want to think, I look. When I want to descend into my soul, I suddenly freeze, oblivious, at the top of the long spiral staircase, looking through the upper-storey window at the sun that bathes the sprawling mass of rooftops in a tawny farewell.

Sunset Room The evening slowly ambered and the sun got cold yet fervent. There was emptiness without any sign of human activity. Room was filled with sun rays relaxing on the sofas, mashing and peeking through the glass window. Everything was depicting the the absence of life yet illuminating by the warmth.

You're not in high school, for crying out loud." No, but sometimes Annie made him feel like he was. Like he was a kid discovering everything for the first time, things he'd never felt before. He liked it. He loved it, loved that everything with Annie felt shiny and new, like the sunlight streaming in through the window. Golden.

So it’s up to you to create a better one. A bigger one. Which is really, almost always, something smaller. What if you allowed your God to exist in the simple words of compassion others offer to you? What if faith is the way it feels to lay your hand on your daughter’s sacred body? What if the greatest beauty of the day is the shaft of sunlight through your window? What if the worst thing happened and you rose anyway? What if you trusted in the human scale? What if you listened harder to the story of the man on the cross who found a way to endure his suffering than to the one about the impossible magic of the Messiah? Would you see the miracle in that?

Why would I wish my senses to be dulled when they could be sharpened? Why would I wish to mumble when I could scintillate? Why would I wish to forget when I could remember? Of course, since even in those days I was a loquacious workaholic who liked to stay up late, you might think I’d pick a drug that would nudge me closer to the center of the bell curve instead of pushing me farther out on the edge—but of course I didn’t. Who does? Don’t we all just keep doing the things that make us even more like ourselves? As I lay in bed with a godawful headache, sunlight streamed through the open window, and so did the smell of good French coffee from the hotel kitchen downstairs.

Daniel looked down the barrel of the shotgun al set to blow his brains out and grinned. These days, even a gun-toting, trigger-happy female was a delight to behold, and she was perfect. Sunlight streamed in through the kitchen window. She all but shone with it, like an angel or a princess or something. Something a little overdue for a bath and a lot on edge, but something very good just the same. The feeling of sweet relief rushing through him nearly buckled his knees. Tall and curvy, around thirty at a guess, and uninfected, she was by far the best thing he had ever seen in jeans and a t-shirt. Not even the dried blood splattered on the wal behind her could diminish the picture she made. Sadly, his girl did not appear to share his joy

It is sad when man’s unhappiness veils from him the smiling face of nature. The promise of the early morning was maintained. The sky was of a translucent blue, broken with islands and continents of clouds, dazzling white like cotton-wool. A soft, warm breeze blew from the west, the birds sang merrily in every garden bush, and Cullerne was a town of gardens, where men could sit each under his own vine and fig-tree. The bees issued forth from their hives, and hummed with cheery droning chorus in the ivy-berries that covered the wall-tops with deep purple. The old vanes on the corner pinnacles of Saint Sepulchre’s tower shone as if they had been regilt. Great flocks of plovers flew wheeling over Cullerne marsh, and flashed with a blinking silver gleam as they changed their course suddenly. Even through the open window of the organist’s room fell a shaft of golden sunlight that lit up the peonies of the faded, threadbare carpet. But inside beat two poor human hearts, one unhappy and one hopeless, and saw nothing of the gold vanes, or the purple ivy-berries, or the plovers, or the sunlight, and heard nothing of the birds or the bees.

We tore each other’s clothes off like they were on fire. She was gorgeous. Firm and strong and a shape like a dream. Skin like silk. She pulled me to the floor through bars of hot sunlight from the window. It was frantic. We were rolling and nothing could have stopped us. It was like the end of the world. We shuddered to a stop and lay gasping. We were bathed in sweat. Totally spent.

Where are your monuments, your battles, martyrs? Where is your tribal memory? Sirs, in that gray vault. The sea. The sea has locked them up. The sea is History. First, there was the heaving oil, heavy as chaos; then, likea light at the end of a tunnel, the lantern of a caravel, and that was Genesis. Then there were the packed cries, the shit, the moaning: Exodus. Bone soldered by coral to bone, mosaics mantled by the benediction of the shark's shadow, that was the Ark of the Covenant. Then came from the plucked wires of sunlight on the sea floor the plangent harp of the Babylonian bondage, as the white cowries clustered like manacles on the drowned women, and those were the ivory bracelets of the Song of Solomon, but the ocean kept turning blank pages looking for History. Then came the men with eyes heavy as anchors who sank without tombs, brigands who barbecued cattle, leaving their charred ribs like palm leaves on the shore, then the foaming, rabid maw of the tidal wave swallowing Port Royal, and that was Jonah, but where is your Renaissance? Sir, it is locked in them sea sands out there past the reef's moiling shelf, where the men-o'-war floated down; strop on these goggles, I'll guide you there myself. It's all subtle and submarine, through colonnades of coral, past the gothic windows of sea fans to where the crusty grouper, onyx-eyed, blinks, weighted by its jewels, like a bald queen; and these groined caves with barnacles pitted like stone are our cathedrals, and the furnace before the hurricanes: Gomorrah. Bones ground by windmills into marl and cornmeal, and that was Lamentations - that was just Lamentations, it was not History; then came, like scum on the river's drying lip, the brown reeds of villages mantling and congealing into towns, and at evening, the midges' choirs, and above them, the spires lancing the side of God as His son set, and that was the New Testament. Then came the white sisters clapping to the waves' progress, and that was Emancipation - jubilation, O jubilation - vanishing swiftly as the sea's lace dries in the sun, but that was not History, that was only faith, and then each rock broke into its own nation; then came the synod of flies, then came the secretarial heron, then came the bullfrog bellowing for a vote, fireflies with bright ideas and bats like jetting ambassadors and the mantis, like khaki police, and the furred caterpillars of judges examining each case closely, and then in the dark ears of ferns and in the salt chuckle of rocks with their sea pools, there was the sound like a rumour without any echo of History, really beginning.

Later than usual one summer morning in 1984, Zoyd Wheeler drifted awake in sunlight through a creeping fig that hung in the window, with a squadron of blue jays stomping around on the roof. In his dreams these had been carrier pigeons from someplace far across the ocean, landing and taking off again one by one, each bearing a message for him, but none of whom, light pulsing in the wings, he could ever quite get to in time. He understood it to be another deep nudge from forces unseen, almost surely connected with the letter that had come along with his latest mental-disability check, reminding him that unless he did something publicly crazy before a date now less than a week away, he would no longer qualify for benefits. He groaned out of bed. Somewhere down the hill hammers and saws were busy and country music was playing out of somebody's truck radio. Zoyd was out of smokes.

Our room swallowed light whole. Even in summer when sunlight glared through the windows, it was somehow dim inside. Now it was only Easter morning, and the muted sky of early spring offered scant relief to our tenebrous room. On our side of the house a gnarled and ancient oak tree spread its reach across the back facade of the house as if to shade and protect us. One of the massive branches of its principal fork reached invitingly right up to our window to offer to take us wherever we wanted to go. This great limb, with circumference grander than both of us together, was our stairway to heaven and our secret exit to the ground; it was our biplane in the Great War of our imaginations and a magic carpet to Araby; it was our lookout post and the clubhouse of our most secret fraternal order; it was our secret passageway through the imaginary castle we made of our house. It was our escape from the darkness into the light.

I saw a group of women standing by a station wagon. There were seven of them, pushing cartons and shopping bags over the open tailgate into the rear of the car. Celery stalks and boxes of Gleem stuck out of the bags. I took the camera from my lap, raised it to my eye, leaned out the window a bit, and trained it on the ladies as if I were shooting. One of them saw me and immediately nudged her companion but without taking her eyes off the camera. They waved. One by one the others reacted. They all smiled and waved. They seemed supremely happy. Maybe they sensed that they were waving at themselves, waving in the hope that someday if evidence is demanded of their passage through time, demanded by their own doubts, a moment might be recalled when they stood in a dazzling plaza in the sun and were registered on the transparent plastic ribbon; and thirty years away, on that day when proof is needed, it could be hoped that their film is being projected on a screen somewhere, and there they stand, verified, in chemical reincarnation, waving at their own old age, smiling their reassurance to the decades, a race of eternal pilgrims in a marketplace in the dusty sunlight, seven arms extended in a fabulous salute to the forgetfulness of being. What better proof (if proof is ever needed) that they have truly been alive? Their happiness, I think, was made of this, the anticipation of incontestable evidence, and had nothing to do with the present moment, which would pass with all the others into whatever is the opposite of eternity. I pretended to keep shooting, gathering their wasted light, letting their smiles enter the lens and wander the camera-body seeking the magic spool, the gelatin which captures the image, the film which threads through the waiting gate. Sullivan came out of the supermarket and I lowered the camera. I could not help feeling that what I was discovering here was power of a sort.

Six blocks away at the telegraph office, Marie-Laure’s father presses his face to the window to watch two German motorcycles with sidecars roar through the Porte Saint-Vincent. The shutters of the town are drawn, but between slats, over sills, a thousand eyes peer out. Behind the motorcycles roll two trucks. In the rear glides a single black Mercedes. Sunlight flashes from the hood ornaments and chrome fittings as the little procession grinds to a stop on the ringed gravel drive in front of the soaring lichen-streaked walls of the Château de Saint-Malo.

She waved desperately, putting her hand out the window, but wasn't sure anyone would be able to see it. "What can I do? What can I do to show them that I'm alive?" she wailed. Pascal just looked at her. "Oh, right," she said. "Not thinking at all. Thanks, buddy." She gathered up as much of her hair as she could and flung it through the window. Hard. Like a thousand baby spiders parachuting into the sky, it glittered and sparkled-- completely unmagically, just because of the sunlight-- before falling down to hang along the wall of the tower, rippling in the wind.

He couldn’t have known it, but among the original run of The History of Love, at least one copy was destined to change a life. This particular book was one of the last of the two thousand to be printed, and sat for longer than the rest in a warehouse in the outskirts of Santiago, absorbing the humidity. From there it was finally sent to a bookstore in Buenos Aires. The careless owner hardly noticed it, and for some years it languished on the shelves, acquiring a pattern of mildew across the cover. It was a slim volume, and its position on the shelf wasn’t exactly prime: crowded on the left by an overweight biography of a minor actress, and on the right by the once-bestselling novel of an author that everyone had since forgotten, it hardly left its spine visible to even the most rigorous browser. When the store changed owners it fell victim to a massive clearance, and was trucked off to another warehouse, foul, dingy, crawling with daddy longlegs, where it remained in the dark and damp before finally being sent to a small secondhand bookstore not far from the home of the writer Jorge Luis Borges. The owner took her time unpacking the books she’d bought cheaply and in bulk from the warehouse. One morning, going through the boxes, she discovered the mildewed copy of The History of Love. She’d never heard of it, but the title caught her eye. She put it aside, and during a slow hour in the shop she read the opening chapter, called 'The Age of Silence.' The owner of the secondhand bookstore lowered the volume of the radio. She flipped to the back flap of the book to find out more about the author, but all it said was that Zvi Litvinoff had been born in Poland and moved to Chile in 1941, where he still lived today. There was no photograph. That day, in between helping customers, she finished the book. Before locking up the shop that evening, she placed it in the window, a little wistful about having to part with it. The next morning, the first rays of the rising sun fell across the cover of The History of Love. The first of many flies alighted on its jacket. Its mildewed pages began to dry out in the heat as the blue-gray Persian cat who lorded over the shop brushed past it to lay claim to a pool of sunlight. A few hours later, the first of many passersby gave it a cursory glance as they went by the window. The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it. And that’s what happened. One afternoon a tall young man saw the book in the window. He came into the shop, picked it up, read a few pages, and brought it to the register. When he spoke to the owner, she couldn’t place his accent. She asked where he was from, curious about the person who was taking the book away. Israel, he told her, explaining that he’d recently finished his time in the army and was traveling around South America for a few months. The owner was about to put the book in a bag, but the young man said he didn’t need one, and slipped it into his backpack. The door chimes were still tinkling as she watched him disappear, his sandals slapping against the hot, bright street. That night, shirtless in his rented room, under a fan lazily pushing around the hot air, the young man opened the book and, in a flourish he had been fine-tuning for years, signed his name: David Singer. Filled with restlessness and longing, he began to read.

His blue eyes watched her as she walked to him, and the room was filled with the quietness of afternoon sunlight. It fell through the window, across the rocking chair, hit broadside the wallpaper with its brightness. The mahogany bed knobs shone. Through the curved-out window was the blue of the sky, the bayberry bush, the stone wall. The silence of this sunshine, of the world, seemed to fold over Olive with a shiver of ghastliness, as she stood feeling the sun on her bare wrist. She watched him, looked away, looked at him again. To sit down beside him would be to close her eyes to the gaping loneliness of this sunlit world.

I sat up, woozy and blurry-eyed. I was lying in my old cot in the Me cabin. Sunlight streamed through the windows—morning light? Had I really slept that long? Snuggled up next to me, something warm and furry was growling and snuffling in my pillow. At first glance, I thought it might be a pit bull, though I was fairly sure I did not own a pit bull. Then it looked up, and I realized it was the disembodied head of a leopard. One nanosecond later, I was standing at the opposite end of the cabin, screaming. It was the closest I’d come to teleporting since I’d lost my godly powers. “Oh, you’re awake!” My son Will emerged from the bathroom in a billow of steam, his blond hair dripping wet and a towel around his waist. On his left pectoral was a stylized sun tattoo, which seemed unnecessary to me—as if he could be mistaken for anything but a child of the sun god. He froze when he registered the panic in my eyes. “What’s wrong?” GRR! said the leopard. “Seymour?” Will marched over to my cot and picked up the leopard head—which at some point in the distant past had been taxidermied and stuck on a plaque, then liberated from a garage sale by Dionysus and granted new life. Normally, as I recalled, Seymour resided over the fireplace mantel in the Big House, which did not explain why he had been chewing on my pillow. “What are you doing here?” Will demanded of the leopard. Then, to me: “I swear I did not put him in your bed.” “I did.” Dionysus materialized right next to me. My tortured lungs could not manage another scream, but I leaped back an additional few inches. Dionysus gave me his patented smirk. “I thought you might like some company. I always sleep better with a teddy leopard.” “Very kind.” I tried my best to kill him with eye daggers. “But I prefer to sleep alone.” “As you wish. Seymour, back to the Big House.” Dionysus snapped his fingers and the leopard head vanished from Will’s hands. “Well, then…

It’s dark as a tomb in here,” she said, unable to see more than shadows. “Will you light the candles, please,” she asked, “assuming there are candles in here?” “Aye, milady, right there, next to the bed.” His shadow crossed before her, and Elizabeth focused on a large, oddly shaped object that she supposed could be a bed, given its size. “Will you light them, please?” she urged. “I-I can’t see a thing in here.” “His lordship don’t like more’n one candle lit in the bedchambers,” the footman said. “He says it’s a waste of beeswax.” Elizabeth blinked in the darkness, torn somewhere between laughter and tears at her plight. “Oh,” she said, nonplussed. The footman lit a small candle at the far end of the room and left, closing the door behind him. “Milady?” Berta whispered, peering through the dark, impenetrable gloom. “Where are you?” “I’m over here,” Elizabeth replied, walking cautiously forward, her arms outstretched, her hands groping about for possible obstructions in her path as she headed for what she hoped was the outside wall of the bedchamber, where there was bound to be a window with draperies hiding its light. “Where?” Berta asked in a frightened whisper, and Elizabeth could hear the maid’s teeth chattering halfway across the room. “Here-on your left.” Berta followed the sound of her mistress’s voice and let out a terrified gasp at the sight of the ghostlike figure moving eerily through the darkness, arms outstretched. “Raise your arm,” she said urgently, “so I’ll know ‘tis you.” Elizabeth, knowing Berta’s timid nature, complied immediately. She raised her arm, which, while calming poor Berta, unfortunately caused Elizabeth to walk straight into a slender, fluted pillar with a marble bust upon it, and they both began to topple. “Good God!” Elizabeth burst out, wrapping her arms protectively around the pillar and the marble object upon it. “Berta!” she said urgently. “This is no time to be afraid of the dark. Help me, please. I’ve bumped into something-a bust and its stand, I think-and I daren’t let go of them until I can see how to set them upright. There are draperies over here, right in front of me. All you have to do is follow my voice and open them. Once we do, ‘twill be bright as day in here.” “I’m coming, milady,” Berta said bravely, and Elizabeth breathed a sigh of relief. “I’ve found them!” Berta cried softly a few minutes later. “They’re heavy-velvet they are, with another panel behind them.” Berta pulled one heavy panel back across the wall, and then, with renewed urgency and vigor, she yanked back the other and turned around to survey the room. “Light as last!” Elizabeth said with relief. Dazzling late-afternoon sunlight poured into the windows directly in front of her, blinding her momentarily. “That’s much better,” she said, blinking. Satisfied that the pillar was quite sturdy enough to stand without her aid, Elizabeth was about to place the bust back upon it, but Berta’s cry stopped her. “Saints preserve us!” With the fragile bust clutched protectively to her chest Elizabeth swung sharply around. There, spread out before her, furnished entirely in red and gold, was the most shocking room Elizabeth had ever beheld: Six enormous gold cupids seemed to hover in thin air above a gigantic bed clutching crimson velvet bed draperies in one pudgy fist and holding bows and arrows in the other; more cupids adorned the headboard. Elizabeth’s eyes widened, first in disbelief, and a moment later in mirth. “Berta,” she breathed on a smothered giggle, “will you look at this place!

Now there grows among all the rooms, replacing the night’s old smoke, alcohol and sweat, the fragile, musaceous odor of Breakfast: flowery, permeating, surprising, more than the color of winter sunlight, taking over not so much through any brute pungency or volume as by the high intricacy to the weaving of its molecules, sharing the conjuror’s secret by which—though it is not often Death is told so clearly to fuck off—the living genetic chains prove even labyrinthine enough to preserve some human face down ten or twenty generations . . . so the same assertion-through-structure allows this war morning’s banana fragrance to meander, repossess, prevail. Is there any reason not to open every window, and let the kind scent blanket all Chelsea?

Jake opened one eye and blinked confusedly at the sunlight pouring through the window high above. Disoriented, he rolled over on a lumpy, unfamiliar bed and found himself staring up at an enormous black animal who flattened his ears, bared his teeth, and tried to bite him through the slats of his stall. “You damned cannibal!” he swore at the evil-tempered horse. “Spawn of Lucifer!” Jake added, and for good measure he aimed a hard kick at the wooden slats by way of retaliation for the attempted bite. “Ouch, dammit!” he swore as his bootless foot hit the board. Shoving himself to a sitting position, he raked his hands through his thick red hair and grimaced at the hay that stuck between his fingers. His foot hurt, and his head ached from the bottle of wine he’d drunk last night. Heaving himself to his feet, he pulled on his boots and brushed off his woolen shirt, shivering in the damp chill. Fifteen years ago, when he’d come to work on the little farm, he’d slept in this barn every night. Now, with Ian successfully investing the money Jake made when they sailed together, he’d learned to appreciate the comforts of feather mattresses and satin covers, and he missed them sorely. “From palaces to a damned cowshed,” he grumbled, walking out of the empty stall he’d slept in. As he passed Attila’s stall, a hoof punched out with deadly aim, narrowly missing Jake’s thigh. “That’ll cost you an early breakfast, you miserable piece of living glue,” he spat, and then he took considerable pleasure in feeding the other two horses while the black looked on. “You’ve put me in a sour mood,” he said cheerfully as the jealous horse shifted angrily while the other two steeds were fed. “Maybe if it improves later on, I’ll feed you.

Winter was come indeed bringing with it those pleasures of which the summer dreamer knows nothing—the delight when the fine and glittering day shows in the window, though one knows how cold it is outside; the delight of getting as close as possible to the blazing range which in the shadowy kitchen throws reflections very different from the pale gleams of sunlight in the yard, the range we cannot take with us on our walk, busy with its own activity, growling and grumbling as it sets to work, for in three hours time luncheon must be ready; the delight of filling one's bowl with steaming café-au-lait—for it is only eight o'clock—and swallowing it in boiling gulps while servants at their tasks come in and out with a, 'Good morning: up early, aren't you?' and a kindly, 'It's snug enough in here, but cold outside,' accompanying the words with that smile which is to be seen only on the faces of those who for the moment are thinking of others and not of themselves, whose expressions, entirely freed from egotism, take on a quality of vacillating goodness, a smile which completes that earlier smile of the bright golden sky touching the window-panes, and crowns our every pleasure as we stand there with the lovely heat of the range at our backs, the hot and limpid flavour of the café-au-lait in our mouths; the delight of night-time when, having had to get up to go shiveringly to the icy lavatory in the tower, into which the air creeps through the ill-fitting window, we later return deliciously to our room, feeling a smile of happiness distend our lips, finding it hard not to jump for sheer joy at the thought of the big bed already warm with our warmth, of the still burning fire, the hot-water bottle, the coverlets and blankets which have imparted their heat to the bed into which we are about to slip, walled in, embattled, hiding ourselves to the chin as against enemies thundering at the gates, who will not (and the thought brings gaiety) get the better of us, since they do not even know where we have so snugly gone to earth, laughing at the wind which is roaring outside, climbing up all the chimneys to every floor of the great house, conducting a search on each landing, trying all the locks: the delight of rolling ourselves in the blankets when we feel its icy breath approaching, sliding a little farther down the bed, gripping the hot-water bottle between our feet, working it up too high, and when we push it down again feeling the place where it has been still hot, pulling up the bedclothes to our faces, rolling ourselves into a ball, turning over, thinking—'How good life is!' too gay even to feel melancholy at the thought of the triviality of all this pleasure.

I go into the high-ceilinged stacks and wander among the shelves, searching for a book that looks interesting. Magnificent thick beams run across the ceiling of the room, and gentle early-summer sunlight is shining through the open window, the chatter of birds in the garden filtering in. The books in the shelves in front of me, sure enough, are just like Oshima said, mainly books of Japanese poetry. Tanka and haiku, essays on poetry, biographies of various poets. There are also a lot of books on local history. A shelf farther back contains general humanities―collections of Japanese literature, world literature, and individual writers, classics, philosophy, drama, art history, sociology, history, biography, geography.... When I open them, most of the books have the smell of an earlier time leaking out between the pages―a special odor of the knowledge and emotions that for ages have been calmly resting between the covers. Breathing it in, I glance through a few pages before returning each book to its shelf.

Near the exit to the blue patio, DeCoverley Pox and Joaquin Stick stand by a concrete scale model of the Jungfrau, ... socking the slopes of the famous mountain with red rubber hot-water bags full of ice cubes, the idea being to pulverize the ice for Pirate's banana frappes. With their nights' growths of beard, matted hair, bloodshot eyes, miasmata of foul breath, DeCoverley and Joaquin are wasted gods urging on a tardy glacier. Elsewhere in the maisonette, other drinking companions disentangle from blankets (one spilling wind from his, dreaming of a parachute), piss into bathroom sinks, look at themselves with dismay in concave shaving mirrors, slab water with no clear plan in mind onto heads of thinning hair, struggle into Sam Brownes, dub shoes against rain later in the day with hand muscles already weary of it, sing snatches of popular songs whose tunes they don't always know, lie, believing themselves warmed, in what patches of the new sunlight come between the mullions, begin tentatively to talk shop as a way of easing into whatever it is they'll have to be doing in less than an hour, lather necks and faces, yawn, pick their noses, search cabinets or bookcases for the hair of the dog that not without provocation and much prior conditioning bit them last night. Now there grows among all the rooms, replacing the night's old smoke, alcohol and sweat, the fragile, musaceous odor of Breakfast:flowery, permeating, surprising, more than the color of winter sunlight, taking over not so much through any brute pungency or volume as by the high intricacy to the weaving of its molecules, sharing the conjuror's secret by which-- though it is not often Death is told so clearly to fuck off--- the genetic chains prove labyrinthine enough to preserve some human face down ten or twenty generations. . . so the same assertion-through-structure allows this war morning's banana fragrance to meander, repossess, prevail. Is there any reason not to open every window, and let the kind scent blanket all Chelsea? As a spell, against falling objects. . . .

The next school day, I went very early to school to put the letter on Lupe’s desk. I also had something special for Jason—but it wasn’t the letter I wrote him. It was something else I had picked up recently from another Chinese immigrant. When I was helping this uncle with his luggage, I had pulled too hard and got a blister on my hand. The man said he had just the thing, and gave me a little vial of Chinese medicine. It felt minty and cool on my finger, but when I reached up to tuck my bangs behind my ear, my minty finger got a little too close to my eye. I was crying in seconds. So after I set Lupe’s letter down on her desk, I practically soaked Jason’s pencils with the same stuff that had made me cry. Let’s see him twirl these suckers now! Jason did not notice the gleam on his pencils when he sat down later that morning. He was too busy bragging about Las Vegas and all the great food he ate and the luxurious suite they stayed in. “They had a pool with three pool slides! There was even a restaurant right smack in the—” “When are you going to give me my pencil back?” I asked. I wanted to cut to the chase. I couldn’t care less about his fancy pools, considering I stared at one all day. “You mean my pencil?” He shrugged. “I gave it to my dog, Wealthy. It’s probably all chewed up by now.” He would give it to his dog. And he would have a dog named Wealthy. Jason smirked, picked up one of his pencils and started twirling. He twirled it a little too close to his face and just as I predicted, the strong minty smell made his eyes water. He put the pencil down and began rubbing his eyes furiously with his menthol fingers. Big mistake. “Oh my God, Jason’s crying!” one of my classmates exclaimed. “No, I’m not!” Jason insisted, blinking furiously. But it was too late. Everyone ran over and huddled next to Jason. It wasn’t every day a kid in fifth grade started bawling—fourth grade maybe, but not fifth grade. We watched with wide eyes as Jason cried and cried. Sunlight flooded in through the tall glass windows, and Jason’s tears glistened in the warm peach glow. I couldn’t stop smiling the whole time. It was a beautiful, beautiful day. The only thing that could make that day more beautiful was the chance of Lupe forgiving me.

Zoey picked up her spoon and tasted it, and she was immediately and startlingly transported to a perfect autumn childhood day, the kind of day when sunlight is short but it's still warm enough to play outside. For the second course, the chilled crab cake was only the size of a silver dollar and the mustard cream and the green endive were just splashes of color on the plate. The visual experience was like dreaming of faraway summer while staring at Christmas lights through a frosty window. The third course brought to mind the first hot day of spring, when it's too warm to eat in the house so you sit outside with a dinner plate of Easter ham and corn on your lap and a bottle of Coca-Cola sweating beside you. Zoey could feel the excitement of summer coming, and she couldn't wait for it. And then summer arrived with the final course. And, like summer always is, it was worth the wait. The tiny container looked like a miniature milk glass, and the whipped milk in it reminded her of cold, sweet soft-serve ice cream on a day when the pavement burns through flip-flops and even shade trees are too hot to sit under. The savory bits of crispy cornbread mixed in gave the dessert a satisfying campfire crunch.

He just wanted a walk- and a few books. It had been an age since he'd even had free time to read, let alone do so for pleasure. But there she was. His mate. She was nothing like Jesminda. Jesminda had been all laughter and mischief, too wild and free to be contained by the country life that she'd been born into. She had teased him, taunted him- seduced him so thoroughly that he hadn't wanted anything but her. She'd seen him not as a High Lord's seventh son, but as a male. Had loved him without question, without hesitation. She had chosen him. Elain had been... thrown at him. He glanced toward the tea service spread on a low-lying table nearby. 'I'm going to assume that one of those cups belongs to your sister.' Indeed, there was a discarded book in the viper's usual chair. Cauldron help the male who wound up shackled to her. 'Do you mind if I held myself to the other?' He tried to sound casual- comfortable. Even as his heart raced and raced, so swift he thought he might vomit on the very expensive, very old carpet. From Sangravah, if the patterns and rich dyes were any indication. Rhysand was many things, but he certainly had good taste. The entire place had been decorated with thought and elegance, with a penchant for comfort over stuffiness. He didn't want to admit he liked it. Didn't want to admit he found the city beautiful. That the circle of people who now claimed to be Feyre's new family... It was what, long ago, he'd once thought life at Tamlin's court would be. An ache like a blow to the chest went through him, but he crossed the rug. Forced his hands to be steady while he poured himself a cup of tea and sat in the chair opposite Nesta's vacated one. 'There's a plate of biscuits. Would you like one?' He didn't expect her to answer, and he gave himself all of one more minute before he'd rise from this chair and leave, hopefully avoiding Nesta's return. But sunlight on gold caught his eye- and Elain slowly turned from her vigil at the window. He had not seen her entire face since that day in Hybern. Then, it had been drawn and terrified, then utterly blank and numb, her hair plastered to her head, her lips blue with cold and shock. Looking at her now... She was pale, yes. The vacancy still glazing her features. But he couldn't breathe as she faced him fully. She was the most beautiful female he'd ever seen. Betrayal, queasy and oily, slid through his veins. He'd said the same to Jesminda once. But even as shame washed through him, the words, the sense chanted, Mine. You are mine, and I am yours. Mate.

He opened his eyes then, white fire flaring hotly within them. “Send me home, Legna,” he commanded her, his voice hoarse with suppressed emotion. She moved her head in affirmation even as she leaned toward him to catch his mouth once more in a brief, territorial kiss, her teeth scoring his bottom lip as she broke away. It was an incidental wound, one he could heal in the blink of an eye. But he wouldn’t erase her mark on him, and they both knew it. Finally, she stepped back, closed her eyes, and concentrated on picturing his home in her thoughts. She had been in his parlor dozens of times as a guest, always accompanied by Noah. His library, his kitchen, even the grounds of the isolated estate were well known to her. She could have sent him to any of those locations. But as she began to focus, her mind’s eye was filled with the image of a dark, elegant room she had never seen before. Hand-carved ebony-paneled walls soared up into a vast ceiling, enormous windows of intricate stained glass spilled colored light over the entire room as if a multitude of rainbows had taken up residence. It all centered around an enormous bed, the coverlet’s color indistinguishable under the blanket of colorful dawn sunlight that streamed into the room. She could feel the sun’s warmth, ready and waiting to cocoon any weary occupant who thrived on sleeping in the heat of the muted daylight sun. It was a beautiful room, and she knew without a doubt that it was Gideon’s bedroom and that he had shared the image of it with her. If she sent him there, it would be the first time she had ever teleported someone to a place she had not first seen for herself. The ability to take images of places from others’ minds for teleporting purposes was an advanced Elder ability. “You can do it,” he encouraged her softly, all of his thoughts and his will completely full of his belief in that statement. Legna kept his gaze for one last long moment, and with a flick of a wrist sent him from the room with a soft pop of moving air. She exhaled in wonder, everything inside of her knowing without a doubt that he had appeared in his bedroom, safe and sound, that very next second. Legna turned to look at her own bed and wondered how she would ever be able to sleep. Nelissuna . . . go to bed. I will help you sleep. Gideon’s voice washed through her, warming her, comforting her in a way she hadn’t thought possible. This was the connection that Jacob and Isabella shared. For the rest of the time both of them lived, each would be privy to the other’s innermost thoughts. She realized that because he was the more powerful, it was quite possible he would be able to master parts of himself, probably even hide things from her awareness and keep them private—at least, until she learned how to work her new ability with better skill. After all, she was a Demon of the Mind. It was part of her innate state of being to figure the workings of their complex minds. She removed her slippers and pushed the sleeves of her dress from her shoulders so that it sheeted off her in one smooth whisper of fabric. She closed her eyes, avoiding looking in the mirror or at herself, very aware of Gideon’s eyes behind her own. His masculine laughter vibrated through her, setting her skin to tingle. So, you are both shy and bold . . . he said with amusement as she quickly slid beneath her covers. You are a source of contradictions and surprises, Legna. My world has begun anew. As if living for over a millennium is not long enough? she asked him. On the contrary. Without you, it was far, far too long. Go to sleep, Nelissuna. And a moment after she received the thought, her eyes slid closed with a weight she could not have contradicted even if she had wanted to. Her last thought, as she drifted off, was that she had to make a point of telling Isabella that she might have been wrong about what it meant to have another to share one’s mind with.

After hunting for an hour, they found a stray cat small enough to ride in the palm of Noboru’s hand, a mottled, mewing kitten with lackluster eyes. By then they were sweating heavily, so they undressed and took turns splashing in a sink in one corner of the shed. While they bathed, the kitten was passed around. Noboru felt the kitten’s hot heart pumping against his wet naked chest. It was like having stolen into the shed with some of the dark, joy-flushed essence of bright summer sunlight. “How are we going to do it?” “There’s a log over there. We can smack it against that—it’ll be easy. Go ahead, number three.” At last the test of Noboru’s hard, cold heart! Just a minute before, he had taken a cold bath, but he was sweating heavily again. He felt it blow up through his breast like the morning sea breeze: intent to kill. His chest felt like a clothes rack made of hollow metal poles and hung with white shirts drying in the sun. Soon the shirts would be flapping in the wind and then he would be killing, breaking the endless chain of society’s loathsome taboos. Noboru seized the kitten by the neck and stood up. It dangled dumbly from his fingers. He checked himself for pity; like a lighted window seen from an express train, it flickered for an instant in the distance and disappeared. He was relieved. The chief always insisted it would take acts such as this to fill the world’s great hollows. Though nothing else could do it, he said, murder would fill those gaping caves in much the same way that a crack along its face will fill a mirror. Then they would achieve real power over existence.

The next room was a great round ballroom. Its walls were arrayed in gold-painted moldings; its floor was a swirling mosaic of blue and gold; its dome was painted with the loves of all the gods, a vast tangle of plump limbs and writhing fabric. The air was cool, still, and hugely silent. My footsteps were only a soft tap-tap-tap, but they echoed through the room. After that came what seemed like a hundred more rooms and hallways. In every one, the air was different: hot or cold, fresh or stuffy, smelling of rosemary, incense, pomegranates, old paper, pickled fish, cedarwood. None of the rooms frightened me like the first hallway. But sometimes--especially when sunlight glowed through a window--I thought I heard the faint laughter. Finally, at the end of a long hallway with a cherrywood wainscot and lace-hung windows between the doors, we came to my room. I could see why the Gentle Lord called it the "bridal suite": the walls were papered with a silver pattern of hearts and doves, and most of the room was taken up by a huge canopied bed, more than big enough for two. The four posts were shaped like four maidens, coiffed and dressed in gauzy robes that clung to their bodies, their faces serene. They were exactly like the caryatids holding up the porch of a temple. The bed curtains were great falls of white lace, woven through with crimson ribbons. A vase of roses sat on the bedside table. Their red petals had blossomed wide to expose their gold centers, and their musk wove through the air. It was a bed that had been built for pleasure, just like my dress, and as I stared at it I felt hot and cold at once.

The street sprinkler went past and, as its rasping rotary broom spread water over the tarmac, half the pavement looked as if it had been painted with a dark stain. A big yellow dog had mounted a tiny white bitch who stood quite still. In the fashion of colonials the old gentleman wore a light jacket, almost white, and a straw hat. Everything held its position in space as if prepared for an apotheosis. In the sky the towers of Notre-Dame gathered about themselves a nimbus of heat, and the sparrows – minor actors almost invisible from the street – made themselves at home high up among the gargoyles. A string of barges drawn by a tug with a white and red pennant had crossed the breadth of Paris and the tug lowered its funnel, either in salute or to pass under the Pont Saint-Louis. Sunlight poured down rich and luxuriant, fluid and gilded as oil, picking out highlights on the Seine, on the pavement dampened by the sprinkler, on a dormer window, and on a tile roof on the Île Saint-Louis. A mute, overbrimming life flowed from each inanimate thing, shadows were violet as in impressionist canvases, taxis redder on the white bridge, buses greener. A faint breeze set the leaves of a chestnut tree trembling, and all down the length of the quai there rose a palpitation which drew voluptuously nearer and nearer to become a refreshing breath fluttering the engravings pinned to the booksellers’ stalls. People had come from far away, from the four corners of the earth, to live that one moment. Sightseeing cars were lined up on the parvis of Notre-Dame, and an agitated little man was talking through a megaphone. Nearer to the old gentleman, to the bookseller dressed in black, an American student contemplated the universe through the view-finder of his Leica. Paris was immense and calm, almost silent, with her sheaves of light, her expanses of shadow in just the right places, her sounds which penetrated the silence at just the right moment. The old gentleman with the light-coloured jacket had opened a portfolio filled with coloured prints and, the better to look at them, propped up the portfolio on the stone parapet. The American student wore a red checked shirt and was coatless. The bookseller on her folding chair moved her lips without looking at her customer, to whom she was speaking in a tireless stream. That was all doubtless part of the symphony. She was knitting. Red wool slipped through her fingers. The white bitch’s spine sagged beneath the weight of the big male, whose tongue was hanging out. And then when everything was in its place, when the perfection of that particular morning reached an almost frightening point, the old gentleman died without saying a word, without a cry, without a contortion while he was looking at his coloured prints, listening to the voice of the bookseller as it ran on and on, to the cheeping of the sparrows, the occasional horns of taxis. He must have died standing up, one elbow on the stone ledge, a total lack of astonishment in his blue eyes. He swayed and fell to the pavement, dragging along with him the portfolio with all its prints scattered about him. The male dog wasn’t at all frightened, never stopped. The woman let her ball of wool fall from her lap and stood up suddenly, crying out: ‘Monsieur Bouvet!

So, about your classes,” said Doug. “I put in the requirements already. History of Woodsmen and Pirates, Safety Rules for the Internet, and”—he cleared his throat—“Remedial Goodness 101.” “Let me guess...” said Mal. She popped a piece of candy into her mouth. “New class?” Doug nodded sheepishly. “Come on, guys,” Mal said, dropping the wrapper on the floor. “Let’s go find our dorms.” She started up a flight of stairs. Carlos, Jay, and Evie followed her. “Oh! Uh, yeah, your dorms are that way, guys,” said Doug, pointing in the opposite direction. As Mal and her friends came back down the stairs and headed in the direction he indicated, Doug hung back, counting through the dwarves again. “Dopey, Doc, Bashful, Happy, Grumpy, Sleepy, and...” “Sneezy,” said Carlos, passing him and ascending the opposite staircase. Doug sighed and looked at the ceiling. Upstairs, Mal and Evie opened the door to their dorm room. It was light and airy and dappled in sunlight. The white canopy beds were covered with pink pillows, and flowery curtains fluttered gently in the fresh breeze from the open windows. Evie’s eyes widened with delight as Mal’s narrowed in horror. “Wow,” said Evie. “This place is so amazing—” “Gross,” said Mal. “I know, right?” said Evie, changing her tune. “Amazingly gross. Ew!” When Mal wasn’t looking, Evie couldn’t help giving a silent gasp of joy at her new crib. “I am going to need some serious sunscreen,” said Mal, arms crossed. “Yeah,” said Evie. “E,” said Mal, pointing to the windows. She closed the curtains as Evie moved to other windows in the room and did the same, plunging the dorm into darkness. “Whoa!” said Mal. “That is much better.

Alas, when she opened her mouth to thank him, her composure deserted her completely and all she could manage was a low, distraught plea. “You must stop doing this!” she said desperately. It was not the response Kesgrave anticipated. Oh, no. Having been impressed by Bea’s pluck and daring from the very first, even while her refusal to abide by his authority drove him mad with frustration, he’d never imagined that the presentation of a simple band could have such a disastrous effect on her self-possession. Kesgrave’s confusion, so readily apparent in the way he drew his eyebrows together and pursed his lips, helped relieve some of Bea’s distress. After two decades of falling short of her aunt’s unreasonable expectations, it was still revelatory to exceed his. Taken aback by her discomfort, Kesgrave immediately complied with her request, promising never to repeat the event. “I could not even if I desired to,” he assured her, “for the bracelet is the only item of your mother’s in need of reclaiming.” It was perfect, Bea thought, the characteristic pedantry of his reply, and under ordinary circumstances, it would have elicited from her a fond mocking rejoinder. But everything about the moment felt remarkable, even the sunlight filtering through the window, bathing them in a golden glow, and she answered instead with terrifying honesty. “You must stop making me love you more, Damien. The feeling is already so overwhelming, I can scarcely breathe.” His features remained steady but his eyes—oh, yes, his eyes—blazed with emotion and he raised his hand as if to touch her. Mindful of their situation, however, he let it drop before he made contact, and his lips curved slightly as he shook his head to deny her request. “I fear I cannot, Bea, no. Your brief spells of breathlessness are the only advantage I have in this relationship, and I am not prepared to relinquish it.” The duke spoke softly, emphatically, and Bea waited for amusement to enter his eyes, for she knew he was teasing, but his expression remained fervent. Warmed by his gaze, she longed to move closer, to draw his lips to hers, and it was only the presence of her family that kept her firmly rooted to the spot.