Sunglasses Sayings And Quotes

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Either we're a team or we aren't. Either you trust me or you don't." Hale took a step toward her. "What's it going to be, Kat?" It is an occupational hazard that anyone who has spent her life learning how to lie eventually becomes bad at telling the truth; in that moment Kat didn't have a clue what to say. I carn't do this with out you sounded trite. What they were doing was to big for a simple please. Hale I-" You know what? Never mind. Either way, I'm in Kat." He seemed utterly resloved as he slipped on his sunglasses. "I'm all in
Ally Carter (Heist Society (Heist Society, #1))
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.” “Yeah?” I leaned my forehead against his chest. “What about you?” “Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her. “Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.” “Ouch,” I said with a light laugh. “Sounds painful.” “Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—” “—and Chubs makes fun of you for it,” I added. “Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—” “—but who’s the coolest little girl on the planet,” I manage to squeeze out.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
As Confucius once said, 'He who does nothing is the one who does nothing.'" Gabby pondered the words, the furrowed her brow. "did Confucius really say that?" Sunglasses in place, Stephanie managed the tiniest of shrugs. "No, but who cared? The point is, they handled, and most likely they found some sort of self-satisfaction in their industrious-ness. Who am I to deprive them of that?
Nicholas Sparks (The Choice)
Zack looks at Jenna and slowly pulls off his sunglasses. "Why, hello, beautiful," he says. "I'm Zack." He shows off his dimples. "And you are...?" "Not going to sleep with you," Jenna quips, grinning right back at him. His smile widens. "Well played.
Chelsea Fine (Best Kind of Broken (Finding Fate, #1))
I want to go back," Daniel says, quietly, with effort. "Where?" I ask, unsure. There's a long pause that kind of freaks me out and Daniel finishes his drink and fingers the sunglasses he's still wearing and says, "I don't know. Just back.
Bret Easton Ellis (Less Than Zero)
If you ask someone out and they say no, try it again in a few minutes wearing sunglasses and smoking a cigarette.
Rob Delaney (Mother. Wife. Sister. Human. Warrior. Falcon. Yardstick. Turban. Cabbage.)
...every now and then he would tilt his head back so that his sunglasses reflected sky, and would say, "I love her." Every time he said it he seemed delivered of a profundity that amazed him, as though he had coughed up a pearl.
Jeffrey Eugenides (The Virgin Suicides)
From Jess: FANG. I've commented your blog with my questions for THREE YEARS. You answer other people's STUPID questions but not MINE. YOU REALLY ASKED FOR IT, BUDDY. I'm just gonna comment with this until you answer at least one of my questions. DO YOU HAVE A JAMAICAN ACCENT? No, Mon DO YOU MOLT? Gross. WHAT'S YOUR STAR SIGN? Dont know. "Angel what's my star sign?" She says Scorpio. HAVE YOU TOLD JEB I LOVE HIM YET? No. DOES NOT HAVING A POWER MAKE YOU ANGRY? Well, that's not really true... DO YOU KNOW HOW TO DO THE SOULJA BOY? Can you see me doing the Soulja Boy? DOES IGGY KNOW HOW TO DO THE SOULJA BOY? Gazzy does. DO YOU USE HAIR PRODUCTS? No. Again,no. DO YOU USE PRODUCTS ON YOUR FEATHERS? I don't know that they make bird kid feather products yet. WHAT'S YOU FAVORITE MOVIE? There are a bunch WHAT'S YOUR FAVORITE SONG? I don't have favorites. They're too polarizing. WHAT'S YOUR FAVORITE SMELL? Max, when she showers. DO THESE QUESTIONS MAKE YOU ANGRY? Not really. IF I CAME UP TO YOU IN A STREET AND HUGGED YOU, WOULD YOU KILL ME? You might get kicked. But I'm used to people wanting me dead, so. DO YOU SECRETLY WANT TO BE HUGGED? Doesn't everybody? ARE YOU GOING EMO 'CAUSE ANGEL IS STEALING EVERYONE'S POWERS (INCLUDING YOURS)? Not the emo thing again. WHAT'S YOUR FAVORITE FOOD? Anything hot and delicious and brought to me by Iggy. WHAT DID YOU HAVE FOR BREAKFAST THIS MORNING? Three eggs, over easy. Bacon. More Bacon. Toast. DID YOU EVEN HAVE BREAKFAST THIS MORNING? See above. DID YOU DIE INSIDE WHEN MAX CHOSE ARI OVER YOU? Dudes don't die inside. DO YOU LIKE MAX? Duh. DO YOU LIKE ME? I think you're funny. DOES IGGY LIKE ME? Sure DO YOU WRITE DEPRESSING POETRY? No. IS IT ABOUT MAX? Ahh. No. IS IT ABOUT ARI? Why do you assume I write depressing poetry? IS IT ABOUT JEB? Ahh. ARE YOU GOING TO BLOCK THIS COMMENT? Clearly, no. WHAT ARE YOU WEARING? A Dirty Projectors T-shirt. Jeans. DO YOU WEAR BOXERS OR BRIEFS? No freaking comment. DO YOU FIND THIS COMMENT PERSONAL? Could I not find that comment personal? DO YOU WEAR SUNGLASSES? Yes, cheap ones. DO YOU WEAR YOUR SUNGLASSES AT NIGHT? That would make it hard to see. DO YOU SMOKE APPLES, LIKE US? Huh? DO YOU PREFER BLONDES OR BRUNETTES? Whatever. DO YOU LIKE VAMPIRES OR WEREWOLVES? Fanged creatures rock. ARE YOU GAY AND JUST PRETENDING TO BE STRAIGHT BY KISSING LISSA? Uhh... WERE YOU EXPERIMENING WITH YOUR SEXUALITY? Uhh... WOULD YOU TELL US IF YOU WERE GAY? Yes. DO YOU SECRETLY LIKE IT WHEN PEOPLE CALL YOU EMO? No. ARE YOU EMO? Whatever. DO YOU LIKE EGGS? Yes. I had them for breakfast. DO YOU LIKE EATING THINGS? I love eating. I list it as a hobby. DO YOU SECRETLY THINK YOU'RE THE SEXIEST PERSON IN THE WHOLE WORLD? Do you secretly think I'm the sexiest person in the whole world? DO YOU EVER HAVE DIRTY THOUGHTS ABOUT MAX? Eeek! HAS ENGEL EVER READ YOUR MIND WHEN YOU WERE HAVING DIRTY THOUGHT ABOUT MAX AND GONE "OMG" AND YOU WERE LIKE "D:"? hahahahahahahahahahah DO YOU LIKE SPONGEBOB? He's okay, I guess. DO YOU EVER HAVE DIRTY THOUGHT ABOUT SPONGEBOB? Definitely CAN YOU COOK? Iggy cooks. DO YOU LIKE TO COOK? I like to eat. ARE YOU, LIKE, A HOUSEWIFE? How on earth could I be like a housewife? DO YOU SECRETLY HAVE INNER TURMOIL? Isn't it obvious? DO YOU WANT TO BE UNDA DA SEA? I'm unda da stars. DO YOU THINK IT'S NOT TOO LATE, IT'S NEVER TOO LATE? Sure. WHERE DID YOU LEARN TO PLAY POKER? TV. DO YOU HAVE A GOOD POKER FACE? Totally. OF COURSE YOU HAVE A GOOD POKER FACE. DOES IGGY HAVE A GOOD POKER FACE? Yes. CAN HE EVEN PLAY POKER? Iggy beats me sometimes. DO YOU LIKE POKING PEOPLE HARD? Not really. ARE YOU FANGALICIOUS? I could never be as fangalicious as you'd want me to be. Fly on, Fang
James Patterson (Fang (Maximum Ride, #6))
Clay, did you ever love me?" I'm studying a billboard and say that I didn't hear what she said. "I asked if you ever loved me?" On the terrace the sun bursts into my eyes and for one blinding moment I see myself clearly. I remember the first time we made love, in the house in Palm Springs, her body tan and wet, lying against cool, white sheets. "Don't do this, Blair," I tell her. "Just tell me." I don't say anything. "Is it such a hard question to answer?" I look at her straight on. "Yes or no?" "Why?" "Damnit, Clay," she sighs. "Yeah, sure, I guess." "Don't lie to me." "What in the fuck do you want to hear?" "Just tell me," she says, her voice rising. "No," I almost shout. "I never did." I almost start to laugh. She draws in a breath and says, "Thank you. That's all I wanted to know." She sips her wine. "Did you ever love me?" I ask her back, though by now I can't even care. She pauses. "I thought about it and yeah, I did once. I mean I really did. Everything was all right for a while. You were kind." She looks down and then goes on. "But it was like you weren't there. Oh shit, this isn't going to make any sense." She stops. I look at her, waiting for her to go on, looking up at the billboard. Disappear Here. "I don't know if any other person I've been with has been really there, either ... but at least they tried." I finger the menu; put the cigarette out. "You never did. Other people made an effort and you just ... It was just beyond you." She takes another sip of her wine. "You were never there. I felt sorry for you for a little while, but then I found it hard to. You're a beautiful boy, Clay, but that's about it." I watch the cars pass by on Sunset. "It's hard to feel sorry for someone who doesn't care." "Yeah?" I ask. "What do you care about? What makes you happy?" "Nothing. Nothing makes me happy. I like nothing," I tell her. "Did you ever care about me, Clay?" I don't say anything, look back at the menu. "Did you ever care about me?" she asks again. "I don't want to care. If I care about things, it'll just be worse, it'll just be another thing to worry about. It's less painful if I don't care." "I cared about you for a little while." I don't say anything. She takes off her sunglasses and finally says, "I'll see you later, Clay." She gets up. "Where are you going?" I suddenly don't want to leave Blair here. I almost want to take her back with me. "Have to meet someone for lunch." "But what about us?" "What about us?" She stands there for a moment, waiting. I keep staring at the billboard until it begins to blur and when my vision becomes clearer I watch as Blair's car glides out of the parking lot and becomes lost in the haze of traffic on Sunset. The waiter comes over and asks, "Is everything okay, sir?" I look up and put my sunglasses on and try to smile. "Yeah.
Bret Easton Ellis (Less Than Zero)
On the dashboard of our family car is a shallow indentation about the size of a paperback book. If you are looking for somewhere to put your sunglasses or spare change, it is the obvious place, and it works extremely well, I must say, so long as the car is not actually moving. However, as soon as you put the car in motion ... everything slides off ... It can hold nothing that has not been nailed to it. So I ask you: what then is it for?
Bill Bryson (I'm a Stranger Here Myself: Notes on Returning to America After Twenty Years Away)
As Confucius once said, "He who does nothing is the one who does nothing."' Gabby pondered the words, the furrowed her brow. 'did Confucius really say that?' Sunglasses in place, Stephanie managed the tiniest of shrugs. 'No, but who cared? The point is, they handled, and most likely they found some sort of self-satisfaction in their industrious-ness. Who am I to deprive them of that?' Gabby put her hands on her hips. 'Or maybe you just wanted to be lazy.' Stephanie grinned. 'Like Jesus said, "Blessed are the lazy who lie in boats, for they shall inherit a suntan."' 'Jesus didn't say that.' 'True,' Stephanie afreed, sitting up. She removed her glasses, stared through them, then wiped them on a towel. 'But again, who cares?
Nicholas Sparks (The Choice)
She says screens are the cigarettes of our age. They're toxic, and we're only going to realize the damage they're doing when it's too late.
Sophie Kinsella (Finding Audrey)
He handed her her cap and sunglasses, then put on his own while she frowned at them. “What is this?” “A disguise.” He grinned at her. “Dobie wants you to wear them. Let’s give him a break, or he might order fake mustaches and clown noses off the Internet.” She rolled her eyes, but put them on. “And what, this makes us look like twins? Where are your tits?” “You’re wearing them, and may I say they look spectacular on you.”' - Chasing Fire
Nora Roberts
I don’t wear headphones, I don’t wear sunglasses, I make sure my jacket is tight so there’s nothing to snag, and then I say good-bye to my plant, take a deep breath, step out of my apartment, and face a world that wants me dead.
Grady Hendrix (The Final Girl Support Group)
Hey, dickhead!" one of the other drivers yelled. "Get off the road!" "This here is a Falcon Seven," the rider told him. "I can put a bolt through your windshield and pin you to your seat like a bug." A direct threat, huh? Okay. I pulled down my sunglasses a bit so the rider would see my eyes. "That's a nice crossbow." He glanced in my direction. He saw a friendly blond girl with a big smile and a light Texas accent and didn't get alarmed. "You've got what, a seventy-five-pound draw on it? Takes you about four seconds to reload?" "Three," he said. I gave him my Order smile: sweet grin, hard eyes, reached over to my passenger seat, and pulled out my submachine gun. About twenty-seven inches long, the HK was my favorite toy for close-quarters combat. The rider's eyes went wide. "This is an HK UMP submachine gun. Renowned for its stopping power and reliability. Cyclic rate of fire: eight hundred rounds per minute. That means I can empty this thirty-round clip into you in less than three seconds. At this range, I'll cut you in half." It wasn't strictly true but it sounded good. "You see what it says on the barrel?" On the barrel, pretty white letters spelled out PARTY STARTER. "You open your mouth again, and I'll get the party started." The rider clamped his jaws shut.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5;World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
When she says margarita she means daiquiri. When she says quixotic she means mercurial. And when she says, "I'll never speak to you again," she means, "Put your arms around me from behind as I stand disconsolate at the window." He's supposed to know that. When a man loves a woman he is in New York and she is in Virginia or he is in Boston, writing, and she is in New York, reading, or she is wearing a sweater and sunglasses in Balboa Park and he is raking leaves in Ithaca or he is driving to East Hampton and she is standing disconsolate at the window overlooking the bay where a regatta of many-colored sails is going on while he is stuck in traffic on the Long Island Expressway. When a woman loves a man it is one ten in the morning she is asleep he is watching the ball scores and eating pretzels drinking lemonade and two hours later he wakes up and staggers into bed where she remains asleep and very warm. When she says tomorrow she means in three or four weeks. When she says, "We're talking about me now," he stops talking. Her best friend comes over and says, "Did somebody die?" When a woman loves a man, they have gone to swim naked in the stream on a glorious July day with the sound of the waterfall like a chuckle of water rushing over smooth rocks, and there is nothing alien in the universe. Ripe apples fall about them. What else can they do but eat? When he says, "Ours is a transitional era," "that's very original of you," she replies, dry as the martini he is sipping. They fight all the time It's fun What do I owe you? Let's start with an apology Ok, I'm sorry, you dickhead. A sign is held up saying "Laughter." It's a silent picture. "I've been fucked without a kiss," she says, "and you can quote me on that," which sounds great in an English accent. One year they broke up seven times and threatened to do it another nine times. When a woman loves a man, she wants him to meet her at the airport in a foreign country with a jeep. When a man loves a woman he's there. He doesn't complain that she's two hours late and there's nothing in the refrigerator. When a woman loves a man, she wants to stay awake. She's like a child crying at nightfall because she didn't want the day to end. When a man loves a woman, he watches her sleep, thinking: as midnight to the moon is sleep to the beloved. A thousand fireflies wink at him. The frogs sound like the string section of the orchestra warming up. The stars dangle down like earrings the shape of grapes.
David Lehman (When a Woman Loves a Man: Poems)
Mr. Babcock pats my shoulder. He smiles, and the caterpillar mustache — the envy of state troopers everywhere, I'm sure — straightens out again. I hear that on the weekends, he's a part-time security guard with mirrored sunglasses and a gun. He probably poses in front of his bathroom mirror to see how he looks saying "Freeze!
Libba Bray
and the girl and I get into her car and drive off into the hills and we go to her room and I take off my clothes and lie on her bed and she goes into the bathroom and I wait a couple of minutes and then she finally comes out, a towel wrapped around her, and sits on the bed and I put my hands on her shoulders, and she says stop it and, after I let her go, she tells me to lean against the headboard and I do and then she takes off the towel and she's naked and she reaches into the drawer by her bed and brings out a tube of Bain De Soleil and she hands it to me and then she reaches into the drawer and brings out a pair of Wayfarer sunglasses and she tells me to put them on and I do. And she takes the tube of suntan lotion form me and squeezes some onto her fingers and then touches herself and motions for me to do the same, and I do. After a while I stop and reach over to her and she stops me and says no, and then places my hand back on myself and her hand begins again and after this goes on for a while I tell her that I'm going to come and she tells me to hold on a minute and that she's almost there and she begins to move her hand faster, spreading her legs wider, leaning back against the pillows, and I take the sunglasses off and she tells me to put them back on and I put them back on and it stings when I come and then I guess she comes too. Bowie's on the stereo and she gets up, flushed, and turns the stereo off and turns on MTV. I lie there, naked, sunglasses still on and she hands me a box of Kleenex. I wipe myself off then look through a Vogue that's lying by the side of the bed. She puts a robe on and stares at me. I can hear thunder in the distance and it begins to rain harder. She lights a cigarette and I start to dress ....
Bret Easton Ellis (Less Than Zero)
Look here, I want to say, for godsake folks get out of them there machines, take off those fucking sunglasses and unpeel both eyeballs, look around; throw away those goddamned idiotic cameras! For chrissake folks what is this life if full of care we have no time to stand and stare?
Edward Abbey (Desert Solitaire: A Season in the Wilderness)
Gate C22 At gate C22 in the Portland airport a man in a broad-band leather hat kissed a woman arriving from Orange County. They kissed and kissed and kissed. Long after the other passengers clicked the handles of their carry-ons and wheeled briskly toward short-term parking, the couple stood there, arms wrapped around each other like he’d just staggered off the boat at Ellis Island, like she’d been released at last from ICU, snapped out of a coma, survived bone cancer, made it down from Annapurna in only the clothes she was wearing. Neither of them was young. His beard was gray. She carried a few extra pounds you could imagine her saying she had to lose. But they kissed lavish kisses like the ocean in the early morning, the way it gathers and swells, sucking each rock under, swallowing it again and again. We were all watching– passengers waiting for the delayed flight to San Jose, the stewardesses, the pilots, the aproned woman icing Cinnabons, the man selling sunglasses. We couldn’t look away. We could taste the kisses crushed in our mouths. But the best part was his face. When he drew back and looked at her, his smile soft with wonder, almost as though he were a mother still open from giving birth, as your mother must have looked at you, no matter what happened after–if she beat you or left you or you’re lonely now–you once lay there, the vernix not yet wiped off, and someone gazed at you as if you were the first sunrise seen from the Earth. The whole wing of the airport hushed, all of us trying to slip into that woman’s middle-aged body, her plaid Bermuda shorts, sleeveless blouse, glasses, little gold hoop earrings, tilting our heads up.
Ellen Bass (The Human Line)
Sure I like Grossinger’s,” it was saying, “but let me warn you—if you go up there, be sure and wear sunglasses. You can get snow blindness from the sour cream.” It
S.J. Perelman (The World of SJ Perelman: The Marx Brother's Greatest Scriptwriter)
I would demand to wear Ray-Ban sunglasses. Expensive Ray-Bans,” I say carefully. “In fact I would demand that everyone would have to wear Ray-Ban sunglasses.
Bret Easton Ellis (American Psycho)
I also know that too many people talk too much, especially the American, who never shut up, just switch to a laugh every time he talk ’bout you, and it sound strange how he put your name beside people we never hear ’bout, Allende Lumumba, a name that sound like a country that Kunta Kinte come from. The American, most of the time hide him eye with sunglasses like he is a preacher from America come to talk to black people. Him and the Cuban come sometimes together, sometimes on they own, and when one talk the other always quiet. The Cuban don’t fuck with guns because guns always need to be needed, him say.
Marlon James (A Brief History of Seven Killings)
This is meant to be in praise of the interval called hangover, a sadness not co-terminous with hopelessness, and the North American doubling cascade that (keep going) “this diamond lake is a photo lab” and if predicates really do propel the plot then you might see Jerusalem in a soap bubble or the appliance failures on Olive Street across these great instances, because “the complex Italians versus the basic Italians” because what does a mirror look like (when it´s not working) but birds singing a full tone higher in the sunshine. I´m going to call them Honest Eyes until I know if they are, in the interval called slam clicker, Realm of Pacific, because the second language wouldn´t let me learn it because I have heard of you for a long time occasionally because diet cards may be the recovery evergreen and there is a new benzodiazepene called Distance, anti-showmanship, anti-showmanship, anti-showmanship. I suppose a broken window is not symbolic unless symbolic means broken, which I think it sorta does, and when the phone jangles what´s more radical, the snow or the tires, and what does the Bible say about metal fatigue and why do mothers carry big scratched-up sunglasses in their purses. Hello to the era of going to the store to buy more ice because we are running out. Hello to feelings that arrive unintroduced. Hello to the nonfunctional sprig of parsley and the game of finding meaning in coincidence. Because there is a second mind in the margins of the used book because Judas Priest (source: Firestone Library) sang a song called Stained Class, because this world is 66% Then and 33% Now, and if you wake up thinking “feeling is a skill now” or “even this glass of water seems complicated now” and a phrase from a men´s magazine (like single-district cognac) rings and rings in your neck, then let the consequent misunderstandings (let the changer love the changed) wobble on heartbreakingly nu legs into this street-legal nonfiction, into this good world, this warm place that I love with all my heart, anti-showmanship, anti-showmanship, anti-showmanship.
David Berman
It doesn’t matter if you don’t burn. Protect your skin so you don’t end up looking like an old leather bag.” That’s what Stormy used to tell me. Kitty giggles at “old leather bag.” “Like Mrs. Letty. Her skin is hot dog-colored.” “Well, I wasn’t talking about any one person in particular. But yeah. She should’ve worn sunscreen in her younger days. Let that be a lesson to you, my sister.” Mrs. Letty is our neighbor, and her skin hangs on her like crepe. Peter puts on his sunglasses. “You guys are mean.” “Says the guy who once toilet-papered her lawn!” Kitty giggles and steals a sip of my Coke. “You did that?” “All lies and propaganda,” Peter says blithely.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
The road of life can be tough at times. when the road gets bumpy and rough you must buckle up and go for the ride. Every road in life is a teacher if you are willing to learn from it. In order to grow and prosper you must take the ride, just buckle up put on your sunglasses and enjoy the ride.
Charles Elwood Hudson
I had to hide. I couldn’t let him take me to the police station, but I also couldn’t dial 911 to get them help. Maybe if I waited it out, they’d get better on their own? I dashed toward the storage tubs on the other side of the garage, squeezing past the front of Mom’s car. One, maybe two steps more, and I would have jumped inside the closest tub and buried myself under a pile of blankets. The garage door rolled open first. Not all the way—just enough that I could see the snow on the driveway, and grass, and the bottom half of a dark uniform. I squinted, holding a hand up to the blinding blanket of white light that seemed to settle over my vision. My head started pounding, a thousand times worse than before. The man in the dark uniform knelt down in the snow, his eyes hidden by sunglasses. I hadn’t seen him before, but I certainly hadn’t met all the police officers at my dad’s station. This one looked older. Harder, I remembered thinking. He waved me forward again, saying, “We’re here to help you. Please come outside.” I took a tentative step, then another. This man is a police officer, I told myself. Mom and Dad are sick, and they need help. His navy uniform looked darker the closer I got, like it was drenched straight through with rain. “My parents…” The officer didn’t let me finish. “Come out here, honey. You’re safe now.” It wasn’t until my bare toes brushed up against the snow, and the man had wrapped my long hair around his fist and yanked me through the opening, that I even realized his uniform was black.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
I'm jittery.It's like the animatronic band from Chuck E. Cheese is throwing a jamboree in my stomach. I've always hated Chuck E. Cheese. Why am I thinking about Chuck E. Cheese? I don't know why I'm nervous.I'm just seeing my mom again. And Seany.And Bridge! Bridge said she'd come. St. Clair's connecting flight to San Francisco doesn't leave for another three hours,so we board the train that runs between terminals,and he walks me to the arrivals area.We've been quiet since we got off the plane. I guess we're tired. We reach the security checkpoint,and he can't go any farther. Stupid TSA regulations.I wish I could introduce him to my family.The Chuck E. Cheese band kicks it up a notch,which is weird, because I'm not nervous about leaving him. I'll see him again in two weeks. "All right,Banana.Suppose this is goodbye." He grips the straps of his backpack,and I do the same. This is the moment we're supposed to hug. For some reason,I can't do it. "Tell your mom hi for me. I mean, I know I don't know her. She just sounds really nice. And I hope she's okay." He smiles softly. "Thanks.I'll tell her." "Call me?" "Yeah,whatever. You'll be so busy with Bridge and what's-his-name that you'll forget all about your English mate, St. Clair." "Ha! So you are English!" I poke him in the stomach. He grabs my hand and we wrestle, laughing. "I claim....no...nationality." I break free. "Whatever,I totally caught you. Ow!" A gray-haired man in sunglasses bumps his red plaid suitcase into my legs. "Hey,you! Apologize!" St. Clair says,but the guy is already too far away to hear. I rub my shins. "It's okay, we're in the way. I should go." Time to hug again. Why can't we do it? Finally, I step forward and put my arms around him. He's stiff,and it's awkward, especially with our backpacks in the way.I smell his hair again. Oh heavens. We pull apart. "Have fun at the show tonight" he says. "I will.Have a good flight." "Thanks." He bites his thumbnail,and then I'm through security and riding down the escalator. I look back one last time. St. Clair jumps up and down, waving at me.I burst into laughter, and his face lights up.The escalator slides down. He's lost from view. I swallow hard and turn around.And then-there they are.Mom has a gigantic smile, and Seany is jumping and waving, just like St. Clair.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
We tend to think of coolness as a pose that you strike with a pair of sunglasses, a nonchalant attitude, and drink in hand. But maybe we didn't choose these social accessories at random. Maybe we've adopted dark glasses, relaxed body language, and alcohol as signifiers precisely because they camouflage signs of a nervous system on overdrive. Sunglasses prevent others from seeing our eyes dilate with surprise or fear; we know from Kagan’s work that a relaxed torso is a hallmark of low reactivity; and alcohol removes our inhibitions and lowers our arousal levels. When you go to a football game and someone offers you a beer, says the personality psychologist Brian Little, “they’re really saying hi, have a glass of extroversion.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
A Republican, then?” Jack asked, after a moment. “Oh, for God’s sake.” Olive stopped walking, looked at him through her sunglasses. “I didn’t say moron. You mean because we have a cowboy for a president? Or before that an actor who played a cowboy? Let me tell you, that idiot ex-cocaine-addict was never a cowboy. He can wear all the cowboy hats he wants. He’s a spoiled brat to the manor born. And he makes me puke.
Elizabeth Strout (Olive Kitteridge)
I put on my sunglasses and start to sing “Sixteen Going on Seventeen” from The Sound of Music. “You need someone older and wiser, telling you what to do.” I tap him on the nose for emphasis. “Hey, I’m older than you,” he objects. I run my hand along Peter’s cheek and sing, “I am seventeen going on eighteen, I-I-I’ll take care of you.” “Promise?” he says. “Sing it just once for me,” I prompt. Peter gives me a look. “Please? I love it when you sing. Your voice is so clean.” He can’t help but smile. Peter never met a compliment he didn’t smile at. “I don’t know the words,” he protests. “Yes you do.” I pretend to wave a wand in his face. “Imperio! Wait--do you know what that means?” “It’s…an unforgivable curse?” “Yes. Very impressive, Peter K. And what does it do?” “It makes you do things you don’t want to do.” “Very good, young wizard. There’s hope for you yet. Now sing!” “You little witch.” He looks around to see if anyone is listening, and then he softly sings, “I need someone older and wiser telling me what to do…You are seventeen going on eighteen…I’ll depend on you.” I clap my hands in delight. Is there anything more intoxicating than making a boy bend to your will? I roll closer to him and throw my arms around his neck. “Now you’re the one making PDAs!” he says.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
We were somewhere around Barstow on the edge of the desert when the drugs began to take hold. I remember saying something like “I feel a bit lightheaded; maybe you should drive. . . .” And suddenly there was a terrible roar all around us and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, which was going about a hundred miles an hour with the top down to Las Vegas. And a voice was screaming: “Holy Jesus! What are these goddamn animals?” Then it was quiet again. My attorney had taken his shirt off and was pouring beer on his chest, to facilitate the tanning process. “What the hell are you yelling about?” he muttered, staring up at the sun with his eyes closed and covered with wraparound Spanish sunglasses. I hit the brakes and aimed the Great Red Shark toward the shoulder of the highway. No point mentioning those bats, I thought. The poor bastard will see them soon enough.
Hunter S. Thompson
Why should we, the brains of the military, have so much anxiety about our contribution to the war that we feel we have to ape Special Forces guys? To Fitzgerald commandos were just glorified jocks - pitchers and quarterbacks from suburban high schools who traded baseballs for bullets. There's no doubt they had skills. They could slither right up to the enemy on their stomachs survive on worms for days and plunk a target with a piece of lead from a mile away. All very impressive. But they couldn't speak Arabic or juggle a million intelligence requirements and 703 follow-up questions from the community while sitting three feet away from some Islamic firebrand who has no reason to talk. "Do you think those Special Forces guys are wracked with Interrogator envy?" Fitzgerald would say. "You think they're over there in their special sunglasses polishing their special weapons saying 'man if only I could do some hot-shit interrogations and write some hot-shit reports?
Chris Mackey (The Interrogators: Task Force 500 and America's Secret War Against Al Qaeda)
Molly Collins, standing next to Olive Kitteridge, both of them waiting along with the rest, has just looked around behind her at that side of the grocery store, and with a deep sigh says, “Such a nice woman. It isn’t right.” Olive Kitteridge, who is big-boned and taller by a head than Molly, reaches into her handbag for her sunglasses, and once she has them on, she squints hard at Molly Collins, because it seems such a stupid thing to say. Stupid—this assumption people have, that things should somehow be right.
Elizabeth Strout (Olive Kitteridge)
It was in the Cornish summer of his twelfth year that Peter began to notice just how different the worlds of children and grown-ups were. You could not exactly say that the parents never had fun. They went for swims - but never for longer than twenty minutes. They liked a game of volleyball, but only for half an hour or so. Occasionally they could be talked into hide-and-seek or lurky turkey or building a giant sand-castle, but those were special occasions. The fact was that all grown-ups, given half the chance, chose to sink into one of three activities on the beach: sitting around talking, reading newspapers and books, or snoozing. Their only exercise (if you could call it that) was long boring walks, and these were nothing more than excuses for more talking. On the beach, they often glanced at their watches and, long before anyone was hungry, began telling each other it was time to start thinking about lunch or supper. They invented errands for themselves - to the odd-job man who lived half a mile away, or to the garage in the village, or to the nearby town on shopping expeditions. They came back complaining about the holiday traffic, but of course they were the holiday traffic. These restless grown-ups made constant visits to the telephone box at the end of the lane to call their relatives, or their work, or their grown-up children. Peter noticed that most grown-ups could not begin their day happily until they had driven off to find a newspaper, the right newspaper. Others could not get through the day without cigarettes. Others had to have beer. Others could not get by without coffee. Some could not read a newspaper without smoking a cigarette and drinking coffee. Adults were always snapping their fingers and groaning because someone had returned from town and forgotten something; there was always one more thing needed, and promises were made to get it tomorrow - another folding chair, shampoo, garlic, sun-glasses, clothes pegs - as if the holiday could not be enjoyed, could not even begin, until all these useless items had been gathered up.
Ian McEwan (The Daydreamer)
She was especially taken with Matt. Until he said, “It’s time to fess up, hon. Tell Trace how much you care. You’ll feel better when you do.” Climbing up the ladder, Chris said, “Better sooner than later.” He nodded at the hillside behind them. “Because here comes Trace, and he doesn’t look happy.” Both Priss and Matt turned, Priss with anticipation, Matt with tempered dread. Dressed in jeans and a snowy-white T-shirt, Trace stalked down the hill. Priss shielded her eyes to better see him. When he’d left, being so guarded about his mission, she’d half wondered if he’d return before dinner. Trace wore reflective sunglasses, so she couldn’t see his eyes, but his entire demeanor—heavy stride, rigid shoulders, tight jaw—bespoke annoyance. As soon as he was close enough, Priss called out, “What’s wrong?” Without answering her, Trace continued onto the dock. He didn’t stop until he stood right in front of . . . Matt. Backing up to the edge of the dock, Matt said, “Uh . . . Hello?” Trace didn’t say a thing; he just pushed Matt into the water. Arms and legs flailing out, Matt hit the surface with a cannonball effect. Stunned, Priss shoved his shoulder. “What the hell, Trace! Why did you do that?” Trace took off his sunglasses and looked at her, all of her, from her hair to her body and down to her bare toes. After working his jaw a second, he said, “If you need sunscreen, ask me.” Her mouth fell open. Of all the nerve! He left her at Dare’s, took off without telling her a damn thing and then had the audacity to complain when a friend tried to keep her from getting sunburned. “Maybe I would have, if you’d been here!” “I’m here now.” Emotions bubbled over. “So you are.” With a slow smile, Priss put both hands on his chest. The shirt was damp with sweat, the cotton so soft that she could feel every muscle beneath. “And you look a little . . . heated.” Trace’s beautiful eyes darkened, and he reached for her. “A dip will cool you down.” Priss shoved him as hard as she could. Taken by surprise, fully dressed, Trace went floundering backward off the end of the dock. Priss caught a glimpse of the priceless expression of disbelief on Trace’s face before he went under the water. Excited by the activity, the dogs leaped in after him. Liger roused himself enough to move out of the line of splashing. Chris climbed up the ladder. “So that’s the new game, huh?” He laughed as he scooped Priss up into his arms. “Chris!” She made a grab for his shoulders. “Put me down!” “Afraid not, doll.” Just as Trace resurfaced, Chris jumped in with her. They landed between the swimming dogs. Sputtering, her hair in her face and her skin chilled from the shock of the cold water, Priss cursed. Trace had already waded toward the shallower water off the side of the dock. His fair hair was flattened to his head and his T-shirt stuck to his body. “Wait!” Priss shouted at him. He was still waist-deep as he turned to glare at her. Kicking and splashing, Priss doggy-paddled over to him, grabbed his shoulders and wrapped her legs around his waist. “Oh, no, you don’t!” Startled, Trace scooped her bottom in his hands and struggled for balance on the squishy mud bottom of the lake. “What the hell?” And then lower, “You look naked in this damn suit.” Matt and Chris found that hilarious. Priss looked at Trace’s handsome face, a face she loved, and kissed him. Hard. For only a second, he allowed the sensual assault. He even kissed her back. Then he levered away from her. “You ruined my clothes, damn it.” “Only because you were being a jealous jerk.” His expression dark, he glared toward Matt. Christ started humming, but poor Matt said, “Yeah,” and shrugged. “If you think about it, you’ll agree that you sort of were—and we both know there’s no reason.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
All of us can get lost in the sea of humanity and just think that we are who and what other people say we are based on their preconceptions. All of us have preconceptions about other people. We preconceive about people based on how we perceive ourselves. In other words, we don’t see people, places, and things how they are—we see them through the lens of how we are. For example, if you look at a lemon with sunglasses that have blue lenses, what color is the lemon? Green . . . right? No, it is yellow. The color of the lemon does not change, but how we see the lemon does. Most people’s preconceptions stem from the misconceptions they have about themselves, based on what they have come to believe about themselves. We all have limited knowledge about ourselves.
Keith Craft (Your Divine Fingerprint: The Force That Makes You Unstoppable)
The woman's body twitched suddenly, as if remembering something, and she covered her mouth with a stiff mitten. Dara knew what it was. She'd felt it a dozen times that day already. The body remembering, contorting, -He's gone, he's gone.- For a moment, only a moment, Dara felt sorry for her. As if sensing it, the woman looked at her and reached for her sunglasses, removing them at last. Her eyes heavy, swollen. 'I wish I could explain,' she said. 'You build this family. And it's perfect. It's everything you wanted. And then something goes wrong. Slowly or all at once. It was good and now it's bad, and it's his fault. Or he started it. All the ripples from his bad behavior.' Dara didn't say anything. The woman kept going. 'So, in some private part of your head, you start thinking up fantasies of escape. You tell yourself: If only he were gone, if only a heart attack, a lightning bolt, a car crash...' 'I have to go,' Dara said, turning. 'Sometimes,' the woman said suddenly, her voice choked. 'Sometimes, you think you'd do anything to get out to be free.' They held glances a long moment.... 'You're never free,' Dara said, realizing it as she said it. -When something goes wrong in a family, it takes generations to wipe it out.- Those words came to Dara, something from a history book, a book about kings and queens she once found in the den long ago. Marie, Charlie, they thought they could escape it, through leaving, or trying to. Through other people, lovers. But they both ended right back where they started. In their mother's house, her third-floor hideaway. 'I guess you're right,' the woman said. 'You blame everything on that one person.You think if that one person is gone, everything will be perfect and good.' She slid her sunglasses back on. 'But in the end, that person is you.
Megan Abbott (The Turnout)
What can I tell them? Sealed in their metallic shells like molluscs on wheels, how can I pry the people free? The auto as tin can, the park ranger as opener. Look here, I want to say, for godsake folks get out of them there machines, take off those fucking sunglasses and unpeel both eyeballs, look around; throw away those goddamned idiotic cameras! For chrissake folks what is this life if full of care we have no time to stand and stare? eh? Take off your shoes for a while, unzip your fly, piss hearty, dig your toes in the hot sand, feel that raw and rugged earth, split a couple of big toenails, draw blood! Why not? Jesus Christ, lady, roll that window down! You can't see the desert if you can't smell it. Dusty? Of course it's dusty—this is Utah! But it's good dust, good red Utahn dust, rich in iron, rich in irony. Turn that motor off. Get out of that peice of iron and stretch your varicose veins, take off your brassiere and get some hot sun on your old wrinkled dugs! You sir, squinting at the map with your radiator boiling over and your fuel pump vapor-locked, crawl out of that shiny hunk of GM junk and take a walk—yes, leave the old lady and those squawling brats behind for a while, turn your back on them and take a long quiet walk straight into the canyons, get lost for a while, come back when you damn well feel like it, it'll do you and her and them a world of good. Give the kids a break too, let them out of the car, let them go scrambling over rocks hunting for rattlesnakes and scorpions and anthills—yes sir, let them out, turn them loose; how dare you imprison little children in your goddamned upholstered horseless hearse? Yes sir, yes madam, I entreat you, get out of those motorized wheelchairs, get off your foam rubber backsides, stand up straight like men! like women! like human beings! and walk—walk—WALK upon your sweet and blessed land!
Edward Abbey
It’s a librarian, down at Corinth,” I tell my supervisor, clicking my phone off again. “She works with my sister.” “A librarian,” Gutierrez repeats, as if I just told her I’ve been sleeping with an alien. “You...and a librarian?” I give her my best frown, even popping up my sunglasses so she can see my mock-hurt eyes. “What’s that supposed to mean?” “Nothing,” she says, grabbing her keys and climbing out of the car. I get out of the car too, and we walk toward the front door of the academy. “Just that normally you seemed to go for the women more like you.” “More like me?” “Do you really want me to elaborate?” I open the door for her and then follow her inside the depressingly bland building. “Is it going to be mean?” “Kelly, face it. You’re the stereotype of a bachelor cop, and the women you sleep with are the stereotypes of women who like bachelor cops. I just don’t want you to wreak havoc on some poor woman’s life because you’re bored or you’re dying—” “I’m not dying!” I protest. She flips her sunglasses up to the top of her head and squints at me. “You’re over thirty, aren’t you?” “If one more person says that—” “Just don’t be a dick, okay? Especially to some sweet librarian. They deserve better than that. Now if you want to go ruin the life of someone down at the post office, be my guest. You know the last time I had to mail a blood kit up to Topeka, they actually refused to—
Laurelin Paige (Hot Cop)
My best friend growing up was a boy named Barry,” Buzan recalled, sitting outside on his patio with his pink shirt unbuttoned and a pair of large, wraparound geriatric sunglasses protecting his eyes. “He was always in the 1-D classes, while I was in 1-A. One-A was for the bright kids, D for the dunces. But when we went out into nature, Barry could identify things by the way they flew over the horizon. Just from their flight patterns, he could distinguish between a red admiral, a painted thrush, and a blackbird, which are all very similar. So I knew he was a genius. And I got a top mark in an exam on nature, a perfect mark, answering questions like ‘Name two fish you can find living in an English stream.’ There are a hundred and three. But when I got back my perfect mark on the test, I suddenly realized that the kid sitting down the hall in the dunces’ class, my best friend, Barry, knew more than I knew—much more than I knew—in the subject in which I was supposedly number one. And therefore, he was number one, and I was not number one. “And suddenly, I realized the system that I was in did not know what intelligence was, didn’t know how to identify smart and not smart. They called me the best, when I knew I wasn’t, and they called him the worst, when he was the best. I mean, there could be no more antipodal environment. So I began to question: What is intelligence? Who says? Who says you’re smart? Who says you’re not smart? And what do they mean by that?” Those questions, at least according to Buzan’s tidy personal narrative, dogged him until he got to college. Buzan’s introduction
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
I love this song, can you turn it up?” I reached and turned the dial up on the Vance Joy song “Red Eye.” Adam bobbed his head to the music. At the stoplight I looked over at him. He was wearing the black beanie my brother had given him, his black Wayfarers, and the hospital gown. I laughed. He turned to me and smiled. “What?” he said. “You’re cute.” “Oh yeah? Wanna fool around?” He grinned. I was glad that Adam couldn’t see my eyes welling up behind my sunglasses. The car behind us honked. I hit the gas and my car lurched forward from the intersection. “How much time do we have?” I asked. “What? Are you serious?” “Yes, Adam, I am serious.” He was having a good day. He reached for my phone. “We have like an hour and a half before Leah freaks out.” I knew I was taking a big chance, but how could I say no to him? There was so much joy in him that day just because he got to go to the drive-thru at In-N-Out. “Okay.” I glanced over at him and flattened my lips. “You better not have a seizure on me.” “I can’t think of a better place to have a seizure. Although I can see how that wouldn’t be much fun for you.” I laughed hysterically. “Oh man, I didn’t mean literally on me; I meant on my watch.” “Well, Charlotte, I don’t have much control over that, but I’ll try. You know what helps?” “What?” “Alcohol.” “Really?” As we passed the Four Seasons he said, “Pull in here.” “This is too expensive, Adam.” “What? Are you crazy?” The energy in the car was tangible. “This may be the last time I ever go to a hotel with a girl. I’m paying. I have a ton of money. Come on, Charlotte, please?” His mood was instantly lighter than it had been in several days. “Okay.” I did a U-turn and pulled into the driveway of the hotel.
Renee Carlino (Wish You Were Here)
Then she bent her head over at the waist and tossed her head around to separate the curls. The elevator stopped and she heard the door open. She straightened up to find some big guy in a ball cap and sunglasses right in her face, charging into the elevator before she could even get out of it. He had both hands full of carry-out bags—Mexican food, judging from the smell. She looked at them, her mouth watering. Yep. Enrique’s. The best in town. He whirled around to punch the door-close button. “Hey,” she said. “I’m getting off here.” Some girl outside in the lobby yelled, “We know it’s you, Chase. You shouldn’t lie to us.” Startled, Elle looked at the guy’s face and saw, just before he reached for her, that it really was Chase Lomax in ragged shorts and flip-flops. He grabbed her up off her feet and bent his head. Found her mouth with his. “Wait for us,” another girl yelled. The sound of running feet echoed off the marble floor, slid to a stop. “Oh, no!” Kissing her, without so much as a “Hi, there, Elle.” Burning her up. She tried to struggle but he had both her arms pinned to her sides. And suddenly she wanted to stay right where she was forever because the shock was wearing off and she was starting to feel. A lot more than she ever had before. The door slid closed. The girls began banging on it. “We know your room number, Chase, honey,” they yelled. “See you there.” Loud giggles. “We’ll show you a real good time.” The elevator moved up, the voices faded away. But Chase kept on kissing her. She had to make him stop it. Right now. Who did he think he was, anyway? Somebody who could send lightning right through her whole body, that’s who. Lightning so strong it shook her to her toes. He had to stop this now. But she couldn’t move any part of her body. Except her lips. And her tongue . . . When he finally let her go she pulled back and away, fighting to get a handle on her breathing. “What’s the matter?” he demanded. Her blood rushed through her so fast it made her dizzy. “You’re asking me? It’s more like, what’s the matter with you? How’d you get the idea you could get away with kissing me like that without even bothering to say hello?” She touched her lips. They were still on fire. “You have got a helluva nerve, Chase Lomax.” He grinned at her as he took off his shades. He hung them in the neck of his huge, baggy T-shirt that had a bucking bull and rider with Git’R’Done written above it. He wore ragged denim shorts and flip-flops, for God’s sake. Chase Lomax was known for always being starched and ironed, custom-booted and hatted. “I asked if you’re all right because you were bent over double shaking your head when the doors opened,” he said. “Like you were in pain or something.” “I was drying my hair.” He stared, then burst out laughing. “Oh, well, then.” His laugh was contagious but she wouldn’t let herself join in. He could not get away with this scot-free. He’d shaken her up pretty good. “Oh. I see. You thought I needed help, so you just grabbed me and kissed me senseless. Is that how you treat somebody you think’s in pain?” He grinned that slow, charming grin of his again. “It made you feel better. Didn’t it?” He held her gaze and wouldn’t let it go. She must be a sight. She could feel heat in her cheeks, so her face must be red. Plus she was gasping, trying to slow her breathing. And her heart-beat. “You nearly scared me to death to try to get rid of those girls. And it was all wasted. They’re coming to your room.” Something flashed deep in his brown eyes. “Now you’ve hurt my feelings. I don’t think it was wasted,” he drawled. “I liked that kiss.
Genell Dellin (Montana Gold)
She pulled her small Ray-Ban sunglasses partway out of her shoulder bag and took three thousand-yen bills from her wallet. Handing the bills to the driver, she said, 'I'll get out here. I really can't be late for this appointment.' The driver nodded and took the money. 'Would you like a receipt?' 'No need. And keep the change.' 'Thanks very much,' he said. 'Be careful, it looks windy out there. Don't slip.' 'I'll be careful,' Aomame said. 'And also,' the driver said, facing the mirror, 'please remember: things are not what they seem.' Things are not what they seem, Aomame repeated mentally. 'What do you mean by that?' she asked with knitted brows. The driver chose his words carefully: 'It's just that you're about to do something out of the ordinary. Am I right? People do not ordinarily climb down the emergency stairs of the Metropolitan Expressway in the middle of the day - especially women.' 'I suppose you're right.' 'Right. And after you do something like that, the everyday look of things might seem to change a little. Things may look different to you than they did before. I've had that experience myself. But don't let appearances fool you. There's always only one reality.' Aomame thought about what he was saying, and in the course of her thinking, the Janáček ended and the audience broke into immediate applause. This was obviously a live recording. The applause was long and enthusiastic. There were even occasionally calls of 'Bravo!' She imagined the smiling conductor bowing repeatedly to the standing audience. He would then raise his head, raise his arms, shake hands with the concertmaster, turn away from the audience, raise his arms again in praise of the orchestra, face front, and take another deep bow. As she listened to the long recorded applause, it sounded less like applause and more like an endless Martian sandstorm. 'There is always, as I said, only one reality,' the driver repeated slowly, as if underlining an important passage in a book.
Haruki Murakami (1Q84)
You and Patrick looked awfully cozy,” Ryder says, setting Mama’s note back on the counter. So I was right--he had been watching us. “So?” “So, nothing.” He shrugs. “Just making an observation.” “Yeah, you never just make an observation. Oh, and you and Rosie looked pretty cozy, too. I sure hope you’re not leading her on. You know she likes you.” A muscle in his jaw works furiously as he shoves his cell phone back into his pocket. “That’s the kind of guy you think I am? Seriously, Jem?” I swallow hard, unable to reply. Because the truth is, I don’t know. “I’ll see you later,” he says, his voice cold and clipped. He turns and stalks out. For some unknown reason, I follow him--down the hall, out the front door. “Don’t walk out on me,” I holler as he rounds the Durango and opens the driver’s-side door. “If you have something to say to me, then say it.” He gets in and slams the car door shut, but I throw it open again. “C’mon,” I taunt, motioning with one hand. I’m totally losing it now--white spots dancing before my eyes, tears streaking down my cheeks. I can barely catch my breath, like I’m about to hyperventilate. This isn’t about Ryder, I realize. It’s about Nan. The sudden realization hits me hard. What if I never see her again? My knees buckle, and I start to go down. Somehow, Ryder manages to catch me just before I hit the ground. “Shit, Jemma! What’s the matter with you?” He drags me to my feet and presses me against the side of his truck. “Take a deep breath. Jesus!” I do what he says. By the third, I’ve slowed my heart rate to something nearing normal. Only, my cheeks are burning with mortification now. This is the second time I’ve broken down in front of Ryder. He must think I’ve lost my mind--that I’ve totally gone off the deep end. “Just go,” I say, my voice shaking. He rakes both hands through his hair. “Are you kidding me? I can’t leave you alone like this.” “Go,” I repeat, more forcefully this time. “Just get in your car and leave, okay?” “C’mon, Jemma. You know I can’t.” “I swear I’m okay.” I straighten my spine and lift my chin, trying my best to look calm, collected, and reasonably sane. “Seriously, Ryder. I just need to be alone right now.” “Fine,” he says, shaking his head. “If you say so.” I step away from the car, feeling queasy now as he slips inside and starts the engine. But before he pulls out, he rolls down his window and meets my gaze. His dark eyes look intense, full of conflict. For a split second, I wonder what’s going on inside his head--if he’s judging me. If he has any idea what I’m going through. If he even cares. “She’s going to be okay, Jemma,” he says, then slides his sunglasses on and drives away. I guess he does get it, after all.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Even though Sam wasn't a romance author, he knew all the big ones, the heavy hitters and those that had crossed genres. He was greeted by most of the authors, some he knew and others who wanted to meet the famous author. Needless to say the romance genre remained comprised mostly by women authors. Sam stuck out like a rooster in a hen house. A tall, handsome, cool rooster in black jeans, his sunglasses hooked off the pocket of his pale blue oxford shirt. A rooster with a flock of hens following his every move.
Carolyn Gibbs (Murder in Paradise)
Is there a problem, ma’am?” Mitch slanted a glance in her direction. She stood military straight, vehemently shaking her head. “Everything’s fine, Officer.” “Sheriff. You sure about that?” Charlie said, sounding like a complete hard-ass. “Looked to me like you were being accosted.” “N-no—” Mitch cut her off. “Would you get the hell out of here?” “Mitch,” Maddie said, with a low hiss. Evidently in a devious mood, Charlie stalked forward, placing a hand menacingly over his baton. “What did you say?” “Fuck. Off.” Mitch fired each word like a bullet. “Mitch, please,” Maddie said, tone pleading. “Do I have to take you in?” Charlie’s attention shifted in Maddie’s direction and his mouth twisted into a smile that Mitch had seen him use on hundreds of women during their fifteen-year friendship. “I’ll be happy to look after her for you, Mitch.” A stab of something suspiciously close to possessiveness jabbed at his rib cage. Mitch shot Charlie a droll glare. “Over my dead body.” One black brow rose over his sunglasses. “That can be arranged.” “Please, don’t take him to jail,” Maddie said, sounding alarmed. Both Charlie’s and Mitch’s attention snapped to her. “Now, why would you be thinking that?” Charlie asked, in an amused voice. Maddie’s gaze darted back and forth. “He threatened you.” Mitch laughed and Charlie scoffed. “Honey, he’s nothing but a pesky little fly I’d have to bat away.” Comprehension dawned and her worried expression cleared. “Oh, I see. You know, you should tell someone this is some macho-guy act before you get rolling.” “And what fun would that be?” Charlie rocked back on his heels. Even with his eyes hidden behind the mirrored frames, it was damn clear he was scoping Maddie out from head to toe. Under his scrutiny, she started to fidget. She pressed closer to Mitch, almost as if by instinct, pleasing him immensely. “Don’t mind him, Princess.” He slid his arm around her waist, pulling her tighter against him. “He likes to abuse his power over unsuspecting women.” “Um,” Maddie said, fitting under the crook his arm as though she were made for him, which was odd considering he towered over her by a foot. “I bet it’s quite effective.” Charlie laughed. “Maddie Donovan, you’re everything I’ve heard and then some.” Maddie stiffened, pulling out of Mitch’s embrace and cocking her head to the side. “How do you know my name?” “Honey,” Charlie drawled, the endearment scraping a dull blade over Mitch’s nerves. “This is a small town. People don’t have anything else to do but talk. Give me time and I’ll know your whole life story.” That strawberry-stained mouth pulled into a frown, and two little lines formed between auburn brows. She studied the cracked concrete at her feet. Suddenly, she looked up, her cheeks flushing when she realized they were watching her. She smiled brightly. “Oh well, I guess this is what I get for making an entrance.” Charlie
Jennifer Dawson (Take a Chance on Me (Something New, #1))
The hallmark of originality is rejecting the default and exploring whether a better option exists. I’ve spent more than a decade studying this, and it turns out to be far less difficult than I expected. The starting point is curiosity: pondering why the default exists in the first place. We’re driven to question defaults when we experience vuja de, the opposite of déjà vu. Déjà vu occurs when we encounter something new, but it feels as if we’ve seen it before. Vuja de is the reverse—we face something familiar, but we see it with a fresh perspective that enables us to gain new insights into old problems. Without a vuja de event, Warby Parker wouldn’t have existed. When the founders were sitting in the computer lab on the night they conjured up the company, they had spent a combined sixty years wearing glasses. The product had always been unreasonably expensive. But until that moment, they had taken the status quo for granted, never questioning the default price. “The thought had never crossed my mind,” cofounder Dave Gilboa says. “I had always considered them a medical purchase. I naturally assumed that if a doctor was selling it to me, there was some justification for the price.” Having recently waited in line at the Apple Store to buy an iPhone, he found himself comparing the two products. Glasses had been a staple of human life for nearly a thousand years, and they’d hardly changed since his grandfather wore them. For the first time, Dave wondered why glasses had such a hefty price tag. Why did such a fundamentally simple product cost more than a complex smartphone? Anyone could have asked those questions and arrived at the same answer that the Warby Parker squad did. Once they became curious about why the price was so steep, they began doing some research on the eyewear industry. That’s when they learned that it was dominated by Luxottica, a European company that had raked in over $7 billion the previous year. “Understanding that the same company owned LensCrafters and Pearle Vision, Ray-Ban and Oakley, and the licenses for Chanel and Prada prescription frames and sunglasses—all of a sudden, it made sense to me why glasses were so expensive,” Dave says. “Nothing in the cost of goods justified the price.” Taking advantage of its monopoly status, Luxottica was charging twenty times the cost. The default wasn’t inherently legitimate; it was a choice made by a group of people at a given company. And this meant that another group of people could make an alternative choice. “We could do things differently,” Dave suddenly understood. “It was a realization that we could control our own destiny, that we could control our own prices.” When we become curious about the dissatisfying defaults in our world, we begin to recognize that most of them have social origins: Rules and systems were created by people. And that awareness gives us the courage to contemplate how we can change them. Before women gained the right to vote in America, many “had never before considered their degraded status as anything but natural,” historian Jean Baker observes. As the suffrage movement gained momentum, “a growing number of women were beginning to see that custom, religious precept, and law were in fact man-made and therefore reversible.
Adam M. Grant (Originals: How Non-Conformists Move the World)
Rummaging in his pocket, he can’t feel his packet of cigarettes. He snorts, shaking his head. "Would you like one of mine?" says a man’s voice behind him. Andrea turns around and a man with dark hair and a thin face stands before him with a silver cigarette case open. He has elegant sunglasses that cover his eyes like a headband. "You won’t find these in the store." His lips hint at a smile. "Key." "Dorian?" Andrea asks, a lump in his throat. He nods and his chin is tickled by a gray, linen scarf. "You can call me Ian," he says, putting one in his mouth. Andrea takes a cigarette. It’s white, just like Ian’s sweatshirt. "Thank you." He holds out the lighter with the flame already high. Andrea moves closer to light up and, feeling trapped, takes the first drag. "Andrea," Ian calls him by his name. "It’s a pleasure to meet you." He holds out his spotless, thin hand. "The pleasure is all mine, Ian." He shakes it firmly. "Are
Key Genius (Heart of flesh)
I was sound asleep at the Oregon beach cabin one night when there was a knock at the door. A woman who said she was from the Red Cross stood on the front porch. I was foggy-headed. At first, I could not get through my brain what she was saying. “I don’t mean to alarm you,” she said. “But you need to call home immediately.” Terror struck me. My mind raced. Where was Steve? Bindi lay asleep in the bedroom. I asked the woman from the Red Cross to stay on the porch while I went across the street to the pay phone. The international calling procedure seemed immensely complicated that morning, and terribly slow. I tried to keep my fingers steady as I dialed. The sun had not yet risen. I was in my robe. It was February of 2000, and I remember thinking, It’s always the coldest just before the sun comes up. I heard Steve’s voice on the other end of the phone and experienced an immediate flood of relief. He’s alive. But something was terribly wrong. Steve was incoherent. I couldn’t figure out what had happened. Not long before, we had lost our favorite crocodile to old age, and I thought that something had happened to one of our animals. But the tone of Steve’s voice was different. He was sobbing, but finally managed to choke out the words. His mother had been killed in a car accident. I felt the blood drain from my face. I couldn’t believe it. I didn’t know what he was talking about. He tried to explain, but he couldn’t really talk. The next thing I knew, the line went dead. It took a few frantic calls to find out what had happened. In the process of moving to their new home on our property, Lyn had left Rosedale to make one last trip with a few remaining family possessions. She was driving with the family malamute, Aylic, in the passenger seat beside her, and Sharon, their bird-eating spider, in a glass terrarium tank in the back of the truck. Lyn left the Rosedale house early, about three o’clock in the morning. As she approached Ironbark Station, her Ute left the road traveling sixty miles an hour. The truck hit a tree and she died instantly. Aylic was killed as well, and the tank holding the bird-eating spider was smashed to pieces. Early in the morning, at the precise moment when the crash happened, Steve was working on the backhoe at the zoo. He suddenly felt as if he had been hit by something that knocked him over, and he fell violently off the machine, hitting the ground so hard that his sunglasses came off. He told me later that he knew something terrible had happened. Steve got in his Ute and started driving. He had no idea what had happened, but he knew where he had to go. It was still early. With uncanny precision, he drove toward where the accident occurred. His mobile phone rang. It was Frank. When his brother-in-law told him what had happened and where, Steve realized he was already headed there.
Terri Irwin (Steve & Me)
or talk about it at all. I attended board meetings and private meetings, was always by Caleb’s side at all times as we worked through each day. But I kept myself strictly professional, not uttering a single word to him unless absolutely necessary. Heck, I even made sure I was never alone in the office in places where he could sneak up on me, because I wasn’t sure if I could resist as much as when we had someone with us. So sue me. I was feeling pretty confident in how I decided to separate my work life from my personal life, and things were looking up—until I heard the screech of a car before it stopped beside me, the door opening. I’d recognize his Rolls Royce anywhere. “Get in.” I shook my head, refusing to look at Caleb. We were right in front of the building, and I could see out of the corner of my eye that people were glancing at us curiously as they passed by. “No, thank you,” I clipped out, forcing myself to be polite. “I have somewhere to go.” “I’ll drive you.” “No, thank you—” “Get in the damn car, Tessa, or I’m going to get out of this car and give you a very large gift outside for everyone to see.” I glared at him, suddenly furious. He smirked at me, and I could swear his eyes were gleaming from behind his sunglasses. Glancing one more time to check that no one from the building was looking, I hurriedly got in and slammed the door, crossing my arms and looking straight ahead. The car cruised on quickly, with none of us saying a word to each other until we exited the street. “You know, Mr. Snow, you can’t just force people to do your bidding like that all the time,” I bit out, unable to stop myself. “It’s highly unethical.” “You got in the car. And it’s Caleb. Stop it with that Mr. Snow nonsense.” It was said so casually and offhandedly that I couldn’t help but glare at him again. “I got in the car because people were going to speculate again!” “Again?” Darn it. Realizing I was saying too much, I snapped my mouth shut and straightened again. I could feel him looking at me out of the corner of his eye, but surprisingly enough, he didn’t persist. Instead, he kept driving until we were out of the city’s busy streets, heading in the direction of my apartment. That made me feel better, though I still did not let my guard down in case he got ideas of inviting himself in. But
Scarlett Sawyer (CRUSHING ON CALEB: A Billionaire Bad Boy Romance)
Only last week, the Bureau announced that one of those fugitive girls might be “feigning pregnancy.” It struck me as a strange idea of what constitutes disguise. Whiskers, I would have thought, yes. Sunglasses even, a wig; but pregnancy, no. Jim says I misunderstood what the Bureau meant. The “feigned pregnancy” was considered, not as a disguise, but as a means of getting people not to shoot. I don’t know.
Renata Adler (Speedboat)
I'm six. 1974. Somebody's New York apartment, white rug, many people. They say “schmatte.” They say “schmooze,” they say “schwarze.” They wear bead necklaces, interesting belts, plastic white sunglasses propped on their heads. Nixon's resigning on black-and-white TV. He says nobody gave him anything except a dog.
Daisy Fried
The movies were just kind of figuring out how to use computers in 2003, and nobody was just kind of figuring out how to use computers harder than Michael Bay. It’s tempting to say that every frame of Bad Boys II looks like a TV commercial, but truly every frame looks like a print advertisement, like those Candies ads where Jenny McCarthy’s taking a shit, shallow and glossy and tinged acid green. There are four car chases, one of which is at least fifteen minutes long. Even the most passing transitions are giddily tasteless: the camera EXPLODES out of the speedboat’s tailpipe and ZOOMS across Biscayne Bay and WHAMS down the ventilation shaft in the backward sunglasses factory and SHOOMPS into the buttcrack of a raver’s low-rise jeans and SPROINGS across her transverse colon and SQUEAKS through her appendix and AIRHORNS out her belly button and PLOPS into the Cuban drug lord’s mojito as he shoots his favorite nephew in the head while saying, “Adios, kemosabe,” or something fucking cool like that. When faced with a choice, Bay picks “all of the above” every time. He’s like a dog in one of those obedience trials who’s like, “Obedience? I don’t know her,” and just goes buck wild on the sausages. Except instead of “obedience” it’s “having a coherent plot that holds the audience’s attention” and instead of “sausages” it’s “explosions, Ferrari chases, and how many different cool kinds of box could a gun come in.
Lindy West (Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema)
You like to think memory goes far back though remembering was never recommended. Forget all that, the world says. The world’s had a lot of practice. No one should adhere to the facts that contribute to narrative, the facts that create lives. To your mind, feelings are what create a person, something unwilling, something wild vandalizing whatever the skull holds. Those sensations form a someone. The headaches begin then. Don’t wear sunglasses in the house, the world says, though they soothe, soothe sight, soothe you.
Claudia Rankine (Citizen: An American Lyric)
Abalone stared into the fizzing glass. “My father served yours.” “Yeah. Very well, I might add.” “Through your blood’s generosity, mine has prospered.” Abalone took another sip, his shaking hand making the ice tinkle. “May I say something about your father?” The King seemed to stiffen. “Yeah.” Abalone looked up to the sunglasses. “The night he and your mother were killed, a part of my father died, too. He was never the same thereafter. I can remember our house being in mourning for a full seven years, the mirrors draped in black cloth, the incense burning, the threshold marked with a black jamb.” Wrath rubbed his face. “They were good people, my parents.” Abalone put the soda aside and shifted off the armchair, getting on his knees before his King. “I will serve you just as my father did, down to the bone and marrow.” Abalone was dimly aware that others had filed into the room and were looking at him. He cared naught. History had come full circle . . . and he was prepared to carry forward with pride. Wrath nodded once. “I’m making you my chief cleric. Right here and now. Saxton,” he barked out. “What do I need to do?” A cultured voice answered smoothly, “You just did it all. I’ll draw up the paperwork.” The King smiled and put out his palm. “You’re the first member of my court. Boom!
J.R. Ward (The King (Black Dagger Brotherhood, #12))
What are some of the things a modern-day knight can do to render service? A chivalrous person will exhibit thoughtful consideration to most everyone he encounters. He will . . . 1. Hold the door open for others. 2. Place others’ needs before his own. 3. Move in to help with heavy lifting. 4. Show up at the time he promised. 5. Brings the car closer when it is raining. 6. Return phone calls when he says he will. 7. Remove his ball cap or hat when indoors. 8. Protect others in threatening situations. 9. Walk around the car to open a lady’s door. 10. Ask for others’ thoughts; consider their opinions. 11. Stand at the table until all ladies have been seated. 12. Remove his sunglasses when speaking face to face. 13. Offer his seat on a bus or in a crowded public place. 14. Defend others’ honor and guard them from humiliation. 15. Anticipate another person’s needs and offer to be of help. 16. Walk on the street side of the sidewalk when with a lady or elder.
Susan C. Young (The Art of Action: 8 Ways to Initiate & Activate Forward Momentum for Positive Impact (The Art of First Impressions for Positive Impact, #4))
When I imagine West Coast Kit, I am the kind of girl who can rock a bikini and sunglasses and whose entire existence can be described by the word frolic. In other words, the opposite of who I am now.
Julie Buxbaum (What to Say Next)
I had a sudden image of a willow wearing a trench coat and dark sunglasses saying, "How do you do, fellow humans?" and I fought down the urge to giggle hysterically and then start screaming and never, ever stop.
T. Kingfisher (The Hollow Places)
Yesterday morning, I felt the same way, I saw Madilyn in the corner with her hand wrapped around a ray and it pisses me off so much you have no idea. I wanted her arm wrapped around my waist, not his, or even the other way around; I don’t know what I want at this point. She was smiling and giggling about something stupid that he said like used to do with me, it makes me sick she is mine, I can stand it, him breathing on her and kissing her nick hell I thought she was gay. I am the one that wants to be nuzzled up against her. He was bending down to kiss her, and I so wanted to kick him dead in the ass hole. Payback is a b*tch, is not! She looks up and sees me, yet does she care at this point or am I dreaming yet another dream, that’s even more freaked than the last. She was looking at me with goo-goo eyes, yet kissing him, or was he kissing her? What is going on and what is going down. Then he takes my hand and drags him over to him, pushing other people out of the way, then makes both kiss him at the same freaking time- the same freaking time! What’s wrong with an asshole! Jenny was looking over our shoulder saying damn! Just what I always wanted a three-way with Ray and Madilyn in the hallway. I don’t know what is turning me on anymore. I see getaway and get off, and that is what they both said they were turning to do. And everyone in the hallway has that simple smile on their face, like- oh yeah. I search for my sunglasses in my purse to cover my crying eyes. I just said it was to keep the glare out of my eyes when I put them on. I look in the visor mirror, and I see Liv smiling at me. Like I knew she was going to cry, yet really, I wanted to see if my makeup was okay. I start to tune myself out. I don’t hear the phones going off. I can’t hear their laughter or chirpy voices. I can’t see the houses rushing by or the cars, I just close my eyes and fade away in my daydreams. Maybe I’ll tell her that I wish I was the girl I used to be, but at the same time, I know that I won’t dare. She would think I was crazy. They all would. Jenny might just say- ‘Okay if you feel that way, you can go back to flowing me around like my shadow. Go- to be with all the losers or the speed, and don’t think about coming back.’ I don’t want that either. It gets quiet, and I open my eyes, and I keep quiet, just looking out the window, as it steams up and I have to keep wiping it with my palm. The light outside is faint and soggy-looking like the sun is attempting to roll over the horizon of tree-covered hills and peeking into the valleys. The day is overcast like the sun is too lazy to get out of bed and wake itself up. The shadows are as piercing and jagged as needles. Like the shadow, I used to be wanting to be in the group of three girls following them around in awe. I watch buzzard, black crows, vultures circling the SUV like I am dead meat. It was a scary omen taunting me, from down below. I see all of the fifty or more taking off at the same time from power lines above, following me like a creepy shadow of death.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
Yesterday morning, I felt the same way, I saw Madilyn in the corner with her hand wrapped around Ray and it pisses me off so much you have no idea. I wanted her arm wrapped around my waist, not his, or even the other way around; I don’t know what I want at this point. She was smiling and giggling about something stupid that he said like used to do with me, it makes me sick she is mine, I can stand it, him breathing on her and kissing her nick hell I thought she was gay. I am the one that wants to be nuzzled up against her. He was bending down to kiss her, and I so wanted to kick him dead in the ass hole. Payback is a b*tch, is not! She looks up and sees me, yet does she care at this point or am I dreaming yet another dream, that’s even more freaked than the last. She was looking at me with goo-goo eyes, yet kissing him, or was he kissing her? What is going on and what is going down. Then he takes my hand and drags him over to him, pushing other people out of the way, then makes both kiss him at the same freaking time- the same freaking time! What’s wrong with an asshole! Jenny was looking over our shoulder saying damn! Just what I always wanted a three-way with Ray and Madilyn in the hallway. I don’t know what is turning me on anymore. I see getaway and get off, and that is what they both said they were turning to do. And everyone in the hallway has that simple smile on their face, like- oh yeah. I search for my sunglasses in my purse to cover my crying eyes. I just said it was to keep the glare out of my eyes when I put them on. I look in the visor mirror, and I see Liv smiling at me. Like I knew she was going to cry, yet really, I wanted to see if my makeup was okay. I start to tune myself out. I don’t hear the phones going off. I can’t hear their laughter or chirpy voices. I can’t see the houses rushing by or the cars, I just close my eyes and fade away in my daydreams. Maybe I’ll tell her that I wish I was the girl I used to be, but at the same time, I know that I won’t dare. She would think I was crazy. They all would. Jenny might just say- ‘Okay if you feel that way, you can go back to flowing me around like my shadow. Go- to be with all the losers or the speed, and don’t think about coming back.’ I don’t want that either. It gets quiet, and I open my eyes, and I keep quiet, just looking out the window, as it steams up and I have to keep wiping it with my palm. The light outside is faint and soggy-looking like the sun is attempting to roll over the horizon of tree-covered hills and peeking into the valleys. The day is overcast like the sun is too lazy to get out of bed and wake itself up. The shadows are as piercing and jagged as needles. Like the shadow, I used to be wanting to be in the group of three girls following them around in awe. I watch buzzard, black crows, vultures circling the SUV like I am dead meat. It was a scary omen taunting me, from down below. I see all of the fifty or more taking off at the same time from power lines above, following me like a creepy shadow of death.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
The next order of business for the Hernandezes was to get Judge Soper to appoint them as Richard’s counsel. When they appeared in court on Monday, the press was there in full force, as were Mercedes, Ruth, Robert, and Ruben. Mercedes kept her face covered by the black veil and sunglasses. At a sidebar Judge Soper explained patiently and slowly why she didn’t want to allow the Hernandezes to represent Richard Ramirez, citing contempt charges from previous cases, which both Hernandezes protested, saying the contempts weren’t their fault; they were unwarranted and unfair. The judge’s real objection was their very obvious lack of experience in capital crime cases. There were grave consequences at stake, she said. No matter what, Richard insisted, he wanted the Hernandezes.
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
I rang out a couple more customers as I thought about it, and...he slowly walked up to the counter and set down two spools of line. I should really figure out what the point of one being thicker than the other was. “Hi, Mr. Rhodes,” I greeted him with a smile. He’d taken his sunglasses off and slid them through one of the gaps between the buttons of his work shirt. His gray eyes were steady on me as he said in that same uninterested, stern tone from before, “Hi.” I took the first package of fishing line and scanned it. “How is your day going?” “Fine.” I scanned the next package and figured I might as well go in for the kill since no one was around. “You remember that time you said you owed me?” A day ago. He didn’t say anything, and I peeked up at him. Since his eyebrows couldn’t talk, they formed a shape that told me exactly how distrustful he was feeling right then. “You do, okay. Well,” and I lowered my voice, “I was going to ask if I could redeem that favor.” Those gray eyes stayed narrowed. This was going well. I glanced around to make sure no one was listening and quickly said, “When you aren’t busy… could you teach me about all this stuff? Even if it’s just a little bit?” That got him to blink in what I was pretty sure was surprise. And to give him credit, he too lowered his voice as he asked slowly and possibly in confusion, “What stuff?” I tipped my head to the side. “All this stuff in here. Fishing, camping, you know, general knowledge I might need to work here so I have an idea of what I’m doing.” There was another blink. I might as well go for it. “Only when you aren’t super busy. Please. If you can, but if you can’t, that’s okay.” I’d just cry myself to sleep at night. No biggie. Worst case, I could hit up the library on my days off. Hang out in the grocery store parking lot and google information. I could make it work. I would, regardless. Dark, thick, black eyelashes dipped over his nice eyes, and his voice came out low and even. “You’re serious?” He thought I was shitting him. “Dead.” His head turned to the side, giving me a good view of his short but really pretty eyelashes. “You want me to teach you to fish?” he asked like he couldn’t believe it, like I’d asked him to… I don’t know, show me his wiener. “You don’t have to teach me to fish, but I wouldn’t be opposed to it. I haven’t been in forever. But more about everything else. Like, what is the point of these two different kinds of line? What are all the lures good for? Or are they called flies? Do you really need those gadgets to start a fire?” I knew I was whispering as I said, “I have so many random questions, and not having internet makes it hard to look things up. Your total is $40.69, by the way.” My landlord blinked for about the hundredth time at that point, and I was pretty sure he was either confused or stunned as he pulled his wallet out and slipped his card through the reader, his gaze staying on me for the majority of the time in that long, watchful way that was completely different from the way the older men had been eyeballing me earlier. Not sexually or with interest, but more like I was a raccoon and he wasn’t sure if I had rabies or not. In a weird way, I preferred it by a lot. I smiled. “It’s okay if not,” I told him, handing over a small paper bag with his purchases inside. The tall man took it from me and let his eyes wander to a spot to my left. His Adam’s apple bobbed; then he took a step back and sighed. “Fine. Tonight, 7:30. I’ve got thirty minutes and not one longer.” What! “You’re my hero,” I whispered. He looked at me, then blinked. “I’ll be there, thank you,” I told him. He grunted, and before I could thank him again, he was out of there so fast I had no chance to check out his butt in those work pants of his.
Mariana Zapata
Sofia dropped her purse on the desk in her cube without removing her sunglasses. The early December sun couldn’t set fast enough to prevent her pounding headache from growing worse on her drive to work. To ease her exposure to the sun, she’d volunteered for the evening shift to support the West Coast customers. Unfortunately, the commute to work every day was still excruciating. “So … did the doc say you’re turning into a vampire?
Lizzy Ford (Damian's Oracle (War of Gods, #1))
WE ARE LIVING IN A FURNACE. ASK GOD ! I RECKON SOME PEOPLE LIKE IT HOT. FOR ME I DONT LIKE TO GET BURNED ONLY SUN TAN . RX NEEDED FOR STRONG SUNSCREEN , AND SOME BLACK SUNGLASSES IT GETS PRETTY BRIGHT OR SHOULD I SAY DARK OR EVEN BLINDED . DONT STARE YOU MIGHT GET YOU MIGHT GET BLINDED OR NO ONE CAN SEE YOU . MAYBE WE ALL NEED TO DIGUISE OURSELF . GOD KNOWS YOU VERY WELL ,THATS ALL THAT ALL THAT NEEDS TO BE SEEN THE REAL YOU. HOPE YOUR NOT PLASTIC OR EVEN WORSE A TERRORIST. SOME BODYS WATCHING YOU . BE GOOD OR BE GOOD AT IT!
SDGCJ
bathroom of that greasy all-night diner she’d stopped at somewhere in Virginia. It would be too strange to pull her sunglasses down now. Too…suspicious. “Margo Harper.” He shook his head, chuckling softly, the sound of it making something in her chest pull a little tighter than it should. “What brings you to town?” Shouldn’t she be saying that? But from the uniform, the answer would be obvious. Her heart was pounding so loudly she was almost convinced that he could hear it. Eddie was supposed to be gone. Long gone. “I didn’t realize you’d moved back,” she managed. Curse her sisters. Couldn’t one of them have mentioned this? “Only recently,” he said. More silence. He’d always been good at that. “You in town for long?” As if she’d be telling him the details of her arrival. He’d have to arrest her first. Put her under oath. No way would
Elana Johnson (A Sweet Escape: Seven Sweet Romances)
He saved for months (mowing lawns, taking extra shifts at the Dairy Queen) and when finally he brought it home, I helped him swirling rags, polishing until the hubcaps shone, the tires special ordered to fit. Easy ride, he'd say, slamming the brakes - his big joke - instrumental panel lighting the glove box filled with the manual's sweet talk - fuel injector, carburetor, exhaust manifold. So when the call came, I couldn't help but wonder if he'd planned it all along - the shut garage, engine idling, sunglasses slung from the mirror. On the passenger's side a school book lay open; chewed gun on the seat.
Bruce Snider (Paradise, Indiana)
He saved for months (mowing lawns, taking extra shifts at the Dairy Queen) and when finally he brought it home, I helped him swirling rags, polishing until the hubcaps shone, the tires special ordered to fit. Easy ride, he'd say, slamming the brakes - his big joke - instrumental panel lighting the glove box filled with the manual's sweet talk - fuel injector, carburetor, exhaust manifold. So when the call came, I couldn't help but wonder if he'd planned it all along - the shut garage, engine idling, sunglasses slung from the mirror. On the passenger's side a school book lay open; chewed gum on the seat.
Bruce Snider (Paradise, Indiana)
It's got to be disappointing, being called all those things." Nancy thinks: How long has she been doing this? Nearly twenty years--she can pin it to the month. The answer to that question can never untie itself from her husband's death: when Howard was killed, Nancy ran. Since then she has been called, among other things, a bitch, a cunt, a slut. Hysterical, emotional, irrational. Too fat, too thin, too tall, too short. Murderer of a husband, mother of a faggot, destroyer of liberty. A harpy, a ballbuster, a snowflake, a traitor. But also: a fighter. A role model. Sunglasses on, coat collar popped, walking down the Capitol steps. A hope, and probably just as often, a threat. The reason that the Republic might ultimately prevail, but also the source of its ultimate demise. She says: "America is disappointing, Cate. That's why we do what we do.
Grant Ginder (Let's Not Do That Again)
Seated between a junkie and a hooker, the two women look at me and say: What happened to you mami? You look awful. You know it's bad when the junkies and the hookers think you look awful. What's wrong with you? I don't know I respond and start to cry underneath my huge sunglasses. I don't know. I don't know what's wrong with me. Nobody seems to.
Virginia Grise (Your Healing is Killing Me)
Removing his sunglasses, Sala shakes his head. "I'm so amazed," he says, "by the ability of life to hang on to anything. Given the opportunity, it goes everywhere. A species as creative and arguably intelligent as our own should somehow find a way to achieve a balance. We have a lot to learn, obviously. But I haven't given up on us.
Alan Weisman (The World Without Us)
She rummages through her tote and pulls out a book—“Your new favorite contemporary romance,” claims the review scribbled across its orange cover—and flips it open to the bookmarked page. “Listen,” Lindsey says, holding her place with her index finger and lowering her sunglasses with her other hand to make direct eye contact with me, “I truly am very happy for you. You deserve this—to have someone worth dreaming about, to have dinners and walks through the park and late-night phone calls with someone who makes you feel special.” There’s an unspoken unlike Peter at the end of that sentence.
Megan Becker (Coffee Dates (The Mates and Dates Collection))
Predictably, I cried as we drove away. I was just glad I was up front and wearing sunglasses so the boys couldn’t tease me about it. But I loved that house, and I hated to say good-bye. Because, it was more than just a house. It was every summer, every boat ride, every sunset. It was Susannah.
Jenny Han (It's Not Summer Without You (Summer, #2))
tour that I’ve still got my sunglasses on, like some kind of fading starlet. I take them off as he’s patting a rack of devices with knobs all over them. “And these are forty-eight tracks of Neve preamps. I use them on tracking and again on mix for some things. They really sweeten the bottom end. And you’d be amazed at how they work on ambient mics – for acoustic guitar and cymbals.” “That’s great,” I say, quickly running out of terms that don’t make me sound like somebody’s slow cousin. The actual recording room turns out to be three chambers: an isolation booth for vocals, a wood-paneled drum room, and a larger room with sound baffles everywhere for other instruments. There’s a Baldwin baby grand piano in one corner, gleaming like an ebony sentry in the overhead lights. If there’s one word for the studio, it’s ‘impressive.’ Sebastian is equally impressive, and his enthusiasm, his love for what he
R.E. Blake (More Than Anything (Less Than Nothing, #2))
I do a hundred sit-ups every morning,” Kendra says, reaching for her white-framed sunglasses. “You can join in if you want.” “Oh my God!” Paige wails. “A hundred? I can barely do three!” She grabs a handful of stomach and wobbles it. I am increasingly, reluctantly, impressed with Paige: it takes real courage to wobble your tummy in public.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
You are still such a magnificent creature, Poca.” He spoke with a funny maybe-Hungarian, maybe-Arabic accent, like something he made up for a comedy sketch. Anton was unshaven, the stubble on his face glistening in a not-pleasant way. He wore sunglasses even though it was cave-dark in here. “This is Anton,” Esperanza said. “He says Lex is in bottle service.” “Oh,” Myron said, having no idea what bottle service was. “This way,” Anton said. They
Harlan Coben (Live Wire (Myron Bolitar, #10))
Good God," cries the Mother. Everything inside her suddenly begins to cower and shrink, a thinning of bones. Perhaps this is a soldier's readiness, but it has the whiff of death and defeat. It feels like a heart attack, a failure of will and courage, a power failure: a failure of everything. Her face, when she glimpses it in a mirror, is cold and bloated with shock, her eyes scarlet and shrunk. She has already started to wear sunglasses indoors, like a celebrity widow. From where will her own strength come? From some philosophy? From some frigid little philosophy? She is neither stalwart nor realistic and has trouble with basic concepts, such as the one that says events move in one direction only and do not jump up, turn around, and take themselves back. The Husband begins too many of his sentences with "What if." He is trying to piece everything together like a train wreck. He is trying to get the train to town.
Lorrie Moore (Birds of America: Stories)
Every Cinderella needs a fairy godmother, Baby-baby Panda,” he says, shrugging and putting his sunglasses on. “But sometimes your fairy godmother
Holly Smale (Picture Perfect (Geek Girl, #3))
When the sun comes out in Portland, the city changes. All spring, there are hints of how good it’s going to be. It’s a Saturday morning, you walk outdoors and there are no clouds. Suddenly, you see people emerging from their homes, looking at the sky, confused. Everyone just stands there, soaking up the vitamin D. A few minutes later, they snap out of their stupor. They say: “Oh. Outside! I get it! This is how life used to be!” Sunglasses are uncovered, bikes are taken out of storage, and men remember what women are. People point their cameras toward the sky, take a picture of pure blue and immediately post it online. The caption will be a series of capitalized vowels followed by a field of exclamation points. But this is just a tease, because it will rain again. The city has to wait for the Fourth of July. After that, there won’t be rain for four months. That four months is what Portland is all about.
Alexander Barrett (This Is Portland, 2nd Edition: The City You've Heard You Should Like (People's Guide))
No one should adhere to the facts that contribute to narrative, the facts that create lives. To your mind, feelings are what create a person, something unwilling, something wild vandalizing whatever the skull holds. Those sensations form a someone. The headaches begin then. Don’t wear sunglasses in the house, the world says, though they soothe, soothe sight, soothe you.
Claudia Rankine (Citizen: An American Lyric)
same mental picture of men in dark suits and sunglasses passed through my mind, and I tried to ignore it, not wanting anything connecting Landon and his father. “And you knew nothing about it?” I pressed, wanting to hear him say it, needing to hear him say it, even if I wasn’t sure I would believe it. “Nothing.” He shook his head, then reached up and ran his finger over my cheek. I reached for his hand, gripping his wrist. I wanted to believe him so badly, but my head was swimming now, taken over by the force that he was, by the rip current that pulled me under every time he was near. “Landon,” I said. “Landon.” I
Hannah Ford (Sheer Torture (Sheer Submission, #7))
Activities to Develop the Auditory System Simplify your language. Speak slowly, shorten your comments, abbreviate instructions, and repeat what you have said. Reinforce verbal messages with gestural communication: facial expressions, hand movements, and body language. Talk to your child while she dresses, eats, or bathes, to teach her words and concepts, such as nouns (sunglasses, casserole), body parts (thumb, buttocks), prepositions (around, through), adjectives (juicy, soapy), time (yesterday, later), categories (vegetables/fruits), actions (zip, scrub), and emotions (pleased, sorry). Share your own thoughts. Model good speech and communication skills. Even if the child has trouble responding verbally, she may understand what you say. Take the time to let your child respond to your words and express his thoughts. Don’t interrupt, rush, or pressure him to talk. Be an active listener. Pay attention. Look your child in the eye when she speaks. Show her that her thoughts interest you. Help your child communicate more clearly. If you catch one word, say, “Tell me more about the truck.” If you can’t catch his meaning, have him show you by gesturing. Reward her comments with smiles, hugs, and verbal praise, such as, “That’s a great idea!” Your positive feedback will encourage her to strive to communicate. (Don’t say, “Good talking,” which means little to the child and implies that all you care about is words, rather than the message the child is trying to get across.) Use rhythm and beat to improve the child’s memory. Give directions or teach facts with a “piggyback song,” substituting your words to a familiar tune. Example: To the tune of “Mary Had a Little Lamb,” sing, “Now it’s time to wash your face, Brush your teeth, comb your hair, Now it’s time to put on clothes, So start with underwear!” Encourage your child to pantomime while listening to stories and poems, or to music without words. Read to your child every day!
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
What?” I hear myself say. He smiles, new lines by his eyes but the same soft smile. “Nothing. It’s just been a really long time. And I’m trying to decide how you’re different.” I really wish I had sunglasses. “I’ll save you some time. I’m different in every single way.” “I don’t think so.” And he walks right into my house.
Annabel Monaghan (Same Time Next Summer)