Sunglasses Off Quotes

We've searched our database for all the quotes and captions related to Sunglasses Off. Here they are! All 100 of them:

Thank you for caring for my brother." He took his sunglasses off. And looked at her with total adoration.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
Hey," he said smiling at me pulling off his sunglasses. "Did you get me something good?" "I think so," I said trying to ignore how hard my heart was beating. Then before I could think about it or analyze or consider what I was doing I leaned over and kissed him.
Morgan Matson (Amy & Roger's Epic Detour)
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.” “Yeah?” I leaned my forehead against his chest. “What about you?” “Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her. “Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.” “Ouch,” I said with a light laugh. “Sounds painful.” “Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—” “—and Chubs makes fun of you for it,” I added. “Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—” “—but who’s the coolest little girl on the planet,” I manage to squeeze out.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Constantine cursed the faujis again, and then he cursed Tom Cruise for having made that bloody Top Gun movie. Since then, an entire generation of faujis had grown up thinking they could be like him just by buying those cheap rip-off sunglasses for 200 rupees from Zainab Market.
Omar Shahid Hamid (The Prisoner)
Is it also true that you drank to excess?” Isobel asked, flipping to the next index card. Poe scoffed at the question, his response simply “Nyeh.” Varen’s head snapped so quickly toward her father that Isobel was surprised the sunglasses hadn’t flown off. “Well, sometimes,” Poe corrected himself. Shifting, he stooped in his seat. Varen’s stare remained. “Often,” Poe growled, angling away, pulling his already tight jacket around himself even tighter.
Kelly Creagh (Nevermore (Nevermore, #1))
He couldn't keep his eyes off her face, wished she'd take off those damned sunglasses so he could see the eyes he'd known so well.
Ken Grimwood (Replay)
Zack looks at Jenna and slowly pulls off his sunglasses. "Why, hello, beautiful," he says. "I'm Zack." He shows off his dimples. "And you are...?" "Not going to sleep with you," Jenna quips, grinning right back at him. His smile widens. "Well played.
Chelsea Fine (Best Kind of Broken (Finding Fate, #1))
Clay, did you ever love me?" I'm studying a billboard and say that I didn't hear what she said. "I asked if you ever loved me?" On the terrace the sun bursts into my eyes and for one blinding moment I see myself clearly. I remember the first time we made love, in the house in Palm Springs, her body tan and wet, lying against cool, white sheets. "Don't do this, Blair," I tell her. "Just tell me." I don't say anything. "Is it such a hard question to answer?" I look at her straight on. "Yes or no?" "Why?" "Damnit, Clay," she sighs. "Yeah, sure, I guess." "Don't lie to me." "What in the fuck do you want to hear?" "Just tell me," she says, her voice rising. "No," I almost shout. "I never did." I almost start to laugh. She draws in a breath and says, "Thank you. That's all I wanted to know." She sips her wine. "Did you ever love me?" I ask her back, though by now I can't even care. She pauses. "I thought about it and yeah, I did once. I mean I really did. Everything was all right for a while. You were kind." She looks down and then goes on. "But it was like you weren't there. Oh shit, this isn't going to make any sense." She stops. I look at her, waiting for her to go on, looking up at the billboard. Disappear Here. "I don't know if any other person I've been with has been really there, either ... but at least they tried." I finger the menu; put the cigarette out. "You never did. Other people made an effort and you just ... It was just beyond you." She takes another sip of her wine. "You were never there. I felt sorry for you for a little while, but then I found it hard to. You're a beautiful boy, Clay, but that's about it." I watch the cars pass by on Sunset. "It's hard to feel sorry for someone who doesn't care." "Yeah?" I ask. "What do you care about? What makes you happy?" "Nothing. Nothing makes me happy. I like nothing," I tell her. "Did you ever care about me, Clay?" I don't say anything, look back at the menu. "Did you ever care about me?" she asks again. "I don't want to care. If I care about things, it'll just be worse, it'll just be another thing to worry about. It's less painful if I don't care." "I cared about you for a little while." I don't say anything. She takes off her sunglasses and finally says, "I'll see you later, Clay." She gets up. "Where are you going?" I suddenly don't want to leave Blair here. I almost want to take her back with me. "Have to meet someone for lunch." "But what about us?" "What about us?" She stands there for a moment, waiting. I keep staring at the billboard until it begins to blur and when my vision becomes clearer I watch as Blair's car glides out of the parking lot and becomes lost in the haze of traffic on Sunset. The waiter comes over and asks, "Is everything okay, sir?" I look up and put my sunglasses on and try to smile. "Yeah.
Bret Easton Ellis (Less Than Zero)
On the dashboard of our family car is a shallow indentation about the size of a paperback book. If you are looking for somewhere to put your sunglasses or spare change, it is the obvious place, and it works extremely well, I must say, so long as the car is not actually moving. However, as soon as you put the car in motion ... everything slides off ... It can hold nothing that has not been nailed to it. So I ask you: what then is it for?
Bill Bryson (I'm a Stranger Here Myself: Notes on Returning to America After Twenty Years Away)
He handed me a bandana. "Tie that on." "Why?" I said, but I did it anyway. "Norman, you are way too into ceremony." "It's important." I could hear him moving around, adjusting things, before he came to sit beside me. "Okay," he said. "Take a look." I pulled off the blindfold. Beside me, Norman watched me see myself for the first time. And it was me. At least, it was a girl who looked like me. She was sitting on the back stoop of the restaurant, legs crossed and dangling down. She had her head slightly tilted, as if she had been asked something and was waiting for the right moment to respond, smiling slightly behind the sunglasses that were perched on her nose, barely reflecting part of a blue sky. The girl was something else, though. Something I hadn't expected. She was beautiful. Not in the cookie-cutter way of all the faces encircling Isabel's mirror. And not in the easy, almost effortless style of a girl like Caroline Dawes. This girl who stared back at me, with her lip ring and her half smile - not quite earned - knew she wasn't like the others. She knew the secret. And she'd clicked her heels three times to find her way home. "Oh, my God," I said to Norman, reaching forward to touch the painting, which still didn't seem real. My own face, bumpy and textured beneath my fingers, stared back at me. "Is this how you see me?" "Colie." He was right beside me. "That's how you are.
Sarah Dessen (Keeping the Moon)
Nooooooooooo!" Screaming the word, Amy and Dan moved as one. Time slowed down, which, Dan knew from experience, often happened when you were in midair. By the time they leaped onto the hood of Fiske's car (oops, dents), and Dan had ripped off a windshield wiper to use as a weapon (probably not the best idea, but hey, he was improvising), Scarey Harley Dude had turned around. He strode off in his motorcycle boots, moving swiftly to his bike without seeming to hurry. His helmet back on, sunglasses adjusted, he roared off straight into the road, weaving through the thick traffic like smoke. Amy's face was squashed against the windshield. Dan held the wiper aloft like a club. And Evan Tolliver stood on the sidewalk, blinking at them. Dan waved the windshield wiper at him. "Hey, bro. We didn't want to miss our ride.
Jude Watson (Vespers Rising (The 39 Clues, #11))
The bat was looking at Theo and Theo was having trouble following his own thoughts.The bat was wearing tiny sunglasses.Ray Bans,Theo could see by the trademark in the corner of one lens."I'm sorry, Mr.,uh- Case, could you take the bat off your head.It's very distracting." Him." Pardon?" It's a him.Roberto.He no like the light.
Christopher Moore (The Stupidest Angel: A Heartwarming Tale of Christmas Terror (Pine Cove, #3))
And the poser has a girlfriend. Ten years younger. The Blond Weed, Ove calls her. Tottering around the streets like an inebriated panda on heels as long as box wrenches, with clown paint all over her face and sunglasses so big that one can’t tell whether they’re a pair of glasses or some kind of helmet. She also has one of those handbag animals, running about off the leash and pissing on the paving stones outside Ove’s house. She thinks Ove doesn’t notice, but Ove always notices.
Fredrik Backman (A Man Called Ove)
He looked like every glossy frat boy in every nerd movie ever made, like every popular town boy who’d ever looked right through her in high school, like every rotten rich kid who’d ever belonged where she hadn’t. My mama warned me about guys like you. He turned to her as if he’d heard her and took off his sunglasses, and she went down the steps to meet him, wiping her sweaty palms on her dust-smeared khaki shorts. “Hi, I’m Sophie Dempsey,” she said, flashing the Dempsey gotta-love-me grin as she held out her hot, grimy hand, and after a moment he took it. His hand was clean and cool and dry, and her heart pounded harder as she looked into his remote, gray eyes. “Hello, Sophie Dempsey,” her worst nightmare said. “Welcome to Temptation.
Jennifer Crusie (Welcome to Temptation (Dempseys, #1))
You enjoy solitude?" she asked, leaning her cheek on her hand. "Traveling alone, eating alone, sitting off by yourself in lecture halls..." "Nobody likes being alone that much. I don't go out of my way to make friends, that's all. It just leads to disappointment.” The tip of one earpiece in her mouth, sunglasses dangling down, she mumbled, "'Nobody likes being alone. I just hate to be disappointed.' You can use that line if you ever write your autobiography." "Thanks," I said. "Do you like green?" "Why do you ask?" "You're wearing a green polo shirt." "Not especially. I'll wear anything." "'Not especially. I'll wear anything.' I love the way you talk. Like spreading plaster nice and smooth. Has anybody ever told you that?" "Nobody," I said.
Haruki Murakami (Norwegian Wood)
Hey, dickhead!" one of the other drivers yelled. "Get off the road!" "This here is a Falcon Seven," the rider told him. "I can put a bolt through your windshield and pin you to your seat like a bug." A direct threat, huh? Okay. I pulled down my sunglasses a bit so the rider would see my eyes. "That's a nice crossbow." He glanced in my direction. He saw a friendly blond girl with a big smile and a light Texas accent and didn't get alarmed. "You've got what, a seventy-five-pound draw on it? Takes you about four seconds to reload?" "Three," he said. I gave him my Order smile: sweet grin, hard eyes, reached over to my passenger seat, and pulled out my submachine gun. About twenty-seven inches long, the HK was my favorite toy for close-quarters combat. The rider's eyes went wide. "This is an HK UMP submachine gun. Renowned for its stopping power and reliability. Cyclic rate of fire: eight hundred rounds per minute. That means I can empty this thirty-round clip into you in less than three seconds. At this range, I'll cut you in half." It wasn't strictly true but it sounded good. "You see what it says on the barrel?" On the barrel, pretty white letters spelled out PARTY STARTER. "You open your mouth again, and I'll get the party started." The rider clamped his jaws shut.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
I also hate cyclists posing in sunglasses and all the pro gear, thinking they’re cool when they couldn’t even pedal up the modest slope of Yang-teh Boulevard. You know the type: guy with a bulging gut who parks his expensive bike by the side of the road to show it off. Whenever I see a guy like that, I hope his chain falls off. Or that he gets a flat or a broken spoke.
Wu Ming-Yi (The Stolen Bicycle)
He handed her her cap and sunglasses, then put on his own while she frowned at them. “What is this?” “A disguise.” He grinned at her. “Dobie wants you to wear them. Let’s give him a break, or he might order fake mustaches and clown noses off the Internet.” She rolled her eyes, but put them on. “And what, this makes us look like twins? Where are your tits?” “You’re wearing them, and may I say they look spectacular on you.”' - Chasing Fire
Nora Roberts
and the girl and I get into her car and drive off into the hills and we go to her room and I take off my clothes and lie on her bed and she goes into the bathroom and I wait a couple of minutes and then she finally comes out, a towel wrapped around her, and sits on the bed and I put my hands on her shoulders, and she says stop it and, after I let her go, she tells me to lean against the headboard and I do and then she takes off the towel and she's naked and she reaches into the drawer by her bed and brings out a tube of Bain De Soleil and she hands it to me and then she reaches into the drawer and brings out a pair of Wayfarer sunglasses and she tells me to put them on and I do. And she takes the tube of suntan lotion form me and squeezes some onto her fingers and then touches herself and motions for me to do the same, and I do. After a while I stop and reach over to her and she stops me and says no, and then places my hand back on myself and her hand begins again and after this goes on for a while I tell her that I'm going to come and she tells me to hold on a minute and that she's almost there and she begins to move her hand faster, spreading her legs wider, leaning back against the pillows, and I take the sunglasses off and she tells me to put them back on and I put them back on and it stings when I come and then I guess she comes too. Bowie's on the stereo and she gets up, flushed, and turns the stereo off and turns on MTV. I lie there, naked, sunglasses still on and she hands me a box of Kleenex. I wipe myself off then look through a Vogue that's lying by the side of the bed. She puts a robe on and stares at me. I can hear thunder in the distance and it begins to rain harder. She lights a cigarette and I start to dress ....
Bret Easton Ellis (Less Than Zero)
Look here, I want to say, for godsake folks get out of them there machines, take off those fucking sunglasses and unpeel both eyeballs, look around; throw away those goddamned idiotic cameras! For chrissake folks what is this life if full of care we have no time to stand and stare?
Edward Abbey (Desert Solitaire: A Season in the Wilderness)
I want to come home. Not just for a few days or a couple weeks. I want to stay. Can I stay?" Cam drew off his sunglasses, and his eyes, smoke-gray, met Seth's. "What the hell's the matter with you that you think you have to ask? You trying to piss me off?" "I never had to try, nobody does with you. Anyway, I'll pull my weight." "You always pulled your weight. And we missed seeing your ugly face around here." And that, Seth thought as they walked to the car, was all the welcome he needed from Cameron Quinn.
Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga, #4))
You're a ray of bright light in my very dark world, Ric. It's like when I step outside and take my sunglasses off to let the sun shine on my face. It gets a little lighter in here.' Pres gently tapped his pointer finger against his temple. 'When I'm in my office ..... there's no light. When I'm in my bedroom alone ..... there's no light. When I sit in my bedroom alone ..... there's no light. When I sit in my kitchen, eating my very carefully prepared meal - for one - there's no light. But when I'm around you, wrapped in your arms, kissing you, laughing with you, making love to you, everything's do damn bright ..... like sunshine.
A.E. Via (You Can See Me)
Sawyer was quiet for a moment as he studied her. She wished he would take off his sunglasses. She didn't like how uncomfortable she looked.
Sarah Addison Allen (The Girl Who Chased the Moon)
A dry white branch of lightning cracked off from the sky and hit the horizon, then evaporated. I did what any sensible person would do. I put on my sunglasses.
Rick Riordan (Big Red Tequila (Tres Navarre, #1))
I have never understood people who boast of having broken off a relationship first. Is it really a victory?
Mariia Manko (Through the Magic Sunglasses)
Stupidity is when one refuses to take off sunglasses in the darkness of the night.
Dr. Lucas D. Shallua
Reaction time Touch the underside of a penny you find on the street Doesn't feel any different unless you close your eyes I can taste the copper in my mouth now seeping from between my teeth There's an explanation I'm sure all this blood it's from all the times I held the glass too close And forgot to tip the dancer A storm just passed and like every other one that came before it I was left unharmed The dogs are all barking and the cats hiding in the basement And the sky is colored that bright yellow glow makes it feel like you're wearing sunglasses that you can't take off Wherever you are now it's not here because I missed it I missed the show I missed the curtain call And forever more I am cursed like a blanket without a body to keep warm
Dave Matthes (Strange Rainfall on the Rooftops of People Watchers: Poems and Stories)
I have two minds about everything. Side A(merican) and side B(osnian). I wish I could find a way to drop off the face of the planet and leave my minds behind, get a new one. I dream of disappearing, cutting all ties, becoming a derelict, free to rave. I'd be calmer, happier. Or better, going back to Bosnia and telling no one, not even you. Just live there in the same city, grow a beard, and watch you to go to the market from the café across the street through a pair of sunglasses, never letting you know who I am. (p.43)
Ismet Prcic (Shards)
I stepped through the open door. Inside the clubhouse was pitch-black. I couldn’t see a thing, including my own nose. It took me a second to figure out that was because of my sunglasses. Once I took them off, I could see better. Funny how that works.
Andrew Shaffer (Hope Never Dies (Obama Biden Mysteries, #1))
I revealed everything to her as we sat in my Fort Tempo in the parking lot of Cinema Five after seeing Spice World: The Spice Girls Movie. "Carrie, can I tell you something?" I took off my oversized sunglasses and put them in my Spice Girls unisex tote bag.
Ross Mathews (Man Up!)
Gate C22 At gate C22 in the Portland airport a man in a broad-band leather hat kissed a woman arriving from Orange County. They kissed and kissed and kissed. Long after the other passengers clicked the handles of their carry-ons and wheeled briskly toward short-term parking, the couple stood there, arms wrapped around each other like he’d just staggered off the boat at Ellis Island, like she’d been released at last from ICU, snapped out of a coma, survived bone cancer, made it down from Annapurna in only the clothes she was wearing. Neither of them was young. His beard was gray. She carried a few extra pounds you could imagine her saying she had to lose. But they kissed lavish kisses like the ocean in the early morning, the way it gathers and swells, sucking each rock under, swallowing it again and again. We were all watching– passengers waiting for the delayed flight to San Jose, the stewardesses, the pilots, the aproned woman icing Cinnabons, the man selling sunglasses. We couldn’t look away. We could taste the kisses crushed in our mouths. But the best part was his face. When he drew back and looked at her, his smile soft with wonder, almost as though he were a mother still open from giving birth, as your mother must have looked at you, no matter what happened after–if she beat you or left you or you’re lonely now–you once lay there, the vernix not yet wiped off, and someone gazed at you as if you were the first sunrise seen from the Earth. The whole wing of the airport hushed, all of us trying to slip into that woman’s middle-aged body, her plaid Bermuda shorts, sleeveless blouse, glasses, little gold hoop earrings, tilting our heads up.
Ellen Bass (The Human Line)
There was a black sedan with tinted windows at the end of the lot--the windows cracked down enough for her to see two sunglassed agents of a vague yet menacing government agency watching her intently. One of them had a camera that kept going off, but the agent didn't seem to know how to deactivate the flash. The light against the tinted windows made the shots worthless, and the agent cursed and tried again and it flashed again. Jackie waved good night to them, as she always did.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
I took off my glasses and threw them down the street. They landed near a cracked-out-looking homeless man pushing a shopping cart. He bent down, picked them up, and crowed, “All right! Sunglasses coming down from the sky! Everything’s coming up Dave!” He put them on and started whistling as he pushed his cart down the sidewalk
T.J. Klune (Until You (At First Sight, #3))
I'm jittery.It's like the animatronic band from Chuck E. Cheese is throwing a jamboree in my stomach. I've always hated Chuck E. Cheese. Why am I thinking about Chuck E. Cheese? I don't know why I'm nervous.I'm just seeing my mom again. And Seany.And Bridge! Bridge said she'd come. St. Clair's connecting flight to San Francisco doesn't leave for another three hours,so we board the train that runs between terminals,and he walks me to the arrivals area.We've been quiet since we got off the plane. I guess we're tired. We reach the security checkpoint,and he can't go any farther. Stupid TSA regulations.I wish I could introduce him to my family.The Chuck E. Cheese band kicks it up a notch,which is weird, because I'm not nervous about leaving him. I'll see him again in two weeks. "All right,Banana.Suppose this is goodbye." He grips the straps of his backpack,and I do the same. This is the moment we're supposed to hug. For some reason,I can't do it. "Tell your mom hi for me. I mean, I know I don't know her. She just sounds really nice. And I hope she's okay." He smiles softly. "Thanks.I'll tell her." "Call me?" "Yeah,whatever. You'll be so busy with Bridge and what's-his-name that you'll forget all about your English mate, St. Clair." "Ha! So you are English!" I poke him in the stomach. He grabs my hand and we wrestle, laughing. "I claim....no...nationality." I break free. "Whatever,I totally caught you. Ow!" A gray-haired man in sunglasses bumps his red plaid suitcase into my legs. "Hey,you! Apologize!" St. Clair says,but the guy is already too far away to hear. I rub my shins. "It's okay, we're in the way. I should go." Time to hug again. Why can't we do it? Finally, I step forward and put my arms around him. He's stiff,and it's awkward, especially with our backpacks in the way.I smell his hair again. Oh heavens. We pull apart. "Have fun at the show tonight" he says. "I will.Have a good flight." "Thanks." He bites his thumbnail,and then I'm through security and riding down the escalator. I look back one last time. St. Clair jumps up and down, waving at me.I burst into laughter, and his face lights up.The escalator slides down. He's lost from view. I swallow hard and turn around.And then-there they are.Mom has a gigantic smile, and Seany is jumping and waving, just like St. Clair.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Oh, everything is fun when I’m around.” Hercules’s knees knocked into the back of my seat as he leaned back. “This one time, when I was ordered by the gods to . . .” I could only think of three words. Fuck. My. Life. “You should drive, because I’m going to end it all. Once we’re on the freeway, I’m going to jump out of this vehicle and throw myself in front of a Mack truck.” Josie’s laugh cut off her yawn. “That’s a little excessive.” Adjusting the sunglasses I’d stolen from Aiden yesterday morning, I smirked. “I do not think anything is excessive when it comes to him.” “But that won’t even kill you.” I sighed. “Yeah, but I’m pretty sure it’ll knock me unconscious for the time being.
Jennifer L. Armentrout (The Power (Titan, #2))
Now take off those fake sunglasses and look at me.’ ‘How did you know they were fake?’ she asks curiously, momentarily diverted. ‘They’re really good quality fakes! I couldn’t tell.’ ‘I know they’re fakes because you’re wearing them.’ ‘And I have a tendency to gravitate toward fakes,’ she replies, her voice shaking a little, glasses still firmly in place. ‘I realize that now.
Anuja Chauhan (The House That BJ Built)
Was our father a Vesper?” Erasmus took a careful sip of coffee. He leaned back and blew out a sigh as he stared out at the square. Then he took off his sunglasses. His eyes looked tired. He leaned forward again, his big hands cradling the cup. With every move and gesture Amy felt her heart sink. She wanted to run as far and as fast as she could to escape what was coming next. “Yes,” Erasmus said.
Jude Watson (A King's Ransom (The 39 Clues: Cahills vs. Vespers, #2))
Jeremiah came over after a while. He sat on the edge of my chair and drank from my thermos of Kool-Aid. “She’s pretty,” I said. “Who? Yolie?” He shrugged. “She’s nice. One of my many admirers.” “Ha!” “So what about you? Cam Cameron, huh? Cam the vegetarian. Cam the straight edge.” I tried not to smile. “So what? I like him.” “He’s kind of a dork.” “That’s what I like about him. He’s…different.” He frowned slightly. “Different from who?” “I don’t know.” But I did know. I knew exactly who he was different from. “You mean he’s not a dick like Conrad?” I laughed, and so did he. “Yeah, exactly. He’s nice.” “Just nice, huh?” “More than nice.” “So you’re over him, then? For real?” We both knew the “him” he was talking about. “Yes,” I told him. “I don’t believe you,” Jeremiah said, watching me closely-just like when he was trying to figure out what kind of hand I had in Uno. I took off my sunglasses and looked him in the eye. “It’s true. I’m over him.” “We’ll see,” Jeremiah said, standing up. “My break’s over. Are you okay over here? Wait around and I’ll drive us home. I can put your bike in the back.” I nodded, and watched him walk back to the lifeguard chair. Jeremiah was a good friend. He’d always been good to me, watched out for me.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
She lowered her chin to look at me over her sunglasses. "If I hadn't covered my face in time, I'd probably have a broken nose right now." "I'd stop the bleeding with the shirt off my back if that happened, Lizzie." "Yeah, and I'd probably get a bacterial infection from your filthy jersey. Why don't you just take your little toy and go?" I really was insane, because I fucking loved going back and forth like this with her.
Lynn Painter (Better Than Before (Betting on You, #0.5; Better than the Movies, #0.5))
Beckett stood in his office dressed to the nines: his best suit, cufflinks, amazing shoes, and expensive sunglasses. Underneath he had so many weapons that a good speed bump would blow him off the face of the earth.
Debra Anastasia (Saving Poughkeepsie (Poughkeepsie Brotherhood, #3))
What happened to your arm?" she asked me one night in the Gentleman Loser, the three of us drinking at a small table in a corner. Hang-gliding," I said, "accident." Hang-gliding over a wheatfield," said Bobby, "place called Kiev. Our Jack's just hanging there in the dark, under a Nightwing parafoil, with fifty kilos of radar jammed between his legs, and some Russian asshole accidentally burns his arm off with a laser." I don't remember how I changed the subject, but I did. I was still telling myself that it wasn't Rikki who getting to me, but what Bobby was doing with her. I'd known him for a long time, since the end of the war, and I knew he used women as counters in a game, Bobby Quine versus fortune, versus time and the night of cities. And Rikki had turned up just when he needed something to get him going, something to aim for. So he'd set her up as a symbol for everything he wanted and couldn't have, everything he'd had and couldn't keep. I didn't like having to listen to him tell me how much he loved her, and knowing he believed it only made it worse. He was a past master at the hard fall and the rapid recovery, and I'd seen it happen a dozen times before. He might as well have had next printed across his sunglasses in green Day-Glo capitals, ready to flash out at the first interesting face that flowed past the tables in the Gentleman Loser. I knew what he did to them. He turned them into emblems, sigils on the map of his hustler' s life, navigation beacons he could follow through a sea of bars and neon. What else did he have to steer by? He didn't love money, in and of itself , not enough to follow its lights. He wouldn't work for power over other people; he hated the responsibility it brings. He had some basic pride in his skill, but that was never enough to keep him pushing. So he made do with women. When Rikki showed up, he needed one in the worst way. He was fading fast, and smart money was already whispering that the edge was off his game. He needed that one big score, and soon, because he didn't know any other kind of life, and all his clocks were set for hustler's time, calibrated in risk and adrenaline and that supernal dawn calm that comes when every move's proved right and a sweet lump of someone else's credit clicks into your own account.
William Gibson (Burning Chrome (Sprawl, #0))
Sometimes I wear sunglasses even in the house. Sometimes at the stadium I hold my hand up and look at it and I swear I can see right through it. Like that thing with the flashlight and your hand.’ ‘Hands seem to be sort of a theme to this call, thus far.’ ‘On the way in from the lot off the street here I saw a pedestrian in a pith helmet stagger and like claw at the air and pitch forward onto his face. Another Phoenician felled by the heat I think to myself
David Foster Wallace (Infinite Jest)
Beatniks are a youth cult that fight against society by wearing sunglasses even in inclement weather. This signifies their dislike of 'the sun', their sworn enemy. In the Beatniks' Manifesto they declare they will, one day, destroy the sun by using enormous pelicans that will trap it in their under-chin beak pouches and fly off to some distant place like the Hebrides and bury it beneath a pile of farmyard manure, and then the beatniks shall inherit the earth.
Vic Reeves (Vic Reeves' Vast Book of World Knowledge)
These were my countrymen, these were the new Californians. With their bright polo shirts and sunglasses, they were in paradise, they belonged. But down on Main Street, down on Towne and San Pedro, and for a mile on lower Fifth Street were the tens of thousands of others; they couldn't afford sunglasses or a four-bit polo shirt and they hid in the alleys by day and slunk off to flop houses by night. A cop won't pick you up for vagrancy in Los Angeles if you wear a fancy polo shirt and a pair of sunglasses. But if there is dust on your shoes and that sweater you wear is thick like the sweaters they wear in the snow countries, he'll grab you. So get yourselves a polo shirt boys, and a pair of sunglasses, and white shoes, if you can. Be collegiate. It'll get you anyway. After a while, after big doses of the Times and the Examiner, you too will whoop it up for the sunny south. You'll eat hamburgers year after year and live in dusty, vermin-infested apartments and hotels, but every morning you'll see the mighty sun, the eternal blue of the sky, and the streets will be full of sleek women you never will possess, and the hot semi-tropical nights will reek of romance, you'll never have, but you'll still be in paradise, boys, in the land of sunshine. As for the folks back home, you can lie to them, because they hate the truth anyway, they won't have it, because soon or late they want to come out to paradise, too.
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
Do you always travel alone like that?” “Uh-huh.” “You enjoy solitude?” she asked, leaning her cheek on her hand. “Traveling alone, eating alone, sitting off by yourself in lecture halls …” “Nobody likes being alone that much. I don’t go out of my way to make friends, that’s all. It just leads to disappointment.” The tip of one earpiece in her mouth, sunglasses dangling down, she mumbled, “‘Nobody likes being alone. I just hate to be disappointed.’ You can use that line if you ever write your autobiography.” “Thanks,” I said.
Haruki Murakami (Norwegian Wood)
Panning his sunglasses across Quincy, Jamie, and LB, he spun his finger in small circles. He spoke into the mike curled at his lips. “Spinning up now.” Quincy climbed to his feet. He offered a mitt down to Jamie to lift him, then to LB. Across the pad, through waves of heat off the concrete, the rotors of Pedro 1 accelerated also. Quincy and Jamie hurried away with their packs and carbines. Jamie’s gait showed the strain; Quincy dug a big paw under the boy’s pack to help him along. LB donned his helmet and shouldered his rifle. Wally stayed seated, on the radio recalling Doc from the hospital.
David L. Robbins (The Empty Quarter (USAF Pararescue, #2))
Tell me!” Cecily insisted later, shaking Colby by both arms. “Cut it out, you’ll dismember me,” Colby said, chuckling. She let go of the artificial arm and wrapped both hands around the good one. “I want to know. Listen, this is my covert operation. You’re just a stand-in!” “I promised I wouldn’t tell.” “You promised in Lakota. Tell me in English what you promised in Lakota.” He gave in. He did tell her, but not Leta, what was said, but only about the men coming to the reservation soon. “We’ll need the license plate number,” she said. “It can be traced. “Oh, of course,” he said facetiously. “They’ll certainly come here with their own license plate on the car so that everyone knows who they are!” “Damn!” He chuckled at her irritation. He was about to tell her about his alternative method when a big sport utility vehicle came flying down the dirt road and pulled up right in front of Leta’s small house. Tate Winthrop got out, wearing jeans and a buckskin jacket and sunglasses. His thick hair fell around his shoulders and down his back like a straight black silk curtain. Cecily stared at it with curious fascination. In all the years she’d known him, she’d very rarely seen his hair down. “All you need is the war paint,” Colby said in a resigned tone. He turned the uninjured cheek toward the newcomer. “Go ahead. I like matching scars.” Tate took off the dark glasses and looked from Cecily to Colby without smiling. “Holden won’t tell me a damned thing. I want answers.” “Come inside, then,” Cecily replied. “We’re attracting enough attention as it is.
Diana Palmer (Paper Rose (Hutton & Co. #2))
How hard would it be to repurpose the old smoking lounges and designate a space where people can go to break down for whatever reason? A crying lounge could be stocked with cold beverages, soft chairs, windows to stare out of, large sunglasses in a range of sizes, fresh waterproof mascara, and friendly, quiet dogs of varying fluffiness. It could be centrally located but closed off, separate from the rest of the airport, just like time and space in the air are separate from time and space on the ground. Wouldn’t it be lovely to have a place where we could privately fall to pieces and then get ourselves together? Instead, we have to do it out in the open.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
That’s some list you have there, little girl.” He placed the crumpled half sheet of paper on the counter next to one of her knees and finally took off his sunglasses. His deep brown irises pegged her with more intensity than she’d seen in weeks. Biting her lip, drew his attention and then he focused on her eyes again. “Did you like it, Sir?
Jennifer Kacey (Roman's To-Do List)
the agonisingly stilted telephone call with George. Chapter 5 Disturbing Siesta Time Marigold deigned to join me for a stroll around the village in lieu of the promised dip. An enormous pair of rather glamorous sunglasses paired with a jaunty wide-brimmed straw sunhat, obscured her face, making it impossible to read her expression though I guessed she was still miffed at being deprived of her swim. As we walked past the church and the village square the leafy branches of the plane trees offered a shaded canopy against the sun. Our steps turned towards one of the narrow lanes that edged upwards through the village, the ancient cobbles worn smooth and slippery from the tread of donkeys and people. The sound of a moped disturbed the peace of the afternoon and we hastily jumped backwards at its approach, pressing our bodies against a wall as the vehicle zapped past us, the pensioned-off rider’s shouted greeting muffled by the noisy exhaust. Carrier bags of shopping dangling from the handlebars made me reflect the moped was the modern day equivalent of the donkey, though less useful; the old man was forced to dismount and cart the bags of shopping on foot when the cobbled lane gave way to steps. Since adapting to village life we had become less reliant on wheels. Back in Manchester we would have thought nothing of driving to the corner shop, but here in Meli we delighted in exploring on foot, never tiring of discovering
V.D. Bucket (Bucket To Greece, Volume Three)
We all carried duct tape. The wide, silver material is easy to tear off yet extremely strong. To save space in our packs, we wound it around trekking poles. We used it for pack repairs, broken sunglasses, ripped clothing and even taped it to our ankles. The strength and slippery surface were ideal for blister prevention. I considered it one of a few truly necessary items.
Keith Foskett (The Last Englishman)
It looked like every cartoon of a flying saucer Newt had ever seen. As he stared over the top of his map, a door in the saucer slid aside with a satisfying whoosh, revealing a gleaming walkway which extended automatically down to the road. Brilliant blue light shone out, outlining three alien shapes. They walked down the ramp. At least, two of them walked. The one that looked like a pepper pot just skidded down it, and fell over at the bottom. The other two ignored its frantic beeping and walked over to the car quite slowly, in the worldwide approved manner of policemen already compiling the charge sheet it their heads. The tallest one, a yellow toad dressed in kitchen foil, rapped on Newt's window. He wound it down. The thing was wearing the kind of mirror-finished sunglasses that Newt always thought of as Cool Hand Luke shades. 'Morning, sir or madam or neuter,' the thing said. 'This your planet, is it?' The other alien, which was stubby and green, had wandered off into the woods by the side of the road. Out of the corner of his eye Newt saw it kick a tree, and then run a leaf through some complicated gadget on its belt. It didn't look very pleased. 'Well, yes. I suppose so.' he said. The toad stared thoughtfully at the skyline. 'Had it long, have we, sir?' it said. 'Er. Not personally. I mean, as a species, about half a million years. I think.' The alien exchanged glances with its colleague. 'Been letting the old acid rain build up, haven't we, sir?' it said. 'Been letting ourselves go a bit with the old hydrocarbons, perhaps?' 'I'm sorry.' 'Could you tell me your planet's albedo, sir?' said the the toad, still staring levelly at the horizon as though it was doing something interesting. 'Er. No.' 'Well, I'm sorry to have to tell you, sir, that your polar ice caps are below regulation size for a planet of this category, sir.' 'Oh, dear,' said Newt. He was wondering who he could tell about this, and realizing that there was absolutely no one who would believe him. [...] The small alien walked past the car. 'CO2 level up 0.5 percent,' it rasped, giving him a meaningful look. 'You do know you could find yourself charged with being a dominant species while under the influence of impulse-driven consumerism, don't you?
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Now Justin stood in our reading room, leaning up against the wall, arms crossed over his chest. He was tall, with a wiry athletic build. Usually, he was Mr. Ultra-Casual, with sun-kissed blond hair that he kept out of his eyes by pushing his sunglasses up on his forehead. Today, that messy blond hair was clean-cut, and he’d traded his typical board shorts and loose T-shirt for a striped shirt and khakis. His father, the mayor of Eastport, was running for re-election. Since the campaign started last month, Justin had become the mayor’s sixteen-year-old sidekick. I’d heard he was spending the summer working for his dad down at the town hall, which would explain the nice clothes. What sucked for me was that the new style fit him. He looked even better, the jerk. “I heard you and Tiffany got into a catfight over me at Yummy’s,” Justin announced with an overconfident grin that pissed me off. I slammed the door behind me. “First off, I dumped a soda over her head. That was it.” “Damn, a catfight sounded much hotter. I was picturing ripped shirts, exposed skin.” I rolled my eyes. “And second, it wasn’t over you, egomaniac. You can date every girl in town as far as I’m concerned. I hate you. I pray every night that you’ll fall victim to some strange and unusual castration accident.” I pointed to the door. “So get the hell out.” His lips twitched, fighting a smile. Ugh. I was going for “crazy ex filled with hate” not “isn’t she cute when she’s mad?” “Feel better after getting all that out?
Kim Harrington (Clarity (Clarity, #1))
She was especially taken with Matt. Until he said, “It’s time to fess up, hon. Tell Trace how much you care. You’ll feel better when you do.” Climbing up the ladder, Chris said, “Better sooner than later.” He nodded at the hillside behind them. “Because here comes Trace, and he doesn’t look happy.” Both Priss and Matt turned, Priss with anticipation, Matt with tempered dread. Dressed in jeans and a snowy-white T-shirt, Trace stalked down the hill. Priss shielded her eyes to better see him. When he’d left, being so guarded about his mission, she’d half wondered if he’d return before dinner. Trace wore reflective sunglasses, so she couldn’t see his eyes, but his entire demeanor—heavy stride, rigid shoulders, tight jaw—bespoke annoyance. As soon as he was close enough, Priss called out, “What’s wrong?” Without answering her, Trace continued onto the dock. He didn’t stop until he stood right in front of . . . Matt. Backing up to the edge of the dock, Matt said, “Uh . . . Hello?” Trace didn’t say a thing; he just pushed Matt into the water. Arms and legs flailing out, Matt hit the surface with a cannonball effect. Stunned, Priss shoved his shoulder. “What the hell, Trace! Why did you do that?” Trace took off his sunglasses and looked at her, all of her, from her hair to her body and down to her bare toes. After working his jaw a second, he said, “If you need sunscreen, ask me.” Her mouth fell open. Of all the nerve! He left her at Dare’s, took off without telling her a damn thing and then had the audacity to complain when a friend tried to keep her from getting sunburned. “Maybe I would have, if you’d been here!” “I’m here now.” Emotions bubbled over. “So you are.” With a slow smile, Priss put both hands on his chest. The shirt was damp with sweat, the cotton so soft that she could feel every muscle beneath. “And you look a little . . . heated.” Trace’s beautiful eyes darkened, and he reached for her. “A dip will cool you down.” Priss shoved him as hard as she could. Taken by surprise, fully dressed, Trace went floundering backward off the end of the dock. Priss caught a glimpse of the priceless expression of disbelief on Trace’s face before he went under the water. Excited by the activity, the dogs leaped in after him. Liger roused himself enough to move out of the line of splashing. Chris climbed up the ladder. “So that’s the new game, huh?” He laughed as he scooped Priss up into his arms. “Chris!” She made a grab for his shoulders. “Put me down!” “Afraid not, doll.” Just as Trace resurfaced, Chris jumped in with her. They landed between the swimming dogs. Sputtering, her hair in her face and her skin chilled from the shock of the cold water, Priss cursed. Trace had already waded toward the shallower water off the side of the dock. His fair hair was flattened to his head and his T-shirt stuck to his body. “Wait!” Priss shouted at him. He was still waist-deep as he turned to glare at her. Kicking and splashing, Priss doggy-paddled over to him, grabbed his shoulders and wrapped her legs around his waist. “Oh, no, you don’t!” Startled, Trace scooped her bottom in his hands and struggled for balance on the squishy mud bottom of the lake. “What the hell?” And then lower, “You look naked in this damn suit.” Matt and Chris found that hilarious. Priss looked at Trace’s handsome face, a face she loved, and kissed him. Hard. For only a second, he allowed the sensual assault. He even kissed her back. Then he levered away from her. “You ruined my clothes, damn it.” “Only because you were being a jealous jerk.” His expression dark, he glared toward Matt. Christ started humming, but poor Matt said, “Yeah,” and shrugged. “If you think about it, you’ll agree that you sort of were—and we both know there’s no reason.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Bindi and I had been in Oregon for a few days, visiting family, and we planned to catch up with Steve in Las Vegas. But she and I had an ugly incident at the airport when we arrived. A Vegas lowlife approached us, his hat pulled down, big sunglasses on his face, and displaying some of the worst dentistry I’ve ever seen. He leered at us, obviously drunk or crazy, and tried to kiss me. I backed off rapidly and looked for Steve. I knew I could rely on him to take care of any creep I encountered. Then it dawned on me: The creep was Steve. In order to move around the airport without anyone recognizing him, he put on false teeth and changed his usual clothes. I didn’t recognize my own husband out of his khakis. I burst out laughing. Bindi was wide-eyed. “Look, it’s your daddy.” It took her a while before she was sure.
Terri Irwin (Steve & Me)
A disguise is a spiteful game where the convention of the face is turned upside down; I suppose one might well think of it as a kind of art of concealment, by which one ultimately suppresses the heart by wiping out the face. In the case of executioners, strolling flute players, religious judges, primitive medicine men, priests of secret societies, and sneak thieves, a disguising mask was indispensable. It had not only the negative aim of concealing the man’s face, but also the positive objective of cutting off the connection between face and heart by concealing the expression, thus liberating him from ordinary, earthly ties. Take a more common example: disguise is part of the psychology of the dandy, who wants to wear his sunglasses even though there is no glare. Being released from any mental restraint, he can be utterly free and accordingly infinitely cruel.
Kōbō Abe (The Face of Another)
What can I tell them? Sealed in their metallic shells like molluscs on wheels, how can I pry the people free? The auto as tin can, the park ranger as opener. Look here, I want to say, for godsake folks get out of them there machines, take off those fucking sunglasses and unpeel both eyeballs, look around; throw away those goddamned idiotic cameras! For chrissake folks what is this life if full of care we have no time to stand and stare? eh? Take off your shoes for a while, unzip your fly, piss hearty, dig your toes in the hot sand, feel that raw and rugged earth, split a couple of big toenails, draw blood! Why not? Jesus Christ, lady, roll that window down! You can't see the desert if you can't smell it. Dusty? Of course it's dusty—this is Utah! But it's good dust, good red Utahn dust, rich in iron, rich in irony. Turn that motor off. Get out of that peice of iron and stretch your varicose veins, take off your brassiere and get some hot sun on your old wrinkled dugs! You sir, squinting at the map with your radiator boiling over and your fuel pump vapor-locked, crawl out of that shiny hunk of GM junk and take a walk—yes, leave the old lady and those squawling brats behind for a while, turn your back on them and take a long quiet walk straight into the canyons, get lost for a while, come back when you damn well feel like it, it'll do you and her and them a world of good. Give the kids a break too, let them out of the car, let them go scrambling over rocks hunting for rattlesnakes and scorpions and anthills—yes sir, let them out, turn them loose; how dare you imprison little children in your goddamned upholstered horseless hearse? Yes sir, yes madam, I entreat you, get out of those motorized wheelchairs, get off your foam rubber backsides, stand up straight like men! like women! like human beings! and walk—walk—WALK upon your sweet and blessed land!
Edward Abbey
We were somewhere around Barstow on the edge of the desert when the drugs began to take hold. I remember saying something like “I feel a bit lightheaded; maybe you should drive. . . .” And suddenly there was a terrible roar all around us and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, which was going about a hundred miles an hour with the top down to Las Vegas. And a voice was screaming: “Holy Jesus! What are these goddamn animals?” Then it was quiet again. My attorney had taken his shirt off and was pouring beer on his chest, to facilitate the tanning process. “What the hell are you yelling about?” he muttered, staring up at the sun with his eyes closed and covered with wraparound Spanish sunglasses. I hit the brakes and aimed the Great Red Shark toward the shoulder of the highway. No point mentioning those bats, I thought. The poor bastard will see them soon enough.
Hunter S. Thompson
When he was finished, she started to get off the bed. She didn’t get far. With a great lurch, he pitched over onto his side and put his head in her lap, throwing one muscular arm around behind her. He was seeking comfort. Beth didn’t know what she could really do for him, but she put the glass aside and stroked his back, running her hand over his fearsome tattoo. She murmured things she wished someone had whispered to her when she felt ill. Hummed a little for him. After a while, the tension left his skin and bones. He began breathing deeply. When she was sure he was out cold, she carefully extracted herself from his grasp. As she turned to meet Wrath’s gaze, she braced herself. Surely he’d know there was nothing— Shock stilled her. Wrath wasn’t mad. Far from it. “Thank you,” he said hoarsely. The bow of his head was almost humble. “Thank you for caring for my brother.” He took his sunglasses off. And looked at her with total adoration.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
Your eyes drooled. I saw them.” He was totally perplexed by this argument. Was he not allowed to speak to anyone? “I’m wearing dark sunglasses. How can you see my eyes?” “She’s jealous, Seth.” He looked at Maahes for an explanation. “Why?” Lydia broke off into her hand gestures. “Are you yelling at me, now?” Maahes laughed. “Oh yeah, kid. She’s calling you a lot of names.” That surprised him. “You understand her?” Maahes gestured back at Lydia in the same language. For some reason, it angered and hurt him that they’d cut him out of the conversation. “Are you mocking me?” Lydia flicked her nails at him, then turned and stormed off. Seth had no idea what he should do. He didn’t understand human emotions or relations. Not really. It’d been too long since he had any. Maahes let out a heavy sigh. “You hurt her feelings, boy. You need to go apologize.” “How did I hurt them?” “Think about it, Seth. She risked her life to bring you here, to save you from hell, and what do you do the first minute she leaves you alone? You let another woman flirt with you.
Sherrilyn Kenyon (The Guardian (Dark-Hunter, #20; Dream-Hunter, #5; Were-Hunter, #6; Hellchaser, #5))
SHE HAD WATCHED THEM in supermarkets and she knew the signs. At seven o'clock on a Saturday evening they would be standing in the checkout line reading the horoscope in Harper's Bazaar and in their carts would be a single lamb chop and maybe two cans of cat food and the Sunday morning paper, the early edition with the comics wrapped outside. They would be very pretty some of the time, their skirts the right length and their sunglasses the right tint and maybe only a little vulnerable tightness around the mouth, but there they were, one lamb chop and some cat food and the morning paper. To avoid giving off the signs, Maria shopped always for a household, gallons of grapefruit juice, quarts of green chile salsa, dried lentils and alphabet noodles, rigatoni and canned yams, twenty-pound boxes of laundry detergent. She knew all the indices to the idle lonely, never bought a small tube of toothpaste, never dropped a magazine in her shopping cart. The house in Beverly Hills overflowed with sugar, corn-muffin mix, frozen roasts and Spanish onions. Maria ate cottage cheese.
Joan Didion (Play It As It Lays)
Not knowing what to do, I started walking down St. Mark’s toward Tompkins Square. All Day All Night. You Must Be Twenty One To Enter. Downtown, away from the high-rise press, the wind cut more bitterly and yet the sky was more open too, it was easier to breathe. Muscle guys walking paired pit bulls, inked-up Bettie Page girls in wiggle dresses, stumblebums with drag-hemmed pants and Jack O’Lantern teeth and taped-up shoes. Outside the shops, racks of sunglasses and skull bracelets and multicolored transvestite wigs. There was a needle exchange somewhere, maybe more than one but I wasn’t sure where; Wall Street guys bought off the street all the time if you believed what people said but I wasn’t wise enough to know where to go or who to approach, and besides who was going to sell to me, a stranger with horn rimmed glasses and an uptown haircut, dressed for picking out wedding china with Kitsey? Unsettled heart. The fetishism of secrecy. These people understood—as I did—the back alleys of the soul, whispers and shadows, money slipping from hand to hand, the password, the code, the second self, all the hidden consolations that lifted life above the ordinary and made it worth living.
Donna Tartt (The Goldfinch)
It was in the Cornish summer of his twelfth year that Peter began to notice just how different the worlds of children and grown-ups were. You could not exactly say that the parents never had fun. They went for swims - but never for longer than twenty minutes. They liked a game of volleyball, but only for half an hour or so. Occasionally they could be talked into hide-and-seek or lurky turkey or building a giant sand-castle, but those were special occasions. The fact was that all grown-ups, given half the chance, chose to sink into one of three activities on the beach: sitting around talking, reading newspapers and books, or snoozing. Their only exercise (if you could call it that) was long boring walks, and these were nothing more than excuses for more talking. On the beach, they often glanced at their watches and, long before anyone was hungry, began telling each other it was time to start thinking about lunch or supper. They invented errands for themselves - to the odd-job man who lived half a mile away, or to the garage in the village, or to the nearby town on shopping expeditions. They came back complaining about the holiday traffic, but of course they were the holiday traffic. These restless grown-ups made constant visits to the telephone box at the end of the lane to call their relatives, or their work, or their grown-up children. Peter noticed that most grown-ups could not begin their day happily until they had driven off to find a newspaper, the right newspaper. Others could not get through the day without cigarettes. Others had to have beer. Others could not get by without coffee. Some could not read a newspaper without smoking a cigarette and drinking coffee. Adults were always snapping their fingers and groaning because someone had returned from town and forgotten something; there was always one more thing needed, and promises were made to get it tomorrow - another folding chair, shampoo, garlic, sun-glasses, clothes pegs - as if the holiday could not be enjoyed, could not even begin, until all these useless items had been gathered up.
Ian McEwan (The Daydreamer)
Christina died of a stroke in the fall of 1971, at the age of sixty-one. June watched the nurses take her mother's body away. Standing there in the hospital, June felt like she'd been caught in an undertow. How had she ended up here? One woman all alone, with four kids, and a restaurant she had never wanted. The day after the funeral, June took the kids to school. She dropped Kit off at the elementary building and then drove Nina, Jay, and Hud to junior high. When they pulled into the drop-off circle, Jay and Hud took off. But Nina turned back, put her hand on the door handle, and looked at her mother. 'Are you sure you're OK?' Nina asked. 'I could stay home. Help you at the restaurant.' 'No, honey,' June said, taking her daughter's hand. 'If you feel up for going to school, then that's where you should be.' 'OK,' Nina said. 'But if you need me, come get me.' 'How about we think of it the other way around?' June said, smiling. 'If you need me, have the office call me.' Nina smiled. 'OK' June felt herself about to cry and so she put her sunglasses over her eyes and pulled out of the parking lot. She drove, with the window down, to Pacific Fish. She pulled in and put on the parking brake. She took a deep breath. She got out of the car and stood there, staring up at the restaurant with a sense of all that she had inherited. It was hers now, whatever that meant. She lit a cigarette.
Taylor Jenkins Reid (Malibu Rising)
I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.
Mariam Petrosyan (Дом, в котором...)
It’s a librarian, down at Corinth,” I tell my supervisor, clicking my phone off again. “She works with my sister.” “A librarian,” Gutierrez repeats, as if I just told her I’ve been sleeping with an alien. “You...and a librarian?” I give her my best frown, even popping up my sunglasses so she can see my mock-hurt eyes. “What’s that supposed to mean?” “Nothing,” she says, grabbing her keys and climbing out of the car. I get out of the car too, and we walk toward the front door of the academy. “Just that normally you seemed to go for the women more like you.” “More like me?” “Do you really want me to elaborate?” I open the door for her and then follow her inside the depressingly bland building. “Is it going to be mean?” “Kelly, face it. You’re the stereotype of a bachelor cop, and the women you sleep with are the stereotypes of women who like bachelor cops. I just don’t want you to wreak havoc on some poor woman’s life because you’re bored or you’re dying—” “I’m not dying!” I protest. She flips her sunglasses up to the top of her head and squints at me. “You’re over thirty, aren’t you?” “If one more person says that—” “Just don’t be a dick, okay? Especially to some sweet librarian. They deserve better than that. Now if you want to go ruin the life of someone down at the post office, be my guest. You know the last time I had to mail a blood kit up to Topeka, they actually refused to—
Laurelin Paige (Hot Cop)
So are you, sunshine,” Paige replied. “Bad night?” Even though he didn’t take off his sunglasses, I knew he was staring straight at me. “I’ve had better,” he said with an entirely straight face, while I coloured up from head to toe. “I’ve had worse.” … “Now, now children,” Paige intervened, entirely oblivious to the extreme level of bitchy subtext flying across the table. “Let’s not have fisticuffs … Can we kiss and make up?” Nick turned up one corner of his mouth and nodded. “I’m game if you are, Vanessa.” “I think she means figuratively,” I said, adding cream to my coffee. “I’m a professional.” “Really?” He rested his elbows on the table and pushed his glasses up over his eyebrows. “I probably owe you some money then.
linsdey kelk
Then she bent her head over at the waist and tossed her head around to separate the curls. The elevator stopped and she heard the door open. She straightened up to find some big guy in a ball cap and sunglasses right in her face, charging into the elevator before she could even get out of it. He had both hands full of carry-out bags—Mexican food, judging from the smell. She looked at them, her mouth watering. Yep. Enrique’s. The best in town. He whirled around to punch the door-close button. “Hey,” she said. “I’m getting off here.” Some girl outside in the lobby yelled, “We know it’s you, Chase. You shouldn’t lie to us.” Startled, Elle looked at the guy’s face and saw, just before he reached for her, that it really was Chase Lomax in ragged shorts and flip-flops. He grabbed her up off her feet and bent his head. Found her mouth with his. “Wait for us,” another girl yelled. The sound of running feet echoed off the marble floor, slid to a stop. “Oh, no!” Kissing her, without so much as a “Hi, there, Elle.” Burning her up. She tried to struggle but he had both her arms pinned to her sides. And suddenly she wanted to stay right where she was forever because the shock was wearing off and she was starting to feel. A lot more than she ever had before. The door slid closed. The girls began banging on it. “We know your room number, Chase, honey,” they yelled. “See you there.” Loud giggles. “We’ll show you a real good time.” The elevator moved up, the voices faded away. But Chase kept on kissing her. She had to make him stop it. Right now. Who did he think he was, anyway? Somebody who could send lightning right through her whole body, that’s who. Lightning so strong it shook her to her toes. He had to stop this now. But she couldn’t move any part of her body. Except her lips. And her tongue . . . When he finally let her go she pulled back and away, fighting to get a handle on her breathing. “What’s the matter?” he demanded. Her blood rushed through her so fast it made her dizzy. “You’re asking me? It’s more like, what’s the matter with you? How’d you get the idea you could get away with kissing me like that without even bothering to say hello?” She touched her lips. They were still on fire. “You have got a helluva nerve, Chase Lomax.” He grinned at her as he took off his shades. He hung them in the neck of his huge, baggy T-shirt that had a bucking bull and rider with Git’R’Done written above it. He wore ragged denim shorts and flip-flops, for God’s sake. Chase Lomax was known for always being starched and ironed, custom-booted and hatted. “I asked if you’re all right because you were bent over double shaking your head when the doors opened,” he said. “Like you were in pain or something.” “I was drying my hair.” He stared, then burst out laughing. “Oh, well, then.” His laugh was contagious but she wouldn’t let herself join in. He could not get away with this scot-free. He’d shaken her up pretty good. “Oh. I see. You thought I needed help, so you just grabbed me and kissed me senseless. Is that how you treat somebody you think’s in pain?” He grinned that slow, charming grin of his again. “It made you feel better. Didn’t it?” He held her gaze and wouldn’t let it go. She must be a sight. She could feel heat in her cheeks, so her face must be red. Plus she was gasping, trying to slow her breathing. And her heart-beat. “You nearly scared me to death to try to get rid of those girls. And it was all wasted. They’re coming to your room.” Something flashed deep in his brown eyes. “Now you’ve hurt my feelings. I don’t think it was wasted,” he drawled. “I liked that kiss.
Genell Dellin (Montana Gold)
So now what do I do? Do I just approach and start slamming my palms on the window, demanding answers? That seemed somewhat logical. It also seemed kind of stupid. Do I sit here and wait? For how long? And what if the car drives off? Then what? I was still hunched behind the bush, trying to decide what to do, when the decision was made for me. The front passenger door opened and the bald guy stepped out. He still wore the dark suit, and despite the hour, he even had the sunglasses on. For a moment the man stood perfectly still, his back to the bush. Then he slowly turned his head and said, “Mickey.” Gulp. I had no idea how he had seen me, but it didn’t matter now. I stood up. He stared at me from behind those sunglasses, and in spite of the heat, I swear I felt a chill. “You have questions,” the bald man said to me. He spoke with one of those exaggerated British accents that almost sound phony. Like he’d gone to some fancy prep school and wanted to make sure you knew it. “But you’re not yet ready for the answers.” “What does that mean?” “It means,” he said, still with that accent, “just what it sounds like.” I frowned. “It sounds like something you’d read on a bad fortune cookie.” There was the hint of a smile on the bald man’s face. “Don’t tell anyone about us.” “Like who?” “Like anyone. Like your uncle.” “Myron? What would I tell him anyway? I don’t know anything. Who exactly are you? Or, as you put it, us?” “You’ll know,” he said, “when the time is right.” “And when will that be?” The man slid back into the car. He never seemed to hurry, but every moment was almost supernaturally fast and fluid. “Wait!” I shouted. I moved quickly, trying to reach the car door before it closed. “What were you doing in that house? Who are you?” But it was too late. He slammed the door shut. The car started up. Now, as I semi-planned earlier, I slapped the tinted windows with my palm. “Stop!” The
Harlan Coben (Shelter (Micky Bolitar, #1))
You and Patrick looked awfully cozy,” Ryder says, setting Mama’s note back on the counter. So I was right--he had been watching us. “So?” “So, nothing.” He shrugs. “Just making an observation.” “Yeah, you never just make an observation. Oh, and you and Rosie looked pretty cozy, too. I sure hope you’re not leading her on. You know she likes you.” A muscle in his jaw works furiously as he shoves his cell phone back into his pocket. “That’s the kind of guy you think I am? Seriously, Jem?” I swallow hard, unable to reply. Because the truth is, I don’t know. “I’ll see you later,” he says, his voice cold and clipped. He turns and stalks out. For some unknown reason, I follow him--down the hall, out the front door. “Don’t walk out on me,” I holler as he rounds the Durango and opens the driver’s-side door. “If you have something to say to me, then say it.” He gets in and slams the car door shut, but I throw it open again. “C’mon,” I taunt, motioning with one hand. I’m totally losing it now--white spots dancing before my eyes, tears streaking down my cheeks. I can barely catch my breath, like I’m about to hyperventilate. This isn’t about Ryder, I realize. It’s about Nan. The sudden realization hits me hard. What if I never see her again? My knees buckle, and I start to go down. Somehow, Ryder manages to catch me just before I hit the ground. “Shit, Jemma! What’s the matter with you?” He drags me to my feet and presses me against the side of his truck. “Take a deep breath. Jesus!” I do what he says. By the third, I’ve slowed my heart rate to something nearing normal. Only, my cheeks are burning with mortification now. This is the second time I’ve broken down in front of Ryder. He must think I’ve lost my mind--that I’ve totally gone off the deep end. “Just go,” I say, my voice shaking. He rakes both hands through his hair. “Are you kidding me? I can’t leave you alone like this.” “Go,” I repeat, more forcefully this time. “Just get in your car and leave, okay?” “C’mon, Jemma. You know I can’t.” “I swear I’m okay.” I straighten my spine and lift my chin, trying my best to look calm, collected, and reasonably sane. “Seriously, Ryder. I just need to be alone right now.” “Fine,” he says, shaking his head. “If you say so.” I step away from the car, feeling queasy now as he slips inside and starts the engine. But before he pulls out, he rolls down his window and meets my gaze. His dark eyes look intense, full of conflict. For a split second, I wonder what’s going on inside his head--if he’s judging me. If he has any idea what I’m going through. If he even cares. “She’s going to be okay, Jemma,” he says, then slides his sunglasses on and drives away. I guess he does get it, after all.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Time snapped and Hagerty found himself speeding toward the woman in the straitjacket. Grabbing her by the shoulders, he pulled her off the corpse and held her at arm's length. He caught a glimpse of Kalish's face and the shredded mess where his throat should have been.
Nancy A. Collins (Sunglasses After Dark (Sonja Blue, #1))
Even though Sam wasn't a romance author, he knew all the big ones, the heavy hitters and those that had crossed genres. He was greeted by most of the authors, some he knew and others who wanted to meet the famous author. Needless to say the romance genre remained comprised mostly by women authors. Sam stuck out like a rooster in a hen house. A tall, handsome, cool rooster in black jeans, his sunglasses hooked off the pocket of his pale blue oxford shirt. A rooster with a flock of hens following his every move.
Carolyn Gibbs (Murder in Paradise)
Manhattan is dangerous, though not for the old reasons: muggings, pickpocketing, prostitution. The danger is that the longer you stay - the longer you're bathed in the glow of blinking screens in Times Square, swept along by swarms of commuters, pursued by a mangy imitation of Mickey Mouse who wants a few dollars to pose for photos - the less you're able to feel the wonder. The lights dim. The little battles with subway doors, your radiator, the rat that walks into you in Union Square as if you were the rodent, wear you down. You grow tired, switch off certain receptors. For years I paid little attention of my city, and in time, it disappeared. I put on sunglasses, put in earbuds, and blindly walked the streets that Billie Holiday and Roy Lichtenstein had walked. Every parade was an inconvenience, as was every stranger, talking too loudly, walking too slowly. I was living in one of the most visited cities in America, working in a skyscraper that people from all over the world stopped to photograph, and skipping town whenever possible.
Stephanie Rosenbloom (Alone Time: Four Seasons, Four Cities, and the Pleasures of Solitude)
At last count, eight-hundred and fifty-nine travelers had stepped off Trans-Continental Airlines at Sky Harbor International Airport, Phoenix, Arizona, at high noon in Mid-August without sunglasses. No one has ever done it twice. The desert sun, at high noon in Mid-August, rains down a torrent of silver needles. The sky burns white. The mountains that ring the city - Maricopas, White Tanks, Superstitions - flatten into dusty, two-dimensional mounds. Desert plants turn pale. Crawling, slithering, running creatures surrender to the heat and hide. The air shimmers on the horizon and flows in sluggish currents along the airport tarmac. Tires go soft. The odor of melting tar lies heavy along the ground. Light explodes in tinsel stars from moving glass and chrome. Phoenicians huddle indoors around their air conditioners and wait for the time of long shadows. Sky Harbor International Airport, Phoenix, Arizona, at high noon in mid-August is a white-hot Hell.
Sarah Dreher (Gray Magic (Stoner McTavish Mystery Book 3))
I was sound asleep at the Oregon beach cabin one night when there was a knock at the door. A woman who said she was from the Red Cross stood on the front porch. I was foggy-headed. At first, I could not get through my brain what she was saying. “I don’t mean to alarm you,” she said. “But you need to call home immediately.” Terror struck me. My mind raced. Where was Steve? Bindi lay asleep in the bedroom. I asked the woman from the Red Cross to stay on the porch while I went across the street to the pay phone. The international calling procedure seemed immensely complicated that morning, and terribly slow. I tried to keep my fingers steady as I dialed. The sun had not yet risen. I was in my robe. It was February of 2000, and I remember thinking, It’s always the coldest just before the sun comes up. I heard Steve’s voice on the other end of the phone and experienced an immediate flood of relief. He’s alive. But something was terribly wrong. Steve was incoherent. I couldn’t figure out what had happened. Not long before, we had lost our favorite crocodile to old age, and I thought that something had happened to one of our animals. But the tone of Steve’s voice was different. He was sobbing, but finally managed to choke out the words. His mother had been killed in a car accident. I felt the blood drain from my face. I couldn’t believe it. I didn’t know what he was talking about. He tried to explain, but he couldn’t really talk. The next thing I knew, the line went dead. It took a few frantic calls to find out what had happened. In the process of moving to their new home on our property, Lyn had left Rosedale to make one last trip with a few remaining family possessions. She was driving with the family malamute, Aylic, in the passenger seat beside her, and Sharon, their bird-eating spider, in a glass terrarium tank in the back of the truck. Lyn left the Rosedale house early, about three o’clock in the morning. As she approached Ironbark Station, her Ute left the road traveling sixty miles an hour. The truck hit a tree and she died instantly. Aylic was killed as well, and the tank holding the bird-eating spider was smashed to pieces. Early in the morning, at the precise moment when the crash happened, Steve was working on the backhoe at the zoo. He suddenly felt as if he had been hit by something that knocked him over, and he fell violently off the machine, hitting the ground so hard that his sunglasses came off. He told me later that he knew something terrible had happened. Steve got in his Ute and started driving. He had no idea what had happened, but he knew where he had to go. It was still early. With uncanny precision, he drove toward where the accident occurred. His mobile phone rang. It was Frank. When his brother-in-law told him what had happened and where, Steve realized he was already headed there.
Terri Irwin (Steve & Me)
Cole was still working on the car when a dark green Lexus stopped across his drive. Cole straightened, and was surprised to see Pike and a young woman with ragged hair and big sunglasses get out. The girl looked wary, and Pike was wearing a long-sleeved shirt with the sleeves down. Pike never wore long-sleeved shirts. Cole limped out to meet them. “Joseph. You should have told me we had guests. I would have cleaned up.” Cole smiled at the girl, spreading his hands to show off his gym shorts, bare feet, and wax on, wax off T-shirt. Mr. Personable, making a joke of his sweat-soaked appearance. “I’m Elvis. This is me, doing my Ralph Macchio impersonation.” The girl painted him with a smile that was smart and sharp, and jerked a thumb at Pike. “Thank God you have a personality. Riding around with him is like riding with a corpse.” “Only until you get to know him. Then you can’t shut him up.” Cole noticed how Pike touched her back without familiarity, moving her into the carport. Pike said, “Let’s go in.” Cole glanced at the Lexus, already sensing this wasn’t a social visit.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
With her sunglasses off, her eyes were red, and Cole wondered if she had been crying. She caught him looking, and flashed the crooked smile. It was smart and inviting, and could never be made by someone who had just been crying, but there it was. Cole thought, This kid has had plenty of practice hiding herself.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
Taylor met Fitz in the parking lot of the Criminal Justice Center. Clouds scudded across the graying sky. Despite the beauty of spring in Nashville, the weather was wholly schizophrenic. Sunny one minute, stormy the next. She took off her sunglasses and slipped one temple into her sweater collar. “Yo,
J.T. Ellison (Judas Kiss (Taylor Jackson #3))
My co-ruler will be here momentarily,” he told Kira. She took her sunglasses off as if just remembering she didn’t need them anymore. Her eyes hadn’t flared once after her feeding, and her manner was far more relaxed. He hoped she’d recognize the wisdom of forgoing those plasma bags in the future. Not only would fresh blood taste better and make her stronger, it would also satisfy her hunger more thoroughly. He saw Bones and Cat part through the crowd on the other side of the roller coaster. His co-ruler did not look happy. “Bloody hell, grandsire,” were Bones’s first words as he approached. “You’ve left behind a wreckage of burned bodies, dead vampires, missing persons, threatened Guardians, and video evidence of our race’s existence. Then you go on holiday. You really do have a death wish.” Kira’s jaw dropped. Mencheres gave her hand a squeeze, noticing Bones’s sharp brown gaze follow the gesture.
Jeaniene Frost (Eternal Kiss of Darkness (Night Huntress World, #2))
His designer suit didn’t have a wrinkle on it. His tie was crisp. The sun shined off the toes of his shoes. A set of aviator sunglasses hid his eyes. His wife had been doing his shopping again.
E.H. Reinhard (Malevolent (Cases of Lieutenant Kane, #1))
that, instead of being fused to the skull, hangs loosely beneath the brain case. This enables the upper jaw to push forward and hyperextend open—wide enough to engulf, and crush, an adult bull elephant. As if the size and voraciousness of its feeding orifice were not enough, nature has endowed this monster with a predatory intelligence, honed by 400 million years of evolution. Six distinct senses expose every geological feature, every current, every temperature gradient … and every creature occupying its domain. The predator’s eyes contain a reflective layer of tissue situated behind the retina. When moving through the darkness of the depths, light is reflected off this layer, allowing the creature to see. In sunlight, the reflective plate is covered by a layer of pigment, which functions like a built-in pair of sunglasses. While black in normally pigmented members of the species, this particular male’s eyes are a cataract-blue—a trait found in albinos. As large as basketballs, the sight organs reflexively roll back into the skull as the creature launches its attack on its prey, protecting the eyeball from being damaged. Forward of the eyes, just beneath the snout, are a pair of directional nostrils so sensitive that they can detect one drop of blood or urine in a million gallons of water. The tongue and snout provide a sense of taste and touch, while two labyrinths within the skull function as ears. But it is two other receptor organs that make this predator the master of its liquid domain. The first of these mid-to-long-range detection systems is the lateral line, a hollow tube that runs along either flank just beneath the skin. Microscopic pores open these tubes to the sea. When another animal creates a vibration or turbulence in the water, the reverberations stimulate tiny hairs within these sensory cells that alert the predator to the source of the disturbance—miles away! Even more sensitive are the hunter’s long-range receptor cells, located along the top and underside
Steve Alten (Hell's Aquarium (Meg #4))
American accent. Broad shoulders, at least fifty years old. He was wearing generic sunglasses and a cap that read NASHVILLE PREDATORS. His lips were thin, sharp like a palm leaf. Lucie stood up; the man took up position behind her. The cop looked around for pedestrians, witnesses, but no luck. Alone and unarmed, she was helpless. They walked about a hundred yards without encountering a soul. A Datsun 240Z was waiting under the maples. “You drive.” He pushed her roughly into the car. Lucie’s throat was knotted and she was finding it hard to stay calm. The faces of her twins swam before her eyes. Not like this, she kept thinking. Not like this… The man took a seat next to her. Like a pro, he quickly patted her pockets, thighs, and hips. He took out her wallet, removed her police ID—which he looked at carefully—then turned off her cell phone. Lucie spoke in a slightly shaky voice: “No need—it isn’t working.” “Drive.” “What is it you want? I—” “Drive, I said.” She started the car. They headed out of Montreal due north, via the Charles de Gaulle Bridge. And left the lights of the city far behind.
Franck Thilliez (Syndrome E)
tour that I’ve still got my sunglasses on, like some kind of fading starlet. I take them off as he’s patting a rack of devices with knobs all over them. “And these are forty-eight tracks of Neve preamps. I use them on tracking and again on mix for some things. They really sweeten the bottom end. And you’d be amazed at how they work on ambient mics – for acoustic guitar and cymbals.” “That’s great,” I say, quickly running out of terms that don’t make me sound like somebody’s slow cousin. The actual recording room turns out to be three chambers: an isolation booth for vocals, a wood-paneled drum room, and a larger room with sound baffles everywhere for other instruments. There’s a Baldwin baby grand piano in one corner, gleaming like an ebony sentry in the overhead lights. If there’s one word for the studio, it’s ‘impressive.’ Sebastian is equally impressive, and his enthusiasm, his love for what he
R.E. Blake (More Than Anything (Less Than Nothing, #2))
Hey," he calls after I walk away. I stop and turn just a few feet from him. "I'm glad you..." He trails off. "I'm glad you're okay." "Me too." I look over the tops of my sunglasses. "Me too," I repeat.
Christine Seifert (The Predicteds)
He said, “Have you heard of two bank hitters named Marchenko and Parsons?” Holman watched her stiffen and knew she was finally interested. Now she wasn’t just being nice or killing time until she could jump up and run. She took off her sunglasses. He saw that the skin around her eyes had grown papery. She had changed a lot since he had last seen her, but something beyond her appearance was different that he couldn’t quite place. She
Robert Crais (The Two Minute Rule)
Then she took off her sunglasses, put them in her jacket pocket, and stared into my eyes as if searching for a coin she had dropped into a shallow pond.
Haruki Murakami
Helio was fresh off a four-year stint upstate for armed robbery. He looked it too. Sunglasses, a doo-rag on his head, white T-shirt under a flannel shirt that had only the top button buttoned so that it looked like a cape or bat wings. The sleeves were rolled up, revealing crude prison tattoos etched onto his forearm and the prison muscles coiling thereunder. There is an unmistakable look to prison muscles, a smooth, marblelike quality as opposed to their puffier health club counterparts. We
Harlan Coben (Tell No One)
She wobbled, steadying herself against the pale blue walls. “You’ve been going out alone?” “Yes.” He reached out for her arm, but she tore it away from him. “Beth—” She yanked open the door. “Don’t touch me.” The thing clapped shut behind her. Rage at himself had Wrath spinning toward his desk, and the instant he saw all the papers, all the requests, all the complaints, all the problems, it was like someone hooked jumper cables up to his shoulder blades and hit him with a charge. He shot forward, swept his arms across the top, and sent the shit flying everywhere. As papers fluttered down like snow, he took off his sunglasses and rubbed his eyes, a headache spearing into his frontal lobe. Robbed of breath, he stumbled around, finding his chair by feel and collapsing into the damn thing. With a ragged grunt, he let his head fall back. These stress headaches were becoming a daily occurrence lately, wiping him out and lingering like a flu that refused to be cured. Beth. His Beth… When he heard a knock, he gave the f-word a workout. The knock came again. “What,” he barked. Rhage put his head around the jamb, then froze. “Ah…” “What.” “Yeah, well…Ah, going by the door slamming—and, wow, the stiff wind that clearly just blew by your desk—do you still want to meet with us?” -Beth, Wrath, & Rhage
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
Ten-A-Fly took off his sunglasses as if they’d angered him. His scowl aimed for intimidation but seemed more in the neighborhood of constipation. “So
Harlan Coben (Caught)
Barry took his sunglasses off and peeled back what was revealed as a fake mustache, raising his finger to his lips in an effort to keep his identity a secret. It was President Barack Obama.               Air
Dan Ryckert (Air Force Gator 2: Scales of Justice)
I’d really appreciate it if you would leave,” he said very politely. “I’m afraid I can’t do that,” Myron said. “Even though you did ask nicely.” The black man nodded. He kept his distance. “Let’s see if we can work something out here, okay?” “Okeydokey.” “I got a job to do here, Myron. You can appreciate that, can’t you?” “Sure can,” Myron said. “And so do you.” “That’s right.” The black man took off his sunglasses and put them in his shirt pocket. “Look, I know you won’t be easy. And you know I won’t be easy. If push comes to shove, I don’t know which one of us will win.” “I will,” Myron said. “Good always triumphs over evil.” The man smiled. “Not in this neighborhood.” “Good point.” “I’m also not sure it’s worth it to either one of us to find out. I think we’re both probably past the proving-himself, macho-bullshit stage.” Myron nodded. “We’re too mature.” “Right.” “It seems then,” Myron continued, “that we’ve hit an impasse.” “Guess so,” the black man agreed. “Of course, I could always take out a gun and shoot you.” Myron shook his head. “Not over something this small. Too many repercussions involved.” “Yeah. I didn’t think you’d go for it, but I had to give it a whirl. You never know.” “You’re a pro,” Myron agreed. “You’d feel remiss if you didn’t at least try. Hell, I’d have felt cheated.” “Glad you understand.
Harlan Coben (Back Spin (Myron Bolitar, #4))
Is there a problem, ma’am?” Mitch slanted a glance in her direction. She stood military straight, vehemently shaking her head. “Everything’s fine, Officer.” “Sheriff. You sure about that?” Charlie said, sounding like a complete hard-ass. “Looked to me like you were being accosted.” “N-no—” Mitch cut her off. “Would you get the hell out of here?” “Mitch,” Maddie said, with a low hiss. Evidently in a devious mood, Charlie stalked forward, placing a hand menacingly over his baton. “What did you say?” “Fuck. Off.” Mitch fired each word like a bullet. “Mitch, please,” Maddie said, tone pleading. “Do I have to take you in?” Charlie’s attention shifted in Maddie’s direction and his mouth twisted into a smile that Mitch had seen him use on hundreds of women during their fifteen-year friendship. “I’ll be happy to look after her for you, Mitch.” A stab of something suspiciously close to possessiveness jabbed at his rib cage. Mitch shot Charlie a droll glare. “Over my dead body.” One black brow rose over his sunglasses. “That can be arranged.” “Please, don’t take him to jail,” Maddie said, sounding alarmed. Both Charlie’s and Mitch’s attention snapped to her. “Now, why would you be thinking that?” Charlie asked, in an amused voice. Maddie’s gaze darted back and forth. “He threatened you.” Mitch laughed and Charlie scoffed. “Honey, he’s nothing but a pesky little fly I’d have to bat away.” Comprehension dawned and her worried expression cleared. “Oh, I see. You know, you should tell someone this is some macho-guy act before you get rolling.” “And what fun would that be?” Charlie rocked back on his heels. Even with his eyes hidden behind the mirrored frames, it was damn clear he was scoping Maddie out from head to toe. Under his scrutiny, she started to fidget. She pressed closer to Mitch, almost as if by instinct, pleasing him immensely. “Don’t mind him, Princess.” He slid his arm around her waist, pulling her tighter against him. “He likes to abuse his power over unsuspecting women.” “Um,” Maddie said, fitting under the crook his arm as though she were made for him, which was odd considering he towered over her by a foot. “I bet it’s quite effective.” Charlie laughed. “Maddie Donovan, you’re everything I’ve heard and then some.” Maddie stiffened, pulling out of Mitch’s embrace and cocking her head to the side. “How do you know my name?” “Honey,” Charlie drawled, the endearment scraping a dull blade over Mitch’s nerves. “This is a small town. People don’t have anything else to do but talk. Give me time and I’ll know your whole life story.” That strawberry-stained mouth pulled into a frown, and two little lines formed between auburn brows. She studied the cracked concrete at her feet. Suddenly, she looked up, her cheeks flushing when she realized they were watching her. She smiled brightly. “Oh well, I guess this is what I get for making an entrance.” Charlie
Jennifer Dawson (Take a Chance on Me (Something New, #1))
During the first week of filming, it began raining in Tunisia’s Nefta Valley for the first time in seven years and didn’t stop for four days. Equipment and vehicles bogged down in the mud, requiring assistance from the Tunisian army to pull everything out of the muck. It was often cold in the morning and blazing hot by afternoon, and Lucas would begin most days in his brown coat, hands shoved deep in the pockets as he peered through the eyepiece of the camera; as the sun rose higher in the sky, he would shrug off his coat, put on his sunglasses, and direct his actors in a checked work shirt, with a baseball cap pulled low over his eyes. When it wasn’t raining, high winds tore up the sets, ripping apart the sandcrawler and blowing one set, as a crew member put it, “halfway to Algeria.”7
Brian Jay Jones (George Lucas: A Life)
That doesn’t explain why you keep ignoring my emails!” Jackie Arthur squawked over the line. The man definitely seemed to be heading toward the gallery as he pulled a key ring out of his pocket and twirled it around one finger. He had light-brown hair like the man in the pictures she’d seen, but sunglasses blocked too much of his face from view. She wished he’d take them off so she could be sure.
Victoria Helen Stone (Evelyn, After)
Rishikesh is one of the most wanted places for adventure lovers. Rishikesh is also well-known among Hindus for its pilgrimage. The free of charge graceful river and also Substring Mountains make this place beautiful for travelers. It is really one of the best locations for people wanting onward to get tons of adventure, and fun. It's also a precious knowledge for nature lovers. The major fair activity in Rishikesh is White Water Rafting. It has grown to a well-liked and daring spot for white water rafting enthusiast as the place offers an impressive experience of average to very tough and rough rapids in the region of River Ganges. Uttarakhand adventure is well known rafting company in Rishikesh. Many adventurous tourists both from India and overseas stay this place to experience the real challenge of white water rafting. All services for white water rafting Rishikesh is available here, and there are preparation guides for rafting from whom a tourist can take help in this sport. River rafting in Rishikesh is one of the majority popular sport activities because of free flowing rivers from Himalayas. Rafting, camping, trekking, and Rock Climbing, Bungee jumping is some of the sports education that a traveler can consider. We are best rafting company in Rishikesh. Important and Helpful Information and Rafting Safety Tips for All Rafting Users • Important Equipments Shell Be take for River Rafting and Camping • Sunglasses and water glasses with retaining cord, Battery Torch • Swimming costume and quick drying shorts for river • Odomos, Antiseptic Cream and Sunscreen Lotion, First Aid Box • Only Use River Sandals & old Sneakers , no flip flops • River Rafting Guide & Splash life jackets. • Other required safety accessories • Waterproof disposable camera with Extra Battery (Full Battery Charge). • Mobile Phone with Extra Mobile Batteries (Electricity may be off) • We provide River Rafting Gears & Assistance • Helmets & river rafting gears • Trekking Shoes
uttarakhand adventure
The roar of the motorcycle stopped, and the rider whipped off his sunglasses. “Are you trying to get your door taken off?” My heart had stopped the minute I’d looked into his piercing gray eyes, but anger quickly took over everything. “Do you always swing into parking spaces when someone is opening their door?” I rubbed my leg once more and stumbled awkwardly out of my car. I realized he hadn’t answered me, and after shutting my door and locking the car, I turned to face him, a frown tugging at my lips when I saw him smirking. “I’m fine, if you’re wondering.” He sat up straight on his Harley and took a deep breath in. “I’m sorry I made you hurt yourself. I’m Kash, by the way.” “Cash . . . like money? Or Johnny?” “Um, I guess we can go with Johnny, but with a K.” “Kash with a K. Got it. That’s a, uh . . . very interesting name. Fits the image, I guess.” His head jerked back. “I’m sorry, what?” I took a few steps toward the apartments before turning to look at him, my hand waving over his frame, which was now hunched back over his bike. I wondered who he was here to see. “You know, the whole ‘bad boy’ thing you’ve got going on there. Tattoos, lip ring, Harley. Makes sense you’d have a nickname and try to make it, I don’t know, awesome or something by having it start with a K. Have a nice day; try not to almost take any more car doors off, Kash with a K.” Kash
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
We aren’t just talking about sauntering in, sunglasses on, caramel macchiato in hand. We aren’t talking about enduring the message, reading off questions, and closing in prayer. No, we are talking about showing up energetic, fully attentive, and eager to listen.
Reggie Joiner (Lead Small)
All right, funny man, you’re pushing the cart.” He griped, “Which was a given since you can’t see over it.” “Huh, I actually thought I was helping you out.” He yanked his sunglasses off and knitted his brows. “How?” “I thought maybe you could use it as a walker, that ginormous head of yours must be a back breaker.
Ashlan Thomas (To Love (The To Fall Trilogy #3))
Can you see the entry?” “Yes.” “Watch.” “It’s only two o’clock. Will be hours before he come.” “Watch.” He expected her to fidget or try to make conversation, but she didn’t. She sat behind him, a second presence in the car, quiet and still, watching. They watched for an hour and ten minutes, silent, as people came and went around them, parking, backing out, pushing buggies filled high with groceries. Rina did not move or speak for the entire time, but then she suddenly pulled herself forward, and pointed past his chin. “That window on the top floor, on the side there away from the freeway. That was mine.” Then she settled back and said nothing more. Pike studied her in the rearview, but only for a moment. He didn’t want her to catch him staring. An hour and twenty minutes later, she abruptly pulled herself forward again. “That girl. She is one of the girls there. In the green.” A young woman in black spandex shorts and a lime green top came around the corner and went to the glass door. Her dark hair was pulled back into a sleek ponytail, and a large gym bag was slung over her shoulder. On her way back from the gym. She was lean and fit, but her breasts were too large to be natural. She looked very young. Rina said, “You see? I know this girl when they bring her here. They make her waitress, and then she dance.” “Stripper.” “Yes. And this.” The girl let herself into the lobby, then pushed a button for the elevator. Fifteen minutes later, Rina pulled forward again. “There. In the black car.” A black BMW convertible turned off Sepulveda and crept past the building as if looking for a parking place. The driver was a white male in his twenties with a thick neck and long, limp hair. He wore a white shirt with the sleeves rolled, a day-old beard, and mirrored sunglasses. Pike
Robert Crais (The First Rule (Elvis Cole, #13; Joe Pike, #2))
Grebner shuffled warily to his feet. Pike turned him around, tied off his hands, then pushed him back to the floor. Grebner squinted at Pike, trying to read him, but saw only the mirrored surface of Pike’s sunglasses—blue bug eyes in an expressionless face. Pike knew Grebner would find this unnerving. Like Walsh when she had him at Parker Center, he was psyching the edge.
Robert Crais (The First Rule (Elvis Cole, #13; Joe Pike, #2))