Sunflower Love Quotes

We've searched our database for all the quotes and captions related to Sunflower Love. Here they are! All 100 of them:

We're all golden sunflowers inside.
Allen Ginsberg
A rose can never be a sunflower, and a sunflower can never be a rose.All flowers are beautiful in their own way, and that’s like women too. I want to encourage women to embrace their own uniqueness.
Miranda Kerr
Love is never convenient-and rarely painless
Richard Paul Evans (The Sunflower)
Feelings can be like wild animals-we underrate how fierce they are until we've opened their cage
Richard Paul Evans (The Sunflower)
Yes, I need you, my fairy-tale. Because you are the only person I can talk with about the shade of a cloud, about the song of a thought — and about how, when I went out to work today and looked a tall sunflower in the face, it smiled at me with all of its seeds.
Vladimir Nabokov (Letters to Vera)
Do you know why we have the sunflowers? It’s not because Vincent van Gogh suffered. It’s because Vincent van Gogh had a brother who loved him. Through all the pain, he had a tether, a connection to the world. And that is the focus of the story we need – connection.
Hannah Gadsby
All they were—all they had ever been—was a pair of sunflowers who each believed the other was the sun.
Micah Nemerever (These Violent Delights)
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
I faced the gaudy sunflower on her canvas bag -- it looked hand-painted and at last my eyes fell into hers. I said, 'Thanks for the card.' Her smile put the sunflower to shame. She walked off.
Jerry Spinelli (Stargirl (Stargirl, #1))
Unholy battered old thing you were, my sunflower O my soul, I loved you then!
Allen Ginsberg (Howl and Other Poems)
what is it with you and sunflowers he asks i point to the field of yellow outside sunflowers worship the sun i tell him only when it arrives do they rise when the sun leaves they bow their heads in mourning that is what the sun does to those flowers it's what you do to me - the sun and her flowers
Rupi Kaur (The sun and her flowers)
I will admit you are the finest if not the loveliest rose in the garden. But you see, my dear, I was looking for a sunflower.
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
The splendor of a human heart that trusts it is loved unconditionally gives God more pleasure than Westminster Cathedral, the Sistine Chapel, Beethoven’s “Ninth Symphony”, Van Gogh’s “Sunflowers”, the sight of 10,000 butterflies in flight, or the scent of a million orchids in bloom. Trust is our gift back to God, and he finds it so enchanting that Jesus died for love of it.
Brennan Manning (Ruthless Trust: The Ragamuffin's Path to God)
I twist like a flower at the sound of your voice But you leave the receiver static most days You have me growing into a dial tone All it would take is your voice saying my name And I would behead myself to be carried around on your lapel
Kait Rokowski
such fickle days of love when pain and ecstasy share the same hour
Richard Paul Evans (The Sunflower)
She is a sunflower! She brings hope to people.
Avijeet Das
My work is loving the world. Here the sunflowers, there the hummingbird—equal seekers of sweetness.
Mary Oliver
A sunflower teaches us so much about love.
Samrah Ahmad
I’d love to step off this well-trodden straight and boring path. To somehow live differently, think different thoughts, feel different feelings than others. It wouldn’t bother me to be as alone as a tree on the plains. My leaves would be like no other tree’s.
Gyula Krúdy (Sunflower)
Because somehow, the sun rises each day. Emerging from the horizon, brighter and more beautiful than the previous day. You'll rise from the horizon too, learning to trust again. Learning to love again. Learning to heal. You'll emerge so bright that the haters will be blinded. And darling, you'll be the sun then, bright and beautiful, but they won't be your sunflowers.
Minahil
He was glad to be human. For sure, it was a great inconvenience to have to walk on two legs and wear clothes. There were so many things he didn’t know. Yet had he been a fish or a sunflower, and not a human being, he might never have experienced this emotion.
Haruki Murakami (سامسای عاشق)
As Sidda joined Vivi in staring out into the darkness of the fields, where hundreds of sunflowers grew, she thought: I will never fully know my mother, any more than I will ever know my father or Connor, or myself. I have been missing the point. The point is not knowing another person, or learning to love another person. The point is simply this: how tender can we bear to be? What good manners can we show as we welcome ourselves and others into our hearts?
Rebecca Wells (Divine Secrets of the Ya-Ya Sisterhood)
I began becoming that girl again, the girl who had wildflowers in hair, and madness in her soul, the girl who danced, trembling with emotions. I began becoming that girl again, the girl who sang her soul, longing to drink the wine of life again.....
Jayita Bhattacharjee
look at its shape, with vibrant yellows and oranges, a sunflower can brighten your day...it's as if it is smiling like a happy face painted on the sun...so if you do only one thing all day, let it be to smile, so you can brighten the day of others around you, just like the sunflower
D. Bodhi Smith (Bodhi Simplique Impressionist Photography and Insights (#5))
A sunflower for my sunflower. To brighten the dark October days you hate so much. Plant some more, and be safe in the knowledge a warm and bright summer awaits.
Cecelia Ahern (P.S. I Love You (P.S. I Love You, #1))
And to this day I love endless landscapes, big horizons, sunflowers, and narcissi.
Gisela Hausmann "Naked Determination 41 Stories About Overcoming Fear"
It is not while beauty And youth are thine own And thy cheeks Unprofaned by a tear That the ferver and faith Of a soul can be known To which time will but Make thee more dear No the heart that has truly loved Never forgets But as truly loves On to the close As the sunflower turns On her god when he sets The same look which She'd turned when he rose.
Thomas Moore
Sunflowers remind me of you. They are the children of light and romance. You exist to fill people's hearts with love.
Jarod Kintz (There are Two Typos of People in This World: Those Who Can Edit and Those Who Can't)
maybe i did just love the idea of you. but god, it was such a good idea.
Isabella Dorta (how sunflowers bloom under moonlight: a collection of poems on love and heartbreak by isabella dorta)
You look beautiful as a sunflower and charming as a rose.
Avijeet Das
Give me the strongest cheese, the one that stinks best; and I want the good wine, the swirl in crystal surrendering the bruised scent of blackberries, or cherries, the rich spurt in the back of the throat, the holding it there before swallowing. Give me the lover who yanks open the door of his house and presses me to the wall in the dim hallway, and keeps me there until I’m drenched and shaking, whose kisses arrive by the boatload and begin their delicious diaspora through the cities and small towns of my body. To hell with the saints, with martyrs of my childhood meant to instruct me in the power of endurance and faith, to hell with the next world and its pallid angels swooning and sighing like Victorian girls. I want this world. I want to walk into the ocean and feel it trying to drag me along like I’m nothing but a broken bit of scratched glass, and I want to resist it. I want to go staggering and flailing my way through the bars and back rooms, through the gleaming hotels and weedy lots of abandoned sunflowers and the parks where dogs are let off their leashes in spite of the signs, where they sniff each other and roll together in the grass, I want to lie down somewhere and suffer for love until it nearly kills me, and then I want to get up again and put on that little black dress and wait for you, yes you, to come over here and get down on your knees and tell me just how fucking good I look. - “For Desire
Kim Addonizio
John Hay, in The Immortal Wilderness, has written: 'There are occasions when you can hear the mysterious language of the Earth, in water, or coming through the trees, emanating from the mosses, seeping through the undercurrents of the soil, but you have to be willing to wait and receive.' Sometimes I hear it talking. The light of the sunflower was one language, but there are others more audible. Once, in the redwood forest, I heard a beat, something like a drum or a heart coming from the ground and trees and wind. That underground current stirred a kind of knowing inside me, a kinship and longing, a dream barely remembered that disappeared back to the body.... Tonight, I walk. I am watching the sky. I think of the people who came before me and how they knew the placement of the stars in the sky, watching the moving sun long and hard enough to witness how a certain angle of light touched a stone only once a year. Without written records, they knew the gods of every night, the small, fine details of the world around them and the immensity above them. Walking, I can almost hear the redwoods beating....It is a world of elemental attention, of all things working together, listening to what speaks in the blood. Whichever road I follow, I walk in the land of many gods, and they love and eat one another. Walking, I am listening to a deeper way. Suddenly all my ancestors are behind me. Be still, they say. Watch and listen. You are the result of the love of thousands.
Linda Hogan (Dwellings: A Spiritual History of the Living World)
Every second a million petitions wing past the ear of God. Let it be door number two. Get Janet through this. Make Mom fall in love again, make the pain go away, make this key fit. If I fish this cove, plant this field, step into this darkness, give me the strength to see it through. Help my marriage, my sister, me. What will this fund be worth in thirteen days? In thirteen years? Will I be around in thirteen years? And the most unanswerable of unanswerables: Don't let me die. And: What will happen afterward? Chandeliers and choirs? Flocks of souls like starlings harrying across the sky? Eternity; life again as bacteria, or as sunflowers, or as a leatherback turtle; suffocating blackness; cessation of all cellular function.
Anthony Doerr (About Grace)
in a crowd of roses, choose to be a sunflower. thornless. unwithering. abundant in seeds
JaTawny M. Chatmon
Who told me sunflowers were his favorite because they grew higher than people.
Ocean Vuong (On Earth We're Briefly Gorgeous)
No, the heart that has truly loved never forgets, But as truly loves on to the close, As the sunflower turns on her god when he sets The same look which she turned when he rose!
Thomas Moore
To forgive without justice is a self-satisfying weakness. Justice without love is a simulation of strength.
Hans Habe (The Sunflower: On the Possibilities and Limits of Forgiveness)
We loved each other and that's no laughing matter. She should have never made me put a bullet in her head. Our love made that so.
Locke Wood (Sunflowers & Scorched Earth: The History of American Vigilante Expression and The Found Works of B.L. Ashburn.)
I imagine I sow cuttings of Anna-Louise's hair, like the fine stems of dried flowers, and watch sunflowers grow from the cuttings. I imagine I bury a pocket calculator with liquid crystals spelling her name, then watch the earth shoot forth lightning bolts. 'We should open up a seafood house together,' Anna-Louise says when she wants to torture me. Now that's love.
Douglas Coupland (Shampoo Planet)
I have a whole world tucked away in my closet; sepia colored memories of my parents in the eighties, ticket stubs from movies I don’t remember because I was too busy exploring the mouth of a boy I do, and crinkled petals from a golden sunflower that said you still love me. And though you haven’t come back yet, I know you will, because sunflowers never lie. Sunflowers Never Lie
Emily Byrnes (Things I Learned in the Night)
Like That" Love me like a wrong turn on a bad road late at night, with no moon and no town anywhere and a large hungry animal moving heavily through the brush in the ditch. Love me with a blindfold over your eyes and the sound of rusty water blurting from the faucet in the kitchen, leaking down through the floorboards to hot cement. Do it without asking, without wondering or thinking anything, while the machinery’s shut down and the watchman’s slumped asleep before his small TV showing the empty garage, the deserted hallways, while the thieves slice through the fence with steel clippers. Love me when you can’t find a decent restaurant open anywhere, when you’re alone in a glaring diner with two nuns arguing in the back booth, when your eggs are greasy and your hash browns underdone. Snick the buttons off the front of my dress and toss them one by one into the pond where carp lurk just beneath the surface, their cold fins waving. Love me on the hood of a truck no one’s driven in years, sunk to its fenders in weeds and dead sunflowers; and in the lilies, your mouth on my white throat, while turtles drag their bellies through slick mud, through the footprints of coots and ducks. Do it when no one’s looking, when the riots begin and the planes open up, when the bus leaps the curb and the driver hits the brakes and the pedal sinks to the floor, while someone hurls a plate against the wall and picks up another, love me like a freezing shot of vodka, like pure agave, love me when you’re lonely, when we’re both too tired to speak, when you don’t believe in anything, listen, there isn’t anything, it doesn’t matter; lie down with me and close your eyes, the road curves here, I’m cranking up the radio and we’re going, we won’t turn back as long as you love me, as long as you keep on doing it exactly like that.
Kim Addonizio (Tell Me)
In my yellow room, Sunflowers with purple eyes stands out on a yellow background. They bath their stems in a yellow pot, on a yellow table. In a corner of the painting, the signature of the painter: Vincent. And the yellow sun that passes through the yellow curtains of my room floods all this fluorescence with gold. And in the morning upon awakening, from my bed, I imagin that all this smells very good. Oh yes! He loved yellow, this good Vincent, this painter from holland. Those glimmers of sunlight rekindled his soul That abhorred the fog, that needed the warmth. When two of us were together in arles, both of us mad and at constant war over the beauty of color, me, i loved the color red, Where to find a perfect vermilion? He traced with his most yellow brush on the wall, Suddenly turned violet. Je suis saint esprit Je suis sain d'espri. Paul gauguin, 1894.
Paul Gauguin
We haven’t got to the Sunflowers yet, said Michael. No, we haven’t, she said. You’re right. OK, so Vincent hoped to set up an artists’ studio down there in the South because he was keen to have friends and like-minded people around him. I think he was probably lonely, said Michael. What with the ear thing and the darkness. I think he was, too, said Dora. 1888 was the year, and he was waiting for another artist to join him, a man called Paul Gauguin. People say that, in all probability, he painted the Sunflowers as decoration for Gaugain’S room. Did lots of versions of them too, not just this. It’s a lovely thought, though, isn’t it? Some people say it’s not true but I like to think it is. Painting flowers as a sign of friendship and welcome. Men and boys should be capable of beautiful things. Never forget that, you two, she said, and she disappeared into the kitchen.
Sarah Winman (Tin Man)
My work is loving the world. Here the sunflowers, there the hummingbird— equal seekers of sweetness. Here the quickening yeast; there the blue plums. Here the clam deep in the speckled sand. Are my boots old? Is my coat torn? Am I no longer young, and still half-perfect? Let me keep my mind on what matters, which is my work, which is mostly standing still and learning to be astonished. The phoebe, the delphinium. The sheep in the pasture, and the pasture. Which is mostly rejoicing, since all the ingredients are here, which is gratitude, to be given a mind and a heart and these body-clothes, a mouth with which to give shouts of joy to the moth and the wren, to the sleepy dug-up clam, telling them all, over and over, how it is that we live forever.
Mary Oliver (Thirst)
Without the tender rays of your love, I am nothing but a withered sunflower.
Deborah Olajitan (Hearts & Flowers: An Anthology of Poems)
The sun will rise again!
Felicia Sanders (The Sunflower (The Sunflower, #1))
He is emotionally laid out in defeat, on his shield, to be laid out at her feet.
Locke Wood (Sunflowers & Scorched Earth: The History of American Vigilante Expression and The Found Works of B.L. Ashburn.)
Unholy battered old thing you were, my sunflower O my soul, I loved you then!
Allen Ginsberg (Howl and Other Poems)
The cold, cruel war is raging wildly but I will sow seeds of peace again and again. Garden of hope I foresee and spring is always lovely.
Bhuwan Thapaliya
i have no room for men who act like wolves anymore.
Isabella Dorta (how sunflowers bloom under moonlight: a collection of poems on love and heartbreak by isabella dorta)
It is hard to remember the day it is today For days that don’t shine Sun-Day is hard to forget in my memory For days that sunflowers
Goitsemang Mvula
Thirty is a few glasses of Chianti in a sunflower dress. Handpicked San Marzano tomatoes stewing while the breeze invites itself in. Freshly rolled bucatini against candlelit linen.
Kristy Ferretti
Dolphins are sunflowers of the water. They adore the Sun, they love the ocean and are kind to the land. They remind us to stay playful, keep our inner child safe and stand by loved ones.
Reena Doss
Knowing that there was such a thing as outdoors bred in us a hunger for property, for ownership. The firm possession of a yard, a porch, a grape arbor. Propertied black people spent all their energies, all their love, on their nests. Like frenzied, desperate birds, they overdecorated everything; fussed and fidgeted over their hard-won homes; canned, jellied, and preserved all summer to fill the cupboards and shelves; they painted, picked, and poked at every corner of their houses. And these houses loomed like hothouse sunflowers among the rows of weeds that were the rented houses.
Toni Morrison (The Bluest Eye (Vintage International))
For you, a thousand times over." "Children aren't coloring books. You don't get to fill them with your favorite colors." "...attention shifted to him like sunflowers turning to the sun." "But even when he wasn't around, he was." "When you kill a man, you steal a life. You steal a wife's right to a husband, rob his children of a father. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness. There is no act more wretched than stealing." "...she had a voice that made me think of warm milk and honey." "My heart stuttered at the thought of her." "...and I would walk by, pretending not to know her, but dying to." "It turned out that, like satan, cancer had many names." "Every woman needed a husband, even if he did silence the song in her." "The first time I saw the Pacific, I almost cried." "Proud. His eyes gleamed when he said that and I liked being on the receiving end of that look." "Make morning into a key and throw it into the well, Go slowly, my lovely moon, go slowly. Let the morning sun forget to rise in the East, Go slowly, lovely moon, go slowly." "Men are easy,... a man's plumbing is like his mind: simple, very few surprises. You ladies, on the other hand... well, God put a lot of thought into making you." "All my life, I'd been around men. That night, I discovered the tenderness of a woman." "And I could almost feel the emptiness in [her] womb, like it was a living, breathing thing. It had seeped into our marriage, that emptiness, into our laughs, and our lovemaking. And late at night, in the darkness of our room, I'd feel it rising from [her] and settling between us. Sleeping between us. Like a newborn child." "America was a river, roaring along unmindful of the past. I could wade into this river, let my sins drown to the bottom, let the waters carry me someplace far. Someplace with no ghosts, no memories, and no sins. If for nothing else, for that I embraced America." "...and every day I thank [God] that I am alive, not because I fear death, but because my wife has a husband and my son is not an orphan." "...lifting him from the certainty of turmoil and dropping him in a turmoil of uncertainty." "...sometimes the dead are luckier." "He walked like he was afraid to leave behind footprints. He moved as if not to stir the air around him." "...and when she locked her arms around my neck, when I smelled apples in her hair, I realized how much I had missed her. 'You're still the morning sun to me...' I whispered." "...there is a God, there always has been. I see him here, in the eys of the people in this [hospital] corridor of desperation. This is the real house of God, this is where those who have lost God will find Him... there is a God, there has to be, and now I will pray, I will pray that He will forgive that I have neglected Him all of these years, forgive that I have betrayed, lied, and sinned with impunity only to turn to Him now in my hour of need. I pray that He is as merciful, benevolent, and gracious as His book says He is.
Khalid Hosseini (The Kite Runner)
...so far, the sunflowers blended into one another, creating a solid carpet of golden yellow. Somewhere out there was my future. I couldn't see it. But I knew it was there. And for the first time ever, I was excited to go out and find it.
Tanya Guerrero (All You Knead Is Love)
Lollipops and raindrops Sunflowers and sun-kissed daisies Rolling surf and raging sea Sailing ships and submarines Old Glory and “purple mountain’s majesty” Screaming guitar and lilting rhyme Flight of fancy and high-steppin’ dances Set free my mind to wander… Imagine the ant’s marching journeys. Fly, in my mind’s eye, on butterfly wings. Roam the distant depths of space. Unfurl tall sails and cross the ocean. Pictures made just to enthrall Creating images from my truth Painting hopes and dreams on my canvas Capturing, through my lens, the ephemeral Let me ruminate ‘pon sensual darkness… Tremble o’er Hollywood’s fluttering Gothics… Ride the edge of my seat with the hero… Weep with the heroine’s desperation. Yet… more than all these things… Give me words spun out masterfully… Terms set out in meter and rhyme… Phrases bent to rattle the soul… Prose that always miraculously inspires me! The trill runs up my spine, as I recall… A touch… a caress…a whispered kiss… Ebony eyes embracing my soul… Two souls united in beat of hearts. A butterfly flutter in my womb My lover’s wonder o’er my swelling The testament of our love given life Newly laid in my lover’s arms Luminous, sweet ebony eyes Just so much like his father’s A gaze of wonder and contentment From my babe at mother’s breast Words of the Divine set down for me Faith, Hope, Love, and Charity Grace, Mercy, and undeserved Salvation “My Shepherd will supply my need” These are the things that inspire me.
D. Denise Dianaty (My Life In Poetry)
It's a beautifully beautiful day. A moment to reflect on the beautiful truth that a heart is like a garden. With Roses of Happiness, there would be thorns of pain, with Sunflowers of Joy, there would be weeds of dismay, with colours of Sunshine there would be covers of cloud, after all that's what makes a beautiful garden, a garden that thrives and breathes in all seasons with every hue of Life, every emotion that makes our heart alive in tears and smiles, feeling all the numbness of Life yet warming up to the possibility of a new day as the fallen leaves make way for the new ones, as the bee hums along a bud to see a blossoming rose no matter the thorns, no matter the waves of Life. It is a beautifully beautiful day, and I am happy to be alive. Alive to the possibility of a new day, a tomorrow where a whole new garden of new experiences awaits. To the Hope of Spring. Love & Light, always - Debatrayee
Debatrayee Banerjee
A tried stedfast woman is the one jewel of the sex. She points to her husband like the sunflower; her love illuminates him; she lives in him, for him; she testifies to his worth; she drags the world to his feet; she leads the chorus of his praises; she justifies him in his own esteem. Surely there is not on earth such beauty!
George Meredith (The Egoist)
Believe me, if all those endearing young charms, Which I gaze on so fondly to-day, Were to change by to-morrow, and fleet in my arms, Live fairy-gifts fading away, Thou wouldst still be adored, as this moment thou art, Let thy loveliness fade as it will, And around the dear ruin each wish of my heart Would entwine itself verdantly still. It is not while beauty and youth are thine own, And thy cheeks unprofaned by a tear, That the fervor and faith of a soul may be known, To which time will but make thee more dear! No, the heart that has truly loved never forgets, But as truly loves on to the close, As the sunflower turns on her god when he sets The same look which she turned when he rose!
Thomas Moore
No longer did he wish to be a fish or a sunflower — or anything else, for that matter. For sure, it was a great inconvenience to have to walk on two legs and wear clothes and eat with a knife and fork. There were so many things he didn’t know. Yet had he been a fish or a sunflower, and not a human being, he might never have experienced this emotion.
Haruki Murakami (Samsa in Love)
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy’s and talk about the day and type your letters and carry your boxes and laugh at your paranoia and give you tapes you don’t listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you’re sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the the programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you’re late and be amazed when you’re early and give you sunflowers and go to your party and dance till I’m black and be sorry when I’m wrong and happy when you forgive me and look at your photos and wish I’d known you forever and hear your voice in my ear and feel your skin on my skin (...) .
Sarah Kane (Crave)
I am slowly learning to disregard the insatiable desire to be special. I think it began, the soft piano ballad of epiphanic freedom that danced in my head, when you mentioned that "Van Gogh was her thing" while I stood there in my overall dress, admiring his sunflowers at the art museum. And then again on South Street, while we thumbed through old records and I picked up Morrissey and you mentioned her name like it was stuck in your teeth. Each time, I felt a paintbrush on my cheeks, covering my skin in grey and fading me into a quiet, concealed background that hummed everything you've ever loved has been loved before, and everything you are has already been on an endless loop. It echoed in your wrists that I stared at, walking (home) in the middle of the street, and I felt like a ghost moving forward in an eternal line, waiting to haunt anyone who thought I was worth it. But no one keeps my name folded in their wallet. Only girls who are able to carve their names into paintings and vinyl live in pockets and dust bunnies and bathroom mirrors. And so be it, that I am grey and humming in the background. I am forgotten Sundays and chipped fingernail polish and borrowed sheets. I'm the song you'll get stuck in your head, but it will remind you of someone else. I am 2 in the afternoon, I am the last day of winter, I am a face on the sidewalk that won't show up in your dreams. And I am everywhere, and I am nothing at all.
Madisen Kuhn (eighteen years)
No longer did he wish to be a fish or a sunflower — or anything else, for that matter. For sure, it was a great inconvenience to have to walk on two legs and wear clothes and eat with a knife and fork. There were so many things he didn’t know. Yet had he been a fish or a sunflower, and not a human being, he might never have experienced this emotion. So he felt.
Haruki Murakami (Samsa in Love)
To fill the days up of his dateless year Flame from Queen Helen to Queen Guenevere? For first of all the sphery signs whereby Love severs light from darkness, and most high, In the white front of January there glows The rose-red sign of Helen like a rose: And gold-eyed as the shore-flower shelterless Whereon the sharp-breathed sea blows bitterness, A storm-star that the seafarers of love Strain their wind-wearied eyes for glimpses of, Shoots keen through February's grey frost and damp The lamplike star of Hero for a lamp; The star that Marlowe sang into our skies With mouth of gold, and morning in his eyes; And in clear March across the rough blue sea The signal sapphire of Alcyone Makes bright the blown bross of the wind-foot year; And shining like a sunbeam-smitten tear Full ere it fall, the fair next sign in sight Burns opal-wise with April-coloured light When air is quick with song and rain and flame, My birth-month star that in love's heaven hath name Iseult, a light of blossom and beam and shower, My singing sign that makes the song-tree flower; Next like a pale and burning pearl beyond The rose-white sphere of flower-named Rosamond Signs the sweet head of Maytime; and for June Flares like an angered and storm-reddening moon Her signal sphere, whose Carthaginian pyre Shadowed her traitor's flying sail with fire; Next, glittering as the wine-bright jacinth-stone, A star south-risen that first to music shone, The keen girl-star of golden Juliet bears Light northward to the month whose forehead wears Her name for flower upon it, and his trees Mix their deep English song with Veronese; And like an awful sovereign chrysolite Burning, the supreme fire that blinds the night, The hot gold head of Venus kissed by Mars, A sun-flower among small sphered flowers of stars, The light of Cleopatra fills and burns The hollow of heaven whence ardent August yearns; And fixed and shining as the sister-shed Sweet tears for Phaethon disorbed and dead, The pale bright autumn's amber-coloured sphere, That through September sees the saddening year As love sees change through sorrow, hath to name Francesca's; and the star that watches flame The embers of the harvest overgone Is Thisbe's, slain of love in Babylon, Set in the golden girdle of sweet signs A blood-bright ruby; last save one light shines An eastern wonder of sphery chrysopras, The star that made men mad, Angelica's; And latest named and lordliest, with a sound Of swords and harps in heaven that ring it round, Last love-light and last love-song of the year's, Gleams like a glorious emerald Guenevere's.
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
Dear Maddie, You are currently five, and very fond of the color yellow. In fact, yesterday you asked me if you could marry it. I hope you still wear it all the time. (I also hope you found someone a bit more suitable for marriage.) Fun fact of the day: When the Spanish explorers reached the Americas, they thought sunflowers were made of gold. The human brain is so imaginative! Stay creative, always. Love, Mom. x
L.J. Shen (The Devil Wears Black)
Tom O’ Bedlam among the Sunflowers" To have gold in your back yard and not know it. . . I woke this morning before your dream had shredded And found a curious thing: flowers made of gold, Six-sided—more than that—broken on flagstones, Petals the color of a wedding band. You are sleeping. The morning comes up gold. Perhaps I made those flowers in my head, For I have counted snowflakes in July Blowing across my eyes like bits of calcium, And I have stepped into your dream at night, A stranger there, my body steeped in moonlight. I watched you tremble, washed in all that silver. Love, the stars have fallen into the garden And turned to frost. They have opened like a hand. It is the color that breaks out of the bedsheets. This morning the garden is littered with dry petals As yellow as the page of an old book. I step among them. They are brittle as bone china.
Thomas James (Letters to a Stranger (Re/View))
Savannah, darlin’?” “Yes, Mama. Come in.” Her mother opened the door a crack, then slipped into the room, carrying the largest, most extravagant bouquet of wildflowers Savannah had ever seen. Wildflowers that smelled of lilac and honeysuckle and the outdoors. She breathed deeply and sighed, looking at her mother in question. “Asher Lee,” she said, “is downstairs.” Savannah felt her mouth tilt up into an involuntary smile and her eyes flood with tears. Her mother set the bouquet on her vanity and put her arm around Savannah. “Whatever he did, he’s awful sorry, button.” “He yelled at me and made me cry.” “Guessing he didn’t mean whatever it is he said.” “He thinks I want him to change.” “Well, of course you do,” said her mother matter-of-factly, swiping at Savannah’s tears with the corner of her sunflower apron. “We all want to change the men we love. Leave our mark on them.” “Oh, I don’t lov—” “Of course you don’t. I was just makin’ conversation.
Katy Regnery (The Vixen and the Vet (A Modern Fairytale, #1))
There is a monstrous garden in the sky Nightly they sow it fresh. Nightly it springs, Luridly splendid, towards the moon on high. Red-poppy flares, and fire-bombs rosy-bright Shell-bursts like hellborn sunflowers, gold and white Lilies, long-stemmed, that search the heavens' height... They tend it well, these gardeners on wings! How rich these blossoms, hideously fair Sprawling above the shuddering citadel As though ablaze with laughter! Lord, how long Must we behold them flower, ruthless, strong Soaring like weeds the stricken worlds among Triumphant, gay, these dreadful blooms of hell? O give us back the garden that we knew Silent and cool, where silver daisies lie, The lovely stars! O garden purple-blue Where Mary trailed her skirts amidst the dew Of ageless planets, hand-in-hand with You And Sleep and Peace walked with Eternity..... But here I sit, and watch the night roll by. There is a monstrous garden in the sky! (written during an air raid, London, midnight, October 1941)
Margery Lawrence
Nothing, again, could be more prosaic and impenetrable than the domestic energies of Miss Diana Duke. But Innocent had somehow blundered on the discovery that her thrifty dressmaking went with a considerable feminine care for dress--the one feminine thing that had never failed her solitary self-respect. In consequence Smith pestered her with a theory (which he really seemed to take seriously) that ladies might combine economy with magnificence if they would draw light chalk patterns on a plain dress and then dust them off again. He set up "Smith's Lightning Dressmaking Company," with two screens, a cardboard placard, and box of bright soft crayons; and Miss Diana actually threw him an abandoned black overall or working dress on which to exercise the talents of a modiste. He promptly produced for her a garment aflame with red and gold sunflowers; she held it up an instant to her shoulders, and looked like an empress. And Arthur Inglewood, some hours afterwards cleaning his bicycle (with his usual air of being inextricably hidden in it), glanced up; and his hot face grew hotter, for Diana stood laughing for one flash in the doorway, and her dark robe was rich with the green and purple of great decorative peacocks, like a secret garden in the "Arabian Nights." A pang too swift to be named pain or pleasure went through his heart like an old-world rapier. He remembered how pretty he thought her years ago, when he was ready to fall in love with anybody; but it was like remembering a worship of some Babylonian princess in some previous existence. At his next glimpse of her (and he caught himself awaiting it) the purple and green chalk was dusted off, and she went by quickly in her working clothes.
G.K. Chesterton (Manalive (Hilarious Stories))
Nature loves logarithmic spirals. From sunflowers, seashells, and whirlpools, to hurricanes and giant spiral galaxies, it seems that nature chose this marvelous shape as its favorite "ornament." The constant shape of the logarithmic spiral on all size scales reveals itself beautifully in nature in the shapes of minuscule fossils or unicellular organisms known as foraminifera. Although the spiral shells in this care are composite structures (and not one continuous tube), X-ray images of the internal structure of these fossils show that the shape of the logarithmic spiral remained essentially unchanged for millions of years.
Mario Livio (The Golden Ratio: The Story of Phi, the World's Most Astonishing Number)
Brightly and merrily swaying, like an April shower, came the young lady. Perhaps if she had been sad and conscience stricken, like certain dames of old who left the site of their illicit love as woe-begone as the passing moment that never returns; if the lady had approached in full cognizance of her frailty, ready to forego a man's respectful handkisses of greeting, and trembling in shame at the tryst exposed in broad daylight, like Risoulette, sixty-six times, whenever having misbehaved, she hastened back home teary-eyed to her Captain; or if a lifelong memory's untearable veil had floated over her fine features, like the otherworldly wimple of a nun . . . Then Pistoli would have stood aside, closed his eyes, swallowed the bitter pill, and come next winter, might have scrawled on the wall something about women's unpredictability. Then he would have glimpsed ghostly, skeletal pelvic bones reflected in his wine goblet, and strands of female hair, once wrapped around the executioner's wrist, hanging from his rafters; and would have heard wails and cackles emanating from the cellar's musty wine casks, but eventually Pistoli would have forgiven this fading memory, simply because women are related to the sea and the moon, and that is why at times they know not what they do.
Gyula Krúdy (Sunflower)
I want to tell you what I think the sex act is. I think it is like a lovely piece of music, conceived quietly in a background of mutual affection and understanding, made possible by instincts which lean toward each other as naturally as the sunflower slowly turning its lovely face to the sun. I think it is an aria of the sex symphony; an aria which begins beautifully certain of its rightness, moves with that certainty to a distinct tempo of feeling, sings itself happily, steadily, working, working, to a screaming, bursting climax of indescribable beauty and rapture and then throbs, spent and grateful in a re-dedication for the next movement of its perfection.
Terry Teachout (Duke: A Life of Duke Ellington)
I’m just getting to the good stuff (Cressida must seduce Nigel to gain access to the spy codes!) when Josh walks out of his house to get the mail. He sees me too; he lifts his hand like he’s just going to wave and not come over, but then he does. “Hey, nice onesie,” he says as he makes his way across the driveway. It’s faded light blue with sunflowers and it ties around the neck. I got it from the vintage store, 75 percent off. And it’s not a onesie. “This is a sunsuit,” I tell him, going back to my book. I try to subtly hide the cover with my hand. The last thing I need is Josh giving me a hard time for reading a trashy book when I’m just trying to enjoy a relaxing afternoon. I can feel him looking at me, his arms crossed, waiting. I look up. “What?” “Wanna see a movie tonight at the Bess? There’s a Pixar movie playing. We can take Kitty.” “Sure, text me when you want to head over,” I say, turning the page of my book. Nigel is unbuttoning Cressida’s blouse and she’s wondering when the sleeping pill she slipped in his Merlot will kick in, while simultaneously hoping it won’t kick in too soon, because Nigel is actually quite a good kisser. Josh reaches down and tries to get a closer look at my book. I slap his hand away, but not before he reads out loud, “Cressida’s heart raced as Nigel moved his hand along her stockinged thigh.” Josh cracks up. “What the heck are you reading?” My cheeks are burning. “Oh, be quiet.” Chuckling, Josh backs away. “I’ll leave you to Cressida and Noel then.” To his back, I call out, “For your information, it’s Nigel!
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Sometimes 1. Something came up out of the dark. It wasn’t anything I had ever seen before. It wasn’t an animal or a flower, unless it was both. Something came up out of the water, a head the size of a cat but muddy and without ears. I don’t know what God is. I don’t know what death is. But I believe they have between them some fervent and necessary arrangement. 2. Sometime melancholy leaves me breathless… 3. Water from the heavens! Electricity from the source! Both of them mad to create something! The lighting brighter than any flower. The thunder without a drowsy bone in its body. 4. Instructions for living a life: Pay attention. Be astonished. Tell about it. 5. Two or three times in my life I discovered love. Each time it seemed to solve everything. Each time it solved a great many things but not everything. Yet left me as grateful as if it had indeed, and thoroughly, solved everything. 6. God, rest in my heart and fortify me, take away my hunger for answers, let the hours play upon my body like the hands of my beloved. Let the cathead appear again- the smallest of your mysteries, some wild cousin of my own blood probably- some cousin of my own wild blood probably, in the black dinner-bowl of the pond. 7. Death waits for me, I know it, around one corner or another. This doesn’t amuse me. Neither does it frighten me. After the rain, I went back into the field of sunflowers. It was cool, and I was anything but drowsy. I walked slowly, and listened to the crazy roots, in the drenched earth, laughing and growing. Mary Oliver, Red Bird (Beacon Press, 2008)
Mary Oliver (Red Bird)
Do not worry,” the Rebbe told me, or rather I told myself using the image of that aged Jew who was dressed as a rabbi. “Loneliness means not knowing how to be with oneself.” Of course, I do not mean to imply that a child of seven years can speak in such a fashion. But I understood these things, albeit not in a rational manner. The Rebbe, being an internal image, put things into my mind that were not intellectual. He made me feel something that I swallowed, in the way that a newly hatched eaglet, its eyes still closed, swallows the worm that is placed in its beak. Much later as an adult I began to find words to translate things that were, at that young age—how can I explain it?—openings into other planes of reality. “You are not alone. Remember last week when you were surprised to see a sunflower growing in the courtyard? You concluded that the wind had blown a seed there. A seed, though it looks insignificant, contains the future flower. This seed somehow knew what plant it was going to be, and this plant was not just in the future: although immaterial, although only a design, the sunflower existed there, in that seed, blowing in the wind over hundreds of kilometers. And not only was the plant there, but also the love of light, the turning in search of the sun, the mysterious union with the pole star, and—why not?—a form of consciousness. You are not different. All that you are going to be, you are. What you will know, you already know. What you will search for, you are already seeking: it is in you. I may not be real, but the old man who you now see, although he has my inconsistent appearance, is real because he is you, which is to say, he is what you will be.
Alejandro Jodorowsky (The Dance of Reality: A Psychomagical Autobiography)
If I knew you were going to die, I'd make your last moment on earth last forever. I'd take you to the Eiffel Tower in Paris and make sure that you have the most romantic dinner your life. I'd fill your room with hundreds of wild sunflowers, so that even in death, you may carry the scent of something beautiful. If you were to die I'd make sure to drag you through an amusement park and ride all the crazy rides with you, eat all that ice cream with you, win all those stuffed animals for you. If you were to die, I’d beat up every single person in the world who has ever hurt you. I’d protect you with my life. I’ll protect you with everything I own, everything I have, everything I can give. If I knew you were going to die, I’d cut out my own heart for you. I’d cut it out so you could have it. So that you could live. Because I sure as hell can't live without you.
Anonymous
I know I will not find us lying beneath the stars. We won’t be walking through the sunflower fields. We won’t fall in love with the sun rise, or kiss in the afternoon. Maybe I’ll miss you, and then I’ll cry for you. And when I’ll miss you, I’ll look for you on my bookshelf. You’ll be there in between four hundred pages. Maybe covered in dust, maybe stained with tears, I’ll wipe it with my yellow t-shirt, The one I wore on October first. But no matter how much I cry, with a broken heart, on a Saturday night. I’ll grab the book close to my heart. Then I’ll close my hazy eyes and see you smile under clear sky. I’ll stay an old soul and you’ll stay my vintage dream. A dream that will bring me back to life like a fantasy novel, and break my heart like a dead poetry. I’ll open my eyes, the illusions will be destroyed. But no matter how much I cry. About you, I’ll never write. This isn’t our song. But years later, on a winter night, if ever, you’ll call it our song. Then believe me, in a blink, I’ll call it a love song.
Snehil Niharika (That’ll Be Our Song)
No one believed that the author was the Chinese who received the prize. At the end of the last century, fleeing the scourge of yellow fever that devastated Panama during the construction of the railroad between the two oceans, he had arrived with many others who stayed here until they died, living in Chinese, reproducing in Chinese, and looking so much alike that no one could tell one from the other. At first, there were no more than ten, some of them with their wives and children and edible dogs, but in a few years, four narrow streets in the slums along the port were overflowing with other unexpected Chinese, who came into the country without leaving a trace in the customs record....In the popular view, they were divided into two kinds: bad Chinese and good Chinese. The bad ones were the ones in the lugubrious restaurants along the water front where one was as likely to eat like a King as to die a sudden death at the table, sitting before a plate of rat meat with sunflowers, and which were thought to be nothing more than fronts for white slavery, and many other kinds of trafficking. The good ones were the Chinese in the laundries, heirs of a sacred knowledge, who returned one's shirts cleaner than new, with collars and cuffs like recently ironed communion wafers.
Gabriel García Márquez (Love in the Time of Cholera)
A musical laugh sprang free, her happy smile trailing behind, and I was in heaven. “Until you,” she agreed. She squinted one eye and added, “Though you should know, I’m probably gonna be really, really bad at it.” The expression on her face said she honestly believed it, and I couldn’t wait to prove her wrong. I leaned close to her ear and whispered across her skin, “That’s impossible.” Peyton’s breath caught in a gasp, and I angled back to see her face. That’s when the moment changed. Sounds of the emptying baseball field fell away. The cool air around us kindled. The soft smile on her face faded as she looked into my eyes, shifting her gaze between them to see what I’d do next. Part of me wondered the same thing. I’d kissed dozens of girls before. Some I wanted, others purely because I was bored. But I’d never felt anything like this. Anticipation. Want. Fear. Unlike any other kiss I’d ever shared, this one needed to be epic. Girls remembered their first kiss for the rest of their lives, and I had to leave Peyton with something good to cling to later… when I inevitably screwed everything up. Gauging her reaction, I slowly lowered my head and watched her soft lips part. Adrenaline surged through my veins at the swipe of her tongue. She nodded once, silently giving me permission, then closed her eyes. Inhaling the scent of sunflowers, I kissed her.
Rachel Harris (The Natural History of Us (The Fine Art of Pretending, #2))
Madrid. It was that time, the story of Don Zana 'The Marionette,' he with the hair of cream-colored string, he with the large and empty laugh like a slice of watermelon, the one of the Tra-kay, tra-kay, tra-kay, tra-kay, tra-kay, tra on the tables, on the coffins. It was when there were geraniums on the balconies, sunflower-seed stands in the Moncloa, herds of yearling sheep in the vacant lots of the Guindalera. They were dragging their heavy wool, eating the grass among the rubbish, bleating to the neighborhood. Sometimes they stole into the patios; they ate up the parsley, a little green sprig of parsley, in the summer, in the watered shade of the patios, in the cool windows of the basements at foot level. Or they stepped on the spread-out sheets, undershirts, or pink chemises clinging to the ground like the gay shadow of a handsome young girl. Then, then was the story of Don Zana 'The Marionette.' Don Zana was a good-looking, smiling man, thin, with wide angular shoulders. His chest was a trapezoid. He wore a white shirt, a jacket of green flannel, a bow tie, light trousers, and shoes of Corinthian red on his little dancing feet. This was Don Zana 'The Marionette,' the one who used to dance on the tables and the coffins. He awoke one morning, hanging in the dusty storeroom of a theater, next to a lady of the eighteenth century, with many white ringlets and a cornucopia of a face. Don Zana broke the flower pots with his hand and he laughed at everything. He had a disagreeable voice, like the breaking of dry reeds; he talked more than anyone, and he got drunk at the little tables in the taverns. He would throw the cards into the air when he lost, and he didn't stoop over to pick them up. Many felt his dry, wooden slap; many listened to his odious songs, and all saw him dance on the tables. He liked to argue, to go visiting in houses. He would dance in the elevators and on the landings, spill ink wells, beat on pianos with his rigid little gloved hands. The fruitseller's daughter fell in love with him and gave him apricots and plums. Don Zana kept the pits to make her believe he loved her. The girl cried when days passed without Don Zana's going by her street. One day he took her out for a walk. The fruitseller's daughter, with her quince-lips, still bloodless, ingenuously kissed that slice-of-watermelon laugh. She returned home crying and, without saying anything to anyone, died of bitterness. Don Zana used to walk through the outskirts of Madrid and catch small dirty fish in the Manzanares. Then he would light a fire of dry leaves and fry them. He slept in a pension where no one else stayed. Every morning he would put on his bright red shoes and have them cleaned. He would breakfast on a large cup of chocolate and he would not return until night or dawn.
Rafael Sánchez Ferlosio (Adventures of the Ingenious Alfanhui)
And for the four remaining days - the ninety-six remaining hours - we mapped out a future away from everything we knew. When the walls of the map were breached, we gave one another courage to build them again. And we imagined our home an old stone barn filled with junk and wine and paintings, surrounded by fields of wildflowers and bees. I remember our final day in the villa. We were supposed to be going that evening, taking the sleeper back to England. I was on edge, a mix of nerves and excitement, looking out to see if he made the slightest move toward leaving, but he didn’t. Toiletries remained on the bathroom shelves, clothes stayed scattered across the floor. We went to the beach as usual, lay side by side in our usual spot. The heat was intense and we said little, certainly nothing of our plans to move up to Provence, to the lavender and light. To the fields of sunflowers. I looked at my watch. We were almost there. It was happening. I kept saying to myself, he’s going to do it. I left him on the bed dozing, and went out to the shop to get water and peaches. I walked the streets as if they were my new home. Bonjour to everyone, me walking barefoot, oh so confident, free. And I imagined how we’d go out later to eat, and we’d celebrate at our bar. And I’d phone Mabel and Mabel would say, I understand. I raced back to the villa, ran up the stairs and died. Our rucksacks were open on the bed, our shoes already packed away inside. I watched him from the door. He was silent, his eyes red. He folded his clothes meticulously, dirty washing in separate bags. I wanted to howl. I wanted to put my arms around him, hold him there until the train had left the station. I’ve got peaches and water for the journey, I said. Thank you, he said. You think of everything. Because I love you, I said. He didn’t look at me. The change was happening too quickly. Is there a taxi coming? My voice was weak, breaking. Madame Cournier’s taking us. I went to open the window, the scent of tuberose strong. I lit a cigarette and looked at the sky. An airplane cast out a vivid orange wake that ripped across the violet wash. And I remember thinking, how cruel it was that our plans were out there somewhere. Another version of our future, out there somewhere, in perpetual orbit. The bottle of pastis? he said. I smiled at him. You take it, I said. We lay in our bunks as the sleeper rattled north and retraced the journey of ten days before. The cabin was dark, an occasional light from the corridor bled under the door. The room was hot and airless, smelled of sweat. In the darkness, he dropped his hand down to me and waited. I couldn’t help myself, I reached up and held it. Noticed my fingertips were numb. We’ll be OK, I remember thinking. Whatever we are, we’ll be OK. We didn’t see each other for a while back in Oxford. We both suffered, I know we did, but differently. And sometimes, when the day loomed gray, I’d sit at my desk and remember the heat of that summer. I’d remember the smells of tuberose that were carried by the wind, and the smell of octopus cooking on the stinking griddles. I’d remember the sound of our laughter and the sound of a doughnut seller, and I’d remember the red canvas shoes I lost in the sea, and the taste of pastis and the taste of his skin, and a sky so blue it would defy anything else to be blue again. And I’d remember my love for a man that almost made everything possible./
Sarah Winman (Tin Man)
She'd loved birds long before her physical limitations kept her grounded. She'd found a birding diary of her grandmother's in a trunk in the attic when she was Frankie's age, and when she asked her father about it, he dug through boxes on a shelf high above her head, handing down a small pair of binoculars and some field guides. She'd seen her first prothonotary warbler when she was nine, sitting alone on a tupelo stump in the forest, swatting at mosquitoes targeting the pale skin behind her ears. She glanced up from the book she was reading only to be startled by an unexpected flash of yellow. Holding her breath, she fished for the journal she kept in her pocket, focusing on the spot in the willow where he might be. A breeze stirred the branches, and she saw the brilliant yellow head and underparts standing out like petals of a sunflower against the backdrop of leaves; the under tail, a stark white. His beak was long, pointed and black; his shoulders a mossy green, a blend of the citron yellow of his head and the flat slate of his feathers. He had a black dot of an eye, a bead of jet set in a field of sun. Never had there been anything so perfect. When she blinked he disappeared, the only evidence of his presence a gentle sway of the branch. It was a sort of magic, unveiled to her. He had been hers, even if only for a few seconds. With a stub of pencil- 'always a pencil,' her grandmother had written. 'You can write with a pencil even in the rain'- she noted the date and time, the place and the weather. She made a rough sketch, using shorthand for her notes about the bird's coloring, then raced back to the house, raspberry canes and brambles speckling bloody trails across her legs. In the field guide in the top drawer of her desk, she found him again: prothonotary warbler, 'prothonotary' for the clerks in the Roman Catholic Church who wore robes of a bright yellow. It made absolute sense to her that something so beautiful would be associated with God. After that she spent countless days tromping through the woods, toting the drab knapsack filled with packages of partially crushed saltines, the bottles of juice, the bruised apples and half-melted candy bars, her miniature binoculars slung across one shoulder. She taught herself how to be patient, how to master the boredom that often accompanied careful observation. She taught herself how to look for what didn't want to be seen.
Tracy Guzeman (The Gravity of Birds)
The perfect girl what can I say; to be so close yet, feel miles away. I want to run to her, but have to walk out the door going the other way. The only words spoken to her are- ‘Have a nice day.’ I think about her and the summer, and what it could have been with her. It reminds me of- sixteen, you are on my mind all the time. I think about you. It is like a vision of the stars shining, ribbon wearing, bracelet making, and holding hands forever. All the sunflowers in the hayfields and kissing in the rain, no more brick walls, no more falling teardrops of pain, and no more jigsaw puzzle pieces would remain. True love should not be such a game; does she feel the same. She is everything that I cannot have, and everything I lack. What if every day could be like this- Diamond rings, football games, and movies on the weekends? It is easy to see she belongs to me; she is everything that reminds me of ‘sixteen’ everything that is in my dreams. Everything she does is amazing, but then again, I am just speculating, and fantasizing about Nevaeh Natalie, who just turned the age of sixteen! Nevaeh- I recall my first boy kiss was not at all, what I thought it was going to be like. I was wearing a light pink dress, and flip-flops that were also pink with white daisy flowers printed on them. I loosened my ponytail and flipped out my hair until my hair dropped down my back, and around my shoulders. That gets A guy going every time, so I have read online. He was wearing ripped-up jeans and a Led Zeppelin t-shirt. He said that- ‘My eyes sparkled in blue amazement, which was breathtaking, that he never saw before.’ Tell me another line… I was thinking, while Phil Collins ‘Take Me Home’ was playing in the background. I smiled at him, he began to slowly lean into me, until our lips locked. So, enjoy, he kissed me, and my heart was all aflutter. When it happened, I felt like I was floating, and my stomach had butterflies. My eyes fastened shut with no intentions of me doing so during the whole thing. When my eyes unfastened my feelings of touch engaged, and I realized that his hands are on my hips. His hands slowly moved up my waist, and my body. I was trembling from the exhilaration. Plus, one thing led to another. It was sort of my first time, kissing and playing with him you know a boy, oh yet not really, I had gotten to do some things with Chiaz before like, in class as he sat next to me. I would rub my hand on it under the desks- yeah, he liked that, and he would be. Oh, how could I forget this… there was this one time in the front seat of his Ford pickup truck, we snuck off… and this was my first true time gulping down on him, for a lack of a better term. As I had my head in his lap and was about to move up for him to go in me down there, I was about to get on top and let him in me. When we both heard her this odd, yet remarkably loud scream of bloody murder! Ava was saying- ‘You too were going to fuck! What the fuck is going on here? Anyways, Ava spotted us before he got to ‘Take me!
Marcel Ray Duriez (Nevaeh The Miracle)
Divinity, not machines. Standing among the sunflowers, I craved divinity.
Michael Paterniti (The Telling Room: A Tale of Love, Betrayal, Revenge, and the World's Greatest Piece of Cheese)
Anoint the saucepan with a touch of sunflower seed oil. Grease its scars, and as soon as the oils heats up, sprinkle with flour, pour on the bouillon and the moonshine strong as the hearts of the village man who knows not how to love with his words, only with his actions, and ass the chopped apple.
Vladimir Lorchenkov (The Good Life Elsewhere)
You try to predict movements by drawing on patterns in nature. Yes, of course, the mathematical properties of tree rings, sunflower seeds, the limbs of galactic spirals. I learned this. I loved the cross harmonies between nature and data. You taught me this. You made this form of analysis horribly and sadistically precise. But you forgot something along the way." "What?" "The importance of the lopsided. The thing that's skewed a little. You were looking for balance - beautiful balance, equals parts, equal sides, I know this. I know you.
Don DeLillo
Lydia paused, looking out at the forest, now decked with echoes of brilliant hues, and saw, to her delight, what Pit's seeds had grown into. For among the trees and bushes and vines, were the bright gold blossoms of dozens of sunflowers, turning their great beautiful heads towards the sun, and the world was filled with the sweet earthy fragrance of their flowers.
Millie Florence (Lydia Green Of Mulberry Glen)
I dream and drift, a double self, me and that woman … A great weariness becomes a black fire that consumes me … A great, passive yearning becomes the false life embracing me … Such a dull happiness! Being eternally at a point where two paths fork! I dream and behind me someone else is dreaming with me … Perhaps I am only the dream of that nonexistent Someone … Outside, the ever-distant dawn! The forest so intensely present to those other eyes of mine! When I’m far from that landscape, I almost forget it, and only when I have it here before me do I miss it, and only when I walk through it do I weep and long for it … The trees, the flowers, the secret, tree-thick paths! We would sometimes walk together, arm in arm, beneath the cedars and the Judas trees, and neither of us even gave a thought to living. Our flesh was a vague perfume and our life the echo of a bubbling spring. We would hold hands, and our eyes would wonder what it would be like to be a sensual being and to want to make flesh the illusion of love … In our garden there were flowers of every beautiful kind — roses with curled petals, white lilies tinged with yellow, poppies that would have been hidden had their red blush not betrayed their presence, a few violets on the crowded edges of the flower beds, tiny forget-me-nots, camellias barren of scent … And, erect above the tall grasses, the wide eyes of lone sunflowers would watch us.
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
[...] sunflowers in fields, titling their necks longingly towards a shifting sun, like lovers who knew they would never be loved the way they wished.
Elif Shafak (10 Minutes 38 Seconds in This Strange World)
To imagine Xiao Sheng falling in love with another person, to kiss another, touch another, and do the things they do together, he just can't bear those thoughts. He rather has a knife stabbed repeatedly in his heart.
Bai Bai (The Only Sunflower I See Is You (Vol. 1): A Chinese BL Novel)
The more his teary eyes study Xiao Sheng's calm reaction, the more he feels the love of his life slipping away. Why can't he reach him? He feels so distant. What's this unfamiliar distance? And with each breath Wang Shuyu breathes in, he begins to suffocate.
Bai Bai (The Only Sunflower I See Is You (Vol. 1): A Chinese BL Novel)
Xiao Sheng is his hobby. Actually, Xiao Sheng’s more than a hobby. He's a religion. Actually, he's not just that. Xiao Sheng is his everything. It's unacceptable to give a wrong answer. If he gives a wrong answer, he won't touch the love of his life for a week. Not touching his lover is nearly impossible for him to do, especially when they are this close.
Bai Bai (The Only Sunflower I See Is You (Vol. 3): A Chinese BL Novel)
If I'm cool, then when you date, date someone with similar traits to me. If you're going to love, love someone who loves you, is willing to understand, support, and proudly show you off, not keep you hidden
Bai Bai (The Only Sunflower I See Is You (Vol. 3): A Chinese BL Novel)
The gentleness hidden in those fierce eyes is mesmerizing and drawing him into a trap that he will voluntarily walk into. Thinking about it, the view of the street from this angle of the alley looks more beautiful than the angle in the café. As expected of Spring, the season of blossoms, alive colors of green fluttering in the subtle wind, fluttering like hearts wavering with the essence of falling in love, with the sunlight shining through the parallel lines of trees make the overall scene intriguingly astonishing. It feels warm as well. Not from the sunlight. But more from the hand that currently holds on to his hand.
Bai Bai (The Only Sunflower I See Is You (Vol. 1): A Chinese BL Novel)
Wang Shuyu stares endearingly at Xiao Sheng as more buttons are being buttoned. He watches how Xiao Sheng would complain but always ends up doing it if it's what he wants. Why is Xiao Sheng lovely like this? Being lovely like this, Wang Shuyu can't help but adore and succumb to his knees for this person.
Bai Bai (The Only Sunflower I See Is You (Vol. 3): A Chinese BL Novel)
The healthiest carbohydrates come from whole grains, legumes, vegetables and whole fruits. The least healthy carbohydrates come from white bread, white rice, past and other refined grains, sugary foods and drinks and potatoes. There is an easy way to tell healthy fats from unhealthy fats. Most of the healthy fats - the monounsaturated and polyunsaturated fats - come from plants and are liquid at room temperature. Rich green olive oil, golden sunflower oil, the oil that rises to the top of a jar of natural nut butter and the oils that come from fatty fish and all examples of healthy unsaturated fats. The unhealthy fats ( saturated fats ) and the very unhealthy fats ( trans fats ) tend to be solid at room temperature, such as the fat that marbles a steak or that is found in a stick of butter. Meat and full fat dairy products are the biggest sources of saturated fat in the western diet. So for good health, enjoy healthy fats, limit saturated fat and avoid trans fat. Mindfulness practice touches the stillness in ourselves. It allows us to calm down and reflect so that we can reconnect with our true self. When we are free from our automatic responses, we can see more clearly things as they are, from moment to moment, without judgment, preconceived notions or bias. We get to know ourselves better. We become more more in tune with our own feelings, actions and thoughts as well as with the feelings, actions and thoughts of others. You need to ask yourself what is it that you really want. Often our habit energy and fear prevent us from identifying what we want and from living healthily. The essential point is that we do not try to repress our afflictions, our negative energies, because the more we resist or fight them, the stronger they will grow in us. We need only to learn to recognize them, embrace them and bathe them in the energy of mindfulness. Once you can be in the present, you will recognize that your fears, anger and despair are all projections from the past. They are not the present reality. Don't just sit there and wait for your negative feelings to pass. Complaining will not change your life. Change your thinking and you can let go of limitations you imposed on yourself. Explore and be proactive. I am aware that happiness depends on my mental attitude and not on external conditions and that I can live happily in the present moment simply by remembering that I already have more than enough conditions to be happy. Aware of the suffering caused by unmindful speech and the inability to listen to others, I am committed to cultivating loving speech and compassionate listening in order to relieve suffering and to promote reconciliation and peace in myself and among other people. I am determined not to try to cover up loneliness, anxiety or other suffering by losing myself in consumption.
Thich Nhat Hanh (Savor: Mindful Eating, Mindful Life)
And the more I thought about it, the more I realized how much I really did love him. The next morning, I stuffed my backpack full of the most impressive books on my shelf, bought a bouquet of sunflowers and two miniature pumpkins, and rode my bike to the hospital.
Michelle Zauner (Crying in H Mart)
Jerusalem Artichoke (Helianthus tuberosus) In Italy these are called girasole, meaning “turn with the sun.” They really are a type of sunflower and should not be confused with the globe artichoke, which is an entirely different plant. Jerusalem artichokes, a native Amerian plant, were known to and used by the Indians. They are a good companion to corn. The tuber is the edible portion, for this sunflower has its surprise at the bottom, the flowers being attractive but not large. The principal food content of the Jerusalem artichoke is inulin, a tasteless, white polysaccharide dissolved in the sap of the roots, which can be converted into levulose sugar. This is of special interest to diabetics, for levulose is highly nutritious and the sweetest of all known natural sugars. Levulose also occurs in most fruits, in the company of dextrose, which diabetics must avoid, but in the Jerusalem artichoke it is present alone. The artichokes are high in food value and rich in vitamins. They may be cooked or eaten raw in salads.
Louise Riotte (Carrots Love Tomatoes: Secrets of Companion Planting for Successful Gardening)
Inclusion is the story of sunlight falling equally on the garden of flowers (Diversity) and the gardeners (Inclusive Leaders) tending to the plants to grow and flower. Some plants need extra support, some need extra care and nutrition. The sun merely shining (Equality) cannot impact all equally unless they are made receptive (Equity). Only then, can these flowers bloom and bear fruits. Responsibility also rests with those who want to be included, by constantly upgrading themselves to be receptive to the efforts of inclusion. This is what sunflowers do. Diversity can be imposed; Inclusion is a choice. A choice which comes from love.
Devi Sunny (Onboard As Inclusive Leaders: Increase Job Readiness; Improve Performance & Innovation, and Profit by Learning Inclusive Leadership Skills.)