Sunflower Friendship Quotes

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We haven’t got to the Sunflowers yet, said Michael. No, we haven’t, she said. You’re right. OK, so Vincent hoped to set up an artists’ studio down there in the South because he was keen to have friends and like-minded people around him. I think he was probably lonely, said Michael. What with the ear thing and the darkness. I think he was, too, said Dora. 1888 was the year, and he was waiting for another artist to join him, a man called Paul Gauguin. People say that, in all probability, he painted the Sunflowers as decoration for Gaugain’S room. Did lots of versions of them too, not just this. It’s a lovely thought, though, isn’t it? Some people say it’s not true but I like to think it is. Painting flowers as a sign of friendship and welcome. Men and boys should be capable of beautiful things. Never forget that, you two, she said, and she disappeared into the kitchen.
Sarah Winman (Tin Man)
A Magic Hour’s Dreaming by Stewart Stafford Is there a sight more fair than wheaten fields, Awaiting the sun's ambush to potently ignite? Colour vibrates beyond the eye revealed, To live, dance and breathe in honeyed light. Nature’s palette, painted hues so bright, Invites the bees to sip and man to dream, Of engineered art, dazzling to the sight, Authored lightning in a celestial seam. The creator’s canvas, mint beyond decay, Invites the inner child to replenish at source, Where Nature’s staff casts shadows away, Friendships bond as a trickling stream's course. An eyeblink flash carved in history's tree, Treasured riches pooled of those by our side. For in sepia’s sunflower memory, We court the hand of an agreeable bride. Fading birdsong underscores this bottled time, In butterfly hearts, the hourglass stilled sublime. Autumn's leaves, ochre embers, curtsied fall, Farewell Summer, until roused in New Year's call. © 2024, Stewart Stafford. All rights reserved.
Stewart Stafford
And bundles upon bundles of fresh ferny herbs in shades of pine green, pickle green and pistachio green-- a whole color chart of green. Dill, tarragon, parsley and coriander, in contrast to raisin-colored purple basil. In restaurants, what comes to the table? First, wine and bread--- in the shape of a slender Venetian gondola that has been baked in a round clay oven called a tone. The bread is crusty, but soft within, charred a bit on the bottom. Then, a dozen or more fragrant things. Rabbit soup made with walnut, pepper and garlic. Oyster mushroom and coriander soup. Beetroot quarters in sunflower oil and dill. Catfish in vinegar and coriander sauce. Bean stew and pickled vegetables. Chicken roulade in walnut sauce. Lobiani, which is a flatbread-- possibly the finest of all flatbreads-- filled with mashed kidney beans. Gebjalia, fresh cheese rolled in mint. Flowering coriander in hazelnut pesto and spicy green adjika. A whole stubby cucumber (peeled). Fermented forest jonjoli-- samphire-like, tasting of capers and with bell-shaped flowers, harvested in spring-- dressed with Kakhetian sunflower oil. Fried sulguni cheese, salty and chewy. Pink-hued Georgian trout. Tarragon panna cotta topped with blue cornflower. Matsoni, impossibly good homemade yoghurt, tart and cool, served with an inky and elegant black walnut preserve. And heaps of herbs. Always herbs. Herbs are flavor, herbs are a whole salad bar; herbs are medicine, a salve. Invasive, weedy and rampant, like mint and goutweed, they are also pagan charms to attract friendship or fortune. Free-growing and bountiful, they have been survival food during the darkest periods of war, and verdant ornaments during the happiest days.
Caroline Eden (Cold Kitchen: A Year of Culinary Travels)
If life was a rolling river, friendship was the life raft.
Marta Molnar (The Secret Life of Sunflowers)
She no longer felt quite so much like a sunflower always seeking the sun’s warmth, but rather like the moon—a perfect companion made to shine brighter in its presence.
Molly Collier (The Paragon (The Science & Magic Duology Book 1))