Sun Sinks Quotes

All day I've built a lifetime and now the sun sinks to undo it.

You've seen the sun flatten and take strange shapes just before it sinks in the ocean. Do you have to tell yourself every time that it's an illusion caused by atmospheric dust and light distorted by the sea, or do you simply enjoy the beauty of it?

Have you heard of the illness hysteria siberiana? Try to imagine this: You're a farmer, living all alone on the Siberian tundra. Day after day you plow your fields. As far as the eye can see, nothing. To the north, the horizon, to the east, the horizon, to the south, to the west, more of the same. Every morning, when the sun rises in the east, you go out to work in your fields. When it's directly overhead, you take a break for lunch. When it sinks in the west, you go home to sleep. And then one day, something inside you dies. Day after day you watch the sun rise in the east, pass across the sky, then sink in the west, and something breaks inside you and dies. You toss your plow aside and, your head completely empty of thought, begin walking toward the west. Heading toward a land that lies west of the sun. Like someone, possessed, you walk on, day after day, not eating or drinking, until you collapse on the ground and die. That's hysteria siberiana.

She was stretched on her back beneath the pear tree soaking in the alto chant of the visiting bees, the gold of the sun and the panting breath of the breeze when the inaudible voice of it all came to her. She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight.

In the morning I'm like a snake in the spring: I need to lie out on a warm rock and let the sun sink into me before I can start wiggling around and get on with the day.

I don't know how long we stay that way, but we watch the sun go down together. The giant, burnt-orange sphere sinks towards the horizon, coloring the rock layers until it's gone and the canyon is covered in shadow.

My love for you would blot out the sun like a cloud made out of yogurt. I hope you brought a spoon.

Do you see the colours, Salama?' Kenan whispers. The sunset is gorgeous, but it pales in comparison to him. He's drenched in the dying day's glow, a kaleidoscope of shades dancing on his face. Pink, orange, yellow, purple, red. Finally settling into an azure blue. It reminds me of Layla's painting. A colour so stark it would stain my fingers were I to touch it. As the sun sinks, in those few precious moments when the world is caught between day and night, something shifts between Kenan and me. 'Yes,' I breathe. 'Yes.

Never be too angry beyond repairs. Anger is nothing good to be part of your tributes. Are you angry with someone? The sun is sinking, just drop it now.

The sun sinks to rise again; the day is swallowed up in the gloom of night, to be born out of it, as fresh as if it had never been quenched.

Sometimes, when one is moving silently through such an utterly desolate landscape, an overwhelming hallucination can make one feel that oneself, as an individual human being, is slowly being unraveled. The surrounding space is so vast that it becomes increasingly difficult to keep a balanced grip on one's own being. The mind swells out to fill the entire landscape, becoming so diffuse in the process that one loses the ability to keep it fastened to the physical self. The sun would rise from the eastern horizon, and cut it's way across the empty sky, and sink below the western horizon. This was the only perceptible change in our surroundings. And in the movement of the sun, I felt something I hardly know how to name: some huge, cosmic love.

Night will always be a time of fear and insecurity, and the heart will sink with the sun.

In spring it is the dawn that is most beautiful. As the light creeps over the hills, their outlines are dyed a faint red and wisps of purplish cloud trail over them. In summer the nights. Not only when the moon shines, but on dark nights too, as the fireflies flit to and fro, and even when it rains, how beautiful it is! In autumn, the evenings, when the glittering sun sinks close to the edge of the hills and the crows fly back to their nests in threes and fours and twos; more charming still is a file of wild geese, like specks in the distant sky. When the sun has set, one's heart is moved by the sound of the wind and the hum of the insects. In winter the early mornings. It is beautiful indeed when snow has fallen during the night, but splendid too when the ground is white with frost; or even when there is no snow or frost, but it is simply very cold and the attendants hurry from room to room stirring up the fires and bringing charcoal, how well this fits the season's mood! But as noon approaches and the cold wears off, no one bothers to keep the braziers alight, and soon nothing remains but piles of white ashes.

We walk and walk through the gray ashy dusk and the forest starts to fall asleep: The trees lie down side by side by side, the creek halts, the plants sink back into the earth, the animals switch places with their shadows, and then, so do we.

This is the thing that troubles me, for I cannot forget Carcosa where black stars hang in the heavens; where the shadows of men's thoughts lengthen in the afternoon, when the twin suns sink into the lake of Hali; and my mind will bear for ever the memory of the Pallid Mask. I pray God will curse the writer, as the writer has cursed the world with its beautiful stupendous creation, terrible in its simplicity, irresistible in its truth--a world which now trembles before the King In Yellow.

The blue of daylight fades and chills as the sun sinks beneath clouds of fire.

Live to revel in just another twilight. Life may sink and disappear along with the sunset never to rise again

And if the boat sinks?" "And if the sun explodes?" Elliot countered.

Noah Calhoun watched the fading sun sink lower from the wrap around porch of his plantation-style home.He liked to sit here in the evenings, especially after working hard all day.

As the sun sinks It casts that silver bridge Across the lake

I will love you, Grace, till the sun grows cold and the stars are old,” I murmur against her skin. Grace lets out a startled cry as she stares at me with eyes that are suddenly filled with tears, shock coloring her features. For a second, my stomach starts to sink—I was right. It was too much, too soon. But then she reaches up and cups my face in her trembling hands. And whispers, “I remember. Oh my God, Hudson. I remember everything.” But wait—there’s more!

If peace comes from seeing the whole, then misery stems from a loss of perspective. We begin so aware and grateful. The sun somehow hangs there in the sky. The little bird sings. The miracle of life just happens. Then we stub our toe, and in that moment of pain, the whole world is reduced to our poor little toe. Now, for a day or two, it is difficult to walk. With every step, we are reminded of our poor little toe. Our vigilance becomes: Which defines our day—the pinch we feel in walking on a bruised toe, or the miracle still happening? It is the giving over to smallness that opens us to misery. In truth, we begin taking nothing for granted, grateful that we have enough to eat, that we are well enough to eat. But somehow, through the living of our days, our focus narrows like a camera that shutters down, cropping out the horizon, and one day we’re miffed at a diner because the eggs are runny or the hash isn’t seasoned just the way we like. When we narrow our focus, the problem seems everything. We forget when we were lonely, dreaming of a partner. We forget first beholding the beauty of another. We forget the comfort of first being seen and held and heard. When our view shuts down, we’re up in the night annoyed by the way our lover pulls the covers or leaves the dishes in the sink without soaking them first. In actuality, misery is a moment of suffering allowed to become everything. So, when feeling miserable, we must look wider than what hurts. When feeling a splinter, we must, while trying to remove it, remember there is a body that is not splinter, and a spirit that is not splinter, and a world that is not splinter.

Look back on Time, with kindly eyes - He doubtless did his best - How softly sinks that trembling sun In Human Nature's West -

I cannot forget Carcosa where black stars hang in the heavens; where the shadows of men's thoughts lengthen in the afternoon, when the twin suns sink into the lake of Hali; and my mind will bear for ever the memory of the Pallid Mask. I pray God will curse the writer, as the writer has cursed the world with this beautiful, stupendous creation, terrible in its simplicity, irresistible in its truth—a world which now trembles before the King in Yellow.

I emerged into the sticky-hot evening to find Ricky smoking on the hood of his battered car. Something about his mud-encrusted boots and the way he let smoke curl from his lips and how the sinking sun lit his green hair reminded me of a punk, redneck James Dean. He was all of those things, a bizarre cross-pollination of subcultures possible only in South Florida.

I lower the visor against the sinking sun. A ray catches a crack in the windshield and illuminates it, a tiny comet. I've always loved when the light finds the broken spots in the world and makes them beautiful.

The sun shines, snow falls, mountains rise and valleys sink, night deepens and pales into day, but it is only very seldom that we attend to such things. . . . When we are grasping the inexpressible meaning of these things, this is life, this is living. To do this twenty-four hours a day is the Way of Haiku. It is having life more abundantly.

I am thinking of beauty again, how some things are hunted because we have deemed them beautiful. If, relative to the history of our planet, an individual life is so short, a blink of an eye, as they say, then to be gorgeous, even from the day you're born to the day you die, is to be gorgeous only briefly. Like right now, how the sun is coming on, low behind the elms, and I can't tell the difference between a sunset and a sunrise. The world, reddening, appears the same to me--and I lose track of east and west. The colors this morning have the frayed tint of something already leaving. I think of the time Trev and I sat on the toolshed roof, watching the sun sink. I wasn't so much surprised by its effect--how, in a few crushed minutes, it changes the way things are seen, including ourselves--but that it was ever mine to see. Because the sunset, like survival, exists only on the verge of its own disappearing. To be gorgeous, you must first be seen, but to be seen allows you to be hunted.

Beyond the iced windows the sun was sinking. Shadows bloomed across the walls and multiplied in the stairwells, and as the light died it got bluer, painting everything around me a deep-sea cobalt.

I’ll bring boys home if I haven’t cleaned my apartment. I’ll let them see the dishes in my sink, the mascara rubbed into my pillowcases, my unswept floors. Think, if we are seeing each other undressed and blemished from the sun, what is a dirty fork?

I live alone," he said simply. "I live in the open. I hear the waves at night and see the black patterns of the pine boughs against the sky. With sound and silence and color and solitude, of course I see visions. Anyone would." "But you don't believe in them?" Doc asked hopefully. "I don't find it a matter for belief or disbelief," the seer said. "You've seen the sun flatten and take strange shapes just before it sinks into the ocean. Do you have to tell yourself everytime that it's an illusion caused by atmospheric dust and light distorted by the sea, or do you simply enjoy the beauty of it? Don't you see visions?" "No," said Doc.

Why is it that the sun seems to take forever to reach the horizon and the minute it gets there it sinks so fast?” “It reflects life, don’t you think?” he asks cryptically. “How so?” “Sometimes our journeys in life seem to take forever to get to the culmination of our efforts—to achieving the goal. And once we get there, it goes so fast and then its over.” He shrugs, surprising me with this philosophical, introspective side to him. “We forget that the journey is the best part. The reason for taking the ride. What we learn the most from.

As the station wagon pulled back onto the highway, the sun was slowly sinking below the horizon like a leaky boat. Well, except for that fact that boats are not generally round, orange and on fire. Hmm. Come to think of it, in no way whatsoever did the sun, in this instance, resemble a leaky boat. My apologies. That was a dreadful attempt at simile. Please allow me to try again. As the station wagon pulled back onto the highway, the sun was slowly sinking below the horizon like a self-luminous, gaseous sphere comprised mainly of of hydrogen and helium.

There were no clouds, the sun was going down in a limpid, gold-washed sky. Just as the lower edge of the red disk rested on the high fields against the horizon, a great black figure suddenly appeared on the face of the sun. We sprang to our feet, straining our eyes toward it. In a moment we realized what it was. On some upland farm, a plough had been left standing in the field. The sun was sinking just behind it. Magnified across the distance by the horizontal light, it stood out against the sun, was exactly contained within the circle of the disk; the handles, the tongue, the share—black against the molten red. There it was, heroic in size, a picture writing on the sun.

I am the woman at the water’s edge, offering you oranges for the peeling, knife glistening in the sun. This is the scent and taste of my skin: citon and sweet. Touch me and your life will unfold before you, easily as this skirt billows then sinks, lapping against my legs, my toes filtering through the rivers silt. Following the current out to sea, I am the kind of woman who will come back to haunt your dreams, move through your humid nights the way honey swirls through a cup of hot tea

Pain doesn’t really go away because someone kisses it better. Sadness doesn’t recede because a person posts an inspiring quote on your Facebook wall. Grief doesn’t sink into the shadows the moment the sun comes up. You can’t sleep your way through misery. There are some hurts that become a part of you, like your blood or your eyes or your teeth. Those are the ones that need to be lived over and over again.

A wonderful serenity has taken possession of my entire soul, like these sweet mornings of spring which I enjoy with my whole heart. I am alone, and feel the charm of existence in this spot, which was created for the bliss of souls like mine. I am so happy, my dear friend, so absorbed in the exquisite sense of mere tranquil existence, that I neglect my talents. I should be incapable of drawing a single stroke at the present moment; and yet I feel that I never was a greater artist than now. When, while the lovely valley teems with vapour around me, and the meridian sun strikes the upper surface of the impenetrable foliage of my trees, and but a few stray gleams steal into the inner sanctuary, I throw myself down among the tall grass by the trickling stream; and, as I lie close to the earth, a thousand unknown plants are noticed by me: when I hear the buzz of the little world among the stalks, and grow familiar with the countless indescribable forms of the insects and flies, then I feel the presence of the Almighty, who formed us in his own image, and the breath of that universal love which bears and sustains us, as it floats around us in an eternity of bliss; and then, my friend, when darkness overspreads my eyes, and heaven and earth seem to dwell in my soul and absorb its power, like the form of a beloved mistress, then I often think with longing, Oh, would I could describe these conceptions, could impress upon paper all that is living so full and warm within me, that it might be the mirror of my soul, as my soul is the mirror of the infinite God! O my friend — but it is too much for my strength — I sink under the weight of the splendour of these visions!

The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep. They could see how love might control you, from your head to your toes, not to mention every single part of you in between. A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes. She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly. What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake. She refused to believe in superstition, she wouldn’t; yet it was claiming her. Some fates are guaranteed, no matter who tries to intervene. After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well. She was bad luck, ill-fated and unfortunate as the plague. She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire. Love is worth the sum of itself and nothing more. But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself. He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly. It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop. What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind. The greatest portion of grief is the one you dish out for yourself. She preferred cats to human beings and turned down every offer from the men who fell in love with her. They told her how sticks and stones could break bones, but taunting and name-calling were only for fools. — & now here she is, all used up. Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside. She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind. If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do. You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like. She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with. Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.

Two kisses in one kiss was all it took, a comfort, a warmth, perhaps temporary, perhaps false, but reassuring nonetheless, and mine, and theirs, ours, all three of us giggling, insane giggles and laughter with still more kisses on the way, and I remember a brief instant then, out of the blue, when I suddenly glimpsed my own father, a rare but oddly peaceful recollection, as if he actually approved of my play in the way he himself had always laughed and played, great updrafts of light, burning off distant plateaus of bistre & sage, throwing him up like an angel, high above the red earth, deep into the sparkling blank, the tender sky that never once let him down, preserving his attachment to youth, propriety and kindness, his plane almost, but never quite, outracing his whoops of joy, trailing him in his sudden turn to the wind, followed then by a near vertical climb up to the angles of the sun, and I was barely eight and still with him and yes, that was the thought that flickered madly through me, a brief instant of communion, possessing me with warmth and ageless ease, causing me to smile again and relax as if memory alone could lift the heart like the wind lifts a wing, and so I renewed my kisses with even greater enthusiasm, caressing and in turn devouring their dark lips, dark with wine and fleeting love, an ancient memory love had promised but finally never gave, until there were too many kisses to count or remember, and the memory of love proved not love at all and needed a replacement, which our bodies found, and then the giggles subsided, and the laughter dimmed, and darkness enfolded all of us and we gave away our childhood for nothing and we died and condoms littered the floor and Christina threw up in the sink and Amber chuckled a little and kissed me a little more, but in a way that told me it was time to leave.

Suns when they sink can rise again,

Look back on time with kindly eyes, He doubtless did his best; How softly sinks his trembling sun In human nature's west!

This is the thing that troubles me, for I cannot forget Carcosa where black stars hang in the heavens; where the shadows of men's thoughts lengthen in the afternoon, when the twin suns sink into the lake of Hali; and my mind will bear for ever the memory of the Pallid Mask.

Some people are born with a vital and responsive energy. It not only enables them to keep abreast of the times; it qualifies them to furnish in their own personality a good bit of the motive power to the mad pace. They are fortunate beings. They do not need to apprehend the significance of things. They do not grow weary nor miss step, nor do they fall out of rank and sink by the wayside to be left contemplating the moving procession. Ah! that moving procession that has left me by the road-side! Its fantastic colors are more brilliant and beautiful than the sun on the undulating waters. What matter if souls and bodies are failing beneath the feet of the ever-pressing multitude! It moves with the majestic rhythm of the spheres. Its discordant clashes sweep upward in one harmonious tone that blends with the music of other worlds--to complete God's orchestra. It is greater than the stars--that moving procession of human energy; greater than the palpitating earth and the things growing thereon. Oh! I could weep at being left by the wayside; left with the grass and the clouds and a few dumb animals. True, I feel at home in the society of these symbols of life's immutability. In the procession I should feel the crushing feet, the clashing discords, the ruthless hands and stifling breath. I could not hear the rhythm of the march. Salve! ye dumb hearts. Let us be still and wait by the roadside.

Evening Primrose When once the sun sinks in the west, And dewdrops pearl the evening's breast; Almost as pale as moonbeams are, Or its companionable star, The evening primrose opes anew Its delicate blossoms to the dew; And, hermit-like, shunning the light, Wastes its fair bloom upon the night, Who, blindfold to its fond caresses, Knows not the beauty it possesses; Thus it blooms on while night is by; When day looks out with open eye, Bashed at the gaze it cannot shun, It faints and withers and is gone.

The Fury of Sunsets" Something cold is in the air, an aura of ice and phlegm. All day I've built a lifetime and now the sun sinks to undo it. The horizon bleeds and sucks its thumb. The little red thumb goes out of sight. And I wonder about this lifetime with myself, this dream I'm living. I could eat the sky like an apple but I'd rather ask the first star: why am I here? why do I live in this house? who's responsible? eh?

I am part of all that I have met; Yet all experience is an arch wherethrough Gleams that untravelled world, whose margin fades For ever and for ever when I move. How dull it is to pause, to make an end, To rust unburnished, not to shine in use! As though to breath were life. Life piled on life Were all too little, and of one to me Little remains: but every hour is saved From that eternal silence, something more, A bringer of new things; and vile it were For some three suns to store and hoard myself, And this grey spirit yearning in desire To follow knowledge like a sinking star, Beyond the utmost bound of human thought.

In the twilight of the morning, all life silently waits for the sunrise. Sun must rise for the darkness to sink!

The sun, coming hard around the world: the island rises from the sea, sinks, rises, holds.

Only--but this is rare-- When a beloved hand is laid in ours, When, jaded with the rush and glare Of the interminable hours, Our eyes can in another's eyes read clear, When our world-deafen'd ear Is by the tones of a loved voice caress'd-- A bolt is shot back somewhere in our breast, And a lost pulse of feeling stirs again. The eye sinks inward, and the heart lies plain, And what we mean, we say, and what we would, we know. A man becomes aware of his life's flow, And hears its winding murmur; and he sees The meadows where it glides, the sun, the breeze.

She was stretched on her back beneath the pear tree soaking in the alto chant of the visiting bees, the gold of the sun and the panting breath of the breeze when the inaudible voice of it all came to her. She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight. So this was a marriage! She had been summoned to behold a revelation. Then Janie felt a pain remorseless sweet that left her limp and languid.

I appreciate the scientific rigor with which you’ve approached this project, Anna,” said Christopher, who had gotten jam on his sleeve. “Though I don’t think I could manage to collect that many names and also pursue science. Much too time-consuming.” Anna laughed. “How many names would you want to collect, then?” Christopher tilted his head, a brief frown of concentration crossing his face, and did not reply. “I would only want one,” said Thomas. Cordelia thought of the delicate tracery of the compass rose on Thomas’s arm, and wondered if he had any special person in mind. “Too late for me to only have one,” declared Matthew airily. “At least I can hope for several names in a carefully but enthusiastically selected list.” “Nobody’s ever tried to seduce me at all,” Lucie announced in a brooding fashion. “There’s no need to look at me like that, James. I wouldn’t say yes, but I could immortalize the experience in my novel.” “It would be a very short novel, before we got hold of the blackguard and killed him,” said James. There was a chorus of laughter and argument. The afternoon sun was sinking in the sky, its rays catching the jeweled hilts of the knives in Anna’s mantelpiece. They cast shimmering rainbow patterns on the gold-and-green walls. The light illuminated Anna’s shabby-bright flat, making something in Cordelia’s heart ache. It was such a homey place, in a way that her big cold house in Kensington was not. “What about you, Cordelia?” said Lucie. “One,” said Cordelia. “That’s everyone’s dream, isn’t it, really? Instead of many who give you little pieces of themselves—one who gives you everything.” Anna laughed. “Searching for the one is what leads to all the misery in this world,” she said. “Searching for many is what leads to all the fun.

I have been reading Plotinus all evening. He has the power to sooth me; and I find his sadness curiously comforting. Even when he writes: “Life here with the things of earth is a sinking, a defeat, a failure of the wing.” The wing has indeed failed. One sinks. Defeat is certain. Even as I write these lines, the lamp wick sputters to an end, and the pool of light in which I sit contracts. Soon the room will be dark. One has always feared that death would be like this. But what else is there? With Julian, the light went, and now nothing remains but to let the darkness come, and hope for a new sun and another day, born of time’s mystery and a man’s love of life.

If there is anything terrible, if there exists a reality which surpasses dreams, it is this: to live, to see the sun, to be in full possession of viral force; to possess health and joy; to laugh valiantly; to rush toward a glory which one sees dazzling in front of one; to feel in ones's breast lounges which breath, a heart which beats, a will which reasons; to speak, think, hope, love; to have a mother, to have a wife, to have children, to have the light - and all at once, in the space of a shout, in less than a minute, to sink into an abyss; to fall, to roll, to crush, to be crushed,to see ears of wheat, flowers, leaves, branches; not to be able to catch hold of anything; to feel one's sword useless, men beneath one, horses on top of one; to struggle in vain, since ones bones have been broken by some kick in the darkness; to feel a heel which makes ones's eyes start from their sockets; to bite horses' shoes in one's rage,; to stifle. to yell, to writhe; to be beneath, and to say to one's self, "But just a little while ago I was a living man!

I cannot forget Carcosa where black stars hang in the heavens; where the shadows of men's thoughts lengthen in the afternoon, when the twin suns sink into the lake of Hali; and my mind will bear for ever the memory of the Pallid Mask.

It's a sink or swim world

The sun, a red wheel, was sinking slowly in the west. Besides being spectacularly beautiful, the early-summer sunset was exceedingly soft and gentle: black mulberry leaves turned as red as roses; pristine white acacia petals shed an enshrouding pale-green aura. Mild evening breezes made both the mulberry leaves and the acacia petals dance and whirl, filling the woods with a soft rustle.

When I lift her, she wraps her legs around me and I carry her to an oversized chair. I fall back onto it and giver her bum a good slap, making her scream, "Hey!" I hush her complaint with another kiss, and pull her hips down against mine until she lets her head fall back and sinks into my lap perfectly. It's still our wedding night. She's all mine until the sun rises and it's time to release her back into the world. Until then, let the celebration continue.

What do you mean? Why do you think you like them? That’s all you and I did together when you were little. Don’t you remember?” I. Don’t. Remember. I remember, It’s a sink-or-swim world, Noah. I remember, Act tough and you are tough. I remember every heart-stomping look of disappointment, of embarrassment, of bewilderment from him. I remember: If your twin sister wasn’t my spitting image I’d swear you came about from parthenogenesis. I remember the 49ers, the Miami Heat, the Giants, the World Cup. I do not remember Animal Planet.

Southern California, which is shaped somewhat like a coffin, is a giant sanatorium with flowers where people come to be cured of life itself in whatever way .... This is the last stop before the sun gives up and sinks into the black, black ocean, and night - usually starless here - comes down.

I know that the best time to see them is in that perfect hour before sunset when the sun sinks low on the horizon like a ripe peach and sends shafts of gold bursting through the trees. The "in between," I call it. No longer day, not yet night; some other place and time when magic hangs in the air and the light plays tricks on the eye. You might easily miss the flash of violet and emerald, but I- according to my teacher, Mrs. Hogan- am "a curiously observant child." I see their misty forms among the flowers and leaves. I know my patience will be rewarded if I watch and listen, if I believe.

This is life. Learning to love through loss. Seeking warm pockets in the bitter cold. Finding the worth of a smile on a cloudy day. Carrying the weight of the world on weary shoulders—mistakes, sins, injustices—added upon daily. Enduring burdens that spur greater strength. This is life. Sorting through layers of expressions staring you straight in the eye. A battle to be right when wrong, to be good when bad, to be content when in need, and to laugh when tearing up. This is life. Valuing things of no worth. Reevaluating dreams. Laboring ceaselessly against the current. Seeing less, wanting more, having enough. This is life. Chasing the moon when the sun would extend its warmth. Slapping the hand that would offer a gentle caress. Cowering at personal, monstrous shadows. Giving and taking in unbalanced weights. Diminishing the majesty of mountains in order to form our own lowly hills. Hoping for more than we deserve. This is life. Hurting. Despairing. Losing. Weeping. Suffering. Laboring. Sinking. Mourning. Appreciating with greater capacity and sincerity a learned knowledge that these adversities do have their opposites. This is life. A taste. A revelation. A banishment. A mercy. A test. An experience. A turbulent sea-voyage that shall assuredly reach the unseen shore, making seasoned sailors of us all. This is life.

There comes a time in the life of a sailor when he no longer belongs ashore. It's then that he surrenders to the Pacific, where no land blocks the eye, where sky and ocean mirror each other until above and below have lost their meaning, and the Milky Way looks like the spume of a breaking wave and the globe itself rolls like a boat in the midst of the sinking and heaving surf of that starry sky, and even the sun is nothing but a tiny glowing dot of phosphorescence on the sea of the night.

It grew darker, and thus harder to read, as the sun peacefully, sank to bestow a new life on other people. Hamza, sinking into the darkness struggled to read the dark lines lying lifelessly before him. It dawned on him earlier that as long as we sought life, we could give it, and there always must be life close to us, closer than we imagine.

So there you have it: hearing voices at sea is not a pathological condition. It’s quite normal. Welcome to the world of illusions at sea. Of mirages, looming, towering, stooping and sinking. Of moons that change size, suns that change shape, horizons that bend, lights that change colour, and sounds that play hide and seek. Of waves that speak, ships that effervesce and whales that turn into baby elephants. For the sea has a lobsterpot full of tricks and illusions to confuse and beguile even the most rational 21st century sailor.

The essence of meditation practice in Dzogchen is encapsulated by these four points: ▪ When one past thought has ceased and a future thought has not yet risen, in that gap, in between, isn’t there a consciousness of the present moment; fresh, virgin, unaltered by even a hair’s breadth of a concept, a luminous, naked awareness? Well, that is what Rigpa is! ▪ Yet it doesn’t stay in that state forever, because another thought suddenly arises, doesn’t it? This is the self-radiance of that Rigpa. ▪ However, if you do not recognize this thought for what it really is, the very instant it arises, then it will turn into just another ordinary thought, as before. This is called the “chain of delusion,” and is the root of samsara. ▪ If you are able to recognize the true nature of the thought as soon as it arises, and leave it alone without any follow-up, then whatever thoughts arise all automatically dissolve back into the vast expanse of Rigpa and are liberated. Clearly this takes a lifetime of practice to understand and realize the full richness and majesty of these four profound yet simple points, and here I can only give you a taste of the vastness of what is meditation in Dzogchen. … Dzogchen meditation is subtly powerful in dealing with the arisings of the mind, and has a unique perspective on them. All the risings are seen in their true nature, not as separate from Rigpa, and not as antagonistic to it, but actually as none other–and this is very important–than its “self-radiance,” the manifestation of its very energy. Say you find yourself in a deep state of stillness; often it does not last very long and a thought or a movement always arises, like a wave in the ocean.  Don’t reject the movement or particulary embrace the stillness, but continue the flow of your pure presence. The pervasive, peaceful state of your meditation is the Rigpa itself, and all risings are none other than this Rigpa’s self-radiance. This is the heart and the basis of Dzogchen practice. One way to imagine this is as if you were riding on the sun’s rays back to the sun: …. Of couse there are rough as well as gentle waves in the ocean; strong emotions come, like anger, desire, jealousy. The real practitioner recognizes them not as a disturbance or obstacle, but as a great opportunity. The fact that you react to arisings such as these with habitual tendencies of attachment and aversion is a sign not only that you are distracted, but also that you do not have the recognition and have lost the ground of Rigpa. To react to emotions in this way empowers them and binds us even tighter in the chains of delusion. The great secret of Dzogchen is to see right through them as soon as they arise, to what they really are: the vivid and electric manifestation of the energy of Rigpa itself. As you gradually learn to do this, even the most turbulent emotions fail to seize hold of you and dissolve, as wild waves rise and rear and sink back into the calm of the ocean. The practitioner discovers–and this is a revolutionary insight, whose subtlety and power cannot be overestimated–that not only do violent emotions not necessarily sweep you away and drag you back into the whirlpools of your own neuroses, they can actually be used to deepen, embolden, invigorate, and strengthen the Rigpa. The tempestuous energy becomes raw food of the awakened energy of Rigpa. The stronger and more flaming the emotion, the more Rigpa is strengthened.

Which, I wonder, brother reader, is the better lot, to die prosperous and famous, or poor and disappointed? To have, and to be forced to yield; or to sink out of life, having played and lost the game? That must be a strange feeling, when a day of our life comes and we say, 'Tomorrow, success or failure won't matter much: and the sun will rise, and all the myriads of mankind go to their work or their pleasure as usual, but I shall be out of the turmoil.

Dredge up a hostile, sulfurous silicate lava sink slaloming between two phlegmy suns well into their shuffleboard years, a miserable wad of hell-spit, free-range acid clouds, and the gravitational equivalent of untreated diabetes, a stellar expletive that should never be forced to cope with something as toxic and flammable as a civilization, and before you can say no, stop, don’t, why? the place will be crawling with postcapitalist glass balloons filled with sentient gases all called Ursula.

But my daughter, not minding, scampered off towards the pond. I ran after her, out of breath. A weeping willow stood at the point where the side path joined the main one. As it caught the rays of the sinking sun full on, its brightness was dazzling to eyes grown accustomed to the shadows. My daughter was jumping up and down, trying to grab one of the willow’s dangling branches. All right, I would wow her by grabbing a whole bunch. Shading my eyes with one hand, I approached my daughter in the light.

If there is anything terrible, if there exists a reality which surpasses dreams, it is this: to live, to see the sun; to be in full possession of virile force; to possess health and joy; to laugh valiantly; to rush towards a glory which one sees dazzling in front of one; to feel in one’s breast lungs which breathe, a heart which beats, a will which reasons; to speak, think, hope, love; to have a mother, to have a wife, to have children; to have the light—and all at once, in the space of a shout, in less than a minute, to sink into an abyss; to fall, to roll, to crush, to be crushed; to see ears of wheat, flowers, leaves, branches; not to be able to catch hold of anything; to feel one’s sword useless, men beneath one, horses on top of one; to struggle in vain, since one’s bones have been broken by some kick in the darkness; to feel a heel which makes one’s eyes start from their sockets; to bite horses’ shoes in one’s rage; to stifle, to yell, to writhe; to be beneath, and to say to one’s self, “But just a little while ago I was a living man!

For some days, now, the termperature had wavered between freezing and thawing and it was difficult to tell whether the sediment thickening the atmostphere was rain or sleet or smog. Through the murk the dull red eye of a sun that had scarcely been able to drag itself above roof level all day was sinking blearily beneath the horizon, spreading a rusty stain across the snow-covered surfaces. Read pathetic fallacy weather.

We have familiar experience of the order, the constancy, the perpetual renovation of the material world which surrounds us. Frail and transitory as is every part of it, restless and migratory as are its elements, still it abides. It is bound together by a law of permanence, and though it is ever dying, it is ever coming to life again. Dissolution does but give birth to fresh modes of organization, and one death is the parent of a thousand lives. Each hour, as it comes, is but a testimony how fleeting, yet how secure, how certain, is the great whole. It is like an image on the waters, which is ever the same, though the waters ever flow. The sun sinks to rise again; the day is swallowed up in the gloom of night, to be born out of it, as fresh as if it had never been quenched. Spring passes into summer, and through summer and autumn into winter, only the more surely, by its own ultimate return, to triumph over that grave towards which it resolutely hastened from its first hour. We mourn the blossoms of May because they are to wither; but we know that May is one day to have its revenge upon November, by the revolution of that solemn circle which never stops—which teaches us in our height of hope, ever to be sober, and in our depth of desolation, never to despair.

My father is standing at the sink wearing a too-tight long-sleeved red T-Shirt, a pair of too-high jeans and sporting the type of orange glow that belongs only on Chernobyl victims. Plus his hair looks like an oil spill. 'Hey you,' he says, washing what looks to be some carrots under the sink. Are they carrots or are they parsnips reflecting the sheen of my father's tangerine skin? Hard to tell. 'You've fake tanned yourself again,' I say - it's a statement, not a question. 'Too much?' he says, innocently. 'I just didn't want to be one of those pasty office workers and I thought it wouldn't hurt to back up last week's application with another hit.' 'Dad, you look-' 'Sun kissed?' 'Radioactive. And what the hell happened to your hands?' - Cat

GIVE ME TIME TO CONSIDER, O IMPATIENT LESTER. "But I don't have time! We're leaving for Tarquin's tomb like,"—I glanced to the west, where the sun was beginning to sink behind the hills—"basically now!" THE JOURNEY INTO THE TOMB WILL NOT BE THY FINAL CHALLENGE. UNLESS THOU SUCKETH MOST WOEFULLY. "Is that supposed to make me feel better?" FIGHT NOT THE KING, said the arrow. HEAREST THOU WHAT THOU NEEDEST, AND SKEDADDLETH. "Did you just use the term skedaddleth?" I TRY TO SPEAK PLAINLY TO THEE, TO GRANT THEE A BOON, AND STILL THOU COMPLAINEST.

Snake's Lullaby Brother, sister, flick your tongue and taste the flakes of autumn sun. Use these last few hours of gold to travel, travel toward the cold. Before your coils grow stiff and dull, your heartbeat slows to winter's lull, seek the sink of sheltered stones that safely cradle sleeping bones. Brother, sister, find the ways back to the deep and tranquil bays, and 'round each other twist and fold to weave a heavy cloak of cold.

Along the shore the cloud waves break, The twin suns sink behind the lake, The shadows lengthen In Carcosa. Strange is the night where black stars rise, And strange moons circle through the skies, But stranger still is Lost Carcosa. Songs that the Hyades shall sing, Where flap the tatters of the King, Must die unheard in Dim Carcosa. Song of my soul, my voice is dead, Die thou, unsung, as tears unshed Shall dry and die in Lost Carcosa.

When the Creator banished from his sight Frail man to dark mortality's abode, And granted him a late return to light, Only by treading reason's arduous road,— When each immortal turned his face away, She, the compassionate, alone Took up her dwelling in that house of clay, With the deserted, banished one. With drooping wing she hovers here Around her darling, near the senses' land, And on his prison-walls so drear Elysium paints with fond deceptive hand. While soft humanity still lay at rest, Within her tender arms extended, No flame was stirred by bigots' murderous zest, No guiltless blood on high ascended. The heart that she in gentle fetters binds, Views duty's slavish escort scornfully; Her path of light, though fairer far it winds, Sinks in the sun-track of morality. Those who in her chaste service still remain, No grovelling thought can tempt, no fate affright; The spiritual life, so free from stain, Freedom's sweet birthright, they receive again, Under the mystic sway of holy might.

When glance turns To a sky-blue clear day, When the purplr-red sun Sinks low at sirocco, Here nature bestows glory, Joy, sound to eye and heart, And we find in color lore, The universal truth. - - - GER: Wenn der Blick an heitern Tagen Sich zur Himmelsbläue lenkt, Beim Sirok der Sonnenwagen Purpurrot sich niedersenkt, Da gebt der Natur die Ehre, Froh, an Aug und Herz gesund, Und erkennt der Farbenlehre Allgemeinen, ewigen Grund. Zahme Xenien VI.

Hamm: And the horizon? Nothing on the horizon? Clov: (Lowering the telescope, turning towards Hamm, exasperated): What in God's name would there be on the horizon? (Pause.) Hamm: The waves, how are the waves? Clov: The waves? (He turns the telescope on the waves.) Lead. Hamm: And the sun? Clove: (Looking) Zero. Hamm: But it should be sinking. Look again. Clov: (Looking) Damn the sun. Hamm: Is it night already then? Clov: (Looking) No. Hamm: Then what is it? Clov: (Looking) Gray. (Lowering the telescope, turning towards Hamm, louder.) Gray! (Pause, still louder.) GRRAY!

Peace, he knows, can be shattered in a million variations: great visions of the end, a rain of ash, a disease on the wind, a blast in the distance, the sun dying like a kerosene lamp clicked off. And in smaller ways: an overheard remark, his daughter’s sour mood, his own body faltering. There’s no use in anticipating the mode. He will wait for the hushed spaces in life, for Ellis’s snore in the dark, for Grete’s stealth kiss, for the warm light inside the gallery, his images on the wall broken beyond beauty into blisters and fragments, returning in the eye to beauty again. The voices of women at night on the street, laughing; he has always loved the voices of women. Pay attention, he thinks. Not to the grand gesture, but to the passing breath. He sits. He lets the afternoon sink in. The sweetness of the soil rises to him. A squirrel scolds from high in a tree. The city is still far away, full of good people going home. In this moment that blooms and fades as it passes, he is enough, and all is well in the world.

Perhaps as he was lying awake then, his life may have passed before him--his early hopeful struggles, his manly successes and prosperity, his downfall in his declining years, and his present helpless condition--no chance of revenge against Fortune, which had had the better of him--neither name nor money to bequeath--a spent-out, bootless life of defeat and disappointment, and the end here! Which, I wonder, brother reader, is the better lot, to die prosperous and famous, or poor and disappointed? To have, and to be forced to yield; or to sink out of life, having played and lost the game? That must be a strange feeling, when a day of our life comes and we say, “To-morrow, success or failure won’t matter much, and the sun will rise, and all the myriads of mankind go to their work or their pleasure as usual, but I shall be out of the turmoil.

And every day there is music. One dark voice will start a phrase, half-sung, and like a question. And after a moment another voice will join in, soon the whole gang will be singing. The voices are dark in the golden glare, the music intricately blended, both somber and joyful. The music will swell until at last it seems that the sound does not come from the twelve men on the gang, but from the earth itself, or the wide sky. It is music that causes the heart to broaden and the listener to grow cold with ecstasy and fright. Then slowly the music will sink down until at last there remains one lonely voice, then a great hoarse breath, the sun, the sound of the picks in the silence. And what kind of gang is this that can make such music? Just twelve mortal men, seven of them black and five of them white boys from this country. Just twelve mortal men who are together.

What is it? For God’s sake, what is it about me you find so intolerable? So wretchedly unbearable you can’t even stand to be in the same room?” He muttered an oath. “Stop provoking me. You won’t like the answer.” “I want to hear it anyhow.” He plunged one hand into her hair, startling a gasp from her lips. Strong fingers curled to cup the back of her head. His eyes searched her face, and every nerve ending in her body crackled with tension. The sinking sun threw a last flare of red-orange light between them, setting the moment ablaze. “It’s this.” With a flex of his arm, he pulled her into a kiss. And he kissed her the way he did everything. Intensely, and with quiet force. His lips pressed firm against hers, demanding a response.

We are tomorrow's past. Even now we slip away like those pictures painted on the moving dials of antique clocks - a ship, a cottage, sun and moon, a nosegay. The dial turns, the ship rides up and sinks again, the yellow painted sun has set, and we, that were the new thing, gather magic as we go. The whirr of the spinning wheels has ceased in our parlours, and we hear no more the treadles of the loom, the swift, silken noise of the flung shuttle, the intermittent thud of the batten. But the imagination hears them, and theirs is the melody of romance." ~ from Mary Webb's introduction to her novel Precious Bane.

The trees were tinted exquisitely to an uncertain glory as the great red sinking sun flashed its rays on their crystal mantle. The vale of Aylesbury was drowsing beneath a slowly deepening shroud of mist. Above it the hills, their crests rounded and shaded by silver and rose coppices, seemed to have set in them great smoky eyes of flame where the last rays burned in them. 'It is like some dream world,' thought Mr. Cort. 'It is curious how, wherever the sun strikes, it seems to make an eye, and each one fixed on me; those hills, even those windows. But, judging from that mist, I shall have a slow journey home... ("Blind Man's Bluff")

There, below the cliffs, is a bay of sand where the rocks stand up like the fangs of wolves, and no boat or swimmer can live when the tide is breaking round them. To right and left of the bay the sea has driven arches through the cliff. The rocks are purple and rose-coloured and pale as turquoise in the sun, and on a summer’s evening when the tide is low and the sun is sinking, men see on the horizon land that comes and goes with the light. It is the Summer Isle, which (they say) floats and sinks at the will of heaven, the Island of Glass through which the clouds and stars can be seen, but which for those who dwell there is full of trees and grass and springs of sweet water . . .’ The

January? The month is dumb. It is fraudulent. It does not cleanse itself. The hens lay blood-stained eggs. Do not lend your bread to anyone lest it nevermore rise. Do not eat lentils or your hair will fall out. Do not rely on February except when your cat has kittens, throbbing into the snow. Do not use knives and forks unless there is a thaw, like the yawn of a baby. The sun in this month begets a headache like an angel slapping you in the face. Earthquakes mean March. The dragon will move, and the earth will open like a wound. There will be great rain or snow so save some coal for your uncle. The sun of this month cures all. Therefore, old women say: Let the sun of March shine on my daughter, but let the sun of February shine on my daughter-in-law. However, if you go to a party dressed as the anti-Christ you will be frozen to death by morning. During the rainstorms of April the oyster rises from the sea and opens its shell — rain enters it — when it sinks the raindrops become the pearl. So take a picnic, open your body, and give birth to pearls. June and July? These are the months we call Boiling Water. There is sweat on the cat but the grape marries herself to the sun. Hesitate in August. Be shy. Let your toes tremble in their sandals. However, pick the grape and eat with confidence. The grape is the blood of God. Watch out when holding a knife or you will behead St. John the Baptist. Touch the Cross in September, knock on it three times and say aloud the name of the Lord. Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain. Do not faint in September or you will wake up in a dead city. If someone dies in October do not sweep the house for three days or the rest of you will go. Also do not step on a boy's head for the devil will enter your ears like music. November? Shave, whether you have hair or not. Hair is not good, nothing is allowed to grow, all is allowed to die. Because nothing grows you may be tempted to count the stars but beware, in November counting the stars gives you boils. Beware of tall people, they will go mad. Don't harm the turtle dove because he is a great shoe that has swallowed Christ's blood. December? On December fourth water spurts out of the mouse. Put herbs in its eyes and boil corn and put the corn away for the night so that the Lord may trample on it and bring you luck. For many days the Lord has been shut up in the oven. After that He is boiled, but He never dies, never dies.

Abundance is not the money you have in your bank account, the trophies on your shelf, the letters after your name, the list of goals reached, the number of people you know, your perfect, healthy body, your adoring fans. Abundance is your connection to each breath, how sensitive you are to every flicker of sensation and emotion in the body. It is the delight with which you savor each unique moment, the joy with which you greet each new day. It is knowing yourself as presence, the power that creates and moves worlds. It is your open heart, how deeply moved you are by love every day, your willingness to embrace, to hold what needs to be held. It is the freshness of each morning unencumbered by memory or false hope. Abundance is the feeling of the afternoon breeze on your cheeks, the sun warming your face. It is meeting others in the field of honesty and vulnerability, connecting beyond the story, sharing what is alive. It is your rootedness in the present moment, knowing that you are always Home, no matter what happens, no matter what is gained or lost. It is touching life at the point of creation, never looking back, feeling the belly rise and fall, thanking each breath, giving praise to each breath. It is falling to your knees in awe, laughing at the stories they tell about you, sinking more deeply into rest. Abundance is simplicity. It is kindness. It is you, before every sunrise: fresh, open, and awake. You are rich, friend! You are rich!

To Autumn" Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For summer has o'er-brimm'd their clammy cells. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drows'd with the fume of poppies, while thy hook Spares the next swath and all its twined flowers: And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings hours by hours. Where are the songs of spring? Ay, Where are they? Think not of them, thou hast thy music too,— While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The red-breast whistles from a garden-croft; And gathering swallows twitter in the skies.

As filthy as any night was, a New York City morning is always clean. The eyes get washed. Flowers in white deli buckets are replenished. The population bathes, in marble mausoleums of Upper East Side showers, or in Greenwich Village tubs, or in the sink of a Chinatown one-bedroom crammed with fifteen people. Some bar opens and the first song on the jukebox is Johnny Thunders, while bums pick up cigarette butts to see what’s left to smoke. The smell of espresso and hot croissants. The weather vane squeaks in the sun. Pigeons are reborn out of the mouths of blue windows.

So coming back from a journey, or after an illness, before habits had spun themselves across the surface, one felt that same unreality, which was so startling; felt something emerge. Life was most vivid then. One could be at one’s ease. Mercifully one need not say, very briskly, crossing the lawn to great old Mrs. Beckwith, who would be coming out to find a corner to sit in, “Oh, good-morning, Mrs. Beckwith! What a lovely day! Are you going to be so bold as to sit in the sun? Jasper’s hidden the chairs. Do let me find you one!” and all the rest of the usual chatter. One need not speak at all. One glided, one shook one’s sails (there was a good deal of movement in the bay, boats were starting off) between things, beyond things. Empty it was not, but full to the brim. She seemed to be standing up to the lips in some substance, to move and float and sink in it, yes, for these waters were unfathomably deep. Into them had spilled so many lives. The Ramsays’; the children’s; and all sorts of waifs and strays of things besides. A washerwoman with her basket; a rook; a red-hot poker; the purples and grey-greens of flowers: some common feeling held the whole.

Unmoor the boat, we could go…downriver... History is a collection of found objects washed up through time. Goods, ideas, personalities surface towards us and then sink away and some we hook out and others we ignore. And as the pattern changes so does the meaning. We cannot rely on the facts. Time that returns everything, changes everything. ..a bundle of abandoned clothes. The end of one identity and the beginning of another. …History is a madman's museum. I think I understand some of this, But it’s all subject to the tide. Unmoor the boat. Part miracle part madness. My life is a series of set sails and shipwrecks. I run aground I cut loose, the rim is dangerously near the waterline. I feel like a saint in a coracle. Head thrown back, sun on my throat. Unmoor the boat.

It little profits that an idle king, By this still hearth, among these barren crags, Matched with an aged wife, I mete and dole Unequal laws unto a savage race, That hoard, and sleep, and feed, and know not me. I cannot rest from travel; I will drink life to the lees. All times I have enjoyed Greatly, have suffered greatly, both with those that loved me, and alone; on shore, and when Through scudding drifts the rainy Hyades Vexed the dim sea. I am become a name; For always roaming with a hungry heart Much have I seen and known---cities of men And manners, climates, councils, governments, Myself not least, but honored of them all--- And drunk delight of battle with my peers, Far on the ringing plains of windy Troy. I am part of all that I have met; Yet all experience is an arch wherethrough Gleams that untraveled world whose margin fades Forever and forever when I move. How dull it is to pause, to make an end. To rust unburnished, not to shine in use! As though to breathe were life! Life piled on life Were all too little, and of one to me Little remains; but every hour is saved From that eternal silence, something more, A bringer of new things; and vile it were For some three suns to store and hoard myself, And this gray spirit yearning in desire To follow knowledge like a sinking star, Beyond the utmost bound of human thought. This is my son, my own Telemachus, To whom I leave the scepter and the isle--- Well-loved of me, discerning to fulfill This labor, by slow prudence to make mild A rugged people, and through soft degrees Subdue them to the useful and the good. Most blameless is he, centered in the sphere Of common duties, decent not to fail In offices of tenderness, and pay Meet adoration to my household gods, When I am gone. He works his work, I mine. There lies the port; the vessel puffs her sail; There gloom the dark, broad seas. My mariners, Souls that have toiled, and wrought, and thought with me--- That ever with a frolic welcome took The thunder and the sunshine, and opposed Free hearts, free foreheads---you and I are old; Old age hath yet his honor and his toil. Death closes all; but something ere the end, Some work of noble note, may yet be done, Not unbecoming men that strove with gods. The lights begin to twinkle from the rocks; The long day wanes; the slow moon climbs; the deep Moans round with many voices. Come, my friends. 'Tis not too late to seek a newer world. Push off, and sitting well in order smite the sounding furrows; for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. It may be that the gulfs will wash us down; It may be that we shall touch the Happy Isles, And see the great Achilles, whom we knew. Though much is taken, much abides; and though We are not now that strength which in old days Moved earth and heaven, that which we are, we are--- One equal temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield.

The fundamental principle of morality which we seek as a necessity for thought is not, however, a matter only of arranging and deepening current views of good and evil, but also of expanding and extending these. A man is really ethical only when he obeys the constraint laid on him to help all life which he is able to succour, and when he goes out of his way to avoid injuring anything living. He does not ask how far this or that life deserves sympathy as valuable in itself, nor how far it is capable of feeling. To him life as such is sacred. He shatters no ice crystal that sparkles in the sun, tears no leaf from its tree, breaks off no flower, and is careful not to crush any insect as he walks. If he works by lamplight on a summer evening, he prefers to keep the window shut and to breathe stifling air, rather than to see insect after insect fall on his table with singed and sinking wings.

Presently we saw a curious thing: There were no clouds, the sun was going down in a limpid, gold-washed sky. Just as the lower edge of the red disk rested on the high fields against the horizon, a great black figure suddenly appeared on the face of the sun. We sprang to our feet, straining our eyes toward it. In a moment we realized what it was. On some upland farm, a plough had been left standing in the field. The sun was sinking just behind it. Magnified across the distance by the horizontal light, it stood out against the sun, was exactly contained within the circle of the disk; the handles, the tongue, the share—black against the molten red. There it was, heroic in size, a picture writing on the sun. Even

Do you know why the lotus is one of my favorite flowers?" I cocked my head to one side so I could see his expression. He shook his head. "This beautiful flower lives in the most vile, muddy water of swamps and bogs," I said and rubbed the smooth metal of the pendant between my fingers. He frowned. "No, seriously... the grosser the environment, the better," I said. "So let me get this straight. You like a flower that lives in disgusting places?" One of his eyebrows rose. "That ain't right." "No, I love this flower," I corrected. He glanced at me out of the corner of his eye, "Seriously?" "What?" You don't believe me?" "Sure, I believe you. It's just weird." "I'll tell you why, but only if you promise not to laugh," I said. He nodded. Taking a cleansing breath, I rested my head against the seat, closed my eyes, and took that scary first step. "This flower stays in the mud and muck all night long." I peeked at him without moving my head. His face had become set in the smooth lines of one who listens intently. "Then, at sunrise, it climbs toward the light and opens into a pristine bloom. After the sun goes down, the bloom sinks into the mire. Even though it spends the whole night underwater, the flower emerges every morning as beautiful as the day before." Smiling, I swiveled in my seat to face him. "I love this flower because it reminds me that we get second chances every day, no matter what muck life drags us through.

They were the cars at the fair that were whirling around her; no, they were the planets, while the sun stood, burning and spinning and guttering in the centre; here they came again, Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, Pluto; but they were not planets, for it was not the merry-go-round at all, but the Ferris wheel, they were constellations, in the hub of which, like a great cold eye, burned Polaris, and round and round it here they went: Cassiopeia, Cepheus, the Lynx, Ursa Major, Ursa Minor, and the Dragon; yet they were not constellations, but, somehow, myriads of beautiful butterflies, she was sailing into Acapulco harbour through a hurricane of beautiful butterflies, zigzagging overhead and endlessly vanishing astern over the sea, the sea, rough and pure, the long dawn rollers advancing, rising, and crashing down to glide in colourless ellipses over the sand, sinking, sinking, someone was calling her name far away and she remembered, they were in a dark wood, she heard the wind and the rain rushing through the forest and saw the tremours of lightning shuddering through the heavens and the horse—great God, the horse—and would this scene repeat itself endlessly and forever?—the horse, rearing, poised over her, petrified in midair, a statue, somebody was sitting on the statue, it was Yvonne Griffaton, no, it was the statue of Huerta, the drunkard, the murderer, it was the Consul, or it was a mechanical horse on the merry-go-round, the carrousel, but the carrousel had stopped and she was in a ravine down which a million horses were thundering towards her, and she must escape, through the friendly forest to their house, their little home by the sea.

Before us lay a green sloping land full of forests and woods, with here and there steep hills, crowned with clumps of trees or with farmhouses, the blank gable end to the road. There was everywhere a bewildering mass of fruit blossom- apple, plum, pear, cherry; and as we drove by I could see the green grass under the trees spangled with the fallen petals. In and out amongst these green hills of what they call here the 'Mittel Land' ran the road, losing itself as it swept round the grassy curve, or was shut out by the straggling ends of pine woods, which here and there ran down the hillside like tongues of flame. The road was rugged, but still we seemed to fly over it with a feverish haste. I could not understand then what the haste meant, but the driver was evidently bent on losing no time in reaching Borgo Prund. I was told that this road is in summertime excellent, but that it had not been put in order after the winter snows. In this respect it is different from the general run of roads in the Carpathians, for it is an old tradition that they are not to be kept in too good order. Of old the Hospadors would not repair them, lest the Turks should think that they were preparing to bring in foreign troops, and so hasten the war which was always really at loading point. Beyond the green swelling hills of the Mittel Land rose mighty slopes of forest up to the lofty steeps of the Carpathians themselves. Right and left of us they towered, with the afternoon sun falling full upon them and bringing out all the glorious colors of this beautiful range, deep blue and purple in the shadows of the peaks, green and brown where grass and rock mingled, and an endless perspective of jagged rock and pointed crags, till these were themselves lost in the distance, where the snowy peaks rose grandly. Here and there seemed mighty rifts in the mountains, through which, as the sun began to sink, we saw now and again the white gleam of falling water.

It is the sheer weight of the robot that makes us feel we are living in a ‘wooden world’. We can see for example that the moment Ouspensky or Ward returned from the mystical realm of perfect freedom and found themselves ‘back in the body’ they once again found themselves saddled with all their boring old habits and worries and neuroses, all their old sense of identity built up from the reactions of other people, and above all the dreary old heaviness, as if consciousness has turned into a leaden weight. This is the sensation that made the romantics feel that life is a kind of hell — or at the very least, purgatory. Yet we know enough about the robot to know that this feeling is as untrustworthy as the depression induced by a hangover. The trouble with living ‘on the robot’ is that he is a dead weight. He takes over only when our energies are low. So when I do something robotically I get no feedback of sudden delight. This in turn makes me feel that it was not worth doing. ‘Stan’ reacts by failing to send up energy and ‘Ollie’ experiences a sinking feeling. Living becomes even more robotic and the vicious circle effect is reinforced. Beyond a certain point we feel as if we are cut off from reality by a kind of glass wall: suddenly it seems self-evident that there is nothing new under the sun, that all human effort is vanity, that man is a useless passion and that life is a horrible joke devised by some demonic creator. This is the state I have decribed as ‘upside-downness’, the tendency to allow negative emotional judgements to usurp the place of objective rational judgements. Moreover this depressing state masquerades as the ‘voice of experience’, since it seems obvious that you ‘know’ more about an experience when you’ve had it a hundred times. This is the real cause of death in most human beings: they mistake the vicious circle effects of ‘upside-downness’ for the wisdom of age, and give up the struggle.

Men in Númenor are half-Elves (said Erendis), especially the high men; they are neither the one nor the other. The long life that they were granted deceives them, and they dally in the world, children in mind, until age finds them – and then many only forsake play out of doors for play in their houses. They turn their play into great matters and great matters into play. They would be craftsmen and loremasters and heroes all at once; and women to them are but fires on the hearth – for others to tend, until they are tired of play in the evening. All things were made for their service: hills are for quarries, river to furnish water or to turn wheels, trees for boards, women for their body’s need, or if fair to adorn their table and hearth; and children to be teased when nothing else is to do – but they would as soon play with their hounds’ whelps. To all they are gracious and kind, merry as larks in the morning (if the sun shines); for they are never wrathful if they can avoid it. Men should be gay, they hold, generous as the rich, giving away what they do not need. Anger they show only when they become aware, suddenly, that there are other wills in the world beside their own. Then they will be as ruthless as the seawind if anything dare to withstand them. Thus it is, Ancalimë, and we cannot alter it. For men fashioned Númenor: men, those heroes of old that they sing of – of their women we hear less, save that they wept when their men were slain. Númenor was to be a rest after war. But if they weary of rest and the plays of peace, soon they will go back to their great play, manslaying and war. Thus it is; and we are set here among them. But we need not assent. If we love Númenor also, let us enjoy it before they ruin it. We also are daughters of the great, and we have wills and courage of our own. Therefore do not bend, Ancalimë. Once bend a little, and they will bend you further until you are bowed down. Sink your roots into the rock, and face the wind, though it blow away all your leaves.

The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961