β
Even the darkest night will end and the sun will rise.
β
β
Victor Hugo (Les MisΓ©rables)
β
When each day is the same as the next, itβs because people fail to recognize the good things that happen in their lives every day that the sun rises.
β
β
Paulo Coelho (The Alchemist)
β
Please never forget that the sun rises and sets with your smile. At least to me it does. Youβre the only thing on this planet worth worshipping.
β
β
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
β
you can't get away from yourself by moving from one place to another.
β
β
Ernest Hemingway (The Sun Also Rises (Fiesta))
β
Demons run when a good man goes to war
Night will fall and drown the sun
When a good man goes to war
Friendship dies and true love lies
Night will fall and the dark will rise
When a good man goes to war
Demons run, but count the cost
The battle's won, but the child is lost
β
β
Steven Moffat
β
When you're lost in those woods, it sometimes takes you a while to realize that you are lost. For the longest time, you can convince yourself that you've just wandered off the path, that you'll find your way back to the trailhead any moment now. Then night falls again and again, and you still have no idea where you are, and it's time to admit that you have bewildered yourself so far off the path that you don't even know from which direction the sun rises anymore.
β
β
Elizabeth Gilbert
β
I can't stand it to think my life is going so fast and I'm not really living it.
β
β
Ernest Hemingway (The Sun Also Rises (Fiesta))
β
Isn't it pretty to think so.
β
β
Ernest Hemingway (The Sun Also Rises (Fiesta))
β
It is awfully easy to be hard-boiled about everything in the daytime, but at night it is another thing.
β
β
Ernest Hemingway (The Sun Also Rises (Fiesta))
β
My life was an unending, unchanging midnight. It must, by necessity, always be midnight for me. So how was it possible that the sun was rising now, in the middle of my midnight?
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
How did you go bankrupt?"
Two ways. Gradually, then suddenly.
β
β
Ernest Hemingway (The Sun Also Rises)
β
I'm the Sun Summoner. It gets dark when I say it does.
β
β
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
β
Don't you ever get the feeling that all your life is going by and you're not taking advantage of it? Do you realize you've lived nearly half the time you have to live already?
β
β
Ernest Hemingway (The Sun Also Rises (Fiesta))
β
Oh Jake," Brett said, "We could have had such a damned good time together."
Ahead was a mounted policeman in khaki directing traffic. He raised his baton. The car slowed suddenly, pressing Brett against me.
Yes," I said. "Isn't it pretty to think so?
β
β
Ernest Hemingway (The Sun Also Rises (Fiesta))
β
When the sun rises in the west and sets in the east," she said sadly. "When the seas go dry and mountains blow in the wind like leaves. When my womb quickens again, and I bear a living child. Then you will return, my sun-and-stars, and not before." -Daenerys Targaryen
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
I am always in love.
β
β
Ernest Hemingway (The Sun Also Rises (Fiesta))
β
Out of doubt, out of dark to the day's rising
I came singing into the sun, sword unsheathing.
To hope's end I rode and to heart's breaking:
Now for wrath, now for ruin and a red nightfall!
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
Going to another country doesnβt make any difference. Iβve tried all that. You canβt get away from yourself by moving from one place to another. Thereβs nothing to that.
β
β
Ernest Hemingway (The Sun Also Rises (Fiesta))
β
Please, amigo. We need you, Kimosabe, O Mighty Powerful One. We need you more than the earth rises in the west."
The sun rises in the east, dickhead."
Only if you're standing on the earth. If you're on the moon, the earth rises in the west.
β
β
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
β
He who binds to himself a joy
Does the winged life destroy;
But he who kisses the joy as it flies
Lives in eternity's sun rise.
β
β
William Blake
β
Arise, arise, Riders of ThΓ©oden!
Fell deeds awake, fire and slaughter!
spear shall be shaken, shield be splintered,
a sword-day, a red day, ere the sun rises!
Ride now, ride now! Ride to Gondor!
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
A red sun rises. Blood has been spilled this night.
β
β
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
β
Iβm not sure. But thereβs something about the darkness, the stillness of this hour, I think, that creates a language of its own. Thereβs a strange kind of freedom in the dark; a terrifying vulnerability we allow ourselves at exactly the wrong moment, tricked by the darkness into thinking it will keep our secrets. We forget that the blackness is not a blanket; we forget that the sun will soon rise. But in the moment, at least, we feel brave enough to say things weβd never say in the light.
β
β
Tahereh Mafi (Ignite Me (Shatter Me, #3))
β
Hide yourself in God, so when a man wants to find you he will have to go there first.
β
β
Shannon L. Alder
β
Everyone behaves badly--given the chance.
β
β
Ernest Hemingway (The Sun Also Rises (Fiesta))
β
This world, it is a tempest sometimes. But remember, the sun always rises again.
β
β
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
β
Then the two friends leaned back and watched the sun rise clear of the trees.
βBest time of day,β said Will.
Yes,β Horace agreed. βWhatβs for breakfast?
β
β
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
β
Give me a shot to remember
And you can take all the pain away from me
A kiss and I will surrender
The sharpest lives are the deadliest to lead
A light to burn all the empires
So bright the sun is ashamed to rise and be
And I'm in love with all of those vampires
So you can leave like the sane abandoned me
β
β
Gerard Way
β
One of the strangest things about life is that it will chug on, blind and oblivious, even as your private world - your little carved-out sphere - is twisting and morphing, even breaking apart. One day you have parents; the next day you're an orphan. One day you have a place and a path. The next day you're lost in the wilderness.
And still the sun rises and clouds mass and drift and people shop for groceries and toilets flush and blinds go up and down. That's when you realize that most of it - life, the relentless mechanism of existing - isn't about you. It doesn't include you at all. It will thrust onward even after you've jumped the edge. Even after you're dead.
β
β
Lauren Oliver (Delirium (Delirium, #1))
β
The girl who'd taken on a Pirate Lord and his entire island, the girl who'd stolen Asterion horses and raced along the beach in the Red Desert, the girl who'd sat on her own rooftop, watching the sun rise over Avery, the girl who'd felt alive with possibility...that girl was gone.
β
β
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
β
This is rather as if you imagine a puddle waking up one morning and thinking, 'This is an interesting world I find myself in β an interesting hole I find myself in β fits me rather neatly, doesn't it? In fact it fits me staggeringly well, must have been made to have me in it!' This is such a powerful idea that as the sun rises in the sky and the air heats up and as, gradually, the puddle gets smaller and smaller, frantically hanging on to the notion that everything's going to be alright, because this world was meant to have him in it, was built to have him in it; so the moment he disappears catches him rather by surprise. I think this may be something we need to be on the watch out for.
β
β
Douglas Adams (The Salmon of Doubt: Hitchhiking the Galaxy One Last Time)
β
Life is tragic simply because the earth turns and the sun inexorably rises and sets, and one day, for each of us, the sun will go down for the last, last time. Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, the only fact we have. It seems to me that one ought to rejoice in the fact of death--ought to decide, indeed, to earn one's death by confronting with passion the conundrum of life. One is responsible for life: It is the small beacon in that terrifying darkness from which we come and to which we shall return.
β
β
James Baldwin (The Fire Next Time)
β
There is strange comfort in knowing that no matter what happens today, the Sun will rise again tomorrow.
β
β
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
β
This is a good place," he said.
"There's a lot of liquor," I agreed.
β
β
Ernest Hemingway (The Sun Also Rises (Fiesta))
β
The sun will rise tomorrow. It always does, and all the wishing in the world for the way things were, or for what they could have been, won't change that. It won't change how things are.
β
β
Elizabeth Scott (Something, Maybe)
β
You are never dedicated to something you have complete confidence in. No one is fanatically shouting that the sun is going to rise tomorrow. They know it's going to rise tomorrow. When people are fanatically dedicated to political or religious faiths or any other kinds of dogmas or goals, it's always because these dogmas or goals are in doubt.
β
β
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
β
Youβre the only one for me.
My sun rises and sets on your smile.
My heart beats because yours does.
β
β
Elle Kennedy (The Goal (Off-Campus, #4))
β
There are not more than five musical notes, yet the combinations of these five give rise to more melodies than can ever be heard.
There are not more than five primary colours, yet in combination
they produce more hues than can ever been seen.
There are not more than five cardinal tastes, yet combinations of
them yield more flavours than can ever be tasted.
β
β
Sun Tzu (The Art of War)
β
I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what is was all about.
β
β
Ernest Hemingway (The Sun Also Rises)
β
Deep in the meadow, under the willow
a bed of grass, a soft green pillow
lay down your head, and close your sleepy eyes
and when again they open, the sun will rise.
Hear it's safe, here it's warm
hear the daisies guard you from every harm
hear your dreams are sweet and tomorrow brings them true
hear is the place where i love you.
Deep in the meadow, hidden far away
a clock of leaves, a moonbeam ray
forget your woes and let your troubles lay
and when again it's morning, they'll wash away.
Hear it's safe, hears its' warm
hear the daises guard you from every harm
Hear your dreams are sweet and tomorrow bring them true
hear is the place where i love you.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
The Sun will rise and set regardless. What we choose to do with the light while it's here is up to us. Journey wisely.
β
β
Alexandra Elle
β
My sun sets to rise again.
β
β
Robert Browning
β
Night falls. Or has fallen. Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon, like a black sun behind cloud cover. Like smoke from an unseen fire, a line of fire just below the horizon, brushfire or a burning city. Maybe night falls because itβs heavy, a thick curtain pulled up over the eyes. Wool blanket.
β
β
Margaret Atwood (The Handmaidβs Tale (The Handmaid's Tale, #1))
β
Never fall in love?"
"Always," said the count. "I am always in love.
β
β
Ernest Hemingway (The Sun Also Rises (Fiesta))
β
And the mountains may rise and fall, and the sun might wither away, and the sea may claim the land and swallow the sky. But you will always be mine. And the stars might fall from the heavens, and night might cloak the earth, but until darkness dies, I will always be yours.
β
β
Laura Thalassa (Rhapsodic (The Bargainer, #1))
β
You're not a moron. You're only a case of arrested development.
β
β
Ernest Hemingway (The Sun Also Rises (Fiesta))
β
I believe in that line from An Imperial Affliction. 'The risen sun too bright in her losing eyes.' That's God, I think, the rising sun, and the light is too bright and her eyes are losing but they aren't lost.
β
β
John Green (The Fault in Our Stars)
β
I will love you until the sun dies. And when it does, I will love you in the darkness.
β
β
Pierce Brown (Iron Gold (Red Rising Saga, #4))
β
Everybody has a little bit of the sun and moon in them. Everybody has a little bit of man, woman, and animal in them. Darks and lights in them. Everyone is part of a connected cosmic system. Part earth and sea, wind and fire, with some salt and dust swimming in them. We have a universe within ourselves that mimics the universe outside. None of us are just black or white, or never wrong and always right. No one. No one exists without polarities. Everybody has good and bad forces working with them, against them, and within them.
PART SUN AND MOON by Suzy Kassem
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
Oh, darling, I've been so miserable.
β
β
Ernest Hemingway (The Sun Also Rises (Fiesta))
β
And this is the east shore?" Sadie asked. "You said something about that in London--my grandparents living on the east shore."
Amos smiled. "Yes. Very good, Sadie. In ancient times, the east bank of the Nile was always the side of the living, the side where the sun rises. The dead were buried west of the river. It was considered bad luck, even dangerous, to live there. The tradition is still strong among... our people."
Our people?" I asked, but Sadie muscled in with another question.
So you can't live in Manhattan?" she asked.
Amos's brow furrowed as he looked across at the Empire State Building. "Manhattan has other problems. Other gods. It's best we stay separate.
β
β
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
β
Have you heard of the illness hysteria siberiana? Try to imagine this: You're a farmer, living all alone on the Siberian tundra. Day after day you plow your fields. As far as the eye can see, nothing. To the north, the horizon, to the east, the horizon, to the south, to the west, more of the same. Every morning, when the sun rises in the east, you go out to work in your fields. When it's directly overhead, you take a break for lunch. When it sinks in the west, you go home to sleep. And then one day, something inside you dies. Day after day you watch the sun rise in the east, pass across the sky, then sink in the west, and something breaks inside you and dies. You toss your plow aside and, your head completely empty of thought, begin walking toward the west. Heading toward a land that lies west of the sun. Like someone, possessed, you walk on, day after day, not eating or drinking, until you collapse on the ground and die. That's hysteria siberiana.
β
β
Haruki Murakami (South of the Border, West of the Sun)
β
Life is tragic simply because the earth turns and the sun inexorably rises and sets, and one day, for each of us, the sun will go down for the last, last time.
β
β
James Baldwin
β
Nobody ever lives their life all the way up except bullfighters.
β
β
Ernest Hemingway (The Sun Also Rises (Fiesta))
β
People fall in and out of love with the rising and setting of the sun. Rather like a boy who loves the color green one day, only to discover on the morrow that he truly prefers blue.
β
β
RenΓ©e Ahdieh (The Wrath & the Dawn (The Wrath and the Dawn, #1))
β
I mistrust all frank and simple people, especially when their stories hold together
β
β
Ernest Hemingway (The Sun Also Rises (Fiesta))
β
My life was an unending, unchanging midnight. It must, by necessity, always be midnight for me. So how was it possible that the sun was rising now, in the middle of my midnight?
β
β
Stephenie Meyer (Midnight Sun (Twilight, #5))
β
My sun sets to rise again.
β
β
Elizabeth Barrett Browning (Browning: Poems)
β
He'll never be frightened. He knows too damn much.
β
β
Ernest Hemingway (The Sun Also Rises (Fiesta))
β
I love you,' Buttercup said. 'I know this must come as something of a surprise to you, since all I've ever done is scorn you and degrade you and taunt you, but I have loved you for several hours now, and every second, more. I thought an hour ago that I loved you more than any woman has ever loved a man, but a half hour after that I knew that what I felt before was nothing compared to what I felt then. But ten minutes after that, I understood that my previous love was a puddle compared to the high seas before a storm. Your eyes are like that, did you know? Well they are. How many minutes ago was I? Twenty? Had I brought my feelings up to then? It doesn't matter.' Buttercup still could not look at him. The sun was rising behind her now; she could feel the heat on her back, and it gave her courage. 'I love you so much more now than twenty minutes ago that there cannot be comparison. I love you so much more now then when you opened your hovel door, there cannot be comparison. There is no room in my body for anything but you. My arms love you, my ears adore you, my knees shake with blind affection. My mind begs you to ask it something so it can obey. Do you want me to follow you for the rest of your days? I will do that. Do you want me to crawl? I will crawl. I will be quiet for you or sing for you, or if you are hungry, let me bring you food, or if you have thirst and nothing will quench it but Arabian wine, I will go to Araby, even though it is across the world, and bring a bottle back for your lunch. Anything there is that I can do for you, I will do for you; anything there is that I cannot do, I will learn to do. I know I cannot compete with the Countess in skills or wisdom or appeal, and I saw the way she looked at you. And I saw the way you looked at her. But remember, please, that she is old and has other interests, while I am seventeen and for me there is only you. Dearest Westley--I've never called you that before, have I?--Westley, Westley, Westley, Westley, Westley,--darling Westley, adored Westley, sweet perfect Westley, whisper that I have a chance to win your love.' And with that, she dared the bravest thing she'd ever done; she looked right into his eyes.
β
β
William Goldman (The Princess Bride)
β
For if joyful is the fountain that rises in the sun, its springs are in the wells of sorrow unfathomable at the foundations of the Earth.
β
β
J.R.R. Tolkien (The Silmarillion)
β
You're an expatriate. You've lost touch with the soil. You get precious. Fake European standards have ruined you. You drink yourself to death. You become obsessed with sex. You spend all your time talking, not working. You are an expatriate, see? You hang around cafes.
β
β
Ernest Hemingway (The Sun Also Rises (Fiesta))
β
The sun shall always rise upon a new day and there shall always be a rose garden within me. Yes, there is a part of me that is broken, but my broken soil gives way to my wild roses.
β
β
C. JoyBell C.
β
Just like moons and suns,
With certainty of tides,
Just like hopes springing high,
Still I'll rise.
β
β
Maya Angelou
β
I struggled to find the words to name the feelings that flooded through me, but I had no words strong enough to hold them. For a long moment, I drowned in them. When I surfaced, I was not the same man I had been. My life was an unending, unchanging midnight. It must, by necessity, always be midnight for me. So how was it possible that the sun was rising now, in the middle of my midnight?
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.
β
β
T.S. Eliot (The Waste Land)
β
You know it makes one feel rather good deciding not to be a bitch."
"Yes."
"It's sort of what we have instead of God.
β
β
Ernest Hemingway (The Sun Also Rises (Fiesta))
β
Violence was a slippery slope, lubricated by a lot of blood, if history had any lessons to teach.
β
β
John Rachel (Love Connection: Romance in the Land of the Rising Sun)
β
Yet there are moments when the walls of the mind grow thin; when nothing is unabsorbed, and I could fancy that we might blow so vast a bubble that the sun might set and rise in it and we might take the blue of midday and the black of midnight and be cast off and escape from here and now.
β
β
Virginia Woolf (The Waves)
β
There is a classic moment in βThe Sun Also Risesβ when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, βGradually and then suddenly.β When someone asks how I lost my mind, thatβs all I can say too.
β
β
Elizabeth Wurtzel (Prozac Nation)
β
One of the strange things about living in the world is that it is only now and then one is quite sure one is going to live forever and ever and ever. One knows it sometimes when one gets up at the tender solemn dawn-time and goes out and stands out and throws one's head far back and looks up and up and watches the pale sky slowly changing and flushing and marvelous unknown things happening until the East almost makes one cry out and one's heart stands still at the strange unchanging majesty of the rising of the sun--which has been happening every morning for thousands and thousands and thousands of years. One knows it then for a moment or so. And one knows it sometimes when one stands by oneself in a wood at sunset and the mysterious deep gold stillness slanting through and under the branches seems to be saying slowly again and again something one cannot quite hear, however much one tries. Then sometimes the immense quiet of the dark blue at night with the millions of stars waiting and watching makes one sure; and sometimes a sound of far-off music makes it true; and sometimes a look in someone's eyes.
β
β
Frances Hodgson Burnett (Secret Garden (Dover Children's Evergreen Classics))
β
Hemingway has his classic moment in "The Sun Also Rises" when someone asks Mike Campbell how he went bankrupt. All he can say is, "Gradually, then suddenly." That's how depression hits. You wake up one morning, afraid that you're gonna live.
β
β
Elizabeth Wurtzel (Prozac Nation)
β
Time is more complex near the sea than in any other place, for in addition to the circling of the sun and the turning of the seasons, the waves beat out the passage of time on the rocks and the tides rise and fall as a great clepsydra.
β
β
John Steinbeck (Tortilla Flat)
β
A Litany for Survival
For those of us who live at the shoreline
standing upon the constant edges of decision
crucial and alone
for those of us who cannot indulge
the passing dreams of choice
who love in doorways coming and going
in the hours between dawns
looking inward and outward
at once before and after
seeking a now that can breed
futures
like bread in our children's mouths
so their dreams will not reflect
the death of ours:
For those of us
who were imprinted with fear
like a faint line in the center of our foreheads
learning to be afraid with our mother's milk
for by this weapon
this illusion of some safety to be found
the heavy-footed hoped to silence us
For all of us
this instant and this triumph
We were never meant to survive.
And when the sun rises we are afraid
it might not remain
when the sun sets we are afraid
it might not rise in the morning
when our stomachs are full we are afraid
of indigestion
when our stomachs are empty we are afraid
we may never eat again
when we are loved we are afraid
love will vanish
when we are alone we are afraid
love will never return
and when we speak we are afraid
our words will not be heard
nor welcomed
but when we are silent
we are still afraid
So it is better to speak
remembering
we were never meant to survive.
β
β
Audre Lorde (The Black Unicorn: Poems (Norton Paperback))
β
Beauty, the world seemed to say. And as if to prove it (scientifically) wherever he looked at the houses, at the railings, at the antelopes stretching over the palings, beauty sprang instantly. To watch a leaf quivering in the rush of air was an exquisite joy. Up in the sky swallows swooping, swerving, flinging themselves in and out, round and round, yet always with perfect control as if elastics held them; and the flies rising and falling; and the sun spotting now this leaf, now that, in mockery, dazzling it with soft gold in pure good temper; and now again some chime (it might be a motor horn) tinkling divinely on the grass stalksβall of this, calm and reasonable as it was, made out of ordinary things as it was, was the truth now; beauty, that was the truth now. Beauty was everywhere.
β
β
Virginia Woolf (Mrs. Dalloway)
β
Journeyβs end
In western lands beneath the Sun
The flowers may rise in Spring,
The trees may bud, the waters run,
The merry finches sing.
Or there maybe 'tis cloudless night,
And swaying branches bear
The Elven-stars as jewels white
Amid their branching hair.
Though here at journey's end I lie
In darkness buried deep,
Beyond all towers strong and high,
Beyond all mountains steep,
Above all shadows rides the Sun
And Stars for ever dwell:
I will not say the Day is done,
Nor bid the Stars farewell.J.
β
β
J.R.R. Tolkien
β
Men come and go, cities rise and fall, whole civilizations appear and disappear-the earth remains, slightly modified. The earth remains, and the heartbreaking beauty where there are no hearts to break....I sometimes choose to think, no doubt perversely, that man is a dream, thought an illusion, and only rock is real. Rock and sun.
β
β
Edward Abbey (Desert Solitaire: A Season in the Wilderness)
β
COMING FORTH INTO THE LIGHT
I was born the day
I thought:
What is?
What was?
And
What if?
I was transformed the day
My ego shattered,
And all the superficial, material
Things that mattered
To me before,
Suddenly ceased
To matter.
I really came into being
The day I no longer cared about
What the world thought of me,
Only on my thoughts for
Changing the world.
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
CIRCLES OF LIFE
Everything
Turns,
Rotates,
Spins,
Circles,
Loops,
Pulsates,
Resonates,
And
Repeats.
Circles
Of life,
Born from
Pulses
Of light,
Vibrate
To
Breathe,
While
Spiraling
Outwards
For
Infinity
Through
The lens
Of time,
And into
A sea
Of stars
And
Lucid
Dreams.
Poetry by Suzy Kassem
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
A quiet mind is all you need. All else will happen rightly, once your
mind is quiet. As the sun on rising makes the world active, so does
self-awareness affect changes in the mind. In the light of calm and
steady self-awareness, inner energies wake up and work miracles
without any effort on your part
β
β
Nisargadatta Maharaj
β
She was looking into my eyes with that way she had of looking that made you wonder whether she really saw out of her own eyes. They would look on and on after every one else's eyes in the world would have stopped looking. She looked as though there were nothing on earth she would not look at like that, and really she was afraid of so many things.
β
β
Ernest Hemingway (The Sun Also Rises (Fiesta))
β
Why does anyone stay in an unhappy relationship? Because people do. They do it all the time. And the truth is, when youβre in it, when youβre up to your neck in the everyday part of life with another human being, sometimes you donβt exactly notice how bad things really are. Itβs not always as apparent as it would seem. Unhappiness, when it involves another person, can be like that line from The Sun Also Rises about going bankrupt, how it happens two ways: gradually, and then suddenly.
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Sarah Dunn
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Choose a leader who will invest in building bridges, not walls. Books, not weapons. Morality, not corruption. Intellectualism and wisdom, not ignorance. Stability, not fear and terror. Peace, not chaos. Love, not hate. Convergence, not segregation. Tolerance, not discrimination. Fairness, not hypocrisy. Substance, not superficiality. Character, not immaturity. Transparency, not secrecy. Justice, not lawlessness. Environmental improvement and preservation, not destruction. Truth, not lies.
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
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I have been finding treasures in places I did not want to search. I have been hearing wisdom from tongues I did not want to listen. I have been finding beauty where I did not want to look. And I have learned so much from journeys I did not want to take. Forgive me, O Gracious One; for I have been closing my ears and eyes for too long. I have learned that miracles are only called miracles because they are often witnessed by only those who can can see through all of life's illusions. I am ready to see what really exists on other side, what exists behind the blinds, and taste all the ugly fruit instead of all that looks right, plump and ripe.
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
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Yes, I am finally a match for Amy. The other morning I woke up next to her, and I studied the back of her skull. I tried to read her thoughts. For once I didn't feel like I was staring into the sun. I'm rising to my wife's level of madness. Because I can feel her changing me again: I was a callow boy, and then a man, good and bad. Now at last I'm the hero. I am the one to root for in the never-ending war story of our marriage. It's a story I can live with. Hell, at this point, I can't imagine my story without Amy. She is my forever antagonist.
We are one long frightening climax.
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Gillian Flynn (Gone Girl)
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From too much love of living
From hope and fear set free,
We thank with brief thanksgiving
Whatever gods may be
That no life lives for ever;
That dead men rise up never;
That even the weariest river
Winds somewhere safe to sea.
Then star nor sun shall waken,
Nor any change of light:
Nor sound of waters shaken,
Nor any sound or sight:
Nor wintry leaves nor vernal,
Nor days nor things diurnal;
Only the sleep eternal
In an eternal night.
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Algernon Charles Swinburne (The Garden of Proserpine)
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But thereβs something about the darkness, the stillness of this hour, I think, that creates a language of its own. Thereβs a strange kind of freedom in the dark; a terrifying vulnerability we allow ourselves at exactly the wrong moment, tricked by the darkness into thinking it will keep our secrets. We forget that the blackness is not a blanket; we forget that the sun will soon rise. But in the moment, at least, we feel brave enough to say things weβd never say in the light.
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Tahereh Mafi (Ignite Me (Shatter Me, #3))
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Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live.
In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formality. My spirit, my emotional being, whatever you want to call all that inner turmoil that has nothing to do with physical existence, were long gone, dead and gone, and only a mass of the most fucking god-awful excruciating pain like a pair of boiling hot tongs clamped tight around my spine and pressing on all my nerves was left in its wake.
That's the thing I want to make clear about depression: It's got nothing at all to do with life. In the course of life, there is sadness and pain and sorrow, all of which, in their right time and season, are normal -- unpleasant, but normal. Depression is an altogether different zone because it involves a complete absence: absence of affect, absence of feeling, absence of response, absence of interest. The pain you feel in the course of a major clinical depression is an attempt on nature's part (nature, after all, abhors a vacuum) to fill up the empty space. But for all intents and purposes, the deeply depressed are just the walking, waking dead.
And the scariest part is that if you ask anyone in the throes of depression how he got there, to pin down the turning point, he'll never know. There is a classic moment in The Sun Also Rises when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, 'Gradually and then suddenly.' When someone asks how I love my mind, that is all I can say too
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Elizabeth Wurtzel (Prozac Nation)
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IN THE HANDS OF MAN
He who creates a poison, also has the cure.
He who creates a virus, also has the antidote.
He who creates chaos, also has the ability to create peace.
He who sparks hate, also has the ability to transform it to love.
He who creates misery, also has the ability to destroy it with kindness.
He who creates sadness, also has the ability to to covert it to happiness.
He who creates darkness, can also be awakened to produce illumination.
He who spreads fear, can also be shaken to spread comfort.
Any problems created by the left hand of man,
Can also be solved with the right,
For he who manifests anything,
Also has the ability to
Destroy it.
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
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REMEMBER YOUR GREATNESS
Before you were born,
And were still too tiny for
The human eye to see,
You won the race for life
From among 250 million competitors.
And yet,
How fast you have forgotten
Your strength,
When your very existence
Is proof of your greatness.
You were born a winner,
A warrior,
One who defied the odds
By surviving the most gruesome
Battle of them all.
And now that you are a giant,
Why do you even doubt victory
Against smaller numbers,
And wider margins?
The only walls that exist,
Are those you have placed in your mind.
And whatever obstacles you conceive,
Exist only because you have forgotten
What you have already
Achieved.
Poetry by Suzy Kassem
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
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Bilboβs Last Song
Day is ended, dim my eyes,
But journey long before me lies.
Farewell, friends! I hear the call.
The ship's beside the stony wall.
Foam is white and waves are grey;
Beyond the sunset leads my way.
Foam is salt, the wind is free;
I hear the rising of the Sea.
Farewell, friends! The sails are set,
The wind is east, the moorings fret.
Shadows long before me lie,
Beneath the ever-bending sky,
But islands lie behind the Sun
That I shall raise ere all is done;
Lands there are to west of West,
Where night is quiet and sleep is rest.
Guided by the Lonely Star,
Beyond the utmost harbour-bar,
Iβll find the heavens fair and free,
And beaches of the Starlit Sea.
Ship, my ship! I seek the West,
And fields and mountains ever blest.
Farewell to Middle-earth at last.
I see the Star above my mast!
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J.R.R. Tolkien (Bilbo's Last Song (Middle Earth, #4.5))
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THE WEATHER OF LOVE
Love
Has a way of wilting
Or blossoming
At the strangest,
Most unpredictable hour.
This is how love is,
An uncontrollable beast
In the form of a flower.
The sun does not always shine on it.
Nor does the rain always pour on it
Nor should it always get beaten by a storm.
Love does not always emit the sweetest scents,
And sometimes it can sting with its thorns.
Water it.
Give it plenty of sunlight.
Nurture it,
And the flower of love will
Outlive you.
Neglect it or keep dissecting it,
And its petals will quickly curl up and die.
This is how love is,
Perfection is a delusional vision.
So love the person who loves you
Unconditionally,
And abandon the one
Who only loves you
Under favorable
Conditions.
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
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Never judge someone's character based on the words of another. Instead, study the motives behind the words of the person casting the bad judgment. An honest woman can sell tangerines all day and remain a good person until she dies, but there will always be naysayers who will try to convince you otherwise. Perhaps this woman did not give them something for free, or at a discount. Perhaps too, that she refused to stand with them when they were wrong β or just stood up for something she felt was right. And also, it could be that some bitter women are envious of her, or that she rejected the advances of some very proud men. Always trust your heart. If the Creator stood before a million men with the light of a million lamps, only a few would truly see him because truth is already alive in their hearts. Truth can only be seen by those with truth in them. He who does not have Truth in his heart, will always be blind to her.
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
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Know then thyself, presume not God to scan,
The proper study of mankind is Man.
Placed on this isthmus of a middle state,
A being darkly wise and rudely great:
With too much knowledge for the Sceptic side,
With too much weakness for the Stoic's pride,
He hangs between, in doubt to act or rest;
In doubt to deem himself a God or Beast;
In doubt his mind or body to prefer;
Born but to die, and reas'ning but to err;
Alike in ignorance, his reason such,
Whether he thinks too little or too much;
Chaos of thought and passion, all confused;
Still by himself abused or disabused;
Created half to rise, and half to fall;
Great lord of all things, yet a prey to all;
Sole judge of truth, in endless error hurl'd;
The glory, jest, and riddle of the world!
Go, wondrous creature! mount where science guides,
Go, measure earth, weigh air, and state the tides;
Instruct the planets in what orbs to run,
Correct old time, and regulate the sun;
Go, soar with Plato to thβ empyreal sphere,
To the first good, first perfect, and first fair;
Or tread the mazy round his followers trod,
And quitting sense call imitating God;
As Eastern priests in giddy circles run,
And turn their heads to imitate the sun.
Go, teach Eternal Wisdom how to ruleβ
Then drop into thyself, and be a fool!
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Alexander Pope (An Essay on Man)
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To shut your eyes is to guess nothing of blindness. Beneath your world of skies and faces and buildings exists a rawer and older world, a place where surface planes disintegrate and sounds ribbon in shoals through the air. Marie-Laure can sit in an attic high above the street and hear lilies rustling in marshes two miles away. She hears Americans scurry across farm fields, directing their huge cannons at the smoke of Saint-Malo; she hears families sniffling around hurricane lamps in cellars, crows hopping from pile to pile, flies landing on corpses in ditches; she hears the tamarinds shiver and the jays shriek and the dune grass burn; she feels the great granite fist, sunk deep into the earthβs crust, on which Saint-Malo sits, and the ocean teething at it from all four sides, and the outer islands holding steady against the swirling tides; she hears cows drink from stone troughs and dolphins rise through the green water of the Channel; she hears the bones of dead whales stir five leagues below, their marrow offering a century of food for cities of creatures who will live their whole lives and never once see a photon sent from the sun. She hears her snails in the grotto drag their bodies over the rocks.
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Anthony Doerr (All the Light We Cannot See)
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I KNEW IT WAS OVER
when tonight you couldn't make the phone ring
when you used to make the sun rise
when trees used to throw themselves
in front of you
to be paper for love letters
that was how i knew i had to do it
swaddle the kids we never had
against january's cold slice
bundle them in winter
clothes they never needed
so i could drop them off at my mom's
even though she lives on the other side of the country
and at this late west coast hour is
assuredly east coast sleeping
peacefully
her house was lit like a candle
the way homes should be
warm and golden
and home
and the kids ran in
and jumped at the bichon frise
named lucky
that she never had
they hugged the dog
it wriggled
and the kids were happy
yours and mine
the ones we never had
and my mom was
grand maternal, which is to say, with style
that only comes when you've seen
enough to know grace
like when to pretend it's christmas or
a birthday so
she lit her voice with tiny
lights and pretended
she didn't see me crying
as i drove away
to the hotel connected to the bar
where i ordered the cheapest whisky they had
just because it shares your first name
because they don't make a whisky
called baby
and i only thought what i got
was what
i ordered
i toasted the hangover
inevitable as sun
that used to rise
in your name
i toasted the carnivals
we never went to
and the things you never won
for me
the ferris wheels we never
kissed on and all the dreams
between us
that sat there
like balloons on a carney's board
waiting to explode with passion
but slowly deflated
hung slave
under the pin-
prick of a tack
hung
heads down
like lovers
when it doesn't
work, like me
at last call
after too many cheap
too many sweet
too much
whisky makes me
sick, like the smell of cheap,
like the smell of
the dead
like the cheap, dead flowers
you never sent
that i never threw
out of the window
of a car
i never
really
owned
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Daphne Gottlieb (Final Girl)
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You may write me down in history
With your bitter, twisted lies,
You may tread me in the very dirt
But still, like dust, I'll rise.
Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.
Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.
You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.
Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?
Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
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Maya Angelou
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Ruby, what does the future look like?β Nico asked. βI canβt picture it. I try all the time, but I canβt imagine it. Jude said it looked like an open road just after a rainstorm.β
I turned back toward the board, eyes tracing those eight letters, trying to take their power away; change them from a place, a name, to just another word. Certain memories trap you; you relive their thousand tiny details. The damp, cool spring air, swinging between snow flurries and light rain. The hum of the electric fence. The way Sam used to let out a small sigh each morning we left the cabin. I remembered the path to the Factory the way you never forgot the story behind a scar. The black mud would splatter over my shoes, momentarily hiding the numbers written there. 3285. Not a name.
You learned to look up, craning your neck back to gaze over the razor wire curled around the top of the fence. Otherwise, it was too easy to forget that there was a world beyond the rusting metal pen theyβd thrown all of us animals into.
βI see it in colors,β I said. βA deep blue, fading into golds and redsβlike fire on a horizon. Afterlight. Itβs a sky that wants you to guess if the sun is about to rise or set.β
Nico shook his head. βI think I like Judeβs better.β
βMe too,β I said softly. βMe too.
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Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
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For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zoneβ¦
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
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Andrea Gibson
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A NATION'S GREATNESS DEPENDS ON ITS LEADER
To vastly improve your country and truly make it great again, start by choosing a better leader. Do not let the media or the establishment make you pick from the people they choose, but instead choose from those they do not pick. Pick a leader from among the people who is heart-driven, one who identifies with the common man on the street and understands what the country needs on every level. Do not pick a leader who is only money-driven and does not understand or identify with the common man, but only what corporations need on every level.
Pick a peacemaker. One who unites, not divides. A cultured leader who supports the arts and true freedom of speech, not censorship. Pick a leader who will not only bail out banks and airlines, but also families from losing their homes -- or jobs due to their companies moving to other countries. Pick a leader who will fund schools, not limit spending on education and allow libraries to close. Pick a leader who chooses diplomacy over war. An honest broker in foreign relations. A leader with integrity, one who says what they mean, keeps their word and does not lie to their people. Pick a leader who is strong and confident, yet humble. Intelligent, but not sly. A leader who encourages diversity, not racism. One who understands the needs of the farmer, the teacher, the doctor, and the environmentalist -- not only the banker, the oil tycoon, the weapons developer, or the insurance and pharmaceutical lobbyist.
Pick a leader who will keep jobs in your country by offering companies incentives to hire only within their borders, not one who allows corporations to outsource jobs for cheaper labor when there is a national employment crisis. Choose a leader who will invest in building bridges, not walls. Books, not weapons. Morality, not corruption. Intellectualism and wisdom, not ignorance. Stability, not fear and terror. Peace, not chaos. Love, not hate. Convergence, not segregation. Tolerance, not discrimination. Fairness, not hypocrisy. Substance, not superficiality. Character, not immaturity. Transparency, not secrecy. Justice, not lawlessness. Environmental improvement and preservation, not destruction. Truth, not lies.
Most importantly, a great leader must serve the best interests of the people first, not those of multinational corporations. Human life should never be sacrificed for monetary profit. There are no exceptions. In addition, a leader should always be open to criticism, not silencing dissent. Any leader who does not tolerate criticism from the public is afraid of their dirty hands to be revealed under heavy light. And such a leader is dangerous, because they only feel secure in the darkness. Only a leader who is free from corruption welcomes scrutiny; for scrutiny allows a good leader to be an even greater leader.
And lastly, pick a leader who will make their citizens proud. One who will stir the hearts of the people, so that the sons and daughters of a given nation strive to emulate their leader's greatness. Only then will a nation be truly great, when a leader inspires and produces citizens worthy of becoming future leaders, honorable decision makers and peacemakers. And in these times, a great leader must be extremely brave. Their leadership must be steered only by their conscience, not a bribe.
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)