Summer Feels Quotes

We've searched our database for all the quotes and captions related to Summer Feels. Here they are! All 100 of them:

In time, the hurt began to fade and it was easier to just let it go. At least I thought it was. But in every boy I met in the next few years, I found myself looking for you, and when the feelings got too strong, I'd write you another letter. But I never sent them for fear of what I might find. By then, you'd gone on with your life and I didn't want to think about you loving someone else. I wanted to remember us like we were that summer. I didn't ever want to lose that.
Nicholas Sparks (The Notebook (The Notebook, #1))
Weeping is not the same thing as crying. It takes your whole body to weep, and when it's over, you feel like you don't have any bones left to hold you up.
Sarah Ockler (Twenty Boy Summer)
In the dark you can feel really close to a person. You can say whatever you want.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
When you feel someone else's pain and joy as powerfully as if it were your own, then you know you really loved them.
Ann Brashares (Girls in Pants: The Third Summer of the Sisterhood (Sisterhood, #3))
Love. Because of you, in gardens of blossoming Flowers I ache from the perfumes of spring. I have forgotten your face, I no longer Remember your hands; how did your lips Feel on mine? Because of you, I love the white statues Drowsing in the parks, the white statues that Have neither voice nor sight. I have forgotten your voice, your happy voice; I have forgotten your eyes. Like a flower to its perfume, I am bound to My vague memory of you. I live with pain That is like a wound; if you touch me, you will Make to me an irreperable harm. Your caresses enfold me, like climbing Vines on melancholy walls. I have forgotten your love, yet I seem to Glimpse you in every window. Because of you, the heady perfumes of Summer pain me; because of you, I again Seek out the signs that precipitate desires: Shooting stars, falling objects.
Pablo Neruda
But just because you bury something, that doesn’t mean it stops existing. Those feelings, they’d been there all along. All that time. I had to face it. He was part of my DNA. I had brown hair and I had freckles and I would always have Conrad in my heart.
Jenny Han (We'll Always Have Summer (Summer, #3))
There are times, however, and this is one of them, when even being right feels wrong. What do you say, for instance, about a generation that has been taught that rain is poison and sex is death? If making love might be fatal and if a cool spring breeze on any summer afternoon can turn a crystal blue lake into a puddle of black poison right in front of your eyes, there is not much left except TV and relentless masturbation. It's a strange world. Some people get rich and others eat shit and die.
Hunter S. Thompson (Generation of Swine: Tales of Shame and Degradation in the '80's)
Live, laugh, love. When you can feel someone else's pain and joy as if it's your own, thats when you know you really love them - Tina Lowell
Ann Brashares (Girls in Pants: The Third Summer of the Sisterhood (Sisterhood, #3))
Daddy," I whispered, feeling my own breath hitch in my throat. "I love you." Just when I was sure he was asleep, the one corner of his mouth lifted in a smile. "I knew that," he murmured. "Always knew that.
Morgan Matson (Second Chance Summer)
I don't know why people are afraid of lust. Then I can imagine that they are very afraid of me, for I have a great lust for everything. A lust for life, a lust for how the summer-heated street feels beneath my feet, a lust for the touch of another's skin on my skin...a lust for everything. I even lust after cake. Yes, I am very lusty and very scary.
C. JoyBell C.
Sometimes I think we all feel guilty for being happy, and as soon as we catch ourselves acting like everything is okay, someone remembers it's not.
Sarah Ockler (Twenty Boy Summer)
How does it feel to know that even at my worst, you're still not good enough?
Courtney Summers (Cracked Up to Be)
[T]hat old September feeling, left over from school days, of summer passing, vacation nearly done, obligations gathering, books and football in the air ... Another fall, another turned page: there was something of jubilee in that annual autumnal beginning, as if last year's mistakes had been wiped clean by summer.
Wallace Stegner (Angle of Repose)
No mockery in this world ever sounds to me so hollow as that of being told to cultivate happiness. What does such advice mean? Happiness is not a potato, to be planted in mould, and tilled with manure. Happiness is a glory shining far down upon us out of Heaven. She is a divine dew which the soul, on certain of its summer mornings, feels dropping upon it from the amaranth bloom and golden fruitage of Paradise.
Charlotte Brontë (Villette)
Ô, Wanderess, Wanderess When did you feel your most euphoric kiss? Was I the source of your greatest bliss?
Roman Payne
Then I feel, Harry, that I have given away my whole soul to someone who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer's day.
Oscar Wilde (The Picture of Dorian Gray)
When a person you love dies, it doesn’t feel real. It’s like it’s happening to someone else. It’s someone else’s life. I’ve never been good with the abstract. What does it mean when someone is really truly gone?
Jenny Han (It's Not Summer Without You (Summer, #2))
Lying here and looking up at the stars like this, it makes me feel like I’m lying on a planet. It’s so wide. So infinite -Belly Conklin
Jenny Han (We'll Always Have Summer (Summer, #3))
You can't have real pain without real love. You can't feel grief and loss and hurt without real love. Love is the only way you can ever be really hurt deep down.
Katherine Applegate (Beach Blondes: June Dreams / July's Promise / August Magic (Summer, #1-3))
Such is human memory... you forget the truth and believe what makes you feel better.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
It is easy to forget now, how effervescent and free we all felt that summer.
Anna Godbersen (Bright Young Things (Bright Young Things, #1))
So that's what I'm here to become. And suddenly, this word fills me with a brand of sadness I haven't felt since childhood. The kind of sadness you feel at the end of summer. When the fireflies are gone, the ponds have dried up and the plants are wilted, weary from being so green.
Augusten Burroughs
For me there was-is-nothing better than walking on the beach late at night. It feels like you could walk forever, like the whole night is yours and so is the ocean. When you walk on the beach at night, you can say things you can't say in real life. In the dark you can feel really close to a person. You can say whatever you want.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
We stood there, looking at each other, saying nothing. But it was the kind of nothing that meant everything. In his eyes, there was no trace of what had happened between us earlier and I could feel something inside me break. So that was that. We were finally, finally over. I looked at him, and I felt so sad, because this thought occurred to me: 'I will never look at you the same way again. I'll never be that girl again. The girl who comes running back every time you push her away, the girl who loves you anyway.' I couldn’t even be mad at him, because this was who he was. This was who he’d always been. He’d never lied about that. He gave and then he took away. I felt it in the pit of my stomach, the familiar ache, that lost, regretful feeling only he could give me. I never wanted to feel it again. Never, ever. Maybe this was why I came, so I could really know. So I could say good-bye. I looked at him, and I thought, 'If I was very brave or very honest, I would tell him.' I would say it, so he would know it and I would know it, and I could never take it back. But I wasn’t that brave or honest, so all I did was look at him. And I think he knew anyway. 'I release you. I evict you from my heart. Because if I don't do it now, I never will.' I was the one to look away first.
Jenny Han (It's Not Summer Without You (Summer, #2))
I couldn't even be mad at him, because this was who he was. This was who he'd always been. He'd never lied about that. He gave and then he took away. I felt it in the pit of my stomach, the familiar ache, that lost, regretful feeling only he could give me. I never wanted to feel it again. Never, ever. Maybe this was why I came, so I could really know. So I could say good-bye.
Jenny Han (It's Not Summer Without You (Summer, #2))
Yet you could feel a vibration in the air, a sense of hastening. It had started with the moon, inaccessible poem that it was. Now men had walked upon it, rubber treads on a pearl of the gods. Perhaps it was an awareness of time passing, the last summer of the decade. Sometimes I just wanted to raise my hands and stop. But stop what? Maybe just growing up.
Patti Smith (Just Kids)
I loved the feeling of talking and having somebody really listen to what I have to say. It was like a high or something.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
He came up and kissed me on my forehead, and before he stepped away, I closed my eyes and tried hard to memorize this moment. I wanted to remember him exactly as he was right then, how his arms looked brown against his white shirt, the way his hair was cut a little too short in the front. Even the bruise, there because of me. Then he was gone. Just for that moment, the thought that I might never see him again… it felt worse than death. I wanted to run after him. Tell him anything, everything. Just don’t go. Please just never go. Please just always be near me, so I can at least see you. Because it felt final. I always believed that we would find our way back to each other every time. That no matter what, we would be connected—by our history, by this house. But this time, this last time, it felt final. Like I would never see him again, or that when I did, it would be different, there would be a mountain between us. I knew it in my bones. That this time was it. I had finally made my choice, and so had he. He let me go. I was relieved, which I expected. What I didn’t expect was to feel so much grief. Bye bye, Birdie.
Jenny Han (We'll Always Have Summer (Summer, #3))
I could tell them about the different kinds of rain, pouring rain that's perfect for when you want to stay inside and watch a movie or read, or piercing rain that feels like needles on your skin, or soft summer rain that makes your first kiss with your first love all the sweeter. ~ Amy
Beth Revis (Across the Universe (Across the Universe, #1))
In his eyes, there was no trace of what had happened earlier, and I could feel something inside me break. So that was that. We were finally, finally over.
Jenny Han (It's Not Summer Without You (Summer, #2))
What made you feel that stomach-churning agony for one person and not another? If Bridget were God, she would have made it against the law for you to feel that way about someone without them having to feel it for you right back.
Ann Brashares (Girls in Pants: The Third Summer of the Sisterhood (Sisterhood, #3))
What is the statute of limitations on feeling guilty for cheating on a ghost?
Sarah Ockler (Twenty Boy Summer)
He pulled my foot, drawing me closer. Being this close to him was making me feel dizzy and nervous. I said it again, one last time, even though i didn't mean it. "Conrad let go of me." He did. And then he dunked me. It didn't matter. I was already holding my breath.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
...though she had not had the strength to shake off the spell that bound her to him she had lost all spontaneity of feeling, and seemed to herself to be passively awaiting a fate she could not avert.
Edith Wharton (Summer)
You just want to keep me on this hook, right? So I'll keep chasing after you and you can feel good about yourself. As soon as I start to get over you, you just reel me back in. You're so screwed up in the head. But I'm telling you, this is it. You don't get to have me anymore. Not as your friend or your admirer or anything. I'm through.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
A certain critic -- for such men, I regret to say, do exist -- made the nasty remark about my last novel that it contained 'all the old Wodehouse characters under different names.' He has probably by now been eaten by bears, like the children who made mock of the prophet Elisha: but if he still survives he will not be able to make a similar charge against Summer Lightning. With my superior intelligence, I have out-generalled the man this time by putting in all the old Wodehouse characters under the same names. Pretty silly it will make him feel, I rather fancy.
P.G. Wodehouse (Summer Moonshine)
I can be in a room full of people that I know and still not feel like I belong
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
It's one of those special places where you feel like time doesn't exist. Where it will always be summer, where I'll always wake up with you.
K.L. Walther (The Summer of Broken Rules)
I say, " I can't believe you're really here." He sounds almost shy when he says, "Me neither." And then he hesitates. "Are you still coming with me?" I cant believe he even has to ask. I would go anywhere. "Yes," I tell him. It feels like nothing else exists outside of that word, this moment. There's just us. Everything that happened this past summer and every summer before it, has all led up to this. To Now
Jenny Han (The Summer I Turned Pretty (Summer, #1))
Suddenly I had this feeling, this absolute certainty, that I was never going to be able to let him go. It was as simple and as hard as that. I had clung to him like a barnacle all these years, and now I couldn’t cut away. It was my own fault, really. I couldn’t let go of Conrad.
Jenny Han (We'll Always Have Summer (Summer, #3))
Oh, I adore to cook. It makes me feel so mindless in a worthwhile way.
Truman Capote (Summer Crossing)
Summertime. It was a song. It was a season. I wondered if that season would ever live inside of me.
Benjamin Alire Sáenz (Last Night I Sang to the Monster)
She’s kept her love for him as alive as the summer they first met. In order to do this, she’s turned life away. Sometimes she subsists for days on water and air. Being the only known complex life-form to do this, she should have a species named after her. Once Uncle Julian told me how the sculptor and painter Alberto Giacometti said that sometimes just to paint a head you have to give up the whole figure. To paint a leaf, you have to sacrifice the whole landscape. It might seem like you’re limiting yourself at first, but after a while you realize that having a quarter-of-an-inch of something you have a better chance of holding on to a certain feeling of the universe than if you pretended to be doing the whole sky. My mother did not choose a leaf or a head. She chose my father. And to hold on to a certain feeling, she sacrificed the world.
Nicole Krauss (The History of Love)
The love stories sold us the wrong thing. The best kind of love doesn’t happen on moonlit walks and romantic vacations. It happens in between the folds of everyday life. It’s not grand gestures that show how you feel, it’s all the little secret things you do to make her life better that you never tell her about. Taking the end piece of the bread at breakfast so she can have the last middle piece for her sandwich when you pack her lunch. Making sure her car always has gas so she never has to stop at the pump. Telling her you’re not cold and to take your jacket when you are in fact, very, very cold. It’s watching TV on a rainy Sunday while you’re doing laundry and turning her light off when she’s fallen asleep reading. Sharing pizza crusts and laughing about something the kids did and taking care of each other when you’re sick. It isn’t glamorous, it isn’t all butterflies and stars in your eyes. It’s real. This is the kind of love that forever is made of. Because if it’s this good when life is draining and mundane and hard, think of how wonderful it will be when the love songs are playing and the moon is out.
Abby Jimenez (Just for the Summer)
Everything was okay today, but I am not feeling okay. I think that when the things you like go away, you die a little bit inside, and I think that it takes a long time for you to feel okay again.
Abraham M. Alghanem (Summer and Autumn)
If you ever meet a guy and you fall in love with him, but because of some weird genetic mutation he doesn't seem to return the feeling?... Wear that dress.
Ann Brashares (Girls in Pants: The Third Summer of the Sisterhood (Sisterhood, #3))
Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and how she would keep, through all her riper years, the simple and loving heart of her childhood: and how she would gather about her other little children, and make their eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days.
Lewis Carroll (Alice in Wonderland)
It's hard to be careful, though, when you feel indestructible.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
The word friends doesn't seem to stretch big enough to describe how we feel about each other. We forget where one of us starts and the other one stops.
Ann Brashares (The Second Summer of the Sisterhood (Sisterhood, #2))
That’s the really annoying thing about love. I probably would be happier if I didn’t know it, but once you do know it, once you feel those things for someone, you can’t make yourself really wish it away. It’s like wishing away . . . your soul. - Jenny
Toni Blake (One Reckless Summer (Destiny, #1))
I wish we could spend July by the sea, browning ourselves and feeling water-weighted hair flow behind us from a dive. I wish our gravest concerns were the summer gnats. I wish we were hungry for hot dogs and dopes, and it would be nice to smell the starch of summer linens and the faint odor of talc in blistering summer bath houses ... We could lie in long citoneuse beams of the five o'clock sun on the plage at Juan-les-Pins and hear the sound of the drum and piano being scooped out to sea by the waves.
Zelda Fitzgerald (Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald)
Never ignore the feelings that don't seem to make sense.
Susan Mallery (The Knitting Diaries: The Twenty-First Wish / Coming Unraveled / Home to Summer Island)
He took a step closer. "I don't know if I'll ever get you out of my system, not completely. I have this... feeling. That you'll always be there. Here." Conrad clawed at his heart and then dropped his hand.
Jenny Han (We'll Always Have Summer (Summer, #3))
If I closed my eyes as you were talking, it was like I was there, like your stories were my stories. In many ways, I feel as if I have memories of you there, too.
Sarah Ockler (Twenty Boy Summer)
Deep within everyone's heart there always remains a sense of longing for that hour, that summer, that one brief moment of blossoming. For several weeks or months, rarely longer, a beautiful young woman lives outside ordinary life. She is intoxicated. She feels as if she exists beyond time, beyond its laws; she experiences not the monotonous succession of days passing by, but moments of intense, almost desperate happiness.
Irène Némirovsky (Jezebel)
I tried to shut out the feelings that were hurting my heart with a thousand tiny pinpricks, which was somehow worse that having it broken all at once.
Morgan Matson (Second Chance Summer)
On the blue summer evenings, I will go along the paths, And walk over the short grass, as I am pricked by the wheat: Daydreaming I will feel the coolness on my feet. I will let the wind bathe my bare head. I will not speak, I will have no thoughts: But infinite love will mount in my soul; And I will go far, far off, like a gypsy, through the countryside - as happy as if I were with a woman. "Sensation
Arthur Rimbaud
Now and then, however, he is horribly thoughtless, and seems to take a real delight in giving me pain. Then I feel, Harry, that I have given away my whole soul to some one who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer’s day.
Oscar Wilde (The Picture of Dorian Gray)
Life isn't as magical here, and you're not the only one who feels like you don't belong, or that it's better somewhere else. But there ARE things worth living for. And the best part is you never know what's going to happen next.
O.R. Melling (The Summer King (The Chronicles of Faerie, #2))
I glare at my sister with enough force to make her wince. “Not one word out of you,” I snap. “And don’t think I didn’t feel you kick me right before I passed out. Who does that, Summer? Who kicks a man when he’s down?” From the corner of my eye, I see Tucker sink to the floor. He buries his face in his hands, shaking with laughter.
Elle Kennedy (The Score (Off-Campus, #3))
It was hard to feel the right emotions at the right times. They didn’t come at all when you set a place for them, and they sacked when you weren’t ready, when you were just innocently flossing your teeth, for example, or eating a bowl of cereal.
Ann Brashares (The Last Summer of You and Me)
Beautiful sunshine, cloudless skies, no one to play with, nothing to do. Living like this, the way I’m living at the moment, is harder in the summer when there is so much daylight, so little cover of darkness, when everyone is out and about, being flagrantly, aggressively happy. It’s exhausting, and it makes you feel bad if you’re not joining in.
Paula Hawkins (The Girl on the Train)
Perhaps ... To R.A.L. Perhaps some day the sun will shine again, And I shall see that still the skies are blue, And feel one more I do not live in vain, Although bereft of you. Perhaps the golden meadows at my feet, Will make the sunny hours of spring seem gay, And I shall find the white May-blossoms sweet, Though You have passed away. Perhaps the summer woods will shimmer bright, And crimson roses once again be fair, And autumn harvest fields a rich delight, Although You are not there. But though kind Time may many joys renew, There is one greatest joy I shall not know Again, because my heart for loss of You Was broken, long ago.
Vera Brittain (Testament of Youth)
I know what it feels like, and it sucks, it really does, when you are up in the middle of the night thinking about the things that you've suddenly became aware of. The things you're missing out on right now, and all the people who are not close to you anymore, and all of the good times that will never happen again, and all the people who have meant the world to you who have forgotten about you forever, and you get this awful feeling that's kind of like a mix between loneliness and nostalgia.
Abraham M. Alghanem (Summer and Autumn)
I could feel my insides sink. My knees too. So I sat on the ground, against the wall, letting it support me. I thought I knew what heartbreak felt like. I thought heartbreak was me, standing alone at the prom. That was nothing. This, this was heartbreak. The pain in your chest, the ache behind your eyes. The knowing that things will never be the same again. It’s all relative, I suppose. You think you know love, you think you know real pain, but you don’t. You don’t know anything.
Jenny Han (It's Not Summer Without You (Summer, #2))
And then one student said that happiness is what happens when you go to bed on the hottest night of the summer, a night so hot you can't even wear a tee-shirt and you sleep on top of the sheets instead of under them, although try to sleep is probably more accurate. And then at some point late, late, late at night, say just a bit before dawn, the heat finally breaks and the night turns into cool and when you briefly wake up, you notice that you're almost chilly, and in your groggy, half-consciousness, you reach over and pull the sheet around you and just that flimsy sheet makes it warm enough and you drift back off into a deep sleep. And it's that reaching, that gesture, that reflex we have to pull what's warm - whether it's something or someone - toward us, that feeling we get when we do that, that feeling of being safe in the world and ready for sleep, that's happiness.
Paul Schmidtberger (Design Flaws of the Human Condition)
Sometimes I feel hunted by my grief. It circles me, stalks me. It's always in my periphery. Sometimes I can fake it out. Sometimes I make myself go so still, it can't sense that I'm there anymore and it goes away. I do that right now.
Courtney Summers (Fall for Anything)
A week feels like a year when you’re seventeen and in love. A twenty minute drive might as well be an ocean. But we were together again and the whole world was rejoicing, even the gravel crunched melodiously under our feet as we danced onward through the night.
Chloe Rattray (Sacré Noir)
The best kind of love doesn’t happen on moonlit walks and romantic vacations. It happens in between the folds of everyday life. It’s not grand gestures that show how you feel, it’s all the little secret things you do to make her life better that you never tell her about.
Abby Jimenez (Just for the Summer)
When I read the actual story-how Gatsby loves Daisy so much but can't ever be with her no matter how hard he tries-I feel like ripping the book in half and calling up Fitzgerald and telling him his book is all wrong, even though I know Fitzgerald is probably deceased. Especially when Gatsby is shot dead in his swimming pool the first time he goes for a swim all summer, Daisy doesn't even go to his funeral, Nick and Jordan part ways, and Daisy ends up sticking with racist Tom, whose need for sex basically murders an innocent woman, you can tell Fitzgerald never took the time to look up at clouds during sunset, because there's no silver lining at the end of that book, let me tell you.
Matthew Quick (The Silver Linings Playbook)
Sometimes I feel like the seasons could come and go and come and go, a hundred years could pass, a thousand, the ground could collapse under us, this house could crumble and go back to the earth, and we would still be standing here frozen in time, because every second I’m with you is eternal. I’ve never felt anything like it.
Abby Jimenez (Just for the Summer)
Don't you ever feel like, what if the world really IS messed up? What if we COULD Do it all over again from scratch? No more war. Nobody homeless. No more summer reading homework. 'm listening. Annabeth: I mean, the West represents a lot of the best things mankind ever did--that's why the fire is still burning. That's why OlympusIs still around. But sometimes you just see the bad stuff, you know? And you start thinking the way Luke does: 'If I could tear this all down, i would do it better.'. Don't you ever feel that way? Like YOU could do a better job I'd you ran the world? Percy:Um...no. Me running the world would be kind of a nightmare. Annabeth: then you're lucky. Hubris isn't your fatal flaw. Percy: what is? Annabeth: I don't know, Percy, but every hero has one. If you don't find it and learn to control it...well, they don't call it 'fatal' for nothing. Percy(thinking to himself): I thought about that. It didn't exactly cheer me up.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
As we may while away the long summer days of our lives and keep riding on people’s coattail of superficiality, finally becoming paralyzed by the annoying noise of shallow exhilaration, it can happen we encounter one-day privileged moments helping us wise up, meet the delight of stillness, and feel the depth and joy of inner vibrations. (“The Infinite Wisdom of Meditation“)
Erik Pevernagie
I know he likes me. Of course I flatter him dreadfully. I find a strange pleasure in saying things to him that I know I shall be sorry for having said...Then I feel, Harry, that I have given away my whole soul to someone who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer's day.
Oscar Wilde (The Picture of Dorian Gray)
From daydreams on the road there was no waking. He plodded on. He could remember everything of her save her scent. Seated in a theatre with her beside him leaning forward listening to the music. Gold scrollwork and sconces and the tall columnar folds of the drapes at either side of the stage. She held his hand in her lap and he could feel the tops of her stockings through the thin stuff of her summer dress. Freeze this frame. Now call down your dark and your cold and be damned.
Cormac McCarthy (The Road)
That was impressive," Ash said quietly as we walked through the maze of tents. Summer fey parted for us, scurrying out of sight as we headed deeper into camp. "Oberon was throwing all the mind-altering glamour he could at you, trying to get you to agree to his terms quickly and not question him. Not only did you resist, you turned the contract to your advantage. Not many could have done that." "Really?" I thought back to the thick, sluggish feeling in the Erlking's tent. "So that was Oberon trying to manipulate me again, huh? Maybe I could resist since I'm family. Half Oberon's blood and all that." "Or you're just incredibly stubborn," Ash added, and I smacked his arm. He chuckled, taking my hand and we continued on to the Winter's territory.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
Between the end of that strange summer and the approach of winter, my life went on without change. Each day would dawn without incident and end as it had begun. It rained a lot in September. October had several warm, sweaty days. Aside from the weather, there was hardly anything to distinguish one day from the next. I worked at concentrating my attention on the real and useful. I would go to the pool almost every day for a long swim, take walks, make myself three meals. But even so, every now and then I would feel a violent stab of loneliness. The very water I drank, the very air I breathed, would feel like long, sharp needles. The pages of a book in my hands would take on the threatening metallic gleam of razor blades. I could hear the roots of loneliness creeping through me when the world was hushed at four o'clock in the morning.
Haruki Murakami (The Wind-Up Bird Chronicle)
I love the Autumn, And yet I cannot say All the thoughts and things That make me feel this way. I love walking on the angry shore, To watch the angry sea; Where summer people were before, But now there's only me. I love wood fires at night That have a ruddy glow. I stare at the flames And think of long ago. I love the feeling down inside me That says to run away To come and be a gypsy And laugh the gypsy way. The tangy taste of apples, The snowy mist at morn, The wanderlust inside you When you hear the huntsman's horn. Nostalgia - that's the Autumn, Dreaming through September Just a million lovely things I always will remember.
Jacqueline Kennedy Onassis
I don't understand. You still...love me?" "Yeah, I do. And I know you're not the same girl. But I'm in love with you, Emma. I fell in love with you all over again this summer. People change. I know this. And we'll continue to change. That just means I'll get to fall in love with you again. Because no matter what happens in our lives, what I feel for you will survive anything.
Rebecca Donovan (Out of Breath (Breathing, #3))
None of the children knew who Aslan was any more than you do; but the moment the Beaver had spoken these words everyone felt quite different. Perhaps it has sometimes happened to you in a dream that someone says something which you don't understand but in the dream it feels as if it had some enormous meaning--either a terrifying one which turns the whole dream into a nightmare or else a lovely meaning too lovely to put into words, which makes the dream so beautiful that you remember it all your life and are always wishing you could get into that dream again. It was like that now. At the name of Aslan each one of the children felt something jump in it's inside. Edmund felt a sensation of mysterious horror. Peter felt suddenly brave and adventurous. Susan felt as if some delicious smell or some delightful strain of music had just floated by her. And Lucy got the feeling you have when you wake up in the morning and realize that it is the beginning of the holidays or the beginning of Summer.
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
It slowly began to dawn on me that I had been staring at her for an impossible amount of time. Lost in my thoughts, lost in the sight of her. But her face didn't look offended or amused. It almost looked as if she were studying the lines of my face, almost as if she were waiting. I wanted to take her hand. I wanted to brush her cheek with my fingertips. I wanted to tell her that she was the first beautiful thing that I had seen in three years. The sight of her yawning to the back of her hand was enough to drive the breath from me. How I sometimes lost the sense of her words in the sweet fluting of her voice. I wanted to say that if she were with me then somehow nothing could ever be wrong for me again. In that breathless second I almost asked her. I felt the question boiling up from my chest. I remember drawing a breath then hesitating--what could I say? Come away with me? Stay with me? Come to the University? No. Sudden certainty tightened in my chest like a cold fist. What could I ask her? What could I offer? Nothing. Anything I said would sound foolish, a child's fantasy. I closed my mouth and looked across the water. Inches away, Denna did the same. I could feel the heat of her. She smelled like road dust, and honey, and the smell the air holds seconds before a heavy summer rain. Neither of us spoke. I closed my eyes. The closeness of her was the sweetest, sharpest thing I had ever known.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
If we could capture feelings like we capture pictures, none of us would ever leave our rooms. It would be so tempting to inhabit the good moments over and over again. But I don't want to be the kind of person who lives backwardly, who memorializes moments before she's finished living in them. So I plant my feet here on this hillside beside a boy who is undoing me, and I kiss him back like I mean it. And, God help me, with the sky wrapped around us in every direction, I do mean it.
Emery Lord (Open Road Summer)
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.” “Yeah?” I leaned my forehead against his chest. “What about you?” “Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her. “Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.” “Ouch,” I said with a light laugh. “Sounds painful.” “Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—” “—and Chubs makes fun of you for it,” I added. “Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—” “—but who’s the coolest little girl on the planet,” I manage to squeeze out.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
To the most inconsiderate asshole of a friend, I’m writing you this letter because I know that if I say what I have to say to your face I will probably punch you. I don’t know you anymore. I don’t see you anymore. All I get is a quick text or a rushed e-mail from you every few days. I know you are busy and I know you have Bethany, but hello? I’m supposed to be your best friend. You have no idea what this summer has been like. Ever since we were kids we pushed away every single person that could possibly have been our friend. We blocked people until there was only me and you. You probably haven’t noticed, because you have never been in the position I am in now. You have always had someone. You always had me. I always had you. Now you have Bethany and I have no one. Now I feel like those other people that used to try to become our friend, that tried to push their way into our circle but were met by turned backs. I know you’re probably not doing it deliberately just as we never did it deliberately. It’s not that we didn’t want anyone else, it’s just that we didn’t need them. Sadly now it looks like you don’t need me anymore. Anyway I’m not moaning on about how much I hate her, I’m just trying to tell you that I miss you. And that well . . . I’m lonely. Whenever you cancel nights out I end up staying home with Mum and Dad watching TV. It’s so depressing. This was supposed to be our summer of fun. What happened? Can’t you be friends with two people at once? I know you have found someone who is extra special, and I know you both have a special “bond,” or whatever, that you and I will never have. But we have another bond, we’re best friends. Or does the best friend bond disappear as soon as you meet somebody else? Maybe it does, maybe I just don’t understand that because I haven’t met that “somebody special.” I’m not in any hurry to, either. I liked things the way they were. So maybe Bethany is now your best friend and I have been relegated to just being your “friend.” At least be that to me, Alex. In a few years time if my name ever comes up you will probably say, “Rosie, now there’s a name I haven’t heard in years. We used to be best friends. I wonder what she’s doingnow; I haven’t seen or thought of her in years!” You will sound like my mum and dad when they have dinner parties with friends and talk about old times. They always mention people I’ve never even heard of when they’re talking about some of the most important days of their lives. Yet where are those people now? How could someone who was your bridesmaid 20 years ago not even be someone who you are on talking terms with now? Or in Dad’s case, how could he not know where his own best friend from college lives? He studied with the man for five years! Anyway, my point is (I know, I know, there is one), I don’t want to be one of those easily forgotten people, so important at the time, so special, so influential, and so treasured, yet years later just a vague face and a distant memory. I want us to be best friends forever, Alex. I’m happy you’re happy, really I am, but I feel like I’ve been left behind. Maybe our time has come and gone. Maybe your time is now meant to be spent with Bethany. And if that’s the case I won’t bother sending you this letter. And if I’m not sending this letter then what am I doing still writing it? OK I’m going now and I’m ripping these muddled thoughts up. Your friend, Rosie
Cecelia Ahern (Love, Rosie)
Hubris means deadly pride, Percy. Thinking you can do things better than anyone else... even the gods.' 'You feel that way?' She [Annabeth] looked down. 'Don't you ever feel like, what if the world really is messed up? What if we could do it all over again from scratch? No more war. Nobody homeless. No more summer reading homework.' 'I'm listening.' 'I mean, the West represents a lot of the best things mankind ever did - that's why the fire is still burning. That's why Olympus is still around. But sometimes you just see the bad stuff, you know? And you start thinking the way Luke does: "If I could tear this all down, I would do it better." Don't you ever feel that way? Like you could do a better job if you ran the world?
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Kästner was one reason I called my book barge the Literary Apothecary,” said Perdu. “I wanted to treat feelings that are not recognized as afflictions and are never diagnosed by doctors. All those little feelings and emotions no therapist is interested in, because they are apparently too minor and intangible. The feeling that washes over you when another summer nears its end. Or when you recognize that you haven’t got your whole life left to find out where you belong. Or the slight sense of grief when a friendship doesn’t develop as you thought, and you have to continue your search for a lifelong companion. Or those birthday morning blues. Nostalgia for the air of your childhood. Things like that.
Nina George (The Little Paris Bookshop)
The Day is Done The day is done, and the darkness Falls from the wings of Night, As a feather is wafted downward From an eagle in his flight. I see the lights of the village Gleam through the rain and the mist, And a feeling of sadness comes o'er me That my soul cannot resist: A feeling of sadness and longing, That is not akin to pain, And resembles sorrow only As the mist resembles the rain. Come, read to me some poem, Some simple and heartfelt lay, That shall soothe this restless feeling, And banish the thoughts of day. Not from the grand old masters, Not from the bards sublime, Whose distant footsteps echo Through the corridors of Time. For, like strains of martial music, Their mighty thoughts suggest Life's endless toil and endeavor; And to-night I long for rest. Read from some humbler poet, Whose songs gushed from his heart, As showers from the clouds of summer, Or tears from the eyelids start; Who, through long days of labor, And nights devoid of ease, Still heard in his soul the music Of wonderful melodies. Such songs have power to quiet The restless pulse of care, And come like the benediction That follows after prayer. Then read from the treasured volume The poem of thy choice, And lend to the rhyme of the poet The beauty of thy voice. And the night shall be filled with music, And the cares, that infest the day, Shall fold their tents, like the Arabs, And as silently steal away.
Henry Wadsworth Longfellow (The Belfry of Bruges and Other Poems)
I'll tell you how the sun rose A ribbon at a time... It's a living book, this life; it folds out in a million settings, cast with a billion beautiful characters, and it is almost over for you. It doesn't matter how old you are; it is coming to a close quickly, and soon the credits will roll and all your friends will fold out of your funeral and drive back to their homes in cold and still and silence. And they will make a fire and pour some wine and think about how you once were . . . and feel a kind of sickness at the idea you never again will be. So soon you will be in that part of the book where you are holding the bulk of the pages in your left hand, and only a thin wisp of the story in your right. You will know by the page count, not by the narrative, that the Author is wrapping things up. You begin to mourn its ending, and want to pace yourself slowly toward its closure, knowing the last lines will speak of something beautiful, of the end of something long and earned, and you hope the thing closes out like last breaths, like whispers about how much and who the characters have come to love, and how authentic the sentiments feel when they have earned a hundred pages of qualification. And so my prayer is that your story will have involved some leaving and some coming home, some summer and some winter, some roses blooming out like children in a play. My hope is your story will be about changing, about getting something beautiful born inside of you, about learning to love a woman or a man, about learning to love a child, about moving yourself around water, around mountains, around friends, about learning to love others more than we love ourselves, about learning oneness as a way of understanding God. We get one story, you and I, and one story alone. God has established the elements, the setting and the climax and the resolution. It would be a crime not to venture out, wouldn't it?
Donald Miller (Through Painted Deserts: Light, God, and Beauty on the Open Road)
I am a cutter, you see. Also a snipper, a slicer, a carver, a jabber. I am a very special case. I have a purpose. My skin, you see, screams. It's covered with words - cook, cupcake, kitty, curls - as if a knife-wielding first-grader learned to write on my flesh. I sometimes, but only sometimes, laugh. Getting out of the bath and seeing, out of the corner of my eye, down the side of a leg: babydoll. Pull on a sweater and, in a flash of my wrist: harmful. Why these words? Thousands of hours of therapy have yielded a few ideas from the good doctors. They are often feminine, in a Dick and Jane, pink vs. puppy dog tails sort of way. Or they're flat-out negative. Number of synonyms for anxious carved in my skin: eleven. The one thing I know for sure is that at the time, it was crucial to see these letters on me, and not just see them, but feel them. Burning on my left hip: petticoat. And near it, my first word, slashed on an anxious summer day at age thirteen: wicked. I woke up that morning, hot and bored, worried about the hours ahead. How do you keep safe when your whole day is as wide and empty as the sky? Anything could happen. I remember feeling that word, heavy and slightly sticky across my pubic bone. My mother's steak knife. Cutting like a child along red imaginary lines. Cleaning myself. Digging in deeper. Cleaning myself. Pouring bleach over the knife and sneaking through the kitchen to return it. Wicked. Relief. The rest of the day, I spent ministering to my wound. Dig into the curves of W with an alcohol-soaked Q-tip. Pet my cheek until the sting went away. Lotion. Bandage. Repeat.
Gillian Flynn (Sharp Objects)
Nature is pitiless; she never withdraws her flowers, her music, her fragrance and her sunlight, from before human cruelty or suffering. She overwhelms man by the contrast between divine beauty and social hideousness. She spares him nothing of her loveliness, neither wing or butterfly, nor song of bird; in the midst of murder, vengeance, barbarism, he must feel himself watched by holy things; he cannot escape the immense reproach of universal nature and the implacable serenity of the sky. The deformity of human laws is forced to exhibit itself naked amidst the dazzling rays of eternal beauty. Man breaks and destroys; man lays waste; man kills; but the summer remains summer; the lily remains the lily; and the star remains the star. ... As though it said to man, 'Behold my work. and yours.
Victor Hugo (Ninety-Three)
Since that night a couple of weeks ago when Valerie had stayed with him, they had barely separated. The stories of Rabbit’s Revenge droned on and on talking of the impending doom of the planet and the international scientific community’s various attempts to determine a course of action to prevent it. For Jeremy, however, each passing day left him feeling more and more certain he was missing something. It was just a nagging little sensation that lingered like an itch on the back of his neck. With Valerie now firmly implanted in his life, it was a wonder he even thought about it at all, but during his quiet moments and when he awoke in the mornings or even during his more intense workouts, the sensation crept back up on him. It seemed to center around the experience of having his life pass before his eyes, but beyond that it was just nebulous. And annoying.
Jody Summers (The Mayan Legacy)
The Pond" August of another summer, and once again I am drinking the sun and the lilies again are spread across the water. I know now what they want is to touch each other. I have not been here for many years during which time I kept living my life. Like the heron, who can only croak, who wishes he could sing, I wish I could sing. A little thanks from every throat would be appropriate. This is how it has been, and this is how it is: All my life I have been able to feel happiness, except whatever was not happiness, which I also remember. Each of us wears a shadow. But just now it is summer again and I am watching the lilies bow to each other, then slide on the wind and the tug of desire, close, close to one another, Soon now, I'll turn and start for home. And who knows, maybe I'll be singing.
Mary Oliver (Felicity)
An incomplete list: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
He sighed profoundly, and flung himself - there was a passion in his movements which deserves the word - on the earth at the foot of the oak tree. He loved, beneath all this summer transiency, to feel the earth's spine beneath him; for such he took the hard root of the oak tree to be; or, for image followed image, it was the back of a great horse that he was riding; or the deck of a tumbling ship - it was anything indeed, so long as it was hard, for he felt the need of something which he could attach his floating heart to; the heart that tugged at his side; the heart that seemed filled with spiced and amorous gales every evening about this time when he walked out. To the oak tree he tied it and as he lay there, gradually the flutter in and about him stilled itself; the little leaves hung, the deer stopped; the pale summer clouds stayed; his limbs grew heavy on the ground; and he lay so still that by degrees the deer stopped nearer and the rooks wheeled round him and the swallows dipped and circled and the dragonflies shot past, as if all the fertility and amorous activity of a summer's evening were woven web-like about his body.
Virginia Woolf (Orlando)
When you get older, you notice your sheets are dirty. Sometimes, you do something about it. And sometimes, you read the front page of the newspaper and sometimes you floss and sometimes you stop biting your nails and sometimes you meet a friend for lunch. You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, five years ago. You remember your umbrella, you check up on people to see if they got home, you leave places early to go home and make toast. You stand by the toaster in your underwear and a big t-shirt, wondering if you should just turn in or watch one more hour of television. You laugh at different things. You stop laughing at other things. You think about old loves almost like they are in a museum. The socks, you notice, aren’t organized into pairs and you mentally make a note of it. You cover your mouth when you sneeze, reaching for the box of tissues you bought, contains aloe. When you get older, you try different shampoos. You find one you like. You try sleeping early and spin class and jogging again. You try a book you almost read but couldn’t finish. You wrap yourself in the blankets of: familiar t-shirts, caffe au lait, dim tv light, texts with old friends or new people you really want to like and love you. You lose contact with friends from college, and only sometimes you think about it. When you do, it feels bad and almost bitter. You lose people, and when other people bring them up, you almost pretend like you know what they are doing. You try to stop touching your face and become invested in things like expensive salads and trying parsnips and saving up for a vacation you really want. You keep a spare pen in a drawer. You look at old pictures of yourself and they feel foreign and misleading. You forget things like: purchasing stamps, buying more butter, putting lotion on your elbows, calling your mother back. You learn things like balance: checkbooks, social life, work life, time to work out and time to enjoy yourself. When you get older, you find yourself more in control. You find your convictions appealing, you find you like your body more, you learn to take things in stride. You begin to crave respect and comfort and adventure, all at the same time. You lay in your bed, fearing death, just like you did. You pull lint off your shirt. You smile less and feel content more. You think about changing and then often, you do.
Alida Nugent (You Don't Have to Like Me: Essays on Growing Up, Speaking Out, and Finding Feminism)
However, the majority of women are neither harlots nor courtesans; nor do they sit clasping pug dogs to dusty velvet all through the summer afternoon. But what do they do then? and there came to my mind’s eye one of those long streets somewhere south of the river whose infinite rows are innumerably populated. With the eye of the imagination I saw a very ancient lady crossing the street on the arm of a middle-aged woman, her daughter, perhaps, both so respectably booted and furred that their dressing in the afternoon must be a ritual, and the clothes themselves put away in cupboards with camphor, year after year, throughout the summer months. They cross the road when the lamps are being lit (for the dusk is their favourite hour), as they must have done year after year. The elder is close on eighty; but if one asked her what her life has meant to her, she would say that she remembered the streets lit for the battle of Balaclava, or had heard the guns fire in Hyde Park for the birth of King Edward the Seventh. And if one asked her, longing to pin down the moment with date and season, but what were you doing on the fifth of April 1868, or the second of November 1875, she would look vague and say that she could remember nothing. For all the dinners are cooked; the plates and cups washed; the children sent to school and gone out into the world. Nothing remains of it all. All has vanished. No biography or history has a word to say about it. And the novels, without meaning to, inevitably lie. All these infinitely obscure lives remain to be recorded, I said, addressing Mary Carmichael as if she were present; and went on in thought through the streets of London feeling in imagination the pressure of dumbness, the accumulation of unrecorded life, whether from the women at the street corners with their arms akimbo, and the rings embedded in their fat swollen fingers, talking with a gesticulation like the swing of Shakespeare’s words; or from the violet-sellers and match-sellers and old crones stationed under doorways; or from drifting girls whose faces, like waves in sun and cloud, signal the coming of men and women and the flickering lights of shop windows. All that you will have to explore, I said to Mary Carmichael, holding your torch firm in your hand.
Virginia Woolf (A Room of One’s Own)
Many individuals are so constituted that their only thought is to obtain pleasure and shun responsibility. They would like, butterfly-like, to wing forever in a summer garden, flitting from flower to flower, and sipping honey for their sole delight. They have no feeling that any result which might flow from their action should concern them. They have no conception of the necessity of a well-organized society wherein all shall accept a certain quota of responsibility and all realize a reasonable amount of happiness. They think only of themselves because they have not yet been taught to think of society. For them pain and necessity are the great taskmasters. Laws are but the fences which circumscribe the sphere of their operations. When, after error, pain falls as a lash, they do not comprehend that their suffering is due to misbehavior. Many such an individual is so lashed by necessity and law that he falls fainting to the ground, dies hungry in the gutter or rotting in the jail and it never once flashes across his mind that he has been lashed only in so far as he has persisted in attempting to trespass the boundaries which necessity sets. A prisoner of fate, held enchained for his own delight, he does not know that the walls are tall, that the sentinels of life are forever pacing, musket in hand. He cannot perceive that all joy is within and not without. He must be for scaling the bounds of society, for overpowering the sentinel. When we hear the cries of the individual strung up by the thumbs, when we hear the ominous shot which marks the end of another victim who has thought to break loose, we may be sure that in another instance life has been misunderstood--we may be sure that society has been struggled against until death alone would stop the individual from contention and evil.
Theodore Dreiser (Sister Carrie)
Halfway home, the sky goes from dark gray to almost black and a loud thunder snap accompanies the first few raindrops that fall. Heavy, warm, big drops, they drench me in seconds, like an overturned bucket from the sky dumping just on my head. I reach my hands up and out, as if that can stop my getting wetter, and open my mouth, trying to swallow the downpour, till it finally hits me how funny it is, my trying to stop the rain. This is so funny to me, I laugh and laugh, as loud and free as I want. Instead of hurrying to higher ground, I jump lower, down off the curb, splashing through the puddles, playing and laughing all the way home. In all my life till now, rain has meant staying inside and not being able to go out to play. But now for the first time I realize that rain doesn't have to be bad. And what's more, I understand, sadness doesn't have to be bad, either. Come to think of it, I figure you need sadness, just as you need the rain. Thoughts and ideas pour through my awareness. It feels to me that happiness is almost scary, like how I imagine being drunk might feel - real silly and not caring what anybody else says. Plus, that happy feeling always leaves so fast, and you know it's going to go before it even does. Sadness lasts longer, making it more familiar, and more comfortable. But maybe, I wonder, there's a way to find some happiness in the sadness. After all, it's like the rain, something you can't avoid. And so, it seems to me, if you're caught in it, you might as well try to make the best of it. Getting caught in the warm, wet deluge that particular day in that terrible summer full of wars and fires that made no sense was a wonderful thing to have happen. It taught me to understand rain, not to dread it. There were going to be days, I knew, when it would pour without warning, days when I'd find myself without an umbrella. But my understanding would act as my all-purpose slicker and rubber boots. It was preparing me for stormy weather, arming me with the knowledge that no matter how hard it seemed, it couldn't rain forever. At some point, I knew, it would come to an end.
Antwone Quenton Fisher (Finding Fish)
There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-
George Saunders (Lincoln in the Bardo)
when she was 7, a boy pushed her on the playground she fell headfirst into the dirt and came up with a mouthful of gravel and lines of blood chasing each other down her legs when she told her teacher what happened, she laughed and said ‘boys will be boys honey don’t let it bother you he probably just thinks you’re cute’ but the thing is, when you tell a little girl who has rocks in her teeth and scabs on her knees that hurt and attention are the same you teach her that boys show their affection through aggression and she grows into a young woman who constantly mistakes the two because no one ever taught her the difference ‘boys will be boys’ turns into ‘that’s how he shows his love’ and bruises start to feel like the imprint of lips she goes to school with a busted mouth in high school and says she was hit with a basketball instead of his fist the one adult she tells scolds her ‘you know he loses his temper easily why the hell did you have to provoke him?’ so she shrinks folds into herself, flinches every time a man raises his voice by the time she’s 16 she’s learned her job well be quiet, be soft, be easy don’t give him a reason but for all her efforts, he still finds one ‘boys will be boys’ rings in her head ‘boys will be boys he doesn’t mean it he can’t help it’ she’s 7 years old on the playground again with a mouth full of rocks and blood that tastes like copper love because boys will be boys baby don’t you know that’s just how he shows he cares she’s 18 now and they’re drunk in the split second it takes for her words to enter his ears they’re ruined like a glass heirloom being dropped between the hands of generations she meant them to open his arms but they curl his fists and suddenly his hands are on her and her head hits the wall and all of the goddamn words in the world couldn’t save them in this moment she touches the bruise the next day boys will be boys aggression, affection, violence, love how does she separate them when she learned so early that they’re inextricably bound, tangled in a constant tug-of-war she draws tally marks on her walls ratios of kisses to bruises one entire side of her bedroom turns purple, one entire side of her body boys will be boys will be boys will be boys when she’s 20, a boy touches her hips and she jumps he asks her who the hell taught her to be scared like that and she wants to laugh doesn’t he know that boys will be boys? it took her 13 years to unlearn that lesson from the playground so I guess what I’m trying to say is i will talk until my voice is hoarse so that my little sister understands that aggression and affection are two entirely separate things baby they exist in different universes my niece can’t even speak yet but I think I’ll start with her now don’t ever accept the excuse that boys will be boys don’t ever let him put his hands on you like that if you see hate blazing in his eyes don’t you ever confuse it with love baby love won’t hurt when it comes you won’t have to hide it under long sleeves during the summer and the only reason he should ever reach out his hand is to hold yours
Fortesa Latifi