Sum David Eagleman Quotes

We've searched our database for all the quotes and captions related to Sum David Eagleman. Here they are! All 40 of them:

There are three deaths. The first is when the body ceases to function. The second is when the body is consigned to the grave. The third is that moment, sometime in the future, when your name is spoken for the last time.
David Eagleman (Sum: Forty Tales from the Afterlives)
Since we live in the heads of those who remember us, we lose control of our lives and become who they want us to be.
David Eagleman (Sum: Forty Tales from the Afterlives)
It is only through us that God lives. When we abandon him, he dies.
David Eagleman (Sum: Forty Tales from the Afterlives)
...you are battered and bruised in the collisions between reminiscence and reality.
David Eagleman (Sum: Forty Tales from the Afterlives)
All creation necessarily ends in this: Creators, powerless, fleeing from the things they have wrought.
David Eagleman (Sum: Forty Tales from the Afterlives)
Humans have discovered that they cannot stop Death, but at least they can spit in his drink.
David Eagleman (Sum: Forty Tales from the Afterlives)
Among all the creatures of creation, the gods favor us: We are the only ones who can empathize with their problems.
David Eagleman (Sum: Forty Tales from the Afterlives)
Love was not specified in the design of your brain; it is merely an endearing algorithm that freeloads on the leftover processing cycles.
David Eagleman (Sum: Forty Tales from the Afterlives)
When we're in a human body, we don't care about universal collapse - instead, we care only about a meeting of the eyes, a glimpse of bare flesh, the caressing tones of a loved voice, joy, love, light, the orientation of a house plant, the shade of a paint stroke, the arrangement of hair.
David Eagleman (Sum: Forty Tales from the Afterlives)
The missing crowds make you lonely. You begin to complain about all the people you could be meeting. But no one listens or sympathizes with you, because this is precisely what you chose when you were alive.
David Eagleman (Sum: Forty Tales from the Afterlives)
Every atom in your body is the same quark in different places at the same moment in time.
David Eagleman (Sum: Forty Tales from the Afterlives)
Death... The moment, sometime in the future, when your name is spoken for the last time.
David Eagleman (Sum: Forty Tales from the Afterlives)
Everything that creates itself upon the backs of smaller scales will by those same scales be consumed.
David Eagleman (Sum: Forty Tales from the Afterlives)
I came here for the same reason doctors wear uniforms of long white coats...They don't do it for their benefit, but for yours.
David Eagleman (Sum: Forty Tales from the Afterlives)
And in this form, they find themselves longing to ascend mountains, wander the seas, and conquer the air, seeking to recapture the limitlessness they once knew.
David Eagleman (Sum: Forty Tales from the Afterlives)
who you are depends on the sum total of your neurobiology.
David Eagleman (Incognito: The Secret Lives of the Brain)
So poorly did you know yourself that you were always surprised at how you looked in photographs or how you sounded on voice mail. In this way, much of your existence took place in the eyes, ears, and fingertips of others. And now that you’ve left the Earth, you are stored in scattered heads around the globe. Here in this Purgatory, all the people with whom you’ve ever come in contact are gathered. The scattered bits of you are collected, pooled, and unified. The mirrors are held up in front of you. Without the benefit of filtration, you see yourself clearly for the first time. And that is what finally kills you.
David Eagleman (Sum: Forty Tales from the Afterlives)
And once again the Rewarder and the Punisher stalk off, struggling to understand why knowing the code behind the wine does not diminish its pleasure on your tongue, why knowing the inescapability of heartache does not reduce its sting, why glimpsing the mechanics of love does not alter its intoxicating appeal.
David Eagleman (Sum: Forty Tales from the Afterlives)
When you arrive in the afterlife, you find that Mary Wollstonecraft Shelley sits on a throne. She is cared for and protected by a covey of angels. After some questioning, you find out that God's favorite book is Shelley's Frankenstein. He sits up at night with a worn copy of the book clutched in his mighty hands, alternately reading the book and staring reflectively at the night sky.
David Eagleman (Sum: Forty Tales from the Afterlives)
But it turns out your thousand trillion trillion atoms were not an accidental collection: each was labeled as composing you and continues to be so wherever it goes. So you’re not gone, you’re simply taking on different forms.
David Eagleman (Sum: Forty Tales from the Afterlives)
Creators, powerless, fleeing from the things they have wrought.
David Eagleman (Sum: Forty Tales from the Afterlives)
Platoons and plays and stores and congresses do not end - they simply move on to a different dimension.
David Eagleman (Sum: Forty Tales from the Afterlives)
But, instead, we all watch for one thing: evidence of our residual influence in the world,
David Eagleman (Sum: Forty Tales from the Afterlives)
This moment of lucidity does not last long. But it serves as the punishment for your sins, a Promethean entrails-pecking moment, crouching half-horse half-man, with the knowledge that you cannot appreciate the destination without knowing the starting point; you cannot revel in the simplicity unless you remember the alternatives. And that's not the worst of your revelation. You realize that the next time you return here, with your thick horse brain, you won't have the capacity to ask to become a human again. You won't understand what a human is. Your choice to slide down the intelligence ladder is irreversible. And just before you lose your final human faculties, you painfully ponder what magnificent extraterrestrial creature, enthralled with the idea of finding a simpler life, chose in the last round to become a human.
David Eagleman (Sum: Forty Tales from the Afterlives)
So God sits on the edge of Her bed and weeps at night, because the only thing everyone can agree upon is that they’re all in Hell.
David Eagleman (Sum: Forty Tales from the Afterlives)
with the knowledge that you cannot appreciate the destination without knowing the starting point; you cannot revel in the simplicity unless you remember the alternatives.
David Eagleman (Sum: Forty Tales from the Afterlives)
You were all these ages, they concede, and you were none.
David Eagleman (Sum: Forty Tales from the Afterlives)
Of all the Programmers' planets, ours is the supercomputing golden child, the world that inexplicably provides enough power to light up the galaxy.
David Eagleman (Sum: Forty Tales from the Afterlives)
They come to understand, with awe, the complexity of the compound identity that existed on the Earth. They conclude with a shudder that the Earthly you is utterly lost, unpreserved in the afterlife. You were all these ages, and you were none.
David Eagleman (Sum: Forty Tales from the Afterlives)
That afternoon She listened to the grievances of the dead from two warring nations. Both sides had suffered, both sides had legitimate grievances, both pled their cases earnestly. She covered Her ears and moaned in misery. She knew Her humans were multidimensional and She could no longer live under the rigid architecture of Her youthful choices.
David Eagleman (Sum: Forty Tales from the Afterlives)
we live in the heads of those who remember us, we lose control of our lives and become who they want us to be.
David Eagleman (Sum: Forty Tales from the Afterlives)
Ve Tanrı tüm yaratılışın kaçınılmaz biçimde şöyle sonlandığını düşünerek avunur: Aciz kalan Yaratıcılar, kendi elleriyle yarattıklarından köşe bucak kaçarlar.
David Eagleman (Sum: Forty Tales from the Afterlives)
Cesur olanlar büyük çehreye değil, onun yokluğuna dayanabilenlerdir.
David Eagleman (Sum: Forty Tales from the Afterlives)
And God consoles Himself with the thought that all creation necessarily ends in this: Creators, powerless, fleeing from the things they have wrought.
David Eagleman (Sum: Forty Tales from the Afterlives)
And just before you lose your final human faculties, you painfully ponder what magnificent extraterrestrial creature, enthralled with the idea of finding a simpler life, chose in the last round to become a human.
David Eagleman (Sum: Forty Tales from the Afterlives)
But reductionism is not the right viewpoint for everything, and it certainly won’t explain the relationship between the brain and the mind. This is because of a feature known as emergence. When you put together large numbers of pieces and parts, the whole can become something greater than the sum. None of the individual metal hunks of an airplane have the property of flight, but when they are attached together in the right way, the result takes to the air. A thin metal bar won’t do you much good if you’re trying to control a jaguar, but several of them in parallel have the property of containment. The concept of emergent properties means that something new can be introduced that is not inherent in any of the parts.
David Eagleman (Incognito: The Secret Lives of the Brain)
……At some point, it dawns on you that this is the afterlife: the world is only made up of people you've met before. It's a small fraction of the world population — about 0.00002 percent — but it seems like plenty to you…[…] The missing crowds make you lonely. You begin to complain about all the people you could be meeting. But no one listens or sympathizes with you, because this is precisely what you chose when you were alive.
David Eagleman (Sum: Forty Tales from the Afterlives)
To understand the meaning of this afterlife, you must remember that everyone is multifaceted. And since you always lived inside your own head, you were much better at seeing the truth about others than you ever were at seeing yourself. So you navigated your life with the help of others who held up mirrors for you. People praised your good qualities and criticized your bad habits, and these perspectives—often surprising to you—helped you to guide your life. So poorly did you know yourself that you were always surprised at how you looked in photographs or how you sounded on voice mail. In this way, much of your existence took place in the eyes, ears, and fingertips of others. And now that you’ve left the Earth, you are stored in scattered heads around the globe. Here in this Purgatory, all the people with whom you’ve ever come in contact are gathered. The scattered bits of you are collected, pooled, and unified. The mirrors are held up in front of you. Without the benefit of filtration, you see yourself clearly for the first time. And that is what finally kills you.
David Eagleman (Sum: Forty Tales from the Afterlives)
In the afterlife you relive all your experiences, but this time with the events reshuffled into a new order: all the moments that share a quality are grouped together. You spend two months driving the street in front of your house, seven months having sex. You sleep for thirty years without opening your eyes. For five months straight you flip through magazines while sitting on a toilet. You take all your pain at once, all twenty-seven intense hours of it. Bones break, cars crash, skin is cut, babies are born. Once you make it through, it’s agony-free for the rest of your afterlife. But that doesn’t mean it’s always pleasant. You spend six days clipping your nails. Fifteen months looking for lost items. Eighteen months waiting in line. Two years of boredom: staring out a bus window, sitting in an airport terminal. One year reading books. Your eyes hurt, and you itch, because you can’t take a shower until it’s your time to take your marathon two-hundred-day shower. Two weeks wondering what happens when you die. One minute realizing your body is falling. Seventy-seven hours of confusion. One hour realizing you’ve forgotten someone’s name. Three weeks realizing you are wrong. Two days lying. Six weeks waiting for a green light. Seven hours vomiting. Fourteen minutes experiencing pure joy. Three months doing laundry. Fifteen hours writing your signature. Two days tying shoelaces. Sixty-seven days of heartbreak. Five weeks driving lost. Three days calculating restaurant tips. Fifty-one days deciding what to wear. Nine days pretending you know what is being talked about. Two weeks counting money. Eighteen days staring into the refrigerator.
David Eagleman (Sum: Forty Tales from the Afterlives)
As humans we spend our time seeking big, meaningful experiences. So the afterlife may surprise you when your body wears out. We expand back into what we really are—which is, by Earth standards, enormous. We stand ten thousand kilometers tall in each of nine dimensions and live with others like us in a celestial commune. When we reawaken in these, our true bodies, we immediately begin to notice that our gargantuan colleagues suffer a deep sense of angst. Our job is the maintenance and upholding of the cosmos. Universal collapse is imminent, and we engineer wormholes to act as structural support. We labor relentlessly on the edge of cosmic disaster. If we don’t execute our jobs flawlessly, the universe will re-collapse. Ours is complex, intricate, and important work. After three centuries of this toil, we have the option to take a vacation. We all choose the same destination: we project ourselves into lower-dimensional creatures. We project ourselves into the tiny, delicate, three-dimensional bodies that we call humans, and we are born onto the resort we call Earth. The idea, on such vacations, is to capture small experiences. On the Earth, we care only about our immediate surroundings. We watch comedy movies. We drink alcohol and enjoy music. We form relationships, fight, break up, and start again. When we’re in a human body, we don’t care about universal collapse—instead, we care only about a meeting of the eyes, a glimpse of bare flesh, the caressing tones of a loved voice, joy, love, light, the orientation of a house plant, the shade of a paint stroke, the arrangement of hair. Those are good vacations that we take on Earth, replete with our little dramas and fusses. The mental relaxation is unspeakably precious to us. And when we’re forced to leave by the wearing out of those delicate little bodies, it is not uncommon to see us lying prostrate in the breeze of the solar winds, tools in hand, looking out into the cosmos, wet-eyed, searching for meaninglessness.
David Eagleman (Sum: Forty Tales from the Afterlives)