Sullivan King Quotes

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NEVER INTERFERE WITH MELENGAR AGAIN BY ORDER OF THE KING … AND US
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
So,” Royce said, “you want us to escape from this prison, kidnap the king, cross the countryside with him in tow while dodging soldiers who I assume might not accept our side of the story, and go to another secret prison so that he can visit an inmate?” Arista did not appear amused. “Either that, or you can be tortured to death in four hours.” “Sounds like a really good plan to me,” Hadrian declared.“Royce?” “I like any plan where I don’t die a horrible death.
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
Bah!” Magnus scoffed. “Humans always blame dwarves. A baby goes missing and it was a dwarf that stole it. A princess runs off with a second son of a king and it was a dwarf who lured her to a deep prison. And when they find her with the prince—lo, she was rescued! “A king is stabbed in the back in his own chapel, and a princess’s tower is turned into a death trap,” Royce called back to them. “Friends are betrayed and trapped in a prison—yes, I can see your surprise. Where do they get such ideas?” “Damn his elven ears,” Magnus said.
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
Interesting choice," Sullivan said. He slid his gaze over to Paul, who was drumming his fingers on the table in a manic, caffeine-inspired way and blinking a lot. Paul wasn't out-and-out singing along with the king of the dead, but he might as well have put out a big neon sign saying "How's My Driving? Ask Me About My Nerves: 1-800-WIG-N-OUT." --James
Maggie Stiefvater (Ballad: A Gathering of Faerie (Books of Faerie, #2))
Royce cast a harsh and anxious look at the prince. “What?” Alric asked. “I thought we discussed the importance of keeping a low profile.” “Oh, please.” The prince waved a hand at the thief. “I don’t think it will get me killed if this monk knows I’m the king. Look at him. I’ve seen drowned rats more formidable.
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
That's for you to decide, Yor Majesty. You have the third greatest power in the land—God, the king, then you. And God rarely bothers.
Laura L. Sullivan (Ladies in Waiting)
Oh, it's nothing to be ashamed of. Slaying a villain in the service of your king is the stuff of legends and what heroes are made of." [Fanen told Myron] "It didn't feel very heroic. It made me sick. I don't even know why I... no, that's a lie. I really have to stop doing that." [Myron said] "Doing what?" "Lying. (...) It's evidence of self loathing. You see, when you are so ashamed of your actions, thoughts, or intentions, you lie to hide it rather than accept yourself for who you really are. The idea of how others see you becomes more important than the reality of you. "It's like when a man would rather die than be thought of a coward. His life is not as important to him as his reputation. In the end, who is the braver? The man who dies rather than be thought of as a coward or the man who lives willing to face who he really is?" [Myron finished] "I'm sorry, you lost me there" Fanen said with a quizzical look.
Michael J. Sullivan (The Crown Conspiracy (The Riyria Revelations, #1))
Alric! Stop it!" Pickering snapped at him. "You mustn't let the men see you crying!" Fury flared in Alric, and he spun on the count. "No? No? Look at them! They are dying for me. They are dying on my order! I say they do have a right to see their king! They all have a right to see their king!" Alric wiped the tears from his cheeks and gathered his reins. "I'm tired of this. I'm tired of having my face put in the dirt! I won't stand it. I'm tired of being helpless. That's my city, built by my ancestors! If my people chose to fight, then, by Maribor, I want them to know it's me they fight!" The prince put on his helm, drew his father's large sword and spurred his horse forward, not at the trench but at the castle gate itself.
Michael J. Sullivan (The Crown Conspiracy (The Riyria Revelations, #1))
In 1960, The New York Times printed an advertisement titled “Heed Their Rising Voices” that attempted to raise money to defend Dr. Martin Luther King Jr. against perjury charges in Alabama. Southern officials responded by going on the offensive and suing the newspaper. Public Safety Commissioner L. B. Sullivan and Governor Patterson claimed defamation. A local jury awarded them half a million dollars, and the case was appealed to the U.S. Supreme Court. In a landmark ruling, New York Times v. Sullivan changed the standard for defamation and libel by requiring plaintiffs to prove malice—that is, evidence of actual knowledge on the part of the publisher that a statement is false. The ruling marked a significant victory for freedom of the press, and it liberated media outlets and publishers to talk more honestly about civil rights protests and activism.
Bryan Stevenson (Just Mercy: A Story of Justice and Redemption)
So,” Royce said, “you want us to escape from this prison, kidnap the king, cross the countryside with him in tow while dodging soldiers who I assume might not accept our side of the story, and go to another secret prison so that he can visit an inmate?
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
Before you were born, the year ninety-two, lost what was precious, and that what was new. The blink of an eye, the beat of a heart, Out went the candle, and guilt was my part. A king and his knight went hunting a boar, A rat and his friends were hunting for love. Together they fought, till one was alive. The knight sadly wept, no king had survived. The answers to riddles, to secrets and more, Are found in the middle of legends and love. Seek out the answer, and learn if you can The face of regret, the life of a man.
Michael J. Sullivan (Rise of Empire (The Riyria Revelations, #3-4))
He gave him a second, then in a bright tone said, “How is it we never had king and emperor on our list of potential careers? When you think about it, it beats the heck out of winemakers, actors, and fishermen.” “You always think everything is so easy,” Royce replied, wiping his eyes. “I’m just a glass-half-full kinda guy. How’s your glass looking these days?” “I have no idea. I’m still trying to get over the sheer size of it.” Hadrian nodded. “Speaking of glasses…” He lifted his head when he heard the sound of a fiddle and pipe. He put his arm around Royce’s shoulder and led him off the bridge. “How about a nice pint of Armigil’s brew?” “You know I hate beer.” “Well, I’m not sure you can really call what she brews beer. Think of it more as… an experience.
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
A great ruler, a great court, a great kingdom, these texts suggest never exist unto themselves, as stable, fully actualized entities, and, therefore, are never experienced in their plenitude in the present. Instead, they are always remembered as something that occured in the past or anticipated as something will reoccur in the future. Insofar as they are experienced in the current time, it is only for a brief and evanescent moment, overshadowed by the knowledge that it will soon vanish. For a realist, the fact that the excellence of a person, a place, or a time is not appreciated in its own time proves that it was never actually as excellent as it seemed. For a Romantic, however, there exist a people, places, and times whose excellence can only be appreciated Arthur always has to be - to quote the Alliterative Morte Arthure (ca.1400) - "the once and future king
Karen Sullivan (The Danger of Romance: Truth, Fantasy, and Arthurian Fictions)
Gift am I, of Ferrol’s hand these laws to halt the chaos be, No king shall die, no tyrant cleaved save by the perilous sound of me. Cursed the silent hand that strikes forever to his brethren lost, Doomed of darkness and of light so be the tally and the cost. Breath upon my lips announce the gauntlet loud so all may hear, Thine challenge for the kingly seat so all may gather none need fear. But once upon a thousand three unless by death I shall cry, No challenge, no dispute proceed a generation left to die. Upon the sound, the sun shall pass and with the rising of the new, Combat will begin and last until there be but one of two. A bond formed betwixt opponents protected by Ferrol’s hand, From all save the blade, the bone, and skill of the other’s hand. Should champion be called to fight evoked is the Hand of Ferrol, Which protects the championed from all and champion from all—save one—from peril. Battle is the end for one for the other all shall sing. For when the struggle at last is done the victor shall be king
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
Thank you for checking on me. You even wore your sword.” Alric looked down. “I didn’t know what beast or scoundrel might be attacking the princess. I had to come prepared to do battle.” “Can you even draw that thing?” He frowned at her again. “Oh, quit it, will you? They say I fought masterfully in the Battle of Medford.” “Masterfully?” He struggled to stop himself from smiling. “Yes, some might even say heroically. In fact, I believe some did say heroically.” “You’ve watched that silly play too many times.” “It’s good theater, and I like to support the arts.” “The arts.” She rolled her eyes. “You just like it because it makes all the girls swoon and you love all the attention.” “Well…” He shrugged guiltily. “Don’t deny it! I’ve seen you with a crowd of them circling like vultures and you grinning and strutting around like the prize bull at the fair. Do you make a list? Does Julian send them to your chambers by hair color, height, or merely in alphabetical order?” “It’s not like that.” “You know, you do have to get married, and the sooner, the better. You have a lineage to protect. Kings who don’t produce heirs cause civil wars.
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
Snake,” Wyatt announced. “A big black one.” “There’s dozens of them,” Royce explained. “Where?” Alric asked. “Mostly behind you on the walls.” “What?” the king said, aghast. “Why didn’t you say something?” “Knowing would only make traveling slower.” “Are they poisonous?” Mauvin asked. They could all see the silhouetted shoulders of Royce’s shadow on the far wall shrug. “I demand you inform me of such things in future!” Alric declared. “Do you want to know about the giant millipedes, then too?” “Are you joking?” “Royce doesn’t make jokes,” Arista told him as she looked around, anxiously hugging herself. Immediately her robe brightened and she spotted two snakes on the walls, but they were a safe distance away. “He must be joking,” Alric muttered quietly. “I don’t see any.” “You aren’t looking up,” the thief said. Arista did not want to. Some instinct, a tiny voice, warned her to fight the impulse, but in the end she just could not help herself. On the low ceiling, illuminated brightly by the robe, slithered a mass of wormlike bugs with an uncountable number of hairlike feet. Each was nearly five inches in length and close to the width of a man’s finger. There were so many that they swarmed over each other until it was hard to tell if the ceiling was rock at all. Arista felt a chill run down her back. She clenched her teeth, forced her eyes to the floor, and focused on walking forward as quickly as possible. She promptly passed Alric and Mauvin, both moving quicker than normal. She reached Royce, who stood outside the corridor on a boulder at the entrance to a larger passage. “I guess I was wrong. Looks like I should have told you earlier,” Royce said, watching them race forward. “Are there…?” she asked, pointing upward without looking. Royce glanced up and shook his head. “Good,” she replied. “And please, if Alric wants to know these things, fine, but don’t tell me. I could have gone the rest of my life not knowing they were there.” She shivered. Everyone scurried out of the corridor except Myron, who lingered, staring up at the ceiling and smiling in fascination. “There are millions.
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
Basically, Sam Phillips recorded Bill Haley, Johnny Cash, and all those other Memphis guys; Chuck Berry played the top two strings; Elvis appeared on The Ed Sullivan Show above the waist; the Beatles made all the girls squirm by singing about wanting to hold their “hands”; Ray Davies got lost in a sunset; Pete Townshend smashed his guitar; Brian Wilson heard magic in his head and made it come out of a studio; the Rolling Stones urinated on a garage door; and then (skipping a bit) you’ve got Joey Levine and Chapman-Chinn and Mott the Hoople and Iggy and the Runaways and KISS and the Pink Fairies and Rick Nielsen and Jonathan Richman and Johnny Ramone and Lemmy and the Young brothers and Cook and Jones and Pete Shelley and Feargal Sharkey and Rob Halford … and Foghat. You get what I’m saying. It didn’t happen in a vacuum, but it did happen, and now here we are in the aftermath.
Frank Portman (King Dork Approximately (King Dork Series Book 2))
I am Jack Sullivan, PROTECTOR OF FRIENDS, DEFENDER OF THE REALM and MASTER, CREATOR AND KEEPER OF ALL THINGS RADICALLY FUN.
Max Brallier (The Last Kids on Earth and the Nightmare King (Last Kids on Earth, #3))
Charlestown’s most characteristic pastime had long been the reckless sport of “looping.” The young “looper” played by a rigid set of rules. First, he stole a car in downtown Boston. Then he roared into Charlestown, accelerating as he reached City Square, where the District 15 police station stood in a welter of bars, nightclubs, and pool halls. Often he had to take a turn around the square before the first policeman dashed for his patrol car or motorcycle. Then the chase was on: down Chelsea Street to Hayes Square, up the long slope of Bunker Hill Street to St. Francis de Sales’ Church at the crest, then down again, picking up speed, often to 70 or 80 miles per hour, until a screeching left into Sullivan Square took him onto Main Street, where, dodging the stanchions of the El, he roared into City Square again, completing the “loop.” All that remained was to ditch the car before the police caught up. Looping was an initiation rite, proof that a Townie had come of age. But it was something else as well: a challenge flung at authority, a middle finger raised to the powers that be. Before long, looping became a kind of civic spectacle, pitting the Town’s young heroes against the forces of law and order. Plans for a loop circulated well in advance. At the appointed hour, hundreds of men, women, and children gathered along Bunker Hill Street, awaiting the gladiators. When the stolen car came in sight, racing up the long hill, a cheer would rise from the spectators, followed by jeers for the pursuing policemen. The first recorded “loop” was performed in 1925 by a sixteen-year-old daredevil named Jimmy “Speed King” Murphy, but most renowned of all was “Shiner” Sheehan, the teenage son of a federal alcohol agent, whose exploits so electrified the Town that he drew round him a group of young acolytes. Membership in their “Speeders Club” was limited to those who could produce newspaper clippings showing they had bested the police.
J. Anthony Lukas (Common Ground: A Turbulent Decade in the Lives of Three American Families (Pulitzer Prize Winner))
Alric sighed heavily. “If I must go, can I at least be given the dignity of controlling my own horse?” There was a pause before he added, “I give you my word as king. I’ll not try to escape until we reach this abbey.” Hadrian looked at Royce, who nodded. He then pulled the crossbow from behind his saddle. He braced it against the ground, pulled the string to the first notch, and loaded a bolt. “It’s not that we don’t trust you,” Royce said as Hadrian prepared the bow. “It’s just that we’ve learned over the years that honor among nobles is usually inversely proportionate to their rank. As a result, we prefer to rely on more concrete methods for motivations—such as self-preservation. You already know we don’t want you dead, but if you have ever been riding full tilt and had a horse buckle under you, you understand that death is always a possibility, and broken bones are almost a certainty.” “There’s also the danger of missing the horse completely,” Hadrian added. “I’m a good shot, but even the best archers have bad days. So to answer your question—yes, you can control your own horse.
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
Oh, right—you have to forgive me. A minute ago I was about to be executed, and now I’m going to kidnap a king. Things are changing a bit fast for me.
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
Kings often frown upon losing a quarter of their realm, and Ethelred is not the type to take such an action without retaliation. He enjoys fighting. What’s more, he’s good at it. He has the best army in Avryn now.
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
But … but how … Why?” He started to push up on the bed with his hands and winced. “Calm down,” she told him firmly. “You need to rest. I mean it.” “I shouldn’t be lying down in your presence!” “You will if I tell you to, and I’m telling you to.” “I—I just can’t believe … Why … why would you come here?” “I’m here to help.” “You’re amazing.” “And you’re suffering from a flogging that would have killed any man with the good sense to know he should be dead. Now you need to go back to sleep this instant, and that’s an order. Do you understand?” “Yes, Your Majesty.” She smiled. “I’m not a ruling queen, Emery, just a princess. My brother is the king.” Emery looked embarrassed. “Your Highness, then.” “I would prefer it if you just called me Arista.” Emery looked shocked. “Go ahead, give it a try.” “It’s not proper.” “And is it proper that you should deny a princess’s request? Particularly one who saved your life?” He shook his head slowly. “Arista,” he said shyly. She smiled at him and, on an impulse, leaned over and kissed him on the forehead. “Good night, Emery,” she said, and stepped back out of the room
Michael J. Sullivan (Rise of Empire (The Riyria Revelations, #3-4))
The blood that runs in my veins is pure mob royalty. I am Phoenix Kovalyov, son of Artem and Esme Kovalyov, the reigning king and queen of the Los Angeles-based Kovalyov Bratva. Nephew to Cillian and Kian O’Sullivan, dons of Ireland’s O’Sullivan mafia clan.
Nicole Fox (Ripped Veil (Ripped Bratva, #1))
To write the history of neighborhood strife during this period of time without describing the efforts of people like Louis Wirth and his collaboration with the psychological warfare establishment during World War II, or the American Friends Service Committee and their work in both Philadelphia and Chicago, or Paul YIvisaker and his creation of the Gray Areas grants for the Ford Foundation and their subsequent takeover by a quintessential establishment figure like McGeorge Bundy, or Leon Sullivan, one of the players created by the Ford Foundation, and his collaboration with Robert Weaver while head of the Federal Housing Administration, is to tell less than half of the story. It is to do a remake of King Kong without the gorilla. It is also a bad example of whiggish history, a genre depressingly familiar to anyone who has done any reading in the conventional accounts of the sexual revolution and the civil rights movement, where effects have no causes and actual people making actual decisions in actual rooms are replaced by broad historical forces and Enlightenment melodramas like the triumph of liberation over bondage and light over darkness.
E. Michael Jones (The Slaughter of Cities: Urban Renewal as Ethnic Cleansing)
A knight should always work for the good of the king third, the betterment of the kingdom second, but always place what is right first.
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
Degan Gaunt’s Nationalist movement proved that the people themselves have strength. Earls, barons, even kings are afraid of the power which that commoner can gather. A word from him could launch a peasant uprising. Lords would have to kill their own people, their own source of revenue, just to keep order. This presents them with the undesirable choice of accepting either poverty or death. The landholders will do almost anything to avoid such an event. What if we tapped that? The peasants already revere the church. They follow its teachings as divine truth. How much more inspiring would it be to offer them a leader plucked from their own stock? A ruler who is one of them and able to truly understand the plight of the poor, the unwashed, the destitute. Not only is she a peasant queen, but she is also the Heir of Novron, and all the wonderful expectations that go with that. Indeed, in our greatest hour of need, Maribor has once again delivered unto his people a divine leader to show us the way out of darkness.
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
I’m Detective McPherson.” He pulled his jacket aside to show off the shield clipped to his belt. “This is my partner, Detective Sullivan. We need to ask Mr. Kinsey a few questions.
Nolon King (Once Upon a Crime)
Alric! Stop it!” Pickering snapped at him. “You mustn’t let the men see you crying!” Fury flared in Alric, and he spun on the count. “No? No? Look at them! They are dying for me. They are dying on my order! I say they do have a right to see their king! They all have a right to see their king!” Alric
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
And the other?” Braga asked. “The other what?” The king looked back and forth between the two. “The other reason you can’t appoint Simon as chancellor,” Leo reminded him. “Oh.” The king presented Braga with a wry smile. “Because I hate him. That’s why he’s such a pain. He really can’t get in any worse with his king. So he needles me and revels in his position of being one of the most powerful and disliked nobles in the realm. Worst thing about it is,” Amrath grumbled as he looked back out the window, “if I were to get into a scuffle with Warric, there are no two men I’d rather have at my side than Leo and Simon. It’s true that he hates me. Nothing personal—he just hates everyone, really. I’ve never met a more disagreeable codpiece. But he loves the kingdom. And while he may be misguided, arrogant, and ambitious beyond reason, he’s also tireless in his efforts to keep Melengar safe. That is why I appointed him lord high constable. I imagine there was a mass exodus of thieves and cutthroats the day of that announcement. But don’t worry, once you get to know Simon better, you’ll learn to truly despise him the way Leo and I do.
Michael J. Sullivan (The Rose and the Thorn (The Riyria Chronicles, #2))