Suitable Boy Quotes

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God save us from people who mean well.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
But I too hate long books: the better, the worse. If they're bad they merely make me pant with the effort of holding them up for a few minutes. But if they're good, I turn into a social moron for days, refusing to go out of my room, scowling and growling at interruptions, ignoring weddings and funerals, and making enemies out of friends. I still bear the scars of Middlemarch.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
On how to make boys like you: the third way is to be come something called "hot" Now Katie I would argue that there are at least two distinct definitions of hot. There is the like normal human definition which is that individual seems suitable for mating. And then theirs the weird culturally constructed definition of hot which is that individual is malnourished and has probably had plastic bags inserted into her breasts. Now boys might find that hot now but I don't think there's anything inherently hot about it like if you went back to the 18th century and ask a fifteen year old boy would you like to marry a woman who has had plastic bags needlessly inserted into her breasts that fifteen year old boy would probably be like: "What's plastic?
John Green
Think of many things. Never place your happiness in one person's power. Be just to yourself.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
Football is all very well as a game for rough girls, but is hardly suitable for delicate boys.
Oscar Wilde
Man without life companion is either god or beast.
Vikram Seth (A Suitable Boy)
Every object strives for its proper place. A book seeks to be near its truest admirer. Just as this helpless moth seeks to be near the candle that infatuates him.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
Of course, the greater one's need, the greater one's propensity to be mesmerized.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
Quietly they moved down the calm and sacred river that had come down to earth so that its waters might flow over the ashes of those long dead, and that would continue to flow long after the human race had, through hatred and knowledge, burned itself out.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
And an equation is the same whether it's written in red or green ink
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
You can't blame her,' said Amit. 'After a life so full of tragedy anyone would become hard.' 'What tragedy?' asked Mrs. Chatterji. 'Well, when she was four,' said Amit, 'her mother slapped her--it was quite traumatic--and then things went on in that vein. When she was twelve she came in second in an exam...It hardens you.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
What's 'suitable for kids' defines what sort of kids we as a society want. And right now, the girls society wants are the ones who can fit on a short list—while the list for boys is without borders or end.
Jason Porath (Rejected Princesses: Tales of History's Boldest Heroines, Hellions, and Heretics)
The ifs and buts of history...form an insubstantial if intoxicating diet.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
He had come to a decision about the next step in his life. This decision was irrevocable unless he changed his mind.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
Though there were no strong conventions, until the nineteenth century pink was certainly a very suitable color for boys.
Grayson Perry (The Descent of Man)
Oh, no said her mother sadly. You know nothing of the pettiness of women. When brothers agree to split a joint family they sometimes divide lakhs of rupees worth of property in a few minutes. But the tussle of their wives over the pots and pans in the common kitchen--that nearly causes bloodshed.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
She was quite pretty too in those days; indeed, perhaps she still was. But for some reason none of her boyfriends remained boyfriends for long. She had a very decided personality and fairly soon took to telling them what they should do with their lives and studies and work. She began to mother them or perhaps brother them (since she was something of a tomboy) - and this sooner or later took the edge off their romantic excitement. They even began to find her vivacity over-powering, and sooner or later edged away from her - with guilt on their side and pain on hers. This was a great pity, for Kalpana Gaur was a lively, affectionate, and intelligent woman, and deserved some recompense for the help and happiness she gave others
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
Wherever his faltering mind, unsteadily wanders, he should restrain it and bring it under self-control Krishna, the mind is faltering, violent, strong, and stubborn; I find it as difficult to hold as the wind.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
I'm not a mouse or a tigress, she thought, I'm a hedgehog.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
Just in case you need it: To Kill a Mockingbird Rebecca The Kite Runner Life of Pi Pride and Prejudice Little Women Beloved A Suitable Boy
Sara Nisha Adams (The Reading List)
It's ridiculous. Here I sit in my little room, I, Brigge, who have got to be twenty-eight years old and about whom no one knows. I sit here and am nothing. And yet this nothing begins to think and thinks, up five flights of stairs, these thoughts on a gray Paris afternoon: Is it possible, this nothing thinks, that one has not yet seen, recognized, and said anything real and important? Is it possible that one has had thousands of years of time to look, reflect, and write down, and that one has let the millennia pass away like a school recess in which one eats one's sandwich and an apple? Yes, it is possible. ...Is it possible that in spite of inventions and progress, in spite of culture, religion, and worldly wisdom, that one has remained on the surface of life? Is it possible that one has even covered this surface, which would at least have been something, with an incredibly dull slipcover, so that it looks like living-room furniture during the summer vacation? Yes, it is possible. Is it possible that the whole history of the world has been misunderstood? Is it possible that the past is false because one has always spoken of its masses, as if one was telling about a coming together of many people, instead of telling about the one person they were standing around, because he was alien and died? Yes, it is possible. Is it possible that one believed one has to make up for everything that happened before one was born? Is it possible one would have to remind every single person that he arose from all earlier people so that he would know it, and not let himself be talked out of it by the others, who see it differently? Yes, it is possible. Is it possible that all these people know very precisely a past that never was? Is it possible that everything real is nothing to them; that their life takes its course, connected to nothing, like a clock in an empty room? Yes, it is possible. Is it possible that one knows nothing about girls, who are nevertheless alive? Is it possible that one says "the women", "the children", "the boys", and doesn't suspect (in spite of all one's education doesn't suspect) that for the longest time these words have no longer had a plural, but only innumerable singulars? Yes, it is possible. Is it possible that there are people who say "God" and think it is something they have in common? Just look at two schoolboys: one buys himself a knife, and the same day his neighbor buys one just like it. And after a week they show each other their knives and it turns out that they bear only the remotest resemblance to each other-so differently have they developed in different hands (Well, the mother of one of them says, if you boys always have to wear everything out right away). Ah, so: is it possible to believe that one could have a God without using him? Yes, it is possible. But, if all this is possible, has even an appearance of possibility-then for heaven's sake something has to happen. The first person who comes along, the one who has had this disquieting thought, must begin to accomplish some of what has been missed; even if he is just anyone, not the most suitable person: there is simply no one else there. This young, irrelevant foreigner, Brigge, will have to sit himself down five flights up and write, day and night, he will just have to write, and that will be that.
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
She had dispersed. She was the garden at Prem Nivas (soon to be entered into the annual Flower Show), she was Veena's love of music, Pran's asthma, Maan's generosity, the survival of some refugees four years ago, the neem leaves that would preserve quilts stored in the great zinc trunks of Prem Nivas, the moulting feather of some pond-heron, a small unrung brass bell, the memory of decency in an indecent time, the temperament of Bhaskar's great-grandchildren. Indeed, for all the Minsisster of Revenue's impatience with her, she was his regret. And it was right that she should continue to be so, for he should have treated her better while she lived, the poor, ignorant, grieving fool.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
Sometimes i write the best about the things that I care about least
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
Ha Jin writes: 'Some great men and women are fortified and redeemed through their suffering, and they even seek sadness instead of happiness, just as Van Gogh asserted, 'Sorrow is better than joy,' and Balzac declared, 'Suffering is one's teacher.' But these dicta are suitable only for extraordinary souls, for the select few. For ordinary people like us, too much suffering can only make us meaner, crazier, pettier, and more wretched
David Sheff (Beautiful Boy: A Father's Journey Through His Son's Addiction)
And you spend your day going around from the house of the washerman to the house of the sweeper, asking about this one's son and that one's nephew, but spending no time with your own family. It is no secret that many people here think that you are a communist.' Rasheed reflected that this probably meant only that he loathed the poverty and injustice endemic to the village, and that he made no particular secret of it.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
All over India, all over the world, as the sun or the shadow of darkness moves from east to west, the call to prayer moves with it, and people kneel down in a wave to pray to God. Five waves each day - one for each namaaz - ripple across the globe from longitude to longitude. The component elements change direction, like iron filings near a magnet - towards the house of God in Mecca.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
I've always felt that the performance of a raag resembles a novel - or at least the kind of novel I'm attempting to write. You know,' he continued, extemporizing as he went along, 'first you take one note and explore it for a while, then another to discover its possibilities, then perhaps you get to the dominant, and pause for a bit, and it's only gradually that the phrases begin to form and the tabla joins in with the beat...and then the more brilliant improvisations and diversions begin, with the main theme returning from time to time, and finally it all speeds up, and the excitement increases to a climax.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
If Midnight’s Children is India’s One Hundred Years of Solitude, then A Suitable Boy must be its War and Peace.
Whitaker
Each time a girl sees science toys under a ‘boys’ sign, she is told science is not suitable for her.
Laura Bates (Everyday Sexism)
Whenever she opened a scientific book and saw whole paragraphs of incomprehensible words and symbols, she felt a sense of wonder at the great territories of learning that lay beyond her - the sum of so many noble and purposive attempts to make objective sense of the world.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
I triumph and rejoice that my action should have obtained your approval; nor am I disturbed when I hear it said that those whom I have sent off alive and free will again bear arms against me; for there is nothing which I so much covet as that I should be like myself, and they like themselves.
Vikram Seth (A Suitable Boy)
The Fever Bird The fever bird sand out last night. I could not sleep, try as I might. My brain was split, my spirit raw. I looked into the garden, saw The shadow of the amaltas Shake slightly on the moonlit grass Unseen, the bird cried out its grief, Its lunacy, without relief: Three notes repeated closer, higher, Soaring, then sinking down like fire Only to breathe the night and soar, As crazed, as desperate, as before. I shivered in the midnight heat And smelt the sweat that soaked my sheet. And now tonight I hear again The call that skewers though my brain, The call, the brain-sick triple note-- A cone of pain stuck inits throat. I am so tired I could weep. Mad bird, for God's sake let me sleep Why do you cry like one possessed? When will you rest? When will you rest? Why wait each night till all but I Lie sleeping in the house, then cry? Why do you scream into my ear What no one else but I can hear?
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
I have learned to follow another voice, to be alone and to understand things - maybe to be alone and to be misunderstood.
Vikram Seth (A Suitable Boy)
What’s “suitable for kids” defines what sort of kids we as a society want. And right now, the girls society wants are the ones who can fit on a short list—while the list for boys is without borders or end. If girls can be anything, let them be anything.
Jason Porath (Rejected Princesses: Tales of History's Boldest Heroines, Hellions, & Heretics)
did tell him. I suppose he thought it wasn’t suitable for your ears.” I swallowed. “What happened then?” “Rose’s boy got caught with the Resistance. They shipped him off, who knows where. Half of Paris was disappearing overnight. Rose probably would have too—she’d already nearly been arrested for kicking a Brownshirt on the Rue de Rivoli, so we brought her back here to Rouen. But . . .
Kate Quinn (The Alice Network)
Kinkade sketched the occasional nude woman, and was generous about passing the sketches around to the men and cheerful about accepting criticisms and suggestions, which he seldom incorporated, as he had his own vision. He signed them O.McCaucus-Bigg A new soldier was always puzzled by this, given that this wasn't Kinkade's name. "O.McCaucus-Bigg?" "Braggart, are you?" Kinkade would roar. "Not as big as mine,laddie!" A good joke, suitable for thirteen-year-old boys and bored sergeants and subalterns.
Julie Anne Long (Since the Surrender (Pennyroyal Green, #3))
Are we to deny our daughters the works of Oscar Wilde, Charles Dickens, John Steinbeck or Shakespeare?....Where is the equality in banning girls from enjoying wonderful works of literature?....What kind of society defines suitable reading material by sex? This is indefensible censorship encouraging ignorance and bias. [About Caitlin Moran's statement.]
Diane Davies
For nothing is more suitable to persons of gravity and decorum than to endure minor inconvenience with constancy
C.S. Lewis (The Horse and His Boy (Chronicles of Narnia, #5))
This book could corrupt or debauch. It would not make suitable reading for Boy Rangers, Aunt Matilda, or those contemplating a life of celibacy. - Eric Bishop-Potter on "Jimmy, Mrs Fisher and Me.
Eric Bishop-Potter
This, I discover, is the joy of re-reading. Re-reading A Suitable Boy, almost two decades later is not just revising the first read, it is realizing that it is a book almost entirely different from the one I read before.
Veena Venugopal (Would You Like Some Bread With That Book?: And other instances of literary love)
It was a warm evening, and there was less silk and more fine cotton than at Savita's wedding. But the jewellery glittered just as gloriously. Meenakshi's little pear-earrings, Veena's navratan and Malati's emeralds glinted across the garden, whispering to each other the stories of their owners.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
The crew were all of them inclined to cough and sneeze, the boys particularly, and Keynes said, "We ought put them all in the water: to keep the chest warm must be the foremost concern." Laurence agreed without thinking and was shortly appalled by the sight of Emily bathing with the rest of the young officers, innocent of both clothing and modesty. "You must not bathe with the others," Laurence said to her urgently, having bundled her out and into a blanket. "Mustn't I?" she said, gazing up at him damp and bewildered. "Oh, Christ," Laurence said, under his breath. "No," he told her firmly, "it is not suitable; you are beginning to be a young lady." "Oh," she said dismissively, "Mother has told me all about that, but I have not started bleeding yet, and anyway I would not like to go to bed with any of them," and a thoroughly routed Laurence feebly fell back on giving her some make-work, and fled to Temeraire's side.
Naomi Novik (Black Powder War (Temeraire, #3))
The previous governess had used various monsters and bogeymen as a form of discipline. There was always something waiting to eat or carry off bad boys and girls for crimes like stuttering or defiantly and aggravatingly persisting in writing with their left hand. There was always a Scissor Man waiting for a little girl who sucked her thumb, always a bogeyman in the cellar. Of such bricks is the innocence of childhood constructed. Susan’s attempts at getting them to disbelieve in the things only caused the problems to get worse. Twyla had started to wet the bed. This may have been a crude form of defense against the terrible clawed creature that she was certain lived under it. Susan had found out about this one the first night, when the child had woken up crying because of a bogeyman in the closet. She’d sighed and gone to have a look. She’d been so angry that she’d pulled it out, hit it over the head with the nursery poker, dislocated its shoulder as a means of emphasis and kicked it out of the back door. The children refused to disbelieve in the monsters because, frankly, they knew damn well the things were there. But she’d found that they could, very firmly, also believe in the poker. Now she sat down on a bench and read a book. She made a point of taking the children, every day, somewhere where they could meet others of the same age. If they got the hang of the playground, she thought, adult life would hold no fears. Besides, it was nice to hear the voices of little children at play, provided you took care to be far enough away not to hear what they were actually saying. There were lessons later on. These were going a lot better now she’d got rid of the reading books about bouncy balls and dogs called Spot. She’d got Gawain on to the military campaigns of General Tacticus, which were suitably bloodthirsty but, more importantly, considered too difficult for a child. As a result his vocabulary was doubling every week and he could already use words like “disemboweled” in everyday conversation. After all, what was the point of teaching children to be children? They were naturally good at it.
Terry Pratchett (Hogfather (Discworld, #20))
Lyric," it said. "Melodic. Suitable for singing. A lyric poem. Of the lyre." That didn't seem to make much sense in regards to a movie theater, until I continued following "lyre" in my dictionary. "Lyre" took me into the story-poems sung by traveling minstrels back when there were castles and kings. Which took me back to that wonderful word: story. It seemed to me at an early age that all human communication - whether it's TV, movies, or books - begins with somebody wanting to tell a story. That need to tell, to plug into a universal socket, is probably one of our grandest desires. And the need to hear stories, to live lives other than our own even for the briefest moment, is the key to the magic that was born in our bones.
Robert McCammon (Boy's Life)
There was a few seconds' pause. Then Amit said: I meant, what were you thinking just now. When? said Lata. When you were looking at Pran and Savita. Over the pudding. Oh. Well, what? I can't remember, said Lata with a smile. Amit laughed. Why are you laughing? asked Lata I like making you feel uncomfortable, I suppose. Oh. Why? --Or happy--or puzzled--just to see your change of mood. It's such fun. I pity you! Why? said Lata, startled. Because you'll never know what a pleasure it is to be in your company. Do stop talking like that, said Lata. Ma will come in any minute. You're quite right. In that case: Will you marry me? Lata dropped her cup. It fell to the floor and broke. She looked at the broken pieces--luckily, it has been empty--and then at Amit. Quick! said Amit. Before they come running to see what's happened. Say yes. Lata had knelt down; she was gathering he bits of the cup together and placing them on the delicately patterned blue-and-gold saucer. Amit joined her on the floor. Her face was only a few inches away from his, but her mind appeared to be somewhere else. he wanted to kiss her but he sensed that there was no question of it. One by one she picked up the shards of china. Was it a family heirloom? asked Amit. What? I'm sorry--said Lata, snapped out of her trance by the words. Well, I suppose I'll have to wait. I was hoping that by springing it on you like that I'd surprise you into agreeing... ...Do stop being idotic, Amit, said Lata. You're so brilliant, do you have to be so stupid as well? I should only take you seriously in black and white. And in sickness and health. Lata laughed: For better and for worse, she added.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
If the boy did have a good and loving mother somewhere, surely they would find her. God only knew how she wanted to believe it. Every single day, she practiced her detachment skills, trying not to care about everything that was wrong with the world. Or rather...to care, but in a suitably civilized manner, with an admirable commitment that might still be set aside when she came home to Morten and her family, complete with well-reasoned and coherent opinions of the humanist persuasion. Right now she felt more like one of those manic women from the animal protection societies, with wild hair and ever wilder eyes. Desperate.
Lene Kaaberbøl (The Boy in the Suitcase (Nina Borg, #1))
But it was in the life-saving competition that Stanley Judkins's conduct was most blameable and had the most far-reaching effects. The practice, as you know, was to throw a selected lower boy, of suitable dimensions, fully dressed, with his hands and feet tied together, into the deepest part of Cuckoo Weir, and to time the Scout whose turn it was to rescue him. On every occasion when he was entered for this competition Stanley Judkins was seized, at the critical moment, with a severe fit of cramp, which caused him to roll on the ground and utter alarming cries. This naturally distracted the attention of those present from the boy in the water, and had it not been for the presence of Arthur Wilcox the death-roll would have been a heavy one. As it was, the Lower Master found it necessary to take a firm line and say that the competition must be discontinued. It was in vain that Mr. Beasley Robinson represented to him that in five competitions only four lower boys had actually succumbed. The Lower Master said that he would be the last to interfere in any way with the work of the Scouts; but that three of these boys had been valued members of his choir, and both he and Dr. Ley felt that the inconvenience caused by the losses outweighed the advantages of the competitions. Besides, the correspondence with the parents of these boys had become annoying, and even distressing: they were no longer satisfied with the printed form which he was in the habit of sending out, and more than one of them had actually visited Eton and taken up much of his valuable time with complaints. So the life-saving competition is now a thing of the past.
M.R. James (Collected Ghost Stories)
Is it really that helpful, Mr. Duke, to expose these damaged men—and let us tell you how very damaged they are, one way or another, many of them in childhood through abuse and neglect, and some of them would be better off in a mental institution or an asylum for recovering drug addicts, much more suitable for them than teaching them four-hundred-year-old words—is it helpful to expose these vulnerable men to traumatic situations that can trigger anxiety and panic and flashbacks, or, worse, dangerous aggressive behavior? Situations such as political assassinations, civil wars, witchcraft, severed heads, and little boys being smothered by their evil uncle in a dungeon? Much of this is far too close to the lives they have already been leading. Really, Mr. Duke, do you want to run those risks and take those responsibilities upon you?
Margaret Atwood (Hag-Seed)
There was just enough room for the tonga to get through among the bullock-carts, rickshaws, cycles and pedestrians who thronged both the road and the pavement--which they shared with barbers plying their trade out of doors, fortune-tellers, flimsy tea-stalls, vegetable-stands, monkey-trainers, ear-cleaners, pickpockets, stray cattle, the odd sleepy policeman sauntering along in faded khaki, sweat-soaked men carrying impossible loads of copper, steel rods, glass or scrap paper on their backs as they yelled 'Look out! Look out!' in voices that somehow pierced though the din, shops of brassware and cloth (the owners attempting with shouts and gestures to entice uncertain shoppers in), the small carved stone entrance of the Tinny Tots (English Medium) School which opened out onto the courtyard of the reconverted haveli of a bankrupt aristocrat, and beggars--young and old, aggressive and meek, leprous, maimed or blinded--who would quietly invade Nabiganj as evening fell, attempting to avoid the police as they worked the queues in front of the cinema-halls. Crows cawed, small boys in rags rushed around on errands (one balancing six small dirty glasses of tea on a cheap tin tray as he weaved through the crowd) monkeys chattered in and bounded about a great shivering-leafed pipal tree and tried to raid unwary customers as they left the well-guarded fruit-stand, women shuffled along in anonymous burqas or bright saris, with or without their menfolk, a few students from the university lounging around a chaat-stand shouted at each other from a foot away either out of habit or in order to be heard, mangy dogs snapped and were kicked, skeletal cats mewed and were stoned, and flies settled everywhere: on heaps of foetid, rotting rubbish, on the uncovered sweets at the sweetseller's in whose huge curved pans of ghee sizzled delicioius jalebis, on the faces of the sari-clad but not the burqa-clad women, and on the horse's nostrils as he shook his blinkered head and tried to forge his way through Old Brahmpur in the direction of the Barsaat Mahal.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
What I mean is,’ continued Amit, ‘it sprouts, and grows, and spreads, and drops down branches that become trunks or intertwine with other branches. Sometimes branches die. Sometimes the main trunk dies, and the structure is held up by the supporting trunks. When you go to the Botanical Garden you’ll see what I mean. It has its own life—but so do the snakes and birds and bees and lizards and termites that live in it and on it and off it. But then it’s also like the Ganges in its upper, middle and lower courses—including its delta—of course.
Vikram Seth (A Suitable Boy)
And after they had made love, she became more than everything for him. Like that other source of domestic strife, Saeeda Bai too made hungry where most she satisfied. Part of it was simply the delicious skill with which she made love. But even more than that it was her nakhra, the art of pretended hurt or disaffection that she had learned from her mother and other courtesans in the early days in Tarbuz ka Bazaar. Saeeda Bai practised this with such curious restraint that it became infinitely more believable. One tear, one remark that implied—perhaps, only perhaps implied— that something he had said or done had caused her injury—and Maan's heart would go out to her. No matter what the cost to himself, he would protect her from the cruel, censorious world. For minutes at a time he would lean over her shoulder and kiss her neck, glancing every few moments at her face in the hope of seeing her mood lift. And when it did, and he saw that same bright, sad smile that had so captivated him when she sang at Holi at Prem Nivas, he would be seized by a frenzy of sexual desire. Saeeda Bsi seemed to know this, and graced him with a smile only when she herself was in the mood to satisfy him.
Vikram Seth (A Suitable Boy)
I want you to give me a straight answer," Declan said. "Are you even thinking about going to college?" "No." It was satisfying and terrible to say it out loud, a trigger pulled, the explosion over within a second. Ronan looked around for bodies. Declan swayed; the bullet had clearly at least grazed him near a vital organ. With effort, he got the arterial spray under control. "Yeah, I figured. So the endgame is making this a career for you, isn't it?" This was not, in fact, what Ronan wanted. Although he wanted to be free to dream, and free to live at the Barns, he did not want to dream in order to be able to live at the Barns. He wanted to be left alone to repair all of the buildings, to raise his father's cattle from their supernatural sleep, to populate the fields with new animals to be eaten and sold, and to turn the very rearmost field into a giant mudslick suitable for driving cars around in circles. This, to Ronan, represented a romantic ideal that he would do much to achieve. He wasn't sure how to tell his brother this in a persuasive, unembarrassing way, though, so he'd said, in an unfriendly way, "I was actually thinkin' of being a farmer." "Ronan, for fuck's sake," Declan said. "Can we have a serious conversation for once?" Ronan flipped him the bird with swift proficiency.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
He continues: "Happily the Greek nation, more than any other, abounds in literary masterpieces. Nearly all of the Greek writings contain an abundance of practical wisdom and virtue. Their worth is so great that even the most advanced European nations do not hesitate to introduce them into their schools. The Germans do this, although their habits and customs are so different from ours. They especially admire Homer's works. These books, above all others, afford pleasure to the young, and the reason for it is clearly set forth by the eminent educator Herbart: "'The little boy is grieved when told that he is little. Nor does he enjoy the stories of little children. This is because his imagination reaches out and beyond his environments. I find the stories from Homer to be more suitable reading for young children than the mass of juvenile books, because they contain grand truths.' "Therefore these stories are held in as high esteem by the German children as by the Greek. In no other works do children find the grand and noble traits in human life so faithfully and charmingly depicted as in Homer. Here all the domestic, civic, and religious virtues of the people are marvellously brought to light and the national feeling is exalted. The Homeric poetry, and especially the 'Odyssey,' is adapted to very young children, not only because it satisfies so well the needs which lead to mental development, but also for another reason. As with the people of olden times bravery was considered the greatest virtue, so with boys of this age and all ages. No other ethical idea has such predominance as that of prowess. Strength of body and a firm will characterize those whom boys choose as their leaders. Hence the pleasure they derive from the accounts of celebrated heroes of yore whose bravery, courage, and prudence they admire.
Homer (Odysseus, the Hero of Ithaca Adapted from the Third Book of the Primary Schools of Athens, Greece)
That black horse we used for packin’ up here is the most cantankerous beast alive,” Jake grumbled, rubbing his arm. Ian lifted his gaze from the initials on the tabletop and turned to Jake, making no attempt to hide his amusement. “Bit you, did he?” “Damn right he bit me!” the older man said bitterly. “He’s been after a chuck of me since we left the coach at Hayborn and loaded those sacks on his back to bring up here.” “I warned you he bites anything he can reach. Keep your arm out of his way when you’re saddling him.” “It weren’t my arm he was after, it was my arse! Opened his mouth and went for it, only I saw him outter the corner of my eye and swung around, so he missed.” Jakes’s frown darkened when he saw the amusement in Ian’s expression. “Can’t see why you’ve bothered to feed him all these years. He doesn’t deserve to share a stable with your other horses-beauties they are, every one but him.” “Try slinging packs over the backs of one of those and you’ll see why I took him. He was suitable for using as a pack mule; none of my other cattle would have been,” ian said, frowning as he lifted his head and looked about at the months of accumulated dirt covering everything. “He’s slower’n a pack mule,” Jake replied. “Mean and stubborn and slow,” he concluded, but he, too, was frowning a little as he looked around at the thick layers of dust coating every surface. “Thought you said you’d arranged for some village wenches to come up here and clean and cook fer us. This place is a mess.” “I did. I dictated a message to Peters for the caretaker, asking him to stock the place with food and to have two women come up here to clean and cook. The food is here, and there are chickens out in the barn. He must be having difficulty finding two women to stay up here.” “Comely women, I hope,” Jake said. “Did you tell him to make the wenches comely?” Ian paused in his study of the spiderwebs strewn across the ceiling and cast him an amused look. “You wanted me to tell a seventy-year-old caretaker who’s half-blind to make certain the wenches were comely?” “Couldn’ta hurt ‘t mention it,” Jake grumbled, but he looked chastened. “The village is only twelve miles away. You can always stroll down there if you’ve urgent need of a woman while we’re here. Of course, the trip back up here may kill you,” he joked referring to the winding path up the cliff that seemed to be almost vertical. “Never mind women,” Jake said in an abrupt change of heart, his tanned, weathered face breaking into a broad grin. “I’m here for a fortnight of fishin’ and relaxin’, and that’s enough for any man. It’ll be like the old days, Ian-peace and quiet and naught else. No hoity-toity servants hearin’ every word what’s spoke, no carriages and barouches and matchmaking mamas arrivin’ at your house. I tell you, my boy, though I’ve not wanted to complain about the way you’ve been livin’ the past year, I don’t like these servents o’ yours above half. That’s why I didn’t come t’visit you very often. Yer butler at Montmayne holds his nose so far in t’air, it’s amazin’ he gets any oxhegen, and that French chef o’ yers practically threw me out of his kitchens. That what he called ‘em-his kitchens, and-“ The old seaman abruptly broke off, his expression going from irate to crestfallen, “Ian,” he said anxiously, “did you ever learn t’ cook while we was apart?” “No, did you?” “Hell and damnation, no!” Jake said, appalled at the prospect of having to eat anything he fixed himself.
Judith McNaught (Almost Heaven (Sequels, #3))
Friday Soup of the day – Terrapin Pan-fried otter steaks Or Owl quiche (kosher) Or Boiled poodle (not suitable for vegetarians) All served with a slice of gravy Dessert – Mouse mousse
David Walliams (Billionaire Boy)
If introspection is thought, Marvin was not introspective. He felt the contempt he lived under as raw sensation, as heat--heat in the ears, behind the eyes, in the tangled ganglia sheathed by the skull. And contempt, it seemed, was no different from fear. At Princeton he became afraid. It dawned on him that it was not enough to be bright (all Townsend Harris boys were bright): you had to be right. For the first time he was struck by the import of birthright--you slid out of the womb grasping it in your tiny fist, a certificate that guaranteed you would know how to speak and dress and scorn and brazenly intimidate everyone doomed to enter the world empty-handed. Not that Marvin was altogether empty-handed--he had his scholarship, and he had, most of all, the engine of his will and the grim burden of his hurt. He resisted humiliation by accepting it, sometimes almost appearing to invite it: it taught him what was suitable and what wasn't.
Cynthia Ozick (Foreign Bodies)
Mistress Rafferty,” began the Sergeant in self-conscious formality of tone, “I am a much older man than the one we have just laid to rest, but I am sober, honest and mindful of the plight of those placed in the situation you find yourself facing. You must take another husband straightway, and there’s many’ll be lining up for the privilege. First, though, I wants to put a proposition before you. My age is forty-six, and I’m due for promotion again before too long passes. I drinks a spot of porter now and again, but no more than that. As a boy I was school-taught and I keeps my hand in by studying from books. I’m clean and tidy about the place, and mostly of a quiet disposition. As a sergeant I earns enough to be comfortable, and my quarters is shaded by trees so it don’t get too plaguey hot. I’ve watched you, Mistress Rafferty, and it seems to me you’re a hard-working girl with fingers that are nimble and a disposition that’s livelier than most. I wouldn’t ask nothing of you save housekeeping and a mite of companionship. In return, I offers you the quietness of my quarters, the use of my books, and a trusty protection. You can have a bed of your own behind a curtain, and the freedom to make the place suitable for a female to occupy.” He shifted from the stiff pose he had adopted and fingered his brown moustache nervously. “I’m a lonely sort of man, Mistress Rafferty, and I’d be a dutiful husband. Oh yes,” he added quickly, as if remembering something he had left out of the rehearsed speech, “I won’t fill the place with the smoke of my cigars to upset you, but step outside when I lights one.
Elizabeth Darrell (Forget the Glory)
La scortesia della gente ferisce solo se continuiamo a ricordarla.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
Odio quelli che vanno in giro con l'aria da martire, proprio come detesto l'autocommiserazione. È causa di troppa infelicità.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
A volte penso che in tempi di profonda angoscia sia una consolazione sapere che il mondo, tutto sommato, se ne infischia.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
But Haresh stood alone: Umesh Uncle, Simran, his foster-father, all these figures whom she felt she knew, could turn out to be entirely different from what she had imagined. And his family of conservative Old Delhi khatris: how could she possibly behave with them as she behaved with Kuku or Dipankar or Mr Justice Chatterji? What would she talk about to the Czechs? But there was something adventurous in losing herself entirely in a world that she did not know with a man whom she trusted and had begun to admire — and who cared for her so deeply and steadily. She thought of a paan-less Haresh, smiling his open smile; she sat him down at a table so that she could not see his co-respondent shoes; she ruffled his hair a bit, and — well, he was quite attractive! She liked him. Perhaps, given time and luck, she could even learn to love him.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
You grieve for those beyond grief, and you speak words of insight; but learned men do not grieve for the dead or the living. Never have I not existed nor you, nor these kings; and never in the future shall we cease to exist. Just as the embodied self enters childhood, youth, and old age, so does it enter another body; this does not confound a steadfast man. Contacts with matter make us feel heat and cold, pleasure and pain. Arjuna, you must learn to endure fleeting things-they come and go! When these cannot torment a man, when suffering and joy are equal for him and he has courage, he is fit for immortality. Nothing of nonbeing comes to be, nor does being cease to exist; the boundary between these two is seen by men who see reality. Indestructible is this presence that pervades all this; no one can destroy this unchanging reality. ...
Vikram Seth
it’s our turn, you know—to join the student welfare committee of the university. . . .’ Oh no, thought Pran, there goes one day every week. ‘. . . and I have decided to volunteer you.’ I didn’t know the verb was transitive, thought Pran.
Vikram Seth (A Suitable Boy)
in times of trouble it sometimes happened that even those who wanted to help were unable to. They might be tied down themselves for one reason or another; or else circumstances of expediency or some greater need could have kept them less involuntarily away.
Vikram Seth (A Suitable Boy)
Come in,” she called without thinking. The door opened, and Caleb stepped inside. “I want to apologize for last night,” he said, his hat in his hands, his expression as innocent as an altar boy’s. “The truth is, I don’t think we should get married.” Lily was beginning to get disturbing ideas about the rolling pin in her hands. His disclaimer came as no surprise to her, of course; she’d known he was an out-and-out scoundrel all along. “Oh?” “We’d do nothing but fight. And make love, of course. I think we’d better just stay away from each other from now on.” Lily had prayed to hear these words that very morning. So why did they hurt so much? “What if I’m pregnant?” Caleb shrugged as though they were talking about the possibility of a splinter or a stubbed toe. “I’d take care of you both, of course.” “Like you took care of Bianca, I suppose.” Caleb’s grin was infuriating. “Yes.” Lily began tapping her palm with the rolling pin. “But you don’t think we should be married.” “Absolutely not,” Caleb replied firmly. “What if I think we should be?” He grinned. “If you propose to me, Lily-flower, I might reconsider. You’d have to be suitably humble, of course.” Lily made a strangled sound of rage and rounded the table, wielding the rolling pin like a battle ax. Caleb easily wrested it from her hand and tossed it aside before pulling her into his arms. She squirmed, but there was no escaping, and when he caught her chin in one hand and forced her head back for his kiss she was lost. When it was over, and Lily was breathless, Caleb set her away from him. “When you change your mind, you know where to find me.” Lily glared up at him. “I’ll dance in hell before I’ll come crawling to you, Caleb Halliday!” He laughed, more in amazement than good humor. “If I didn’t think you might be carrying my baby, I’d turn you over my knee right here and now and blister your behind!” “I’m not carrying your baby!” Lily stormed out of the house toward the woodshed, bent on getting kindling for the cook stove. Caleb followed, cornering Lily against a sawhorse, and said a possessive hand on her abdomen. “We’ll see about that in a few months,” he vowed.
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Certain present-day tendencies make us wonder if succeeding generations of young people are not in danger of growing up impervious to style and insensitive to the quality of real literature. Granted the need for books for beginners in which the vocabulary is adapted to their ability, it is nevertheless disconcerting to find editors rewriting classics for children in what they consider to be more suitable language. Working material to aid a child’s learning process, material which is interesting and appropriate for his age, is needed, of course, but it should be provided without reducing a masterpiece to the commonplace. To the average fortunate child the classics among books written for children, and the classics in adult literature suitable for boys and girls, come naturally into his experience at a time when they can be appreciated and enjoyed. In the midst of the flood of the mediocre which assails the young person of the present day, a classic, here and there—Alice, Robinson Crusoe, Hawthorne’s Wonder Book, Gulliver’s Travels—provides, albeit unconsciously to the children, a touchstone to distinguish the work of a master hand from that of a journeyman. When these classics are rewritten, however, and “modified as to vocabulary,” the touchstone loses its power.
Anne Thaxter Eaton (Reading with Children)
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. Lunch with Diana. A big day--a massive, humongous day, in fact. I got there ten minutes early, feeling decidedly nervous. The Kensington Palace front door was opened by her beaming butler. He walked me up the stairs, chatting cheerfully about the weather and my journey, as if a tabloid editor prowling around Diana’s home was a perfectly normal occurrence. He said that the “Boss” was running a bit late, joking that “she’ll be furious you are here first!” and invited me to have a drink. “What does she have?” I asked. “Water, usually,” he replied, “but wouldn’t you rather have a nice glass of wine? She won’t mind in the slightest.” I readily agreed, if only to calm my racing heartbeat. He then left me alone in the suitably regal sitting room. Diana had a perfectly normal piano covered in perfectly normal family snaps. It’s just that this family was the most photographed on the planet. Lots of pictures of her boys, the young heirs, perhaps the men who will kill off, or secure, the very future of the monarchy. To us, they were just soap opera stars, semi-real figments of tabloid headlines and the occasional palace balcony wave. But here they were, her boys, in picture frames, like any other adored sons. Just sitting in her private room was fascinating. Her magazines lay on the table, from Vogue to Hello, as well as her newspapers--the Daily Mail at the top of the pile, obviously, if distressingly. After I had spent ten minutes on my own, she swept in, gushing: “I’m so sorry to have kept you, Piers. I hope Paul has been looking after you all right.” And then came what was surely one of the most needless requests of all time: “Would you mind awfully if William joins us for lunch? He’s on an exeat from Eton, and I just thought that given you are a bit younger than most editors, it might be good for both of you to get to know each other.” “I’m sorry, but that would be terribly inconvenient,” I replied sternly. Diana blushed slightly and started a stuttering “Yes, of course, I’m so sorry…” apology, when I burst out laughing. “Yes, ma’am, I think I can stretch to allowing the future king to join us for lunch.” The absurdity of this conversation held no apparent bounds.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
There are new rules to follow… harsh rules, from what I understand.” The captain rounded the table and reached out to stroke Jon’s dark curls back. “Patience, Jon. All right?” Jon almost flinched at the touch, unable to forget the sly smile that had spread over Oren’s elfin face. Instead he forced himself to close his eyes and lean into the captain’s hand like he normally would. As if I didn’t know what you were up to, he thought bitterly. The previous day had been spent watching Oren as the young man made his way around the ship. Twice, the tall fisherman had approached the captain, both times his body language that of a fawning sycophant as he hung on Baltsaros’s every word. It was enough to make a man sick. When the captain had quickly sent the boy away with a few harsh words, Jon had been childishly pleased; perhaps he had been imagining things. However, as Oren made his way belowdecks, Jon had raised his eyes and seen the captain’s gaze following the willowy youth. When Baltsaros noticed Jon watching him, the older man’s face had gone still, wiped of expression, before the captain had turned and walked away. Jon opened his eyes and pulled away from Baltsaros’s hand. “Why are they still here?” he asked, looking up at the captain. He didn’t want to say the boy’s name. Baltsaros narrowed his eyes at Jon, and he felt sure that his suspicions were grounded in something; it galled him that the first mate was once again covering for the captain. They deserve each other, Jon thought, looking over at Tom. The big man’s brow was furrowed in concern, his sea-green eyes on Jon’s. “I asked Polas to join the crew this morning,” replied Baltsaros, dropping his hand. “He’s mulling it over and will give me his answer before long. Migri and Oren are staying on until they can find a replacement boat or some other suitable accommodation.” With a tilt of his head, he lifted his hand again, this time to Jon’s cheek. “Don’t worry, I want both of them off my ship,” he said softly. The words did nothing to appease Jon. They only showed that Baltsaros was aware that he had concerns, but Jon nodded anyway and bent his lips into a smile. The captain, satisfied with his response, smiled back and leaned in to kiss him quickly.
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
But what should I do?' Varun was saying. 'I'm not good for anything.' 'Write a book! Pull a rickshaw! Live! Don't make excuses,' said Dr. Ila Chattopadhyay, shaking her grey hair vigorously. 'Renounce the world like Dipankar. No, he's joined a bank, hasn't he? How did you do in your exams anyway?' she added." - Vikram Seth, "A Suitable Boy
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
For a man who in his friendships and acquaintance looked upon religion and nationality as both significant and irrelevant, the changing composition of the High Court was a cause for sadness.
Vikram Seth (A Suitable Boy)
The secret of life is to accept. Accept happiness, accept sorrow; accept success, accept failure; accept fame, accept disgrace; accept doubt, even accept the impression of certainty.
Vikram Seth (A Suitable Boy)
Cadit quaestio,” muttered Emma, under her breath. “Sed quaestio manet.” She had asked her Latin teacher at school for a suitable rebuttal to cadit quaestio, and she had said that one might retort: But the question still remains, and that could be rendered sed quaestio manet. That was to put it simply, she explained. Simpliciter. Emma loved Latin because it gave her a sort of power. At school she had tossed a Latin phrase at a boy who had been staring at her in a disconcerting way, and he had been crushed—there was only one word for it: crushed.
Alexander McCall Smith (Emma: A Modern Retelling)
It’s about political correctness. Give the brown boy the top job because he’s brown. We all know it. It has nothing to do with experience and suitability for the position.
Loreth Anne White (The Maid's Diary)
I want you to give me a straight answer," Declan said. "Are you even thinking about going to college?" "No." It was satisfying and terrible to say it out loud, a trigger pulled, the explosion over within a second. Ronan looked around for bodies. Declan swayed; the bullet have clearly at least grazed him near a vital organ. With effort, he got the arterial spray under control. "Yeah, I figured. So the endgame is making this a career for you, isn't it?" This was not, in fact, what Ronan wanted. Although he wanted to be free to dream, and free to live at the Barns, he did not want to dream in order to be able to live at the Barns. He wanted to be left alone to repair all of the buildings, to raise his father's cattle from their supernatural sleep, to populate the fields with new animals to be eaten and sold, and to turn the very rearmost field into a giant mudslick suitable for driving cars around in circles. This, to Ronan, represented a romantic ideal that he would do much to achieve. He wasn't sure how to tell his brother this in a persuasive, unembarrassing way, though, so he'd said, in an unfriendly way, "I was actually thinkin' of being a farmer." "Ronan, for fuck's sake," Declan said. "Can we have a serious conversation for once?" Ronan flipped him the bird with swift proficiency.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
I want you to give me a straight answer," Declan said. "Are you even thinking about going to college?" "No." It was satisfying and terrible to say it out loud, a trigger pulled, the explosion over within a second. Ronan looked around for bodies. Declan swayed; the bullet have clearly at least grazed him near a vital organ. With effort, he got the arterial spray under control. "Yeah, I figured. So the endgame is making this a career for you, isn't it?" This was not, in fact, what Ronan wanted. Although he wanted to be free to dream, and free to live at the Barns, he did not want to dream in order to be able to live at the Barns. He wanted to be left alone to repair all of the buildings, to raise his father's cattle from their supernatural sleep, to populate the fields with new animals to be eaten and sold, and to turn the very rearmost field into a giant mudslick suitable for driving cars around in circles. This, to Ronan, represented a romantic ideal that he would do much to achieve. He wasn't sure how to tell his brother this in a persuasive, unembarrassing way, though, so he'd said, in an unfriendly way, "I was actually thinkin' of being a farmer." "Ronan, for fuck's sake," Declan said. "Can we have a serious conversation for one?" Ronan flipped him the bird with swift proficiency.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
He thinks he will leave. School life is unreal. All this is unreal. He has had enough. He can’t bear his colleagues. He can’t bear the boys any more either; en masse, he thinks, they’re horrible, like haddocks. He has to get out. He’ll live on his writing. His last book did well. He’ll write more. He’ll take a cottage in Scotland and spend his days fishing for salmon. Perhaps he’ll take the barmaid with him as his wife, the dark-eyed beauty he’s been courting for months, though he’s only in love with her emotionally, so far, and he hasn’t got anywhere, really, and those long hours sitting at the bar reduce him too often to hopeless drunkenness. He drinks too much. He has drunk too much, and he has been unhappy for a long time. But things are certain to change. The notebook he writes in is grey. He’s stuck a photograph of one of his grass snakes on the cover, and written ETC above it in ink. The snake is suitable because this is his dream diary, though there are other things in it too: scraps of writing, lesson plans, line drawings of sphinxes and clawed dragons rampant, and the occasional stab at self-analysis: 1) Necessity of excelling in order to be loved.1 2) Failure to excel. 3) Why did I fail to excel? (Wrong attitude to what I was doing?)
Helen Macdonald (H is for Hawk)
L'ottusità degli uomini intelligenti, pensò Savita con un sorriso, è la metà delle ragioni che li rendono amabili.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
Si guardarono, Maan un po' sbilanciato dalla sua franchezza. Gli sembrava che lei tentasse addirittura di trattenersi dallo scoppiare a ridere. "Forse dovrei raffreddarla con un ghazal malinconico" continuò Saeeda Bai. "Sì, perché non prova?" ribatté Maan, rammentando quello che lei aveva detto una volta sui ghazal. "Vediamo che effetto avrà su di me." "Mi lasci chiamare i musicisti" disse Saeeda Bai. "No" rispose Maan, posando la mano sulla sua. "Soltanto lei e l'armonium, basterà." "Neanche il suonatore di tabla?" "Segnerò il tempo col mio cuore" rispose Maan.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
I vecchi si aggrappano al potere e alle loro convinzioni, che ammettono tutti i loro vizi peggiori ma escludono il minimo errore e soffocano la minima innovazione dei giovani. Poi, grazie a Dio, muoiono e non possono fare più danni. Ma ormai noi, i giovani, siamo diventati vecchi, e ci sforziamo di quel po' di male che loro hanno lasciato incompiuto.
Vikram Seth (A Suitable Boy (Volume 1))
In quale corpo era incarnato ora suo marito? Se era rinato in forma umana, lo avrebbe riconosciuto qualora le fosse passato accanto per strada? Che cosa significava l'asserire, a proposito del sacramento del matrimonio, che sarebbero rimasti legati per sette vite? Per quanto ne sapeva lei, quell'ultimo matrimonio sarebbe potuto essere il settimo per lei. L'emozione la spingeva a un'interpretazione letterale; anelava a una rassicurazione tangibile. Il sanscrito tranquillizzate del volumetto verde rilegato in tela le passava tra le labbra, ma pur dandole la pace - quando recitava la Gita le salivano di rado le lacrime agli occhi - non rispondeva a nessuna delle sue domande. E mentre la saggezza antica si rivelava così spesso priva di consolazione, la fotografia, quella crudele arte moderna, contribuiva a impedire che anche l'immagine del viso di suo marito fosse sbiadita dal tempo.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
To Kill a Mockingbird Rebecca The Kite Runner Life of Pi Pride and Prejudice Little Women Beloved A Suitable Boy
Sara Nisha Adams (The Reading List)
..her life and desires were not entirely determined by the easy drift of circumstance.
Vikram Seth (A Suitable Boy (Volume 1))
But he hoped that he, not being a Mehra and therefore less taut with a sense of injury, might be of help in preventing irretrievable words from exacerbating irretrievable acts.
Vikram Seth (A Suitable Boy Volume 1)
Creature comfort is not some bourgeois capitalist construct, but framing it as a moral virtue sure is. It's what the French call Nostalgie de la Boue: a fond yearning for the mud. Two things have to be in place to really appreciate this particular brand of gluttony posing as asceticism. First, you have to have endured years and years of plenty, the mud a long-distant, nearly forgotten memory. One must have decades of such surfeit under your belt that you have been fortunate enough to grow sick of it all... And second - and this is what really separates the men from the boys - in order to maintain a life free of clutter and suitable for a sacred space, you'll need another room to hide your shit.
David Rakoff (Don't Get Too Comfortable: The Indignities of Coach Class, The Torments of Low Thread Count, The Never-Ending Quest for Artisanal Olive Oil, and Other First World Problems)
Halyard yawned and was annoyed to think that Lynn, who had just read "order out of chaos" as "order out of koze," made three times as much money as he did. Lynn, or, as Halyard preferred to think of him, Planck, hadn't even finished high school, and Halyard had known smarter Irish setters. Yet, here the son-of-a-bitch was, elected to more than a hundred thousand bucks a year!" "You mean to say that this man governs without respect to the people's spiritual destinies?" whispered Khashdrahr. "He has no religious duties, except very general ones, token ones," said Halyard, and then he started wondering just what the hell Lynn did do. EPICAC XIV and the National Industrial, Commercial, Communications, Foodstuffs, and Resources Board did all the planning, did all the heavy thinking. And the personnel machines saw to it that all governmental jobs of any consequence were filled by top-notch civil servants. The more Halyard thought about Lynn's fat pay check, the madder he got, because all the gorgeous dummy had to do was read whatever was handed to him on state occasions: to be suitably awed and reverent, as he said, for all the ordinary, stupid people who'd elected him to office, to run wisdom from somewhere else through that resonant voicebox and between those even, pearly choppers. And Halyard suddenly realized that, just as religion and government had been split into disparate entities centuries before, now, thanks to the machines, politics and government lived side by side, but touched almost nowhere. He stared at President Jonathan Lynn and imagined with horror what the country must have been like when, as today, any damn fool little American boy might grow up to be President, but when the President had had to actually run the country!
Kurt Vonnegut Jr. (Player Piano)
Pride and Prejudice Little Women Beloved A Suitable Boy
Sara Nisha Adams (The Reading List)
Tell me what you can bring to this family. Does your father agree with this union?" Casca didn't waver. "He does. He has remarked to me many times how much he would like to see our families united." Apicius responded with an incline of his head and his mouth turned up at the edges in a thoughtful smile. "Explain to me, then, why are you here instead of him?" "He doesn't have my conviction- that you would find me more suitable than Dolabella or Narses." I was surprised at the audacity of this young man. Apicius was also surprised. He didn't respond right away, which was unusual. When he did, he sounded amused and- although Casca couldn't know it- impressed. "And why do you think I would find you more suitable?" "It is quite simple." Casca looked at me, then at Apicius. "I love your daughter. They do not." Apicius snorted. "Love is not a prerequisite to marriage." "Quite true. However, I bring to you both power and influence- through my father now, but also in my future as I follow in his footsteps. I will continue to bring you and your family honor, and precious votes in the elections. And what I can do that Dolabella and Narses cannot is assure you I will take care of your daughter with every fiber of my being." "Go on," Apicius said, intrigued. I was glad I had decided to bring Casca here on such impulse. "I have watched you with Apicata over these many months. I know how you dote on her, how you hold her close to your heart. She is as important to you as your love for culinary delights," he remarked. Good, I thought. The boy had a sense of how to stroke Apicius's ego, though I knew the truth that Casca- and likely even Apicius- did not. Food and fame would always be first in Apicius's heart. "I can promise you that your daughter will have love and laughter. Narses and Dolabella care not for her as much as they do for your money. My motives are pure. Few in this world have the chance to marry for love. Let your daughter be one of them.
Crystal King (Feast of Sorrow)
that it’s getting tougher and tougher to pin their jobs on hoods, tougher to make a rap stick. For good or ill, that’s the way it is. You damn near have to catch them in the act of dismembering the body … And I had it. I was lugging my damned camera. Maybe there’d been a reason—besides the fact that I had some splendidly provocative shots of Tootsie in the exposed footage—for my hanging onto the Bolex. The next best thing to actually catching hoods in the commission of a crime should be a movie of them in the middle of it. A shot of them chasing after me, shooting at me, should be enough for any court in the land, temporarily. That meant I would have to get into the film somehow, myself, while taking care that the action was merely of the boys shooting at me, not in me. So, for one, I couldn’t stand holding the camera, filming them while they ran down on top of me. And for another, I was going to have to run at least another mile. But I was quite a bit ahead of them now—though a shot still rang out from time to time—so I sprinted as hard as I could for a hundred yards, the last thirty of which were quite straight, and then skidded to a stop. The Bolex was battery-operated and, once started, would function unaided until the film ran out, if I locked the shutter release down. But there was only one hundred feet of film, and that would run past the lens in four minutes. I didn’t think I could be sure of running another mile in four minutes—not after what I’d recently been through. In fact, I was pretty sure I couldn’t. But there was still a way. If I set the camera speed to expose not the normal sixteen frames a second but only eight, which I could do merely by turning a little knob on the side of the camera, the thing would run twice as long, or for eight minutes. True, when projected it would be in fast motion, the action speeded up, but that didn’t matter. The faces—and guns—of those lobs would be identifiable. The only ticklish part, actually, after adjusting the lens aperture and frames-per-second setting, was spotting a limb in the right place and at the right angle to hold the camera firmly. But I found one suitable, jammed the Bolex into place pointing back down the path, depressed and locked the shutter release to start it whirring and moved out of there.
Richard S. Prather (Shell Scott PI Mystery Series, Volume Six)