Sugawara Quotes

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My present self is formed almost completely of the people around me. I am currently made up of 30 percent Mrs. Izumi, 30 percent Sugawara, 20 percent the manager, and the rest absorbed from past colleagues such as Sasaki, who left six months ago, and Okasaki, who was our supervisor until a year ago. My speech is especially infected by everyone around me and is currently a mix of that of Mrs. Izumi and Sugawara. I think the same goes for most people. When some of Sugawara’s band members came into the store recently they all dressed and spoke just like her. After Mrs. Izumi came, Sasaki started sounding just like her when she said, “Good job, see you tomorrow!” Once a woman who had gotten on well with Mrs. Izumi at her previous store came to help out, and she dressed so much like Mrs. Izumi I almost mistook the two. And I probably infect others with the way I speak too. Infecting each other like this is how we maintain ourselves as human is what I think.
Sayaka Murata (Convenience Store Woman)
Now, too, I felt reassured by the expression on Mrs. Izumi and Sugawara’s faces: Good, I pulled off being a “person.
Sayaka Murata (Convenience Store Woman)
My present self is formed almost completely of the people around me. I am currently made up of 30 percent Mrs. Izumi, 30 percent Sugawara, 20 percent the manager, and the rest absorbed from past colleagues such as Sasaki, who left six months ago, and Okasaki, who was our supervisor until a year ago.
Sayaka Murata (Convenience Store Woman)
My present self is formed almost completely of the people around me. [...] My speech is especially infected by everyone around me and is currently a mix of that of Mrs. Izumi and Sugawara. [...] And I probably infect others with the way I speak too. Infecting each other like this is how we maintain ourselves as human is what I think.
Sayaka Murata (Convenience Store Woman)
In a short-staffed convenience store, a store worker can sometimes be highly appreciated just by existing, by virtue of not rocking the boat. I’m not particularly brilliant compared to Mrs. Izumi and Sugawara, but I’m second to none in terms of never being late or taking days off. I just come in every day without fail, and because of that I’m accepted as a well-functioning part of the store.
Sayaka Murata (Convenience Store Woman)
I’d noticed soon after starting the job that whenever I got angry at the same things as everyone else, they all seemed happy. If I went along with the manager when he was annoyed or joined in the general irritation at someone skiving off the night shift, there was a strange sense of solidarity as everyone seemed pleased that I was angry too. Now, too, I felt reassured by the expression on Mrs. Izumi and Sugawara’s faces: Good, I pulled off being a “person.” I’d felt similarly reassured any number of times here in the convenience store.
Sayaka Murata (Convenience Store Woman)
As we were chatting in the back room, her gaze suddenly fell on the ballet flats I was wearing. "Oh, those shoes are from that shop in Omotesando, aren't they? I like that place too. I have some boots from there." In the back room she speaks in a languid drawl, the end of her words slightly drawn out. I bought these flats after checking the brand name of the shoes she wears for work while she was in the toilet. "Oh really? Wait, do you mean those dark blue ones you wore to the shop before? Those were cute!" I answered, copying Sugawara's speech pattern but using a slightly more adult tone.
Sayaka Murata (Convenience Store Woman)
From outside the shelter came children's voices. The shrill squeals brought the excitement of their unseen game into the opaque quiet of Setsuko's world and made her smile. "No war can go on forever. And human beings are the toughest creatures on earth, you know. There's no sense in being in a hurry to die. You MUST LIVE, whatever happens." Shoichi Wakui had squeezed her hand and told her this with an almost violent urgency, though his grasp was weak and his voice halting. Were those the Sugiwaras' children she could hear? The barber had had the presence of mind to rescue his kit when he fled through the flames of his burning shop, and now he was doing a brisk trade, seating his customers on cushions atop piled stones from the foundations. To house his family he'd put a lean-to against the railway embankment, barely enough to keep out the weather, but at least the children were no longer starving. Even in defeat the locally garrisoned soldiers all had some supplies of food, and while waiting to board trains for their hometowns from Yokohama Station they'd sit on the stone seat of the Sugawara Barbershop and have a good shave, leaving the children something to eat as payment. Setsuko no longer felt the rage that had overwhelmed her at the disbanding ceremony. If they had fought on home ground, one hundred million Japanese sworn to die before they would surrender, those children would have had to die too. Those young lives and spirits would have been extinguished in terror and pain and they wouldn't even have understood why. They have a right to go on living, and the strength to do it, Setsuko thought. For their sakes, if no one else's, I should rejoice that the war ended before an invasion reached the home front. Shoichi Wakui's words came back clearly: "Even when a war is lost, people's lives still go on." And Naomis, in the gray notebook: "Every war comes to an end, and when peace is restored Paris rises like a phoenix." But what about those who'd already died? It was agony to think of those who would not rise: the dead would be left where they fell at the ends of the earth while the living would come home with their knapsacks of clothing and food. Whether they had gone to the front or stayed at home, the people had staked their lives for country and Emperor, and after they had lost, the country and the Emperor were still there. Then what had it all meant? Adrift and floundering in despair, Setsuko slipped back into a restless sleep.
Shizuko Gō (Requiem)
am forever reminded of the eight unavoidable sufferings: birth, old age, pain, one’s own death, the death of a loved one, evil people, frustrated desire and lust.
I.J. Parker (Rashomon Gate (Sugawara Akitada, #2))
Now he was only a short day’s ride from the capital and worried about what he would find. Akiko, the elder of his two sisters, had married an official during his absence and moved away, but Yoshiko was still at home. He tried to imagine his mother ill, her fierce strength gone, and
I.J. Parker (The Hell Screen (Sugawara Akitada, #5))
There are cases, as well, in which, in very similar fashion to Daoist practice, unruly spirits of deceased humans have been domesticated into beneficent kami, such as Tenjin, a God of scholars, who is regarded as having lived a mortal life as the late 9th century scholar Sugawara no Michizane, who suffered exile and became a wrathful spirit after death, but was successfully pacified to emerge as a beneficent and widely worshiped deity
Edward P. Butler (The Way of the Gods : Polytheism(s) Around the World)