Sugar Coated People Quotes

Nice words and nice appearance doesn't conclude that someone is nice, i believe that the nicer you look, the more deceptive you appear.

Life is full of secrets, and narrow-minded people, and sugar-coated, empty conversations that hold no weight. What’s real is what’s inside us. What’s important is what we feel.

Again, I am surprised why people seek to eliminate lust and cling to love; as they wish to ignore happiness and cleave unto joy! Now, now, let's not sugar-coat things! Lust has a lot more to do with life and what is the good of life if you do not carry much lust inside of you at all times? And joy is a noble thing, but happiness though fleeting can be found every day and in every small little way!

Before I got here, I thought for a long time that the way out of the labyrinth was to pretend that it did not exist, to build a small, self-sufficient world in a back corner of, the endless maze and to pretend that I was not lost, but home. But that only led to a lonely life accompanied only by the last words of the looking for a Great Perhaps, for real friends, and a more-than minor life. And then i screwed up and the Colonel screwed up and Takumi screwed up and she slipped through our fingers. And there's no sugar-coating it: She deserved better friends. When she fucked up, all those years ago, just a little girl terrified. into paralysis, she collapsed into the enigma of herself. And I could have done that, but I saw where it led for her. So I still believe in the Great Perhaps, and I can believe in it spite of having lost her. Beacause I will forget her, yes. That which came together will fall apart imperceptibly slowly, and I will forget, but she will forgive my forgetting, just as I forgive her for forgetting me and the Colonel and everyone but herself and her mom in those last moments she spent as a person. I know that she forgives me for being dumb and sacred and doing the dumb and scared thing. I know she forgives me, just as her mother forgives her. And here's how I know: I thought at first she was just dead. Just darkness. Just a body being eaten by bugs. I thought about her a lot like that, as something's meal. What was her-green eyes, half a smirk, the soft curves of her legs-would soon be nothing, just the bones I never saw. I thought about the slow process of becoming bone and then fossil and then coal that will, in millions of years, be mined by humans of the future, and how they would their homes with her, and then she would be smoke billowing out of a smokestack, coating the atmosphere. I still think that, sometimes. I still think that, sometimes, think that maybe "the afterlife" is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe she was just a matter, and matter gets recycled. But ultimately I do not believe that she was only matter. The rest of her must be recycled, too. I believe now that we are greater than the sum of our parts. If you take Alaska's genetic code and you add her life experiences and the relationships she had with people, and then you take the size and shape of her body, you do not get her. There is something else entirety. There is a part of her knowable parts. And that parts has to go somewhere, because it cannot be destroyed. Although no one will ever accuse me of being much of a science student, One thing I learned from science classes is that energy is never created and never destroyed. And if Alaska took her own life, that is the hope I wish I could have given her. Forgetting her mother, failing her mother and her friends and herself -those are awful things, but she did not need to fold into herself and self-destruct. Those awful things are survivable because we are as indestructible as we believe ourselves to be. When adults say "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are. We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail. So I know she forgives me, just as I forgive her. Thomas Eidson's last words were: "It's very beautiful over there." I don't know where there is, but I believe it's somewhere, and I hope it's beautiful.

Most people have a regulator between their mind and mouth that modulates their brutish sentiments and spikiest impulses. Not Jobs. He made a point of being brutally honest. " My job is to say when something sucks rather than sugar coat it, : he said. This made him charismatic and inspiring, yet also,, to use the technical term, an asshole at times.

All true meanings are hidden. Life is full of secrets, and narrow-minded people, and sugar-coated, empty conversations that hold no weight. What’s real is what’s inside us. What’s important is what we feel.

...while epic fantasy is based on the fairy tale of the just war, that’s not one you’ll find in Grimm or Disney, and most will never recognize the shape of it. I think the fantasy genre pitches its tent in the medieval campground for the very reason that we even bother to write stories about things that never happened in the first place: because it says something subtle and true about our own world, something it is difficult to say straight out, with a straight face. Something you need tools to say, you need cheat codes for the human brain--a candy princess or a sugar-coated unicorn to wash down the sour taste of how bad things can really get. See, I think our culture has a slash running through the middle of it, too. Past/Future, Conservative/Liberal, Online/Offline. Virgin/Whore. And yes: Classical/Medieval. I think we’re torn between the Classical Narrative of Self and the Medieval Narrative of Self, between the choice of Achilles and Keep Calm and Carry On. The Classical internal monologue goes like this: do anything, anything, only don’t be forgotten. Yes, this one sacrificed his daughter on a slab at Aulis, that one married his mother and tore out his eyes, and oh that guy ate his kids in a pie. But you remember their names, don’t you? So it’s all good in the end. Give a Greek soul a choice between a short life full of glory and a name echoing down the halls of time and a long, gentle life full of children and a quiet sort of virtue, and he’ll always go down in flames. That’s what the Iliad is all about, and the Odyssey too. When you get to Hades, you gotta have a story to tell, because the rest of eternity is just forgetting and hoping some mortal shows up on a quest and lets you drink blood from a bowl so you can remember who you were for one hour. And every bit of cultural narrative in America says that we are all Odysseus, we are all Agamemnon, all Atreus, all Achilles. That we as a nation made that choice and chose glory and personal valor, and woe betide any inconvenient “other people” who get in our way. We tell the tales around the campfire of men who came from nothing to run dotcom empires, of a million dollars made overnight, of an actress marrying a prince from Monaco, of athletes and stars and artists and cowboys and gangsters and bootleggers and talk show hosts who hitched up their bootstraps and bent the world to their will. Whose names you all know. And we say: that can be each and every one of us and if it isn’t, it’s your fault. You didn’t have the excellence for it. You didn’t work hard enough. The story wasn’t about you, and the only good stories are the kind that have big, unignorable, undeniable heroes.

We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.

There's one big difference between the poor and the rich,' Kite says, taking a drag from his cigarette. We are in a pub, at lunch-time. John Kite is always, unless stated otherwise, smoking a fag, in a pub, at lunch-time. 'The rich aren't evil, as so many of my brothers would tell you. I've known rich people -- I have played on their yachts -- and they are not unkind, or malign, and they do not hate the poor, as many would tell you. And they are not stupid -- or at least, not any more than the poor are. Much as I find amusing the idea of a ruling class of honking toffs, unable to put their socks on without Nanny helping them, it is not true. They build banks, and broker deals, and formulate policy, all with perfect competency. 'No -- the big difference between the rich and the poor is that the rich are blithe. They believe nothing can ever really be so bad, They are born with the lovely, velvety coating of blitheness -- like lanugo, on a baby -- and it is never rubbed off by a bill that can't be paid; a child that can't be educated; a home that must be left for a hostel, when the rent becomes too much. 'Their lives are the same for generations. There is no social upheaval that will really affect them. If you're comfortably middle-class, what's the worst a government policy could do? Ever? Tax you at 90 per cent and leave your bins, unemptied, on the pavement. But you and everyone you know will continue to drink wine -- but maybe cheaper -- go on holiday -- but somewhere nearer -- and pay off your mortgage -- although maybe later. 'Consider, now, then, the poor. What's the worst a government policy can do to them? It can cancel their operation, with no recourse to private care. It can run down their school -- with no escape route to a prep. It can have you out of your house and into a B&B by the end of the year. When the middle-classes get passionate about politics, they're arguing about their treats -- their tax breaks and their investments. When the poor get passionate about politics, they're fighting for their lives. 'Politics will always mean more to the poor. Always. That's why we strike and march, and despair when our young say they won't vote. That's why the poor are seen as more vital, and animalistic. No classical music for us -- no walking around National Trust properties, or buying reclaimed flooring. We don't have nostalgia. We don't do yesterday. We can't bear it. We don't want to be reminded of our past, because it was awful; dying in mines, and slums, without literacy, or the vote. Without dignity. It was all so desperate, then. That's why the present and the future is for the poor -- that's the place in time for us: surviving now, hoping for better, later. We live now -- for our instant, hot, fast treats, to prep us up: sugar, a cigarette, a new fast song on the radio. 'You must never, never forget, when you talk to someone poor, that it takes ten times the effort to get anywhere from a bad postcode, It's a miracle when someone from a bad postcode gets anywhere, son. A miracle they do anything at all.

When you’ve invested a lot of time in being accessible and keeping up with what’s happening, it’s easy to conclude that it all has a certain value, even if what you have done might not be important. This is called rationalization. The New York Review of Books labeled the battle between producers of apps “the new opium wars,” and the paper claims that “marketers have adopted addiction as an explicit commercial strategy.” The only difference is that the pushers aren’t peddling a product that can be smoked in a pipe, but rather is ingested via sugar-coated apps. In a way, silence is the opposition to all of this. It’s about getting inside what you are doing. Experiencing rather than overthinking. Allowing each moment to be big enough. Not living through other people and other things. Shutting out the world and fashioning your own silence whenever you run, cook food, have sex, study, chat, work, think of a new idea, read or dance.

Unfortunately his Zen training never quite produced in him a Zen-like calm or inner serenity, and that too is part of his legacy. He was often tightly coiled and impatient, traits he made no effort to hide. Most people have a regulator between their mind and mouth that modulates their brutish sentiments and spikiest impulses. Not Jobs. He made a point of being brutally honest. "My job is to say when something sucks rather than sugar coat it," he said. This made him charismatic and inspiring, yet also, to use the technical term, an asshole at times.

In a WE Cycle, people reject Hype Posturing Arrogance Wishful thinking Self-righteousness Sugar coated B.S.

I can give him a sugar-coated version of life where I am always the hero. People comply with those versions of stories. Or I can tell him the truth.

None of us wants to see the truth of what is right in front of us, do they? But for our protection, we must not sugar-coat the truth. We must have the courage to see people for what they are.

The writers in this book share the common belief that diabetes does not need to be chronic and progressive. We also share the common belief as to how. We know that the macronutrient that diabetics (both types) are least able to handle is carbohydrate. We therefore cannot understand that dietary advice for diabetics is to eat the majority of one’s diet in the form of carbohydrate – the very substance that cannot be handled. (This is the same advice for non-diabetics, which is why we continue to make more people diabetic daily).

Diabetes is a global health epidemic. In a 2014 study, one of the biggest studies of its kind, scientists from Imperial College London reported that 422 million people worldwide were living with diabetes.1 That’s four times as many as in 1980, when 108 million people were living with the disease. That bears reiteration – the number of diabetics has quadrupled across the globe in just over 35 years.

The Centers for Disease Control and Prevention (CDC) reported that 86 million people were at risk in the United States in 2014.2 That’s an astounding one in three people.

We pretended that using medications to lower blood sugar makes people healthier. But it’s only been a lie. All because we’ve overlooked a singular truth. You can’t use drugs to cure a dietary disease.

In the US, the total cost of treatment has been put at two hundred and forty-five billion dollars every year. Equivalent to the entire gross domestic product of Israel. Many people fear that the medical management of diabetes could bankrupt every single healthcare system in the future.

it is clear that there are stages before frank Type 2 diabetes is diagnosed, where serious damage is already being done. Various researchers have found that those with the metabolic syndrome have nearly the same risk of CVD as people with diabetes.

Why do we advise people with diabetes to eat mostly carbohydrate foods, the very nutrient that they can’t easily tolerate?

Carbohydrates are as powerfully psychoactive as nicotine, alcohol and opioids, and are as rapidly addictive. Unless you are a performance athlete, most Type 2 diabetics are simply people who over time have transitioned away from eating for the nutritional value of food toward eating primarily for the endorphin release and emotional management effect of a powerful psychoactive drug called sugar.

Why do some people gravitate to a sentimental picture? Well, think about it: A sugar-coated Christ requires nothing from us—neither conviction nor commitment. Why? Because it’s an image that lacks truth and power. We have to try to change that picture. And the only way to do it is to think about the resurrection.

Psychological consultants" (The propaganda) organization can be the integration of an entire population into cells by agents in each block of residences; in that case. It operates inside a society by integrating the whole social body. (Of course this is accompanied by all the psychological work needed to press people into cells.) Or an effective transformation can be made in the economic political, or social domain. We know that the propagandist is also a psychological consultant to governments; he indicates what measures should or should not be taken to facilitate certain psychological manipulations. It is too often believed that propaganda serves the purpose of sugar-coating bitter pills, of making people accept policies they would not accept spontaneously. But in most cases propaganda seeks to point out courses of action desirable in themselves, such as helpful reforms. Propaganda then becomes this mixture of the actual satisfaction given to the people by the reforms and subsequent exploitation of that satisfaction.

I’d have Lee too, and Jackson and Albert Sidney Johnston, walking around the midway. Hire some people with beards, you know, to do that. I wouldn’t have Braxton Bragg or Joseph E. Johnston. Every afternoon at three Lee would take off his gray coat and wrestle an alligator in a mud hole. Prize drawings. A lot of T-shirts and maybe a few black-and-white portables. If you don’t like that, how about a stock-car track? Year-round racing with hardly any rules. Deadly curves right on the water. The Symes 500 on Christmas day. Get a promotional tie-in with the Sugar Bowl. How about an industrial park? How about a high-rise condominium with a roof garden? How about a baseball clinic? How about a monkey island? I don’t say it would be cheap. Nobody’s going to pay to see one or two monkeys these days. People want to see a lot of monkeys. I’ve got plenty of ideas but first I have to get my hands on the island.

Sadie hated that word fine. It was a Band-Aid, a sugar-coated pill to mask the bitterness beneath. Fine was what you used when it was anything but. But fine was what she had to be because if it wasn’t, everything would unravel. Sadie so often walked the line between who people expected her to be and who she really was, the lines blurred until sometimes she forgot who she actually wanted to be. But

I have found the courage to see people exactly where they are at, without acting on my need to gloss them over, to coat them with sugar, to paint them nicely. And then I have applied that courage to embracing and accepting them exactly that way, for where and who they precisely are.

Embury was the first true cocktailian of the modern age, and he took time to analyze the components of a cocktail, breaking them down into a base (usually a spirit, it must be at least 50 percent of the drink); a modifying, smoothing, or aromatizing agent, such as vermouth, bitters, fruit juice, sugar, cream, or eggs; and “additional special flavoring and coloring ingredients,” which he defined as liqueurs and nonalcoholic fruit syrups. Embury taught us that the Ramos Gin Fizz must be shaken for at least five minutes in order to achieve the proper silky consistency, suggested that Peychaud’s bitters be used in the Rob Roy, and noted that “for cocktails, such as the Side Car, a three-star cognac is entirely adequate, although a ten-year-old cognac will produce a better drink.” In the second edition of his book, Embury mentioned that he had been criticized for omitting two drinks from his original work: the Bloody Mary, which he described as “strictly vile,” and the Moscow Mule, as “merely mediocre.” On the subject of Martinis, he explained that although most cocktail books call for the drink to be made with one-third to one-half vermouth, “quite recently, in violent protest of this wishy-washy type of cocktail, there has sprung up the vermouth-rinse method of making Martinis.” He describes a drink made from chilled gin in a cocktail glass coated in vermouth. Embury didn’t approve of either version, and went on to say that a ratio of seven parts gin to one part vermouth was his personal favorite. While Embury was taking his drinking seriously, many Americans were quaffing Martinis by the pitcher, and Playboy magazine commissioned cocktail maven Thomas Mario and, later, Emanuel Greenberg to deliver cocktail news to a nation of people who drank for fun, and did it on a regular basis. Esquire magazine issued its Handbook for Hosts as early as 1949, detailing drinks such as the Sloe Gin Fizz, the Pan American, the “I Died Game, Boys” Mixture, and the Ginsicle—gin with fruit juice or simple syrup poured over chipped ice in a champagne glass. A cartoon in the book depicts a frustrated bartender mopping his fevered brow and exclaiming, “She ordered it because it had a cute name.” The world of cocktails was tilting slightly on its axis, and liquor companies lobbied long and hard to get into the act. In the fifties, Southern Comfort convinced us to make Comfort Manhattans and Comfort Old-Fashioneds by issuing a booklet: How to Make the 32 Most Popular Drinks. By the seventies, when the Comfort Manhattan had become the Improved Manhattan, they were bringing us Happy Hour Mixology Plus a Primer of Happy Hour Astrology, presumably so we would have something to talk about at bars: “Oh, you’re a Virgo—discriminating, keenly analytical, exacting, and often a perfectionist. Wanna drink?

On a frosty December morning, with her best handbag, hat, and a small suitcase she handed over the keys to their flat to her maid and asked her to keep their most precious belongings safe there... Then she joined the disorderly progression of Jews heading for the Veletržní palác. Instead of taking something necessary and useful like tinned fish or packet soup, Anka carried a large hat box tied with string. In it were three dozen of her maid's delicious sugar-coated donuts, [her husband's] favorite treat... The young bride kept brushing her hair and reapplying her makeup. [The people around her] were even more intrigued when she knelt on the floor in her fine stockings to use her eyelash curlers. "I just wanted to look my best for the man I loved." A passage about Anka Bergman, a Czech Holocaust survivor, being transferred to the Theresienstadt ghetto

On a frosty December morning, with her best handbag, hat, and a small suitcase she handed over the keys to their flat to her maid and asked her to keep their most precious belongings safe there... Then she joined the disorderly progression of Jews heading for the Veletržní palác. Instead of taking something necessary and useful like tinned fish or packet soup, Anka carried a large hat box tied with string. In it were three dozen of her maid's delicious sugar-coated donuts, [her husband's] favorite treat... The young bride kept brushing her hair and reapplying her makeup. [The people around her] were even more intrigued when she knelt on the floor in her fine stockings to use her eyelash curlers. "I just wanted to look my best for the man I loved." A passage about Anka Bergman, a Czech Holocaust survivor, being transferred to the Theresienstadt ghetto.

A few weeks after my injury, when I was in the rehab center, I found someone willing to travel to the center to give me a massage. Partway through, she suggested trying something called Reiki. This is where instead of touching you, the masseuse waves their hands through the air over you to “adjust your energy fields.” You can probably tell by the way that I describe this that I think this is a bunch of BS. Does it work for some people? Of course it does. The placebo effect can work with any type of treatment or medication by providing someone with an improvement if and when they expect to get one. The nice doctor in the white lab coat gives you some pills and says, “Take two of these each morning, and your pain should feel much better.” The medication that the doctor gives you could be nothing more than sugar pills. Still, if you really believe that you’ll benefit from it, your brain finds a way to make at least some improvement come true. In double-blind studies, it’s been proven that the placebo effect can provide as much as a 32 percent improvement. Because of this, for new drugs to be approved in the US, they need to test at a level that’s higher than the 32 percent placebo level of improvement. So, if I’d believed in Reiki, then I may have experienced some benefit from it, but I don’t, so I didn’t get anything out of the treatment. That said, I think it’s interesting that when dealing with chronic pain, the temptation is to try almost anything, no matter how crazy it sounds. The hope is that maybe, just maybe, you’ll be able to get some relief from your ongoing pain.

Think for but a moment of what God has accomplished through his Christians in the United States. Christians have spent the last couple of hundred years going out as missionaries and bringing the gospel to the lost. There is no corner or place where the message has not been carried, and in some quarters it has been received with such great force that we now find those countries sending missionaries back to evangelize our country. It is well, when we criticize all the sins of the United States, that we also remember all those great Christians who gave their lives sharing the gospel.             But no matter how sugar-coated it is made, the United States stands as far from the gospel as it has in decades. What can be done for an old heart like ours? I do believe the one lesson to be taken from this great awakening is that we must come together in prayer. We must wait upon God, but we wait in expectation, knowing that he loves this people of this world more than we ever could. We have the assurance through the Word, that when we pray God listens, and when we pray for something that he has already commanded us to pray for—that he send more laborers into the harvest field—we may be confident of his answer. Let us look, then, to the harvest fields and see what God might turn our hands toward. How blessed is the God who uses such earthen vessels of clay to proclaim his majesty!