Suddenly Missing Someone Quotes

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When he texts you, he’s thinking about you. When he calls you, he misses you. When he shows up, he wants you. When he suddenly stops doing all of the above for you, he’s doing it for someone else.
Amari Soul (Reflections Of A Man)
I do understand that you can look into someone’s eyes,” I heard myself saying, “and suddenly know that life will be impossible without them. Know that their voice can make your heart miss a beat and that their company is all your happiness can ever desire and that their absence will leave your soul alone, bereft and lost.
Bernard Cornwell (The Winter King (The Warlord Chronicles, #1))
When I was with him suddenly I wasn’t this broken person anymore. I was just me. I was whole again. I was just a person – like everyone else.
Ranata Suzuki
When He Stops Doing The Small Things “When he texts you, he’s thinking about you. When he calls you, he misses you. When he shows up, he wants you. When he suddenly stops doing all of the above for you, he’s doing it for someone else.
Amari Soul (Reflections Of A Man)
And now she was colder by the hour, more dead with every breath I took. I thought: That is the fear: I have lost something important, and I cannot find it, and I need it. It is fear like if someone lost his glasses and went to the glasses store and they told him the world run out of glasses and he would just have to do without.
John Green (Looking for Alaska)
Soul Mate When we are born, the soul we are given is split apart and half of it is given to someone else. Throughout our lives, we search for the person with the other half of our soul. Very few ever succeed. I am blessed that we have met. In a sudden moment, warm within your loving glare, my soul said, “At last! I can rest. I have found my missing half.” When this happens, it is said we have found our soul mate. We are happy and at peace. When we shared ourselves, we were engulfed in eternity, dancing in a timeless universe. I am truly blessed because that day, my heart recognized you as a part of its own. Thank you for blessing me with you. Thank you for dreaming with me - for seeing the same future as I do. For your beautiful eyes, reminding me of the truest bliss in life. I am forever grateful for you. I will spend an eternity loving you, caring for you, respecting you, showing you every day that I hold you as high as the stars. I am sorry that it’s taken me this long to find you – I shall make it up to you, my flower, as long as we live. I love you!
Steve Maraboli (Life, the Truth, and Being Free)
I will miss my chest exploding you coming home late not turning on the light always waking me up I will miss the sudden burst of safety when you look at me or hold my hand or say something like ”let’s go home” I will miss the years I lost on something or someone. The pieces didn’t fit, shaped wrong the timing slightly off. I loved you like I always will.
Charlotte Eriksson
Ah, jeez... She really is a cheerleader.' And it seemed suddenly that this was true- not because she was an airhead or a hottie or a nonjock, but because she could throw herself so wholeheartedly into someone else's cause, because she could care so much and try so hard from the sidelines.
Margaret Peterson Haddix (Found (The Missing, #1))
Jules: Emma? You haven't said anything since we left the church. Emma: You're in love with me. Still. Jules: What are you talking about? Emma: I thought you didn't love me anymore. But that isn't true, is it? Jules: Why are you saying that? Why now? Emma: Because of the church. Because of what happened. We burned a church down, Julian, we melted stone. Jules: What does that have to do with anyhing? Emma: It has everything to do with. You don't understand. You can't. Jules: You're right. I don't understand. I don't understand any of it, Emma. I don't understand why you suddenly decided you didn't want me, you wanted Mark, and then you decided you didn't wnat him either and you dropped him like he was nothing, in fron of everyone. What the hell were you thinking ... Emma: What do you care? What do you care how I feel about Mark? Jules: Because I needed you to love him. Because if you threw me away and everything we had, it had better be for something that meant more to you, it had better be for something real, but maybe none of this is ever real to you ... Emma: Not real to me? You don't know what you're talking about, Julian Blackthron! You don't know what I've given up, what my reasons are for anything, you don't know what I'm trying to do ... Jules: What you're trying to do? How about you did do? How about breaking my heart and breaking Cameron's and breaking Mark's? What, am I missing someone else, some other person whose life you want to wreck forever? Emma: Your life isn't wrecked. You're still alive. You can have a good life! You kissed that faerie girl... Jules: She was a leanansidhe! A shape-shifter! I thought se was you! Emma: Oh. Oh. Jules: Yes, oh. You really think I'm going to fall in love with someon else? You think I get to do that? I'm not you, I don't geet to fall in love every week with someone different. I wish it wasn't you, Emma, but it is, it'll always be you, so don't tell me life isn't wrecked when you don't know the first thing about it!
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
When elderly Cypriot women wish ill on someone, they don't ask for anything blatantly bad to befall them. They don't pray for lightning bolts, unforseen accidents or sudden reversals of fortune. They simply say, May you never be able to forget. May you go to your grave still remembering.
Elif Shafak (The Island of Missing Trees)
An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths. As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be. It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting. One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower. And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on. So it goes. And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment. Rome passed into the past, and became New York. Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love. ("For The Rest Of Her Life")
Cornell Woolrich (Angels of Darkness)
Oh, I see how it is. Baby finds her Johnny Castle, and all of a sudden, she forgets about the small matter of her BFF?” There was only one person in the world who could deliver that line with a straight face. Until I’d heard his voice, I hadn’t realized just how much I’d missed it. “Devon!” Chase stiffened as Dev’s name left my lips, and Devon beamed at me, doing a good impression of someone who hadn’t been bristling a moment before, when I’d buried myself in Chase’s arms. “In the flesh,” Devon said. “When you call, Bronwyn, I answer. Always.” It was a testament to the gravity of the moment that he didn’t treat everyone present to an impromptu performance of “Ain’t No Mountain.” Lest Devon decide the situation did call for some tunes, I pushed on.
Jennifer Lynn Barnes (Raised by Wolves (Raised by Wolves, #1))
Upon seeing Evie, her friends rushed toward her with unladylike squeals, and Evie let out her own laughing shriek as they collided in a circle of tightly hugging arms and exuberant kisses. In their shared excitement, the three young women continued to exclaim and scream, until someone burst into the room. It was Cam, his eyes wide, his breathing fast, as if he had come at a dead run. His alert gaze flashed across the room, taking in the situation. Slowly his lean frame relaxed. "Damn," he muttered. "I thought something was wrong." "Everything is fine, Cam," Evie said with a smile, while Annabelle kept an arm around her shoulders. "My friends are here, that's all." Glancing at Sebastian, Cam remarked sourly, "I've heard less noise form the hogs at slaughter time." There was a sudden suspicious tension around Sebastian's jaw, as if he were fighting to suppress a grin. "Mrs. Hunt, Miss Bowman, this is Mr. Rohan. You must pardon his lack of tact, as he is..." "A ruffian?" Daisy suggested innocently. This time Sebastian could not prevent a smile. "I was going to say 'unused to the presence of ladies at the club.'" "Is that what the are?" Cam asked, casting a dubious glance at the visitors, his attention lingering for a moment on Daisy's small face. Pointedly ignoring Cam, Daisy spoke to Annabelle. "I've always heard that Gypsies are known for their charm. An unfounded myth, it seems." Cam's golden eyes narrowed into tigerish slits.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Oh, magic hour when a child first knows it can read printed words! For quite a while, Francie had been spelling out letters, sounding them and then putting the sounds together to mean a word. But, one day, she looked at a page and the word "mouse" had instantaneous meaning. She looked at the word, and a picture of a gray mouse scampered through her mind. She looked further and when she saw "horse," she heard him pawing the ground and saw the sun glint on his glossy coat. The word "running" hit her suddenly and she breathed hard as though running herself. The barrier between he individual sound of each letter and the whole meaning of the word was removed and the printed word meant a thing at one quick glance. She read a few pages rapidly and almost became ill with excitement. She wanted to shout it out. She could read! She could read! From that time on, the world was hers for the reading. She would never be lonely again, never miss the lack of intimate friends. Books became her friends and there was one for every mood. There was poetry for quiet companionship. There was adventure when she tired of quiet hours. There would be love stories when she came to adolescence and when she wanted to feel a closeness to someone she could read a biography. On that day when she first knew she could read, she made a vow to read one book a day as long as she lived.
Betty Smith (A Tree Grows in Brooklyn)
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in. "Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?" I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.” She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—” "Wait," I interrupted. "You broke into a classroom?" "Yeah, but that’s not the problem." Behind me, I heard a choking laugh from Ms. Terwilliger’s desk. "Go on," I said wearily. "Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her." "We?" I exclaimed. "Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.” I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said. As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.” "Oh no," she said nobly. "I didn’t want to be an inconvenience." Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to. I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me. "Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy." I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.” "Alleged?" He sounded indignant but strolled in anyways. I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake. "Oh," he said, seeing Angeline. "Hi." Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.” The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.” That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Miss Peyton,” Lillian Bowman asked, “what kind of man would be the ideal husband for you?” “Oh,” Annabelle said with irreverent lightness, “any peer will do.” “Any peer?” Lillian asked skeptically. “What about good looks?” Annabelle shrugged. “Welcome, but not necessary.” “What about passion?” Daisy inquired. “Decidedly unwelcome.” “Intelligence?” Evangeline suggested. Annabelle shrugged. “Negotiable.” “Charm?” Lillian asked. “Also negotiable.” “You don’t want much,” Lillian remarked dryly. “As for me, I would have to add a few conditions. My peer would have to be dark-haired and handsome, a wonderful dancer…and he would never ask permission before he kissed me.” “I want to marry a man who has read the entire collected works of Shakespeare,” Daisy said. “Someone quiet and romantic—better yet if he wears spectacles— and he should like poetry and nature, and I shouldn’t like him to be too experienced with women.” Her older sister lifted her eyes heavenward. “We won’t be competing for the same men, apparently.” Annabelle looked at Evangeline Jenner. “What kind of husband would suit you, Miss Jenner?” “Evie,” the girl murmured, her blush deepening until it clashed with her fiery hair. She struggled with her reply, extreme bashfulness warring with a strong instinct for privacy. “I suppose…I would like s-s-someone who was kind and…” Stopping, she shook her head with a self-deprecating smile. “I don’t know. Just someone who would l-love me. Really love me.” The words touched Annabelle, and filled her with sudden melancholy. Love was a luxury she had never allowed herself to hope for—a distinctly superfluous issue when her very survival was so much in question. However, she reached out and touched the girl’s gloved hand with her own. “I hope you find him,” she said sincerely. “Perhaps you won’t have to wait for long.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
Then someone else appeared from the crowd, and Annabeth's vision tunneled. Percy smiled at her-that sarcastic, troublemaker's smile that had annoyed her for years but eventually had become endearing. His sea-green eyes were as gorgeous as she remembered. His dark hair was swept to one side, like he'd just come from a walk on the beach. He looked even better than he had six months ago-tanner and taller, leaner and more muscular. Annabeth was to stunned to move. She felt that if she got any closer to him, all the molecules in her body might combust. She'd secretly had a crush on him sonar they were twelve years old. Last summer, she'd fallen for him hard. They'd been a happy couple together for four months-and then he'd disappeared. During their separation, something had happened to Annabeth's feelings. They'd grown painfully intense-like she'd been forced to withdraw from a life-saving medication. Now she wasn't sure which was more excruciating-living with that horrible absence, or being with him again... Annabeth didn't mean to, but she surged forward. Percy rushed toward her at the same time. The crowds tensed. Some reach d for swords that weren't there. Percy threw his arms around her. They kissed, and for a moment nothing else mattered. An asteroid could have hit the planet and wiped out all life, Annabeth wouldn't have cared. Percy smelled of ocean air. His lips were salty. Seaweed Brain, she thought giddily. Percy pulled away and studied her face. "Gods, I never thought-" Annabeth grabbed his wrist and flipped him over her shoulder. He slammed into the stone pavement. Romans cried out. Some surged forward, but Reyna shouted, "Hold! Stand down!" Annabeth put her knee on Percy's chest. She pushed her forearm against his throat. She didn't care what the Romans thought. A white-hot lump of anger expanded in her chest-a tumor of worry and bitterness that she'd been carrying around since last autumn. "Of you ever leave me again," she said, her eyes stinging, "I swear to all the gods-" Percy had the nerve to laugh. Suddenly the lump of heated emotions melted inside Annabeth. "Consider me warned," Percy said. "I missed you, too." Annabeth rose and helped him to his feet. She wanted to kiss him again SO badly, but she managed to restrain herself. Jason cleared his throat. "So, yeah…It's good to be back…" "And this is Annabeth," Jason said. "Uh, normally she doesn't judo-flip people.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
We didn’t feel like strangers, but rather like we’d found someone who had been missing for a lifetime and then suddenly there they were. Puzzle pieces sliding into place, my nervous system both stirring and calming in the most remarkable way in his unusual presence.
Kelley McNeil (Mayluna)
I miss her so much, you know,' he said, his voice wobbling. 'Every day. Even now I'm always thinking about things I want to tell her. Stuff she'd find funny. I didn't even know what I was doing that first year. It was like someone had turned off the sun. The center of everything was suddenly gone.
Morgan Matson (The Unexpected Everything)
Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase? So you suffer through the night with the perfect-on-paper man—the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you’ve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognize each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine. And then you run into Nick Dunne on Seventh Avenue as you’re buying diced cantaloupe, and pow, you are known, you are recognized, the both of you. You both find the exact same things worth remembering. (Just one olive, though.) You have the same rhythm. Click. You just know each other. All of a sudden you see reading in bed and waffles on Sunday and laughing at nothing and his mouth on yours. And it’s so far beyond fine that you know you can never go back to fine. That fast. You think: Oh, here is the rest of my life. It’s finally arrived.
Gillian Flynn (Gone Girl)
I can walk,” she growled. “Give me my staff. And give me a minute.” “I do not know how many more minutes we have,” he said. “My sense of time is not working well, but I think that we are very close to running out of it.” “I might still be able to enchant the babe,” said Agnes a bit doubtfully. “Even if we miss the christening. But it doesn’t take as well, not with humans. You lay a name on them and suddenly their whole future is rolled out like dough in front of you, but it doesn’t last. Life starts to bake it pretty quick.” “That,” said the dust-wife witheringly, “was a terrible analogy. Someone give me my staff so that I can beat her about the head and shoulders.” Agnes giggled.
T. Kingfisher (Nettle & Bone)
Naked Girl and Mirror This is not I. I had no body once- only what served my need to laugh and run and stare at stars and tentatively dance on the fringe of foam and wave and sand and sun. Eyes loved, hands reached for me, but I was gone on my own currents, quicksilver, thistledown. Can I be trapped at last in that soft face? I stare at you in fear, dark brimming eyes. Why do you watch me with that immoderate plea- 'Look under these curled lashes, recognize that you were always here; know me-be me.' Smooth once-hermaphrodite shoulders, too tenderly your long slope runs, above those sudden shy curves furred with light that spring below your space. No, I have been betrayed. If I had known that this girl waited between a year and a year, I'd not have chosen her bough to dance upon. Betrayed, by that little darkness here, and here this swelling softness and that frightened stare from eyes I will not answer; shut out here from my own self, by its new body's grace- for I am betrayed by someone lovely. Yes, I see you are lovely, hateful naked girl. Your lips in the mirror tremble as I refuse to know or claim you. Let me go-let me be gone. You are half of some other who may never come. Why should I tend you? You are not my own; you seek that other-he will be your home. Yet I pity your eyes in the mirror, misted with tears; I lean to your kiss. I must serve you; I will obey. Some day we may love. I may miss your going, some day, though I shall always resent your dumb and fruitful years. Your lovers shall learn better, and bitterly too, if their arrogance dares to think I am part of you.
Judith A. Wright
I tend to be drawn to what’s missing. You come across something missing, suddenly, when you don’t expect it—like, you’re walking across a field and fall into a dried-up well. I don’t know why, but I’m attracted to that sort of situation. Something that should be there isn’t, someone who should be there isn’t. And that’s when the story begins.
Haruki Murakami
I bet Mrs Snapperly had no teeth and talked to herself, right?” said Miss Tick. “Yes. And she had a cat. And a squint,” said Tiffany. And then it all came out in a rush: “And so after he vanished, they went to her cottage and they looked in the oven and they dug up her garden and they threw stones at her old cat until it died and they turned her out of her cottage and piled u pall her old books in the middle of the room and set fire to them and burned the place to the ground and everyone said she was an old witch.” “They burned the books,” said Miss Tick in a flat voice. “Because they said they had old writing in them,” said Tiffany. “And pictures of stars.” “And when you went to look, did they?” said Miss Tick. Tiffany suddenly felt cold. “How did you know?” she said. “I’m good at listening. Well, did they?” Tiffany sighed. “Yes, I went to the cottage next day, and some of the pages, you know, had kind of floated up in the heat? And I found a part of one, and it had all old lettering and gold and blue edging. And I buried her cat.” “You buried the cat?” “Yes! Someone had to!
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
Well, you have to accept this.Check it out.You know how when someone dies, people are all sad and stuff?" "Yeah?" "Well,why are they sad?" His face scrunched up quizzically and then brightened. "Because they won't be able to see their loved ones again. They'll miss them." "No!" she shouted, suddenly standing and pacing like a detective delivering the evidence to a room full of suspects. "It's because they have to rely on faith that they will see that person again in heaven or..." Her eyes drifted toward the sky. "Wherever. When someone close to you dies, your faith is at its shakiest. Even if you're an atheist." He cocked his head to the side,"How do you figure?" "It just happens. Death causes people to reevaluate their beliefs. It brings up questions you don't want to ask;it creates anxiety.
Daniel Marks (Velveteen)
I rose on still unsteady legs to walk over and shake Mr. Grave’s hand. The doctor simply stared over my head, seeming to notice neither my hand, nor me standing there in front of him. This was explained when Frank said to me scornfully, a second later, “He can’t see you. He’s blind.” “Oh,” I said, feeling mortified. I hadn’t noticed until that point that Mr. Grave’s eyes had a milky-white sheen to them, and that he’d never once looked directly at anyone who was speaking. “I’m so sorry.” “Don’t be,” Mr. Graves said, managing to find my hand anyway and give it a squeeze. “It’s not your fault.” “Actually, it could have been,” Frank said. “It was a Fury that-“ “Frank, the young lady said she’d like to see the captain. Why don’t you go fetch him?” Mr. Graves snapped. To me, he said, “Miss Oliviera, I do apologize. It’s been quite some time since these fellows have been in the company of a young lady.” “Speak for yourself, old man,” Frank said. He came to his feet with sudden alacrity. “Why don’t I just take her to the captain?” “I hardly think that’s a good idea,” Mr. Liu muttered, into his teacup. “His orders were if she showed up, we were to bring her straight to him,” Frank said. Mr. Graves’s face expressed the exact dismay I felt upon being reminded of this. “Just go and fetch the captain, Frank. Or young Henry can do it.” “What?” Henry cried, looking stricken. “I don’t want to go down there. All those dead people. And I’m the one who always gets stuck handing out the blankets-“ “It’s not important,” I said quickly. Blankets? What blankets? What on earth as Henry talking about? “I’ll just wait until John comes back-“ “See?” Henry looked triumphant. “I told you. She’s not the one.” “It doesn’t matter,” Frank said, impatiently. “Either way, we’re stick with her.” This wasn’t a very nice thing to hear about yourself-that people thought of you as someone they were stuck with. Not that I hadn’t been thinking the very same thing about them…and not that I didn’t share Henry’s fear that I wasn’t Queen-of-the-Underworld material.
Meg Cabot (Underworld (Abandon, #2))
I missed you,” she said softly, her breath against his cheek making his body harden everywhere. “You too.” “It’s terrible to be this infatuated.” “I agree.” “I haven’t felt this alive in years.” “Me either.” “Screw the interview,” she said breathlessly. “Let’s make out.” He saw stars. Literally. Stars. How was this possibly his life? Beautiful women did not show up on the doorsteps of disabled vets and proposition them. “Are you an alien?” he asked. “Not that I know of.” “Are we on Candid Camera?” She took a quick look around the room. “You never know, but my guess is no.” “Is someone paying you a vast sum of money to make me feel like this?” She bit her lower lip, as if deep in thought. “Not that I recall, but if a million dollars suddenly hits my account, I’ll give you half.” “You must be for real. Fine. You win. Let’s go make out.
Katy Regnery (The Vixen and the Vet (A Modern Fairytale))
It all suddenly made me nervous, and a little, tiny, baby bit worried. Pulling one of the stools at the island back, I plopped into it and simply stared at that discolored, harsh face in unease. “I just want to know whether I need to steal a bat or make a phone call.” His mouth had been open and poised to argue with me… until he heard the last thing I said. “What?” “I need to know—” “What do you need to steal a bat for?” “Well, no one I know owns one, and I can’t go buy one at the store and have it caught on videotape.” “Videotape?” Did he know nothing? “Aiden, come on, if you beat the shit out of someone with a bat, they’re going to look for suspects. Once they have suspects, they’ll look through their things or their purchases. They’ll see I bought one recently and know it was premeditated. Why are you looking at me like that?” His mauve-colored eyelids went heavy over the bright whites of his eyes, and the expression on his face was filled such a vast range of emotions, one after another after another, that I wasn’t sure which one I was supposed to hold on to. He switched the icepack to the other side of his bruised jaw and shook his head. “The amount you know about committing crimes is terrifying, Van.” His mouth twitched under the rainbow of whatever he was thinking. “It scares the hell out of me, and I don’t get scared easily.” I snorted, pretty pleased with myself. “Calm down. I went through this phase when I was into watching a lot of crime TV shows. I’ve never even stolen a pen in my life.” Aiden’s careful expression didn’t go anywhere. “I’m not trying to kill anyone… unless we had to,” I joked weakly. His nostrils flared so slightly I almost missed it. But what I didn’t miss was the way the corners of his mouth tipped up into a tiny smile. I smiled at him as innocently as possible. “So do you want to tell me who’s going to get the fists of fury?” I hoped I sounded as harmless as I intended, even though I felt the exact opposite as every second passed. “Fists of fury?” “Yep.” I held up my hands just a little so he could see them. He had no idea the number of fights I’d gotten into with my sisters over the years. I didn’t always win—I rarely won if I was going to be honest—but I never gave up. The sigh that came out of him was so long and drawn out, I kind of prepped myself for the half-assed answer that was going to come out of his mouth. “It’s nothing.” There it was
Mariana Zapata (The Wall of Winnipeg and Me)
Kvothe?” Auri said softly. I clenched my teeth against the sobbing and lay still as I could, hoping she would think I was asleep and leave. “Kvothe?” she called again. “I brought you—” There was a moment of silence, then she said, “Oh.” I heard a soft sound behind me. The moonlight showed her tiny shadow on the wall as she climbed through the window. I felt the bed move as she settled onto it. A small, cool hand brushed the side of my face. “It’s okay,” she said quietly. “Come here.” I began to cry quietly, and she gently uncurled the tight knot of me until my head lay in her lap. She murmured, brushing my hair away from my forehead, her hands cool against my hot face. “I know,” she said sadly. “It’s bad sometimes, isn’t it?” She stroked my hair gently, and it only made me cry harder. I could not remember the last time someone had touched me in a loving way. “I know,” she said. “You have a stone in your heart, and some days it’s so heavy there is nothing to be done. But you don’t have to be alone for it. You should have come to me. I understand.” My body clenched and suddenly the taste of plum filled my mouth again. “I miss her,” I said before I realized I was speaking. Then I bit it off before I could say anything else. I clenched my teeth and shook my head furiously, like a horse fighting its reins. “You can say it,” Auri said gently. I shook again, tasted plum, and suddenly the words were pouring out of me. “She said I sang before I spoke. She said when I was just a baby she had the habit of humming when she held me. Nothing like a song. Just a descending third. Just a soothing sound. Then one day she was walking me around the camp, and she heard me echo it back to her. Two octaves higher. A tiny piping third. She said it was my first song. We sang it back and forth to each other. For years.” I choked and clenched my teeth. “You can say it,” Auri said softly. “It’s okay if you say it.” “I’m never going to see her again,” I choked out. Then I began to cry in earnest. “It’s okay,” Auri said softly. “I’m here. You’re safe.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
Now we are going to be late for lunch. By the time we get there there will be nothing but salad left,’ he said plaintively. ‘I think you can stand to miss one lunch, Franz,’ Nigel sighed, ‘or we could always get someone to wheel us down to the dining hall and spoon-feed us, I suppose.’ Franz’s eyes lit up at the suggestion. ‘This is being an excellent idea. Otto, you and Wing could help us, ja?’ The hope was evident in his tone. ‘Erm, we’d love to help, guys, but we’ve got to . . . erm . . .’ Otto looked at Wing desperately. He doubted that either of them would be strong enough to wheel Franz all the way to the dining hall – there was an awful lot of hardened foam encasing his ample frame. ‘We have to go to the library,’ Wing stepped in, ‘we have . . . erm . . .’ ‘Chess club, yes, that’s it, chess club,’ Otto said suddenly, backing away towards the exit. ‘Otherwise, you know we would be happy to help,’ Wing smiled. Otto and Wing walked quickly towards the door. ‘I was not knowing that Otto and Wing were interested in chess,’ Franz said as the other two boys beat a hasty retreat. Nigel just sighed.
Mark Walden (The Overlord Protocol (H.I.V.E., #2))
The Legend of Rainbow Bridge by William N. Britton Just this side of heaven is a place called Rainbow Bridge When a pet dies who has been especially close to a person here on earth, that pet goes to a Rainbow Bridge. There are beautiful meadows and grassy hills there for all our special friends so they can run and play together. There is always plenty of their favorite food to eat, plenty of fresh spring water for them to drink, and every day is filled with sunshine so our little friends are warm and comfortable. All the pets that had been ill or old are now restored to health and youth. Those that had been hurt or maimed are now whole and strong again, just as we remember them in our dreams of days gone by. The pets we loved are happy and content except for one small thing. Each one misses someone very special who was left behind. They all run and play together, but the day comes when one of them suddenly stops and looks off into the distant hills. It is as if they heard a whistle or were given a signal of some kind. Their eyes are bright and intent. Their body beings to quiver. All at once they break away from the group, flying like a deer over the grass, their little legs carrying them faster and faster. You have been spotted, and when you and your special friend finally meet, you hug and cling to them in joyous reunion, never to be parted again. Happy kisses rain upon your face. Your hands once again caress the beloved head. You look once more into the trusting eyes of your pet so long gone from your life, but never gone from your heart. Then with your beloved pet by your side, you will cross the Rainbow Bridge together. Your Sacred Circle is now complete again.
Sylvia Browne (All Pets Go To Heaven: The Spiritual Lives of the Animals We Love)
The odd sensation I had while cooking would often last through the meal, then dissolve as I climbed the stairs. I would enter my room and discover the homework books I had left on the bed had disappeared into my backpack. I’d look inside my books and be shocked to find that the homework had been done. Sometimes it had been done well, at others it was slapdash, the writing careless, my own handwriting but scrawled across the page. As I read the work through, I would get the creepy feeling that someone was watching me. I would turn quickly, trying to catch them out, but the door would be closed. There was never anyone there. Just me. My throat would turn dry. My shoulders would feel numb. The tic in my neck would start dancing as if an insect was burrowing beneath the surface of the skin. The symptoms would intensify into migraines that lasted for days and did not respond to treatment or drugs. The attack would come like a sudden storm, blow itself out of its own accord or unexpectedly vanish. Objects repeatedly went missing: a favourite pen, a cassette, money. They usually turned up, although once the money had gone it had gone for ever and I would find in the chest of drawers a T-shirt I didn’t remember buying, a Depeche Mode cassette I didn’t like, a box of sketching pencils, some Lego.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
When you lose someone you love, there is a tear in the fabric of the universe. It’s the scar you feel for, the flaw you can’t stop seeing. It’s the tender place that won’t bear weight. It’s a void. But the universe tends toward Ma’at, toward order, so even though there’s a rip, it gets camouflaged. The edges overlap, and after time, you might even forget that this is the spot where something went missing, the spot where—if you push—you’ll fall through. And then there’s a scent or a thought or a heartbeat and suddenly it’s clear as day: the light behind that ragged tear, so blinding that you cannot imagine how you ever mistakenly believed it had woven itself back together.
Jodi Picoult (The Book of Two Ways)
I’m an overthinker. Many of us are. My mind gets racing a thousand miles a minute and I get anxious about my work, my career, or where I need to be in thirty minutes. Every day I need to shut down this machine and simply be still. Be aware of your breathing, really feel your breath going in, going out. Be aware of the feeling of the cloth on your shirt. Be aware of the grip on the steering wheel. Tell yourself--out oud--that the only thing that truly exists right now is this exact moment, and enjoy it, swim in it. Someone once said that your mind is like a raging river that’s full of debris, and when you’re floating in this river, you reach out and try to grab the branches and rocks. But what if you could climb onto the bank and watch the river? Suddenly you’re in a calm place. Maybe it sounds like a cliché to say, “Stop and smell the roses,” so I’ll tell you this instead: “Stop and watch the sunset.” Just the other night, driving home in L.A., I was struck by how beautiful the sky was--a dark blue canvas painted with strokes of bright orange and red. It was truly one of the most glorious sunsets I’d ever seen. I was stuck in traffic, worrying about one thing or another, and I just gazed out the window and drank it in. I let it fill my soul and inspire me. The world stopped revolving for just that split second, and my mind was still and calm. And to think, I could have missed it.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
For Dad. I miss you.     Feel no guilt in laughter, he'd know how much you care. Feel no sorrow in a smile that he is not here to share. You cannot grieve forever; he would not want you to. He'd hope that you could carry on the way you always do. So, talk about the good times and the way you showed you cared, The days you spent together, all the happiness you shared. Let memories surround you, a word someone may say Will suddenly recapture a time, an hour, a day, That brings him back as clearly as though he were still here, And fills you with the feeling that he is always near. For if you keep those moments, you will never be apart And he will live forever locked safely within your heart.   --Unknown
Heather McCoubrey (To Love Twice)
An enigmatic lack of curiosity about the future that prevented him from enjoying the present. But what someone else feels always belongs to the world of the imagination. You never know for certain, What we begin with reluctance or even with a sense of repulsion, can end up drawing us in by sheer force of habit or an unexpected taste for repetition. You would need to have lost an awful lot before you’d be willing to renounce what you have, especially if what you have is part of a long-term plan, part of a decision that contained a large dose of obstinacy. The desire to know is a curse and the greatest source of misfortune; The Buenos Aires accent, at least to Spanish ears, does always tend to sound like a caricature of itself. There’s nothing like curiosity and comedy to distract us—if only for an instant—from our sorrows and anxieties. What at first repels can end up attracting, after a swift moment of adjustment or approval, once you’ve made up your mind. The greater your grief or shock, the greater your state of desolation and numbness and abandonment, the lower your defenses and the fewer your qualms; professional seducers know this well and are always on the lookout for misfortunes. Even when things are happening and are present, they, too, require the imagination, because it’s the only thing that highlights certain events and teaches us to distinguish, while they are happening, the memorable from the unmemorable. Going back is the very worst infidelity. When something comes to an end, even the something you most want to end, you suddenly regret that ending and begin to miss it. You never stop feeling intimidated by someone who intimidated you from the outset. Not being able to choose isn’t an affront, it’s standard practice. It is in most countries, as it is in ours, despite the collective illusion.
Javier Marías (Berta Isla)
Oh, magic hour when a child first knows it can read printed words! For quite a while, Francie had been spelling out letters, sounding them and then putting the sounds together to mean a word. But one day, she looked at a page and the word “mouse” had instantaneous meaning. She looked at the word and the picture of the gray mouse scampered through her mind. She looked further and when she saw “horse”, she heard him pawing at the ground and saw the sun glint on his glossy coat. The word “running” hit her suddenly and she breathed hard as though running herself. The barrier between the individual sound of each letter and the whole meaning of the word was removed sound of each letter and the printed word meant a thing at one quick glance. She read a few pages rapidly and almost became ill with excitement. She wanted to shout it out. She could read! She could read! From that time on, the world was hers for the reading, She would never be lonely again, never miss the lack of intimate friends. Books became her friends and there was one for every mood. There was a poetry for quiet companionship. There was adventure when she tired of quiet hours. There would be love stories when she came into adolescence and when she wanted to feel the closeness to someone she could read a biography. On that day she first knew she could read, she made a vow to read one book a day as long as she lived.
Betty Smith (A Tree Grows in Brooklyn)
It was normal, then, that he should be missed, even mourned—for it’s a hard thing when someone dies at a school like Hampden, where we were all so isolated, and thrown so much together. But I was surprised at the wanton display of grief which spewed forth once his death became official. It seemed not only gratuitous, but rather shameful given the circumstances. No one had seemed very torn up by his disappearance, even in those grim final days when it seemed that the news when it came must certainly be bad; nor, in the public eye, had the search seemed much besides a massive inconvenience. But now, at news of his death, people were strangely frantic. Everyone, suddenly, had known him; everyone was deranged with grief; everyone was just going to have to try and get on as well as they could without him. “He would have wanted it that way.” That was a phrase I heard many times that week on the lips of people who had absolutely no idea what Bunny wanted; college officials, anonymous weepers, strangers who clutched and sobbed outside the dining halls; from the Board of Trustees, who, in a defensive and carefully worded statement, said that “in harmony with the unique spirit of Bunny Corcoran, as well as the humane and progressive ideals of Hampden College,” a large gift was being made in his name to the American Civil Liberties Union—an organization Bunny would certainly have abhorred, had he been aware of its existence.
Donna Tartt (The Secret History)
Despite Imbry's demurrals, Ghyll never missed an opportunity to expound on his creed, and was now again launched upon a lecture. "Life, after all," he said, "is but a succession of greater and lesser probabilities—a melange of maybes, as the Grand Prognosticator so aptly put it. Look at you, here in the supposed security of Bolly's Snug, supping and swilling with nary a care. Yet can you deny that a fragment of some asteroid, shattered in a collision far out in thither space back when humankind was still adrip with the primordial slime, having spent millions of years looming toward us, might now, its moment come, lance down through the atmosphere at immense speed and obliterate you where you stand?" "I do not deny the possibility," said Imbry. "I say that the likelihood is remote." "Yet still it exists! And if we couple that existence to a divine appetite for upsetting mortal plans—" "I can think of other, less far-fetched scenarios that might lead to the obliteration of someone in this room," said the thief. He accompanied the remark with an unwinking stare that ought to have caused Ghyll to stop to consider that, though Imbry was so corpulent as to be almost spherical, he was capable of sudden and conclusive acts of violence. And that consideration would have led, in turn, to a change of subject. But the Computant was too deeply set in his philosophy to take note of how others responded to it, and continued to discourse on abstruse concerns.
Gordon van Gelder (Fantasy & Science Fiction, November/December 2011)
Speaking of debutantes,” Jake continued cautiously when Ian remained silent, “what about the one upstairs? Do you dislike her especially, or just on general principle?” Ian walked over to the table and poured some Scotch into a glass. He took a swallow, shrugged, and said, “Miss Cameron was more inventive than some of her vapid little friends. She accosted me in a garden at a party.” “I can see how bothersome that musta been,” Jake joked, “having someone like her, with a face that men dream about, tryin’ to seduce you, usin’ feminine wiles on you. Did they work?” Slamming the glass down on the table, Ian said curtly, “They worked.” Coldly dismissing Elizabeth from his mind, he opened the deerskin case on the table, removed some papers he needed to review, and sat down in front of the fire. Trying to suppress his avid curiosity, Jake waited a few minutes before asking, “Then what happened?” Already engrossed in reading the documents in his hand, Ian said absently and without looking up, “I asked her to marry me; she sent me a note inviting me to meet her in the greenhouse; I went there; her brother barged in on us and informed me she was a countess, and that she was already betrothed.” The topic thrust from his mind, Ian reached for the quill lying on the small table beside his chair and made a note in the margin of the contract. “And?” Jake demanded avidly. “And what?” “And then what happened-after the brother barged in?” “He took exception to my having contemplated marrying so far above myself and challenged me to a duel,” Ian replied in a preoccupied voice as he made another note on the contract. “So what’s the girl doin’ here now?” Jake asked, scratching his head in bafflement over the doings of the Quality. “Who the hell knows,” Ian murmured irritably. “Based on her behavior with me, my guess is she finally got caught in some sleezy affair or another, and her reputation’s beyond repair.” “What’s that got to do with you?” Ian expelled his breath in a long, irritated sigh and glanced at Jake with an expression that made it clear he was finished answering questions. “I assume,” he bit out, “that her family, recalling my absurd obsession with her two years ago, hoped I’d come up to scratch again and take her off their hands.” “You think it’s got somethin’ to do with the old duke talking about you bein’ his natural grandson and wantin’ to make you his heir?” He waited expectantly, hoping for more information, but Ian ignored him, reading his documents. Left with no other choice and no prospect for further confidences, Jake picked up a candle, gathered up some blankets, and started for the barn. He paused at the door, struck by a sudden thought. “She said she didn’t send you any note about meetin’ her in the greenhouse.” “She’s a liar and an excellent little actress,” Ian said icily, without taking his gaze from the papers. “Tomorrow I’ll think of some way to get her out of here and off my hands.” Something in Ian’s face made him ask, “Why the hurry? You afraid of fallin’ fer her wiles again?” “Hardly.” “Then you must be made of stone,” he teased. “That woman’s so beautiful she’d tempt any man who was alone with her for an hour-includin’ me, and you know I ain’t in the petticoat line at all.” “Don’t let her catch you alone,” Ian replied mildly. “I don’t think I’d mind.” Jake laughed as he left.
Judith McNaught (Almost Heaven (Sequels, #3))
You must go back to bed.” “No,” I shouted. “Not yet! I have to finish this game.” I couldn’t leave Andrew, not now, not when I was finally winning. Hannah released me so suddenly I staggered backward. “I’ll fetch Papa!” she cried. Andrew threw himself at her. “Hannah, stop, you’re ruining everything!” I grabbed his arm. “Let her go. We don’t have much time!” Casting a last terrified look at me, Hannah ran downstairs, calling for Mama and Papa. Andrew turned to me, his face streaked with tears. “Quick, Drew. Shoot four more marbles out of the ring!” Holding my breath I aimed. Click, click, click. An immie, a cat’s-eye, and a moonstone spun across the floor, but I missed the fourth. Andrew knuckled down and shot at the scattered marbles. Of the seven in the ring, he managed to hit two before he missed. Downstairs I heard Hannah pounding on Papa and Mama’s door. “One more, Drew,” Andrew whispered. It was hard to aim carefully. Papa and Mama were awake. Their voices rose as Hannah tried to explain I was in the attic acting as if I’d lost my mind. My hand shook and the first marble I hit merely clicked against another. Andrew took his turn, hit three, and missed the fourth. “Send me home, Drew,” he begged. “I don’t care if I die when I get there.” Two marbles were left--a carnelian and an immie, widely separated. Neither was close to my aggie. Even for someone as good as Andrew, it was a hard shot. Holding his breath, Andrew crossed his fingers and closed his eyes. I knuckled down and aimed for the carnelian. Click. As Papa tramped up the steps with Mama at his heels, the seventh marble rolled into the shadows. My aggie stayed in the middle of the ring. Andrew let out his breath and stared at me. I’d won--what would happen now?
Mary Downing Hahn (Time for Andrew: A Ghost Story)
Honestly, sir,” I said, “I don’t see why you’re making such a fuss.” We had excused ourselves to speak privately for a moment, leaving poor Charlie politely rocking on his heels in the foyer. The office was warm and smelled of sage and witch hazel, and the desk was littered with bits of twine and herbs where Jackaby had been preparing fresh wards. Douglas had burrowed into a nest of old receipts on the bookshelf behind us and was sound asleep with his bill tucked back into his wing. I had given up trying to get him to stop napping on the paperwork. “You’re the one who told me that I shouldn’t have to choose between profession and romance,” I said. “I’m not the one making a fuss. I don’t care the least bit about your little foray into . . . romance.” Jackaby pushed the word out of his mouth as though it had been reluctantly clinging to the back of his throat. “If anything, I am concerned that you are choosing to make precisely the choice that I told you you should not make!” “What? Wait a moment. Are you . . . jealous?” “Don’t be asinine! I am not jealous! I am merely . . . protective. And perhaps troubled by your lack of fidelity to your position.” “That is literally the definition of jealous, sir. Oh, for goodness’ sake. I’m not choosing Charlie over you! I’m not going to suddenly stop being your assistant just because I spend time working on another case!” “You might!” he blurted out. He sank down into the chair at his desk. “You just might.” “Why are you acting like this?” He pinched the bridge of his nose. “Because things change. Because people change. Because . . . because Charlie Barker is going to propose,” he said. He let his hand drop and looked me in the eyes. “Marriage,” he added. “To you.” I blinked. “I miss a social cue or two from time to time, but even I’m not thick enough to believe all that was about analyzing bloodstains together. He has the ring. It’s in his breast pocket right now. He’s attached an absurd level of emotional investment to the thing—I’m surprised it hasn’t burned a hole right through the front of his jacket, the way its aura is glowing. He’s nervous about it. He’s going to propose. Soon, I would guess.” I blinked. The air in front of me wavered like a mirage, and in another moment Jenny had rematerialized. “And if he does,” she said softly, “it will be Abigail’s decision to face, not yours. There are worse fates than to receive a proposal from a handsome young suitor.” She added, turning to me with a grin, “Charlie is a good man.” “Yes, fine! But she has such prodigious potential!” Jackaby lamented. “Having feelings is one thing—I can grudgingly tolerate feelings—but actually getting married? The next thing you know they’ll be wanting to do something rash, like live together ! Miss Rook, you have started something here that I am loath to see you leave unfinished. You’ve started becoming someone here whom I truly want to meet when she is done. Choosing to leave everything you have here to go be a good man’s wife would be such a wretched waste of that promise.” He faltered, looking to Jenny, and then to the floorboards. “On the other hand, you should never have chosen to work for me in the first place. It remains one of your most ill-conceived and reckless decisions to date—and that is saying something, because you also chose to blow up a dragon once.” He sighed. “Jenny is right. You could make a real life with that young man, and you shouldn’t throw that away just to hang about with a fractious bastard and a belligerent duck.” He sagged until his forehead was resting on his desk.
William Ritter (The Dire King (Jackaby, #4))
So I know I am right not to settle, but it doesn't make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if I'm the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart - perfect-on-paper men who make me feel like I'm in a foreign land, trying to explain myself, trying to make myself known. Because isn't that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn't that the simple magic phrase? So you suffer through the night with the perfect-on-paper man - the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you've made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine. And then you run into Nick Dunne on Seventh Avenue as you're buying diced cantaloupe, and pow, you are known, you are recognised, the both of you. You both find the exact same things worth remembering. (Just one olive, though). You have the same rhythm. Click. You just know each other. All of a sudden you see reading in bed and waffles on Sunday and laughing at nothing and his mouth on yours. And it's so far beyond fine that you know you can never go back to fine. That fast. You think: Oh, here is the rest of my life. It's finally arrived.
Gillian Flynn (Gone Girl)
Any relationship will have its difficulties, but sometimes those problems are indicators of deep-rooted problems that, if not addressed quickly, will poison your marriage. If any of the following red flags—caution signs—exist in your relationship, we recommend that you talk about the situation as soon as possible with a pastor, counselor or mentor. Part of this list was adapted by permission from Bob Phillips, author of How Can I Be Sure: A Pre-Marriage Inventory.1 You have a general uneasy feeling that something is wrong in your relationship. You find yourself arguing often with your fiancé(e). Your fiancé(e) seems irrationally angry and jealous whenever you interact with someone of the opposite sex. You avoid discussing certain subjects because you’re afraid of your fiancé(e)’s reaction. Your fiancé(e) finds it extremely difficult to express emotions, or is prone to extreme emotions (such as out-of-control anger or exaggerated fear). Or he/she swings back and forth between emotional extremes (such as being very happy one minute, then suddenly exhibiting extreme sadness the next). Your fiancé(e) displays controlling behavior. This means more than a desire to be in charge—it means your fiancé(e) seems to want to control every aspect of your life: your appearance, your lifestyle, your interactions with friends or family, and so on. Your fiancé(e) seems to manipulate you into doing what he or she wants. You are continuing the relationship because of fear—of hurting your fiancé(e), or of what he or she might do if you ended the relationship. Your fiancé(e) does not treat you with respect. He or she constantly criticizes you or talks sarcastically to you, even in public. Your fiancé(e) is unable to hold down a job, doesn’t take personal responsibility for losing a job, or frequently borrows money from you or from friends. Your fiancé(e) often talks about aches and pains, and you suspect some of these are imagined. He or she goes from doctor to doctor until finding someone who will agree that there is some type of illness. Your fiancé(e) is unable to resolve conflict. He or she cannot deal with constructive criticism, or never admits a mistake, or never asks for forgiveness. Your fiancé(e) is overly dependant on parents for finances, decision-making or emotional security. Your fiancé(e) is consistently dishonest and tries to keep you from learning about certain aspects of his or her life. Your fiancé(e) does not appear to recognize right from wrong, and rationalizes questionable behavior. Your fiancé(e) consistently avoids responsibility. Your fiancé(e) exhibits patterns of physical, emotional or sexual abuse toward you or others. Your fiancé(e) displays signs of drug or alcohol abuse: unexplained absences of missed dates, frequent car accidents, the smell of alcohol or strong odor of mouthwash, erratic behavior or emotional swings, physical signs such as red eyes, unkempt look, unexplained nervousness, and so on. Your fiancé(e) has displayed a sudden, dramatic change in lifestyle after you began dating. (He or she may be changing just to win you and will revert back to old habits after marriage.) Your fiancé(e) has trouble controlling anger. He or she uses anger as a weapon or as a means of winning arguments. You have a difficult time trusting your fiancé(e)—to fulfill responsibilities, to be truthful, to help in times of need, to make ethical decisions, and so on. Your fiancé(e) has a history of multiple serious relationships that have failed—a pattern of knowing how to begin a relationship but not knowing how to keep one growing. Look over this list. Do any of these red flags apply to your relationship? If so, we recommend you talk about the situation as soon as possible with a pastor, counselor or mentor.
David Boehi (Preparing for Marriage: Discover God's Plan for a Lifetime of Love)
Try as she might, Annabelle could think of no subtle way to ask him. After grappling silently with a variety of phrases, she finally settled for a blunt question. “Were you responsible for the boots?” His expression gave nothing away. “Boots? I’m afraid I don’t take your meaning, Miss Peyton. Are you speaking in metaphor, or are we talking about actual footwear?” “Ankle boots,” Annabelle said, staring at him with open suspicion. “A new pair that was left inside the door of my room yesterday.” “Delighted as I am to discuss any part of your wardrobe, Miss Peyton, I’m afraid I know nothing about a pair of boots. However, I am relieved that you have managed to acquire some. Unless, of course, you wished to continue acting as a strolling buffet to the wildlife of Hampshire.” Annabelle regarded him for a long moment. Despite his denial, there was something lurking behind his neutral facade…some playful spark in his eyes…“Then you deny having given the boots to me?” “Most emphatically I deny it.” “But I wonder…if some one wished to have a pair of boots made up for a lady without her knowledge…how would he be able to learn the precise size of her feet?” “That would be a relatively simple task…” he mused. “I imagine that some enterprising person would simply ask a housemaid to trace the soles of the lady’s discarded slippers. Then he could take the pattern to the local cobbler. And make it worth the cobbler’s while to delay his other work in favor of crafting the new shoes immediately.” “That is quite a lot of trouble for someone to go through,” Annabelle murmured. Hunt’s gaze was lit with sudden mischief. “Rather less trouble than having to haul an injured woman up three flights of stairs every time she goes out walking in her slippers.” Annabelle realized that he would never admit to giving her the boots—which would allow her to keep them, but would also ensure that she would never be able to thank him. And she knew he had—she could see it in his face.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
The key to this process,” Sanchez said, “is to speak up when it is your moment and to project energy when it is someone else’s time.” “Many things can go wrong,” Julia interjected. “Some people get inflated when in a group. They feel the power of an idea and express it, then because that burst of energy feels so good, they keep on talking, long after the energy should have shifted to someone else. They try to monopolize the group. “Others are pulled back and even when they feel the power of an idea, they won’t risk saying it. When this happens, the group fragments and the members don’t get the benefit of all the messages. The same thing happens when some members of the group are not accepted by some of the others. The rejected individuals are prevented from receiving the energy and so the group misses the benefit of their ideas.” Julia paused and we both looked at Sanchez who was taking a breath to speak. “How people are excluded is important,” he said. “When we dislike someone, or feel threatened by someone, the natural tendency is to focus on something we dislike about the person, something that irritates us. Unfortunately, when we do this—instead of seeing the deeper beauty of the person and giving them energy—we take energy away and actually do them harm. All they know is that they suddenly feel less beautiful and less confident, and it is because we sapped their energy.” “That is why,” Julia said, “this process is so important. Humans are aging each other at a tremendous rate out there with their violent competitions.” “But remember,” Sanchez added, “in a truly functional group, the idea is to do the opposite of this, the idea is for every member’s energy and vibration to increase because of the energy sent by all of the others. When this occurs, everyone’s individual energy field merges with everyone else’s and makes one pool of energy. It is as if the group is just one body, but one with many heads. Sometimes one head speaks for the body. Sometimes another talks. But in a group functioning this way, each individual knows when to speak and what to say because he truly sees life more clearly.
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
Drat. Daisy pulled back with a frown. She felt guilty that she had enjoyed the kiss so little. And it made her feel even worse when it appeared Llandrindon had enjoyed it quite a lot. “My dear Miss Bowman,” Llandrindon murmured flirtatiously. “You didn’t tell me you tasted so sweet.” He reached for her again, and Daisy danced backward with a little yelp. “My lord, control yourself!” “I cannot.” He pursued her slowly around the fountain until they resembled a pair of circling cats. Suddenly he made a dash for her, catching at the sleeve of her gown. Daisy pushed hard at him and twisted away, feeling the soft white muslin rip an inch or two at the shoulder seam. There was a loud splash and a splatter of water drops. Daisy stood blinking at the empty spot where Llandrindon had been, and then covered her eyes with her hands as if that would somehow make the entire situation go away. “My lord?” she asked gingerly. “Did you… did you just fall into the fountain?” “No,” came his sour reply. “You pushed me into the fountain.” “It was entirely unintentional, I assure you.” Daisy forced herself to look at him. Llandrindon rose to his feet, water streaming from his hair and clothes, his coat pockets filled to the brim. It appeared the dip in the fountain had cooled his passions considerably. He glowered at her in affronted silence. Suddenly his eyes widened, and he reached into one of his water-laden coat pockets. A tiny frog leaped from the pocket and returned to the fountain with a quiet plunk. Daisy tried to choke back her amusement, but the harder she tried the worse it became, until she finally burst out laughing. “I’m sorry,” she gasped, clapping her hands over her mouth, while irrepressible giggles slipped out. “I’m so— oh dear—” And she bent over laughing until tears came to her eyes. The tension between them disappeared as Llandrin don began to smile reluctantly. He stepped from the fountain, dripping from every surface. “I believe when you kiss the toad,” he said dryly, “he is supposed to turn into a prince. Unfortunately in my case it doesn’t seem to have worked.” Daisy felt a rush of sympathy and kindness, even as she snorted with a few last giggles. Approaching him carefully, she placed her small hands on either side of his wet face and pressed a friendly, fleeting kiss on his lips. His eyes widened at the gesture. “You are someone’s handsome prince,” Daisy said, smiling at him apologetically. “Just not mine. But when the right woman finds you… how lucky she’ll be.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
She faced her pretend Arin. His scar was healed. His gray eyes were startlingly clear. “You’re not real,” she reminded him. “I feel real.” He brushed one finger across her lower lip. It suddenly seemed that there were no clouds in the sky, and that she sat in full sunshine. “You feel real,” he said. The puppy yawned, her jaws closing with a snap. The sound brought Kestrel to herself. She felt a little embarrassed. Her pulse was high. But she couldn’t stop pretending. Kestrel reached beneath her skirts to pull down a knee-high stocking. Arin made a sound. “I want to feel the grass beneath my feet,” Kestrel told him. “Someone’s going to see you.” “I don’t care.” “But that someone is me, and you should have a care, Kestrel, for my poor heart.” He reached under the hem of her dress to catch her hand in the act of pulling down the second stocking. “You’re treating me quite badly,” he said, and slid the stocking free, his palm skimming along the path of her calf. He looked at her. His hand wrapped around her bare ankle. Kestrel became shy…though she had known full well what she was doing. Arin grinned. With his free hand, he plucked a blade of grass. He tickled it against the sole of her foot. She laughed, jerking away. He let her go. He settled down beside her, lying on his stomach on the grass, propped up by his elbow. Kestrel lay on her back. She heard birdsong: high and long, with a trill at the end. She gazed up at the sky. It was blue enough for summer. “Perfect,” she said. “Almost.” She turned to look at him, and he was already looking at her. “I’m going to miss you when I wake up,” she whispered, because she realized that she must have fallen asleep under the sun. Arin was too real for her imagination. He was a dream. “Don’t wake up,” he said. The air smelled like new leaves. “You said you trusted me.” “I did.” He added, “I do.” “You are a dream.” He smiled. “I lied to you,” Kestrel said. “I kept secrets. I thought it was for the best. But it was because I didn’t trust you.” Arin shifted onto his side. He caressed her cheek lightly with the back of his hand. That trailing sensation felt like the last note of the bird’s song. “No,” he agreed, his voice gentle. “You didn’t.” Kestrel woke. The puppy was draped across her feet, sleeping. Her stockings lay in a small heap beside her. The sun had climbed in the sky. Her cheek was flushed, the skin tight: a little sunburned. The puppy twitched, still lost in sleep. Kestrel envied her. She rested her head again on the grass. She closed her eyes, and tried to find her way back into her dream.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
It’s no wonder your grandmother despairs of you. God only knows what a trial you are to your poor parents.” The humor vanished abruptly from his face. “Sadly, my parents are too dead to be overly concerned about my behavior.” His words were flip, but the sudden glint of grief in his eyes told another tale. “Please forgive me,” she said hastily, cursing her quick tongue. “It’s awful to lose your parents. I know that better than anyone.” “No need for apologies.” He pushed away from the door. “They despaired of me long before they died, so you weren’t far off the mark.” “Still, it was very wrong of me to-“ “Come now, Miss Butterfield, this has naught to do with my proposal. Will you pretend to be my fiancée or not?” When she hesitated, he went on with a hint of anger, “I don’t see why you make such a fuss over it. It’s not as if I’m asking you to do anything wicked.” That ridiculous remark banished her brief moment of sympathy. “You’re asking me to lie! To deceive a woman for the sake of your purpose, whatever that is. It goes against every moral principle-“ “And threatening to stab a man does not?” He cast her a thin smile. “Think of it as playing a role, like an actress. You and your cousin will be guests at my estate for a week or two, entirely at your leisure.” A dark gleam shone in his eyes. “I can even set up an effigy of myself for you to stab at will.” “That does sound tempting,” she shot back. “As for Freddy there, he can ride and hunt and play cards with my brothers. It’s better entertainment than he’d find in the gaol.” “As long as you feed me, sir,” Freddy said, “I’ll follow you anywhere.” “Freddy!” Maria cried. “What? That blasted inn where we’re staying is flea-ridden and cold as a witch’s tit. Plus, you keep such tight hold on my purse strings that I’m famished all the time. What’s wrong with helping this fellow if it means we finally sleep in decent beds? And it’s not a big thing, your pretending to be betrothed to him.” “I’m already betrothed, thank you very much,” she shot back. “And what about Nathan? While we’re off deceiving this man’s poor grandmother, Nathan might be hurt or in trouble. You expect me just to give up searching for him so you can get a decent meal?” “And keep from being hanged,” Freddy pointed out. “Let’s not forget that.” “Ah, the missing fiancé,” Lord Stoneville said coldly. “I did wonder when you would bring him back into it.” She glowered at him. “I never let him out of it. he’s the reason I’m here.” “So you say.” That inflamed her temper. “Now see here, you insufferable, arrogant-“ “Fine. If you insist on clinging to your wild story, how about this: while you pretend to be my fiancée, I’ll hire someone to look for fiancé. A simple trade of services.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Jackaby was still engrossed in his examination when I came back inside. “Books. Books. Just books,” he was muttering. Jenny was hovering by the window. I joined her. “How did you manage it, by the way?” I asked. “All those Bibles, all across town? It is a remarkable feat.” “It looks more impressive than it is,” she said, still not meeting my eyes. “I borrowed Jackaby’s special satchel, the one that holds anything. The whole pile took just one trip. The real trick was keeping myself solid all the way home. That’s the bit I’m really proud of—” She turned to face me. “Oh, Abigail, it was amazing. People saw me!” “People saw you?” “I was in disguise, of course. I wore my long coat and gloves, and I had that floppy white hat on, so they didn’t see much, but still—people saw me and they didn’t gasp or make a scene. Someone even mumbled Good day to me as I was crossing the footbridge! It was exhilarating! I have never been so excited to have somebody see me—actually see me—and not care at all!” She glanced at Jackaby. “Although you would think I would be used to it by now.” “Jenny, that is absolutely amazing!” I said. “It is, isn’t it?” she said wistfully. “Just a little bit, at least? Oh, Abigail, I’m exhausted, I’m not ashamed to tell you. I had planned on setting my spoils out in nice triumphant rows when I got back, but it was all I could do to hold myself intact by then. Solidity is sort of like flexing a muscle, except the muscle is in your mind, and your mind is really just an abstract concept. I was basically flexing my entire body into existence the whole way home. But did it merit so much as a Good job, Jenny from that infuriating man?” Jackaby surfaced from his perusal and looked up at last. His cloud gray eyes found focus on Jenny. From his expression, I couldn’t tell if he had been following our conversation or not. “Completely unexceptional,” he said. “Nothing at all in this batch. We will need to scrutinize them more closely, of course, just to be sure. Oh, and Miss Cavanaugh . . .” She raised an eyebrow skeptically. “You performed . . . quite adequately,” he said, “despite expectations.” Jenny opened her mouth to reply, but then closed it again. Her face fluttered through a series of potential reactions. Finally she just threw up her hands and vanished from sight with a muffled whuph of air closing into the space where she suddenly wasn’t. “What in heaven’s name was all that?” said Jackaby. “Exquisite frustration, I believe, sir.” “Ah. Right.” He slumped into the desk chair and began to fidget absently with the spine of one of the Bibles. “Miss Cavanaugh is a singular and exceptional spirit, you know.” “Only a suggestion, sir, but that is precisely the sort of thing you might consider saying when she is still present and corporeal.
William Ritter (The Dire King (Jackaby, #4))
She found it difficult to discuss physics, much less debate it, with her predominantly male classmates. At first they paid a kind of selective inattention to her remarks. There would be a slight pause, and then they would go on as if she had not spoken. Occasionally they would acknowledge her remark, even praise it, and then again continue undeflected. She was reasonably sure her remarks were not entirely foolish, and did not wish to be ignored, much less ignored and patronized alternately. Part of it—but only a part—she knew was due to the softness of her voice. So she developed a physics voice, a professional voice: clear, competent, and many decibels above conversational. With such a voice it was important to be right. She had to pick her moments. It was hard to continue long in such a voice, because she was sometimes in danger of bursting out laughing. So she found herself leaning toward quick, sometimes cutting, interventions, usually enough to capture their attention; then she could go on for a while in a more usual tone of voice. Every time she found herself in a new group she would have to fight her way through again, just to dip her oar into the discussion. The boys were uniformly unaware even that there was a problem. Sometimes she would be engaged in a laboratory exercise or a seminar when the instructor would say, “Gentlemen, let’s proceed,” and sensing Ellie’s frown would add, “Sorry, Miss Arroway, but I think of you as one of the boys.” The highest compliment they were capable of paying was that in their minds she was not overtly female. She had to fight against developing too combative a personality or becoming altogether a misanthrope. She suddenly caught herself. “Misanthrope” is someone who dislikes everybody, not just men. And they certainly had a word for someone who hates women: “misogynist.” But the male lexicographers had somehow neglected to coin a word for the dislike of men. They were almost entirely men themselves, she thought, and had been unable to imagine a market for such a word. More than many others, she had been encumbered with parental proscriptions. Her newfound freedoms—intellectual, social, sexual—were exhilarating. At a time when many of her contemporaries were moving toward shapeless clothing that minimized the distinctions between the sexes, she aspired to an elegance and simplicity in dress and makeup that strained her limited budget. There were more effective ways to make political statements, she thought. She cultivated a few close friends and made a number of casual enemies, who disliked her for her dress, for her political and religious views, or for the vigor with which she defended her opinions. Her competence and delight in science were taken as rebukes by many otherwise capable young women. But a few looked on her as what mathematicians call an existence theorem—a demonstration that a woman could, sure enough, excel in science—or even as a role model.
Carl Sagan (Contact)
The captain? Sophia stood staring numbly after him. Had he just said he’d introduce her to the captain? Of someone else was the captain, then who on earth was this man? One thing was clear. Whoever he was, he had her trunks. And he was walking away. Cursing under her breath, Sophia picked up her skirts and trotted after him, dodging boatmen and barrels and coils of tarred rope as she pursued him down the quay. A forest of tall masts loomed overhead, striping the dock with shadow. Breathless, she regained his side just as he neared the dock’s edge. “But…aren’t you Captain Grayson?” “I,” he said, pitching her smaller trunk into a waiting rowboat, “am Mr. Grayson, owner of the Aphrodite and principle investor in her cargo.” The owner. Well, that was some relief. The tavern-keeper must have been confused. The porter deposited her larger truck alongside the first, and Mr. Grayson dismissed him with a word and a coin. He plunked one polished Hessian on the rowboat’s seat and shifted his weight to it, straddling the gap between boat and dock. Hand outstretched, he beckoned her with an impatient twitch of his fingers. “Miss Turner?” Sophia inched closer to the dock’s edge and reached one gloved hand toward his, considering how best to board the bobbing craft without losing her dignity overboard. The moment her fingers grazed his palm, his grin tightened over her hand. He pulled swiftly, wrenching her feet from the dock and a gasp from her throat. A moment of weightlessness-and then she was aboard. Somehow his arm had whipped around her waist, binding her to his solid chest. He released her just as quickly, but a lilt of the rowboat pitched Sophia back into his arms. “Steady there,” he murmured through a small smile. “I have you.” A sudden gust of wind absconded with his hat. He took no notice, but Sophia did. She noticed everything. Never in her life had she felt so acutely aware. Her nerves were draw taut as harp strings, and her senses hummed. The man radiated heat. From exertion, most likely. Or perhaps from a sheer surplus of simmering male vigor. The air around them was cold, but he was hot. And as he held her tight against his chest, Sophia felt that delicious, enticing heat burn through every layer of her clothing-cloak, gown, stays, chemise, petticoat, stockings, drawers-igniting desire in her belly. And sparking a flare of alarm. This was a precarious position indeed. The further her torso melted into his, the more certainly he would detect her secret: the cold, hard bundle of notes and coin lashed beneath her stays. She pushed away from him, dropping onto the seat and crossing her arms over her chest. Behind him, the breeze dropped his hat into a foamy eddy. He still hadn’t noticed its loss. What he noticed was her gesture of modesty, and he gave her a patronizing smile. “Don’t concern yourself, Miss Turner. You’ve nothing in there I haven’t seen before.” Just for that, she would not tell him. Farewell, hat.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Children.” Westcliff’s sardonic voice caused them both to look at him blankly. He was standing from his chair and stretching underused muscles. “I’m afraid this has gone on long enough for me. You are welcome to continue playing, but I beg to take leave.” “But who will arbitrate?” Daisy protested. “Since no one has been keeping score for at least a half hour,” the earl said dryly, “there is no further need for my judgement.” “Yes we have,” Daisy argued, and turned to Swift. “What is the score?” “I don’t know.” As their gazes held, Daisy could hardly restrain a snicker of sudden embarrassment. Amusement glittered in Swift’s eyes. “I think you won,” he said. “Oh, don’t condescend to me,” Daisy said. “You’re ahead. I can take a loss. It’s part of the game.” “I’m not being condescending. It’s been point-for-point for at least…” Swift fumbled in the pocket of his waistcoat and pulled out a watch. “…two hours.” “Which means that in all likelihood you preserved your early lead.” “But you chipped away at it after the third round—” “Oh, hell’s bells!” came Lillian’s voice from the sidelines. She sounded thoroughly aggravated, having gone into the manor for a nap and come out to find them still at the bowling green. “You’ve quarreled all afternoon like a pair of ferrets, and now you’re fighting over who won. If someone doesn’t put a stop to it, you’ll be squabbling out here ‘til midnight. Daisy, you’re covered with dust and your hair is a bird’s nest. Come inside and put yourself to rights. Now.” “There’s no need to shout,” Daisy replied mildly, following her sister’s retreating figure. She glanced over her shoulder at Matthew Swift…a friendlier glance than she had ever given him before, then turned and quickened her pace. Swift began to pick up the wooden bowls. “Leave them,” Westcliff said. “The servants will put things in order. Your time is better spent preparing yourself for supper, which will commence in approximately one hour.” Obligingly Matthew dropped the bowls and went toward the house with Westcliff. He watched Daisy’s small, sylphlike form until she disappeared from sight. Westcliff did not miss Matthew’s fascinated gaze. “You have a unique approach to courtship,” he commented. “I wouldn’t have thought beating Daisy at lawn games would catch her interest, but it seems to have done the trick.” Matthew contemplated the ground before his feet, schooling his tone into calm unconcern. “I’m not courting Miss Bowman.” “Then it seems I misinterpreted your apparent passion for bowls.” Matthew shot him a defensive glance. “I’ll admit, I find her entertaining. But that doesn’t mean I want to marry her.” “The Bowman sisters are rather dangerous that way. When one of them first attracts your interest, all you know is she’s the most provoking creature you’ve ever encountered. But then you discover that as maddening as she is, you can scarcely wait until the next time you see her. Like the progression of an incurable disease, it spreads from one organ to the next. The craving begins. All other women begin to seem colorless and dull in comparison. You want her until you think you’ll go mad from it. You can’t stop thinking—” “I have no idea what you’re talking about,” Matthew interrupted, turning pale. He was not about to succumb to an incurable disease. A man had choices in life. And no matter what Westcliff believed, this was nothing more than a physical urge. An unholy powerful, gut-wrenching, insanity-producing physical urge…but it could be conquered by sheer force of will. “If you say so,” Westcliff said, sounding unconvinced.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
I put my hand on his forearm, I don't know why I do this, and it's not exactly natural, although it's not unnatural, except that I really want to touch his skin. It's smooth and tan just a little bit and feels like summer, like something familiar and warm and good, like my skin did on the first days aboard 'Fishful Thinking' before it salted and burned and peeled. 'We broke up three years after that.' I sit back in my chair and give a sly smile. Relationships are complex and sometimes you can't really explain them to an outside party. 'I can't believe I just told you that' 'YES! YOU! ARE! LIVING! YOUR! FULL! LIFE!' A third time. I am not imagining it. 'There you are.' This time my heart does skip a beat. I look down at his arm, and we are still touching, and he has made no attempt to retract his arm or retreat. All my surroundings, the red formica table top, the pink yogurt, the blue sky, the green vegetables in the market, they all come alive in vibrant technicolor as the sun peers from behind a cloud. I am living my full life. 'Honesty in all things,' Byron adds, lifting his cup of yogurt for a toast of sorts. I pull my hand away from him and the instant my hand is back by his side, I miss the warmth of his arm, the warmth of him. Honesty in all things. I should put my hand back, that's where it wants to be, that's Lily's lesson to me. Be present in the moment, give spontaneous affection. I'm suddenly aware I haven't spoken in a bit. 'Did you know that an octopus has three hearts?' As soon as it comes out of my mouth, I realize I sound like that kid from 'Jerry McGuire.' 'Did you know the human head weighs eight pounds?' I hope my question comes off almost a fraction as endearing. 'No,' Byron says with a glint in his eye that reads as curiosity, at least I hope that it does, but even if it doesn't I'm too into the inertia of the trivia to stop it. 'It's true, one heart called the systemic heart that functions much like the left side of the human heart, distributing blood throughout the heart, then two smaller branchial heart with gills that act like the right side of our hearts to pump the blood back.' 'What made you think of that?' I smile. It may be entirely inappropriate first date conversation, but at least it doesn't bore me in the telling. I look up at the winsome August sky, marred only by the contrails of a passing jet, and a vaguely dachshund shaped cloud above the horizon. I don't believe in fate. I don't believe in love at first site. I don't believe in angels. I don't believe in heaven and that our loved ones are looking down on us, but the sun is so warm and the breeze is so cool and the company is so perfect and the whole afternoon so intoxicating, ti's hard not to hear Lily's voice dancing in the gentle wind, 'one! month! is Long! Enough TO! BE! SAD!' ... 'I recently lost someone close to me....I don't know, I feel her here today with us, you, me, her, three hearts, like an octopus,' I shrug. If I were him, I would run. What a ridiculously creepy thing to say. I would run and I would not stop until I was home in my bed with a gallon of ice cream deleting my profile from every dating site I belonged to. Maybe it's because it's not rehearsed, maybe it's because it's as weird a thing to say as it is genuine, maybe it's because this is finally the man for me. Byron stands and offers me his hand, 'Let's take a walk and you can tell me about her.' The gentle untying of a shoe lace. It takes me a minute to decide if I can do this, and I decide that I can, and I throw our yogurt dishes away, and I put my hand in his, and it's soft and warm, and instead of awkward fumbling, our hands clasp together like magnets and metal, like we've been hand-in-hand all along, and we are touching again. ...
Steven Rowley (Lily and the Octopus)
Today was a day to face that very temptation. A family who had become dear friends had left the church with no warning or explanation. Not even good bye. When they were missing on that first Sunday, we didn’t realize that they had removed themselves from our church. We thought maybe someone was sick or an alarm clock didn’t go off or something simple. If it had been something serious, they would have called us, of course. We had done so much for them and with them. We rejoiced when they rejoiced, we cried when they cried, we prayed with them, we prayed for them, we loved them and felt as if they loved us in return. Of course, one Sunday turned to two, and then three. I mentioned to Michael that I had called and left a message. He told me that he had the same thought as well. He had left a message and sent a card. We felt sad as the realization sank in: they had left the church. People don’t know how to leave a church, and many pastors don’t take such a loss graciously. In all our determinations about pastoring, we had considered the possibility of losing members, but this family was the first. It was time for a lesson for all of us, and I felt the Lord tugging at my spirit. I was to take the first step. Sunday afternoon, Michael taking a nap, kids playing games in their room... Now was as good a time as any. I got into my car and headed toward their house. Suddenly nervous, I sat in the driveway for a minute at first. What was I doing here again? Pastor’s wives don’t do this. I had been around pastor’s wives all my life. Since sensing my call to full time ministry at eighteen, I had been paying close attention to them, and I had never seen one of them do this. I got my words together. I needed an eloquent prayer for such a moment as this one: “Lord, help” (okay, so it wasn’t eloquent). I remembered a verse in Jeremiah: “I, the LORD, search the heart, I test the mind, Even to give every man according to his ways, According to the fruit of his doings” (17:10). The Lord knew my heart, and He understood. In this situation, I knew that I had opened myself up to Him. In this situation, I knew that my heart was pure before Him. All of a sudden, my courage returned. I opened the car door and willed myself toward the front porch. As I walked up the driveway, I also thought about Paul’s warning which I had read earlier that morning: “they failed to reach their goal... because their minds were fixed on what they achieved instead of what they believed” (Romans 9:31-32). This family was not my achievement; they were the Lord’s creation. What I believed was that I had been right in opening my heart to them. What I believed was that Michael and I had been faithful to the Lord and that we had helped this family while they were in our flock. I had not failed to reach my goal thus far, and I felt determined not to fail now. This front porch was not unfamiliar to me. I had been here before on many occasions, with my husband and children. Happy times: dinners, cook-outs, birthdays, engagement announcements, births.... Sad times as well: teenaged child rebelling, financial struggles, hospital stays or even death .... We had been invited to share heartache and joy alike. No, “invited” is the wrong word. We were needed. We were family, and family comes together at such times. This afternoon, however, was different. I was standing on this familiar front porch for a reason that had never brought me here before: I came to say good bye. On this front porch, I knocked on the door. This family had been with us for years, and we had been with them. Remembering how this family had helped and blessed our congregation, I quietly smiled. Remembering how they had enriched our personal lives with their friendship and encouragement, I could feel the tears burning behind my eyes. We would miss them. Remembering all that we had done for them, I wondered how they could leave with no word or even warning. Just stopped coming. Just
Jennifer Spivey (Esther: Reflections From An Unexpected Life)
He moved closer to her, and McKenna buried her hands in her lap. “Just what is it that you pursue, Marshal Caradon?” “You know . . . I wish we could get to the place where you’d stop calling me Marshal Caradon.” He reached over and trailed his fingers along the curve of her wrist and over the back of her hand. McKenna tried hard to resist the shiver working through her, and couldn’t. So she stood. She’d wanted Wyatt Caradon to be different from the other men she’d known. But maybe she wanted that so badly that she was blind to what he was. “I think a certain formality between a man and woman is healthy . . . Marshal Caradon.” He stood with her. “I’d agree with you on that. Unless the man and woman have earned the right to move on to . . . something more. For instance . . .” He braced one arm on the post behind her head and leaned in, and the top step suddenly became even narrower. “Say they’ve done some things like . . . sew up a man together in a doc’s clinic, or shared what it feels like to lose someone precious and then find her again. Or maybe they’ve gone to a nice dinner togeth—Oh wait!” He snapped his fingers. “We haven’t done that yet.” She was tempted to smile, and yet couldn’t. He must’ve sensed her initial reaction because he moved closer. She’d instigated this little meeting and yet now she wished she hadn’t. “Miss Ashford . . .” His voice was almost a whisper. “May I please call you McKenna?” Despite not wanting to, her body reacted to his closeness. And she decided the straightforward approach was best. “Yes, Marshal Caradon, you may.” She put a hand against his chest. “If you’ll tell me why you smell like stale cigars, whiskey, and cheap women.
Tamera Alexander (The Inheritance)
And as they came out, they found a man of Cyrene, Simon by name: him they compelled to bear his cross. —Matthew 27:32 (KJV) WEDNESDAY OF HOLY WEEK: GOD IS IN THE DETAILS Which cliché do you abide by: The devil is in the details or God is in the details? No matter; something extraordinary is in the details. Take for instance that single line about Simon of Cyrene. Maybe the Romans forced Simon to help; maybe he would’ve offered this small gift anyway. In either case, Jesus accepted. A cynic might note that Jesus didn’t have much choice, but that misses the point: Jesus had lots of choices. He could have wiggled out of the whole mess with Pilate. He could have chosen a quicker execution. He could have skipped the whole proceeding. He did not. Our youngest daughter, Grace, has talked about becoming a hospice worker when she grows up. She’s seen two grandparents die in hospices. She has seen the kind of people who work there: kind people. Maybe it’s a job; maybe economic circumstances compelled them to work there—does it matter? Fact is, they’re there, in someone’s time of need, to assist others on their journey, to make their passing less difficult. Are we compelled to help others or do we offer? I’m guessing that the person whose burden is suddenly lightened by our presence doesn’t really care what brought us to that moment. Those are just details…and I think God is, most assuredly, in the details. Lord, You said that what we do for the least of our brothers and sisters we do for You. Help us to see You in everything we do in our everyday lives, even in the tiniest details. —Mark Collins Digging Deeper: Ps 147:4–5; Lk 12:6–7
Guideposts (Daily Guideposts 2014)
Vasana is determinism that feels like free will. I’m reminded of my friend Jean, whom I’ve known for almost twenty years. Jean considers himself very spiritual and went so far in the early nineties as to walk way from his job with a newspaper in Denver to live in an ashram in western Massachusetts. But he found the atmosphere choking. “They’re all crypto Hindus,” he complained. “They don’t do anything but pray and chant and meditate.” So Jean decided to move on with his life. He’s fallen in love with a couple of women but has never married. He doesn’t like the notion of settling down and tends to move to a new state every four years or so. (He once told me that he counted up and discovered that he’s lived in forty different houses since he was born.) One day Jean called me with a story. He was on a date with a woman who had taken a sudden interest in Sufism, and while they were driving home, she told Jean that according to her Sufi teacher, everyone has a prevailing characteristic. “You mean the thing that is most prominent about them, like being extroverted or introverted?” he asked. “No, not prominent,” she said. “Your prevailing characteristic is hidden. You act on it without seeing that you’re acting on it.” The minute he heard this, Jean became excited. “I looked out the car window, and it hit me,” he said. “I sit on the fence. I am only comfortable if I can have both sides of a situation without committing to either.” All at once a great many pieces fell into place. Jean could see why he went into an ashram but didn’t feel like he was one of the group. He saw why he fell in love with women but always saw their faults. Much more came to light. Jean complains about his family yet never misses a Christmas with them. He considers himself an expert on every subject he’s studied—there have been many—but he doesn’t earn his living pursuing any of them. He is indeed an inveterate fence-sitter. And as his date suggested, Jean had no idea that his Vasana, for that’s what we’re talking about, made him enter into one situation after another without ever falling off the fence. “Just think,” he said with obvious surprise, “the thing that’s the most me is the thing I never saw.” If unconscious tendencies kept working in the dark, they wouldn’t be a problem. The genetic software in a penguin or wildebeest guides it to act without any knowledge that it is behaving much like every other penguin or wildebeest. But human beings, unique among all living creatures, want to break down Vasana. It’s not good enough to be a pawn who thinks he’s a king. We crave the assurance of absolute freedom and its result—a totally open future. Is this reasonable? Is it even possible? In his classic text, the Yoga Sutras, the sage Patanjali informs us that there are three types of Vasana. The kind that drives pleasant behavior he calls white Vasana; the kind that drives unpleasant behavior he calls dark Vasana; the kind that mixes the two he calls mixed Vasana. I would say Jean had mixed Vasana—he liked fence-sitting but he missed the reward of lasting love for another person, a driving aspiration, or a shared vision that would bond him with a community. He displayed the positives and negatives of someone who must keep every option open. The goal of the spiritual aspirant is to wear down Vasana so that clarity can be achieved. In clarity you know that you are not a puppet—you have released yourself from the unconscious drives that once fooled you into thinking that you were acting spontaneously.
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
Mr. Nobley had entered the room before he noticed her. He groaned. “And here you are. Miss Erstwhile. You are infuriating and irritating, and yet I find myself looking for you. I would be grateful if you would send me away and make me swear to never return.” “You shouldn’t have told me that’s what you want, Mr. Nobley, because now you’re not going to get it.” “Then I must stay?” “Unless you want to risk me accusing you of ungentleman-like behavior at dinner, yes, I think you should stay. If I spend too much time alone today, I’m in real danger of doing a convincing impersonation of the madwoman in the attic.” He raised an eyebrow. “And how would that be different from--” “Sit down, Mr. Nobley,” she said. He sat in a chair on the opposite side of a small table. The chair creaked as he settled himself. She didn’t look at him, watching instead the rain on the window and the silvery shadows the wet light made of the room. She spent several moments in silence before she realized that it might be awkward, that conversation at such a time was obligatory. Now she could feel his gaze on her face and longed to crack the silence like the spine of a book, but she had nothing to say anymore. She’d lost all her thoughts in paint and rain. “You are reading Sterne,” he said at last. “May I?” He gestured to the book, and she handed it to him. Jane was remembering a scene from the film of Mansfield Park when suitor Henry Crawford read to Frances O-Connor’s character so sweetly, the sound created a passionate tension, the words themselves becoming his courtship. Jane glanced at Mr. Nobley’s somber face, and away again as his eyes flicked from the page to her. He began to read from the top. His voice was soft, melodious, strong, a man who could speak in a crowd and have people listen, but also a man who could persuade a child to sleep with a bedtime story. “The man who first transplanted the grape of Burgundy to the Cape of Good Hope (observe he was a Dutchman) never dreamt of drinking the same wine at the Cape, the same grape produced upon the French mountains--he was too phlegmatic for that--but undoubtedly he expected to drink some sort of vinous liquor; but whether good, bad, or indifferent--he knew enough of this world to know, that it did not depend upon his choice…” Mr. Nobley was trying very hard not to smile. His lips were tight; his voice scraped a couple of times. Jane laughed at him, and then he did smile. It gave her a little thwack of pleasure as though someone had flicked a finger against her heart. “Not very, er…” he said. “Interesting?” “I imagine not.” “But you read it well,” she said. He raised his brows. “Did I? Well, that is something.” They sat in silence a few moments, chuckling intermittently. Mr. Nobley began to read again suddenly, “Mynheer might possibly overset both in his new vineyard,” having to stop to laugh again. Aunt Saffronia walked by and peered into the dim room as she passed, her presence reminding Jane that this tryst might be forbidden by the Rules. Mr. Nobley returned to himself. “Excuse me,” he said, rising. “I have trespassed on you long enough.
Shannon Hale (Austenland (Austenland, #1))
I do understand that you can look into someone’s eyes,’ I heard myself saying, ‘and suddenly know that life will be impossible without them. Know that their voice can make your heart miss a beat and that their company is all your happiness can ever desire and that their absence will leave your soul alone, bereft and lost.
Bernard Cornwell (The Winter King (The Warlord Chronicles, #1))
Children.” Westcliff’s sardonic voice caused them both to look at him blankly. He was standing from his chair and stretching underused muscles. “I’m afraid this has gone on long enough for me. You are welcome to continue playing, but I beg to take leave.” “But who will arbitrate?” Daisy protested. “Since no one has been keeping score for at least a half hour,” the earl said dryly, “there is no further need for my judgement.” “Yes we have,” Daisy argued, and turned to Swift. “What is the score?” “I don’t know.” As their gazes held, Daisy could hardly restrain a snicker of sudden embarrassment. Amusement glittered in Swift’s eyes. “I think you won,” he said. “Oh, don’t condescend to me,” Daisy said. “You’re ahead. I can take a loss. It’s part of the game.” “I’m not being condescending. It’s been point-for-point for at least…” Swift fumbled in the pocket of his waistcoat and pulled out a watch. “…two hours.” “Which means that in all likelihood you preserved your early lead.” “But you chipped away at it after the third round—” “Oh, hell’s bells!” came Lillian’s voice from the sidelines. She sounded thoroughly aggravated, having gone into the manor for a nap and come out to find them still at the bowling green. “You’ve quarreled all afternoon like a pair of ferrets, and now you’re fighting over who won. If someone doesn’t put a stop to it, you’ll be squabbling out here ’til midnight. Daisy, you’re covered with dust and your hair is a bird’s nest. Come inside and put yourself to rights. Now.” “There’s no need to shout,” Daisy replied mildly, following her sister’s retreating figure. She glanced over her shoulder at Matthew Swift…a friendlier glance than she had ever given him before, then turned and quickened her pace. Swift began to pick up the wooden bowls. “Leave them,” Westcliff said. “The servants will put things in order. Your time is better spent preparing yourself for supper, which will commence in approximately one hour.” Obligingly Matthew dropped the bowls and went toward the house with Westcliff. He watched Daisy’s small, sylphlike form until she disappeared from sight. Westcliff did not miss Matthew’s fascinated gaze. “You have a unique approach to courtship,” he commented. “I wouldn’t have thought beating Daisy at lawn games would catch her interest, but it seems to have done the trick.” Matthew contemplated the ground before his feet, schooling his tone into calm unconcern. “I’m not courting Miss Bowman.” “Then it seems I misinterpreted your apparent passion for bowls.” Matthew shot him a defensive glance. “I’ll admit, I find her entertaining. But that doesn’t mean I want to marry her.” “The Bowman sisters are rather dangerous that way. When one of them first attracts your interest, all you know is she’s the most provoking creature you’ve ever encountered. But then you discover that as maddening as she is, you can scarcely wait until the next time you see her. Like the progression of an incurable disease, it spreads from one organ to the next. The craving begins. All other women begin to seem colorless and dull in comparison. You want her until you think you’ll go mad from it. You can’t stop thinking—” “I have no idea what you’re talking about,” Matthew interrupted, turning pale. He was not about to succumb to an incurable disease. A man had choices in life. And no matter what Westcliff believed, this was nothing more than a physical urge. An unholy powerful, gut-wrenching, insanity-producing physical urge…but it could be conquered by sheer force of will. “If you say so,” Westcliff said, sounding unconvinced.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
I’m sure you will be pleased to learn that I have heeded your advice and finally chosen a bride,” he said smoothly. “Although I have not yet made a formal proposal to her, I have good reason to believe that she will accept when I do.” The countess blinked in surprise, her composure faltering. Livia stared at him with a wondering smile. There was a sudden wicked enjoyment in her eyes that inclined Marcus to think she had guessed at the identity of the unnamed bride. “How lovely,” she said. “Have you finally found someone who will tolerate you, Marcus?” He grinned back at her. “It would seem so. Though I suspect it would behoove me to hasten the wedding plans before she comes to her senses and flees.” “Nonsense,” the countess said sharply. “No woman would flee from the prospect of marrying the Earl of Westcliff. You possess the most ancient title in England. On the day you marry, you will bestow on your wife more peerage dignities than any uncrowned head on the face of the earth. Now, tell me whom you have decided on.” “Miss Lillian Bowman.” The countess made a disgusted sound. “Enough of this witless humor, Westcliff. Tell me the girl’s name.” Livia fairly wriggled with delight. Beaming at Marcus, she leaned closer to her mother and said in a loud stage whisper, “I think he’s serious, Mother. It really is Miss Bowman.” “It cannot be!” The countess looked aghast. One could practically see the capillaries bursting in her cheeks. “I demand that you renounce this piece of insanity, Westcliff, and come to your senses. I will not have that atrocious creature as my daughter-in-law!” “But you will,” Marcus said inexorably. “You could have your pick of any girl here or on the continent… girls of acceptable lineage and bearing…” “Miss Bowman is the one I want.” “She could never fit into the mold of a Marsden wife.” “Then the mold will have to be broken.” -Marcus, Livia, & their mother
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
He bows to the two of us, and when he speaks, his voice fills the room, far louder and more booming than a voice should be before noon. “I intend to ride the estate today, if you two would like to join me.” I open my mouth to give him a quick, No thanks, I’d rather pull out my own hair, but Emily beats me to it. “How kind of you to offer! We would love to.” Huh? I can’t figure out why Emily doesn’t hate Alex. He’s a jerk and he’s done nothing to help her out of her engagement. And now she’s volunteering to hang out with him? An excuse…I need some kind of excuse to get out of this. Alex walks to the window and looks out, offering a rather flattering view of the back of his riding pants. “Did you enjoy the dance last evening?” Is he making small talk? That’s a first. “Yes, very much so,” Emily says. “It was delightful.” I nod. “Yeah. I guess so.” I won’t say I had fun because I don’t want him to get the wrong idea. I don’t want him to know dancing with him was the most exciting part of my evening and the most agonizingly long half hour of my life. Alex looks at me for a long silent moment. You’d think he’d bring up the big “lady” versus “miss” debacle. Or just that we’d danced. But he doesn’t. “Yes, I rather enjoyed myself as well,” he says. Seriously, what does that mean? I was the only girl he danced with. The entire night. Is he trying to tell me something? Ha. Right. He probably means that it was all sorts of fun to insult me. And that’s when Emily starts rubbing her temple. She sets her needlepoint down and frowns, massaging in circular motions on the side of her face. Oh, no, she’s not-- “Dear cousin, I am coming down with a headache. Perhaps you and Rebecca ought to ride without me.” I get a twinge when I hear Rebecca. Every day it feels more like we’re friends--and more like I’m betraying her. And then she turns to me, knowing Alex can’t see her, and winks. “Oh, no, I--” I start to say, because I suddenly realize what she’s trying to do. This can not happen. A horseback ride alone with Alex? No thank you! But Alex cuts in before I can stop her. “Yes, I would not have you overexerting yourself. We shall check on you when we return.” Okay, this is not how I want to spend my afternoon. Alone with Alex? I’d rather get a root canal. But…maybe it’s my chance to talk to him about Emily. Maybe he doesn’t know about Trent. Emily said Trent was wealthy, right? He’s not titled, but he has money. If Alex knew about him…maybe he would get Emily off the hook with Denworth. Maybe that’s why Emily is trying to arrange for me to spend time with Alex. She so owes me after this. I can do this. I can hang out with him for a couple hours--long enough to talk him into helping us. Emily jumps up from her chair far too quickly for someone with a headache and leaves the room before I can do anything. I rub my eyes. It’s going to be a long afternoon.
Mandy Hubbard (Prada & Prejudice)
The night of the theatrical, Jane and Mr. Nobley secreted themselves behind the house for the final brush-up. The mood of late had let a bit of Bohemia into Regency England, the usual strict social observances bending, the rehearsals allowing the couples to slip away alone and enjoy the exhilarating intimacy of the unobserved. Mr. Nobley sat on the gravel path, leaning back on his elbow in a reluctant recline. “Oh, to die here, alone and unloved…” “That was pretty good,” Jane said. “You genuinely sounded in pain as you said it, but I think you could add a groan or two.” Mr. Nobley groaned, though perhaps not as part of the theatrical. “Perfect!” said Jane. Mr. Nobley rested his head on his knee and laughed. “I cannot believe I let you railroad me into this. I have always avoided doing a theatrical.” “Oh, you don’t seem that sorry. I mean, you certainly are sorry, just not regretful…” “Just do your part, please, Miss Erstwhile.” “Oh, yes, of course, forgive me. I can’t imagine why I’m taking so long, it’s just that there’s something so appealing about you there on the ground, at my feet--” He tackled her. He actually leaped up, grabbed her around the waist, and pulled her to the ground. She screeched as she thudded down on top of him. His hands stiffened. “Whoops,” he said. “You did not just do that.” He looked around for witnesses. “You are right, I did not just do that. But if I had, I was driven to it; no jury in the world would convict me. We had better keep rehearsing, someone might come by.” “I would, but you’re still holding me.” His hands were on her waist. They were gorgeous, thick-fingered, large. She liked them there. “So they are,” he said. Then he looked at her. He breathed in. His forehead tensed as if he were trying to think of words for his thoughts, as if he were engaged in some gorgeous inner battle that was provoked by how perfectly beautiful she was. (That last part was purely Jane’s romantic speculation and can’t be taken as literal.) Nevertheless, they were on the ground, touching, frozen, staring at each other, and even the trees were holding their breath. “I--” Jane started to say, but Mr. Nobley shook his head. He apologized and helped her to her feet, then plopped back onto the ground, as his character was still in the throes of death. “Shall we resume?” “Right, okay,” she said, shaking gravel from her skirt, “we were near the end…Oh, Antonio!” She knelt carefully beside him to keep her skirt from wrinkling and patted his chest. “You are gravely wounded. And groaning so impressively! Let me hold you and you can die in my arms, because traditionally, death and unrequited love are a romantic pairing.” “Those aren’t the lines,” he said through his teeth, as though an actual audience might overhear their practice. “They’re better than. It’s hardly Shakespeare.” “Right. So, your love revives my soul, my wounds heal…etcetera, etcetera, and I stand up and we exclaim our love dramatically. I cherish you more than farms love rain, than night loves the moon, and so on…” He pulled her upright and they stood facing each other, her hands in his. Again with the held breaths, the locked gazes. Twice in a row. It was almost too much! And Jane wanted to stay in that moment with him so much, her belly ached with the desire. “Your hands are cold,” he said, looking at her fingers. She waited. They had never practiced this part and the flimsy play gave no directions, such as, Kiss the girl, you fool. She leaned in a tiny bit. He warmed her hands. “So…” she said. “I suppose we know our scene, more or less,” he said. Was he going to kiss her? No, it seemed nobody ever kissed in Regency England. So what was happening? And what did it mean to fall in love in Austenland anyway? Jane stepped back, the weird anxiety of his nearness suddenly making her heart beat so hard it hurt.
Shannon Hale (Austenland (Austenland, #1))
Life felt like it was happening too fast, as though I was on a busy bus that was moving quickly through the streets and I had to have my wits about me so I didn’t miss my stop. I suddenly had to prepare myself for Zandra’s release into the world. Zandra’s nurses were my way of understanding what was happening with my daughter. They had become my sounding board and had in a large way co-parented Zandra and supported us through many rough waters. I felt like I was being abandoned to make way for someone else. My heart began grieving the loss before it even happened.
Janet Hatch (Zandra: My Daughter, Diabetes, and Lessons in Love)
And yes, we all still fell it. Everyone who loves you feels it. And while I don't really relive your death anymore, I still miss you like hell. I miss you so much. Especially when something happens that I know you would think was funny. I catch myself laughing and then all of a sudden I realize I'm the only one laughing and it hits me that I was expecting you to laugh too. I miss your laugh. I could go on and on about all the things I miss about you to the point that I start to feel sorry for myself again. But I've learned over the past year what it really means to be able to miss someone. In order to miss someone, that means you were privileged enough to have them in your life to begin with.
Colleen Hoover (Losing Hope (Hopeless, #2))
Well, Doctor Dillamond seemed to think they were in questionable taste, given the Banns on Animals Mobility." "Doctor Dillamond, alas," said Madame Morrible, "is a doctor. He is not a poet. He is also a God, and I might ask you girls if we have ever had a great Goat sonneteer or balladeer? Alas, dear Miss Elphaba, Doctor Dillamond doesn't understand the poetic convention of irony. Would you like to define irony for the class, please?" "I don't believe I can, Madame." "Irony, some say, is the art of juxtaposing incongruous parts. One needs a knowing distance. Irony presupposes detachment, which, alas, in the case of Animal Rights, we may forgive Doctor Dillamond for being without." "So that phrase that he objected to - Animals should be seen and not heard - that was ironic?" continued Elphaba, studying her papers and not looking at Madame Morrible. Galinda and her classmates were enthralled, for it was clear that each of the females at opposite ends of the room would have enjoyed seeing the other crumble in a sudden attack of the spleen. "One could consider it in an ironic mode if one chose," said Madame Morrible. "How do you choose?" said Elphaba. "How impertinent!" said Madame Morrible. "Well, but I don't mean impertinence. I'm trying to learn. If you - if anyone - thought that statement was true, then it isn't in conflict with the boring bossy bit that preceded it. It's just argument and conclusion, and I don't see the irony." "You don't see much, Miss Elphaba," said Madame Morrible. "You must learn to put yourself in the shoes of someone wiser than you are, and look from that angle. To be stuck in ignorance, to be circumscribed by the walls of one's own modest acumen, well, it is very sad in one so young and bright." She spit out the last word, and it seemed to Galinda, somehow, a low comment on Elphaba's skin color, which today was indeed lustrous with the effort of public speaking. "But I was trying to put myself in the shoes of Doctor Dillamond," said Elphaba, almost whining, but not giving up. "In the case of poetic interpretation, I venture to suggest, it may indeed be true. Animal should not be heard," snapped Madame Morrible. "Do you mean that ironically?" said Elphaba, but she sat down with her hands over her face and did not look up again for the rest of the session.
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
Hey.” A lopsided smirk offers chagrin as he turns my way. “Sorry about that,” he says, and I’m struck by how much I’ve missed his voice. He opens the door and unfolds himself from the tiny car, and then I realize how much I’ve missed him. “You made it.” It’s tough to keep my emotions in check, but I know I need to. “You look tired.” “I took the long way home.” And just like that, he reaches out and pulls me into a hug. Not a shoulder hug, but the real thing, the kind you give to someone you thought of while you were away. I’m surprised at first. I wasn’t expecting…well…that. I was prepared for more of the uncertain off-and-on awkward dance we usually do. Friends…or two people who want something more? We’re never quite sure. But this feels different. I slip my arms under his and hang on. “Tough few days?” I whisper, and he rests his chin on my head. I listen to his heartbeat, feel the sultry warmth of skin against skin. My gaze lingers on the tangle of wisteria vines and crape myrtle branches hiding the ancient structures of Goswood Grove’s once spectacular gardens, concealing whatever secrets they know. “Tough few days all around, it sounds like,” Nathan says finally. “We should go in.” But he hangs on a minute longer. We part slowly, and the next step suddenly seems uncharted. I don’t know how to catalog it. One moment, we’re as natural as breathing. The next, we’re at arm’s length—or retreating to our separate safety zones. He stops halfway across the porch, turns, widens his stance a little like he’s about to pick up something heavy. Crossing his arms, he tilts his head and looks at me, one eye squeezing almost shut. “What are we to each other?” I stand there a moment with my mouth agape before words dribble out in a halting string. “In…in…what way?” I’m terrified, that’s why I don’t give a straight answer. Relationships require truth telling, and that requires risk. An old, insecure part of me says, You’re damaged goods, Benny Silva. Someone like Nathan would never understand. He’ll never see you in the same way again. “Just like it sounds,” he says. “I missed you, Benny, and I promised myself I’d just put it out there this time. Because…well…you’re hard to read.” “I’m hard to read?” Nathan has been largely a mystery I’ve pieced together in fragments. “Me?” He doesn’t fall for the turnabout, or he ignores it. “So, Benny Silva, are we…friends or are we…” The sentence shifts in the wind, unfinished—a fill-in-the-blank question. Those are harder than multiple-choice. “Friends…” I search for the right answer, one not too presumptuous, but accurate. “Going somewhere…at our own pace? I hope.” I feel naked standing there. Scared. Vulnerable. And potentially unworthy of his investment in me. I can’t make the same mistake I’ve made before. There are things he needs to know. It’s only fair, but this isn’t the right moment for it, or the right place. He braces his hands on his hips, lets his head rock forward, exhales a breath he seems to have been holding. “Okay,” he says with a note of approval. His cheek twitches, one corner of his mouth rising. I think he might be blushing a little. “I’ll take that.” “Me, too,” I agree.
Lisa Wingate (The Book of Lost Friends)
Besides, every sudden wealth one acquired was necessarily a wealth stolen from someone else, since there is no such thing in nature as a pure vacuum and the fates of human beings are interrelated like stitches in a latticework.
Elif Shafak (The Bastard of Istanbul: The powerful novel about family secrets from the award-winning author of The Island of Missing Trees)
When he woke up it was dawn. He woke with a huge feeling of hope which suddenly andcompletely left him at the first sight of the prison yard. It was the morning of his death. Hecrouched on the floor with the empty brandy flask in his hand trying to remember an act ofcontrition. "O God, I am sorry and beg pardon for all my sins ... crucified ... worthy of Thydreadful punishments." He was confused, his mind was on other things: it was not the good deathfor which one always prayed. He caught sight of his own shadow on the cell wall: it had a lookof surprise and grotesque unimportance. What a fool he had been to think that he was strongenough to stay when others fled. What an impossible fellow I am, he thought, and how useless. Ihave done nothing for anybody. I might just as well have never lived. His parents were dead—soon he wouldn't even be a memory—perhaps after all he wasn't really Hell-worthy. Tearspoured down his face: he was not at the moment afraid of damnation——even the fear of painwas in the background. He felt only an immense disappointment because he had to go to Godempty-handed, with nothing done at all. It seemed to him at that moment that it would have been[200] quite easy to have been a saint. It would only have needed a little self-restraint and a littlecourage. He felt like someone who has missed happiness by seconds at an appointed place. Heknew now that at the end there was only one thing that counted—to be a saint.
Graham Greene (The Power and the Glory (A Play))
She realized suddenly that despite all the new exciting feelings - of autonomy of freedom - that she'd felt since she arrived, she'd been missing the simple familiarity that came with ... well, someone you understood, she supposed.
Jenny Colgan (The Bookshop on the Corner (Kirrinfief, #1))
Sorry. I don’t know why I’m suddenly feeling emotional. Seeing your family just made me realize how screwed up my life has been. How much I’ve missed out on. And, if I’m being honest, it made me feel kind of insecure around you. Like, how could I possibly be right for someone like you, when you come from that kind of stability and love?
Lauren Rowe (Rockstar (Morgan Brothers, #5))
Time traveller He calls himself a time traveller, He travels anywhere and anytime, He is a very adept traveller, Who knows how to bypass time, We once met suddenly, When the traveller was travelling the highway of life, He was pacing very efficiently, And that day I happened to be on the same highway of life, As I was about to cross a junction, He stopped there too, And enquired if I knew how this highway of life did function? “I may not know that better than you,” Was my polite and slow answer, “Ah haa, you appear to be a stranger on this highway, Come let me introduce you to few tricks old and quite a few newer, So, come let us go this way.” Said the traveller as we both stepped on the highway, And paced towards a destination of his choosing, It was a beautiful experience anyway, Though his few ways were very amusing, Then we stopped at a far away corner, And he pulled something from his bag, He was smart but this thing seemed smarter, He opened it and removed the safety tag, Now he turned to me and said, “Look at the sky, what do you see?” And I without being reticent said, “The sky, the Sun, that is all I see,” Looking at me he replied, “I thought so, and here is the fact, You see the sky and just the Sun, But you miss the real act, Time invested cannot be undone, You see I am a time traveller and I travel with it, Today on this highway, tomorrow on another, But I never miss the destination even by a bit, And as we were walking together, I asked you what you see when you look at the sky, You should have said, nothing, I have no time for it, Because the Sun will be there, so will be the sky, Being the time travellers we are not allowed to sit, We have to keep on moving and always seeking, Until we reach our destiny, Now this for you is my lesson worth heeding, If you are to find your final destiny, So let the Sun be, let the stars shine, and let the sky spread its magical blue, You keep travelling, moving, from one destination to another, Then you shall be a time traveller too, Like none other, like none other, So we switched lanes on the highway, He rode in a direction new, And now I was a lone rider on my life’s highway, Having realised what is known to just a few, That to be the time traveller, We should not wander but travel with a fixed aim, Because a true traveller is like a true lover, Who knows love and destiny are not a game, So for the real time traveller, it is always one destiny and one love, Though crossing many destinations is a part of it all, But the passion for love and to love, Supercedes the lure of destinations all! Now I often see the time traveller on the highways that I cross, We just bow our heads and move ahead, Because we have a destination to cross, To reach the final destiny of love, and in this pursuit we shall always stay ahead!
Javid Ahmad Tak (They Loved in 2075!)
Our feelings and our eyes I asked her, “Irma, what have you done?” She looked at me and replied, “nothing!” I cannot find few of my heart beats a lot seems undone, But there was a feeling that reminded me of something, And I tracked the rhythm of my every heart beat, Which led just to one trace, That whenever I see her and our eyes meet, My heart loses its pace, And there goes my heart beat missing in between this space, The distance between her eyes and mine, Though we stand on the same ground at the same place, Yet my heart beats rush towards her making a bee line, Just to beat closer to her heart, To feel her warmth and swim in the sea of her feelings, And as these love seeking heart beats depart, My heart cries in its painful reelings, Where it finds itself left in the wilderness of nowhere, She is there, her heart is there too, But our eyes still tend to wander somewhere, Where she is willing to say I love you, But her heart beats are yet to feel the miracle of a missing heart beat, That always rushes unto me, Creating love’s fondest retreat, Where wherever I may see, I see her and she only sees me, This is the distance that grows in the eyes, That only these missing heart beats can shorten, Just like when I look at those skies, I am always by her beauty smitten, Her eyes, her smiles, her face and her sweet ways, Are actually the twinkle that the night stars bear, And ah their pain on those Sunny and bright days, When they long to see her, But today, she looked at me and I felt she plugged into my spirit, And a heart beat unknown sank into me with it, Then she started beating in my every heart beat, And how I loved my heart beat, and repeat and repeat, With every heartbeat, “I love you too.” And then the distance in our eyes vanished suddenly, As I held her in my arms and said, “I was born to love you!” And then our two hearts, beat as one and forever happily.
Javid Ahmad Tak (They Loved in 2075!)
At the end of the long corridor, he opened another door and we stepped out into a huge kitchen filled with bustling staff who were refilling champagne glasses and making up more of the fancy bite-sized bits of food. Darius skirted the madness and I followed him, careful not to get in anyone’s way. He approached a woman who was working on a tray of creamy puff things and leaned close to ask her something. She instantly stopped what she was doing and headed away with a bow. Darius beckoned for me to follow him and I gritted my teeth as I did, wondering why I’d even come down here with him. The drink was making my head swimmy and apparently it was affecting my judgement too. He led me through a door to a darkened room with a few soft chairs by the far window and a small table in the centre of the space. Darius headed for the chairs but I ignored him, taking a perch on the table instead. “Do you ever do as you’re told?” he asked me, noticing the fact that I’d stopped following him. “Nope. Do you ever stop telling people what to do?” I asked. “I think I might just miss your smart mouth when you fail The Reckoning,” he muttered. I didn’t validate that with a response. He removed his black jacket and I eyed his fitted white shit appreciatively before pulling my gaze away. I did not need to fall under the spell of Darius Acrux’s stupidly hot appearance. Darius tossed his jacket down on the closest chair and moved to stand beside me. I could feel his eyes on me but I gave my attention to the room, studying portraits of old men in stuffy clothes and dragons soaring across the sky. Their choice in decor was boringly repetitive. The door opened and the kitchen maid came in carrying two plates with subs for us. I smiled at her as I accepted mine. “Thanks,” I said and she stared at me like I’d just slapped her before heading out of the room. “What was that about?” I asked before taking a bite of my sandwich. Holy hell that's good. “Serving jobs are generally taken by Fae with negligible amounts of magic,” Darius said as I ate like a woman possessed. “Thanking them for their work is kind of like the sun thanking a daisy for blooming. Just having a position in our household is beyond what they expect in life.” I paused, my food suddenly tasting like soot in my mouth. Of course that was how they viewed people with less than them. They were the elite, top of the pecking order, why would they waste time thanking those beneath them? If we’d met in the mortal world he never would have looked at me at all... and I’d have robbed him blind while he pretended not to notice my existence. I ate the last few bites of my food in silence and put the plate down beside me as soon as I was done. “I’d like to go back to the party now,” I said coldly. Darius eyed me over his own sandwich which he’d barely touched. “Because I don’t thank servants for doing their jobs?” he asked with barely concealed ridicule. “Because you’re boringly predictable just like everyone else here. You’re all more concerned about what everybody else thinks and sees than you are about enjoying life. What difference does it make if someone’s the most powerful Fae in the room or the least? I’d sooner have the time of my life with a powerless nobody than stand about posturing with a guy who doesn’t even know how to have fun.” I shrugged and got to my feet, intending to make my own way back to the ballroom but Darius moved forward a step, boxing me against the table as he placed his sandwich down. (Tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
War and ceasefire There was a war followed by a ceasefire, Swaths of land lay covered in ashes and dead men and women, Beside them lay still unfilled dreams and many a desire, Wherever one looked there appeared no end to them then, Because a country defeated in war, Enters into the state of passive spirit, Where to the victor, spirited men and women of the defeated country appear too few and too far, And they rush to assume this is it, their end, and the end of it! Followed by two immediate actions, Repatriation by the winning side, And reparation by the losing side while dealing with endless sanctions, And behind them their lost spirits hide, But as years pass by and time grows older, The defeated side realises the losses it suffered, The men it lost, and the women who fought in ways bolder, And the living ones, the paying ones, look at their spirits battered, And they hear echoes from the past, Few calling a mother, few a father, many a brother, a sister and a lost lover, And then the ship of agony and pain hoists its broad mast, And the left one, the still and forever paying one, is forced to become an avenger, Because he/she misses the person to whom these echoes belong, He/she struggles to deal with the past that haunts him/her in the present, And to deal with this belligerent self, he/she hums the firebird’s song, And finally with hatred and lament he/she is pregnant, And when the feeling is born, The defeated spirit rises from the ashes, And begins to sew together the feelings that lie scattered on the ground, mutilated and torn, With these feelings of hatred and vengeance now his/her spirit gushes, The silent ground that had been the graveyard of dreams and desires, Suddenly turns into a war zone once again, So those who say peace can be brokered are cynical liars, Because one who is dead can never be brought back again, And thus the battle between revenge and avenging deaths enters a new phase, Where the defeated side now fearlessly marches forth, Because it has nothing to lose now it has no more ghosts to chase, And thus is born the one who loves romancing the sun, the killer moth, And it stings all alike, and it flies freely everywhere, Until both sides accept defeat, Then they begin to dig graves to bury a hope here, a wish there, and someone’s desire somewhere, And somewhere lies the lover who his/her beloved could not meet, And then is born the curse of unfulfilled wishes, desires, hopes and life’s darling affairs, Now both sides lie in ruin because there is no ground left to bury the dead, And the sound of echoes keeps growing and the ground turns wet with tears, It is then the spirit forsakes them all, because genuine valour does not reside in places where courage on death is fed, And as time grows older there are no more bold men and women left, Because it is a diabolic ground where only echoes from the past haunt all, Where all are victims of a different kind of theft, That of humanity’s actual fall!
Javid Ahmad Tak (They Loved in 2075!)
War and ceasefire There was a war followed by a ceasefire, Land covered in ash, dead men and women, Beside the dead were unfulfilled dreams and many a desire, This is how it is now and this is how it was then, Because a country defeated in war, Enters into the state of passive spirit, To the victor, spirited men and women of the defeated country appear too few and too far, So, they rush to assume this is it, the end of it! To be followed by two immediate actions, Repatriation by the winning side, And reparation by the losing side while dealing with endless sanctions, Behind which their broken spirits hide, But as years pass by and time grows older, The defeated side realises the losses it suffered, The men it lost, and the women who fought in ways bolder, And the living ones, the paying ones, look at their spirits battered, And they hear echoes from the past, Few calling a mother, few a father, many a brother, a sister and someone a lost lover, And then the ship of agony and pain hoists its broad mast, And the left one, the still and forever paying one, is forced to become an avenger, Because he/she misses the person to whom these echoes belong, He/she struggles to deal with the past that haunts him/her in the present, And to deal with this belligerent self, he/she hums the firebird’s song, And finally with hatred and lament he/she is pregnant, Finally when the feeling is born, The defeated spirit rises from the ashes, And begins to sew together the feelings that lie scattered on the ground, mutilated and torn, With these feelings of hatred and vengeance now his/her spirit gushes, The silent ground that had been the graveyard of dreams and desires, Suddenly turns into a war zone once again, So, those who say peace can be brokered are cynical liars, Because one who is dead can never be brought back again, And thus the battle between revenge and avenging deaths enters a new phase, Where the defeated side now fearlessly marches forth, Because it has nothing to lose and it has no more ghosts to chase, And thus is born the one who loves romancing the sun, the killer moth, It stings all, and it flies freely everywhere, Until both sides accept defeat, Then they begin to dig graves to bury a hope here, a wish there, and someone’s desire somewhere, And somewhere lies the lover who his/her beloved could not meet, And then is born the curse of unfulfilled wishes, desires, hopes and life’s darling affairs, Now both sides lie in ruin because there is no ground left to bury the dead, And the sound of echoes keeps getting louder and the ground turns wet with tears, It is then the spirit forsakes them all, because genuine valour does not reside in places where courage on death is fed, And as time grows older there are no more bold men and women left, Because it is a diabolic ground where only echoes from the past haunt all, Where all are victims of a different kind of theft, That of humanity’s innocence that actually was the cause of great fall!
Javid Ahmad Tak (They Loved in 2075!)
My Heart Can't Tell Me No" I don't want you to come 'round here no more I beg you for mercy You don't know how strong my weakness is Or how much it hurts me 'Cause when you say it's over with him I want to believe it's true So I let you in knowing tomorrow I'm gonna wake up missing you Wake up missing you When the one you love is in love with someone else Don't you know it's torture I mean it's a living hell No matter how I try to convince myself This time I won't lose control But one look in your blue eyes and suddenly My heart can't tell you no I don't want you to call me up no more Saying you need me You're crazy if you think just half your love Could ever please me Still I want to hold you, touch you When you look at me that way There's only one solution, I know it You gotta stay away from me Stay away from me When the one you love is in love with someone else Don't you know it's torture I mean it's a living hell No matter how I try to convince myself This time I won't lose control One look in your sad eyes And suddenly my heart can't tell you no My heart can't tell you no I don't want you to come 'round here no more I beg you for mercy You don't know how strong my weakness is Or how much it hurts me 'Cause when you say it's over with him I want to believe it's true So I let you in knowing tomorrow I'm gonna wake up missing you Wake up missing you When the one you love is in love with someone else Don't you know it's torture I mean it's a living hell When the one you love is in love with someone else Don't you know it's torture I mean it's a living hell Living hell Rod Stewart, Out Or Order (1988)
Rod Stewart
When elderly Cypriot women wish ill upon someone, they don’t ask for anything blatantly bad to befall them. They don’t pray for lightning bolts, unforeseen accidents or sudden reversals of fortune. They simply say, May you never be able to forget. May you go to your grave still remembering.
Elif Shafak (The Island of Missing Trees)
The thirty-day no-contact rule Recovering from a breakup on a more practical basis can be likened to getting over an addiction. You go through periods of major withdrawal where you become overwhelmed by a cocktail of emotions, including guilt, fear, randomly missing him, and suddenly feeling like what he did to you ‘wasn’t that bad’. You start to play the mental showreel of all your good times (even if you only had a few), and suddenly you can’t remember why you left. Feeling this cluster of imbalanced emotions can be very confusing and irritating, but all hope is not lost. Contrary to popular belief, breakups don’t actually have to be hard. We assign so much spiritual and emotional value to these men, that by the time we finally distance ourselves from them, we feel distant from ourselves. And that’s really heartbreaking, because no man is worth losing yourself over. Ever. They say it takes about thirty days to break a habit. Texting your ex, stalking his profile from your second account, deliberately asking your mutual friends certain questions to get updates on his life and his new girl – it all needs to stop. So right now, go cold turkey, block his number on whatever messaging app you use, remove him from all your social media. Maintaining little corridors of access to him means he’s still on a pedestal. It also means your value system when it comes to men is warped, because naturally you’re going to keep comparing new guys to him as long as he holds this much space in your head. You want to evict him from that space so that someone new can blow you away when the time is right! This guy is not the be-all and end-all of your experiences with men, and the outcome of your situation with him really doesn’t have to define your future relationships. This thirty-day period of making yourself the centre of your world has a 100 per cent success rate, because by the time you get to day thirty, if it’s done honestly and correctly, you will have either a) met a new guy or b) found a whole heap of new reasons to love your healing self. But the thirty-day no-contact rule must be adhered to strictly, and if you break the pact with yourself, you must start all the way from the beginning – which might feel like torture.
Chidera Eggerue (How To Get Over A Boy)
An Ode to The Occupants of The Titan Sub In the depths where everything is dark, Nothing exists and one tends to lose every mark, Of the reality that lies above, And the memories of the ones you love, Appear to float by like voluptuous sirens, And you think of the benevolent Titans, Then as the pressure mounts you hear a creaking sound, Slowly building up inside the hollow chamber where now only fear does abound, Then as your heart races and it does frantically pound, You feel you are to an unknown and impending doom bound, And you summon all your Gods in the form of your fears, And you gauge the ferocity of all the snares, Building from above, bottom, left and right, It is then you hold your equally fearful companion’s hand tight, And you remember all that you loved and those you still love, But they are far up and above, and you are here in the abyss now, Where darkness spreads endlessly and the creaking sound becomes louder, And all of a sudden you feel you are hit by a titanic sized aqueous boulder, Everything implodes, but only your heart and your memories explode, As they surface on the horizon of perception and your loved ones rush to the abode, Of the Gods where castles of prayers are erected, Prayers rising from the heart that gods have not defected, There they rush, and implore, But the Titans become quieter and they think Gods too ignore, The cries of the lamenting and remorseful heart, But little do they know praying is not an art, It is a feeling sublime and serene that arises from within, And when expressed with sincerity in the universe its resonance does deepen, And then Gods respond with care, And they always say, “darling, there is nothing to fear.” This sounds assuaging for many reasons, known and unknown, And your kin and kith experience the familiarity in these consolations offered by the unknown, And to the five departed adventurers of the deep sea, I hope in their Heavenward journey, now they shall new wonders see, And be the part of a greater adventure, That I call the God’s enterprising venture, As for the wonder of the abyss, There shall always be someone who for its thrill would miss, Anything and everything else, Because if he/she doesn't, then he/she will be someone else, That is why they dare to take on the Gods of the dark and deep, Because human passion is something that into the soul does seep, And unless tasted and confronted, this adventurer residing within the soul does not let him/her to sleep, So let me wish the 5 adventurers all the best on their new journey, Where there is no need for submersibles for in that world one attains natural buoyancy, and this too is one hell of a journey! As for those woe struck loved ones still residing in the realm of gravity, I hope they find assuaging moments in their thoughtful proclivity, Where they notice the universe flowing through their departed and loved one, Because every adventure is an expression of belief in love for someone, That someone who does not fear the abyss, That someone who dares to be the one, and never miss, The adventures that await him/her in those unknown realms, Where even the Titans sometimes bear signs of qualms, There let us go and seek the knowledge that awaits to reveal itself, Only if the adventurer believes in himself/herself, And I think that is where all 5 adventurers can always be found, In the realm of the Titans where knowledge does abound, where knowledge does abound!
Javid Ahmad Tak (They Loved in 2075!)
Be angry with me if you wish. I suppose I deserve it. Be whatever you have to be with me. But stop this charade and be yourself. That’s all I ask.” He stood silent for a moment, looking at me with haughty disapproval. And then he came to take the other chair. He poured himself more brandy without offering me any. I could smell that it was the apricot one we had shared in my cabin less than a year ago. He sipped it and then observed, “Be myself. And who would that be?” He set down the glass, leaned back in the chair, and then crossed his arms on his chest. “I don’t know. I wish you were the Fool,” I said quietly. “But I think we have come too far to go back to that pretense. Yet if we could, I would. Willingly.” I looked away from him. I kicked at the end of a hearth log, pushing it farther into the fire and waking new flames in a gust of sparks. “When I think of you now, I do not even know how to name you to myself. You are not Lord Golden to me. You never truly were. Yet you are not the Fool anymore, either.” I steeled myself as the words came to me, unplanned but obvious. How can the truth be so difficult to say? For a teetering instant, I feared he would misunderstand my words. Then I knew that he would know exactly what I meant by them. For years, he had understood my feelings, in the silences he kept. Before we parted company, I had to repair, somehow, the rift between us. The words were the only tool I had. They echoed of the old magic, of the power one gained when one knew someone’s true name. I was determined. And yet, the utterance still came awkward to my tongue. “You said once that I might call you ‘Beloved,’ if I no longer wished to call you ‘Fool.’” I took a breath. “Beloved, I have missed your company.” He lifted a hand and covered his mouth. Then he disguised the gesture by rubbing his chin as if he thought something through carefully. I do not know what expression he hid behind his palm. When he dropped his hand from his face, he was smiling wryly. “Don’t you think that might cause some talk about the keep?” I let his comment pass for I had no answer to it. He had spoken to me in the Fool’s mocking voice. Even as it soothes my heart, I had to wonder if it was a sham for my benefit. Did he show me what I wished to see, or what he was? “Well.” He sighed. “I suppose that if you were going to have an appropriate name for me, it would still be Fool. So let us leave it at that, Fitzy. To you, I am the Fool.” He looked into the fire and laughed softly. “It balances, I suppose. Whatever is to come for us, I will always have these words to recall now.” He looked at me and nodded gravely, as if thanking me for returning something precious to him. There were so many things I wanted to discuss with him. I wanted to review the Prince’s mission and talk about Web and ask him why he now gambled so much and what his wild extravagances meant. But I suddenly wanted to add no more words to what we had said tonight. As he had said, it balanced now. It was a hovering scale between us; I would chance no word that might tip it awry again. I nodded to him and rose slowly. When I reached the door, I said quietly, “Then, good night, Fool.” I opened the door and went out into the corridor. “Good night, beloved,” he said from his fireside chair. I shut the door softly behind myself.
Robin Hobb (Golden Fool (Tawny Man, #2))
But to be clear, I had not, at any age, desired a specific male body in the way I did now. While all my boyfriends and crushes had been reasonably good-looking, my attraction hovered up near their face, where they kept their talent and power. Lusting for the whole length of a person, head to toe, was what body-rooted fuckers did, Jordi, and men. Now, for the first time, I understood what all the fuss was about. How something beautiful could strike your heart, move you, bring you down on your knees and then, somewhat perversely, you wanted to fuck that pure, beautiful thing. Sex was a way to have it, to not just look at it but to be with it. I suddenly understood all of classical art. The endless carved nudes, Venus in her shell, David. And sexy clothes. I had worn them without really understanding why, thinking of sexy as one of many styles, not realizing it was the only style. You should always be emerging from a shell if possible. Without knowing it, without really understanding it, I had been a body for other people but I had not gotten to have one myself. I had not participated in the infuriating pleasure of wanting a real and specific body on Earth. I lay in the center of the bed, unblinking. Wanting a body had a seriousness to it. When you said you might never recover, you really meant it. This kind of desire made a wound you just had to carry with you for the rest of your life. But this was still better than never knowing. Or I hoped it was. Because in truth it was like a bad dream, a nightmare. Life didn’t just get better and better. You could actually miss out on something and that was that. That was your chance and now it was over. I wondered if I would continue with my work and then I realized that my work was all I had now. I had gotten it completely wrong—I thought I was laboring toward a prize, but the prize was right there, I already had it, and work was something I could do afterward, after I was no longer young enough to be beautiful and could no longer be wanted by someone beautiful. — How’s
Miranda July (All Fours)
It’s crazy how being held by someone for just a few minutes can forever change how it feels not to be held by him. The second he releases his hold on you, it suddenly feels as if a part of you is missing. I guess he feels it, too, which is why he wants me near him.
Colleen Hoover (Maybe Someday (Maybe, #1))
All the creatures seemed happy to be at the library. The Headless Horseman gave horsey rides and the kids lined up! Someone brought out a ball and played fetch with the Hound of the Baskervilles. Dracula told jokes. The giant gently picked up some kids and lifted them high in the air. Everyone was enjoying the fun. The characters didn’t seem so scary now! Virginia Creeper’s happy smile suddenly changed to a worried frown when she looked out the window and saw the seniors’ book club coming up the walk. “Oh my,” said Ms. Creeper, “I almost forgot. It’s time for the book club! They can’t see this! It will give the seniors such a fright.” “Go and tidy up while I stall them at the door!” the librarian told Miss Smith. Virginia Creeper blocked the impatient readers from entering while Miss Smith ran around in a tizzy. She picked up overturned chairs and straightened the book shelves. Outside, the seniors were getting grouchy, but inside, the kids and the characters had become too silly to notice. “Can I help?” Zack asked Miss Smith. She handed the Incredible Storybook to Zack. “Remember,” Miss Smith said, “we have to finish each story so that the characters will go back into the book. Read the last page of each tale, while I deal with this mess!” Zack opened up the book and quickly finished all the stories. One by one, the characters went back into the Incredible Storybook. The puzzled book club burst into the room just as Zack finished the last page. “Okay, class, it’s time to check out your books,” Miss Smith said. She guided the class toward the big front desk. Everyone thanked Virginia Creeper before marching down the library steps and heading back to school. With borrowed books under their arms, the children were looking forward to reading more about all the characters they had just met. Zack smiled and wondered what they would read tomorrow.
Alison McGhee (A Very Brave Witch)
Lana leveled the gun at Penny. “Stop,” Lana said. Penny’s reddened face grew pale. Whatever visions she was inflicting on the people below her stopped. Kids cried in pain, sobbed from the memories. “Oh, everyone has to kiss your butt, don’t they, Healer.” Penny spit that last word. She made her hands into claws and pawed at the air. Her lips were drawn back in a teeth-baring animal snarl. “If I shoot you, I won’t heal you,” Lana said calmly. That caught Penny off guard. But she recovered quickly. She put her head down and started to laugh. It began low and rose a few decibels at a time. Lana’s arm burst into flame. A noose was flung from the ruined church wall. The rope dropped over her head, landed on her shoulders, and tightened around her throat. The limestone beneath her feet was suddenly a forest of knives all stabbing up at her. “Yeah,” Lana said. “That won’t work on me. I’ve gone one-on-one with the gaiaphage. He could teach you a few things. Stop it. Now. Or bang.” Penny’s laugh choked off. She looked hurt. As if someone had said something cruel to her. The visions ceased as suddenly as if someone had switched off a TV. “I’m kind of opposed to murder,” Lana said. “But if you don’t turn and walk away, I’ll blow a hole right where your heart is supposed to be.” “You can’t…” Penny said. “You… No.” “I missed killing a monster once. I’ve always regretted it,” Lana said. “But you’re a human. Sort of. So you get this chance: walk. Keep walking.” For what felt like a very long time Penny stood staring at Lana. Not with hatred, but with disbelief. Lana saw her very, very clearly: a head resting atop the sights of her pistol. Penny took a step back. Then another. There was a wild look of defiance, but then it died. Penny spun on her heel and walked quickly away.
Michael Grant (Fear (Gone, #5))
What I'm afraid of," says Delilah suddenly in a high, strained voice, "is that one day someone asks me how many children I have and I say four, not five. Because then I'll know that it's over, that she's dead.
Elly Griffiths (The Crossing Places (Ruth Galloway, #1))
Some days, I’m still sixteen and burning bridges. I’ve seen a lot of war zones in these past few months, between the edges of your razorblade teeth. I’m waking up to nightmares of still being in love with you, then finding out I wasn’t dreaming at all – I stayed up all last night writing about how I’m over you. It’s funny how my way of being over you is thinking about you every goddamn day. Going through our old letters this morning, I realized “over” shares three letters with “love,” and I blamed the dictionary for still missing you. See, you always had my heart in your clenched fist – I’ve never been fond of your crash-and-burn kind of love, six months of sweet-talking wedding bells and words that sound a lot like forever, then sudden ice ages and statue days. I didn’t know goodbye could be so bitter until you weren’t the one to say it, and I was leaving you for the hope of someone who might actually love me back again. Now I’m hopping trains, running away from the thought of you kissing someone else, and I’ve ended up choking on my splintered blood. They couldn’t love you like I did, could they? Not with the warm bodies and soft words, not with my name smeared across your belly in light lilac bruises. There are days when I’m breaking down your door and stealing back all my love-stained clothing, pressing razorblades into the walls to remind you that there are ways to bleed on the inside and that’s exactly what you did to me There are days when I’m still sixteen and burning bridges.
d.a.s.
I held back from seeing Jacob much during those weeks. He wanted only his mother, and I wasn’t sure I could handle seeing him like that. I stopped by to pick up his siblings and take them away, but I rarely went inside the house. After several days of this, I knew I must face the sight that my daughter faced daily. Inside, I approached the couch tentatively. Would I upset him? A few times when I had visited, he’d hidden his face in a blanket. I reached out hesitantly, touching his thin arm, the skin hot and dry as paper. He didn’t move, but I could see the rise and fall of his swollen chest. Suddenly, my legs gave way, and I dropped to my knees in front of the grandson that I loved so dearly. My hand shook as I lifted it to his soft, fuzzy head. I felt as though I was in the presence of someone very holy. “I love you,” I whispered, and when he didn’t respond, an even softer whisper, “Tell Grandpa that I love him and miss him.” And then, with a groan, “Dear God, don’t let him suffer.
Mary Potter Kenyon (Refined by Fire: A Journey of Grief and Grace)
Saving Lives and Protecting Rights in Translation It is said that life and death are under the power of language. —Hélène Cixous, French author and philosopher Lifeline The phone rings, jolting me to attention. It’s almost midnight on a Friday night. I didn’t want to work the late shift, but the need for my work never sleeps. Most of the calls I get at this late hour are from emergency dispatchers for police, fire, and ambulance. They often consist of misdials, hang-ups, and other nonemergencies. I’ve been working since early this morning, and I’m just not in the mood tonight to hear someone complain about a neighbor’s television being turned up too loud. But someone has got to take the call. I pick up before it rings a second time. “Interpreter three nine four zero speaking, how may I help you?” The dispatcher wastes no time with pleasantries. “Find out what’s wrong,” he barks in English. He didn’t ask me to confirm the address, so I assume he must already have police officers headed to the scene. I ask the Spanish speaker how we can help. I wait for a response. Silence. I ask the question again. No answer, but I can hear that there’s someone on the line. We wait, but we don’t hear any response. It’s probably just another child playing with the phone, accidentally dialing 911. I imagine the little guy looking curiously at the phone and pressing the buttons, then staring at it as a voice comes out of the other end. This happens all the time. I turn up the volume on my headset, just in case it might help me pick up the scolding words of a parent in the background. Then suddenly, I hear a timid female voice speaking so quietly that I can barely make out the words. “Me va a matar,” she whispers. The tiny hairs on my arm stand up on end. I swiftly render her words into English: “He’s going to kill me.” Not missing a beat, the dispatcher asks, “Where is he now?” “Outside. I saw him through the window,” I state, after listening to the Spanish version. I’m trying to stay calm and focused, but the fear in the caller’s voice is not only contagious, but essential to the meaning I have to convey. For what seems like an eternity (but is probably just a few seconds), I hear only the beeps of the recorded line and the dispatcher clicking away at his keyboard. I feel impatient. He’s most likely looking to see how far the nearest police officer is from the scene. “Interpreter, find out where she is.
Nataly Kelly (Found in Translation: How Language Shapes Our Lives and Transforms the World)
behind one ear. “I bet you’re here just because you miss having someone to take all your bullshit. I can’t believe you’d seriously hurt people, all for money. And then get mad when I call you out! And you show up to my art show, all sad and sick and looking for sympathy.” She suddenly goes quiet. “Okay, I’m done. You can talk.
Jessica Lewis (Bad Witch Burning)
Books had always been such a positive part of my life, an only-ever-good thing I was praised for being into. So when someone else said, "No, these aren't good for you; I got angry. Now that anger had been replaced by worry and confusion, I wondered for the first time what reason someone could've had to say they weren't good for me. I'd felt off about the Unlib from the day it started because I'd never questioned books before. Id always thought that if it was book-shaped, it was good. My mom and dad had affirmed as much. In the same way, I'd never questioned what books actually did to me. For me. With me. My whole life, I’d only seen the world open its arms to books. But suddenly I had Mr. Walsh saying that they weren't good for me to read? Id had no idea someone could look at a book and think it would make them, or anyone else that read it, worse off. I'd had no idea someone wouldn't want someone else to read something. And it had bothered me. Why? Why? What was I missing? And now I finally saw it.
Dave Connis (Suggested Reading)
Grief isn't always a knife-sharp twist in your heart or a dull bludgeon in your stomach, sometimes it's a net, cast suddenly and silently over your soul so that you feel trapped and suffocated by its grasp. I feel the loss in the deepest recesses of myself, hidden parts of my mind and my matter, united in missing someone I will never see again.
Non Pratt
There was a moment of silence, and he was aware of the servants' chiding stares. Suddenly, as a group, they broke into effusive compliments in an effort to atone for their master's boorishness. "You're as lovely as a picture, miss!" "...no one there will outshine you..." "...a queen in that gown..." A hot, troubling feeling expanded in Grant's chest, and he wanted to snap at them for being so ungodly solicitous of the feelings of a professional harlot. But he couldn't... because he was as much under her spell as the rest of them.
Lisa Kleypas (Someone to Watch Over Me (Bow Street Runners, #1))
Without allowing herself a moment to contemplate the matter further, she surged into motion, scooting around the first row of chairs and plopping to the floor directly behind Miss Griswold and right in between two young ladies, neither of whom Wilhelmina had ever been introduced to. “Pretend I’m not here,” she whispered to a young lady sporting a most unfortunate hairstyle, who looked down at her as if she’d lost her mind. The young lady blinked right before she smiled. “That might be a little difficult, Miss Radcliff, especially since you’re sitting on my feet.” “Goodness, am I really?” Wilhelmina asked, scooting off the feet in question even as she pushed aside a bit of ivory chiffon that made up the young lady’s skirt. “Shall we assume you’re hiding from someone?” the young lady pressed. “Indeed, but . . . don’t look over at the refreshment table. That might draw unwanted notice.” Unfortunately, that warning immediately had the young lady craning her neck, while the other young lady sat forward, peering over Miss Griswold’s shoulder in an apparent effort to get a better view of the refreshment table. “Who are you hiding from?” Miss Griswold asked out of the corner of her mouth, having the good sense to keep her attention front and center. “Mr. Edgar Wanamaker, the gentleman you were inquiring about,” Wilhelmina admitted. “Mr. Wanamaker’s here?” the young lady with the unfortunate hairstyle repeated as she actually stood up and edged around Wilhelmina, stepping on Wilhelmina’s hand in the process. “Is he the gentleman with the dark hair and . . . goodness . . . very broad shoulders . . . and the one now looking our way? Why, I heard earlier this evening that he’s returned to town with a fortune at his disposal—a fortune that, rumor has it, is certain to turn from respectable to impressive in the not too distant future.” “You don’t say,” Wilhelmina muttered as she tried to tug her hand out from underneath the lady’s shoe. “Miss Cadwalader, you’re grinding poor Miss Radcliff’s hand into the floor.” Looking up, Wilhelmina stopped her tugging as she met the gaze of the other young lady sitting in the second row of the wallflower section, a lady who was looking somewhat appalled by the fact she’d apparently spoken those words out loud. Without saying another word, the lady rose to her feet, shook out the folds of a gown that was several seasons out of date, whispered something regarding not wanting to be involved in any shenanigans, and then dashed straightaway. “I wasn’t aware Miss Flowerdew was even capable of speech,” the lady still standing on Wilhelmina’s hand said before she suddenly seemed to realize that she was, indeed, grinding Wilhelmina’s hand into the ground. Jumping to the left, she sent Wilhelmina a bit of a strained smile. “Do forgive me, Miss Radcliff. I fear with all the intrigue occurring at the moment, paired with hearing Miss Flowerdew string an entire sentence together, well, I evidently quite lost my head and simply didn’t notice I was standing on you.” She thrust a hand Wilhelmina’s way. “I’m Miss Gertrude Cadwalader, paid companion to Mrs. Davenport. Please do accept my apologies for practically maiming you this evening, although rest assured, it is an unusual event for me to maim a person on a frequent basis.” Taking the offered hand in hers—although she did so rather gingerly since her hand had almost been maimed by Miss Cadwalader—Wilhelmina gave it a shake, a circumstance she still found a little peculiar, but resisted when Miss Cadwalader began trying to tug her to her feet. “How fortunate for Mrs. Davenport that you don’t participate in maiming often,” she began. “But if you don’t mind, I prefer staying down here for the foreseeable future, since I have no desire for Mr. Wanamaker to take notice of me this evening.” “Ah,
Jen Turano (At Your Request (Apart from the Crowd, #0.5))
A young couple are supposed to be lucky if they can build their own home. It may be so. For me, the theory did not work that way. My favorite idea as a child was what happened in French fairy stories. You were lost in a forest, and suddenly you came on a castle, which in some way had been left for you to wander in. Sometimes, of course, there were sleeping princes, but in one special one there were cats dressed like Louis XIV, who waited on you. Sometimes it was empty, but it always belonged to you without effort on your part. Maybe it's incorrigible laziness, but I like things to be ready-made. And when I went into my new home, I had just the feeling of the child's story. It was all there waiting for me. This house was the result of the imaginations of other people. If a chair stood in a certain corner it was because of reasons in the life of someone who had liked it that way. I could change it, of course, but what I added would only be part of a long continuity, and so it would have both a particular and a general value. If we had built it, it would certainly have been more comfortable, and perhaps even more beautiful, but I doubt it, and I should have missed this pleasure of stepping into a complete world. And there would have been no thrill of discovery.
Eleanor Perényi (More Was Lost)
All right, Lord Ashton. If I win the trick, you will ask Miss Sinclair for the first dance. If you win, I will grant you my first dance when I am able to walk again. However long it takes.” He met her gaze with a sudden intensity that made her stomach flutter with nerves. “I accept the wager.” Very deliberately, she chose his weakest suit and laid down the king of hearts. She never took her eyes off him, but let him see that she had taken this quite seriously. He was not going to defeat her. “Oh dear,” Lady Penford said, following suit with a queen. “Lily, can you help?” But Lily only discarded a ten. “I’m sorry, but someone dealt me a rubbish hand once again.” She glared at Rose. All eyes turned to Iain. He withdrew a single card from his hand but did not lay it down. For a moment, they all waited for him to make his move. He didn’t smile at all, but locked his green eyes upon hers. She couldn’t read his expression, for he offered neither defeat nor triumph. “Go on, Ashton,” she urged. “If you have a card to play, then set it down. Admit your defeat.” With that, he turned over his card and laid down the ace of hearts.
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
Oh, little girl,” a sinister voice rang out in the hall behind me, and every hair on my body rose. “Have you finally come out to play with the rest of us?” A low growl built up in my captor’s chest, and my body started shaking uncontrollably. “I won’t bite . . . hard.” My captor pressed his body closer to mine, and after slowly moving his hand away from my mouth, moved close to whisper in my ear. I cringed back but couldn’t go far. “Don’t say anything.” “Where’d you go, you little bitch?” the voice said again, but this time the sinister tone was laced with hatred. When my captor pulled back, his face was murderous. Tears sprang to my eyes, but I somehow knew that I needed to listen to him. Suddenly his head turned to the side, and I froze . . . not wanting to see the man that voice belonged to. “Damn, bro, already claiming her?” “Leave,” my captor growled. “Now.” “No need to get touchy. I’ll wait for my go at her.” “I said get. The fuck. Out.” “I’m going . . . I’m going. You better keep an eye on your bitch. Because next time she’s alone, Marco might be the one to find her . . . and you know how bad Marco wants her.” “No one touches her.” His body was vibrating, and I looked up at his face to see the barely concealed rage. “For now,” the voice said in a mocking tone. “Possessive doesn’t suit you. You might want to be careful with that, you know how we all like a challenge.” With a deep laugh, I heard footsteps retreating from us. “I’ll be seeing you soon, sweetheart.” A few seconds passed before my captor looked back at me. His face was dark when he whispered, “Do not run from me again, understood?” Not waiting for me to respond, he pushed off me, grabbed my arm, and started walking out of the kitchen. I shrank into him when he suddenly stopped, and we came face-to-face with three men. “Look what we have here,” one of them said. “Told you I’d be seeing you soon, sweetheart,” another said, and I would have recognized that disturbing voice anywhere. “We need her.” The third spoke directly to my captor, his eyes never once looking at me. The man holding my arm pulled me behind him. A move the first two didn’t miss. “You’ve gotten by fine without her, Marco. I’m sure you’ll figure something out.” Moving me to his other side, and closer to the wall, he began walking again. Not four steps later, pain spread over my scalp, and a cry burst from my chest as I was yanked back by my hair. My captor’s arm moved around my waist as he put himself between Marco and me, and his other arm was straight in front of him with a gun pointed at Marco’s head. “Someone’s moody.” Marco never flinched. But a smile slowly crossed his face as he let my hair fall from his fingers. “You have beautiful hair. What a shame.” “No. One. Touches her,” my captor said low, his words full of warning. “Just fuck her and get that pent-up anger out of your system already,” he said to my captor, his smile never fading. Marco stepped back to the other two guys, his hands raising up in mock-surrender. “Until next time.” My
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
And yet...Stevie had suddenly touched a piece of my heart that hadn't been touched in so long that I didn't realize how hard I had been working to numb the pain of its inactivity. A place of true, unlimited, joy. A place of true love. It hadn't gone anywhere. I can't even claim to have forgotten about it. I just covered it up with as much emotional dirt and misery as I could so I could convince myself that it didn't affect me anymore. But it did...didn't it? Of all the hearts that I've tried to align myself with in the past...Brandon was the first, maybe even the only, one who knew how to accept, appreciate, and give it back to me, in excess. It took Stevie's little surprise visit to remind me of that. And you know what? I'm sorta pissed at him for that. I didn't WANT to remember! Did Stevie ever think of that? Did he ever stop and think that maybe it would just be better if I denied the whole thing ever happened? Let it go? Start over from scratch and just...find someone who wouldn't hurt me the way he did? Who wouldn't hurt him the way that I did? There have got to be couples out there who don't go through this kind of life altering heartache just to be together. Can't I be a part of one of them? Just once? Am I not worthy? Am I not welcome into that elite club of people who actually LIKE being in love? Sighhh...I just wish that was as easy a question to answer as it sounds. But it isn't. Because love is pain. They go hand in hand. If I was too happy with another person, something would still be missing. Just because it wasn't my Brandon. Not even Sam and I could pull that distraction off for more than a week or two at a time. How crazy is that? It makes NO fucking sense at all! Is
Comicality (The Secret Life Of Billy Chase (Book Eight))
Do you remember when you told me that you’d bought something ridiculously luxurious, and it was a mango?” he asks. “I was so fucking jealous of you. I wished that I could feel what that was like. I wanted to want something like that. I wanted to have that so badly.” I don’t have answers to any of his problems. I don’t even have solutions to mine. But this one thing? This, I can handle. “Come on,” I say. “Let’s get some mangoes.” We pull off the freeway a few miles later and follow the computer’s directions to a little grocery store. Fifteen minutes later, we’re sitting in a rest stop, cutting our mangoes to bits. “Here,” I tell him. “Trade me. Pretend you’re me. Let me tell you what it was like when I had that mango.” He shuts his eyes obligingly. “I didn’t have a lot of money,” I tell him. “And that meant one thing and one thing only—fried rice.” He smiles despite himself. “Kind of a stereotype, don’t you think?” “Whose stereotype? Rice is peasant food for more than half the world. It’s easy. It’s cheap. You can dress it up with a lot of other things. A little bit of onion, a bag of frozen carrots and peas. A carton of eggs. With enough rice, that can last you basically forever. It does for some people.” “It actually sounds good.” “If you have a decent underlying spice cabinet, you can break up the monotony a little. Fried rice with soy sauce one day. Spicy rice the next. And then curry rice. You can fool your tongue indefinitely. You can’t fool your body. You start craving.” He’s sitting on the picnic table, his eyes shut. “For me, the thing I start craving first is greens. Lettuce. Pea shoots. Anything that isn’t coming out of a bag of frozen veggies. And fruit. If you have an extra dollar or two, you buy apples and eat them in quarters, dividing them throughout the day.” I slide next to him on the table. The sun is warm around us. “But you get sick of apples, too, pretty soon. And so that’s where I want you to imagine yourself: sick to death of fried rice. No respite. No letting up. And then suddenly, one day, someone hands you a debit card and says, ‘Hey. Here’s fifteen thousand dollars.’ No, I’m not going to buy a stupid purse. I’m going to buy this.” I hold up a piece of mango to his lips. He opens his mouth and the fruit slides in. His lips close on my fingers like a kiss, and I can’t bring myself to draw away. He’s warmer than the sun, and I feel myself getting pulled in, closer and closer. “Oh, God.” He doesn’t open his eyes. “That’s so good.” I feed him another slice, golden and dripping juice. “That’s what it felt like,” I tell him. “Like there’s a deep-seated need, something in my bones, something missing. And then you take a bite and there’s an explosion of flavor, something bigger than just the taste buds screaming, yes, yes, this is what I need.” I hand him another piece of mango. He bites it in half, chews, and then takes the other half. “That’s what it felt like,” I say. “It felt like I’d been starving myself. Like I…” He opens his eyes and looks at me. “Like there was something I needed,” I say softly. “Something I’ve needed deep down. Something I’ve been denying myself because I can’t let myself want it.” My voice trails off. I’m not describing the taste of mango anymore. My whole body yearns for his. For this thing I’ve been denying myself. For physical affection. For our bodies joined. For his arms around me all night. It’s going to hurt when he walks away. But you know what? It’ll hurt more if he walks away and we leave things like this, desperate and wanting, incomplete. My voice drops. “It’s like there’s someone I’ve been denying myself. All this time.
Courtney Milan