Substitute Player Quotes

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Substitution is a true test of strength. The real performance of a player is seen not only during playing time but also and more especially when the player is substituted.
Ernest Agyemang Yeboah
Changing on the fly: the substitution of players between the ice and the bench while the clock is running.
Sarina Bowen (The Understatement of the Year (The Ivy Years, #3))
Baseball also has statistical rigor. Its gurus have an immense data set at hand, almost all of it directly related to the performance of players in the game. Moreover, their data is highly relevant to the outcomes they are trying to predict. This may sound obvious, but as we’ll see throughout this book, the folks building WMDs routinely lack data for the behaviors they’re most interested in. So they substitute stand-in data, or proxies. They draw statistical correlations between a person’s zip code or language patterns and her potential to pay back a loan or handle a job. These correlations are discriminatory, and some of them are illegal.
Cathy O'Neil (Weapons of Math Destruction: How Big Data Increases Inequality and Threatens Democracy)
Marla dug her fingernails into the palms of her hands as she watched the Coyotes struggle, without success, to make up the twelve-point deficit. It was hot in the arena, and the players were perspiring heavily. Neal was substituting often in order to give them water, but the heat was wearing them down, and the Cougars managed to outscore the Coyotes seventeen to two at the opening of the second half.
Barbara Casey (The Coach's Wife)
Since finite games can be played within an infinite game, infinite players do not eschew the performed roles of finite play. On the contrary they enter into finite games with all the appropriate energy and self-veiling, but they do so without the seriousness of finite players. They embrace the abstractness of finite games as abstractness, and therefore take them up not seriously, but playfully. (The term "abstract" is used here according to Hegel's familiar definition of it as the substitution of a part of the whole for the whole, the whole being "concrete.") They freely use masks in their social engagements, but not without acknowledging to themselves and others that they are masked. For that reason they regard each participant in finite play [as that person playing] and not as a role played by someone.
James P. Carse
[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa;
Michael Chabon (Telegraph Avenue)
Suddenly, Coach Spinks’s face mellowed. There was a dissociation of form and substance. His eyes glistened; his gaze became beatific. “Let us pray,” he said and all the heads on the team dropped floorward as though they were puppets strung to the same wire. “O sweet Jesus, we come again to ask your blessings and your forgiveness for our many trespasses against you and our fellow neighbor. We are playin’ West Charleston High School tonight, Lord, but there’s no need to tell you that since you knew about it two or three million years before I did. We ask, good Jesus, not that we beat West Charleston High but that we do our best before our God, our family, and our country. We do ask, Lord, if you see it befitting, that we score a point or two more than West Charleston even though I know that Coach Warners is a God-fearin’ man and a deacon in the Baptist Church besides. But you know as well as I, Lord, he’s one of the mouthiest so-and-so’s that ever wore socks. I’m also aware, dear Jesus, that their players are all clean cut boys and also pleasant to your sight. We don’t want to ask for anything special, Lord, but help my rebounders get off their feet. Help Pinkie and Jim Don control their tempers. Give Philip and Art a little more temper. And get Ben to quit throwin’ those big city behind-the-back passes. And, Lord, please help this high school if I got to make any substitutions. My scrubs is good boys but they’ve been havin’ a devil of a time puttin’ that ball into the hole. The real thing I want to ask, Lord, is that all these boys make the first team in that great game of life. If they make mistakes, Lord, blow the whistle because you’re the great referee. Call time out and bring them to center court for another jump ball. Don’t let them go out of bounds, Lord. If they bust a play, make ’em run wind-sprints and figure eights but stay with ’em, Lord. Coach ’em all the way to the championship of life. A-men.” “A-men,” the team echoed in relief.
Pat Conroy (The Great Santini)
Vardy’s rise was truly remarkable. He’d been released by Sheffield Wednesday as a teenager and completely quit football for seven months, before storming up the footballing pyramid in a manner rarely witnessed, starting at eighth-tier Stocksbridge Park Steels, where his wage was £30 a week. Following a conviction for assault, he played for six months with an electronic tag around his ankle and was forced to observe a home curfew from 6 pm every evening, which meant being substituted midway through the second half at away matches and driving home quickly. Then came a move to seventh-tier Halifax Town for £15,000, while he worked full-time at a factory making carbon-fibre splints. Twenty-nine goals in 41 games earned him a transfer to Fleetwood Town, in the fifth tier of English football. He spent just a season there, because 34 goals in 42 matches meant Leicester were prepared to spend £1m to secure his services – a record for a non-league player.
Michael Cox (The Mixer: The Story of Premier League Tactics, from Route One to False Nines)
NBA 2K18 Wishlist - Good Badges To Deal Problems In 2K17 The NBA 2K18 release date has basketball fans hyped. The new game in the series will be the definitive way for fans to take control of their favorite franchises and players on the Xbox One and PS4. As of the features player wish to be added into NBA 2K18, we can compare it with NBA 2K17. Today, we'll list the best badges players would like to see in the latest NBA franchise. Flashy Dunker 2K Sports has spent a large amount of time recording flashy dunk animations that look great when they trigger. Unfortunately players do not equip any of these because they get blocked at a higher rate than the basic one and two hand dunk packages. NBA 2K17 has posterizer to help with contact dunks but Flashy Dunker would be for non-contact animations. The badge would allow you to use these flashy dunk packages in traffic while getting blocked at a lower rate in NBA 2K18. Bullet Passer Badge Even with a high passer rating and Hall of Fame dimer you can still find yourself throwing slow lob passes inexplicably. These passes are easy to intercept and give the defense too much time to recover. Bullet Passer would be an increase in the speed of passes that you throw, allowing you to create open looks for teammates in 2K18 that were not possible in NBA 2K17. A strong passing game is more important than ISO ball and this badge would help with that style of play. 3 And D Badge The 3 and D badge would be an archetype in NBA 2K18 ideally but a badge version would be an acceptable substitute. This badge would once again reward players for playing good defense. The badge would trigger after a block, steal, or good shot defense and would lead to an increase in shooting percentage on the next possession from behind the 3 point arc. Dominant Post Presence Badge It's a travesty that post scorer is one of the more under-utilized archetypes in NBA 2K17. Many players that have created a post scorer can immediately tell you why they do not play it as much as their other MyPlayers, it is incredibly easy to lose the ball in the post. Whether it is a double team or your matchup, getting the ball poked loose is a constant problem. Dominant Post Presence would trigger when you attempt to post up and would be an increase in your ability to maintain possession of the ball as long as NBA 2K18 add this badge. In addition the badge would be an increase in the shooting percentage of your teammate when you pass out of the post to an open man. The Glove NBA 2K17 has too many contested shots. The shot contest rating on most archetypes is not enough to outweigh the contested midrange or 3 point rating and consistently force misses. It's obviously that height helps you contest shots in a major way but it also slows you down. However, the Glove would solve this problem in NBA 2K18. This badge would increase your ability to contest shots effectively, forcing more misses and allowing you to play better defense. Of course, there should be more other tips and tricks for NBA 2K18. If you have better advices, tell us on the official media. The NBA 2K18 Early Tip-Off Weekend starts September 15th. That's a total of four days for dedicated fans to get in the game and try its new features before other buyers. The game is completely unlocked for Early Tip-Off Weekend. Be sure to make enough preparation for the upcoming event.
Bunnytheis
Behavior Rehearsal So far, we have used imagery to place ourselves in ideal relaxed settings. But mental imagery is also a valuable component in behavior rehearsal—picturing yourself succeeding at a stressful task. For example, a basketball player can imagine shooting the ball into the basket as a way of improving his or her performance. A golfer envisions putting the ball right into the hole as a means of practice. Both are relying on imagery to improve their games. When should you use imagery? In gearing up for public speaking class, Alan used imagery quite effectively—putting himself in front of a group, giving his speech successfully—just after doing the relaxation exercise we just went through, because the mind and body are more receptive to imagery in a relaxed state. I myself use imagery in preparing to give a speech—I find it useful to picture myself giving the speech, and to imagine the reaction of the audience. Again, practice makes perfect, and mental imagery offers an opportunity for a mental dress rehearsal of the situation you wish to confront. To add behavior rehearsal into your daily relaxation ritual, try the following: When you get close to the end of the relaxation exercise, when you know you are relaxed—right when you close your eyes—picture yourself in a group situation that so far has not been a success for you. Choose a scenario in which you would like to have success that does seem possible in the long term, such as a date, a work or school assignment, and so on. Walk into the room. Envision yourself as relaxed as you are now. You are in control. Your muscles are soft and loose, your face is relaxed, maybe even smiling. Your hands are warm and dry. Your breathing is even. If you get nervous as the scenario continues, pause to refocus your breathing and put your muscles at ease, pulling them back into a relaxed state. Experiment with behavior rehearsal as often as you like—this is a new skill, and there is no substitute for practice.
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
During World War II, rationing in Russia had made vinyl prohibitively expensive, and cheap X-ray film became the bootleg music industry’s substitute. After purchasing a used X-ray plate for a ruble or two from a medical facility, music lovers could cut the plate into a disk with scissors or a knife before having it etched with their favorite tunes. Students studying engineering, I was told, particularly excelled in this bootlegging process. But even a thawed Khrushchev regime had its standards to uphold, and in 1959 the government began a crackdown on this illicit music market. One government tactic was to flood record shops with unplayable records, many intended to damage record players. Some of these records included threatening vocals placed in the middle of a recording, which screamed at the unsuspecting listener, “You like rock and roll? Fuck you, anti-Soviet slime!” Eventually the use of bone records declined as replacement technologies, such as magnetic reel-to-reel tape, took over. But until then, bone-record makers were hunted down and sent to the Gulags. Particularly offensive to the Soviet government were bootleggers who reproduced American jazz records, music Stalin had declared a “threat to civilization.” Despite
Donnie Eichar (Dead Mountain: The Untold True Story of the Dyatlov Pass Incident)
Guardiola remained a lanky teenager with little muscle mass, the opposite of the ideal footballer’s stature. But great art is always born of frustration and since he lacked the pace and strength to overcome the opposition, he substituted physical power with the power of the mind: instinctively developing a sense of spatial awareness that was second to none. He was capable of leaving behind three players with one pass, widening or narrowing the field at will, so that the ball always travelled more than the player. Usually when children start to play football, they want to learn to dribble. Guardiola didn’t: he learnt how to pass the ball.
Guillem Balagué (Pep Guardiola: Another Way of Winning: The Biography)
[On England's elimination from the 2002 World Cup after losing 2-1 to Brazil] Never was Steven Gerrard more noticeably missed, for his ability to pass, rather than kick the ball over 40 yards and for his steely mentality. Not for the first time, Eriksson's substitutions were baffling. The situation cried for Joe Cole, the one England player with a trick to beat a man, but it was the convalescent Kieron Dyer who was sent on, in place of Sinclair. Owen, never fully fit, was withdrawn after 80 minutes, at which stage Eriksson sent on Darius Vassell and Teddy Sheringham in a move which smacked of desperation, rather than tactical nous. From Sven-Goran Eriksson: The Final Reckoning
Joe Lovejoy
Alfredo di Stéfano is maybe the greatest player I have ever seen. I watched him in a match when Manchester United played against Real in the semi-final of the European Cup in Madrid the year before the accident. In those days, there was no substitutes' bench; if you weren't playing, you were in the stand. I felt like I was looking down on what looked like a Subbuteo table—I was that high up—but I couldn't take my eyes off this midfield player and I thought, Who on earth is that? He ran the whole show and had the ball almost all the time. I used to dream of that, and I used to hate it when anyone else got it. They beat us 3-1 and he dictated the whole game. I'd never seen anything like it before—someone who influenced the entire match. Everything went through him. The goalkeeper gave it to him, the full backs were giving it to him, the midfield players were linking up with him and the forwards were looking for him. And there was Gento playing alongside and Di Stefano just timed his passes perfectly for him. Gento ran so fast you couldn't get him offside. And I was just sitting there, watching, thinking it was the best thing I had ever seen. But I had been forewarned a bit by Matt Busby, the manager at the time, because he had been across and seen them play a match in Nice before the semi—in those days it wasn't easy to do that—and, when he came back, we asked him what they were like, but he didn't want to tell us. And I understood why he didn't when I saw them. I think he knew that, if he had said they were the best players he'd ever seen, it would have been all over for us before we'd started. And this was when Di Stefano was thirty. What must he have been like in his youth?
Bobby Charlton
The Razorbacks would play Duke, the NCAA champs in 1991 and 1992. Duke had a host of great players, but their star was Grant Hill, a consensus pick for national Player of the Year honors. The day before the championship, Richardson grew pensive. He was reasonably proud of his accomplishments, but something was nagging him. Richardson had been the underdog so long that despite his team’s yearlong national ranking, he still felt dispossessed. He found himself pondering one of Arkansas’s little-used substitutes, a senior named Ken Biley. Biley was an undersized post player who was raised in Pine Bluff. Neither of his parents had the opportunity to go to college, but every one of his fifteen siblings did, and nearly all graduated. “I had already learned that everybody has to play his role,” Biley says of his upbringing. As a freshman and sophomore, Biley saw some court time and even started a couple of games, but his playing time later evaporated and he lost faith. “Everyone wants to play, and when you don’t you get discouraged,” he says. On two occasions, he sat down with his coach and asked what he could do to earn a more important role. “I never demanded anything,” Biley says, “and he told me exactly what I needed to do, but we had so many good players ahead of me. Corliss Williamson, for one.” Nearly every coach, under the pressure of a championship showdown, reverts to the basic strategies that got the team into the finals. But Richardson couldn’t stop thinking about Biley, and what a selfless worker he had been for four years. The day before the championship game against Duke, at the conclusion of practice, Richardson pulled Biley aside. Biley had hardly played in the first five playoff games leading up to the NCAA title match—a total of four minutes. “I’ve watched how your career has progressed, and how you’ve handled not getting to play,” Richardson began. “I appreciate the leadership you’ve been showing and I want to reward you, as a senior.” “Thanks coach,” Biley said. He was unprepared for what came next. “You’re starting tomorrow against Duke,” Richardson said. “And you’re guarding Grant Hill.” Biley was speechless. Then overcome with emotion. “I was shocked, freaked out!” Biley says. “I hadn’t played much for two years. I just could not believe it.” Biley had plenty of time to think about Grant Hill. “I was a nervous wreck, like you’d expect,” he says. He had a restless night—he stared at the ceiling, sat on the edge of his bed, then flopped around trying to sleep. Richardson had disdained book coaches for years. Now he was throwing the book in the trash by starting a benchwarmer in the NCAA championship game.
Rus Bradburd (Forty Minutes of Hell: The Extraordinary Life of Nolan Richardson)
What’s the seventh direction?” The seventh direction is within. It is the most important. The Controllers focus on controlling the six directions, while the Sonvertos focus on opening humanity to the seventh direction.” “Why?” Uncle smiled. “Because it’s the one place the Controllers can’t control.” “Why can’t they control the seventh direction, if they can control the other six?” “Because the seventh direction is the sacred way in which the Creator—the Great Mystery - moves into the physical universe. The movement is always one-to-one. Creator to individual. Some people have allowed the Controllers to substitute their own image of a God, in effect, replacing the Great Mystery with the small faith. It’s not so much control as it is a form of magic like a shell game. It’s all about distraction. “Controllers are very good at two things: one, forming distractions so people grow to be predictable and easy to manage; and two, providing substitutions for the Real that, over time, become real to most people.” “I don’t understand,” I said, “why don’t people stop them? Kohana touched my arm gently. “One thing Nammu told you is true; they are a very ancient race. They operate in a different spacetime and they know all about us, because they’ve created the game in which we play, and they’ve been observing us since we began on this planet. “The Controllers may have created the game that humanity plays, but there is a bigger game being played out than one planet and a collection of races we call humanity. In this bigger game there’re larger players, more at stake, and this is where we focus. We don’t try to battle the Controllers, we honor them and their role, we avoid their distractions, and we withdraw our energy from them.” “Honor is our word for accept. If we battle them, then we’re trying to control the Controllers. We become like them. We don’t want to control anything, even the seventh direction.” “But if they’ve created the game,” I asked, “do we let them continue with their ways?” "The real manipulators live out of our reach. We can only teach about the seventh direction. That is what we do and why we’re here.” “It sounds so passive…” I whispered. “It’s passive only when you think in terms of battle,” Kohana said. His tone slightly irritated. “We actively teach. We actively show people how to live aligned to nature. We actively demonstrate how to connect with our Creator. People must have the desire to awaken; we can’t force them to wake up.” “And where do they get this desire?” I asked. “Everything you’ve said about the Controllers is that they’ve deceived us and kept us distracted. So where do people get the desire to even consider the seventh direction?” “These attractions are in mythology, religion, philosophy, poetry, art, nature, even science and technology. The attractions are everywhere, just as the distractions of the Controllers are everywhere. They are competing forces for the attention of a human mind and heart.
James Mahu
Changing elements usually has the least effect on the system. If you change all the players on a football team, it is still recognizably a football team. (It may play much better or much worse—particular elements in a system can indeed be important.) A tree changes its cells constantly, its leaves every year or so, but it is still essentially the same tree. Your body replaces most of its cells every few weeks, but it goes on being your body. The university has a constant flow of students and a slower flow of professors and administrators, but it is still a university. In fact it is still the same university, distinct in subtle ways from others, just as General Motors and the U.S. Congress somehow maintain their identities even though all their members change. A system generally goes on being itself, changing only slowly if at all, even with complete substitutions of its elements—as long as its interconnections and purposes remain intact.
Donella H. Meadows (Thinking in Systems: A Primer)
Like other eastern tribes, the Cherokee played a ball game similar to lacrosse. Called "the friend or companion of battle," or simply "little brother of war," these stickball games were very rough--there were often broken bones, torn muscles, cuts, and bruises. Elaborate rituals preceded the game. If someone wanted a contest, he gathered his friends and sent a challenge to another town. If the town accepted the challenge, people were selected for various tasks: an elderly man to oversee the game, a person to sing for the players, another to whoop, and a musician for seven women who danced on the seventh night of preparations for the game. The night before the game, players danced together around the fire with their ball sticks, pretending that they were playing. Then they hung up their sticks, went to a brisk stream, and bathed seven times, after which they went to bed. At daybreak, the shaman took them to the creek again. During their preparations the players were not allowed to go near women and they could not eat meat or anything hot or salty. Seven women were chosen to prepare meals of cold bread and a drink of parched cornmeal and water. The men could not be served by women, so boys brought the food to them. During the day the men were scratched with rattlesnake fangs or turkey quills to toughen them for the "little brother of war." The two teams gathered on a large field where goalposts were set up at each end. Players paired off, the referee threw the ball up in the air between the two captains, and a mad scramble ensued. The game was "anything goes," and there was biting, gouging, choking, scratching, twisting arms and legs, and banging each other with the wooden rackets. The object of the game was to carry the ball between the goals twelve times. The first team with twelve wooden pegs stuck in the ground by the shaman won the game. There was no time limit and often the game went on until dark. There was also no time-out or substitution. If a player was injured, he and the opponent with whom he was paired both left the game. Cherokee gathered from throughout the mountains to watch and bet on these hotly contested games.
Raymond Bial (The Cherokee (Lifeways))
People play games as a substitute for real intimacy, and every game, however unpleasant, has a particular payoff for one or both players
Tom Butler Bowden
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— I think the record is three months, they had to keep bringing on substitutes so the players could get some sleep.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))