Stylish Sitting Quotes

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I could indulge here in a little idle generalization, could lay off my own state of profound emotional shock on the larger cultural breakdown, could talk fast about convulsions in the society and alienation and anomie and maybe even assassination, but that would just be one more stylish shell game. I am not a society in microcosm. I am a thirty-four-year old woman with long straight hair and an old bikini bathing suit and bad nerves sitting on an island in the middle of the Pacific waiting for a tidal wave that will not come.
Joan Didion (The White Album)
Barcelona is the type of city where you can leave your accommodation in the morning and explore all day. On a typical day, you may be taking the subway, waiting in lines at busy tourist attractions, wandering through museums and romantic neighbourhoods, and sitting down for food and drinks at one of the many tapas bars before heading out to an upscale restaurant. Your outfits will work best if they can take you from day to night.
Anastasia Pash (Travel With Style: Master the Art of Stylish and Functional Travel Capsules)
I imagine a hierarchy of happiness; first purchased in the 1970s, a couple would sit here, dining on meals cooked from brand-new recipe books, eating and drinking from wedding china like proper grown-ups. They’d move to the suburbs after a couple of years; the table, too small to accommodate their growing family, passes on to a cousin newly graduated and furnishing his first flat on a budget. After a few years, he moves in with his partner and rents the place out. For a decade, tenants eat here, a whole procession of them, young people mainly, sad and happy, sometimes alone, sometimes with friends, lovers. They’d serve fast food here to fill a gap, or five stylish courses to seduce, carbohydrates before a run and chocolate pudding for broken hearts. Eventually, the cousin sells up and the house clearance people take the table away. It languishes in a warehouse, spiders spinning silk inside its unfashionable rounded corners, bluebottles laying eggs in the rough splinters. It’s given to another charity. They gave it to me, unloved, unwanted, irreparably damaged. Also the table.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
Out of the corner of his eye, he saw another woman sitting over in a wing chair, a pleasantly attractive lady wearing the tasteful clothes of a senior redactrice, or senior civil servant, the stylish black skirt, the dark stockings, the black pumps, and the starched white linen blouse of her caste. The dark hair was swept up in a chignon, elegant and functional, dark eyes glistened as she smiled at him in a professional manner. He could see that she was a woman who met men in a highly assured way—serene, and expert at creating a proper distance.
Paul A. Myers (Paris 1935: Destiny's Crossroads)
And what is the popular color for gowns this Season?” he asked with a smile when it became necessary to announce himself. She gave a little start, and when she raised her face to look up at him, her cheeks were pink, her eyes wide. She looked, for lack of a better comparison, like a child caught doing something she oughtn’t. “Oh! Hello, Grey.” She glanced away. “Um, blue seems to be very favorable this year.” Arching a brow, he nodded at the periodical in her hand. “Beg pardon. I thought you were reading a ladies’ magazine.” “I am,” she replied with a coy smile. “But fashion is not one of its main areas of interest.” With an expression like hers-very much like the Cheshire cat in that book by Lewis Carroll-he doubted it was an article on housekeeping that put such becoming color in her cheeks. “May I?” he asked, holding out his hand. Her grip on the magazine tightened, reluctant to give it up. “Only if you promise not to tell Mama you saw me reading it.” Oh, this was trouble. Still, it was none of his business what a grown woman of three and twenty read. He was curious, that was all. “I promise.” She hesitated, then put the pages into his hand. Placing his fingers between the thin sheaves to mark her spot, Grey flipped to the cover. Christ on a pony! The magazine looked fairly harmless-the sketch on the front showed a demure young lady in a stylish gown and hat, sitting on a park bench. Only upon closer inspection could one notice that the object of her attention-and rapturous smile-was the young man bathing in the lake just on the edge of the page. He was bare-chested-quite possibly bare everywhere, but that key part of anatomy was carefully hidden with a line of text that read, “Ten ways to keep a gentleman at home-and in bed.” He didn’t want to see what she was reading. He had heard of this magazine before. Voluptuous was a racy publication for women, filled with erotic stories, advice, and articles about sexual relationships, how to conduct oneself to avoid scandal, etc. He could take her to task for reading it, but what would be the point? No doubt the information in it would serve her wisely someday. He gave the magazine back to her. “I have to confess, I’m a little surprised to find you reading such…material.” She shrugged. “I was curious. My parents were so happy in their marriage, so very much the opposite of most of what I’ve heard. If I’m to make a match as good as theirs, I need to know as much as I can about how to have a satisfying marriage.” Grey almost groaned. The image of Rose “satisfying” herself filled his mind with such clarity it was difficult to remember he’d never actually seen such a delightful sight. His body stiffened at the delectable images his mind conjured, and he had to fold his hands in front of him to hide his growing arousal.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
But over the past fifty years, accomplishment in our poetry has been signaled most often by manner—as if it were the job of artists not to engage the most potent aspects of Dickinson or Eliot but to sequester themselves in one or another schoolroom, buoyed by the camaraderie with other students sitting obediently, if stylishly, in rows. Schoolroom for formalists, schoolroom for experimentalists—the degeneration of these terms, hijacked by the renegade engines of taste, would portend the degeneration of the medium, except that while fifty years is a long time in the life of an artist, it is in the history of art nothing, the blink of an eye.
James Longenbach (The Virtues of Poetry)
To Olive the hotel looked like a neglected old woman - someone who'd been popular and stylish once but was now slumped over and sitting in her own pee.
Jennifer McMahon, The Invited
allure /alyʀ/ nf 1. (de marcheur) pace; (de véhicule) speed • rouler à vive or grande/faible ~ | to drive at high/low speed • l'entreprise s'est développée à grande ~ | the company expanded at a tremendous pace • modérer or ralentir son ~ | to slow down • presser l'~ (à pied) to quicken one's pace; (en véhicule) to speed up • à toute ~ (conduire, marcher) at top speed; (réciter, manger, noter) really fast • partir à toute ~ | to speed off • à cette ~ nous allons être en retard | at this rate we're going to be late 2. (apparence) (de personne) appearance; (de vêtement) look; (d'événement) aspect • avoir des ~s de | to look like • il a une drôle d'~ | he's a funny-looking chap • tu as une ~ or de l'~ avec ce chapeau! | you look really daft in that hat! • ses vêtements lui donnent l'~ d'un bandit | his clothes make him look like a gangster • prendre l'~ or les ~s de | [changement, révolte] to begin to look like; [personne] to make oneself out to be 3. (distinction) style • elle a beaucoup d'~ | she's got a lot of style • avoir belle ~ | to look very stylish • une personne de belle ~ | a distinguished-looking person • le salon a de l'~ | the sitting room is stylish • avoir fière ~ | to cut a fine figure 4. sailing trim 5. (d'animal) gait
Synapse Développement (Oxford Hachette French - English Dictionary (French Edition))
you can sit outside in Paris and drink little cups of coffee, but why this is more stylish than sitting inside and drinking large glasses of whiskey I don’t know. I
P.J. O'Rourke (Holidays in Hell: In Which Our Intrepid Reporter Travels to the World's Worst Places and Asks, "What's Funny About This?" (O'Rourke, P. J.))
The closest I've come to having a "real job" has been in a recurring nightmare. It goes like this. I'm lost in a maze of office cubicles. Each cubicle contains a stylish hipster, a stylish Macintosh computer, and one of those big rubber balls that people use for abdominal workouts. The hipsters sit atop the balls as if the balls were chairs, and they plug XO, XO, XO, XO into their keyboards, populating the fields of never-ending spreadsheets. The hipsters are all identical. They wear black polos. Their gelled hair is unkempt in a contrived way. Strange oily tattoos decorate their arms like runes. I know that they are slim and handsome, but try as I may, I can never see their faces. I wander the maze, looking for a cube of my own, but they are all occupied by the same infinite hipster, the same infinite Macintosh, the same infinite ab ball.
Nick Yetto (Sommelier of Deformity)