Stunning Woman Quotes

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Yes, we praise women over 40 for a multitude of reasons. Unfortunately, it's not reciprocal. For every stunning, smart, well-coiffed, hot woman over 40, there is a bald, paunchy relic in yellow pants making a fool of himself with some 22-year old waitress. Ladies, I apologize. For all those men who say, "Why buy the cow when you can get the milk for free?", here's an update for you. Nowadays 80% of women are against marriage. Why? Because women realize it's not worth buying an entire pig just to get a little sausage!
Andy Rooney
For the first time in forever, he was stunned to silence. Not by her words, but by the tenderness in her hands, the worry in her eyes. He was an archangel. He’d been wounded far, far worse and shrugged it off. But then, there had been no woman with sun kissed by the sunset and eyes of storm gray to tear into him for daring to get himself hurt.
Nalini Singh (Archangel's Consort (Guild Hunter, #3))
I want you to say dreadfully mad, funny things and make up songs and be--' The Will I fell in love with, she almost said. "And be Will," she finished instead. "Or I shall hit you with my umbrella." *** "You would make a very ugly woman." "I would not. I would be stunning." Tessa laughed. “There,” she said. “There is Will. Isn’t that better? Don’t you think so?” “I don’t know,” Will said, eyeing her. “I’m afraid to answer that. I’ve heard that when I speak, it makes American women wish to strike me with umbrellas.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Mr. Rochester never courted Jane Eyre," Tessa pointed out. "No, he dressed up as a woman and terrified the poor girl out of her wits. Is that what you want?" "You would make a very ugly woman." "I would not. I would be stunning.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
You would make a very ugly woman" "I would not. I would be stunning
Cassandra Clare (The Infernal Devices: Clockwork Princess (The Infernal Devices: Manga, #3))
She gave him a cool glance over her shoulder. "May your balls wither away and you develope an allergy to Viagra and all its counterparts." He looked at her, stunned. And then he suddenly exploded into laughter. "God, you're a formidable woman" "No, I'm not. I'm soft, remember?" She slammed the door behind her.
Iris Johansen (Killer Dreams)
I want her – this fearless, stunning woman. And I want the kids. Those perfect, awful, amazing children – whom she loves with every inch of her soul. I want them to be mine. Mine to hold, mine to protect and teach. Their joy, their laughter, their love. I want to come home to it, bask in it, be the reason for it. But even more than that, I want to deserve them.
Emma Chase (Sustained (The Legal Briefs, #2))
You’re late.” “You’re stunning.” “You’re forgiven.” —Pretty Woman
Lynn Painter (Better Than the Movies)
Rohan's fingertips drifted with stunning delicacy over her throat, behind her ear, pushing into the satiny warmth of her hair. "You are an interesting woman Amelia." Gooseflesh rose wherever his breath touched. "I can't f-fathom why you would think so." His playful mouth traced the wing of her brow. "I find you thoroughly, deeply interesting. I want to open you like a book and read every page." A smile curved the corners of his lips as he added huskily, "Footnotes included.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Regardless, you ask why I did not greet you. Well, let us assume that I had acted as you suggest I should. Upon your approach, you would have had me gush over you?” “Naturally.” “You would have me point out how stunning you appear in that gown?” “I wouldn’t complain.” “Mention how your dazzling eyes glisten in the fireworks like burning embers?” “That would be nice.” “Expound on how your lips are so perfectly red that they could leave any man breathless with wonder, yet drive him compose the most brilliant of poetry each time he recalled the moment?” “I’d be flattered for certain.” “And you claim you want these reactions from me?” “I do.” “Well blast it, woman,” Lightsong said, picking up his cup. “If I’m stunned, dazzled, and breathless, then how the hell am I supposed to greet you? By definition, won’t I be struck dumb?” She laughed. “Well, then, you’ve obviously found your tongue now.” “Surprisingly, it was in my mouth,” he said. “I always forget to check there.
Brandon Sanderson (Warbreaker)
Tessa exploded "I am not asking you to maul me in the Whispering Gallery! By the Angel, Will, would you stop being so polite?!" He looked at her in amazement. "But wouldn't you rather-" "I would not rather. I don't want you to be polite! I want you to be Will! I don't want you to indicate points of architectural interest to me as if you were a Baedecker guide! I want you to say dreadfully mad, funny things, and make up songs and be-" The Will I fell in love with, she almost said. "And be Will," she finished instead. "Or I shall strike you with my umbrella." "I am trying to court you," Will said in exasperation. "Court you properly. That's what all this has been about. You know that, don't you?" "Mr. Rochester never courted Jane Eyre," Tessa pointed out. "No, he dressed up as a woman and terrified the poor girl out of her wits. Is that what you want?" "You would make a very ugly woman." "I would not. I would be stunning." Tessa laughed. "There," she said. "There is Will. Isn't that better? Don't you think so?" "I don't know," Will said, eyeing her. I'm afraid to answer that. I've heard that when I speak, it makes American women wish to strike me with umbrellas." Tessa laughed again, and then they were both laughing, their smothered giggles bouncing off the walls of the Whispering Gallery. After that, things were decidedly easier between them, and Will's smile when he helped her down from the carriage on their return home, was bright and real.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I design clothes because I don’t want women to look all innocent and naïve… I want woman to look stronger… I don’t like women to be taken advantage of… I don’t like men whistling at women in the street. I think they deserve more respect. I like men to keep their distance from women, I like men to be stunned by an entrance. I’ve seen a woman get nearly beaten to death by her husband. I know what misogyny is… I want people to be afraid of the women I dress.
Alexander McQueen
A song of despair The memory of you emerges from the night around me. The river mingles its stubborn lament with the sea. Deserted like the dwarves at dawn. It is the hour of departure, oh deserted one! Cold flower heads are raining over my heart. Oh pit of debris, fierce cave of the shipwrecked. In you the wars and the flights accumulated. From you the wings of the song birds rose. You swallowed everything, like distance. Like the sea, like time. In you everything sank! It was the happy hour of assault and the kiss. The hour of the spell that blazed like a lighthouse. Pilot's dread, fury of blind driver, turbulent drunkenness of love, in you everything sank! In the childhood of mist my soul, winged and wounded. Lost discoverer, in you everything sank! You girdled sorrow, you clung to desire, sadness stunned you, in you everything sank! I made the wall of shadow draw back, beyond desire and act, I walked on. Oh flesh, my own flesh, woman whom I loved and lost, I summon you in the moist hour, I raise my song to you. Like a jar you housed infinite tenderness. and the infinite oblivion shattered you like a jar. There was the black solitude of the islands, and there, woman of love, your arms took me in. There was thirst and hunger, and you were the fruit. There were grief and ruins, and you were the miracle. Ah woman, I do not know how you could contain me in the earth of your soul, in the cross of your arms! How terrible and brief my desire was to you! How difficult and drunken, how tensed and avid. Cemetery of kisses, there is still fire in your tombs, still the fruited boughs burn, pecked at by birds. Oh the bitten mouth, oh the kissed limbs, oh the hungering teeth, oh the entwined bodies. Oh the mad coupling of hope and force in which we merged and despaired. And the tenderness, light as water and as flour. And the word scarcely begun on the lips. This was my destiny and in it was my voyage of my longing, and in it my longing fell, in you everything sank! Oh pit of debris, everything fell into you, what sorrow did you not express, in what sorrow are you not drowned! From billow to billow you still called and sang. Standing like a sailor in the prow of a vessel. You still flowered in songs, you still brike the currents. Oh pit of debris, open and bitter well. Pale blind diver, luckless slinger, lost discoverer, in you everything sank! It is the hour of departure, the hard cold hour which the night fastens to all the timetables. The rustling belt of the sea girdles the shore. Cold stars heave up, black birds migrate. Deserted like the wharves at dawn. Only tremulous shadow twists in my hands. Oh farther than everything. Oh farther than everything. It is the hour of departure. Oh abandoned one!
Pablo Neruda
Now, there is a tendency at a point like this to look over one’s shoulder at the cover artist and start going on at length about leather, tightboots and naked blades. Words like ‘full’, ‘round’ and even ‘pert’ creep into the narrative, until the writer has to go and have a cold shower and a lie down. Which is all rather silly, because any woman setting out to make a living by the sword isn’t about to go around looking like something off the cover of the more advanced kind of lingerie catalogue for the specialized buyer. Oh well, all right. The point that must be made is that although Herrena the Henna-Haired Harridan would look quite stunning after a good bath, a heavy-duty manicure, and the pick of the leather racks in Woo Hun Ling’s Oriental Exotica and Martial Aids on Heroes Street, she was currently quite sensibly dressed in light chain mail, soft boots, and a short sword. All right, maybe the boots were leather. But not black.
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
I was on my back, looking up at Morelli through cobwebs, and my first thought was that the 7-Eleven victim had exacted revenge on me, and I’d been stun gunned. The cobwebs cleared, and I discounted stun gunning. “What happened?” I asked Morelli. “You fainted.” “That’s ridiculous.” “I agree, but if someone sent me a dead woman I might faint, too.” He was down on one knee, bending over me. “Are you ready to get up?” “I need a moment.” “Don’t take too long. People will think I’m proposing.
Janet Evanovich (Smokin' Seventeen (Stephanie Plum, #17))
You're stunning, Kyrie. Whether you're done up in Dior and jewels, or just woken up in a sundress and messy hair, you are, very honestly, the most lovely woman I've ever know. You don't need fancy hair and makeup to take my breath a way away, Kyire. You just have to be you.
Jasinda Wilder (Alpha (Alpha, #1))
The Romanians really do lead the world when it comes to cursing. “What have you got for me?” I asked a woman from Transylvania who was now living in Vienna. “Shove your hand up my ass and jerk off my shit,” she offered. I was stunned. “Anyone else would say, ‘Shove your hand up my ass,’ and then run out of imagination,” I told her. “You people, though, you just keep going. And that’s what makes you the champions you are.” Maybe it’s not too late to learn how to drive, I thought, watching as she walked out the door and onto the unsuspecting streets of Vienna, this poet, this queen, this glittering jewel in a city of flint.
David Sedaris (Calypso)
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.  The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become. As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.  She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale. Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?” I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.  “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”             I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”  I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank. “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”   I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”   So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
As I grow in age, I value women who are over forty most of all. Here are just a few reasons why: A woman over forty will never wake you in the middle of the night to ask, “What are you thinking?” She doesn’t care what you think. If a woman over forty doesn’t want to watch the game, she doesn’t sit around whining about it. She does something she wants to do. And, it’s usually something more interesting. A woman over forty knows herself well enough to be assured in who she is, what she is, what she wants and from whom. Few women past the age of forty give a hoot what you might think about her or what she’s doing. Women over forty are dignified. They seldom have a screaming match with you at the opera or in the middle of an expensive restaurant. Of course, if you deserve it, they won’t hesitate to shoot you, if they think they can get away with it. Older women are generous with praise, often undeserved. They know what it’s like to be unappreciated. A woman over forty has the self-assurance to introduce you to her women friends. A younger woman with a man will often ignore even her best friend because she doesn’t trust the guy with other women. Women over forty couldn’t care less if you’re attracted to her friends because she knows her friends won’t betray her. Women get psychic as they age. You never have to confess your sins to a woman over forty. They always know. A woman over forty looks good wearing bright red lipstick. This is not true of younger women. Once you get past a wrinkle or two, a woman over forty is far sexier than her younger counterpart. Older women are forthright and honest. They’ll tell you right off if you are a jerk, if you are acting like one! You don’t ever have to wonder where you stand with her. Yes, we praise women over forty for a multitude of reasons. Unfortunately, it’s not reciprocal. For every stunning, smart, well-coiffed hot woman of forty-plus, there is a bald, paunchy relic in yellow pants making a fool of himself with some twenty-two-year-old waitress. Ladies, I apologize. For all those men who say, “Why buy the cow when you can get the milk for free,” here’s an update for you. Now 80 percent of women are against marriage, why? Because women realize it’s not worth buying an entire pig, just to get a little sausage.
Andy Rooney
You said you survived, Anna, but you didn't. You triumphed. Everything about you is a testament to courage and strength." When she stared at him, obviously stunned, he smiled a little. "You didn't get either from a social worker or a counselor. They just helped you figure out how to use it. I figure you got it from your mother. She must have been a hell of a woman." "She was," Anna murmured, near tears again. "So are you.
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
Instead of being regarded as intelligent or knowledgeable, many a woman would rather be regarded as beautiful or good in the kitchen; many a man, as handsome or good in bed.
Mokokoma Mokhonoana
Ah, the beautiful Celine,” Desmund said, earning a smile from her. “Did I ever tell you that you remind me of a courtesan I knew once in King George’s court? She was stunning to look upon and much sought after.” Celine toyed with her hair. “You flatter me, Desmund. Was she someone of noble birth?” “No, but I believe she serviced a duke or two.” I choked on my water. Tristan reached over to pat my back, while smiling graciously at the outraged woman.
Karen Lynch (Refuge (Relentless, #2))
Hallie, you’re the most stunning woman I’ve ever laid eyes on. Your kindness and empathy only make you more beautiful. But your bravery? It steals my breath.
Catherine Cowles (Ashes of You (Lost & Found, #5))
Her heart pounded as the door lifted and Hunter got out dressed in faded jeans, a gray and black v-neck sweater, and a black leather jacket, the man was drop-dead stunning. And that deadly stagger of his made her weak in the knees. "Oh baby," she heard Tammy whisper as he came around the car. Hunter stopped in front of Amanda and raked a hungry look over her body. "Hi, luscious," he said in that deep, evocative voice. "Sorry I'm late." Before Amanda knew what he was doing, he pulled her into his arms and gave her a sizzling hot kiss. Her body burned in response to his tongue tasting hers as he fisted his hands against her back. Then, he dipped down and picked her up in his arms. "Hunter!" she gasped as he carried her effortlessly toward the car. He gave her that devilish tight-lipped smile. His midnight eyes were warm and alive with humor and hunger. With the toe of his boot, he opened the passenger-side door and set her inside. He retrieved her briefcase and purse from the sidewalk where she had dropped them and handed them to her. Then, he turned and gave a knowing smile to Cliff. "You really have to love a woman who lives to see you naked.
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
Foxbrush sneezed again. He couldn't help himself. It's not something a fellow likes to do when a stunningly beautiful woman is leaning toward him with an expression on her face like Nidawi's wore. But sneezes are not prey to the wants or wishes of those inflicted with them. He sneezed so violently that he nearly knocked his forehead against Nidawi's exquisite little chin. She leapt back lightly, frowning at first, then shaking the frown into a rain of laughter.
Anne Elisabeth Stengl (Shadow Hand (Tales of Goldstone Wood, #6))
It was drizzling. As people rushed along, they began opening umbrellas over their heads, and all at once the streets were crowded, too. Arched umbrella roofs collided with one another. The men were courteous, and when passing Tereza they held their umbrellas high over their heads and gave her room to go by. But the women would not yield; each looked straight ahead, waiting for the other woman to acknowledge her inferiority and step aside. The meeting of the umbrellas was a test of strength. At first Tereza gave way, but when she realized her courtesy was not being reciprocated, she started clutching her umbrella like the other women and ramming it forcefully against the oncoming umbrellas. No one ever said "Sorry." For the most part no one said anything, though once or twice she did hear a "Fat cow!" or "Fuck you!" The women thus armed with umbrellas were both young and old, but the younger among them proved the more steeled warriors. Tereza recalled the days of the invasion and the girls in miniskirts carrying flags on long staffs. Theirs was a sexual vengeance: the Russian soldiers had been kept in enforced celibacy for several long years and must have felt they had landed on a planet invented by a science fiction writer, a planet of stunning women who paraded their scorn on beautiful long legs the likes of which had not been seen in Russia for the past five or six centuries. She had taken many pictures of those young women against a backdrop of tanks. How she had admired them! And now these same women were bumping into her, meanly and spitefully. Instead of flags, they held umbrellas, but they held them with the same pride. They were ready to fight as obstinately against a foreign army as against an umbrella that refused to move out of their way.
Milan Kundera (The Unbearable Lightness of Being)
I am a woman committed to a politics of transliteration, the methodology of a mind stunned at the suddenly possible shifts of meaning - for which like amnesiacs in a ward on fire, we must find words or burn.
Olga Broumas (Beginning with O (Yale Series of Younger Poets))
To stop Maria before she ruined everything, he grabbed her about the waist, hauled her against him, and sealed his mouth to hers. At first she seemed too stunned to do anything. When after a moment, he felt her trying to draw back from him, he caught her behind the neck with an iron grip. "Oh," Gran said in a stiff voice. "Beg pardon." Dimly he heard the door close and footsteps retreating, but before he could let Maria go, a searing pain shot through his groin, making him see stars. Blast her, the woman had kneed him in the ballocks! As he doubled over, fighting to keep from passing out, she snapped, "That was for making me look like a whore, too!
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
I was stunned. I pulled the phone away and looked quizzically at the hole-punched speaker. Aside from the blood obligation to be my sister's maid of honor, it had never occured to me that I would get asked to be in anyone's wedding. I thought we had reached an understanding, the institution of marriage and I. Weddings are the like the triathlon of female friendship: the Shower, the Bachelorette Party, and the Main Event. It's the Iron Woman and most people never make it through. They fall off their bikes or choke on ocean water. I figured if I valued my life, I'd stay away from weddings and they'd stay away from me.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
The woman wasn't Mr. Kahn's sister. She was Mr. Kahn.
Sara Shepard (Stunning (Pretty Little Liars, #11))
Iam a sensitive, introverted woman, which means that I love humanity but actual human beings are tricky for me. I love people but not in person. For example, I would die for you but not, like…meet you for coffee. I became a writer so I could stay at home alone in my pajamas, reading and writing about the importance of human connection and community. It is an almost perfect existence. Except that every so often, while I’m thinking my thoughts, writing my words, living in my favorite spot—which is deep inside my own head—something stunning happens: A sirenlike noise tears through my home. I freeze. It takes me a solid minute to understand: The siren is the doorbell. A person is ringing my doorbell. I run out of my office to find my children also stunned, frozen, and waiting for direction about how to respond to this imminent home invasion. We stare at each other, count bodies, and collectively cycle through the five stages of doorbell grief: Denial: This cannot be happening. ALL OF THE PEOPLE ALLOWED TO BE IN THIS HOUSE ARE ALREADY IN THIS HOUSE. Maybe it was the TV. IS THE TV ON? Anger: WHO DOES THIS? WHAT KIND OF BOUNDARYLESS AGGRESSOR RINGS SOMEONE’S DOORBELL IN BROAD DAYLIGHT? Bargaining: Don’t move, don’t breathe—maybe they’ll go away. Depression: Why? Why us? Why anyone? Why is life so hard? Acceptance: Damnit to hell. You—the little one—we volunteer you. Put on some pants, act normal, and answer the door. It’s dramatic, but the door always gets answered. If the kids aren’t home, I’ll even answer it myself. Is this because I remember that adulting requires door answering? Of course not. I answer the door because of the sliver of hope in my heart that if I open the door, there might be a package waiting for me. A package!
Glennon Doyle (Untamed)
It is to a dramatist, which is to say, to an unfrocked psychoanalyst, stunning that that which has sustained the Left in my generation, its avatar, its prime issue, has been abortion. For, whether or not it is regarded as a woman’s right, an unfortunate necessity, or murder, which is to say, irrespective of differing and legitimate political views, to enshrine it as the most important test of the Liberal, is, mythologically, an assertion to the ultimate right of a postreligious Paganism.
David Mamet (The Secret Knowledge: On the Dismantling of American Culture)
Black Girls… Strive to be a woman of substance! Don’t solely allow your big butt, thick thighs, wide hips, large breasts, and overall good looks to define you as a woman. Your looks alone shouldn’t define who you are. What more do you have to offer? What is your TRUE character? How is your attitude? What have you accomplished? Do you have respect for yourself? What do you represent? Everywhere you look, there’s another beautiful, stunning, fine looking sista. Stand out from the rest and dare to be different! Your good looks should only be a bonus, not the main factor. #RealTalk
Stephanie Lahart
In writing the short novel Fahrenheit 451 I thought I was describing a world that might evolve in four or five decades. But only a few weeks ago, in Beverly Hills one night, a husband and wife passed me, walking their dog. I stood staring after them, absolutely stunned. The woman held in one hand a small cigarette-package-sized radio, its antenna quivering. From this sprang tiny copper wires which ended in a dainty cone plugged into her right ear. There she was, oblivious to man and dog, listening to far winds and whispers and soap-opera cries, sleep-walking, helped up and down curbs by a husband who might just as well not have been there. This was not fiction.
Ray Bradbury
. . . the men expressed the shock of reading something geared exclusively to the feminine. It stunned them with an awareness of what women experience. They said they'd felt religiously excluded for the first time in their lives.
Sue Monk Kidd (The Dance of the Dissident Daughter: A Woman's Journey from Christian Tradition to the Sacred Feminine)
Crystal said, “Okay, sweetie. I’m on my way. Give me five minutes to put on a garter belt under my raincoat. I’ll be there in forty minutes.” She also asked Brett to wait downstairs for her in the rain with an umbrella, so she wouldn’t get drenched walking to the front of his apartment complex. He waited and waited and waited. Three hours later, it occurred to him like a stunning revelation: No booty cometh.
Sherry Argov (Why Men Love Bitches: From Doormat to Dreamgirl-A Woman's Guide to Holding Her Own in a Relationship)
Why would you family think about it?" "Oh, my mother's the only one that counts, and she likes you very much from what she's seen of you." "So you had me inspected?" "No-dash it all, I seem to be saying all the wrong things today. I was absolutely stunned that first day in court, and I rushed off to my mater, who's an absolute dear, and the kind of person who really understands things, and I said, 'Look here! here's the absolutely one and only woman, and she's being put through a simply ghastly awful business and for God's sake come and hold my hand!' You simply don't know how foul it was.
Dorothy L. Sayers (Strong Poison (Lord Peter Wimsey, #6))
there was a woman who, though not stunningly beautiful, thought herself to be. Because she was in love with a man who made her feel that way.
Lauren Stewart (Darker Water (Once and Forever, #1))
Her. There. She. You. Stunning. Are. Woman. Want. I lost my train of thought. I lost my words. In truth, I lost my ability to speak. And think. I’d been addled insensible by the vision before me.
Penny Reid (Happily Ever Ninja (Knitting in the City, #5))
My interest in this started one night when I was doing stand-up in a small club in New York. I was talking about texting and I asked for a volunteer who’d met someone recently and had been texting back and forth with them. I read the back-and-forth messages of one gentleman and made jokes about how we were all dealing with some version of this nonsense. I quickly noticed that one woman seemed very puzzled. I asked her why she looked so bewildered, and she explained that this was something that just didn’t happen in France, where she was from. This kind of back-and-forth simply didn’t exist, she claimed. I asked her, “Okay, well, what would a guy in France text you, if you met him at a bar?” She said, “He would write . . . ‘Fancy a fuck?’” And I said, “Whoa. What would you write back?” She said, “I would write yes or no depending on whether I fancied one or not.” I was stunned—that kind of makes so much more sense, right?
Aziz Ansari (Modern Romance: An Investigation)
The park was the heart of the city. He had come to the city – and with a knowing in his blood – he had established himself at the heart of it. Everyday he looked at the heart of it; every day; he was so stunned and awed and overwhelmed that just to think about it made him sweat. There was something, in the center of the park, that he had discovered. It was a mystery although it was in a glass case for everybody to see and there was a typewritten card over it telling all about it. But there was something the card couldn't say and what it couldn't say was inside him. He could not show the mystery to just anybody; but he had to show it to somebody. Who he had to show it to was a special person. This person could not be from the city but he didn't know why. He knew he would know him when he saw him and that he would have to see him soon or the nerve inside him would grow so big that he would be forced to steal a car or rob a bank or jump out of a dark alley onto a woman.
Flannery O'Connor (Wise Blood)
Every word I say to you is straight from my heart and soul. I want to start off by saying that you are the most beautiful woman I’ve ever seen, and you look absolutely stunning. I feel like I’m the luckiest man alive to have you in my life, and not just as your best friend, but as your husband. You stole my heart from the moment you turned around and looked at me. The moment I saw your smile, I knew I was done for, and everything I thought I had believed in disappeared. You showed me love, and taught me that it was ok to love someone. We grew together as friends and then as lovers. Now, we will grow together as husband and wife. I promise to love you forever, and to never break your heart. I promise to keep you safe at all times. I promise you a world of happiness and joy, and I promise to take away your pain and sadness. You are my forever,
Sandi Lynn (The Forever Trilogy (Forever, #1-3))
upset or disturb them. The minor problems they encountered were always instantly buffered and solved. Annabelle had grown up in a sacred, golden world, a happy child, among kind, loving people. The past few months had been exciting for her, although tempered by a recent disappointment.
Danielle Steel (A Good Woman: A stunning and passionate historical novel from the bestselling storyteller Danielle Steel)
I’d like to buy every rose in your store,” I tell the woman who remains silent, as though she’s stunned. “And if you have any apologetic balloons, I’ll buy those too,” I tell her as I scrub a hand over my face. “Better make it every single flower in your store. I have a lot more to apologize for than I can say with just roses. I don’t want her as frigid with me as she is with Vance. Personally, I still think he’s the bigger ass out of the two of us, but I still should apologize properly.” “I’m sorry?” she says. “Yes. That’s what I want every single card to say,” I tell her. “This is all very confusing,” she says quietly, more to herself than me. Staring at the partially eaten green apple in my hand, I tell her, “You have no idea.” - Damien
Kristy Cunning (Gypsy Freak (All The Pretty Monsters, #2))
Every object, even those which had been hers, which he never touched, seemed to share his loss. He was suddenly parted from his life. That presence, loving or not, which fills the emptiness of rooms, mildens them, makes them light—that presence was gone. The simple greed that makes one cling to a woman left him suddenly desperate, stunned. A fatal space had opened, like that between a liner and the dock which is suddenly too wide to leap; everything is still present, visible, but it cannot be regained.
James Salter (Light Years (Vintage International))
She thumped her weapon (others might call it a cane, but he knew better) against the floor. “Fell off your horse?” “No, I—” “Tripped down the stairs? Dropped a bottle on your foot?” Her expression grew sly. “Or does it involve a woman?” He fought the urge to cross his arms. She was looking up at him with a bit of a smirk. She liked poking fun at her companions; she’d once told him that the best part of growing old was that she could say anything she wanted with impunity. He leaned down and said with great gravity, “Actually, I was stabbed by my valet.” It was, perhaps, the only time in his life he’d managed to stun her into silence. Her mouth fell open, her eyes grew wide, and he would have liked to have thought that she even went pale, but her skin had such an odd tone to begin with that it was hard to say. Then, after a moment of shock, she let out a bark of laughter and said, “No, really. What happened?” “Exactly as I said. I was stabbed.” He waited a moment, then added, “If we weren’t in the middle of a ballroom, I’d show you.” “You don’t say?” Now she was really interested. She leaned in, eyes alight with macabre curiosity. “Is it gruesome?” “It was,” he confirmed. She pressed her lips together, and her eyes narrowed as she asked, “And where is your valet now?” “At Chatteris House, likely nicking a glass of my best brandy.” She let out another one of her staccato barks of laughter.
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
I spent a good amount of time considering my life and where I had been and the stunning fact that I had no idea where I was going. When I was in the midst of my career, I imagined myself on a trajectory that pointed only up, toward success. When Fred was born it was the same, a career of baby raising that led to child raising that led to the eventual victory of a young man capable of co-opting my responsibilities and then a young woman willing to fill in the gaps that Fred was unaware needed filling or uninterested in filling himself.
Rebecca L. Brown (Flying at Night)
She had nothing in common with the statuesque, irreverent, and athletic woman in front of her. The goddess-like beauty was like a free, spirited, untameable stallion. Intimidating, unapologetic, and stunning, all strength and power. The security men were staring with large eyes. She was sexy, sexual, and they wanted her despite her evident despise and disdain.
Jamie Le Fay (Disillusion (Ahe'ey, #3))
They wanted to wow us, maybe?” Lopen said. “Perhaps they thought we’d be so distracted by the riches that we’d be stunned and confused. They did not know that I am accustomed to such incredible sights, for I experience something even more impressive each morning after I awake.” “Is that so?” “When I look in the mirror.” “And you wonder why you’re still single.” “Oh, I don’t wonder,” he said. “I’m fully aware that so much of me is difficult for any one woman to handle. My majesty confuses them. It’s the only explanation for why they often run away.” He gave her a grin.
Brandon Sanderson (Dawnshard (The Stormlight Archive, #3.5))
My grandmother, more than any other woman, was the standard bearer of Gardnerian beauty. Known as “The Black Witch” by our enemies, she was one of the most powerful Gardnerian Mages ever. Intellectually brilliant, artistically gifted, stunningly beautiful and a ruthlessly effective commander of our military forces—she was all of these things. And I don’t just resemble her. I’m her absolute spitting image.
Laurie Forest (The Black Witch (The Black Witch Chronicles, #1))
Baby girl, this is your mother. I know I’ve given you explicit instructions to trace this into your yearbook, but they’re my words. That means this is from me, my heart, and my love for you. There’s so many things I want to say to you, things I want you to hear, to know, but let’s start with the reason I’m having you put these words in your senior yearbook. First of all, this book is everything. It may be pictures, some names of people you won’t remember in five years, ten years, or longer, but this book is more important than you can imagine. It’s the first book that’s the culmination of your first chapter in life. You will have many. So many! But this book is the physical manifestation of your first part in life. Keep it. Treasure it. Whether you enjoyed school or not, it’s done. It’s in your past. These were the times you were a part of society from a child to who you are now, a young adult woman. When you leave for college, you’re continuing your education, but you’re moving onto your next chapter in life. The beginning of adulthood. This yearbook is your bridge. Keep this as a memento forever. It sums up who you grew up with. It houses images of the buildings where your mind first began to learn things, where you first began to dream, to set goals, to yearn for the road ahead. It’s so bittersweet, but those memories were your foundation to set you up for who you will become in the future. Whether they brought pain or happiness, it’s important not to forget. From here, you will go on and you will learn the growing pains of becoming an adult. You will refine your dreams. You will set new limits. Change your mind. You will hurt. You will laugh. You will cry, but the most important is that you will grow. Always, always grow, honey. Challenge yourself. Put yourself in uncomfortable situations (BUT BE SAFE!) and push yourself not to think about yourself, your friends, your family, but to think about the world. Think about others. Understand others, and if you can’t understand, then learn more about them. It’s so very important. Once you have the key to understanding why someone else hurts or dreams or survives, then you have ultimate knowledge. You have empathy. Oh, honey. As I’m writing this, I can see you on the couch reading a book. You are so very beautiful, but you are so very humble. You don’t see your beauty, and I want you to see your beauty. Not just physical, but your inner kindness and soul. It’s blinding to me. That’s how truly stunning you are. Never let anyone dim your light. Here are some words I want you to know as you go through the rest of your life: Live. Learn. Love. Laugh. And, honey, know. Just know that I am with you always.
Tijan (Enemies)
Writer Tara Mohr (2014) discusses ways in which women minimize their impact with the use of qualifiers in their communications. Similar to “I’m sorry,” one of these qualifiers is the word “just.” Mohr explains that using this modifier—as in “I just want to add…” or “I just think…”—diminishes a woman’s power. “Just” quickly disempowers what might otherwise be a stunning idea by connoting something more along the lines of “barely” or “I’m saying this with apology.
Sari Solden (A Radical Guide for Women with ADHD: Embrace Neurodiversity, Live Boldly, and Break Through Barriers)
You might recall that the Scriptures use a number of metaphors to describe our relationship with God. We are portrayed as clay, and he is the potter. We are sheep, and he the shepherd. Each metaphor is beautiful and speaks to the various seasons of our spiritual lives and to the various aspects of God’s heart toward us. But have you noticed they ascend in a stunning way? From potter and his clay to a shepherd and his sheep, there is a marked difference in intimacy, in the way they relate. It gets even better. From master and servant to father and child, there is a wonderful progression into greater intimacy. It grows more beautiful and rich when he calls us his friends. But what is most breathtaking is when God says he is our Lover (our Bridegroom, our Fiancé), and we his bride. That is the pinnacle, the goal of our redemption (used in the last chapter of the Bible, when Christ returns for his bride) and the most intimate and romantic of all.
John Eldredge (Captivating: Unveiling the Mystery of a Woman's Soul)
They asked me a good many questions; as, what my name was, how old I was, where I lived, how I was employed, and how I came there. To all of which, that I might commit nobody, I invented, I am afraid, appropriate answers. They served me with the ale, though I suspect it was not the Genuine Stunning; and the landlord's wife, opening the little half-door of the bar, and bending down, gave me my money back, and gave me a kiss that was half admiring and half compassionate, but all womanly and good, I am sure.
Charles Dickens (David Copperfield)
She stared at me like I'd lost my mind. "I'm a f*cking human being! You can't just kidnap me like this and expect me to do whatever the hell you say." "I can. And I did. And you will." Fire warmed her gray eyes. "Or what? You'll kill me?" She pushed herself up from the floor, and I could practically see her entire body vibrating with her anger. It was fucking beautiful. A rage that rivaled my own. "Go ahead," she spit the words at me. "Death would be preferable to staying here with you and being your puppet." God, she was stunning. And infuriating. My own men didn't mouth off to me the way this woman did. I crossed the room and stood directly in front of her before she had time to run. Grabbing her jaw, I forced her to look at me. "Keep mouthing off to me, Veda. I dare you." Taking a step back, she jerked her chin from my grasp, then slapped me across the face. Hard. A deadly calm came over me. Slowly, I turned my head back around until our gazes clashed. Whatever she saw there wiped the rebellious look from her face. A heartbeat passed. Then another...
Angel Rayne (His Game (His Obsession, #1))
Maria Orsic, a stunning beauty and an unusual medium was not an obscure personality. She was known to many celebrities of the era and had a fleet of very powerful admirers and friends both in Germany and abroad; famous, brilliant and influential people like Charles Lindbergh, Nikola Tesla, Marshal Tito of Yugoslavia, Henry Ford, Eva Peron, and the most illustrious figures in the spiritualism, parapsychological and psychical research in Great Britain. This was reported by Allies intelligence and documented by OSS operatives in Europe.
Jean-Maximillien De La Croix de Lafayette (Volume I. UFOs: MARIA ORSIC, THE WOMAN WHO ORIGINATED AND CREATED EARTH’S FIRST UFOS (Extraterrestrial and Man-Made UFOs & Flying Saucers Book 1))
His mother is dead. She was a suicide. Her marriage was terrifying to her. In the center of it she found herself completely alone. During the last year she sent long telegrams to her sister, sometimes quoting poetry, Swinburne, Blake. One day she burned her diaries, a spring day, and walked into the Connecticut River to drown, just like Virginia Woolf or Madame Magritte. She was buried in Boston, her home. I could see the ceremony. Dean is six years old and his sister three. They stand stunned and obedient as the great, glistening coffin is lowered into the ground. Within lies the drowned woman who had given them life and who now gives an example of melancholy and commitment which will stay with them forever. Clods of earth thunder onto the hollow lid and, half-orphan, bearer of his mother’s death which is not yet even real, he begins his life. Much of it you know, at any rate college, the wanderings. Now, at twenty-four, he has come to the time of choice. I know quite well how all that is. And then, I read his letters. His father writes to him in the most beautiful, educated hand, the born hand of a copyist. Admonitions to confront life, to think a little more seriously about this or that. I could have laughed. Words that meant nothing to him. He has already set out on a dazzling voyage which is more like an illness, becoming ever more distant, more legendary. His life will be filled with those daring impulses which cause him to disappear and next be heard of in Dublin, in Veracruz… I am not telling the truth about Dean, I am inventing him. I am creating him out of my own inadequacies, you must always remember that.
James Salter (A Sport and a Pastime)
As you approach a woman you are interested in, your very desire for her is reason enough to do so. Your desire for her is nothing to be ashamed of, and she actually appreciates such a man more than anything. You do not need an excuse to talk to women and women do not want you to use one either, so why bother? When you stop using excuses, you will be direct, and women will absolutely love it. They will tell you how straightforward you are with a big smile on their faces. You will be able to take their breath away, to sweep them off their feet, and to stun them in amazement.
W. Anton (The Manual: What Women Want and How to Give It to Them)
You've never seen my legs, Marcus. You don't know what you're talking about. And coming from a man who takes his pick of the most beautiful women in London as if he were sampling from a tin of bonbons-" "Are you implying that I'm some shallow fool who values a woman only for her appearance?" Aline was tempted to retract her charge in the interest of maintaining peace between them. But as she considered the last few women that Marcus had carried on with... "I'm sorry to say, Marcus, that each of your recent choice of companions- the last four or five, at least- displayed all the intelligence of a turnip. And yes, they were all quite beautiful, and I doubt that you were able to to have a sensible conversation with any of them for longer than five minutes." Marcus stood back and glared at her. "How does that pertain to what we were discussing?" "It illustrates the point that even you, one of the finest and most honorable men I've ever known, place great importance on physical attractiveness. And if I ever see you consort with a woman who is less than stunningly perfect, then perhaps I'll listen to your lectures on how appearance doesn't matter.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
She scanned the shadows again, bracing herself for more assailants. Nearby, a young woman watched her, and she flashed Celaena a conspirator’s grin. Celaena tried not to look too interested, though the girl was one of the most stunning people she’d ever beheld. It wasn’t just her wine-red hair or the color of her eyes, a red-brown Celaena had never seen before. No, it was the girl’s armor that initially caught her interest: ornate to the point of probably being useless, but still a work of art. The right shoulder was fashioned into a snarling wolf’s head, and her helmet, tucked into the crook of her arm, featured a wolf hunched over the noseguard. Another wolf’s head had been molded into the pommel of her broadsword. On anyone else, the armor might have looked flamboyant and ridiculous, but on the girl … There was a strange, boyish sort of carelessness to her.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
I was doing stand-up in a small club in New York. I was talking about texting and I asked for a volunteer who’d met someone recently and had been texting back and forth with them. I read the back-and-forth messages of one gentleman and made jokes about how we were all dealing with some version of this nonsense. I quickly noticed that one woman seemed very puzzled. I asked her why she looked so bewildered, and she explained that this was something that just didn’t happen in France, where she was from. This kind of back-and-forth simply didn’t exist, she claimed. I asked her, “Okay, well, what would a guy in France text you, if you met him at a bar?” She said, “He would write . . . ‘Fancy a fuck?’” And I said, “Whoa. What would you write back?” She said, “I would write yes or no depending on whether I fancied one or not.” I was stunned—that kind of makes so much more sense, right?
Aziz Ansari (Modern Romance: An Investigation)
We live not for ourselves… it’s what my father always said to justify the sacrifices he had to make, like not spending enough time with me and Mom… or not marrying the woman he loved. But I never knew they had a child together.” [...] The dark outlines of the trees, the patches of star-filled sky, Clarke’s stunned expression, the nervous face of the kid Bellamy had once thought he hated, but now seemed to be… something else entirely. “So that makes you…” “Your half brother.” Wells let the final word hang in the air, as if giving both of them time to examine the shape of it before they claimed it for their own. “I guess you and Octavia aren’t the only siblings in the Colony anymore.” A laugh escaped from Bellamy’s lips before he had time to stop it. “Half brothers,” he repeated. “This is insane.” He shook his head, and with a grin, extended his arm and reached for Wells’s hand. “Brothers.
Kass Morgan (Day 21 (The 100, #2))
My mother was a saint. I really mean it. Stunningly beautiful, an incredible singer, with a heart of gold. For years before she died, she would always tell me that we were gonna get out of Hell’s Kitchen and go straight to Hollywood. She said she was going to be the most famous woman in the world and get us a mansion on the beach. I had this fantasy of the two of us together in a house, throwing parties, drinking champagne. And then she died, and it was like waking up from a dream. Suddenly, I was in a world where none of that was ever going to happen. And I was going to be stuck in Hell’s Kitchen forever.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
He lifted the book from the purse. The cover sported a painting of a stunning redhead in a long, pink gown who stared out the window over rolling green hills. The cover was slightly narrower than the rest of the book, and from underneath peeked out what looked to be a second cover. He turned the page and was startled at what he saw. Another full-color painting, but this one of a shirtless man smashing the heavily bosomed redhead onto a red couch. Her clothes were torn and their torsos met violently. The man’s face was savage; the woman’s head thrown back in surrender. Sam flicked back and forth between the image of the prim, composed woman on the front cover and her ribald, passionate abandon on the inside cover. He glanced out the window to see Ally emerge onto the street below, her head held high and her gait tight and focused as she marched away, prim and composed. He flipped to the inside cover. Hot damn.
Diana Holquist (How to Tame a Modern Rogue)
This extreme treatment was among the proliferating regimens developed in response to the stunning increase in nervous disorders diagnosed around the turn of the century. Commentators and clinicians cited a number of factors related to the stresses of modern civilization: the increased speed of communication facilitated by the telegraph and railroad; the “unmelodious” clamor of city life replacing the “rhythmical” sounds of nature; and the rise of the tabloid press that exploded “local horrors” into national news. These nervous diseases became an epidemic among “the ultracompetitive businessman and the socially active woman.
Doris Kearns Goodwin (The Bully Pulpit: Theodore Roosevelt, William Howard Taft, and the Golden Age of Journalism)
Women with dark skin are sharing selfies on social media after decades of being underrepresented in the mainstream media. From what I have observed much of the dark skin adoration on social media appears to come from us - black women. We tend to use the appreciation hashtags with our own pictures of photographs of dark skin women whom we feel are stunning. While I am loving this fierceness.. There is just one sidetone to this revolution: I feel as if we are much more appreciated if we show more skin. The timelines are filled with absolutely beautiful dark-skinned women but most sadly most of the time they are all oiled up and showing their body parts in different angles. Now, I am definitely in to art and as a model I know that this comes with the territory. But we most not forget that we are Queens.. We need to stop degrading ourselves for likes on the gram. You don't have to be naked to show the world you're beautiful. You my sister are an African Queen. I feel as if black women are only appreciated if they wear very provocative clothes or if they do naked photoshoots. To me, it's degrading and reminds me of the time that we couldn't ride the bus because we were black. Women were seen as servants. The black women that weren't servants were sex slaves. We are not objects, we are not meat and people need to stop looking at us as sex objects. BUT we need to start respecting ourselves first! A black woman is a woman first and it should not even be necessary to specify the colour but this is the society we live in and I feel like I had to share this.
Vanessa Ngoma
My dear Hogun, when a woman is beautiful, she comes to expect a certain—how shall I say?—a certain reverence from men. You should have had the good grace to be thunderstruck by her beauty. Stunned into silence or, better still, into a babbling fool. Then she would have merely ignored you and answered your devotion with arrogant disdain. Now you have slighted her, and she will hate you. Worse than this, she will do all in her power to win your heart.” “I don’t think that makes a great deal of sense. Why should she try to win my heart if she hates me?” “So that she can be in a position to treat you with disdain. Do you know nothing about women?
David Gemmell (Legend (Drenai Saga, #1))
At five minutes to five,Jim walked into Mary's office, wearing his gray sweater and balancing four pieces of birthday cake on two plates. He put the plates down on Mary's empty desk and glanced at the doorway to Nick's office. "Where's Mary?" he asked. "She left almost an hour ago," Lauren said. "She said to tell you that the nearest fire extinguisher is beside the elevators-whatever that means. I'll be right back.I have to take these letters in to Nick." As she got up and started around the desk, she was looking down at the letters in her hand,and what happened next stunned her into immobility. "I miss you,darling," Jim said, quickly pulling her into his arms. A moment later he released her so suddenly that Lauren staggered back a step. "Nick!" he said. "Look at the sweater Lauren gave me for my birthday. She made it herself.And I brought you a piece of my birthday cake-she made that too." Seemingly oblivious to Nick's thunderous countenance,he grinned and added, "I have to get back downstairs." To Lauren he said, "I'll see you later, love." And then he walked out. In a state of shock, Lauren stared at his retreating back.She was still staring after him when Nick spun her around to face him. "You viindictive little bitch,you gave him my sweater! What else has he gotten that belongs to me?" "What else?" Lauren repeated, her voice rising. "What are you talking about?" His hands tightened. "Your delectiable body, my sweet.That's what I'm talking about." Lauren's amazement gave way to comprehension and then to fury. "How dare you call me names, you hypocrite!" she exploded, too incensed to be afraid. "Ever since I've known you, you've been telling me that there's nothing promiscuous about a woman satisfying her sexual desires with any man she pleases.And now-" she literally choked on her wrath "-and now,when you think I've done it,you call me a dirty name. You of all people-you,the United States contender for the bedroom Olympics!
Judith McNaught (Double Standards)
The air is heavy, sweet with perfume, stirred only by a scratchy music that soars and glides and stuns itself against the walls. Large leaded windows look out over the garden at the rear of the house, gray clouds piling up beyond a cupola. Chairs and chaise longues have been gathered around the fire, young women draped over them like wilted orchids, smoking cigarettes and clinging to their drinks. The mood in the room is one of restless agitation rather than celebration. About the only sign of life comes from an oil painting on the far wall, where an old woman with coals for eyes sits in judgment of the room, her expression conveying her distaste for this gathering.
Stuart Turton (The 7½ Deaths of Evelyn Hardcastle)
Ditto for the stereotype about men monopolizing conversations. Like Sasha, many of my dates—even the more passive ones—did most of the talking. I listened to them talk literally for hours about the most minute, mind-numbing details of their personal lives; men they were still in love with, men they had divorced, roommates and coworkers they hated, childhoods they were loath to remember, yet somehow found the energy to recount ad nauseam. Listening to them was like undergoing a slow frontal lobotomy. I sat there stunned by the social ineptitude of people to whom it never seemed to occur that no one, much less a first date, would have any interest in enduring this ordeal.
Norah Vincent (Self-Made Man: One Woman's Journey Into Manhood and Back Again)
Still lying on the ground, half tingly, half stunned, I held my left hand in front of my face and lightly spread my fingers, examining what Marlboro Man had given me that morning. I couldn’t have chosen a more beautiful ring, or a ring that was a more fitting symbol of my relationship with Marlboro Man. It was unadorned, uncontrived, consisting only of a delicate gold band and a lovely diamond that stood up high--almost proudly--on its supportive prongs. It was a ring chosen by a man who, from day one, had always let me know exactly how he felt. The ring was a perfect extension of that: strong, straightforward, solid, direct. I liked seeing it on my finger. I felt good knowing it was there. My stomach, though, was in knots. I was engaged. Engaged. I was ill-prepared for how weird it felt. Why hadn’t I ever heard of this strange sensation before? Why hadn’t anyone told me? I felt simultaneously grown up, excited, shocked, scared, matronly, weird, and happy--a strange combination for a weekday morning. I was engaged--holy moly. My other hand picked up the receiver of the phone, and without thinking, I dialed my little sister. “Hi,” I said when Betsy picked up the phone. It hadn’t been ten minutes since we’d hung up from our last conversation. “Hey,” she replied. “Uh, I just wanted to tell you”--my heart began to race--“that I’m, like…engaged.” What seemed like hours of silence passed. “Bullcrap,” Betsy finally exclaimed. Then she repeated: “Bullcrap.” “Not bullcrap,” I answered. “He just asked me to marry him. I’m engaged, Bets!” “What?” Betsy shrieked. “Oh my God…” Her voice began to crack. Seconds later, she was crying. A lump formed in my throat, too. I immediately understood where her tears were coming from. I felt it all, too. It was bittersweet. Things would change. Tears welled up in my eyes. My nose began to sting. “Don’t cry, you butthead.” I laughed through my tears. She laughed it off, too, sobbing harder, totally unable to suppress the tears. “Can I be your maid of honor?” This was too much for me. “I can’t talk anymore,” I managed to squeak through my lips. I hung up on Betsy and lay there, blubbering on my floor.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
You don’t want to do this, Miss Sheffield,” he warned. “Oh,” she said with great feeling, “I do. I really, really do.” And then, with quite the most evil grin her lips had ever formed, she drew back her mallet and smacked her ball with every ounce of every single emotion within her. It knocked into his with stunning force, sending it hurtling even farther down the hill. Farther . . . Farther . . . Right into the lake. Openmouthed with delight, Kate just stared for a moment as the pink ball sank into the lake. Then something rose up within her, some strange and primitive emotion, and before she knew what she was about, she was jumping about like a crazy woman, yelling, “Yes! Yes! I win!” “You don’t win,” Anthony snapped. “Oh, it feels like I’ve won,” she reveled. Colin and Daphne, who had come dashing down the hill, skidded to a halt before them. “Well done, Miss Sheffield!” Colin exclaimed. “I knew you were worthy of the mallet of death.” “Brilliant,” Daphne agreed. “Absolutely brilliant.” Anthony, of course, had no choice but to cross his arms and scowl mightily. Colin gave her a congenial pat on the back. “Are you certain you’re not a Bridgerton in disguise? You have truly lived up to the spirit of the game.” “I couldn’t have done it without you,” Kate said graciously. “If you hadn’t hit his ball down the hill . . .” “I had been hoping you would pick up the reins of his destruction,” Colin said. The duke finally approached, Edwina at his side. “A rather stunning conclusion to the game,” he commented. “It’s not over yet,” Daphne said. Her husband gave her a faintly amused glance. “To continue the play now seems rather anticlimactic, don’t you think?” Surprisingly, even Colin agreed. “I certainly can’t imagine anything topping it.” Kate beamed. The duke glanced up at the sky. “Furthermore, it’s starting to cloud over. I want to get Daphne in before it starts to rain. Delicate condition and all, you know.” Kate looked in surprise at Daphne, who had started to blush. She didn’t look the least bit pregnant. “Very well,” Colin said. “I move we end the game and declare Miss Sheffield the winner.” “I was two wickets behind the rest of you,” Kate demurred. “Nevertheless,” Colin said, “any true aficionado of Bridgerton Pall Mall understands that sending Anthony into the lake is far more important than actually sending one’s ball through all the wickets. Which makes you our winner, Miss Sheffield.” He looked about, then straight at Anthony. “Does anyone disagree?” No one did, although Anthony looked close to violence. “Excellent,” Colin said. “In that case, Miss Sheffield is our winner, and Anthony, you are our loser.” A strange, muffled sound burst from Kate’s mouth, half laugh and half choke. “Well, someone has to lose,” Colin said with a grin. “It’s tradition.” “It’s true,” Daphne agreed. “We’re a bloodthirsty lot, but we do like to follow tradition.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
You must let the color to set for as long as it is possible.The darker the stain,the more that he loves you," she says,her English halting,broken, but the message is clear. Emphasized by the meaningful look she shoots Vane and me. "Oh,we're not-" I start to say. We're not in love! But Vane's quick to stop me. Slipping an arm around my shoulder, he presses his lips to my cheek, bestowing on the old woman the kind of smile that encourages her to smile back in a startling display of grayed and missing teeth. His actions stunning me stupid, leaving me to sit slack faced and dumb-with heated cheeks,muddied hands, and a rising young breakout start draped over my back. Having never been in love,I admit that I'm definitely no expert on the subject. I have no idea what it feels like. Though I'm pretty sure it doesn't feel like this. I'm pretty dang positive Vane's just cast himself in yet another starring role-playing the part of my dashing young love interest,if only to appease this strange,Moroccan woman we'll never see again. Still,Vane is an actor,and an audience is an audience-no matter how small.
Alyson Noel (Fated (Soul Seekers, #1))
The decades that she devoted to conserving her husband’s legacy made Eliza only more militantly loyal to his memory, and there was one injury she could never forget: the exposure of the Maria Reynolds affair, for which she squarely blamed James Monroe. In the 1820s, after Monroe had completed two terms as president, he called upon Eliza in Washington, D.C., hoping to thaw the frost between them. Eliza was then about seventy and staying at her daughter’s home. She was sitting in the backyard with her fifteen-year-old nephew when a maid emerged and presented the ex-president’s card. Far from being flattered by this distinguished visitor, Eliza was taken aback. “She read the name and stood holding the card, much perturbed,” said her nephew. “Her voice sank and she spoke very low, as she always did when she was angry. ‘What has that man come to see me for?’” The nephew said that Monroe must have stopped by to pay his respects. She wavered. “I will see him,” she finally agreed. So the small woman with the upright carriage and the sturdy, determined step marched stiffly into the house. When she entered the parlor, Monroe rose to greet her. Eliza then did something out of character and socially unthinkable: she stood facing the ex-president but did not invite him to sit down. With a bow, Monroe began what sounded like a well-rehearsed speech, stating “that it was many years since they had met, that the lapse of time brought its softening influences, that they both were nearing the grave, when past differences could be forgiven and forgotten.” Eliza saw that Monroe was trying to draw a moral equation between them and apportion blame equally for the long rupture in their relationship. Even at this late date, thirty years after the fact, she was not in a forgiving mood. “Mr. Monroe,” she told him, “if you have come to tell me that you repent, that you are sorry, very sorry, for the misrepresentations and the slanders and the stories you circulated against my dear husband, if you have come to say this, I understand it. But otherwise, no lapse of time, no nearness to the grave, makes any difference.” Monroe took in this rebuke without comment. Stunned by the fiery words delivered by the elderly little woman in widow’s weeds, the ex-president picked up his hat, bid Eliza good day, and left the house, never to return.
Ron Chernow (Alexander Hamilton)
The woman laughed again. She was the loudest person in the cave. Eena wondered if perhaps she was talking to a female Ghengat. Curiosity got the best of her and she turned around to look, surprised to find neither a Ghengat nor a Harrowbethian woman, but a Mishmorat. A striking, cheetah-spotted Mishmorat with straight lengths of charcoal hair and the most alluring dark eyes in existence. This bronzed female was the same size as Eena but observably more muscular. She appeared to be a mix of cheetah, Arabian princess, and gladiator in tight-fitting pants. Eena paused, dropping the stone in her hands. “Kira?” she breathed. “Hmmm,” the woman grumbled. Her painted eyes scrunched with displeasure. The look was still stunning. “I see my reputation precedes me.” Eena gawked as if a legendary ghost had been resurrected. “You’re alive?
Richelle E. Goodrich (Eena, The Dawn and Rescue (The Harrowbethian Saga #1))
He took a step back and stared down at her, and she watched the cold mask slowly slip back over his face. “So…that’s it? You just decide I’m not good enough to be with and-“ “Oh, Alessandro no! You know that’s not-“ “Well, let me tell you something, if you think you’re going to keep me away from my baby-“ “No,” Bree promised. “You can see him anytime you want…at my apartment.” He laughed bitterly and sniffled. “You know something ironic, Brianna? You’re probably the only woman who could have turned me into that man that you deem worthy of your love,” Alessandro walked towards the door and opened it. “Daddy?” a small voice called out. Both Alessandro and Bree turned to Will wearing identically stunned expressions. “Can you stay wif me ‘till I go sleep ‘gain?” Alessandro choked on a sob and left the room, slamming the door behind him.
E. Jamie (The Vendetta (Blood Vows, #1))
I wish to pay my debt. To give you the night I owe' ... 'Oh, Charlotte. You play with fire.' 'Do I?' Roman looked at the woman in front of him, calm and collected, but there was heat there, such precious heat that was straining. Offering. It took only one second for the words to form and emerge. 'Consider the debt of the night wiped free.' He saw her blink. Stunned. Watched the disappointment form. He felt nearly giddy as her disappointment form. 'What, but-' 'But what?' He smiled, loving the look on her face, even the desire that was slowly shuttering - for he would obliterate those shutters with his next words. 'You think I am freeing you? ... I am a selfish man.' 'A selfish man takes what is offered to him.' Was that doubt in her voice, doubt of her charms? 'No, a selfish man destroys what is offered to him and demands more. He demands everything.
Anne Mallory (One Night Is Never Enough (Secrets, #2))
But if you could just pay her some small attention-or better yet, escort her yourself-it would be ever so helpful, and I would be grateful forever.” “Alex, if you were married to anyone but Jordan Townsende, I might consider asking you how you’d be willing to express your gratitude. However, since I haven’t any real wish to see my life brought to a premature end, I shall refrain from doing so and say instead that your smile is gratitude enough.” “Don’t joke, Roddy, I’m quite desperately in need of your help, and I would be eternally grateful for it.” “You are making me quake with trepidation, my sweet. Whoever she is, she must be in a deal of trouble if you need me.” “She’s lovely and spirited, and you will admire her tremendously.” “In that case, I shall deem it an embarrassing honor to lend my support to her. Who-“ His gaze flicked to a sudden movement in the doorway and riveted there, his eternally bland expression giving way to reverent admiration. “My God,” he whispered. Standing in the doorway like a vision from heaven was an unknown young woman clad in a shimmering silver-blue gown with a low, square neckline that offered a tantalizing view of smooth, voluptuous flesh, and a diagonally wrapped bodice that emphasized a tiny waist. Her glossy golden hair was swept back off her forehead and held in place with a sapphire clip, then left to fall artlessly about her shoulders and midway down her back, where it ended in luxurious waves and curls that gleamed brightly in the dancing candlelight. Beneath gracefully winged brows and long, curly lashes her glowing green eyes were neither jade nor emerald, but a startling color somewhere in between. In that moment of stunned silence Roddy observed her with the impartiality of a true connoisseur, looking for flaws that others would miss and finding only perfection in the delicately sculpted cheekbones, slender white throat, and soft mouth. The vision in the doorway moved imperceptibly. “Excuse me,” she said to Alexandra with a melting smile, her voice like wind chimes, “I didn’t realize you weren’t alone.” In a graceful swirl of silvery blue skirts she turned and vanished, and still Roddy stared at the empty doorway while Alexandra’s hopes soared. Never had she seen Roddy display the slightest genuine fascination for a feminine face and figure. His words sent her spirits even higher: “My God,” he said again in a reverent whisper. “Was she real?” “Very real,” Alex eagerly assured him, “and very desperately in need of your help, though she mustn’t know what I’ve asked of you. You will help, won’t you?” Dragging his gaze from the doorway, he shook his head as if to clear it. “Help?” he uttered dryly. “I’m tempted to offer her my very desirable hand in marriage!
Judith McNaught (Almost Heaven (Sequels, #3))
As for Madelyne, she continued to ply her trade. But such a life takes a fast toll on a woman. It is easy to be a remote, untouchable beauty and stay that way for many, many years. And if a stunning tapestry is hung upon a wall, it remains unsullied and a work of art. However, if one drapes it across the floor of a pub and all manner of men tread upon it with their heavy boots, it's going to be worn rather thin, and rather quickly. Such was the case with my mother.
Peter David (Sir Apropos of Nothing (Sir Apropos of Nothing, #1))
this particular hero was a heroine. A redheaded one. Now, there is a tendency at a point like this to look over one’s shoulder at the cover artist and start going on at length about leather, thighboots and naked blades. Words like “full,” “round” and even “pert” creep into the narrative, until the writer has to go and have a cold shower and a lie down. Which is all rather silly, because any woman setting out to make a living by the sword isn’t about to go around looking like something off the cover of the more advanced kind of lingerie catalogue for the specialized buyer. Oh well, all right. The point that must be made is that although Herrena the Henna-Haired Harridan would look quite stunning after a good bath, a heavy-duty manicure, and the pick of the leather racks in Woo Hun Ling’s Oriental Exotica and Martial Aids on Heroes Street, she was currently quite sensibly dressed in light chain mail, soft boots and a short sword. All right, maybe the boots were leather. But not black.
Terry Pratchett (The Light Fantastic (Discworld, #2))
He twirled one coppery lock around his finger, and that seemed to rouse her from her stunned silence. "Stop that," she whispered, a troubled expression crossing her face. "Why?" he smoothed her hair down over one shoulder, thinking that she had the creamiest skin he'd ever seen, skin that was just begging to be touched. She gasped when he stroked one finger up along the curved contours of her neck. "It's not..proper," she said. That made him smile. "Proper? We crossed the line from proper to improper right after you left the Chastity. You're on a pirate ship, remember? You're alone in a cabin with a notorious pirate captain..you've lost your proper little cap..and I'm about to kiss you." As soon as he'd said the words, he knew they were a mistake-and not because of the outrage that filled her face. It would be dangerous to kiss her. She wasn't the woman for him. But he had to taste her once, just a little taste. So before a protest could even leave her lips, he brought his mouth down to hers.
Sabrina Jeffries (The Pirate Lord)
The moment our bodies hit, she fought like a caged tigress. She scratched, bit, kicked, and clawed. I landed a solid punch to her chin, knocking her witless for a few seconds. Those seconds were all that I needed. I steadied my gun and fired. As the stunned woman lay motionless, I pushed to my feet. Jaxon, Ghost, and Kittie all watched me expectantly. Lilla appeared distraught, as if I might attack her next, and Kyrin was shaking his head in exasperation. “Can you not go one day without using your fists?” he asked.
Gena Showalter (Awaken Me Darkly (Alien Huntress, #1))
One night, while studying Joseph Campbell’s Masks of God series, I read for the first time that the Garden of Eden story was the retelling of a much earlier motif in which the woman, the tree, the serpent, and the garden formed an emblematic expression of the highest spiritual quest. I was absolutely stunned, as though an explosion had gone off within me. At that moment, I realized I was not wrong, as a small child, to yearn to become Eve―not the biblical Eve, but the one who is simultaneously the tree as axis mundi connecting earth and sky, the serpent of death and regeneration, and the garden as the matrix of all life. I asked myself: What ground am I standing on? The answer came in a flash: that my feet had been cut off and I was planted with my bloody stumps on the desiccated ground of the Punitive Father. At that moment, I knew I had to find the Sacred Ground under my own feet, and to recover this ancient female lineage within myself. - excerpt from Foremothers of the Women's Spirituality Movement: Elders and Visionaries, edited by Miriam Robbins Dexter and Vicki Noble
Joan Marler
How old are you?” “Twenty-seven.” Twenty-seven. Older than she’d thought. But still… “I’m thirty-four.” He lifted a shoulder. “So?” So? Joss sighed. “That’s seven years older than you.” He grinned. “Seven years more experienced.” Joss suppressed the urge to laugh hysterically. If he thought he’d be getting some kind of well-honed tantric experience from her, he’d be sorely let down. She was too damn tired to be some kind of Mrs. Robinson. Like he even needed one. “Look, you’re very sweet—” His dramatic wince interrupted her. “Is there where you pat me on the head and tell me to run along now?” It was Joss’s turn to laugh. “Something like that.” “Are you sure I can’t interest you?” He set his broad grin to stun. “I’m really very good with my hands.” Joss didn’t doubt it. “To which my flat tire can attest. But trust me, there are plenty of pretty girls your age in town who would happily volunteer for a demonstration.” And Joss was blindingly envious of every one of them. He slid his hands into his back pockets and set his jaw. “What if I don’t want a girl? What if I want a woman?
Amy Andrews (Troy (American Extreme Bull Riders Tour, #5))
Without warning, a smooth voice spoke next to her ear- a woman's voice with an American accent. "You're nothing but a skinny, awkward child, just as he described. He's visited me since the wedding, you know. He and I have laughed together over your juvenile infatuation with him. You bore him senseless." Pandora turned and found herself confronted by Mrs. Nola Black. The woman was breathtaking, her features creamy-skinned and flawless, her eyes deep and dark under brows so perfectly groomed and delineated, they looked like thin strips of velvet. Although Mrs. Black was approximately the same height as Pandora, her figure was a remarkable hourglass shape, with a waist so small one could have buckled a cat's collar around it. "That's nothing but bitchful thinking," Pandora said calmly. "He hasn't visited you, or he would have told me." Mrs. Black was clearly "picking for a fight," as Winterborne would have put it. "He'll never be faithful to you. Everyone knows you're a peculiar girl who tricked him into marriage. He appreciates novelty, to be sure, but it will wear off, and then he'll send you packing to some remote country house." Pandora was filled with a confusing mixture of feelings. Jealousy, because this woman had known Gabriel intimately, and had meant something to him... and antagonism, but also a stirring of pity, because there was something wounded in the biting darkness of her eyes. Behind the stunning façade, she was a savagely unhappy woman. "I'm sure you think that's what I should fear," Pandora said, "but I actually don't worry about that at all. I didn't trick him, by the way." She paused before adding, "I'll admit to being peculiar. But he seems to like that.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
There was still some time before the train opened its doors for boarding, yet passengers were hurriedly buying boxed dinners, snacks, cans of beer, and magazines at the kiosk. Some had white iPod headphones in their ears, already off in their own little worlds. Others palmed smartphones, thumbing out texts, some talking so loudly into their phones that their voices rose above the blaring PA announcements. Tsukuru spotted a young couple, seated close together on a bench, happily sharing secrets. A pair of sleepy-looking five- or six-year-old twin boys, with their mother and father dragging them along by their hands, were whisked past where Tsukuru sat. The boys clutched small game devices. Two young foreign men hefted heavy-looking backpacks, while a young woman was lugging a cello case. A woman with a stunning profile passed by. Everyone was boarding a night train, heading to a far-off destination. Tsukuru envied them. At least they had a place they needed to go to. Tsukuru Tazaki had no place he needed to go. He realized that he had never actually been to Matsumoto, or Kofu. Or Shiojiri. Not even to the much closer town of Hachioji. He had watched countless express trains for Matsumoto depart from this platform, but it had never occurred to him that there was a possibility he could board one. Until now he had never thought of it. Why is that? he wondered. Tsukuru imagined himself boarding this train and heading for Matsumoto. It wasn’t exactly impossible. And it didn’t seem like such a terrible idea. He’d suddenly gotten it into his head, after all, to take off for Finland, so why not Matsumoto? What sort of town was it? he wondered. What kind of lives did people lead there? But he shook his head and erased these thoughts. Tomorrow morning it would be impossible to get back to Tokyo in time for work. He knew that much without consulting the timetable. And he was meeting Sara tomorrow night. It was a very important day for him. He couldn’t just take off for Matsumoto on a whim. He drank the rest of his now-lukewarm coffee and tossed the paper cup into a nearby garbage bin. Tsukuru Tazaki had nowhere he had to go. This was like a running theme of his life. He had no place he had to go to, no place to come back to. He never did, and he didn’t now.
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
Jess Pepper's review of the Avalon Strings: 'In a land so very civilized and modern as ours, it is unpopular to suggest that the mystical isle of Avalon ever truly existed. But I believe I have found proof of it right here in Manhattan. To understand my reasoning, you must recall first that enchanting tale of a mist-enshrouded isle where medieval women--descended from the gods--spawned heroic men. Most notable among these was the young King Arthur. In their most secret confessions, these mystic heroes acknowledged Avalon, and particularly the music of its maidens, as the source of their power. Many a school boy has wept reading of Young King Arthur standing silent on the shore as the magical isle disappears from view, shrouded in mist. The boy longs as Arthur did to leap the bank and pilot his canoe to the distant, singing atoll. To rejoin nymphs who guard in the depths of their water caves the meaning of life. To feel again the power that burns within. But knowledge fades and memory dims, and schoolboys grow up. As the legend goes, the way became unknown to mortal man. Only woman could navigate the treacherous blanket of white that dipped and swirled at the surface of the water. And with its fading went also the music of the fabled isle. Harps and strings that heralded the dawn and incited robed maidens to dance evaporated into the mists of time, and silence ruled. But I tell you, Kind Reader, that the music of Avalon lives. The spirit that enchanted knights in chain mail long eons ago is reborn in our fair city, in our own small band of fair maids who tap that legendary spirit to make music as the Avalon Strings. Theirs is no common gift. Theirs is no ordinary sound. It is driven by a fire from within, borne on fingers bloodied by repetition. Minds tormented by a thirst for perfection. And most startling of all is the voice that rises above, the stunning virtuoso whose example leads her small company to higher planes. Could any other collection of musicians achieve the heights of this illustrious few? I think not. I believe, Friends of the City, that when we witnes their performance, as we may almost nightly at the Warwick Hotel, we witness history's gift to this moment in time. And for a few brief moments in the presence of these maids, we witness the fiery spirit that endured and escaped the obliterating mists of Avalon.
Bailey Bristol (The Devil's Dime (The Samaritan Files #1))
When Lana was finished, the audience clapped, whistled, and stomped, but I sat silent and stunned as she bowed and gracefully withdrew, so disarmed I could not even applaud. As the Poet introduced the next performer, all I heard was "bang bang," and when Lana returned to the table reserved for all the performers, with the seat next to her left empty by the singer who had replaced her, I told Bon I would be back in ten minutes. I heard him say, Don't do it, you stupid bastard, but without further thought I began my walk across the lounge. The hardest thing to do in talking to a woman was taking the first step, but the most important thing to do was not to think. Not thinking is more difficult than it sounds, and yet, with women, one should never think. Never. It simply won't do. The first few times in approaching girls, during my lycée years, I had thought too much, hesitated, and as a result, flailed and failed. But even so, I discovered that all the childhood bullying directed at me had toughened me, making me believe that being rejected was better than not having the chance to be rejected at all. Thus it was that I approached girls, and now women, with such Zen negation of all doubt and fear the Buddha would approve.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
And what is the nature of these other worlds? As we have discovered in previous chapters, they are infinitely varied and ever-changing, and often fail to comply with the conventions of our present world, which we are arrogant enough to call the physical laws of the universe. There are places where men and women are winged and red-skinned, and places where there is no such thing as man and woman but only persons somewhere in between. There are worlds where the continents are carried on the backs of vast turtles swimming through freshwater oceans, where snakes speak riddles, where the lines between the dead and living are blurred to insignificance. I have seen villages where fire itself had been tamed, and followed at men's heels like an obedient hound, and cities with glass spires so high they gathered clouds around their spiral points. (If you are wondering why other worlds seem so brimful of magic compared to your own dreary Earth, consider how magical this world seems from another perspective. To a world of sea people, your ability to breathe air is stunning; to a world of spear throwers, your machines are demons harnessed to work tirelessly in your service; to a world of glaciers and clouds, summer itself is a miracle.)
Alix E. Harrow (The Ten Thousand Doors of January)
And then he lifted his eyes from the chair to his bed. If this was his imagination, his imagination was glorious. Margaret lay on his coverlet, stretched out full length. She still wore a corset and petticoats, but they’d been hiked up so that he could see where her garters tied at the knees. She crooked one finger at him and smiled. “Margaret. What are you doing here?” “I,” she said, “have been procuring my future.” His mind went blank. He didn’t know how to take it. She’d decided to have him, after all. She’d realized she didn’t need him, not one bit. His head pounded. His heart swelled in a mix of hope and despair. “I want you.” Hope. Hope. It was all hope. He took a careful step towards her. “Wait. There’s a condition.” “You know,” Ash said, his throat closing, “that if you are half-naked on my bed, all conditions will be met. Instantly.” “Ah, but this is one of the conditions I did not deliver to Lord Lacy-Follett earlier today.” If he’d been overwhelmed by her appearance before, he was stunned now. “You talked to Lacy-Follett? You cannot be serious.” “Oh, but I am. I had to renegotiate, after I’d heard what you had done. I had been so blinded by my loyalty to my brothers that I could not see that I owed loyalty to you, as well. I was wrong. I love you, Ash.” He swallowed. She smiled up at him. “I love that you make me feel as if I’m the only woman in the world. I love that you’ll always be there for me.” She sat up on the bed, and her petticoats fell, so that only her toes peeked out at him from underneath those layers of fabric. “I want to paint my own canvas, Ash. And I want you on it with me.” Delicately, she stretched out one leg. Her foot flexed, and then her toes found the floor. He was helpless. Just seeing her push to her feet got him hard. And seeing her in his room—on his bed—made every part of him reverberate with the rightness of it.
Courtney Milan
Messiah thought back, his mind floating back in time to the day he’d taken Mo to Stepping Stone Falls to let her high come down. That morning. He’d found out that morning. He had been diagnosed with cancer. It was the biggest reason he had warned Morgan that he would never be able to stay. That he would hurt her. That they would never be. There was no future with him. No wedding. No growing old together. He knew that it would hurt her to only have him for a little while, but that small moment of time that they had carved out was the best days of his life. Those days outweighed every ounce of pain he had ever felt. He looked at his illness as a blessing, because he would have never crossed the line with Morgan if he hadn’t been diagnosed that day. Hearing that he was sick made him want to risk what little time he had left on her. Messiah couldn’t allow himself to die without indulging in an angel. Morgan had been his biggest blessing and he had been her biggest curse. She would never know how sorry he was. He would never be able to tell her. “It’s been awhile. About a year or so,” he said. “You’re 180 pounds. According to your records from your doctors in Michigan, you were 225 at your last visit. You know what that means, right? They should have told you what to look for. The signs. You should have…” “I know,” he said. “I was busy living. I didn’t want to take the time out to die. I found a girl to love me for a little while. It was worth it.” Messiah stepped down and the woman looked at him in stun.
Ashley Antoinette (Ethic 5)
Hey Pete. So why the leave from social media? You are an activist, right? It seems like this decision is counterproductive to your message and work." A: The short answer is I’m tired of the endless narcissism inherent to the medium. In the commercial society we have, coupled with the consequential sense of insecurity people feel, as they impulsively “package themselves” for public consumption, the expression most dominant in all of this - is vanity. And I find that disheartening, annoying and dangerous. It is a form of cultural violence in many respects. However, please note the difference - that I work to promote just that – a message/idea – not myself… and I honestly loath people who today just promote themselves for the sake of themselves. A sea of humans who have been conditioned into viewing who they are – as how they are seen online. Think about that for a moment. Social identity theory run amok. People have been conditioned to think “they are” how “others see them”. We live in an increasing fictional reality where people are now not only people – they are digital symbols. And those symbols become more important as a matter of “marketing” than people’s true personality. Now, one could argue that social perception has always had a communicative symbolism, even before the computer age. But nooooooothing like today. Social media has become a social prison and a strong means of social control, in fact. Beyond that, as most know, social media is literally designed like a drug. And it acts like it as people get more and more addicted to being seen and addicted to molding the way they want the world to view them – no matter how false the image (If there is any word that defines peoples’ behavior here – it is pretention). Dopamine fires upon recognition and, coupled with cell phone culture, we now have a sea of people in zombie like trances looking at their phones (literally) thousands of times a day, merging their direct, true interpersonal social reality with a virtual “social media” one. No one can read anymore... they just swipe a stream of 200 character headlines/posts/tweets. understanding the world as an aggregate of those fragmented sentences. Massive loss of comprehension happening, replaced by usually agreeable, "in-bubble" views - hence an actual loss of variety. So again, this isn’t to say non-commercial focused social media doesn’t have positive purposes, such as with activism at times. But, on the whole, it merely amplifies a general value system disorder of a “LOOK AT ME! LOOK AT HOW GREAT I AM!” – rooted in systemic insecurity. People lying to themselves, drawing meaningless satisfaction from superficial responses from a sea of avatars. And it’s no surprise. Market economics demands people self promote shamelessly, coupled with the arbitrary constructs of beauty and success that have also resulted. People see status in certain things and, directly or pathologically, use those things for their own narcissistic advantage. Think of those endless status pics of people rock climbing, or hanging out on a stunning beach or showing off their new trophy girl-friend, etc. It goes on and on and worse the general public generally likes it, seeking to imitate those images/symbols to amplify their own false status. Hence the endless feedback loop of superficiality. And people wonder why youth suicides have risen… a young woman looking at a model of perfection set by her peers, without proper knowledge of the medium, can be made to feel inferior far more dramatically than the typical body image problems associated to traditional advertising. That is just one example of the cultural violence inherent. The entire industry of social media is BASED on narcissistic status promotion and narrow self-interest. That is the emotion/intent that creates the billions and billions in revenue these platforms experience, as they in turn sell off people’s personal data to advertisers and governments. You are the product, of course.
Peter Joseph
Then, she stepped hard on something soft. “Ouch!” exclaimed an urgent, musical voice behind her followed by another blast of that scent. That voice rang out in the night like a small bell. Damn, thought Carmen. These late-night stragglers always show up just as I am closing! “We’re closed,” she commented impatiently, not even bothering to turn around. “I can’t get you anything, my cash register is empty. And, I definitely can’t get you any gasoline. The pumps are shut down.” “You’re on my foot!” said the small, feminine voice again, protesting more loudly. “Get off!” The girl laughed. The street lights came on, as if the pressure of stepping on this person’s foot had turned them on. Carmen laughed at the synchronicity. She felt a small hand on her waist as she moved her foot off the soft place it had landed. It had been years since she had felt a woman’s touch. The feminine voice said quietly, “That hurt.” Carmen whirled around to face the girl she had stepped on, and almost lost her balance. Her eyes met the huge violet eyes of the most beautiful country girl she had ever seen standing directly behind her. Obviously, she had stepped on her. She apologized until she was speechless. Then, she coughed and indicated her truck. The girl had straight, healthy blue hair, delicately shaved over one ear and well-done light makeup with a few rhinestone studs in her ears and nose. Carmen had sucked her breath in audibly at the girl’s appearance. This diminutive girl was stunning. She was a real beauty, set in the dark country night like a diamond against the warm obsidian of the sky. And that fragrance!
Cassandra Barnes (Secret Love (Carmen & Rose: A Love to Remember #1))
Excuse me," a breathy female voice came from beside her, and she lifted her head. A stunning blonde in a dress cut down to her belly button and up to her crotch hovered beside the table. "Yes?" she asked, not certain whether to scream or laugh. "Are you Richard Addison?" the woman breathed, ignoring Sam. Rick blinked. "Oh, me. I thought you were talking to her. Yes, I am." "Could I have your autograph?" "Certainly. Do you have a pen?" The woman held out a napkin and a pen, and Rick signed his name. "There you go." "How about your phone number?" The woman gave a low giggle, but pressed the napkin back into Rick's hand. Sam would have stood, but Rick kicked her under the table. "Ouch," she grumbled, glaring at him. "I'm sorry, but I don't give out my phone number." "Are you sure?" Belly Button Girl licked her lips. "If I might make a comment," Rick continued, granting her a warm smile, though Sam noted that his eyes remained cool and untouched, "I'm a bit occupied right now, enjoying the company of a very lovely young lady with whom I enjoy spending my every spare moment." He straightened further, lowering his voice to a bare murmur. "So I thank you for your interest, but I am never in a million years going to give you my phone number. Good evening." Her face turning scarlet under its inch of makeup, the woman turned away, departing with a sway of her perfect hips. "You're so cool," Sam breathed. "You could at least pretend to be jealous," he said, pulling her hand across the table to kiss her knuckle. She had been jealous, but no way was she going to tell him that. Not until she could figure out for herself what the hell it meant. At least she hadn't panicked and tried to belt a near-naked woman for sneaking up behind her. "She's not your type." "And what precisely is my 'type'?" he asked. "The kind who could have handed you a comeback instead of just stomping away.
Suzanne Enoch (Flirting With Danger (Samantha Jellicoe, #1))
So,” John said, “I’ll meet you at your place at eight, and we can walk over together?” “What? For what?” “The vigil.” “I’m not going to that.” I tried to ignore his surprise, his dogged faith. “Of course you are.” “I don’t know this person.” John continued to stand there, arms hanging down. The knife skidded so much I lost my grip and had to pick it up again. “It could’ve been you,” he said finally. “No,” I said, chopping bluntly, breaking more than slicing the lettuce, “it couldn’t. I’ve worked my whole life so that it couldn’t be me.” White flash of a face. Where did they go, those boys, after they left us behind? “Last night,” John began. He paused, still looking wounded. “You were so happy.” I gathered the lettuce into a bin and held it against my stomach like a barrier. “If it had been me, it would’ve been your fault.” John reeled as though I’d struck him. “You’re a coward,” he said. “You’ve worked your whole life because you’re a coward.” “What do you know? What do you know about anything?” His family moved for him. The hormones. The surgery he was allowed to accept or reject. I waved my arm around the kitchen, at the stunned cooks watching us. “Nobody has to know about you! You can blend in whenever you want!” “You honestly believe that? You think my life’s been easy?” “Yes, I think it’s been fucking easy!” I screamed. “They don’t know! I didn’t know! I wish I still didn’t know!” I tried to shove past him. He touched my back. I remembered Humphrey Bogart’s hand, I remembered dancing, I remembered the gown twirling, I remembered the boy who complimented my ass, I remembered being told I was beautiful. I remembered the woman staring back at me in the Métro windows, her wink. I tried to pull away. John embraced me with my arms pinned to my sides, the lettuce bin between us, its raw, wet smell pushed toward our faces. In full view of the entire kitchen, he kissed me. A kiss that made me think of the woefully few people I had kissed in my life. A kiss that reminded me I had never been loved. A kiss that said I could not be John unless I risked being Dana.   My
Kim Fu (For Today I Am a Boy)
I'll turn my back, unless you think you need help getting dressed." Lord, he silently prayed, pleased don't test my chivalry that far! "I can manage, thank you very much!" she returned tightly. Turning his back, Rider grinned and lifted his eyes to heaven. "Thanks, big Fellah." "Did you say something?" Willow inquired. Rider kept a steady gaze on the trees. "Just talking to myself." He heard her mumble something about crazy people talking to themselves before she announced it safe for him to turn around. He did and was given an immediate jolt. She wore not her usual shirt and pants,but a clean nightshirt and wrapper. However,it wasn't her scanty attire that startled him as much as her pain-glazed eyes. "My God,what is it?" Stunned, his hands automatically came up under both her elbows to steady her. "Are you in pain?" A thought came to him then. He hesitated, studying his boots. "Is it...I've got sisters, so don't be embarrassed.Is it your woman's time?" Rider's ears reddened, but it was nothing compared to Willow's high color. She jerked away from his touch, squeezed her eyes shut, and cradled her forehead in one hand. "And I wondered what else could go wrong," she muttered under her breath. "What?" "Dammit,Sinclair, men aren't suppose to talk to women about those things.
Charlotte McPherren (Song of the Willow)
Matthew closed the door and turned toward her. He seemed very large in the small room, his broad frame dwarfing their civilized surroundings. Daisy’s mouth went dry as she stared at him. She wanted to be close to him… she wanted to feel all his skin against hers. “What is there between you and Llandrindon?” he demanded. “Nothing. Only friendship. On my side, that is.” “And on his side?” “I suspect— well, he seemed to indicate that he would not be averse to— you know.” “Yes, I know,” he said thickly. “And even though I can’t stand the bastard, I also can’t blame him for wanting you. Not after the way you’ve teased and tempted him all week.” “If you’re trying to imply that I’ve been acting like some femme fatale—” “Don’t try to deny it. I saw the way you flirted with him. The way you leaned close when you talked… the smiles, the provocative dresses…” “Provocative dresses?” Daisy asked in bemusement. “Like that one.” Daisy looked down at her demure white gown, which covered her entire chest and most of her arms. A nun couldn’t have found fault with it. She glanced at him sardonically. “I’ve been trying for days to make you jealous. You would have saved me a lot of effort if you’d just admitted it straight off.” “You were deliberately trying to make me jealous?” he exploded. “What in God’s name did you think that would accomplish? Or is turning me inside out your latest idea of an entertaining hobby?” A sudden blush covered her face. “I thought you might feel something for me… and I hoped to make you admit it.” Matthew’s mouth opened and closed, but he couldn’t seem to speak. Daisy wondered uneasily what emotion was working on him. After a few moments he shook his head and leaned against the dresser as if he needed physical support. “Are you angry?” she asked apprehensively. His voice sounded odd and ragged. “Ten percent of me is angry.” “What about the other ninety percent?” “That part is just a hairsbreadth away from throwing you on that bed and—” Matthew broke off and swallowed hard. “Daisy, you’re too damned innocent to understand the danger you’re in. It’s taking all the self-control I’ve got to keep my hands off you. Don’t play games with me, sweetheart. It’s too easy for you to torture me, and I’m at my limit. To put to rest any doubts you might have… I’m jealous of every man who comes within ten feet of you. I’m jealous of the clothes on your skin and the air you breathe. I’m jealous of every moment you spend out of my sight.” Stunned, Daisy whispered, “You… you certainly haven’t shown any sign of it.” “Over the years I’ve collected a thousand memories of you, every glimpse, every word you’ve ever said to me. All those visits to your family’s home, those dinners and holidays— I could hardly wait to walk through the front door and see you.” The corners of his mouth quirked with reminiscent amusement. “You, in the middle of that brash, bull-headed lot… I love watching you deal with your family. You’ve always been everything I thought a woman should be. And I have wanted you every second of my life since we first met.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
We end up at an outdoor paintball course in Jersey. A woodsy, rural kind of place that’s probably brimming with mosquitos and Lyme disease. When I find out Logan has never played paintball before, I sign us both up. There’s really no other option. And our timing is perfect—they’re just about to start a new battle. The worker gathers all the players in a field and divides us into two teams, handing out thin blue and yellow vests to distinguish friend from foe. Since Logan and I are the oldest players, we both become the team captains. The wide-eyed little faces of Logan’s squad follow him as he marches back and forth in front of them, lecturing like a hot, modern-day Winston Churchill. “We’ll fight them from the hills, we’ll fight them in the trees. We’ll hunker down in the river and take them out, sniper-style. Save your ammo—fire only when you see the whites of their eyes. Use your heads.” I turn to my own ragtag crew. “Use your hearts. We’ll give them everything we’ve got—leave it all on the field. You know what wins battles? Desire! Guts! Today, we’ll all be frigging Rudy!” A blond boy whispers to his friend, “Who’s Rudy?” The kid shrugs. And another raises his hand. “Can we start now? It’s my birthday and I really want to have cake.” “It’s my birthday too.” I give him a high-five. “Twinning!” I raise my gun. “And yes, birthday cake will be our spoils of war! Here’s how it’s gonna go.” I point to the giant on the other side of the field. “You see him, the big guy? We converge on him first. Work together to take him down. Cut off the head,” I slice my finger across my neck like I’m beheading myself, “and the old dog dies.” A skinny kid in glasses makes a grossed-out face. “Why would you kill a dog? Why would you cut its head off?” And a little girl in braids squeaks, “Mommy! Mommy, I don’t want to play anymore.” “No,” I try, “that’s not what I—” But she’s already running into her mom’s arms. The woman picks her up—glaring at me like I’m a demon—and carries her away. “Darn.” Then a soft voice whispers right against my ear. “They’re already going AWOL on you, lass? You’re fucked.” I turn to face the bold, tough Wessconian . . . and he’s so close, I can feel the heat from his hard body, see the small sprigs of stubble on that perfect, gorgeous jaw. My brain stutters, but I find the resolve to tease him. “Dear God, Logan, are you smiling? Careful—you might pull a muscle in your face.” And then Logan does something that melts my insides and turns my knees to quivery goo. He laughs. And it’s beautiful. It’s a crime he doesn’t do it more often. Or maybe a blessing. Because Logan St. James is a sexy, stunning man on any given day. But when he laughs? He’s heart-stopping. He swaggers confidently back to his side and I sneer at his retreating form. The uniformed paintball worker blows a whistle and explains the rules. We get seven minutes to hide first. I cock my paintball shotgun with one hand—like Charlize Theron in Fury fucking Road—and lead my team into the wilderness. “Come on, children. Let’s go be heroes.” It was a massacre. We never stood a chance. In the end, we tried to rush them—overpower them—but we just ended up running into a hail of balls, getting our hearts and guts splattered with blue paint. But we tried—I think Rudy and Charlize would be proud
Emma Chase (Royally Endowed (Royally, #3))
When he reached the doorman, he stopped. “Did you see Miss Christian come in a few minutes ago?” The doorman nodded. “Yes, sir. She got here just before you arrived.” Relief staggered him. He bolted for the elevator. A few moments later, he strode into the apartment. “Kelly? Kelly, honey, where are you?” Not waiting for an answer, he hurried into the bedroom to see her sitting on the edge of the bed, her face pale and drawn in pain. When she heard him, she looked up and he winced at the dullness in her eyes. She’d been crying. “I thought I could do it,” she said in a raw voice, before he could beg her forgiveness. “I thought I could just go on and forget and that I could accept others thinking the worst of me as long as you and I were okay again. I did myself a huge disservice.” “Kelly…” Something in her look silenced him and he stood several feet away, a feeling of helplessness gripping him as he watched her try to compose herself. “I sat there tonight while your friends and your mother looked at me in disgust, while they looked at you with a mixture of pity and disbelief in their eyes. All because you took me back. The tramp who betrayed you in the worst possible manner. And I thought to myself I don’t deserve this. I’ve never deserved it. I deserve better.” She raised her eyes to his and he flinched at the horrible pain he saw reflected there. Then she laughed. A raw, terrible sound that grated across his ears. “And earlier tonight you forgave me. You stood there and told me it no longer mattered what happened in the past because you forgave me and you wanted to move forward.” She curled her fingers into tight balls and rage flared in her eyes. She stood and stared him down even as tears ran in endless streams down her cheeks. “Well, I don’t forgive you. Nor can I forget that you betrayed me in the worst way a man can betray the woman he’s supposed to love and be sworn to protect.” He took a step back, reeling from the fury in her voice. His eyes narrowed. “You don’t forgive me?” “I told you the truth that day,” she said hoarsely, her voice cracking under the weight of her tears. “I begged you to believe me. I got down on my knees and begged you. And what did you do? You wrote me a damn check and told me to get out.” He took another step back, his hand going to his hair. Something was wrong, terribly wrong. So much of that day was a blur. He remembered her on her knees, her tear-stained face, how she put her hand on his leg and whispered, “Please don’t do this.” It made him sick. He never wanted to go back to the way he felt that day, but somehow this was worse because there was something terribly wrong in her eyes and in her voice. “Your brother assaulted me. He forced himself on me. I didn’t invite his attentions. I wore the bruises from his attack for two weeks. Two weeks. I was so stunned by what he’d done that all I could think about was getting to you. I knew you’d fix it. You’d protect me. You’d take care of me. I knew you’d make it right. All I could think about was running to you. And, oh God, I did and you looked right through me.” The sick knot in his stomach grew and his chest tightened so much he couldn’t breathe. “You wouldn’t listen,” she said tearfully. “You wouldn’t listen to anything I had to say. You’d already made your mind up.” He swallowed and closed the distance between them, worried that she’d fall if he didn’t make her sit. But she shook him off and turned her back, her shoulders heaving as her quiet sobs fell over the room. “I’m listening now, Kelly,” he forced out. “Tell me what happened. I’ll believe you. I swear.” But he knew. He already knew. So much of that day was replaying over and over in his head and suddenly he was able to see so clearly what he’d refused to see before. And it was killing him. His brother had lied to him after all. Not just lied but he’d carefully orchestrated the truth and twisted it so cleverly that Ryan had been completely deceived.
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
At the sound of the heavy knob turning, he cursed under his breath. She was coming in, damn it! To stop Maria before she ruined everything, he grabbed her about the waist, hauled her against him, and sealed his mouth to hers. At first she seemed too stunned to do anything. When after a moment, he felt her trying to draw back from him, he caught her behind the neck in an iron grip. “Oh,” Gran said in a stiff voice. “Beg pardon.” Dimly he heard the door close and footsteps retreating, but before he could let Maria go, a searing pain shot through his groin, making him see stars. Blast her, the woman had kneed him in the ballocks! As he doubled over, fighting to keep from passing out, she snapped, “That was for making me look like a whore, too!” When she turned for the door, he choked out, “Wait!” “Why should I?” she said, heading inexorably forward. “You’ve done nothing but insult and humiliate me before your family.” Still reeling, he presented his only ace in the hole, “If you return to town,” he called after her, “what will you do about your Nathan?” That halted her, thank God. He forced himself to straighten, though the room spun a little. “You still need my help, you know.” Slowly, she faced him. “So far you haven’t demonstrated any genuine intent to offer help,” she said icily. “But I will.” He gulped down air, struggling for mastery over his pain. “Tomorrow we’ll return to town and hire a runner. I know one who’s very adept. You can tell him everything you’ve learned so far about your fiancés disappearance, and I’ll make sure he pursues it.” “And in exchange, all I have to do is pretend to be a whore?” He grimaced. Christ, she felt strongly about this. He should have known that any woman who would thrust a sword at him wouldn’t be easily bullied. “No.” “No, what?” she demanded. “You needn’t pretend to be a whore. Just don’t leave. This can still work.” “I don’t see how,” she shot back. “You’ve already said we met in a brothel. Telling them we’re thieves is no better. I won’t have them thinking that we’re about to steal you blind.” “I’ll come up with some story, don’t worry,” he clipped out. “Something else to make me sound like a low, grasping schemer?” “No” She had him cornered, and she knew it. “Trust me, your background alone is enough to alarm Gran. She pretends not to mind it right now, but she won’t let it go on. Just stay. I’ll make it right, I swear.
Sabrina Jeffries