Stunning Picture Quotes

Say something Becks. Say anything" "You," I said. "I remember you." I kept my eyes shut, and felt his hands drop. He didn't move back. "What do you remember about me?" There was strong emotion behind his voice. Something he fought to control. With my eyes closed, I could easily picture the other side of the century. "I remember the way your hand could cover my entire shoulder. The way your lower lip stuck out when you were working out a problem in your head. And how you flick your ring finger with your thumb when you get impatient." I opened my eyes, and the words no longer got stuck in my throat on their way out. They flowed. "And when something surprises you and you don't know what to say, you get a tiny wrinkle in between your eyebrows." I reached up to touch the divot, then hesitated and lowered my hand. "It showed on the day the coach told you you'd made first-string quarterback. And it's showing now." For a moment the space between us held no tension, no questions, no accusations. Finally he leaned back, a stunned expression on his face. "Where do we go from here?" "Nowhere, really," I whispered. "It doesn't change anything.

No picture I saw online truly captured the effect of that tanned, well-structured face in person. Absolutely none. His face is walk-straight-into-a-wall stunning, and I won’t even dwell on his body, but now I understand why his bed is the most coveted spot in town.

There! There it is again! What language is that?" From the bed, Roarke shifted. "I believe it's known as rooster." With the weapon at her side, she stared at him, slack-jawed. "Are you fucking kidding me?" "Not a bit. It's morning, more or less, and that's a cock signaling the dawn." "A cock?" "I'd say. I don't think Sindead and her man want you to stun their rooster, but I have to say, Lieutenant, you make a fascinating picture." She heaved out a breath, set her weapon down. "Jesus Christ, we may as well be on another planet." She slid back into bed. "And if your cock gets any ideas about signaling the day, remember I've got a weapon.

Say something Becks. Say anything" "You," I said. "I remember you." I kept my eyes shut, and felt his hands drop. He didn't move back. "What do you remember about me?" There was strong emotion behind his voice. Something he fought to control. With my eyes closed, I could easily picture the other side of the century. "I remember the way your hand could cover my entire shoulder. The way your lower lip stuck out when you were working out a problem in your head. And how you flick your ring finger with your thumb when you get impatient." I opened my eyes, and the words no longer got stuck in my throat on their way out. They flowed. "And when something surprises you and you don't know what to say, you get a tiny wrinkle in between your eyebrows." I reached up to touch the divot, then hesitated and lowered my hand. "It showed on the day the coach told you you'd made first-string quarterback. And it's showing now." For a moment the space between us held no tension, no questions, no accusations. Finally he leaned back, a stunned expression on his face. "Where do we go from here?" "Nowhere, really," I whispered. "It doesn't change anything." Eyebrows still drawn together, he said, "We'll see." Then he turned and left. I tucked this moment away. In the dark, dank world of the Tunnels, I would call upon this memory. And there would be a flicker of candlelight. If only for a moment.

Ah, Robert?” “Shhhh, not while I’m praying,” he said, momentarily losing his place before he started again, “thank you for letting us survive that trip from hell. Thank you for ignoring my prayers for a quick death when I didn’t think that I’d be able to survive another day of starvation,” he said, making her roll her eyes in annoyance. “You were given three full meals a day just like everyone else,” she pointed out, not bothering to mention the fact that, on most days, he’d received second helpings. She sat down on a bench near their luggage, wondering just how much longer he was going to keep this up. “I’m sorry for all the cursing that my wife forced me to do while I was on that boat,” he continued, ignoring her even as he amused her. “As you know, she’s been such a bad influence on me. Thank you for pulling me from near death and somehow giving me the strength to survive.” “Near death?” she asked, frowning. “When were you near death?” “When was I near death?” he asked in stunned disbelief as he opened his eyes so that he could glare at her. “How could you forget all those times that I could barely move? When I struggled to find the will to live so that I wouldn’t leave you a young widow? Did my struggle for survival mean nothing to you?” he demanded in outrage, terrifying the people that were forced to walk past him to get to the docks and making her wrack her brain as she struggled to figure out what he was talking about. “Do you mean those few times when you had a touch of seasickness?” she asked, unable to think of anything else that he could be talking about since he’d been the picture of health during the majority of the trip. “A touch?” he repeated in disbelief. “I nearly died!

I pictured the two of them alone. Perhaps showering together, as Rome and I liked to do. My stomach clenched painfully, amusement forgotten. “Cody, will you take me to the nearest clinic? I need someone to dig the knife out of my back. Lexis might need it again. And the good doctor might want to give me a tetanus shot. I think she bled on me.” Stunned silence. I often had that effect.

At twenty-two, you are built for poverty and rejection. And you know why? Because you're good-looking. You might not realize it this morning, but thirty years from now, you will pull out pictures of yourself taken on this day and think, Why did nobody tell me I was so fucking attractive? You maybe can't see it now because you're comparing yourself to the person next to you, or two rows up. But you are stunning.

He was too perfect. Too stunningly beautiful to really look human. He looked more like what an artist would picture the perfect human to look like.

When I was a child growing up in Salinas we called San Francisco “the City”. Of course it was the only city we knew, but I still think of it as the City, and so does everyone else who has ever associated with it. A strange and exclusive work is “city”. Besides San Francisco, only small sections of London and Rome stay in the mind as the City. New Yorkers say they are going to town. Paris has no title but Paris. Mexico City is the Capital. Once I knew the City very well, spent my attic days there, while others were being a lost generation in Paris. I fledged in San Francisco, climbed its hills, slept in its parks, worked on its docks, marched and shouted in its revolts. In a way I felt I owned the City as much as it owned me. San Francisco put on a show for me. I saw her across the bay, from the great road that bypasses Sausalito and enters the Golden Gate Bridge. The afternoon sun painted her white and gold---rising on her hills like a noble city in a happy dream. A city on hills has it over flat-land places. New York makes its own hills with craning buildings, but this gold and white acropolis rising wave on wave against the blue of the Pacific sky was a stunning thing, a painted thing like a picture of a medieval Italian city which can never have existed. I stopped in a parking place to look at her and the necklace bridge over the entrance from the sea that led to her. Over the green higher hills to the south, the evening fog rolled like herds of sheep coming to cote in the golden city. I’ve never seen her more lovely. When I was a child and we were going to the City, I couldn’t sleep for several nights before, out of busting excitement. She leaves a mark.

It was drizzling. As people rushed along, they began opening umbrellas over their heads, and all at once the streets were crowded, too. Arched umbrella roofs collided with one another. The men were courteous, and when passing Tereza they held their umbrellas high over their heads and gave her room to go by. But the women would not yield; each looked straight ahead, waiting for the other woman to acknowledge her inferiority and step aside. The meeting of the umbrellas was a test of strength. At first Tereza gave way, but when she realized her courtesy was not being reciprocated, she started clutching her umbrella like the other women and ramming it forcefully against the oncoming umbrellas. No one ever said "Sorry." For the most part no one said anything, though once or twice she did hear a "Fat cow!" or "Fuck you!" The women thus armed with umbrellas were both young and old, but the younger among them proved the more steeled warriors. Tereza recalled the days of the invasion and the girls in miniskirts carrying flags on long staffs. Theirs was a sexual vengeance: the Russian soldiers had been kept in enforced celibacy for several long years and must have felt they had landed on a planet invented by a science fiction writer, a planet of stunning women who paraded their scorn on beautiful long legs the likes of which had not been seen in Russia for the past five or six centuries. She had taken many pictures of those young women against a backdrop of tanks. How she had admired them! And now these same women were bumping into her, meanly and spitefully. Instead of flags, they held umbrellas, but they held them with the same pride. They were ready to fight as obstinately against a foreign army as against an umbrella that refused to move out of their way.

life isn’t black or white. There isn’t only one picture that’s perfect. It’s about piecing together shades of gray to make something quite stunning. And the picture shifts. That’s another Dad-ism. Remember his sea shadows? Each time the shadow moves, there’s a new image. Only sometimes those clouds are stuck up there, so we’re the ones who have to move to see it.

Lauren's eyes widened.An entire page had been devoted to the Children's Hospital Benefit Ball.In the center was a color picture of her-with Nick. They were dancing, and he was grinning down at her. Lauren's face was in profile, tilted up to his. The caption read, "Detroit industrialist J. Nicholas Sinclair and companion." "It does look like me, doesn't it?" she hedged, glancing at the excited, avidly curious faces surrounding her desk. "Isn't that an amazing coincidence?" She didn't want her relationship with Nick to be public knowledge until the time was right, and she certainly didn't want her co-workers to treat her any differently. "You mean it isn't you?" one of the women said disappointedly. None of them noticed the sudden lull, the silence sweeping over the office as people stopped talking and typewriters went perfectly still... "Good morning, ladies," Nick's deep voice said behind Lauren. Six stunned women snapped to attention, staring in fascinated awe as Nick leaned over Lauren from behind and braced his hands on her desk. "Hi," he said, his lips so near her ear that Lauren was afraid to turn her head for fear he would kiss her in front of everyone. He glanced at the newspaper spread out on her desk. "You look beautiful, but who's that ugly guy you're dancing with?" Without waiting for an answer, he straightened, affectionately rumpled the hair on the top of her head and strolled into Jim's office, closing the door behind him. Lauren felt like sinking throught the floor in embarrassment. Susan Brook raised her brows. "What an amazing coincidence," she teased.

Jobs flew down to have lunch with Eisner, who was stunned at his audacity. They had a three-picture deal, and Pixar had made only one. Each side had its own nuclear weapons.

Baby girl, this is your mother. I know I’ve given you explicit instructions to trace this into your yearbook, but they’re my words. That means this is from me, my heart, and my love for you. There’s so many things I want to say to you, things I want you to hear, to know, but let’s start with the reason I’m having you put these words in your senior yearbook. First of all, this book is everything. It may be pictures, some names of people you won’t remember in five years, ten years, or longer, but this book is more important than you can imagine. It’s the first book that’s the culmination of your first chapter in life. You will have many. So many! But this book is the physical manifestation of your first part in life. Keep it. Treasure it. Whether you enjoyed school or not, it’s done. It’s in your past. These were the times you were a part of society from a child to who you are now, a young adult woman. When you leave for college, you’re continuing your education, but you’re moving onto your next chapter in life. The beginning of adulthood. This yearbook is your bridge. Keep this as a memento forever. It sums up who you grew up with. It houses images of the buildings where your mind first began to learn things, where you first began to dream, to set goals, to yearn for the road ahead. It’s so bittersweet, but those memories were your foundation to set you up for who you will become in the future. Whether they brought pain or happiness, it’s important not to forget. From here, you will go on and you will learn the growing pains of becoming an adult. You will refine your dreams. You will set new limits. Change your mind. You will hurt. You will laugh. You will cry, but the most important is that you will grow. Always, always grow, honey. Challenge yourself. Put yourself in uncomfortable situations (BUT BE SAFE!) and push yourself not to think about yourself, your friends, your family, but to think about the world. Think about others. Understand others, and if you can’t understand, then learn more about them. It’s so very important. Once you have the key to understanding why someone else hurts or dreams or survives, then you have ultimate knowledge. You have empathy. Oh, honey. As I’m writing this, I can see you on the couch reading a book. You are so very beautiful, but you are so very humble. You don’t see your beauty, and I want you to see your beauty. Not just physical, but your inner kindness and soul. It’s blinding to me. That’s how truly stunning you are. Never let anyone dim your light. Here are some words I want you to know as you go through the rest of your life: Live. Learn. Love. Laugh. And, honey, know. Just know that I am with you always.

Don’t be tedious, Lavay. If it’s so necessary for you to know,” he said ungraciously. “She won a contest.” There was a short stunned silence. “You…played a game?” Lavay said this slow, flat incredulity, hilarity suppressed, clearly trying to picture it. “And you lost to a…girl. What manner of contest was this? Ribbon-tying?” Flint felt ridiculous now, in retrospect, which was doing nothing to settle his temper. “I challenged her to aim a dart…let’s just say it landed rather serendipitously in the right spot,” he finished curtly. “She was lucky.” “You speak metaphorically, Captain? She aimed a dart as in the vein of Cupid?

I stared down at the white bikini in horror. My cleavage was out in full form, while the bikini bottoms hugged my hips, tinier than anything I’d ever dare buy for myself. What the hell was Gavin Fletcher thinking putting me in something like this? And he wanted me to go outside in it, much less get my picture taken? Yeah, right! That was absolutely not happening. “We haven’t got all day, Lani,” Martin barked from on deck. I put my head in my hands, sighing deeply before brushing my hair back from my eyes. What the hell had I gotten myself into? There was a gentle rapping on the bedroom door, and I opened it, wishing I had a towel to cover up with. Gavin’s gold-flecked eyes met mine, and I stepped back to let him in. He sucked in a breath, looking me over in that brash way of his, his lips curling into a grin. “Now that’s what I’ve been hoping for,” he said. I laughed nervously and crossed my arms in front of my body. “I don’t know if I can do this. You heard Martin out there.” Gavin reached forward and put a hand on my arm, smoothing his large palm over my skin. I shivered beneath his touch, feeling the heat from a connection I wondered if he felt, too. Judging by the heat in his gaze, he did, but how was that even possible? I couldn’t be reading him right. “You look stunning, Aolani,” he said, that dangerous, bad-boy smile of his making my toes curl. “You’re exactly what I’ve been waiting for. Exactly what this campaign needs. Please say you’ll try? For me?

Within the fair’s buildings visitors encountered devices and concepts new to them and to the world. They heard live music played by an orchestra in New York and transmitted to the fair by long-distance telephone. They saw the first moving pictures on Edison’s Kinetoscope, and they watched, stunned, as lightning chattered from Nikola Tesla’s body. They saw even more ungodly things—the first zipper; the first-ever all-electric kitchen, which included an automatic dishwasher; and a box purporting to contain everything a cook would need to make pancakes, under the brand name Aunt Jemima’s. They sampled a new, oddly flavored gum called Juicy Fruit, and caramel-coated popcorn called Cracker Jack. A new cereal, Shredded Wheat, seemed unlikely to succeed—“shredded doormat,” some called it—but a new beer did well, winning the exposition’s top beer award. Forever afterward, its brewer called it Pabst Blue Ribbon. Visitors also encountered the latest and arguably most important organizational invention of the century, the vertical file, created by Melvil Dewey, inventor of the Dewey Decimal System. Sprinkled among these exhibits were novelties of all kinds. A locomotive made of spooled silk. A suspension bridge built out of Kirk’s Soap. A giant map of the United States made of pickles. Prune makers sent along a full-scale knight on horseback sculpted out of prunes, and the Avery Salt Mines of Louisiana displayed a copy of the Statue of Liberty carved from a block of salt. Visitors dubbed it “Lot’s Wife.

I’ve found that there’s no real comfort in success. There’s never time to slow down, sit back, and relax. But there did come a moment later in my career when I knew that I had truly made it as a comedian. After I presented Richard Pryor with the lifetime achievement award at the American Comedy Awards, we were backstage posing for pictures. He looked up at me and said, “I stole your album.” For a split second, I couldn’t believe what I was hearing. The great Richard Pryor stealing my material? I was honored and stunned at the same time. “In Peoria, I went into the record store and I put it under my jacket and I walked out,” he continued. “Richard, I get a quarter royalty on every album.” With that, Richard Pryor pulled out a quarter and handed it to me. To have your album stolen by Richard Pryor is quite an achievement.

Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting. But we are very far from reaching that state. We remain incorrigibly verbal creatures who love to explain things, to form opinions, to argue. Put us in front of a picture and we chatter, each in our different way. Proust, when going round an art gallery, liked to comment on who the people in the pictures reminded him of in real life; which might have been a deft way of avoiding the direct aesethetic confrontation. But it is a rare picture that stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.

Jack was behind it,waiting, with the corner of his lip pulled up in not quite a smile. "What?" he demanded. "What what?" I asked. He held my note up in front of my face. "What do you remember?" Everything. But I couldn't tell him that. I shrugged and said, "Things." Then I made a move to leave,but Jack's strong arm blocked my way,his hand pressing against the locker behind my back. "No you don't.You can't leave a note like this"-he waved the paper-"and then say 'things.' I want to know what, exactly, you remember." People in the hallway stared and I could feel my face going red. Jack noticed, and put his other arm up against the lockers,blocking me in. My pulse went nuts.It had to be visible on my wrists. Jack's face was inches from mine. His breath was minty, and I could smell the rustic scent of his aftershave,and whatever strong emotion he was feeling, it tasted sweet. I breathed it in, and the inhalation was embarrassingly loud. His eyes searched mine. "This is the first opening you've given me, and I'm not letting you get out of it." He paused. "What do you remember?" I looked behind him, at the curious spectators, and squinted my eyes shut, unable to bear the scrutiny anymore. "Say something,Becks. Say anything." "You," I said. "I remember you." I kept my eyes shut,and felt his hands drop. He didn't move back. "What do you remember about me?" There was strong emotion behind his voice. Something he fought to control. With my eyes closed,I could easily picture the other side of the century. "I remember the way your hand could cover my entire shoulder. The way your lower lip stuck out when you were working out a problem in your head. And how you flick you ring finger with your thumb when you get impatient." I opened my eyes,and the words no longer got stuck in my throat on their way out. They flowed. "And when something surprises you and you don't know what to say,you get a tiny wrinkle in between your eyebrows." I reached up to touch the divot,then hesitated and lowered my hand. "It showed on the day the coach told you you'd made first-string quarterback.And it's showing now." For a moment the space between us held no tension,no questions, no accusations. Finally he leaned back, a stunned expression on his face. "Where do we go from here?" "Nowhere,really," I whispered. "It doesn't change anything." Eyebrows still drawn together, he said, "We'll see." Then he turned and left. I tucked this moment away. In the dark,dank world of the Tunnels, I would call upon this memory. And there would be a flicker of candlelight. If only for a moment. I closed my eyes,as if my eyelids were the levers of a printing press,etching the fibers into my mind.Memories were outside Cole's reach.As long as I held them,memories were mine and mine alone.

Women with dark skin are sharing selfies on social media after decades of being underrepresented in the mainstream media. From what I have observed much of the dark skin adoration on social media appears to come from us - black women. We tend to use the appreciation hashtags with our own pictures of photographs of dark skin women whom we feel are stunning. While I am loving this fierceness.. There is just one sidetone to this revolution: I feel as if we are much more appreciated if we show more skin. The timelines are filled with absolutely beautiful dark-skinned women but most sadly most of the time they are all oiled up and showing their body parts in different angles. Now, I am definitely in to art and as a model I know that this comes with the territory. But we most not forget that we are Queens.. We need to stop degrading ourselves for likes on the gram. You don't have to be naked to show the world you're beautiful. You my sister are an African Queen. I feel as if black women are only appreciated if they wear very provocative clothes or if they do naked photoshoots. To me, it's degrading and reminds me of the time that we couldn't ride the bus because we were black. Women were seen as servants. The black women that weren't servants were sex slaves. We are not objects, we are not meat and people need to stop looking at us as sex objects. BUT we need to start respecting ourselves first! A black woman is a woman first and it should not even be necessary to specify the colour but this is the society we live in and I feel like I had to share this.

On our way down, we passed a two-story villa, hidden in a thicket of Chinese parasol trees, magnolia, and pines. It looked almost like a random pile of stones against the background of the rocks. It struck me as an unusually lovely place, and I snapped my last shot. Suddenly a man materialized out of nowhere and asked me in a low but commanding voice to hand over my camera. He wore civilian clothes, but I noticed he had a pistol. He opened the camera and exposed my entire roll of film. Then he disappeared, as if into the earth. Some tourists standing next to me whispered that this was one of Mao's summer villas. I felt another pang of revulsion toward Mao, not so much for his privilege, but for the hypocrisy of allowing himself luxury while telling his people that even comfort was bad for them. After we were safely out of earshot of the invisible guard, and I was bemoaning the loss of my thirty-six pictures, Jin-ming gave me a grin: "See where goggling at holy places gets you!" We left Lushan by bus. Like every bus in China, it was packed, and we had to crane our necks desperately trying to breathe. Virtually no new buses had been built since the beginning of the Cultural Revolution, during which time the urban population had increased by several tens of millions. After a few minutes, we suddenly stopped. The front door was forced open, and an authoritative-looking man in plainclothes squeezed in. "Get down! Get down!" he barked. "Some American guests are coming this way. It is harmful to the prestige of our motherland for them to see all these messy heads!" We tried to crouch down, but the bus was too crowded. The man shouted, "It is the duty of everyone to safeguard the honor of our motherland! We must present an orderly and dignified appearance! Get down! Bend your knees!" Suddenly I heard Jin-ming's booming voice: "Doesn'T Chairman Mao instruct us never to bend our knees to American imperialists?" This was asking for trouble. Humor was not appreciated. The man shot a stern glance in our direction, but said nothing. He gave the bus another quick scan, and hurried off. He did not want the "American guests' to witness a scene. Any sign of discord had to be hidden from foreigners. Wherever we went as we traveled down the Yangtze we saw the aftermath of the Cultural Revolution: temples smashed, statues toppled, and old towns wrecked. Litfie evidence remained of China's ancient civilization. But the loss went even deeper than this. Not only had China destroyed most of its beautiful things, it had lost its appreciation of them, and was unable to make new ones. Except for the much-scarred but still stunning landscape, China had become an ugly country.

At twenty-two, you are built for poverty and rejection. And you know why? Because you’re good-looking. You might not realize it this morning, but thirty years from now, you will pull out pictures of yourself taken on this day and think, Why did nobody tell me I was so fucking attractive? You maybe can’t see it now because you’re comparing yourself to the person next to you, or two rows up. But you are stunning.

Everything old people say about time is true. For starters, it flies. As a kid living through semi-eternal summer vacations, this is hard to believe. But as an adult? Get married. Have children. And then sit back, stunned, watching an absolute roar of gorgeous moments and hilarious moments and exhausting moments disappear—quickly and in tragedy or marching off at the traditional pace, but disappear they must. Snap a photo or two. Read verses about futility. Watching one’s small humans age and grow up packs a serious punch. It’s like being stuck in a dream unable to speak, like being a ghost that can see but not touch, like standing on a huge grate while a storm rains oiled diamonds, like collecting feathers in a storm. Parents in love with their kids are all amnesiacs, trying to remember, trying to cherish moments, ghosts trying to hold the world. Being mortals, having a finite mind when surrounded by joy that is perpetually rolling back into the rear view is like always having something important on the tips of our tongues, something on the tips of our fingers, always slipping away, always ducking our embrace. No matter how many pictures we take, no matter how many scrapbooks we make, no matter how many moments we invade with a rolling camera, we will die. We will vanish. We cannot grab and hold.

That was your forest. Where you hunted.” He came closer to the painting, gazing at the bleak, empty cold, the white and gray and brown and black. “This was your life,” he clarified. I was too mortified, too stunned, to reply. He walked to the next painting I’d left against the wall. Darkness and dense brown, flickers of ruby red and orange squeezing out between them. “Your cottage at night.” I tried to move, to tell him to stop looking at those ones and look at the others I’d laid out, but I couldn’t—couldn’t even breathe properly as he moved to the next painting. A tanned, sturdy male hand fisted in the hay, the pale pieces of it entwined among strands of brown coated with gold—my hair. My gut twisted. “The man you used to see—in your village.” He cocked his head again as he studied the picture, and a low growl slipped out. “While you made love.” He stepped back, looking at the row of pictures. “This is the only one with any brightness." Was that … jealousy? “It was the only escape I had.” Truth. I wouldn’t apologize for Isaac. Not when Tamlin had just been in the Great Rite. I didn’t hold that against him—but if he was going to be jealous of Isaac— Tamlin must have realized it, too, for he loosed a long, controlled breath before moving to the next painting. Tall shadows of men, bright red dripping off their fists, off their wooden clubs, hovering and filling the edges of the painting as they towered over the curled figure on the floor, the blood leaking from him, the leg at a wrong angle. Tamlin swore. “You were there when they wrecked your father’s leg.” “Someone had to beg them to stop.” Tamlin threw a too-knowing glance in my direction and turned to look at the rest of the paintings. There they were, all the wounds I’d slowly been leeching these few months. I blinked. A few months. Did my family believe that I would be forever away with this so-called dying aunt? At last, Tamlin looked at the painting of the glen and the starlight. He nodded in appreciation. But he pointed to the painting of the snow-veiled woods. “That one. I want that one.

He turned over the application, and Lauren watched him scanning it, his gaze nearing the bottom where she had listed her job preferences. She knew the exact instant he spotted what she had written. "What the...!" he said, astonished, and then he burst out laughing. "Weatherby and I are going to have to be careful. Which of our jobs do you want most?" "Neither," Lauren said shortly. "I did that because on my way to the interview at Sinco,I decided I didn't want to work there after all." "So you purposely flunked your tests,is that it?" "That's it." "Lauren..." he began in a soft seductive voice that instantly put her on guard. "I've had the dubious pleasure of reading through your file," she clarified, at his stunned look. "I know all about Bebe Leonardos and the French movie star.I even saw the picture of you that was taken with Ericka Moran the day after you sent me away because a "business aquaintance' was coming to see you." "And," he concluded evenly, "you were hurt." "I was disgusted," Lauren shot back, refusing to admit to any of the anguish she'd felt.

I loved the naive and hopeful tone of the soviet posters – the way they portrayed a world based on work and sacrifice. I found it therapeutic to look at these images, at their beautifully faded colours, to see all those soviet men and women working together for a common goal. Women looked stunning in these posters, but not in a delicate dyevushka way – they were strong and maternal: you could not picture these women putting on make-up or complaining about the food in a café. These women were resilient, self-sufficient, forward-looking.

This is textbook Bad Idea. We're driving with a stranger, no one knows where we are, and we have no way of getting in touch with anyone. This is exactly how people become statistics." "Exactly?" I asked, thinking of all the bizarre twists and turns that had led us to this place. Ben ceded the point with a sideways shrug. "Maybe not exactly. But still..." He let it go, and the cab eventually stopped at the edge of a remote, forested area. Sage got out and paid. "Everybody out!" Ben looked at me, one eyebrow raised. He was leaving the choice to me. I gave his knee a quick squeeze before I opened the door and we piled out of the car. Sage waited for the cab to drive away, then ducked onto a forest path, clearly assuming we'd follow. The path through the thick foliage was stunning in the moonlight, and I automatically released my camera from its bag. "I wish you wouldn't," Sage said without turning around. "You know I'm not one for visitors." "I'll refrain from selling the pictures to Travel and Leisure, then," I said, already snapping away. "Besides, I need something to take my mind off my feet." My shoes were still on the beach, where I'd kicked them off to dance. "Hey, I offered to carry you," Sage offered. "No, thank you." I suppose I should have been able to move swiftly and silently without my shoes, but I only managed to stab myself on something with every other footfall, giving me a sideways, hopping gait. Every few minutes Sage would hold out his arms, offering to carry me again. I grimaced and denied him each time. After what felt like about ten miles, even the photos weren't distracting enough. "How much farther?" I asked. "We're here." There was nothing in front of us but more trees. "Wow," Ben said, and I followed his eyes upward to see that several of the tree trunks were actually stilts supporting a beautifully hidden wood-and-glass cabin, set high among the branches. I was immediately charmed. "You live in a tree house," I said. I aimed my camera the façade, answering Sage's objection before he even said it. "For me, not for Architectural Digest." "Thank you," Sage said.

Then the door opened and Diana entered…with Prince Charles. I held my breath as she gave us a brilliant smile and briskly crossed the floor. The new Diana was truly breathtaking--beautiful, self-assured, polished, and stunning in her scarlet suit. She looked even more radiant in person than in her best pictures. She was absolute perfection, with her flawless complexion, starry blue eyes, and confident carriage. A remarkable and complete transformation from young nanny to global sensation--and she was only twenty-four! Before either one of us said a word, Diana and I exchanged glances for just an instant. I didn’t even try to hide my amazement and admiration. My eyes and smile said, “Wow! I’m speechless.” Diana’s impish grin replied, “Yes, I’ve done pretty well, haven’t I?” It was an unforgettable, private moment.

We don't like murders here," said a man's voice, low and threatening, from the back of the crowd. Megan glanced at Cassie and her friends. They looked away, as if they didn't see what was happening. Anger boiled in her chest. Why wouldn't they leave her alone? She hadn't killed anyone. She hadn't killed Harlen Trooper, all those years ago. She knew it and the judge knew it. She hadn't even been charged. If I wanted to, I could have you all killed, she thought, and was stunned when the thought didn't scare her the way it should. She looked at their faces, stony and stubbled, shiny with alcoholic sweat. The power in her chest hadn't worked against Ktana Leyak, but it could against them, this miserable bunch of humans with their heavy boots and beer guts. She pictured those guts exploding. She pictured the terror in their eyes when they realized they were messing with the wrong fucking demon, they were - Demon?

the setting in the rectory was stunning. We sat down to a fully set table, with fine china and crisp, white linen. Whenever the monsignor wanted anything, he would ring a little silver bell and this old housekeeper would come shuffling in, like a servant. Every time I tried to engage the monsignor in some serious discussion, he would pick up that bell and ring it, and the little old woman would come in to deal with his every whim. And so I’m sitting there, not only stunned at the level, the position in life, that they held themselves at, but how we in the Church allowed them to do this, that no one was saying, ‘Hey, this is wrong. These guys shouldn’t be living like this while the nuns don’t have health insurance.’ But what I realized that day, as the monsignor kept ringing that bell, was how distant, how aloof, how detached the hierarchy of the Church had become. They lived separate lives, completely disconnected from the lives of the laity, and we had allowed it to happen.” Eventually,

Both Cooper and Brennan got their start as extras. Like Brennan, Cooper had learned his craft by roaming around movie lots, absorbing the atmosphere and watching how things were done—especially the subtle interplay between actors, and between the best actors and the camera lens, which always picked up details that not even the most perceptive directors could spot before they were projected onto a screen. And like Brennan, when Cooper got his first two minutes of screen time, he was prepared. Watch him in Wings, playing an aviator about to go to his death, enter a tent and converse with the film’s two stars, Buddy Rogers and Richard Arlen, who are immediately fascinated by his bluff allure. He is a hero without bravado. He is for those two minutes the picture’s star, the very embodiment of what Hemingway called grace under pressure. Cooper’s ability to convey composure just before a dogfight, to act with such quiet courtesy and aplomb, stuns Rogers and Arlen—and just that quickly Cooper takes the picture away from them.

From the WIP, Behind The Fan... The two women flipped through the pictures as morbid curiosity took hold. The photos all signed by the women; ‘To Nicky with love, Nicky you make me smile, Nicky…Nicky…Nicky.’ They glanced at each other in disgust. The last photo was face down; Kim slowly turned it upright. She questioned why she even cared, what would one more picture of her grandfather’s paramour prove to her. The woman in the photo was stunning, a black and white image someone had hand colored. Her dark brown hair brushed into soft waves; glittering earrings caught the low light of the flash. It was a full body shot; the viewer was to believe she was nude behind two immense Ostridge feather fans. She looked confidently into the camera; standing proudly with her shoulders squared and back erect. Her long legs encased in silky hose attached by the satin straps of the garters. However, it was her eyes, clear crystal bright blue. They stood out in the aged photo engaging the viewer. They were mesmerizing. “Oh dear lord, it’s Grandma!

She looked at him, her eyes brimming with laughter again. Joel sat gazing at her, wondering how much attention she was drawing from the other occupants of the room. But, however much it was, she seemed unaware of it. He gazed back at her, more than a bit shaken, for she looked like a different woman when she laughed. She looked young and vivid and ... What was the word his mind was searching for? Gorgeous? She was hardly that. Stunning. That was it. She looked stunning, and he was feeling a bit stunned. She made prettiness seem bland. Her laughter quickly died, however. "You must have gathered enough information about me to paint a dozen pictures," she said, sounding suddenly cross. "I wish you would paint that infernal portrait and be done with it." "So that you can be rid of me?" he said. "Alas, you would not be that even if I were ready to paint you tonight. We would still be sharing the schoolroom two afternoons each week. But I am not ready. The more I learn of you, the more I realize I do not know you at all. And, by your own admission, you do not know yourself either.

They did not speak of this together. At night he worked downstairs while she slept, and during the morning she managed the restaurant alone. When they worked together he stayed behind the cash register and looked after the kitchen and the tables, as was their custom. They did not talk except on matters of business, but Biff would stand watching her with his face puzzled. Then in the afternoon of the eighth of October there was a sudden cry of pain from the room where they slept. Biff hurried upstairs. Within an hour they had taken Alice to the hospital and the doctor had removed from her a tumor almost the size of a new-born child. And then within another hour Alice was dead. Biff sat by her bed at the hospital in stunned reflection. He had been present when she died. Her eyes had been drugged and misty from the ether and then they hardened like glass. The nurse and the doctor withdrew from the room. He continued to look into her face. Except for the bluish pallor there was little difference. He noted each detail about her as though he had not watched her every day for twenty-one years. Then gradually as he sat there his thoughts turned to a picture that had long been stored inside him.

For our part, we thought we would be following her path from a distance in the press. Our friends called to tell us when the photo of Diana pushing Patrick in his stroller appeared in Newsweek, or when our name was mentioned in a news magazine or paper. We were generally mislabeled as the Robinsons. Everyone asked if we would be going to the wedding, and we would reply, “Us? No, of course not.” We truly never expected to hear from Diana again, so her January letter became especially precious to us. We were stunned when a letter from Diana on Buckingham Palace stationary arrived in late March. She was clearly happy, writing, “I am on a cloud.” She missed Patrick “dreadfully.” She hoped that we were all “settled down by now, including your cat too--.” Diana had never even seen our cat. We’d left him with my brother because England requires a six-month quarantine for cats and dogs. How did she ever remember we had one? Then, “I will be sending you an invitation to the wedding, naturally. . . .” The wedding . . . naturally . . . God bless her. Maybe we weren’t going to lose her after all. She even asked me to send a picture of Patrick to show to “her intended(!), since I’m always talking about him.” As for her engagement, she could never even have imagined it the year before. She closed with her typical and appealing modesty: “I do hope you don’t mind me writing to you but just had to let you know what was going on.” Mind? I was thrilled and touched and amazed by her fondness and thoughtfulness, as I have been every single time she has written to us and seen us. This was always to be the Diana we knew and loved—kind, affectionate, unpretentious. I wrote back write away and sent her the two photographs I’d taken of her holding Patrick in our living room the previous fall. After Diana received the photographs, she wrote back on March 31 to thank me and sent us their official engagement picture. She said I should throw the photograph away if it was of no use. She added, “You said some lovely things which I don’t feel I deserve . . . .” Surely, she knew from the previous year that we would be her devoted friends forever.

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

Most of the cadets accepted an invitation to attend a reception at the Venezuelan Naval Academy in La Guaira. Don Silke and I had other ideas and figured on getting a cab to the capital city of Caracas. The ride would take about a half hour, if the car did not overheat going over the mountain pass on the newly constructed highway. The capital city had an elevation of 7,083 feet and we were at sea level. As we stepped off the gangway, I noticed two stunningly beautiful girls standing on the concrete dock looking at the ship. Neither of us could figure out why the girls were there. Perhaps they were tourists, but I would find out. Approaching them, I asked if we could help, but soon discovered that they didn’t speak English and we didn’t speak what seemed to be French. It could have led to an impasse but my knowledge of German saved the day. It turned out that both girls were from France and one of them came from the Alsace Province and spoke German. They were both quite bubbly and we soon found out that they were dancers with the Folies Bergère, on tour to South America. From what I understood, they would be performing in Caracas that night and could get us free tickets. It all sounded great except that we had to be back aboard by 10:00 p.m., since the ship would be leaving first thing in the morning. Rats! You win some and you lose some, but at least we were with them for now. Don and I offered to take them aboard for lunch. It all seemed exciting for them to board a ship with so many single men. Ooh là là. The girls attracted a lot of attention and the ship’s photographer couldn’t stop taking pictures. The rest of our classmates couldn’t believe what they saw and of course thought that we were luckier than we really were. For us, the illusion had to be enough and fortunately the lunch served that day was reasonably good.

Two painters were rivals in a contest. Each painter would try to make a picture that produced a more perfect illusion of the real world. One painter named Zeuxis painted a likeness of grapes so natural that birds flew down to peck at them. Then his opponent, Parrhasius, brought in his picture covered in a cloth. Reaching out to lift the curtain, Zeuxis was stunned to discover he had lost the contest. What had appeared to be a cloth was in reality his rival’s painting. A story from Ancient Greece

There definitely isn’t a girl like this Embers chick anywhere in Ohio, he playfully thought to himself. It didn't take long before his phone was exploding with text replies, but the grin on his face disappeared as he began to read them. The consensus (to put it in a much more polite way than a group of college football players normally would) was to ask him: ”Are you coming out of the closet, dude?” Taken aback by the bombardment of texts questioning his sexuality, rather than the expected congratulatory replies and requests for more, Zane scrolled through the pictures on his phone, and then his camera –shocked to find these were not the pictures of a stunning raven-haired beauty that he'd taken, but instead image after image of hairy, balding, middle-aged men, wearing Speedos. Confusion turned to horror as he went through dozens, and then hundreds of pictures on his phone. From work, from parties, from Spring Break in Panama City Beach, in every picture, without exception, all girls had been replaced by an assortment of increasingly repulsive men, some with their arms draped across Zane Holt’s broad, well-muscled shoulders, just as the women he’d been partying with had been. Across the pool, the hint of a wicked smile crossed the lips of Calista Embers.

The stunning corpus of poetry produced during the war likewise paints a very different picture of how the conflict was viewed at the time. And so too do the number of courts martial that took place during the war, which hardly suggest a unanimity of resolve: more

Knowing that R. L.’s death at nineteen is not his end, Mrs. O’Brien and Jack can trust the nuns. Those who live in the way of grace may die young. They may die horribly. But they never come to a bad end because death is not the end. We are quite a ways beyond Heidegger here. Whatever other influence he had on Malick’s vision, Malick doesn’t accept that death is the limit, that time has a final horizon beyond which the rest is silence. Beyond death there is reconciliation, reunion, hope. Beyond death, there are sunflowers. The sunflower is a perfect image for the way of grace. Its name is suggestive of heavenly glory. In color and shape, it is a reflex of the burning suns of what might be an infinite universe. Malick uses Hubble Telescope pictures of deep space, but one doesn’t have to have a telescope to see the glory shine. Suns grow in the backyard, if we our eyes are open windows. Sunflowers follow the sun through the day, the perfect botanical expression of the way of grace that receives the glory. It’s the perfect Heideggerian flower that never forgets Being. But Malick does something stunning with his sunflowers. The first shot of is a close-up of a single flower, as Mrs. O’Brien speaks of the way of grace. We can see others dancing in the wind behind, but we concentrate on this one. At the end of the film, the camera pulls back, a brilliant blue sky fills the top two-thirds of the screen, and we see a breathtaking field of sunflowers. Through the suffering and loss that the movie depicts, the single sunflower of grace blossoms into a field of sunflowers. It’s Job, surrounded by his second family that he can love. It’s Brothers Karamazov. It’s the Agnus Dei and all seeds that go into the earth to die, so they can produce fruit.

just not possible.’ She touched her lips and looked down at her boobs, which were objectively awesome. Would her defence case be better if she didn’t look like this? If she hadn’t spent so much money on her body? ‘Why would you want to look like one of those dreadful Kardashians?’ her mother had once asked her. Because Jessica thought those dreadful Kardashians were stunning. It was her prerogative to think so. Before the money Ben had drooled over images of luxury cars and Jessica had drooled over pictures of models and reality stars, who were maybe photoshopped, but she didn’t care. He got his car, she got her body. Why was her new body more superficial than his new car? ‘Sorry.’ She looked back up at Zoe, and remembered that this girl’s brother had committed suicide. Zoe had probably never met anyone as superficial as Jessica in her life. ‘None of that helps you build my case, does it? Why should this girl live? Oh, because she tried really hard when she won the lottery.

Donald was stunned. They must be making a sensaysh out of it, to sacrifice so much time from even their ten-minute condensed-news cycle! His Mark II confidence evaporated. Euphoric from his recent eptification, he had thought he was a new person, immeasurably better equipped to affect the world. But the implications of that expensive plug stabbed deep into his mind. If State were willing to go to these lengths to maintain his cover identity, that meant he was only the visible tip of a scheme involving perhaps thousands of people. State just didn’t issue fiats to a powerful corporation like English Language Relay Satellite Service without good reason. Meaningless phrases drifted up, dissociated, and presented themselves to his awareness, all seeming to have relevance to his situation and yet not cohering. My name is Legion. I fear the Greeks, even bearing gifts. The sins of the fathers shall be visited on the children. Say can you look into the seeds of time? Was this the face that launch’d a thousand ships, And burnt the topless towers of Ilium? Struggling to make sense of these fragments, he finally arrived at what his subconscious might be trying to convey. The prize, these days, is not in finding a beautiful mistress. It’s in having presentable prodgies. Helen the unattainable is in the womb, and every mother dreams of bearing her. Now her whereabouts is known. She lives in Yatakang and I’ve been sent in search of her, ordered to bring her back or say her beauty is a lie—if necessary to make it a lie, with vitriol. Odysseus the cunning lurked inside the belly of the horse and the Trojans breached the wall and took it in while Laocoön and his sons were killed by snakes. A snake is cramped around my forehead and if it squeezes any tighter it will crack my skull. When the purser next passed, he said, “Get me something for a headache, will you?” He knew that was the right medicine to ask for, yet it also seemed he should have asked for a cure for bellyache, because everything was confused: the men in the belly of the wooden horse waiting to be born and wreak destruction, and the pain of parturition, and Athena was born of the head of Zeus, and Time ate his children, as though he were not only in the wooden horse of the express but was it about to deliver the city to its enemy and its enemy to the city, a spiralling wild-rose branch of pain with every thorn a spiky image pricking him into other times and other places. Ahead, the walls. Approaching them, the helpless stupid Odysseus of the twenty-first century, who must also be Odin blind in one eye so as not to let his right hand know what his left was doing. Odinzeus, wielder of thunderbolts, how could he aim correctly without parallax? “No individual has the whole picture, or even enough of it to make trustworthy judgments on his own initiative.” Shalmaneser, master of infinite knowledge, lead me through the valley of the shadow of death and I shall fear no evil … The purser brought a white capsule and he gulped it down. But the headache was only a symptom, and could be fixed.

The reality is that the true fundamental transformation in America (and the West generally) has come in the realm of culture, notably in matters of sexual orientation, gender, marriage, and family. The shift there has been unprecedented and far beyond anyone’s imagination in 2008. It was signaled most conspicuously in June 2015 when the Obama White House—the nation’s first house—was illuminated in the colors of the “LGBTQ” rainbow on the day of the Obergefell decision, when the Supreme Court, by a one-vote margin, rendered unto itself the ability to redefine marriage (theretofore the province of biblical and natural law) and imposed this new “Constitutional right” on all fifty states. If ever there was a picture of a fundamental transformation, that was it. And that was just one of countless “accomplishments” heralded and boasted of by the Obama administration. In June 2016, to celebrate the one-year anniversary of Obergefell, the White House press office released two extraordinary fact sheets detailing President Obama’s vast efforts to promote “LGBT” rights at home and abroad.663 Not only was it telling that the White House would assemble such a list, and tout it, but the sheer length of the list was stunning to behold. There was no similar list of such dramatic changes by the Obama White House in any other policy area. Such achievements included the infamous Obama bathroom fiat, through which, according to Barack Obama’s executive word, all public schools were ordered to revolutionize their restrooms and locker rooms to make them available to teenage boys who want to be called girls.

Easy. You’ll say, ‘Wow, that’s the hottest Wanderling I’ve ever seen! Who knew a tree could have awesome hair?’ And then you’ll all sit under my stunning leaves and write poems about my general amazingness.” Sophie shook her head. “I can’t believe you’re trying to joke about this.” “Well, believe it, Miss F. I can joke about anything!” He nudged her with his elbow, but she refused to smile. And she hated her brain for suddenly picturing his Wanderling. But she could see it so clearly now. The tree would have yellow spiky leaves and ice blue flowers and pale bark—and it would be lopsided somehow, mirroring his crooked smirk. “The thought of you dying will never be funny,” she whispered, wishing her eyes weren’t burning.

I’m pretty sure he plans on killing me anyway,” I said with a shrug. “At least if he kills me for this, it was for something that matters.” “I-” “Tell him I came here and spoke with you about Darius. Tell him I made some excuse to get you to leave the room and by the time you came back I’d done this. Put all the blame on me. I mean that.” “Okay…” she said hesitantly and I met her eye. “Do I need to make you swear it on the stars?” I growled. “No. I’ll tell him. Thank you, Roxanya.” “It’s Tory. Only Darius calls me Roxy and I can’t make him stop, but I don’t want anyone else making a habit of it,” I said. Although at this point if Darius started calling me Tory it would probably just be weird. Not that I’d ever admit that I was okay with the Roxy thing. “Okay. Thank you, Tory.” I smirked at her and hit post. Catalina gasped as Xavier’s secret went viral and I glanced down at my Atlas as reactions and comments began to pour in before I locked the screen. Shit, what if Daddy Acrux really does kill me for this? “Run, Tory,” Catalina breathed, real fear dancing in her eyes. “Run for the gate and get back to the academy before he comes back. If he finds you here-” “Consider me gone.” I barked a laugh as nerves made my heart flutter. Catalina smiled at me before ripping her dress off, knocking her hair free of its perfectly styled bun, flashing me those gloriously fake tits and leaping out of thewindow after her son. She transformed as she plummeted and my lips fell open as a stunning silver Dragon burst from her flesh. She beat a path up towards the clouds just as Xavier dipped beneath them with an excited whinny. I quickly raised my Atlas and snapped a picture of the two of them dancing through the sky before I took a running jump out of the window too. My wings burst to life at my back and I flew hard and fast along the drive until I soared over the gates, beyond the anti-stardust wards where I landed quickly, my boots skidding in the gravel. I grabbed the stardust from my pocket and winked at the startled guards half a second before I tossed it over my head and the stars whisked me back to the academy. I stumbled as they deposited me and suddenly strong arms locked around my chest from behind, making me scream in surprise. A hand slapped over my mouth and I stilled for a moment as the scent of smoke and cedar overwhelmed me. Darius dragged me back through the hole in the wards, pulled me through the fence and shoved me up against a huge tree at the edge of campus before he took his hand from my mouth. His hands landed either side of my head as he penned me in, glaring down at me with an angry as fuck Dragon peering out of his eyes, his pupils transformed into reptilian slits and a hint of smoke slipped between his lips. He was only wearing sweatpants and I got the impression he’d flown here to ambush me the moment I returned. I guess he didn’t like my FaeBook post. “What the fuck were you thinking?” he demanded. “Whoa, chill out dude,” I said, pressing my hands to his chest to push him back. He didn’t move a single inch and I just ended up with my hands pressed to his rock hard muscles, his heart pounding frantically beneath my right palm. “Do you know what you’ve done?” Darius snarled. “Father could kill Xavier for this! He could-” “He won’t,” I snapped angrily. “He can’t. Don’t you see that? The only power he held over Xavier was in keeping his real Order form a secret. Now everyone knows, he’s free. Killing him wouldn’t change the truth. And he can’t very well alienate every Pegasus in Solaria by making his Orderist bullshit public knowledge. He’ll have to let Xavier leave the house, join a herd, fly.” Darius was staring at me like he didn’t know whether to kill me or kiss me and as my gaze fell on his mouth, I found myself aching for the latter. Fuck the stars. (Tory POV)

I walked to the painting on the easel. It was an impression, not a lifelike rendering. 'I wanted you to see this one,' I said, pointing to the smear of green and gold and silver and blue. 'It's for you. A gift. For everything you've done.' Heat flared in my cheeks, my neck, my ears, as he silently approached the painting. 'It's the glen- with the pool of starlight,' I said quickly. 'I know what it is,' he murmured, studying the painting. I backed away a step, unable to bear watching him look at it, wishing I hadn't brought him in here, blaming it on the wine I'd had at dinner, on the stupid dress. He examined the painting for a miserable eternity, then looked away- to the nearest painting leaning against the wall. My gut tightened. A hazy landscape of snow and skeletal trees and nothing else. It looked like.... like nothing, I supposed, to anyone but me. I opened my mouth to explain, wishing I'd turned the others away from view, but he spoke. 'That was your forest. Where you hunted.' He came close to the painting, gazing at the bleak, empty cold, the white and grey and brown and black. 'This was your life,' he clarified. I was too mortified, too stunned, to reply. He walked to the next painting I'd left against the wall. Darkness and dense brown, flickers of ruby red and orange squeezing between them. 'Your cottage at night.' I tried to move, to tell him to stop looking at those ones and look at the others I'd laid out, but I couldn't- couldn't even breathe properly as he moved to the next painting. A tanned, sturdy male hand fisted in the hay, the pale pieces of it entwined among strands of brown coated with gold- my hair. My gut twisted. 'The man you used to see- in your village.' He cocked his head again as he studied the picture, and a low growl slipped out. 'While you made love.' He stepped back, looking at the row of pictures. 'This is the only one with brightness.' Was that... jealousy? 'It was the only escape I had.' Truth. I wouldn't apologise for Issac. Not when Tamlin had just been in the Great Rite. I didn't hold that against him- but if he was going to be jealous of Issac- Tamlin must have realised it, too, for he loosed a long, controlled breath before moving to the next painting. Tall shadows of men, bright red dripping off their fists, off their wooden clubs, hovering and filling the edges of the painting as they towered over the curled figure on the floor, the blood leaking from him, the leg at a wrong angle. Tamlin swore. 'You were there when they wrecked your father's leg.' 'Someone had to beg them to stop.' Tamlin threw a too-knowing glance in my direction and turned to look at the rest of the paintings. There they were, all the wounds I'd slowly been leeching these few months. I blinked. A few months. Did my family believe that I would be forever away with this so-called dying aunt? At last, Tamlin looked at the painting of the glen and the starlight. He nodded in appreciation. But he pointed to the painting of the snow-veiled woods. 'That one. I want that one.' 'It's cold and melancholy,' I said, hiding my wince. 'It doesn't suit this place at all.' He went up to it, and the smile he gave me was more beautiful than any enchanted meadow or pool of stars. 'I want it nonetheless,' he said softly.

You’re stunning. Fucking breathtaking. I can’t believe you’re mine. I want to take a picture of you like this, burn this moment into my memory forever.

Daisy snorts and tilts back a little farther in her chair to act all cool and composed. And then, the legs begin to slip underneath her. I gasp, picturing her smacking backwards on the ground. But Ryke is faster than my frozen joints. His eyes have already snapped open. He reaches out and grabs the top of her chair, setting both of them on four legs at the same time. My sister puts her hands on the table, leaning forward as though a rollercoaster just flung to an abrupt stop. She looks winded and stunned all at the same time. Ryke barely misses a beat. He pushes an extra spoon in front of her. And to my surprise, she actually picks up the silverware and scoops a big bite of cake on it. She hesitates for a second. “It’s not arsenic,” he says. Her lips rise in a small smile. “Your hips also don’t have to be measured in the morning.

She can’t die, and not just because there’s a chance I won’t survive. She can’t die because I know I can’t live without her even if I do. Somewhere between the shock of our attraction at the top of that turret to realizing she risked her own life by giving up a boot for someone else on the parapet that first day to her throwing those daggers at my head under the oak tree, I wavered. I should have realized the danger of getting too close the first time I put her on her back and showed her how easily she could kill me on the mat—a vulnerability I’ve allowed no one else—but I brushed it off as an undeniable attraction to a uniquely beautiful woman. When I watched her conquer the Gauntlet, then defend Andarna at Threshing, I stumbled, stunned by both her cunning and her sense of honor. When I burst into her room and found Oren’s treacherous hand at her throat, the rage that made it so easy to kill all six of them without batting an eye should have told me I was headed for a cliff. And when she smiled at me after mastering her shield in mere minutes, her face lighting up as the snow fell around us, I fucking fell. We hadn’t even kissed, and I fell. Or maybe it was when she threw her knives at Barlowe or when jealousy ate me alive seeing Aetos kiss the mouth I’d dreamed about countless times. Looking back, there were a thousand tiny moments that pulled me over the edge for the woman asleep in the bed I always pictured her in.

It was Fergal Devitt, and his profile picture had not done him justice. He was stunning, engaging, confident, and one of those types you couldn’t help but be drawn to; there was a knowing that he would go on and do big things one day—which he has, as Finn Balor in WWE

You okay?” he asked quietly. “Sure. Why wouldn’t I be?” “Brad. I know you were crushing on him, and now he’s packed it up and moved next door. I wanted to make sure you weren’t having trouble dealing with it.” “I can’t believe Allie told you about my crush.” “Give me a break, Kate. I’ve known since family weekend. When was the last time you wanted to take a picture of me? Document my freshman year? What? Do I have clueless tattooed across my forehead?” Narrowing my eyes, I leaned toward him. “Yeah, I think maybe you do.” Even in the shadows I could see him grin. This was so totally weird. Sitting out here, having an almost normal conversation with my brother. “He’s not your type, Kate.” I scoffed. “How do you know my type? I don’t even know my type.” “Trust me, when you do figure your type out, you’re gonna realize it’s not Brad. I mean, I like him, and he’s a great roommate, but what I want in a friend and what you need in a boyfriend aren’t the same. He’d just end up hurting you. Then I’d have to beat the crap out of him.” I couldn’t stop myself from smiling. “Would you really do that for me, Sam?” “You know I would.” His voice was totally serious. And I realized that he was so not joking. His revelation stunned me almost as much as Joe’s kiss. No, wait, nothing would ever throw me off balance as much as that kiss. “You do know that, don’t you, Kate?” Sam asked. “You’re my sister and I . . .” He waved his hand. “That L-word. You know.” “Love?” I asked. “Don’t make me say it, okay? Just know it’s true. I know I give you a hard time, but hey, that’s what brothers do. It’s part of our genetic makeup, a little chip inside our brains that gets activated when our parents shove a screaming baby sister in our face.” “Like you’d have a memory of that moment. You were only fifteen months old.” “Whatever. Look, I’m out here right now because I’ve been a little worried about you, and I haven’t really been able to get you alone to talk.” “You’ve been able to get Allie alone.” And for a lot more than conversation. He grimaced. “Yeah, she told me you know about us. Are you okay with that?” “What if I’m not?” “Then tough. Get over it.” “Some understanding brother you are.” “I’ve got my limits.” “So you really like her, huh?” “Yeah, I have for a long time, but geez, she’s my sister’s best friend. How weird is that?” “Totally weird. When she described the way you kiss—” “What?” Horror echoed his voice. His eyes were wide, his mouth open. “Payback for the snowball,” I said snidely. “I already paid you back for that.” “So? Maybe there’s a little chip inside a girl’s brain that gets activated when her brother is a jerk and erases paybacks as soon as they happen so we need a steady stream of them.” “You’re definitely not playing nice, Kate.” I heard him heave a sigh. “You know, that’s part of the reason I’ve steered clear of Allie. I don’t want her discussing my . . . moves with my sister.” “Yeah, like you’ve got moves.” He gave me a cocky look. “Hey, I’ve got moves.” I held up a hand. “Definitely don’t want to hear about them.” “Definitely don’t want you to hear about them.

When you include angled lines, choose a perspective that allows the angles to be at least 20 degrees off-level. Anything less doesn’t look deliberate and isn’t as appealing. To control the angle of lines, change your perspective. For example, in a landscape with a straight fence through it, you could hold your camera perpendicular to the fence so that it was perfectly straight across your picture. Or, you could move close to the fence and turn left or right so that the fence drew an attractive 20 to 30 degree angled line through the landscape. However, you wouldn’t want to be somewhere in-between; a 5 degree angle would look careless and unattractive.

I knew Acre like the back of my hand. I loved every opportunity I had to explore the old city there. The walls reminded me a bit of the walls of Tiberias. Later, I learned that they had a common constructor. I would suggest to everyone who visited me at the  kibbutz, a short tour in Acre or in the immediate vicinity of the  kibbutz. Over time I developed a regular route, which included the Acre and the Bahai Gardens in the south, and up to Nahariya and Rosh Hanikra in the north –  stunning views of western Galilee. Everything was new to me. I was relieved by the presence of my youth members from Tiberias. They were in the picture in front of me, helping me with their advice on how to capture Jacob when he was carrying the Lohamei Hageta'ot Musiem, somewhere over the aqueduct of Shomrat.   ***

You seem awfully concerned about this guy,” Jeoff stated. “More than a disobedient lone wolf merits. Has he hurt someone in the pride?” “In a sense. He threatens my mate.” That was one way to stun an opponent. “You? Mated? You have my condolences.” Arik frowned. “What’s that supposed to mean?” “It’s always sad when a man gets shackled to a ball and chain. Next thing you know, you’ll be taking ballroom fucking dancing, calling everything ‘ours’, losing your closet to shoes, and having to watch romantic comedies instead of going to the bar with the boys.” “I’ll also be having incredible sex multiple times a day.” “You could have had that without having her shackle you.” “I’m the one who claimed her.” “Why? Why would you do that?” Jeoff shook his head. “Don’t come crying to me when she makes you wear an ugly sweater at Christmas.” “I won’t cry because I’ll make sure you and I have matching ones, given to you publicly, so you can’t refuse. I’ll have Hayder take a picture, and I’ll post it on every social media site I find.” “You’re an evil king, Arik.” “Thank you.” He couldn’t help a smug smile.

In the early centuries Rome’s dead had been cremated; now, usually, they were buried, though some obstinate conservatives preferred combustion. In either case, the remains were placed in a tomb that became an altar of worship upon which pious descendants periodically placed some flowers and a little food. Here, as in Greece and the Far East, the stability of morals and society was secured by the worship of ancestors and by the belief that somewhere their spirits survived and watched. If they were very great and good, the dead, in Hellenized Roman mythology, passed to the Elysian Fields, or the Islands of the Blessed; nearly all, however, descended into the earth, to the shadowy realm of Orcus and Pluto. Pluto, the Roman form of the Greek god Hades, was armed with a mallet to stun the dead; Orcus (our ogre) was the monster who then devoured the corpse. Because Pluto was the most exalted of the underground deities, and because the earth was the ultimate source of wealth and often the repository of accumulated food and goods, he was worshiped also as the god of riches and plutocrats; and his wife Proserpina—the strayed daughter of Ceres—became the goddess of the germinating corn. Sometimes the Roman Hell was conceived as a place of punishment;72 in most cases it was pictured as the abode of half-formless shades that had been men, not distinguished from one another by reward or punishment, but all equally suffering eternal darkness and final anonymity. There at last, said Lucian, one would find democracy.73

Jesus is clothed in the brilliant garments of a priest — a full-length white robe with a golden sash wrapped across his chest. Beginning at Jesus’ head and moving down to his feet, John describes what Jesus looked like: Hair as white as snow: A picture of the purity and sinlessness of Jesus. Eyes like blazing fire: He can see right through us; every hidden thing is visible to him. Feet like glowing bronze: A symbol of judgment; Jesus’ feet are restless as he moves among his people. A voice like a thundering waterfall: Jesus’ words will block out all other voices; he alone is the supreme authority. A face like the sun: A picture of the stunning glory of Jesus. John was Jesus’ closest human friend on earth. It had been sixty years since they had last seen each other. But John doesn’t run up and slap Jesus on the back and tell him how good it is to see him. In the face of Jesus’ glory, John falls at Jesus’ feet like a dead man. We’ve come up with a lot of strange ideas about what we will do in heaven when we first see Jesus. Some people think they will shake his hand or give him a hug. Some people have questions they want to ask. I think we will do what John did — fall down in awe and wonder and love at Jesus’ feet.

I’d like to share with you a parable: the parable of Bob the Angel. A girl was walking down a darkly lit city street late at night. A man jumped out from the shadows and attacked her, suddenly she was suffocating and disoriented as hands clasped around her neck and the force of his attack started to push her down. She tried to yell as she struggled to pull his arms from her neck while she crumpled backwards to the ground, “God . . . help me!” The next thing she remembers—just as the fear consumed her, and right as she disappeared into the misery and despair of helplessness—was a loud crash and an explosion of glass which rained down upon her and her attacker. The assailant’s lifeless body was suspended above her, held from collapsing on her by an unknown force, and then pulled away from hovering over her and dropped onto the pavement beside her. She opened her eyes in the faint shadowy light, to see black matted hair and a long, black beard framing the eyes of a man. The smell of alcohol on his breath would have knocked her out if the adrenaline was not still trilling through her veins. There he stood, God’s angel, off-kilter and drunk, with a broken whiskey bottle in his hand. “You probably shouldn’t be walking through here this late at night,” was all he said as he turned away. “Wait! What’s your name?” she asked, still stunned half sitting up on the ground. All she heard as he walked away was his trailing voice calling, “Bob’s as good as any. . . .” An angel is a messenger, and sometimes we only want letters sent in white envelopes with beautiful gold print, when sometimes a simple “no” on the back of a gum wrapper is what we are offered. Every postcard from heaven does not come with a picture of the sunset there, nor should it. If it is an answer we want, an answer we will get. As far as pretty postcards, there are many others willing to send us that. If not harps and gold-tipped wings, what then is the mark of an angel? An answer which pierces your soul, and which inspires a question that invites you to look outside of yourself and up to God.

A tent was set up as a make shift changing room for the models to do their preparation. Hair and make-up were done within this 12' x 12' fabric enclosure which sprouted electrical cords for hair dryers and electric rollers, necessities for “bouffant” hairdos. I was mesmerized while watching different colored eye shadows, face powders and lipsticks painted onto the females. Seeing glamorous pictures in a glossy magazine was one thing but witnessing first-hand how it was applied was quite another. The hours of preparation that went into preparation for each model included in a photograph stunned me.

See, I have this theory that humans are just living, breathing, talking forms of art, each crafted with a different technique and carved out of different materials. Each beautiful in their own way. And sure, beauty is in the eye of the beholder, and totally subjective, and changes depending on your circumstance, yada-yada-yada… but most of the time, it’s pretty easy to classify people. Like, okay, you know those women who are gorgeous and never know it? Or the men who pass quietly through life, handsome and unnoticed, never begging for attention or crying out for recognition? Those are your watercolors. And the loud, vivacious, gorgeous-and-they-know-it creatures, with bright lipstick and closets full of bold colors and outfits they never wear twice? Acrylics. The graceful, elegant, aging beauties you pick out in the crowd, or across the cafe, the lines on their faces telling a story you just know you’d want to hear, with so many layers and smudges, twists and turns, you’re not even sure where they begin? Charcoals. Then, you’ve got the big-picture-beautiful people, with the collection of interesting features that together make a beautiful face. They’re your oil paintings — best from ten feet away and, at the end of the day, kind of funny looking if you lean closer and analyze all their elements separately. But I’m quickly learning that Chase Croft doesn’t fit any of my categories. He isn’t a brushstroke on canvas, or bumpy layers of paint on a palette, or imperfect lines scratched inside a sketchbook. His features aren’t just gorgeous as a collective — he’s one of those annoyingly attractive people whose every feature is equally stunning. He’s a sculpture.

I make a move to walk by him to go to our dressing room, and an arm suddenly snakes around my waist. I squeal as he jerks me against him and touches his lips to mine. The photogs that are allowed backstage go crazy taking pictures. I push back from him, and he doesn’t stop, so I slap him. The noise rings out around the room. He jerks back like I just hurt his feelings. Then he sneers. “What’s the m-m-matter?” he mocks. “You l-l-looked like you could use a k-k-kiss.” I start toward him with my fist raised, because I’m going to punch him in the fucking throat. But Star gets between me and him. I reach around her, but she holds me back. “Get out of the way, Star,” I warn. She nods toward security, but before they can get there, Fin—the tiniest out of our group of five—tugs on the guy’s sleeve. He looks down at her, his eyes filled with lascivious intent. “Hey, baby,” he croons. He bends down like he wants to try his luck kissing her, but she balls up her fist and hits him square in the nose. He falls back, completely stunned, and lands on his back in the middle of the floor. Star steps in the center of his chest and presses the heel of her boot into his breastbone. “If you ever fucking touch one of my sisters again, I’ll chop your balls off and feed them to you.” Our

The door closed behind her, and Ed just stood there—unable to connect with the present reality. It was as though he had been zapped by a stun gun of words, and the effect had made him momentarily immobile. A few minutes passed, and he broke free from the paralyzing shock. He walked into the bedroom that he and Laura had once shared. Now, like him, it was missing her presence. Pictures had been taken off of the dresser, the scented candles were gone, and her pillow was not on the bed. He walked over to the closet, opened it up, and found that her clothes, and shoes were also gone. He looked around the half empty room, and found himself venturing into a tormenting cycle of confusion. A livid syrup had just been poured out onto a panicked waffle that had been setting on a perturbed plate for several daunting months, and Ed suddenly found himself acquiring an unhealthy appetite for destruction. Tears began to fall down his face, and an inward storm began to rage.

Adnan was deluged with letters, notes, pictures, and prayers. Some were short messages of support, others were pages and pages of personal divulgences. Adnan was stunned at the sometimes very intimate nature of the letters, people pouring out their pain and tribulations to a stranger. He realized it was sometimes easier for people to share their deepest sorrows with a stranger than with people they knew. I told him that’s how the Internet mostly works. Students

PRECIOUS” The Hebrew word for “precious” means to carry weight, to be scarce or esteemed. When something is precious, one places more value on it than on other things, making it “weighty.” When “precious” appears in other Old Testament passages, it’s surrounded by danger, notions of redemption, the human soul, and the eyes of the beholder (1 Sam. 26:21; 2 Kings 1:13–14; Ps. 49:8 KJV; 72:14). The precious soul must be saved before it’s too late. When the word precious is called upon, it’s usually because something is at stake. What is at stake? According to Søren Kierkegaard, despair.3 When humans are overwhelmed by their finitude and blemishes, they lose sense of their God-given greatness. We need to be reminded, lest we forget. After all, we were created in God’s image; isn’t that enough? Why do we weep over our appearance, struggle with acceptance, and burn with envy toward others? We were created in God’s image! There’s nothing nobler, more beautiful, or more stunning than that. Yet we treat our souls as if they were garbage. We desperately need to be reminded of the weight that our souls carry before it’s too late. I was waiting in line behind a man and his son at a café. The man was middle-aged and fairly rugged. His teenage son had Down syndrome, but his eyes were bright and he wore excitement on his face. Dad was getting him hot chocolate with whipped cream. As the two were waiting for the barista to hand them their drinks, the dad reached out his arm and placed his hand on the back of his son’s hair. He gently folded his fingers into his son’s hair and said, “Hey, beautiful.” Both puzzled and innocent, the son answered simply, “What?” Staring deeply into his son’s face, the dad said, “I love you.” This father saw the weight of his son’s preciousness. In the world’s eyes, this boy would never be a great athlete or a top student. He would never attain the world’s standard of beauty. He’d probably live at home for longer than usual, depending on the care of his parents. He was most likely demanding and had surely required more of his parents as a baby. He probably had more than a few idiosyncrasies that tested his family’s nerves. He was probably messy.4 But his dad loved him. His dad didn’t label him as a burden, but as beautiful. His dad loved him just the way he was—I could see that plainly. Our souls are sick from head to toe, yet our Father finds a way to love us anyway. Picture God raising his hand to your head and sifting your hair between his fingers. He looks into your eyes—knowing full well what you are—and says, “Hey, beautiful. I love you.” That’s enough to melt my heart in joy. There are no conditions to meet in order to earn God’s love. He is in love with you just as you are. “You carry a lot of worth in my eyes, you are heavy-laden with beauty, and I love you.

What a stunning picture this gives us of God’s amazing providence—His ability to look ahead, know exactly what is coming, and make provision for us before we even get there. He is not only a God who can help us handle our current issues and pressures but One who has already prepared comfort, help, and blessing for problems that aren’t even on our horizon.

Do women always take this long?” Darién sprang forward to find out what was keeping his bride, but Maxim, Shara and Serone stepped in front of him, blocking his path. “She’s late!” the prince fumed, his heart pounding, and his breathing ragged. “Maybe she changed her mind,” he said before Maxim snapped a picture of him with a digital camera, blinding him. “What the hell?” Darién shook his head to clear the momentary stun from the flash. Maxim shrugged nonchalantly, his wicked dark eyes glittering with humor, “Aleta put me in charge of photography--something about making a scrapbook…or whatever. Anyway…nothing says good times like a stressed-out groom on the verge of nuclear.” He smiled, wagging his dark brows up and down. “Priceless.

She could picture herself now in the cool water with the sun on her face, totally alone and at peace with the stunning Greek scenery all around her. She hadn’t even been here for a full day yet, but she was desperate to feel that she was away from her usual surroundings and all her responsibilities and become a different - liberated - woman, even if it was only for a week.

My heart had started thumping with anticipation. So much had changed in Diana’s life. This would be our first meeting since she had become the Princess of Wales and a celebrity. Would she still be the same Diana underneath? Based on her letters, I thought so. Next Patrick and I were shown into the library, a warmer room with high ceilings and sunlight flooding in from tall windows. Carved wooden bookcases, glowing with a centuries-old patina, lined the walls and held leather-bound, gilt-edged volumes. I loved this room. I wished I could have leafed through a few of those beautiful old books. I was calmer now, prepared for a cozy mother-to-mother visit with Diana. Patrick and I stood expectantly in the center of the elegant room. I rested my right arm around his little shoulders. I needed the support more than he did. Then the door opened and Diana entered…with Prince Charles. I held my breath as she gave us a brilliant smile and briskly crossed the floor. The new Diana was truly breathtaking--beautiful, self-assured, polished, and stunning in her scarlet suit. She looked even more radiant in person than in her best pictures. She was absolute perfection, with her flawless complexion, starry blue eyes, and confident carriage. A remarkable and complete transformation from young nanny to global sensation--and she was only twenty-four!

I’d like to share with you a parable: the parable of Bob the Angel. A girl was walking down a darkly lit city street late at night. A man jumped out from the shadows and attacked her, suddenly she was suffocating and disoriented as hands clasped around her neck and the force of his attack started to push her down. She tried to yell as she struggled to pull his arms from her neck while she crumpled backwards to the ground, “God . . . help me!” The next thing she remembers—just as the fear consumed her, and right as she disappeared into the misery and despair of helplessness—was a loud crash and an explosion of glass which rained down upon her and her attacker. The assailant’s lifeless body was suspended above her, held from collapsing on her by an unknown force, and then pulled away from hovering over her and dropped onto the pavement beside her. She opened her eyes in the faint shadowy light, to see black matted hair and a long, black beard framing the eyes of a man. The smell of alcohol on his breath would have knocked her out if the adrenaline was not still trilling through her veins. There he stood, God’s angel, off-kilter and drunk, with a broken whiskey bottle in his hand. “You probably shouldn’t be walking through here this late at night,” was all he said as he turned away. “Wait! What’s your name?” she asked, still stunned half sitting up on the ground. All she heard as he walked away was his trailing voice calling, “Bob’s as good as any. . . .” An angel is a messenger, and sometimes we only want letters sent in white envelopes with beautiful gold print, when sometimes a simple “no” on the back of a gum wrapper is what we are offered. Every postcard from heaven does not come with a picture of the sunset there, nor should it. If it is an answer we want, an answer we will get. As far as pretty postcards, there are many others willing to send us that. If not harps and gold-tipped wings, what then is the mark of an angel? An answer which pierces your soul, and which inspires a question that invites you to look outside of yourself and up to God. God is very objective; He wants to make us think, to engage the faculties we have been given, and to learn from the messengers he sends us. He wants us in the ark before the flood; he could come himself—or send a Noah—but most of the time he sends Bob. Bob is in you, Bob is in me, Bob is in the emotionalized, sarcastic, mocking, patronizing, proud or foolish person which points out meaningful things to us in the worst possible moments, or in the worst possible way.

As described in Jason Berry’s richly detailed 1992 book, Lead Us Not into Temptation, what they learned from Church leaders left them stunned:

Later in the day, Holly frowned at her reflection in the mirror. “This can’t be right!” Holly muttered to herself. She looked like a cross between a panda bear and a raccoon. She had tried to apply a more advanced version of makeup than she was used to, and it was not going well. “Smokey eye, my foot! I look like I have two black eyes.” She had not done the proper shading with her eye shadow, and now her large green eyes were encased with a deep black color that spanned her entire eyelid. “Maybe I should try a different one,” Holly mused aloud. She sat in William’s bedroom at his dresser. She already had on her pretty crushed velvet black dress and a small heart-shaped diamond pendant. It had been William’s birthday gift to her last year. “Let me re-read this article again to see if I can make sense of these instructions.” Holly read her magazine article out loud. “Which Greek Goddess are you? Athena, Venus, or Aphrodite? Check out our makeup tips below to turn heads at your next event!” “Hmmmm, that sounds soooooo good, if only I was better at applying makeup.” She had decided to try their Aphrodite look and had been trying to apply the eyeliner to give her a smoky eye effect. Holly had to wash her face four times already and start over because each time was worse than the last. “Concentrate, Holly, or you’ll be late for the gala. This is your last chance; it’s do or die time!” she warned her reflection in the mirror. “So, it says to put the light grey eyeshadow on the inner one-third of my eyelids. Hmmm, maybe that’s the problem. I don’t know where the inner third is.” She got an idea and went to William’s desk. Looking around, she found a ruler. “Ah-ha! Eureka, I got it!” She went back to her position at his dresser and closed her eyes for a quick, small prayer, then held the ruler up to measure her eye. “Ah-ha! Twenty-one millimeters. So, that means the inner one-third of my eye must be from my nose out seven millimeters . . . right about HERE!” Holly expertly applied the light grey eye shadow to the inner third of her eyelids. “What a big improvement already! Wow! I’m not a panda bear anymore! Ok, one-third down, two-thirds to go . . . I can do this!” Reading further, she said, “Ok, now apply the dark grey eye shadow to the next third of your eye, finishing with the dark brown eye shadow on the outer third of your eyelid.” Holly expertly followed the instructions and sat back in her chair, stunned. She looked beautiful! She had achieved the desired effect, and now her green eyes were enhanced to perfection. “Wow, wow, wow!” Holly felt encouraged to keep going. She read the next instructions. “‘Now, apply blush to your face with an emphasis on contouring your cheekbones.’” “‘Contouring my cheekbones? Who do they think I am, Rembrandt?” Holly said with a groan. Holly gingerly picked up her blush container as if it were about to bite her. She decided another quick prayer wouldn’t go amiss. With a deep breath she muttered, “Ok, I’m going in!” She glanced nervously at the picture in the magazine and tried her hardest to follow it along her cheekbones. “That turned out pretty good!” Holly turned her face this way and that, examining it. It may not have been exactly as in the picture, but the blush now accentuated her beautiful high cheekbones. “Whew! Only the lip left, thank goodness! You got this, Holly!” She encouraged her reflection in the mirror.

The beaches in Dubai are well-known for their cleanliness and tranquility. While many individuals enjoy a relaxing weekend at the beach, thrill-seekers prefer to participate in thrilling water sports. Jet skiing is one of Dubai's most popular water activities, and adventure seekers love to try it. Do you want to know what the most extraordinary Dubai marine adventures are? What is the best method to see this magnificent city? There is plenty to do in this city-state of the UAE, and we have several fun aquatic activities for you to enjoy while on vacation or to live in the Emirates! How about a Jet Ski Ride along the Dubai waterfront? It can be done with your family, as a couple, with friends, or by yourself. We jet ski around all of Dubai's most famous attractions, skyscrapers, and landmarks. All of our Jet Ski trips include a stop at the luxury Burj Al Arab hotel, which is constructed into the sea, where you can have fun and receive a photo souvenir of Dubai. Jet skiing in Dubai is unquestionably the most acceptable way to see the city and have a good time during your vacation. Dubai Yacht Rental Experience When it comes to a luxury Boat Party in Dubai for those who can afford it, the pleasure and adventure that Yachts can provide cannot be overstated. Yachting is, without a doubt, the most beautiful sport on the planet. It's a once-in-a-lifetime opportunity to splash around in the ocean's deep blue waves and lose yourself in an environment that is both soothing and calming to the soul. The sensation you get from a yacht requires a whole new set of words to explain it. It's a fantastic experience that transports people to another zone while also altering their mental state. People who have the advantage of owning private yachts go sailing to have a relaxing excursion and clear their minds whenever they feel the need. Those who cannot afford to purchase a yacht can enjoy the thrill of cruising from one coastal region to the other by renting an economical Dubai yacht. It is not a challenging task to learn to sail. Some people believe that yachting can only be done by experts, which is a ridiculous misconception. Anyone willing to acquire a few tactics and hints can master the art of yachting. READ MORE About Dubai Jet Ski: Get lost in the tranquility of blue waters while waiting to partake in action. With the instructor sitting right behind you, you’ll learn astonishing stunts and skills for riding a Jet ski. This adventure will take your excitement to a new level of adventure in the open sea. While sailing past the picturesque shorelines of the islands, take in stunning views of prominent Dubai monuments such as the Burj Al Arab and more. About the activity: Jumeirah Beach is the meeting site for this activity. You have the option of riding for 30 minutes or 60 minutes Jet Ski around the beaches while being accompanied at all times by an instructor, as your safety is our top priority. Begin your journey from the marina and proceed to the world-famous Burj-Al-Arab, a world well known hotel, for a photo shoot. where you may take as many pictures as you want

She can't die, and not just because there's a chance I won't survive. She can't die because I know I can't live without her even if I do. Somewhere between the shock of our attraction at the top of the turret to realizing she risked her own life by giving up a boot for someone else on the parapet that first day to her throwing those daggers at my head under the oak tree, I wavered. I should have realized the danger of getting too close the first time I put her on her back and showed her how easily she could kill me on the mat—a vulnerability I've allowed no one else—but I brushed it off as an undeniable attraction to a uniquely beautiful woman. When I watched her conquer the Gauntlet, then defend Andarna at Threshing. I stumbled, stunned by both her cunning and her sense of honor. When I burst into her room and found Oren's treacherous hand at her throat, the rage that made it so easy to kill all six of them without batting an eye should have told me I was headed for a cliff. And when she smiled at me after mastering her shield in mere minutes, her face lighting up as the snow fell around us, I fucking fell. We hadn't even kissed, and I fell. Or maybe it was when she threw her knives at Barlowe or when jealously ate me alive seeing Aetos kiss the mouth I'd dreamed about countless times. Looking back, there were a thousand tiny moments that pulled me over the edge for the woman asleep in the bed I always pictured her in.

Fair enough. I know the kind of sweet she is. Grew up with it. She’s sweet like poison.” Three things happened at once—because the universe and our electricity grid fucking hated me: I gasped at a volume that wasn’t the least bit discreet, the light flooded both me and the rest of the yard, and my sternum caved in from the force of Lachlan’s judgment. Sweet like poison. …like poison. Poison. They were looking at me. What a picture we were, all of us too stunned to move. Time suspended. Lachlan’s harsh words hung in the air like daggers poised to do serious damage.

session itself, I’ll change into a silk robe and some underwear that they’ll provide, so it doesn’t particularly matter what I wear for this initial part of the evening. I’m just here to get my bearings, have some (more) Dutch courage with Maddy in the bar area, and soak up the atmosphere. A sleek, beautiful brunette ushers us through the double doors at the end of the lobby, and we find ourselves in a stunning room. There’s an aesthetic overlap with Genevieve’s office and no suggestion of the den-of-sin vibe I was expecting. No black walls, or red leather banquettes, or sex swings. Maybe they’re all next door. No, the room here is all white, with luscious mouldings and spectacular deco chandeliers dimmed to their lowest setting. The massive picture windows facing the back of the building have their shutters closed, and it’s pretty dark, but nowhere near dingy. The focal point of the entire space is a huge bar, crafted entirely from backlit pink onyx, a line of sleek kelly green bar stools dotted in front of it. It’s utterly gorgeous. And the people? I glance around quickly. First impression is that I’m at the bar of Nobu or Sexy Fish. It’s a Mayfair crowd. Well-heeled. International. Accomplished-looking. Phew. Despite Genevieve’s reassurances to the contrary, I did wonder if this place was going to be this young virgin and a load of leering old men.

But it’s not just the bloodline, Penellaphe. We were warned about you long ago. It was written in the bones of your namesake before the gods went to sleep,” Alastir said. My skin pimpled. “‘With the last Chosen blood spilled, the great conspirator birthed from the flesh and fire of the Primals will awaken as the Harbinger and the Bringer of Death and Destruction to the lands gifted by the gods. Beware, for the end will come from the west to destroy the east and lay waste to all which lies between.’” I stared at him in stunned silence. “You are the Chosen, birthed of the flesh and fire of the gods. And you come from the west, to the lands the gods have gifted,” Alastir conferred. “You are who your namesake warned about.” “You…you’re doing all of this because of my bloodline and a prophecy?” A harsh laugh rattled from me. There had been old wives’ tales about prophecies and tales of doom in every generation. They were nothing but fables. “You don’t have to believe me, but I knew—I think I always did.” He frowned as his eyes narrowed slightly. “I sensed it when I looked into your eyes for the first time. They were old. Primal. I saw death in your eyes, even all those years ago.”  My heart stuttered and then sped up. “What?” “We met before. You were either too young then to remember or the events of the night were too traumatic,” Alastir said, and every part of me flashed hot and then cold. “I didn’t realize it was you when I saw you for the first time in New Haven. I thought you looked familiar, and it kept nagging at me. Something about your eyes. But it wasn’t until you said your parents’ names that I knew exactly who you were. Coralena and Leopold. Cora and her lion.” I jolted, feeling as if the floor of the crypt had moved under me. I couldn’t speak. “I lied to you,” he said softly. “When I said that I would ask to see if any others had known of them or had potentially tried to help them escape to Atlantia, I never planned to ask anyone. I didn’t need to because it was me.” Heart pounding fast, I snapped out of my stupor. “You were there that night? The night the Craven attacked the inn?” He nodded as the torches flickered behind him. A picture of my father formed in my mind, his features hazy as he kept glancing out the window of the inn, looking and searching for something or someone. Later that night, he’d said to someone who lingered in the shadows of my mind, “This is my daughter.” I couldn’t…I couldn’t breathe as I stared at Alastir. His voice. His laugh. It had always sounded so familiar to me. I’d thought it reminded me of Vikter. I’d been wrong. “I came to meet them, give them safe passage,” he said, his voice growing weary.

I was well aware this wasn’t a word most lethal operatives like myself would use, but I had always marched to the beat of my own drummer. “You paint quite the scary picture, Professor,” I continued, raising my eyebrows. “Why do I have the feeling this isn’t the first time you’ve thought about this?” Singh smiled. “Not quite the first time, no,” she replied. “I guess I have gone into lecture mode. And it’s a lot to absorb. So let me wind this down. The bottom line is that the rates of substance and behavioral addictions have skyrocketed. Our levels of stress and neurosis have too. The furious pace of our advancements, and the toxicities and manipulations I just described, are outstripping our psyches, which were evolved for a simpler existence.” “Do you have statistics on the extent of the problem?” asked Ashley. “It’s impossible to really get your arms around,” replied Singh, “but I’ll try. In 1980, fewer than three thousand Americans died of a drug overdose. By 2021 that number had grown to over a hundred thousand. More than thirty-fold! And it’s only grown since then. “And these are just the mortality stats. Many times this number are addicts. Estimates vary pretty widely, but I can give you numbers that I believe to be accurate. Fifteen to twenty million Americans are addicted to alcohol. Over twenty-five million suffer from nicotine dependence. Many millions more are addicted to cocaine, or heroin, or meth, or fentanyl—which is a hundred times stronger than morphine—or an ever-growing number of other substances. Millions more are addicted to gambling. Or online shopping. Or porn.” Singh frowned deeply. “When it comes to the internet, cell phones, and other behavioral addictions, the numbers are truly immense. Probably half the population. The average smart phone user now spends over three hours a day on this device. And when it comes to our kids, the rate of phone addiction is even higher. Much higher. In some ways, it’s nearly universal. “Meanwhile, many parents insist their children keep this addiction device with them at all times. They’re thrilled to be able to reach their kids every single second of their lives, and track their every movement.” There was a long, stunned silence in the room. “I could go on for days,” said Singh finally. “But I think that gives you some sense of what we’re currently facing as a society.” I tried to think of something humorous to say. Something to lighten the somber mood, which was my instinctive reaction when things got depressing.  But in this case, I had nothing. Singh had called the current situation a crisis. But even this loaded term couldn’t begin to do it justice.

Colour and light
 playing seriously on the canvas,
 making stunning pictures.
 Breathtaking,
 wondrous, silent,
 wordless signs, leading to your inner self.
 Feel.
 The painter has given you a key to your own universe.  It brings you silence  in the midst of your tumultuous world.  The world is full of signposts,
 find them,  take them in.  Cherish them,  breathe in the moment.  Naked,  vulnerable,  fearless, silent.
 You are here to meet the I.

The drawing depicted what he had seen the day before: an airplane slamming into the tower, a ball of fire, firefighters, and people jumping from the tower’s windows. But at the bottom of the picture he had drawn something else: a black circle at the foot of the buildings. I had no idea what it was, so I asked him. “A trampoline,” he replied. What was a trampoline doing there? Noam explained, “So that the next time when people have to jump they will be safe.” I was stunned: This five-year-old boy, a witness to unspeakable mayhem and disaster just twenty-four hours before he made that drawing, had used his imagination to process what he had seen and begin to go on with his life. Noam was fortunate. His entire family was unharmed, he had grown up surrounded by love, and he was able to grasp that the tragedy they had witnessed had come to an end. During disasters young children usually take their cues from their parents. As long as their caregivers remain calm and responsive to their needs, they often survive terrible incidents without serious psychological scars.

The sound stunned Evans. The ache, the longing, dying but sweetly pleading, like a happy memory drowning in truth. It was what he had been searching for, not just for Chinatown, his love story in need of love, but for those long Woodland nights he waited out alone in bed, flipping through old photograph albums, the pictures of Ali, whom he had let go, pictures of Ali and his son Josh, the family he had traded, one night at a time, for The Godfather. He knew he had fucked up. Goldsmith’s music was scant consolation, only magic, but where love and real life failed his foolish cravings, the music ennobled them in brass and piano and harp. Their glissandos were running water, growing in him the feeling, easy to forget, of why he was right, despite all the shit, to love Hollywood in the first place. The feeling was that word he lost so much trying to find and hold on to—now he had it—a word, in the time of Nixon, almost embarrassing to speak—“romance.” For Evans it was more than moonlight and ocean winds and Gatsby’s green flare across the bay; it was not fantasy but palpable evidence of a dream becoming true, the rare and shivery threshold of immeasurable pleasure, the promise imagination grants the mundane, and the mountain stream through which beauty and goodness, against all probability and reason, flow down into the world as art. It was, out of the darkness, a faith. Like Polanski’s crane, a lift, redemption, grace. True or false, it didn’t matter; as long as it was felt once, it could be felt again. Hearing that music for the first time, thinking of his father, he cried.

Three men were standing in line to get into heaven one day. Apparently it had been a pretty busy day, though, so Peter had to tell the first one, "Heaven’s getting pretty close to full today, and I’ve been asked to admit only people who have had particularly horrible deaths. So what’s your story?" So the first man replies: "Well, for a while I’ve suspected my wife has been cheating on me, so today I came home early to try to catch her red-handed. As I came into my 25th floor apartment, I could tell something was wrong, but all my searching around didn’t reveal where this other guy could have been hiding. Finally, I went out to the balcony, and sure enough, there was this man hanging off the railing, 25 floors above ground! By now I was really mad, so I started beating on him and kicking him, but wouldn’t you know it, he wouldn’t fall off. So finally I went back into my apartment and got a hammer and starting hammering on his fingers. Of course, he couldn’t stand that for long, so he let go and fell, but even after 25 stories, he fell into the bushes, stunned but okay. I couldn’t stand it anymore, so I ran into the kitchen, grabbed the fridge and threw it over the edge where it landed on him, killing him instantly. But all the stress and anger got to me, and I had a heart attack and died there on the balcony." "That sounds like a pretty bad day to me," said Peter, and let the man in. The second man comes up and Peter explains to him about heaven being full, and again asks for his story. "It’s been a very strange day. You see, I live on the 26th floor of my apartment building, and every morning I do my exercises out on my balcony. Well, this morning I must have slipped or something, because I fell over the edge. But I got lucky, and caught the railing of the balcony on the floor below me. I knew I couldn’t hang on for very long, when suddenly this man burst out onto the balcony. I thought for sure I was saved, when he started beating on me and kicking me. I held on the best I could until he ran into the apartment and grabbed a hammer and started pounding on my hands. Finally I just let go, but again I got lucky and fell into the bushes below, stunned but all right. Just when I was thinking I was going to be okay, this refrigerator comes falling out of the sky and crushes me instantly, and now I’m here." Once again, Peter had to concede that that sounded like a pretty horrible death. The third man came to the front of the line, and again Peter explained that heaven was full and asked for his story. "Picture this," says the third man, "I’m hiding inside a refrigerator..." A

…Your mother swears you were sleeping through the night by your second month, but she was feeding you some god-awful concoction of Karo syrup and condensed milk. That’s got to be enough calories to stun an ox, let alone an eight-week-old.” “I’ve seen pictures. I looked like a prize porker headed for the Washington County Fair.

The lunch went well, and the foundation appeared close to writing a big check to RIEF. To cap things off, a thick, iced vanilla cake was placed in the middle of the table. Everyone eyed the dessert, preparing for a taste. Just then, Simons walked in, setting the room ablaze. “Jim, can we take a picture?” asked one of the health organization’s investment professionals. As the small talk got under way, Simons began making odd motions with his right hand. The foundation executives had no clue what was happening, but nervous RIEF staffers did. When Simons was desperate for a smoke, he scrabbled at his left breast pocket, where he kept his Merits. There was nothing in there, though, so Simons called his assistant on an intercom system, asking her to bring him a cigarette. “Do you mind if I smoke?” Simons asked his guests. Before they knew it, Simons was lighting up. Soon, fumes were choking the room. The Robert Wood Johnson representatives—still dedicated to building a culture of health—were stunned. Simons didn’t seem to notice or care. After some awkward chitchat, he looked to put out his cigarette, now down to a burning butt, but he couldn’t locate an ashtray. Now the RIEF staffers were sweating—Simons was known to ash pretty much anywhere he pleased in the office, even on the desks of underlings and in their coffee mugs. Simons was in Renaissance’s swankiest conference room, though, and he couldn’t find an appropriate receptacle. Finally, Simons spotted the frosted cake. He stood up, reached across the table, and buried his cigarette deep in the icing. As the cake sizzled, Simons walked out, the mouths of his guests agape. The Renaissance salesmen were crestfallen, convinced their lucrative sale had been squandered. The foundation’s executives recovered their poise quickly, however, eagerly signing a big check. It was going to take more than choking on cigarette smoke and a ruined vanilla cake to keep them from the new fund.

Horizontal lines provide a sense of quiet and peace. Vertical lines feel powerful, solid, and permanent. Diagonal lines are more dynamic, conveying movement and change. Straight lines feel formal, deliberate and manmade. Curved lines, especially S-shaped, feel casual and add sophistication, nature and grace. Leading lines draw your eye through the picture.

Now that we are all properly introduced,” I continue, “Back to business. Why are you here?” “Earthers need help, yes?” Janis asks. Led adds, “We have been approved to help.” “’Approved’?” I query. “By whom, or what?” They seem to turn to one another and confer silently. They then respond in that odd chorus, again, “The ‘Many Worlds Collective, InterGalactic Council’ sent us.” I sit back, a bit stunned. I mean, it’s one thing to be confronted by holograms that are not humans and not like anything on Earth. It’s quite a different thing to be told in clear terms that there are many worlds and that they are united in some way. “Is Earth a member?” Again, the “laughter.” Diana responds: “Yes, but Earthers mostly don’t know about being a member, yet. Most of you don’t even know about the Collective, right? You are to refer to it as the ‘MWC.’” I nod slowly. “Most of us?” “Well,” explains Led, “This is not our first contact with an Earther. We’ve been here all along and we’ve had thousands of contacts over the millennia. This is just the first one you’ll be allowed to make public.” “I will be allowed to make public?” I repeat, starting to panic a bit. I picture a media frenzy occurring right outside my rural cottage. Yikes! What is starting, here?

Compulsive hair-eaters wind up with trichobezoars—human hairballs. The biggest ones extend from stomach into intestine and look like otters or big hairy turds and require removal by stunned surgeons who run for their cameras and publish the pictures in medical journal articles about “Rapunzel syndrome.” Bonus points for reading this footnote on April 27, National Hairball Awareness Day. * Meat and patriotism do not fit naturally

But I can’t imagine why I’d need a stun gun for jogging around Spring Brook.

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Set out on an excursion of disclosure and experience with Kenya Tanzania Safari Packages from Dubai, as we dig into the enthralling scenes and different natural life of East Africa. From the notable Maasai Mara Public Hold to the huge fields of the Serengeti and the extraordinary environment of the Ngorongoro Pit, these safari objections offer unmatched open doors for remarkable natural life experiences. Go along with us as we investigate the hypnotizing magnificence of the district, drench ourselves in rich social encounters, and uncover the tips and deceives for arranging a consistent safari experience from Dubai. Prepare to make enduring recollections in the core of Africa with our master manual for Kenya Tanzania Safari Bundles. 1. Prologue to Kenya Tanzania Safari Bundles from Dubai Investigating the Excellence of East Africa Lock in, experience searchers! On the off chance that you're longing for seeing the shocking scenes and natural life of East Africa, Kenya and Tanzania are calling out to you. Furthermore, what better method for encountering the enchantment of these nations than through Kenya Tanzania Safari Packages from Dubai ? These bundles offer a consistent mix of rush and solace, making your safari experience genuinely extraordinary. 2. Top Safari Objections in Kenya and Tanzania Maasai Mara Public Hold Serengeti Public Park Ngorongoro Pit Picture this: tremendous fields dabbed with acacia trees, magnificent lions meandering unreservedly, and the outright exhilarating sight of a wildebeest movement. These notorious safari objections in Kenya and Tanzania are each nature sweetheart's blessing from heaven. From the Maasai Mara's brilliant savannah to the vast fields of the Serengeti and the stunning Ngorongoro Hole, get ready to be awestruck by the marvels of nature. 3. Encountering Untamed life Experiences on a Kenya Tanzania Safari Huge Five Game Review Bird Observing Night Safari Experiences Prepare for heart-beating experiences with the Huge Five - lions, elephants, bison, panthers, and rhinos - as well as a horde of other intriguing untamed life species. Whether you're a bird fan or favor the excitement of nighttime safaris, Kenya Tanzania Safari Bundles from Dubai offer a kaleidoscope of encounters that take care of each and every natural life darling's inclinations. 4. Picking the Right Safari Bundle from Dubai Extravagance versus Financial plan Safari Choices Term and Schedule Contemplations Confidential versus Bunch Safari Visits With regards to choosing the ideal safari bundle, it's fundamental to consider factors like your financial plan, travel term, and favored travel style. Whether you select a lavish break or a spending plan cordial experience, gauge the upsides and downsides of private versus bunch visits, and guarantee that the schedule lines up with your safari dreams. With the right Kenya Tanzania Safari Bundle from Dubai, your East African experience vows to be completely spectacular.**5. Social Encounters and Neighborhood Food on a Kenya Tanzania Safari** **Meeting the Maasai Tribes** Collaborating with the Maasai clans on your Kenya Tanzania safari is a socially enhancing experience. Find out about their conventional lifestyle, lively clothing, and age-old traditions. Participate in discussions with the Maasai public and gain knowledge into their profound association with the land and natural life. **Examining Customary East African Dishes** No safari is finished without enjoying the kinds of East African food. From exquisite stews like Ugali and Nyama Choma to mouth-watering dishes like Pilau and Sukuma Wiki, your taste buds are in for a treat. Investigate the neighborhood food markets and enjoy the bona fide kinds of Kenya and Tanzania. **Investigating Nearby Business sectors and Craftsmanship** Drench yourself in the clamoring nearby business sectors where lively varieties,

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