“
Humans were so circular; they lived the same slow cycles of joy and misery over and over, never learning. Every lesson in the universe had to be taught billions of times, and it never stuck.
Maybe it was good that the world forgot every lesson, every good and bad memory, every triumph and failure, all of it dying with each generation. Perhaps this cultural amnesia spared them all. Perhaps if they remembered everything, hope would die instead.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Everyone has two memories. The one you can tell and the one that is stuck to the underside of that, the dark, tarry smear of what happened.
”
”
Amy Bloom (Away)
“
I'd still thought that everything I thought about that night-the shame, the fear-would fade in time. But that hadn't happened. Instead, the things that I remembered, these little details, seemed to grow stronger, to the point where I could feel their weight in my chest. Nothing, however stuck with me more than the memory of stepping into that dark room and what I found there, and how the light then took that nightmare and made it real.
”
”
Sarah Dessen (Just Listen)
“
But when someone’s gone and you’re the primary keeper of his memory—letting go would be a kind of murder, wouldn’t it? I had so much love for him, even if it was a complicated love, and where is all that love supposed to go? He was gone, so it couldn’t change, it couldn’t turn to indifference. I was stuck with all that love.
”
”
Rebecca Makkai (The Great Believers)
“
You will never say goodbye to the past, until you understand why the flashbacks haunt you.
”
”
Shannon L. Alder
“
I wanted to hold onto the house the way you'd hold onto a love letter. It was proof that I had not always been completely alone in the world. But I think I was also holding on to the loss, to the emptiness of the house itself, as though to affirm that it was better to be alone than to be stuck with people who were supposed to love you, yet couldn't.
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
Annabelle’s eyes stung as she stared at him, while need and inexhaustible tenderness gathered like an ache in her body. “I realized something,” she said huskily, “when I was standing outside the foundry, watching it burn and knowing you were inside.” She swallowed hard against the thickness in her throat. “I would rather have died in your arms, Simon, than face a lifetime without you. All those endless years… all those winters, summers… a hundred seasons of wanting you and never having you. Growing old, while you stayed eternally young in my memories.” She bit her lip and shook her head, while her eyes flooded. “I was wrong when I told you that I didn’t know where I belonged. I do. With you, Simon. Nothing matters except being with you. You’re stuck with me forever, and I’ll never listen when you tell me to go.” She managed a tremulous smile. “So you may as well stop complaining and resign yourself to it.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
Don’t you think it’s actually harder for you . . . to adapt, I mean? Because you’ve done all that stuff?’
‘Are you asking me if I wish I'd never done it?’
‘I’m just wondering if it would have been easier for you. If you’d led a smaller life. To live like this, I mean.’
‘I will never, ever regret the things I've done. Because most days, if you’re stuck in one of these, all you have are the places n your memory that you can go to.’ He smiled. It was tight, as if it cost him. ‘So if you’re asking me would I rather be reminiscing about the view of the caste from the minimart, or that lovely row of shops down off the roundabout, then, no. My life was just fine, thanks.
”
”
Jojo Moyes (Me Before You (Me Before You, #1))
“
In response to threat and injury, animals, including humans, execute biologically based, non-conscious action patterns that prepare them to meet the threat and defend themselves. The very structure of trauma, including activation, dissociation and freezing are based on the evolution of survival behaviors. When threatened or injured, all animals draw from a "library" of possible responses. We orient, dodge, duck, stiffen, brace, retract, fight, flee, freeze, collapse, etc. All of these coordinated responses are somatically based- they are things that the body does to protect and defend itself. It is when these orienting and defending responses are overwhelmed that we see trauma.
The bodies of traumatized people portray "snapshots" of their unsuccessful attempts to defend themselves in the face of threat and injury. Trauma is a highly activated incomplete biological response to threat, frozen in time. For example, when we prepare to fight or to flee, muscles throughout our entire body are tensed in specific patterns of high energy readiness. When we are unable to complete the appropriate actions, we fail to discharge the tremendous energy generated by our survival preparations. This energy becomes fixed in specific patterns of neuromuscular readiness. The person then stays in a state of acute and then chronic arousal and dysfunction in the central nervous system. Traumatized people are not suffering from a disease in the normal sense of the word- they have become stuck in an aroused state. It is difficult if not impossible to function normally under these circumstances.
”
”
Peter A. Levine
“
I will never, ever regret the things I’ve done. Because most days, if you’re stuck in one of these, all you have are the places in your memory that you can go to.
”
”
Jojo Moyes (Me Before You (Me Before You, #1))
“
I think it was C.S. Lewis that asked, 'Do not most people simply drift away?'. I've always been a reader and for the longest time that stuck with me because I was at war with it. How can people 'simply' drift away?
”
”
Benjamin Brindise (I Was a Lid)
“
With all the planning she’d done, she must have known she was leaving, and even she couldn’t have been totally immune to the feeling. She’d had good days here. And on the last day, the bad days become so difficult to recall, because one way or another, she made a life here, just as I had. The town was paper, but the memories were not. All the things I’d done here, all the love and pity and compassion and violence and spite, kept welling up inside me. These whitewashed cinder-block walls. My white walls. Margo’s white walls. We’d been captive in them for so long, stuck in their belly like Jonah.
”
”
John Green (Paper Towns)
“
...the only real significance she had attached to the memory was that it was funny what stuck with you.
”
”
David Foster Wallace (Brief Interviews with Hideous Men)
“
There are some people in your life who bring back old memories. And there are others - your first kiss, your first love, your first sex - who, the moment you see them, bring a spark...and something far more potent. They bring back your old life and with that, potential. And possibilities. And the feeling that if you were back in that time, life could be so very different from where you're stuck right now. That's the most tantalizing thing....I want my potential back.
”
”
Brad Meltzer (The Inner Circle (Culper Ring, #1))
“
If you had to pack your whole life into a suitcase--not just the practical things, like clothing, but the memories of the people you had lost and the girl you had once been--what would you take? The last photograph you had of your mother? A birthday gift from your best friend--a bookmark embroidered by her? A ticket stub from the traveling circus that had come through town two years ago, where you and your father held your breath as jeweled ladies flew through the air, and a brave man stuck his head in the mouth of a lion? Would you take them to make wherever you were going feel like home, or because you needed to remember where you had come from?
”
”
Jodi Picoult (The Storyteller)
“
It wasn't just that Lucy wanted to help him. She wasn't as selfless as that. She was madly attracted to him. She was attracted to all of the normal things and the weird things, too, like the back of his neck and his thumbs on the edge of his desk and the way his hair stuck out on one side like a little wing over his ear. She caught his smell once, and it made her dizzy. She couldn't fall asleep that night.
”
”
Ann Brashares (My Name Is Memory)
“
The problem was that such simple, ordinary bliss seldom formed memories. It was too smooth and silken to adhere. It was the bad stuff, ragged and uneven, that caught, like all those plastic grocery bags stuck in the trees of Baltimore.
”
”
Laura Lippman (Life Sentences)
“
I'm stuck on rewind, staring at memories of us and the life we lost, wondering how I got this wrong.
”
”
Fabiola Francisco (Memories of Us (Rebel Desire, #4))
“
Say something Becks. Say anything"
"You," I said. "I remember you." I kept my eyes shut, and felt his hands drop. He didn't move back.
"What do you remember about me?" There was strong emotion behind his voice. Something he fought to control.
With my eyes closed, I could easily picture the other side of the century.
"I remember the way your hand could cover my entire shoulder. The way your lower lip stuck out when you were working out a problem in your head. And how you flick your ring finger with your thumb when you get impatient."
I opened my eyes, and the words no longer got stuck in my throat on their way out. They flowed. "And when something surprises you and you don't know what to say, you get a tiny wrinkle in between your eyebrows." I reached up to touch the divot, then hesitated and lowered my hand. "It showed on the day the coach told you you'd made first-string quarterback. And it's showing now."
For a moment the space between us held no tension, no questions, no accusations.
Finally he leaned back, a stunned expression on his face. "Where do we go from here?"
"Nowhere, really," I whispered. "It doesn't change anything."
Eyebrows still drawn together, he said, "We'll see." Then he turned and left.
I tucked this moment away.
In the dark, dank world of the Tunnels, I would call upon this memory. And there would be a flicker of candlelight. If only for a moment.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
No one ever mentions how much harder everything is once the funeral is over, when everyone else goes back to living their lives and we’re stuck here, wading through years of memories and trapped in the relentless grip of grief.
”
”
Helena Hunting (Meet Cute)
“
Some other memories of the funeral have stuck in my mind. The old boy’s face, for instance, when he caught up with us for the last time, just outside the village. His eyes were streaming with tears, of exhaustion or distress, or both together. But because of the wrinkles they couldn’t flow down. They spread out, crisscrossed, and formed a smooth gloss on the old, worn face.
”
”
Albert Camus (The Stranger)
“
People who want to acquired powers over somebody else, for them imagination is a powerful tool. If you are seeking liberation, if you want to become free, the first thing that you must become free from is your imagination, because that is the deepest trap. Your memory and your imagination are the two traps. Do you see? One of your legs is stuck in memory; another leg is stuck in imagination. If you release yourself from these, meditation is just natural. When you sit for meditation, what is your basic problem? You are either thinking about tomorrow or thinking about what happened yesterday, isn't it? If you are free from memory and imagination, you will always be meditative.
”
”
Sadhguru (Of Mystics & Mistakes)
“
You stuck up for yourself and then you stuck up for the memory of your brother. You didn’t take any shit, not even a little of it.” His face dipped close and he whispered, “That’s not unattractive, baby. That’s beautiful.
”
”
Kristen Ashley (The Gamble (Colorado Mountain, #1))
“
I slipped on a turtleneck, laughing when my head became stuck in the turtle part. If they weren't called turtlenecks, I wouldn't have worn them.
”
”
Augusten Burroughs (A Wolf at the Table)
“
As I enlarged my vision to see the bigger picture of my dad’s full life, I was better able to let go of being stuck in memories of its end.
”
”
Lisa J. Shultz (A Chance to Say Goodbye: Reflections on Losing a Parent)
“
How long has it been since I entered this blackness? Has it been days, months, or years? I’m stuck here with my mind, my thoughts, my memories, and my nightmares.
”
”
Shari J. Ryan (Schasm)
“
I’m a bad case of arrested development, stuck in early adolescence, more screwed-up-twisted-up-tangled-up than a couple earthworms makin’ babies.
”
”
Dean Koontz (False Memory)
“
Memories stuck under our shoes like thick mud
”
”
Mohamed Ghazi (Honest)
“
Death and memory are meant to work together. Sometimes something gets stuck and then people need a guide or companion in grief.
”
”
Diane Setterfield (Once Upon a River)
“
The path of a man's life is straight, straight, straight, until the moment when it isn't anymore, and after that it begins to meander around aimlessly, and then get tangled, and then at some point the path gets so confusing that the man's ability to move around in time, his device for conveyance, his memory of what he loves, the engine that moves him forward, it can break, and he can get permanently stuck in his own history.
”
”
Charles Yu (How to Live Safely in a Science Fictional Universe)
“
Why do you think they don’t like me? They hired me for God’s sake. It’s not like there was any mystery about my history.”
“I heard you used iambic pentameter once when you should have used a catalexis.”
“Huh?”
“Believe me, whatever the reason is, it will make as much sense.”
Swift thought this over. Max was probably right, but it was still a weird, unhappy feeling. His mouth curved. “Do you really know what catalexis is?”
“Not a clue. I heard you mention it once. It stuck in my memory because it sounds like a cross between a Cadillac and a Lexus.
”
”
Josh Lanyon (Come Unto These Yellow Sands)
“
He filled his hands with the cool, clean liquid and washed his face, running a wet hand across his neck, down to his pecs, then looked around. “I…” Seeing Dan, he stopped, and smiled. “Adore you.”
Dan was about to laugh at the words, but the laughter got stuck in his throat and he tilted his head, smiling. “Why?” Reaching for the tap with hot water to clean himself up.
Vadim only stepped out of the way enough to allow Dan to wash himself, lips finding Dan’s hot skin, smelling the fresh sweat, and his hair. “Because….you can make this stop.” Vadim touched his temple. “You can kill all thoughts, all memories.”
Dan shut the tap off, dried his cock and tucked himself back in, biding his time. Turning back to Vadim, he raised his hand and touched the temple at the same place, caressing the short hair. “All bad memories?”
Vadim leaned in to kiss Dan’s wrist. “Everything. Those, too, I don’t care about them anymore, and then they’re gone.” He placed a hand on Dan’s ass and pulled him close and around enough, to kiss him. “You….” He murmured, “would blank out the sun, Dan. Everything.
”
”
Aleksandr Voinov (Special Forces - Mercenaries Part I (Special Forces, #2 part 1))
“
I like to say that although we're called the Moving On Circle, none of us move on without a backward look. We move on always carrying with us those we have lost. What we aim to do in our little group is ensure that carrying them is not a burden, something that feels impossible to bear, a weight keeping us stuck in the same place. We want their presence to feel like a gift.
And what we learn through sharing our memories and our sadness and our little victories with one another is thta it's okay to feel sad. Or lost. Or angry. It's okay to feel a whole host of things that other people might not understand, and often for a long time. Everyone has his or her own journey. We don't judge. ...
And that as impossible as it may feel at first, we will each get to a point where we can rejoice in the fact that every person we have discussed and mourned and grieved over was here, walking among us, and whether they were taken after six months or sixty years, we were lucky to have them.
”
”
Jojo Moyes (After You (Me Before You, #2))
“
I could never think of him in New England. When I lived in New England for a while and was separated from him by no more than fifty miles, I continued to imagine him as stuck in Italy somewhere, unreal and spectral.
”
”
André Aciman (Call Me by Your Name)
“
I have never been back to the Ozarks. All I have left are my dreams and memories, but if God is willing, some day I’d like to go back—back to those beautiful hills. I’d like to walk again on trails I walked in my boyhood days. Once again I’d like to face a mountain breeze and smell the wonderful scent of the redbuds, and papaws, and the dogwoods. With my hands I’d like to caress the cool white bark of a sycamore. I’d like to take a walk far back in the flinty hills and search for a souvenir, an old double-bitted ax stuck deep in the side of a white oak tree. I know the handle has long since rotted away with time. Perhaps the rusty frame of a coal-oil lantern still hangs there on the blade. I’d like to see the old home place, the barn and the rail fences. I’d like to pause under the beautiful red oaks where my sisters and I played in our childhood. I’d like to walk up the hillside to the graves of my dogs. I’m sure the red fern has grown and has completely covered the two little mounds. I know it is still there, hiding its secret beneath those long, red leaves, but it wouldn’t be hidden from me for part of my life is buried there, too. Yes, I know it is still there, for in my heart I believe the legend of the sacred red fern.
”
”
Wilson Rawls (Where the Red Fern Grows)
“
If you get stuck in the memories of those times, you won't be able to appreciate all the fun that's happening right now. So don't think 'That time was fun', instead you should be thinking 'That time was also fun'. The really fun things can't be compared with one another. Ah, but here's a piece of advice: being able to find the fun that's happening right now, that is the best way to enjoy the present. Because of that you should be try your best to value the present, since it's going to change, sooner or later.
”
”
Kozue Amano (アリア 12 (Aria, #12))
“
You're screwed when you start to notice the details,
It's when you begin to notice the curve of his lips when he smiles.
It's when you can't help but stare at him and the way he talks.
It's when you get to admire the shape of his eyes and even the length of his brow.
And even crazier, when you get to see the flash of his face in your mind on a random day or it's when you have his favorite facial expression stuck in your memory. . . And worse when you start to have it all in your mind, then you start to miss him.
”
”
Ira Barin
“
If I'm a bad person, you don't like me
Well I guess I'll make my own way
It's a circle
A mean cycle
I can't excite you anymore
Where's your gavel? Your jury?
What's my offense this time?
You're not a judge but if you're gonna judge me
Well sentence me to another life
Don't wanna hear your sad songs
I don't wanna feel your pain
When you swear it's all my fault
Cause you know we're not the same (no)
We're not the same (no)
Oh we're not the same
Yeah the friends who stuck together
We wrote our names in blood
But I guess you can't accept that the change is good (hey)
It's good (hey)
It's good
Well you treat me just like another stranger
Well it's nice to meet you sir
I guess I'll go
I best be on my way out
You treat me just like another stranger
Well it's nice to meet you sir
I guess I'll go
I best be on my way out
Ignorance is your new best friend
Ignorance is your new best friend
This is the best thing that could've happened
Any longer and I wouldn't have made it
It's not a war no, it's not a rapture
I'm just a person but you can't take it
The same tricks that, that once fooled me
They won't get you anywhere
I'm not the same kid from your memory
Well now I can fend for myself
Don't wanna hear your sad songs
I don't wanna feel your pain
When you swear it's all my fault
Cause you know we're not the same (no)
We're not the same (no)
Oh we're not the same
Yeah we used to stick together
We wrote our names in blood
But I guess you can't accept that the change is good (hey)
It's good (hey)
It's good
Well you treat me just like another stranger
Well it's nice to meet you sir
I guess I'll go
I best be on my way out
You treat me just like another stranger
Well it's nice to meet you sir
I guess I'll go
I best be on my way out
Ignorance is your new best friend
Ignorance is your new best friend
Ignorance is your new best friend
Ignorance is your new best friend
Well you treat me just like another stranger
Well it's nice to meet you sir
I guess I'll go
I best be on my way out
You treat me just like another stranger
Well it's nice to meet you sir
I guess I'll go
I best be on my way out
”
”
Hayley Williams
“
I'd been feeling like this for a while, the continual looking back, the stuckness of it all. I blamed it on the coming New Year, only four and a half months away, when the clocks would read zero and we would start again, could start again, but I knew we wouldn't. Nothing would. The world would be the same, just a little bit worse.
”
”
Sarah Winman (When God Was a Rabbit)
“
Running in the rain steals my breath. Ruins it. Smashes it. Nearly eradicates it. When I arrive home, my soaked clothes are stuck to my skin. My shoes are slouching. My toes are cold and stiff. Erratic strands of my hair stick to my temples and forehead, dripping all over me. I stand in our small garden, catching my breath, and press a shaky palm to my chest. My heart’s palpitations grow uneven and out of beat as if protesting. I close my eyes and tip my head back, letting the rain beat down on me. Soak me. Rinse me. The droplets pound on my closed lids almost like a soothing caress. I’ve always loved the rain. The rain camouflaged everything. No one saw the tears. No one noticed the shame or the humiliation. It was just me, the clouds, and the pouring water. But that’s the thing about the rain, isn’t it? It’s only a camouflage, a temporary solution. It can only rinse the outside. It can’t seep under my skin and wash away my shaky insides. Wiping away my memories isn’t an option either. It’s been barely an hour since Aiden had his hands on me – all over me. I can still feel it. His breath. His nearness. His psychotic eyes.
”
”
Rina Kent (Deviant King (Royal Elite, #1))
“
But if you stuck around long enough at the time, the dead and wounded piled up so quickly they squeezed one another off the narrow platforms of your memory.
”
”
Anthony Loyd (My War Gone By, I Miss It So)
“
I woke in the hour before dawn, stuck in that strange state where the memory of your dreams is still powerful enough to motivate your actions.
”
”
Ben Aaronovitch (Foxglove Summer (Rivers of London, #5))
“
Librarians. He’d never met one with a bad memory. He had a theory that words stuck to their minds like flies to flypaper.
”
”
Cornelia Funke (The Golden Yarn (Reckless #3))
“
Though you left,
How can I still
Feel your presence?
You left but,
Your memories and
Your words are stuck with me.
”
”
Jyoti Patel (The Forest of Feelings)
“
I got stuck in a toilet.
”
”
Gary Paulsen (Gone to the Woods: Surviving a Lost Childhood)
“
Riker tells Data to just get on with it already, so Data says Ferengi are like Yankee traders from 18th-century America. This indicates that, in the 24th century, the traditional practice of using 600-year-old comparisons is still in vogue, like when you’re stuck in traffic on the freeway, and say, “Man, this is just like Vasco de Gama trying to go around the Cape of Good Hope!
”
”
Wil Wheaton (Memories of the Future - Volume 1)
“
Her steel blue eyes captivated him at first glance and along with the alluring scent of jasmine surrounding her presence, he lost all sense of time and rhythm, and barely remembered the ensuing conversation. Thinking he had died and gone to heaven, the only thing that stuck in his memory, as they found themselves pressed urgently against the wall of her hotel room, was her name; Ginny.
”
”
Virginia Alison (Heaven Scent (Heaven Scent #1))
“
Gift cards?” Hi’s complaining brought me back to the present. “Why not just hand me a note that says: I don’t care enough to make an effort.”
April 7. Hiram Stolowitski’s sixteenth birthday.
“When exactly were we supposed to shop?” Shelton was scrolling Rex Gable emails on his laptop. “It’s been a hectic week, bro.”
“I bought you Assassin’s Creed six weeks before your birthday,” Hi shot back. “Waited in line all afternoon. The guy behind me smelled like fish tacos, but I stuck it out.”
Ben clapped Hi’s shoulder. “If it helps, I didn’t remember to get you any gift. Tory and Shelton picked that up. I signed the card though. See? Ben. Right there.”
“These are the memories that scar,” Hi huffed. “I’m gonna be so complicated when I grow up. I’ll probably film documentaries.
”
”
Kathy Reichs (Exposure (Virals, #4))
“
Think of the armed struggle as the launch of a boat, Hughes said, getting a hundred people to push this boat out. This boat is stuck in the sand, right, and then get them to push the boat out and then the boat sailing off and leaving the hundred people behind, right. That’s the way I feel. The boat is away, sailing on the high seas, with all the luxuries that it brings, and the poor people that launched the boat are left sitting in the muck and the dirt and the shit and the sand, behind.
”
”
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
“
Sometimes the working memory impairments of ADHD allow a momentary emotion to become too strong; the person is flooded with one emotion and unable to attend to other emotions, facts, and memories relevant to that immediate situation. At other times, the working memory impairments of ADHD leave the person with insufficient sensitivity to the importance of a particular emotion because he or she hasn't kept other relevant information sufficiently in mind or factored it into his or her assessment of the situation.
”
”
Thomas E. Brown (Smart But Stuck: Emotions in Teens and Adults with ADHD)
“
What made some words scarier than others, some sounds too dangerous to be said? Memory. It wasn’t the words themselves that had power but the memories that stuck to words like ticks on deer, draining and infecting them. If you shut down your memory and ignored the knowing-self inside you, you could say anything.
”
”
Alex London (Black Wings Beating (Skybound, #1))
“
Is it intelligent to make ourselves miserable while living in the past, haunted by memories while being inexorably swallowed by them? Whenever we reminisce about our past life, we are advised in our tradition to be in a state of gratefulness. Be mindful of nurturing unnecessary grief and staying stuck in old pain.
”
”
Hiram Crespo (Tending the Epicurean Garden)
“
There’s a public equivalent to private depression, a sense that the nation or the society rather than the individual is stuck. Things don’t always change for the better, but they change, and we can play a role in that change if we act. Which is where hope comes in, and memory, the collective memory we call history.
”
”
Rebecca Solnit (Hope in the Dark: The Untold History of People Power)
“
His thoughts churned up inside him, silt clouding a pool of water. Humans were so circular; they lived the same slow cycles of joy and misery over and over, never learning. Every lesson in the universe had to be taught billions of times, and it never stuck. How arrogant we are, Adam thought, to deliver babies who can’t walk or talk or feed themselves. How sure we are that nothing will destroy them before they can take care of themselves. How fragile they were, how easily abandoned and neglected and beaten and hated. Prey animals were born afraid.
He had not known to be born afraid, but he’d learned.
Maybe it was good that the world forgot every lesson, every good and bad memory, every triumph and failure, all of it dying with each generation. Perhaps this cultural amnesia spared them all. Perhaps if they remembered everything, hope would die instead.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Only a sentimental being would care about such everyday things—things used and discarded by the humans of their respective eras without thought, yet kept and preserved by an immortal who never forgot them. An immortal who loved and cared for them, dusting them off for an eternity, keeping their dead spirits as alive as he—stuck in their immortal tomb never to find the rest everything must eventually seek. Time had no meaning in this cavern of infinite age.
”
”
Michelle M. Pillow (The Jaded Hunter (Tribes of the Vampire, #2))
“
Love is motion Potter love is forward movement but you said yourself the memory reel backward it's all backward with you. You are stuck back there because Potter you don't let yourself move forward your eyes get stuck on things and people.
”
”
Kyle Beachy (The Slide)
“
Hi Miss Alice
With your glass eyes
What kind of dream
Can you see?
Are you fascinated with?
Stilll
My heart tears
And drifts
Stuck in the patched crevices
Are memories
Hi Miss Alice
With that fruitful lips
To whom does love
Is cast away?
Is lamented?
Already
I spin my words
Feverish tongue
Has turned cold
The song to love
Can't be sung either
Still you do not answer
”
”
Kanon Wakeshima
“
Trying to live in the past didn't work for me, and it's only now that I fully realize I'm incredibly lucky it didn't. Because it would have been all too sad to miss out on right now. That would have turned the past into a fraud. It would have meant all my happy memories were a lie. It would have meant all that time and all that love was a waste, leading up to a wasted future. It would have been the ultimate betrayal of everything I thought my whole life was about and everyone I cared about. All the people who loved me, in all the times and places of my life—all the people who made a lover out of me—they would have all been wrong about me. And it could have happened easily, just like that. It's scary to think of how I could have gotten stuck pining for the past. I was lucky to get a second chance. I thought I was too late, but it turns out I was just in time.
”
”
Rob Sheffield (Turn Around Bright Eyes: The Rituals of Love & Karaoke)
“
If you had to pack your whole life into a suitcase—not just the practical things, like clothing, but the memories of the people you had lost and the girl you had once been—what would you take? The last photograph you had of your mother? A birthday gift from your best friend—a bookmark embroidered by her? A ticket stub from the traveling circus that had come through town two years ago, where you and your father held your breath as jeweled ladies flew through the air, and a brave man stuck his head in the mouth of a lion? Would you take them to make wherever you were going feel like home, or because you needed to remember where you had come from?
”
”
Jodi Picoult (The Storyteller)
“
His wedding gift, clasped round my throat. A choker of rubies, two inches wide, like an extraordinarily precious slit throat. After the terror, in the early days of the Directory, the aristos who’d escaped the guillotine had an ironic fad of tying a red ribbon round their necks at just the point where the blade would have sliced it through, a red ribbon like the memory of a wound. And his grandmother, taken with the notion, had her ribbon made up in rubies; such a gesture of luxurious defiance! That night at the opera comes back to me even now… the white dress; the frail child within it; and the flashing crimson jewels round her throat, bright as arterial blood.
I saw him watching me in the gilded mirrors with the assessing eye of a connoisseur inspecting horseflesh, or even of a housewife in the market, inspecting cuts on the slab. I’d never seen, or else had never acknowledged, that regard of his before, the sheer carnal avarice of it; and it was strangely magnified by the monocle lodged in his left eye. When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.
”
”
Angela Carter (Burning Your Boats: The Collected Short Stories)
“
He always kept a handful of stars in his pockets and rays of sunshine in his smile, a
hurricane in his eyes and whole galaxies in his mind. And now when I close my eyes, my mind roams and enters the cave where our memories still resided. There's so much I wish I could tell you, but most of all I wonder how you could do this to us. I'm yet again stuck in this darkness that seems to never end.
”
”
Victoria Kulik (Diary of the Mad: A Short Story Collection)
“
Humans were so circular; they lived the same slow cycles of joy and misery over and over, never learning. Every lesson in the universe had to be taught billions of times, and it never stuck. How arrogant we are, Adam thought, to deliver babies who can’t walk or talk or feed themselves. How sure we are that nothing will destroy them before they can take care of themselves. How fragile they were, how easily abandoned and neglected and beaten and hated. Prey animals were born afraid.
He had not known to be born afraid, but he’d learned.
Maybe it was good that the world forgot every lesson, every good and bad memory, every triumph and failure, all of it dying with each generation. Perhaps this cultural amnesia spared them all. Perhaps if they remembered everything, hope would die instead.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Her father was about to have a heart attack, and my memories of her are now tinged with a blue wash of misfortune that hadn't quite befallen her at the time. She was standing bare-legged in the jungly weeds that grew up between our houses. Her skin was already beginning to react to the grass cuttings stuck to the ball, whose sogginess was suddenly explained by the overweight Labrador who now limped into view.
”
”
Jeffrey Eugenides (Middlesex)
“
The Seanchan in the room seemed stunned that Mat had suddenly stripped to the waist. He did not see why, They had servants that wore much less. Light, but they did.
"I'm tempted to do the same as you," Min muttered, grabbing the front of her dress.
Mat Froze, then sputtered. He must have swallowed a fly or something. "Burn me," he said, throwing on the shirt he dug out of the bundle. "I'll give you a hundred Tar Valon marks if you do it, just so I can tell the story."
That earned him a glare, through he did not know why. She was the one talking about striding about like a bloody Aiel Maiden on her way to the sweat tent.
Min did not do it, and he was almost sad. Almost. He had to be careful around Min. He was certain that a smile in the wrong place would earn him a knifing not only from her, but from Tuon, and Mat was much happier with only one knife stuck on him at a time.
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
Lena had learned that the passage of time did something strange to memories. Ever so slowly it chipped away at the most painful parts, smudging the hurt and softening the aches, to the point that she could now almost reminisce about her childhood in a fond manner, not always stuck on the parts that hurt.
”
”
Amita Parikh (The Circus Train)
“
It was hard to accept that the doorbell was just a dream, because I could still hear it in my memory, like the last song on the radio or an annoying TV commercial stuck in my head. It wasn’t a faint memory of an innocuous doorbell – it was an exact “ding dong” sound, with a particular pitch, volume and rhythm.
”
”
Julie Flygare (Wide Awake and Dreaming: A Memoir of Narcolepsy)
“
In a sense she [Sylvia Plath] was the victim of an obsessive talent that sent her out into the world to gather sensations and seek wounds that could provide creative inspiration. Having acquired the wounds she stuck her fingers into them, turning the pain and blood into lines of highly subjective poetry that both repel and fascinate the reader.
”
”
Nancy Hunter Steiner (A Closer Look at Ariel: A Memory of Sylvia Plath)
“
These boys bent over their food,
intense as harmless cubs feeding,
rapt with every morsel melting
in their mouths—feral rhythm
moves their very breath,
their strong young teeth chomping,
grinding the gristle of meat.
So little it takes to pleasure them—
they eat what they can get,
savoring a fine fillet
with equal fervor as the bits
stuck to a bone or clinging to a plate.
Watching them feed, I seem to see them
under my very eyes growing, bones
lengthening, muscle stretching,
their very skulls
thickening around each one’s own
danger zones of memory.
”
”
Merlie M. Alunan (Hearthstone, Sacred Tree)
“
ADHD impairments: in brain chemistry dynamics; chronic procrastination due to; in coordination of brain rhythms; delays in brain maturation; as developmental delay or ongoing impairment; executive function clusters affected by fig; frustrations in marriage; how they affect processing of emotions; impact on employment; impacting ability to sustain treatment; impaired brain connectivity; impaired cognitive functioning; James' story on identifying; for managing conflicting or unrecognized emotions; working memory and. See also People with ADHD; specific executive function cluster
”
”
Thomas E. Brown (Smart But Stuck: Emotions in Teens and Adults with ADHD)
“
Today is the starting line for the rest of your life. Yes, today is the tomorrow you worried about yesterday. The problem with the past is that we remember memories we shouldn't, and we don't forget what we should“ If your eyes are stuck in the rearview mirror, you're stuck in the past. If you're stuck in the past, you're not looking ahead. If you're not looking ahead, you can't hit the mark of your future.
The universe doesn't care about your past. It is blind to it. The universe doesn't care that I wore pink pants in high school. (Hey, remember Miami Vice?) The universe doesn't care that I got in a fight with Francis Franken and lost. The universe doesn't care about your MBA from UCLA, your drug-dealing father, or that you wet your bed in junior high. The universe simply doesn't care. One person and one person only weaponizes past transgressions: you.
”
”
M.J. DeMarco (The Millionaire Fastlane: Crack the Code to Wealth and Live Rich for a Lifetime!)
“
If he'd lived, we'd have parted ways soon enough. He'd have had a life out here in the world, outside my mind. But when someone's gone and you're the primary keeper of his memory-- letting go would be a kind of murder, wouldn't it? I had so much love for him, even if it was a complicated love, and where is all that love supposed to go? He was gone, so it couldn't change, it couldn't turn to indifference. I was stuck with all that love.
”
”
Rebecca Makkai (The Great Believers)
“
He cannot do anything deliberate now. The strain of his whole weight on his outstretched arms hurts too much. The pain fills him up, displaces thought, as much for him as it has for everyone else who has ever been stuck to one of these horrible contrivances, or for anyone else who dies in pain from any of the world’s grim arsenal of possibilities. And yet he goes on taking in. It is not what he does, it is what he is. He is all open door: to sorrow, suffering, guilt, despair, horror, everything that cannot be escaped, and he does not even try to escape it, he turns to meet it, and claims it all as his own. This is mine now, he is saying; and he embraces it with all that is left in him, each dark act, each dripping memory, as if it were something precious, as if it were itself the loved child tottering homeward on the road. But there is so much of it. So many injured children; so many locked rooms; so much lonely anger; so many bombs in public places; so much vicious zeal; so many bored teenagers at roadblocks; so many drunk girls at parties someone thought they could have a little fun with; so many jokes that go too far; so much ruining greed; so much sick ingenuity; so much burned skin. The world he claims, claims him. It burns and stings, it splinters and gouges, it locks him round and drags him down…
All day long, the next day, the city is quiet. The air above the city lacks the usual thousand little trails of smoke from cookfires. Hymns rise from the temple. Families are indoors. The soldiers are back in barracks. The Chief Priest grows hoarse with singing. The governor plays chess with his secretary and dictates letters. The free bread the temple distributed to the poor has gone stale by midday, but tastes all right dipped in water or broth. Death has interrupted life only as much as it ever does. We die one at a time and disappear, but the life of the living continues. The earth turns. The sun makes its way towards the western horizon no slower or faster than it usually does.
Early Sunday morning, one of the friends comes back with rags and a jug of water and a box of the grave spices that are supposed to cut down on the smell. She’s braced for the task. But when she comes to the grave she finds that the linen’s been thrown into the corner and the body is gone. Evidently anonymous burial isn’t quite anonymous enough, after all. She sits outside in the sun. The insects have woken up, here at the edge of the desert, and a bee is nosing about in a lily like silk thinly tucked over itself, but much more perishable. It won’t last long. She takes no notice of the feet that appear at the edge of her vision. That’s enough now, she thinks. That’s more than enough.
Don’t be afraid, says Yeshua. Far more can be mended than you know.
She is weeping. The executee helps her to stand up.
”
”
Francis Spufford (Unapologetic: Why, Despite Everything, Christianity Can Still Make Surprising Emotional Sense)
“
But I was still anxious. Trevor Trevor Trevor. I might have felt better if he were dead, I thought, since behind every memory of him was the possibility of reconciling, and thus more heartbreak and indignity. I felt weak. My nerves were frayed and fragile, like tattered silk. Sleep had not yet solved my crankiness, my impatience, my memory. It seemed like everything was now somehow linked to getting back what I'd lost. I could picture my selfhood, my past, my psyche like a dump truck filled with trash. Sleep was the hydraulic piston that lifted the bed of the truck up, ready to dump everything out somewhere, but Trevor was stuck in the tailgate, blocking the flow of garbage. I was afraid things would be like that forever.
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
I remember being on the edge of seventeen, that dangerous time between childhood and young adult when the cement is still wet in your mind. That part of your life where things get stuck and form who you are forever, liked or not. Offhand comments, distant laughter, anything a boy’s fragile ego could mistake for a slight on the kind of man he will one day become. There is never a time in your life when love is so sweet, or pain cuts so deep, or when memory is so undeniably carved in stone.
”
”
John Goode (The Boy Behind the Red Door)
“
You were born on a moving train.
And even though it feels like you're standing still,
time is sweeping past you, right where you sit.
But once in a while you look up,
and actually feel the inertia,
and watch as the present turns into a memory
—as if some future you is already looking back on it.
Dès Vu.
One day you’ll remember this moment,
and it’ll mean something very different.
Maybe you’ll cringe and laugh,
or brim with pride, aching to return.
or notice some detail hidden in the scene,
a future landmark making its first appearance
or discreetly taking its final bow.
So you try to sense it ahead of time, looking for clues,
as if you’re walking through the memory while it’s still happening,
feeling for all the world like a time traveler.
The world around you is secretly strange:
some details are charming and dated,
others precious and irretrievable,
but all fade into the quaint texture of the day.
You try to read the faces around you,
each fretting about the day’s concerns,
not yet realizing that this world is already out of their hands.
That it doesn’t have to be this way, it just sort of happened,
and everything will soon be completely different.
Because you really are a time traveler,
leaping into the future in little tentative steps.
Just a kid stuck in a strange land without a map,
With nothing to do but soak in the moment
and take one last look before moving on.
But another part of you is already an old man,
looking back on things.
Waiting at the door for his granddaughter,
who’s trying to make her way home for a visit.
You are two people still separated by an ocean of time,
Part of you bursting to talk about what you saw,
Part of you longing to tell you what it means.
”
”
Sébastien Japrisot
“
Rucksacks. What do people whose life stops here take with them? Makina could see their rucksacks crammed with time. Amulets, letters, sometimes a huapango violin, sometimes a jaranera harp. Jackets. People who left took jackets because they’d been told that if there was one thing they could be sure of over there, it was the freezing cold, even if it was desert all the way. They hid what little money they had in their underwear and stuck a knife in their back pocket. Photos, photos, photos. They carried photos like promises but by the time they came back they were in tatters.
”
”
Yuri Herrera (Signs Preceding the End of the World)
“
Jack was behind it,waiting, with the corner of his lip pulled up in not quite a smile. "What?" he demanded.
"What what?" I asked.
He held my note up in front of my face. "What do you remember?"
Everything. But I couldn't tell him that. I shrugged and said, "Things." Then I made a move to leave,but Jack's strong arm blocked my way,his hand pressing against the locker behind my back.
"No you don't.You can't leave a note like this"-he waved the paper-"and then say 'things.' I want to know what, exactly, you remember."
People in the hallway stared and I could feel my face going red. Jack noticed, and put his other arm up against the lockers,blocking me in. My pulse went nuts.It had to be visible on my wrists.
Jack's face was inches from mine. His breath was minty, and I could smell the rustic scent of his aftershave,and whatever strong emotion he was feeling, it tasted sweet. I breathed it in, and the inhalation was embarrassingly loud.
His eyes searched mine. "This is the first opening you've given me, and I'm not letting you get out of it." He paused. "What do you remember?"
I looked behind him, at the curious spectators, and squinted my eyes shut, unable to bear the scrutiny anymore.
"Say something,Becks. Say anything."
"You," I said. "I remember you." I kept my eyes shut,and felt his hands drop. He didn't move back.
"What do you remember about me?" There was strong emotion behind his voice. Something he fought to control.
With my eyes closed,I could easily picture the other side of the century.
"I remember the way your hand could cover my entire shoulder. The way your lower lip stuck out when you were working out a problem in your head. And how you flick you ring finger with your thumb when you get impatient."
I opened my eyes,and the words no longer got stuck in my throat on their way out. They flowed. "And when something surprises you and you don't know what to say,you get a tiny wrinkle in between your eyebrows." I reached up to touch the divot,then hesitated and lowered my hand. "It showed on the day the coach told you you'd made first-string quarterback.And it's showing now."
For a moment the space between us held no tension,no questions, no accusations.
Finally he leaned back, a stunned expression on his face. "Where do we go from here?"
"Nowhere,really," I whispered. "It doesn't change anything."
Eyebrows still drawn together, he said, "We'll see." Then he turned and left.
I tucked this moment away.
In the dark,dank world of the Tunnels, I would call upon this memory. And there would be a flicker of candlelight. If only for a moment.
I closed my eyes,as if my eyelids were the levers of a printing press,etching the fibers into my mind.Memories were outside Cole's reach.As long as I held them,memories were mine and mine alone.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
Winter tightened its grip on Alaska. The vastness of the landscape dwindled down to the confines of their cabin. The sun rose at quarter past ten in the morning and set only fifteen minutes after the end of the school day. Less than six hours of light a day. Snow fell endlessly, blanketed everything. It piled up in drifts and spun its lace across windowpanes, leaving them nothing to see except themselves. In the few daylight hours, the sky stretched gray overhead; some days there was merely the memory of light rather than any real glow. Wind scoured the landscape, cried out as if in pain. The fireweed froze, turned into intricate ice sculptures that stuck up from the snow. In the freezing cold, everything stuck -- car doors froze, windows cracked, engines refused to start. The ham radio filled with warnings of bad weather and listed the deaths that were as common in Alaska in the winter as frozen eyelashes. People died for the smallest mistake -- car keys dropped in a river, a gas tank gone dry, a snow machine breaking down, a turn taken too fast. Leni couldn't go anywhere or do anything without a warning. Already the winter seemed to have gone on forever. Shore ice seized the coastline, glazed the shells and stones until the beach looked like a silver-sequined collar. Wind roared across the homestead, as it had all winter, transforming the white landscape with every breath. Trees cowered in the face of it, animals built dens and burrowed in holes and went into hiding. Not so different from the humans, who hunkered down in this cold, took special care.
”
”
Kristin Hannah (The Great Alone)
“
Before I opened my computer in the parking lot today, I relived one of my favorite memories. It's the one with Woody and me sitting on the steps of the Metropolitan Museum after it's closed. We're watching people parade out of the museum in summer shorts and sandals. The trees to the south are planted in parallel lines. The water in the fountain shoots up with a mist that almost reaches the steps we sit on. We look at silver-haired ladies in red-and-white-print dresses. We separate the mice from the men, the tourists from the New Yorkers, the Upper East Siders from the West Siders. The hot-pretzel vendor sells us a wad of dough in knots with clumps of salt stuck on top. We make our usual remarks about the crazies and wonder what it would be like to live in a penthouse apartment on Fifth Avenue overlooking the Met. We laugh and say the same things we always say. We hold hands and keep sitting, just sitting, as the sun beings to set. It's a perfect afternoon.
”
”
Diane Keaton (Then Again)
“
Then I caught Peggy out of the corner of my eye. I saw how she was behaving; completely absorbed in her surroundings, responding sharply to everything around her, every smell, every sight, every new and wonderful sound. She was so committed to the landscape that she almost became a part of it, and I knew that the only way I could be happy was if I did the same; forced myself to be where I was, relax into the now. I realized I had been shuffling along emailing and missed the best bluebell wood. What an idiot. It dawned on me then how much I have missed in life. Truly. I have missed so many moments and memories by being stuck in my head worrying, 'what if this?', 'what if that?' What a BIG FAT WASTE OF TIME.
”
”
Miranda Hart (Peggy and Me)
“
9. Your Photo Album Many people have a photo album. In it they keep memories of the happiest of times. There may be a photo of them playing by the beach when they were very young. There may be the picture with their proud parents at their graduation ceremony. There will be many shots of their wedding that captures their love at one of its highest points. And there will be holiday snapshots too. But you will never find in your album any photographs of miserable moments of your life. Absent is the photo of you outside the principal’s office at school. Missing is any photo of you studying hard late into the night for your exams. No one that I know has a picture of their divorce in their album, nor one of them in a hospital bed terribly sick, nor stuck in busy traffic on the way to work on a Monday morning! Such depressing shots never find their way into anyone’s photo album. Yet there is another photo album that we keep in our heads called our memory. In that album, we include so many negative photographs. There you find so many snapshots of insulting arguments, many pictures of the times when you were so badly let down, and several montages of the occasions where you were treated cruelly. There are surprisingly few photos in that album of happy moments. This is crazy! So let’s do a purge of the photo album in our head. Delete the uninspiring memories. Trash them. They do not belong in this album. In their place, put the same sort of memories that you have in a real photo album. Paste in the happiness of when you made up with your partner, when there was that unexpected moment of real kindness, or whenever the clouds parted and the sun shone with extraordinary beauty. Keep those photos in your memory. Then when you have a few spare moments, you will find yourself turning its pages with a smile, or even with laughter.
”
”
Ajahn Brahm (Don't Worry, Be Grumpy: Inspiring Stories for Making the Most of Each Moment)
“
So what you’re really saying is you’ll come only when you think you’ll be too old to care. When my kids have left. Or when I’m a grandfather. I can just see us—and on that evening, we’ll sit together and drink a strong eau-de-vie, like the grappa your father used to serve at night sometimes.”
“And like the old men who sat around the piazzetta facing the Piave memorial, we’ll speak about two young men who found much happiness for a few weeks and lived the remainder of their lives dipping cotton swabs into that bowl of happiness, fearing they’d use it up, without daring to drink more than a thimbleful on ritual anniversaries.” But this thing that almost never was still beckons, I wanted to tell him. They can never undo it,
never unwrite it, never unlive it, or relive it—it’s just stuck there like a vision of fireflies on a summer field toward evening that keeps saying, You could have had this instead. But going back is false. Moving ahead is false. Looking the other way is false. Trying to redress all that is false turns out to be just as false.
Their life is like a garbled echo buried for all time in a sealed Mithraic chamber.
Silence.
”
”
André Aciman (Call Me by Your Name)
“
Good Riddance (Time Of Your Life)"
Another turning point, a fork stuck in the road
Time grabs you by the wrist, directs you where to go
So make the best of this test, and don't ask why
It's not a question, but a lesson learned in time
It's something unpredictable, but in the end is right,
I hope you had the time of your life.
So take the photographs, and still frames in your mind
Hang it on a shelf in good health and good time
Tattoos and memories and dead skin on trial
For what it's worth, it was worth all the while
It's something unpredictable, but in the end is right,
I hope you had the time of your life.
It's something unpredictable, but in the end is right,
I hope you had the time of your life.
It's something unpredictable, but in the end is right,
I hope you had the time of your life.
”
”
Billie Joe Armstrong
“
You are the TEACHER. Some people are so stuck on what you did in the past, that they don't realize that you forgave yourself, matured, and graduated from what happened.
Yet here they are stuck on that memory..wondering how you were able to move on. Time waits for no one and life keeps going.
When haters try to remind you of your past, starve their attention with silence..Just realize that you don't have time to supervise adults. You got things to do and individuals to mentor.
What was designed to crush you just strengthened your walk, put confidence in your talk, and encouraged you to be content with You.
Their presence or opinion is only entertainment in the bleachers, tolerated decorations on the wall, and the uncelebrated clown at your events.
Remember you are the teacher and they are the student...take charge of your classroom!!
”
”
Kendricks Fields (The Table Between Us)
“
It means what it says," he managed, staring at her again. "There's not a lot of subtlety in this particular strip."
She took the paper back from him and stuck it in her pocket. It was something she intended to keep forever. "You've used me rather lavishly in your work recently." She had to tilt back her head in order to keep her eyes level with his. Grant thought she looked more regal than ever. If she turned her thumb down, she could throw him to the lions. "Didn't it occur to you to ask permission first?"
"Artist's privilage." He felt the light spray hit his back, saw it dampen her hair. "Where the hell did you go?" he heard himself demand. "Where the hell have you been?"
Her eyes narrowed. "That's my business, isn't it?"
"Oh,no." He grabbed her arms and shook. "Oh,no,it's not.You're not going to walk out on me."
Gennie set her teeth and waited until he'd stopped shaking her. "If memory serves,you did the walking figuratively before I did it literally."
"All right! I acted like an idiot. You want an apology?" he shouted at her. "I'll give you any kind you want. I'll-" He broke off, his breath heaving. "Oh,God,first."
And his mouth crushed down on hers, his fingers digging into her shoulders. The groan that was wrenched from him was only one more sign of a desperate need. She was here,she was his.He'd never let her go again.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
It's very difficult for most people to understand how any individual can be very focused on certain tasks or can mobilize themselves to complete a task effectively under the last-minute pressure of an imminent deadline and yet be unable to force themselves to deploy these same abilities in an appropriate and timely way, especially for tasks that are obviously important. Most do not understand that when a person is faced with a task in which he has strong and immediate personal interest, either because he really enjoys it or because he fears that not doing the task will quickly bring some very unpleasant consequence, the chemistry of the brain is instantly altered to mobilize. And most don't know that this alteration of brain chemistry is not under voluntary control. ADHD clearly appears to be a problem of willpower failure, but it is actually a problem with the interacting dynamics of emotion, working memory, and the chemistry of the brain.
”
”
Thomas E. Brown (Smart But Stuck: Emotions in Teens and Adults with ADHD)
“
Setting aside the puppet shows, the only thing that matters is who will be ruling, who will have the keys to the cash register, and how they're going to split up other people's money among themselves. On their way to the booty they'll spruce everything up, which is badly needed. New Scoundrels will appear, new leaders, and a whole choir of jnnocents with no memory will come out into the streets, ready to believe whatever they want or need to believe. They'll follow whichever Pied Piper flatters them most and promises them some shotty paradise... This is what it is... with its highs and lows, and it's only as good as it gets, which is better than nothing. There are those who see it coming and go far away... And there are those of us who stay with our feet stuck in the mud, because anyhow we don't have anywhere better to go. But don't worry about the circus. We've now come to the clown acts, and the trapeze artists will take a while to arrive.
”
”
Carlos Ruiz Zafón (The Labyrinth of the Spirits)
“
God, she was gorgeous. Pure and cleanly beautiful. From the rounded crests of her cheeks to the delicate sweep of her jaw, she had the kind of face sculptors memorialized in marble and the rest of us gazed upon for centuries to come.
Of course she was beautiful. She was an actress. Meant to be idolized on the screen. Emma Maron, a.k.a Princess Anya, future queen and conqueror on Dark Castle. The guys and I used to watch the show while traveling between games. Anya was a favorite. Particularly since...
I'd seen her breasts. It hit me like a puck to the helmet, and my ears began to ring. I'd seen those perfect creamy handfuls with sweet pink tips that pointed upward, defying gravity and begging to be sucked. I had watched her on hands on knees, perky tits bouncing as Arasmus slammed into her from behind.
I actually blushed. Me. The guy who'd had dozens of women throw themselves at him every night since high school. I'd had sex so many times and in so many ways it had become a blur. Nothing shamed me or made me uncomfortable. Yet I started to get hot under the collar, my cheeks burning. After nearly a year of being disinterested in all things sexual, my dick decided to make its presence known and start rising. Now, of all times. Now, when I was stuck in a damn truck less than three feet from a woman, I finally got a hard-on. Lovely.
I felt like a damn lecher.
"At least it's a beautiful drive," she said, breaking through heated thoughts of creamy breasts with cotton candy nipples.
”
”
Kristen Callihan (Make It Sweet)
“
In my early years the psychology of the 1960s U.S. was aspirational and inspirational—to achieve great and noble goals. It was like nothing I have seen since. One of my earliest memories was of John F. Kennedy, an intelligent, charismatic man who painted vivid pictures of changing the world for the better—exploring outer space, achieving equal rights, and eliminating poverty. He and his ideas had a major effect on my thinking. The United States was then at its peak relative to the rest of the world, accounting for 40 percent of its economy compared to about 20 percent today; the dollar was the world’s currency; and the U.S. was the dominant military power. Being “liberal” meant being committed to moving forward in a fast and fair way, while being “conservative” meant being stuck in old and unfair ways—at least that’s how it seemed to me and to most of the people around me. As we saw it, the U.S. was rich, progressive, well managed, and on a mission to improve quickly at everything. I might have been naive but I wasn’t alone.
”
”
Ray Dalio (Principles: Life and Work)
“
My dearest brother,” Marjorie replied with a sorrowful smile. “I am only sorry your heart has been broken.”
“Cassius was right to refuse me,” Merrick replied even as the words ripped the fresh wound along the seams again. “He was only protecting himself. His reputation.”
The words stuck in his throat. Had Merrick thought about the repercussions, he would’ve chosen a different route last night. He would not have done it so publicly perhaps, for Cassius’s sake, no matter what they’d whispered to each other their last night together.
“I do not care who knows. It is only the harm it could do that holds me back. If I could, I would walk proudly by your side.”
But what then? It was a jumbled mess no matter the outcome.
Marjorie shook her head. “Cassius was protecting you. That much was evident.”
The words only warmed Merrick for a brief instant. He knew Cassius cared for him. But now he understood that the idea of them being together was only a fool’s wish, no matter how many times he recited the words of Cas’s poem from memory and wished them true with all his might
”
”
Riley Hart (Ever After)
“
For three weeks straight I had been observing the ocean. On the twenty-first day, I saw a man running along the shoreline. I could hear his feet hitting the sand. It was the first time I was able to discern with utter precision every nuance, every gearshift, every soft click of another person's mind.
He remembered that he was there to run, and he even remembered a time there was a reason for it. He did not remember the reason, nor did he want to. He feared he might be running for the old reasons, and didn't want to imitate himself. That would be running in place. Not too far down below the top shelves of memory he knew he was there to run for a reason, but still he decided to invent a different reason. He was reinvigorated by this decision to find a new reason, and ran even faster. He’d run seventeen miles when he realized in dismay that he'd forgotten to do it. He’d been running off the memory of an idea.
He was exhausted and his lungs burned. He pushed his head into the sand and his legs ran in a circle around his head that he was screwing into the sand. He pushed down and screw-drove himself until only his toes stuck out. His toes were twined around each other. I could no longer hear his thoughts. Was he dead? His heart was still beating.
”
”
Miranda Mellis (The Revisionist)
“
surprised to find that it had both Burhanpur and Khandwa marked on it. To her they seemed so far away from Kolkata that she wondered whether it was possible I could have traveled that distance. It was almost all the way across an enormous country. The first thing that hit me was that my home had been marked on the map above my desk the whole time, if I’d only known where to look. How many times had I looked at all those names, not knowing their secrets? I don’t remember if I ever noticed Burhanpur among the several similar names on the map when I was younger; if I had, I’d obviously written it off, probably as being too far from Kolkata. And that was the second thing—it was much farther than I thought possible. Was it too far? Did the trains go much faster than everyone had allowed for? Or had I been on the train for longer than I thought? Two surreal days passed. I was stuck between maps and memories. The things I’d always been so certain about were dissolving in the face of what I’d found. Were my greatest fears coming to fruition? Would the search erode what I thought I knew and leave me with nothing? My parents, Lisa, and I didn’t talk much more about my breakthrough over the next couple of days, and I wondered whether they were being overly cautious or waiting for me
”
”
Saroo Brierley (A Long Way Home)
“
Stuck on the pane two flies buzzed, stuck.
Glowing wine on his palate lingered swallowed. Crushing in the winepress grapes of Burgundy. Sun’s heat it is. Seems to a secret touch telling me memory. Touched his sense moistened remembered. Hidden under wild ferns on Howth below us bay sleeping: sky. No sound. The sky. The bay purple by the Lion’s head. Green by Drumleck. Yellowgreen towards Sutton. Fields of undersea, the lines faint brown in grass, buried cities. Pillowed on my coat she had her hair, earwigs in the heather scrub my hand under her nape, you’ll toss me all. O wonder! Coolsoft with ointments her hand touched me, caressed: her eyes upon me did not turn away. Ravished over her I lay, full lips full open, kissed her mouth. Yum. Softly she gave me in my mouth the seedcake warm and chewed. Mawkish pulp her mouth had mumbled sweetsour of her spittle. Joy: I ate it: joy. Young life, her lips that gave me pouting. Soft warm sticky gumjelly lips. Flowers her eyes were, take me, willing eyes. Pebbles fell. She lay still. A goat. No-one. High on Ben Howth rhododendrons a nannygoat walking surefooted, dropping currants. Screened under ferns she laughed warmfolded. Wildly I lay on her, kissed her: eyes, her lips, her stretched neck beating, woman’s breasts full in her blouse of nun’s veiling, fat nipples upright. Hot I tongued her. She kissed me. I was kissed. All yielding she tossed my hair. Kissed, she kissed me.
Me. And me now.
Stuck, the flies buzzed.
”
”
James Joyce (Ulysses)
“
Peter sits with his back to the wall in the hallway. He looks up at me when I lean over him, his dark hair stuck to his forehead from the melted snow.
“Did you reset her?” he says.
“No,” I say.
“Didn’t think you would have the nerve.”
“It’s not about nerve. You know what? Whatever.” I shake my head and hold up the vial of memory serum. “Are you still set on this?”
He nods.
“You could just do the work, you know,” I say. “You could make better decisions, make a better life.”
“Yeah, I could,” he says. “But I won’t. We both know that.”
I do know that. I know that change is difficult, and comes slowly, and that it is the work of many days strung together in a long line until the origin of them is forgotten. He is afraid that he will not be able to put in that work, that he will squander those days, and that they will leave him worse off than he is now. And I understand that feeling--I understand being afraid of yourself.
So I have him sit on one of the couches, and I ask him what he wants me to tell him about himself, after his memories disappear like smoke. He just shakes his head. Nothing. He wants to retain nothing.
Peter takes the vial with a shaking hand and twists off the cap. The liquid trembles inside it, almost spilling over the lip. He holds it under his nose to smell it.
“How much should I drink?” he says, and I think I hear his teeth chattering.
“I don’t think it makes a difference,” I say.
“Okay. Well…here goes.” He lifts the vial up to the light like he is toasting me.
When he touches it to his mouth, I say, “Be brave.”
Then he swallows.
And I watch Peter disappear.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
The woman [Cadsuane] looked at the battered tea things as if she had all the time in the world. “Now you know,” she said at last, calm as ever, “that I know your future, and your present. The Light’s mercy fades to nothing for a man who can channel. Some see that and believe the Light denies those men. I do not. Have you begun to hear voices, yet?”
“What do you mean?” he asked slowly. He could feel Lews Therin listening.
[...]
“Some men who can channel begin to hear voices.” She spoke almost absently, frowning at the flattened sphere of silver and gold. “It is a part of the madness. Voices conversing with them, telling them what to do.” The teapot drifted gently to the floor by her feet. “Have you heard any?”
[...]
“I will ask the questions,” Rand said firmly. “You seem to forget. I am the Dragon Reborn.” You are real, aren’t you? he wondered. There was no answer. Lews Therin? Sometimes the man did not answer, but Aes Sedai always drew him. Lews Therin? He was not mad; the voice was real, not imagination. Not madness. A sudden desire to laugh did not help.
Cadsuane sighed. “You are a young man who has little idea where he is going or why, or what lies ahead. You seem overwrought. Perhaps we can speak when you are more settled. Have you any objection to my taking Merana and Annoura away for a little while? I’ve seen neither in quite some time.”
Rand gaped at her. She swooped in, insulted him, threatened him, casually announced she knew about the voice in his head, and with that she wanted to leave and talk with Merana and Annoura? Is she mad? Still no answer from Lews Therin. The man was real. He was!
“Go away,” he said. “Go away, and...” He was not mad. “All of you, get out! Get out!”
[...] Finally they were all gone, and he was alone. Alone.
Convulsively he hurled the Dragon Scepter. The spear-point stuck quivering in the back of one the chairs, the tassels swaying.
“I am not mad,” he said to the empty room. Lews Therin had told him things; he would never have escaped Galina’s chest without the dead man’s voice. But he had used the Power before he ever heard the voice; he had figured out how to call lightning and hurl fire and form a construct that had killed hundreds of Trollocs. But then, maybe that had been Lews Therin, like those memories of climbing trees in a plum orchard, and entering the Hall of the Servants, and a dozen more that crept up on him unawares. And maybe those memories were all fancies, mad dreams of a mad mind, just like the voice.
”
”
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
“
Dear After the rain,
How are you doing today? Are you angry? Are you crying? Or are you releasing what doesn’t serves you anymore? For years now, I’ve been so angry. I know you all know me by now because there have been plenty of times when you hid my tears. Memories used to linger in the raindrops. However, today, there is something different in the air. It is like nothing I’ve ever experienced before. I feel the light... and it is peeking in. Soon my heart will be shining bright, filled with a downpour of love and light. I feel it in my energy that Nurse Hope's love will be drenching Kace and me from head to toe. The clouds are turning dark grey. They look very familiar. They used to be clouds of grief. As the grey clouds darken, the sky turns black, but I have no fear. The rain has cleared the air and has washed away all the fears I carried along the way.
I happily and gently put my fears down because they do not serve me anymore. The thunder has shaken Kace’s and my fears—and they no longer linger on. They do not have a place in my mind anymore. As of today, the rain has washed them away. The lightning has made its mark and stuck love into Kace’s and my life. I know and have faith that it will be permanent. The heavy rain clouds are moving away slowly. When the heart rains, it is cleansing the soul. When the heart rains, hurt fades away. My heart is raining, and happy days are one step in front of me. All I have to do is take that one step that will lead me to happiness and love. I do not look back. I keep my head straight and move one foot in front of the other. I just stepped into a world of happiness.
I am drenched in love and loving it.
”
”
Charlena E. Jackson (Pinwheels and Dandelions)
“
I struggle with words. Never could express myself the way I wanted. My mind fights my mouth, and thoughts get stuck in my throat. Sometimes they stay stuck for seconds or even minutes. Some thoughts stay for years; some have stayed hidden all my life. As a child, I stuttered. What was inside couldn't get out. I'm still not real fluent. I don't know a lot of good words. If I were wrongfully accused of a crime, I'd have a tough time explaining my innocence. I'd stammer and stumble and choke up until the judge would throw me in jail. Words aren't my friends. Music is. Sounds, notes, rhythms. I talk through music. Maybe that's why I became a loner, someone who loves privacy and doesn't reveal himself too easily.
My friendliness might fool you. Come into my dressing room and I'll shake your hand, pose for a picture, make polite small talk. I'll be as nice as I can, hoping you'll be nice to me. I'm genuinely happy to meet you and exchange a little warmth. I have pleasant acquaintances with thousands of people the world over. But few, if any, really know me. And that includes my own family. It's not that they don't want to; it's because I keep my feelings to myself. If you hurt me, chances are I won't tell you. I'll just move on. Moving on is my method of healing my hurt and, man, I've been moving on all my life.
Now it's time to stop. This book is a place for me to pause and look back at who I was and what I became. As I write, I'm seventy hears old, and all the joy and hurts, small and large, that I've stored up inside me...well, I want to pull 'em out and put 'em on the page. When I've been described on other people's pages, I don't recognize myself. In my mind, no one has painted the real me. Writers have done their best, but writers have missed the nitty-gritty. Maybe because I've hidden myself, maybe because I'm not an easy guy to understand. Either way, I want to open up and leave a true account of who I am.
When it comes to my own life, others may know the cold facts better than me. Scholars have told me to my face that I'm mixed up. I smile but don't argue. Truth is, cold facts don't tell the whole story. Reading this, some may accuse me of remembering wrong. That's okay, because I'm not writing a cold-blooded history. I'm writing a memory of my heart. That's the truth I'm after - following my feelings, no matter where they lead. I want to try to understand myself, hoping that you - my family, my friends, my fans - will understand me as well.
This is a blues story. The blues are a simple music, and I'm a simple man. But the blues aren't a science; the blues can't be broken down like mathematics. The blues are a mystery, and mysteries are never as simple as they look.
”
”
B.B. King (Blues All Around Me: The Autobiography of B.B. King)
“
There's an old poem by Neruda that I've always been captivated by, and one of the lines in it has stuck with me ever since the first time I read it. It says "love is so short, forgetting is so long." It's a line I've related to in my saddest moments, when I needed to know someone else had felt that exact same way. And when we're trying to move on the moments we always go back to aren't the mundane ones. They are the moments you saw sparks that weren't really there, felt stars aligning without having any proof, saw your future before it happened, and then saw it slip away without any warning. These are moments of newfound hope, extreme joy, intense passion, wishful thinking, and in some cases, the unthinkable letdown. And in my mind, every one of these memories looks the same to me. I see all of these moments in bright, burning red.
My experiences in love have taught me difficult lessons, especially my experiences with crazy love. The red relationships. The ones that went from zero to a hundred miles per hour and then hit a wall and exploded. And it was awful. And ridiculous. And desperate. And thrilling. And when the dust settled, it was something I’d never take back. Because there is something to be said for being young and needing someone so badly, you jump in head first without looking. And there's something to be learned from waiting all day for a train that's never coming. And there's something to be proud of about moving on and realizing that real love shines golden like starlight, and doesn't fade or spontaneously combust. Maybe I’ll write a whole album about that kind of love if I ever find it. But this album is about the other kinds of love that I’ve recently fallen in and out of. Love that was treacherous, sad, beautiful, and tragic. But most of all, this record is about love that was red.
”
”
Taylor Swift
“
wonder if Mr. Alec Davis would come back and ha'nt me if I threw a stone at the urn on top of his tombstone," said Jerry. "Mrs. Davis would," giggled Faith. "She just watches us in church like a cat watching mice. Last Sunday I made a face at her nephew and he made one back at me and you should have seen her glare. I'll bet she boxed HIS ears when they got out. Mrs. Marshall Elliott told me we mustn't offend her on any account or I'd have made a face at her, too!" "They say Jem Blythe stuck out his tongue at her once and she would never have his father again, even when her husband was dying," said Jerry. "I wonder what the Blythe gang will be like." "I liked their looks," said Faith. The manse children had been at the station that afternoon when the Blythe small fry had arrived. "I liked Jem's looks ESPECIALLY." "They say in school that Walter's a sissy," said Jerry. "I don't believe it," said Una, who had thought Walter very handsome. "Well, he writes poetry, anyhow. He won the prize the teacher offered last year for writing a poem, Bertie Shakespeare Drew told me. Bertie's mother thought HE should have got the prize because of his name, but Bertie said he couldn't write poetry to save his soul, name or no name." "I suppose we'll get acquainted with them as soon as they begin going to school," mused Faith. "I hope the girls are nice. I don't like most of the girls round here. Even the nice ones are poky. But the Blythe twins look jolly. I thought twins always looked alike, but they don't. I think the red-haired one is the nicest." "I liked their mother's looks," said Una with a little sigh. Una envied all children their mothers. She had been only six when her mother died, but she had some very precious memories, treasured in her soul like jewels, of twilight cuddlings and morning frolics, of loving eyes, a tender voice, and the sweetest, gayest laugh. "They say she isn't like other people," said Jerry. "Mrs. Elliot says that is because she never really grew up," said Faith. "She's taller than Mrs. Elliott." "Yes, yes, but it is inside—Mrs. Elliot says Mrs. Blythe
”
”
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
“
...the letters begin to cross vast spaces in slow sailing ships and everything becomes still more protracted and verbose, and there seems no end to the space and the leisure of those early nineteenth century days, and faiths are lost and
the life of Hedley Vicars revives them; aunts catch cold but recover; cousins marry; there is the Irish famine and the Indian Mutiny, and both sisters remain, to their great, but silent grief, for in those days there were things that women hid like pearls in their breasts, without children to come after them. Louisa, dumped down in Ireland with Lord Waterford at the hunt all day, was often very lonely; but she stuck to her post, visited the poor, spoke words of comfort (‘I am sorry indeed to hear of Anthony Thompson's loss of mind, or rather of
memory; if, however, he can understand sufficiently to trust solely in our Saviour, he has enough’) and sketched and sketched. Thousands of notebooks were filled with pen and ink drawings of an evening, and then
the carpenter stretched sheets for her and she designed frescoes for schoolrooms, had live sheep into her bedroom, draped gamekeepers in blankets, painted Holy Families in abundance, until the great Watts exclaimed that here was Titian's peer and Raphael's master! At that Lady Waterford laughed (she had a generous, benignant sense of humour); and said that she was nothing but a sketcher;
had scarcely had a lesson in her life—witness her angel's wings, scandalously unfinished. Moreover, there was her father's house for ever falling into the sea; she must shore it up; must entertain her friends; must fill her days with all sorts of charities, till her Lord came home from hunting, and then, at midnight often, she would sketch him with his knightly face half hidden in a bowl of soup, sitting with her notebook under a lamp beside him. Off he would ride again, stately as a crusader, to hunt the fox, and she would wave to him and think, each time, what if this should be the last? And so it was one morning. His horse stumbled. He was killed. She knew it before they told her, and never could Sir John Leslie forget, when he ran down-stairs the day they buried him, the beauty of the great lady standing by the window to see the hearse depart, nor, when he came back again, how the curtain, heavy, Mid-Victorian, plush perhaps, was all crushed together where she had grasped it in her agony.
”
”
Virginia Woolf