Stroller Running Quotes

We've searched our database for all the quotes and captions related to Stroller Running. Here they are! All 24 of them:

When I have a kid, I want to buy one of those strollers for twins. Then put the kid in and run around, looking frantic. When he gets older, I'd tell him he used to have a brother, but he didn't obey.
Steven Wright
The mother was holding a baby, had a stroller with what looked like twin girls around three, and had a five-year-old boy who was running around the shelves with a finger shoved up his nose. I considered warning him that if he fell, he would poke his brain out, but it struck me that losing intelligence was not something he was worried about.
Eileen Cook (Unraveling Isobel)
Later, when we’re home, we take Cassie in the backyard to run around, and Skylar puts Gus in a cat stroller and pushes her around the perimeter of the property. I stand on the back patio smoking, wondering how I ended up with a teen bride pushing a cat in a baby stroller across my yard.
Carian Cole (Don't Kiss the Bride)
Here it is undeveloped, a roll of film with all its mysteries locked up. I never took it anyplace, just left it waiting in a drawer dreaming of stars. That was our time, to see if Lottie Carson was who we thought she was, all those shots we took, cracking up, kissing with our mouths open, laughing, but we never finished it. We thought we had time, running after her, jumping on the bus and trying to glimpse her dimple through the tired nurses arguing in scrubs and the moms on the phone with the groceries in the laps of the kids in the strollers. We hid behind the mailboxes and lampposts half a block away as she kept moving through her neighborhood, where I've never been, the sky getting dark on only the first date, thinking all the while we'd develop it later.
Daniel Handler (Why We Broke Up)
Richards remembered the day - that glorious and terrible day - watching the planes slam into the towers, the image repeated in endless loops. The fireballs, the bodies falling, the liquefaction of a billion tons of steel and concrete, the pillowing clouds of dust. The money shot of the new millennium, the ultimate reality show broadcast 24-7. Richards had been in Jakarta when it happened, he couldn't even remember why. He'd thought it right then; no, he'd felt it, right down to his bones. A pure, unflinching rightness. You had to give the military something to do of course, or they'd all just fucking shoot each other. But from that day forward, the old way of doing things was over. The war - the real war, the one that had been going on for a thousand years and would go on for a thousand thousand more - the war between Us and Them, between the Haves and the Have-Nots, between my gods and your gods, whoever you are - would be fought by men like Richards: men with faces you didn't notice and couldn't remember, dressed as busboys or cab drivers or mailmen, with silencers tucked up their sleeves. It would be fought by young mothers pushing ten pounds of C-4 in baby strollers and schoolgirls boarding subways with vials of sarin hidden in their Hello Kitty backpacks. It would be fought out of the beds of pickup trucks and blandly anonymous hotel rooms near airports and mountain caves near nothing at all; it would be waged on train platforms and cruise ships, in malls and movie theaters and mosques, in country and in city, in darkness and by day. It would be fought in the name of Allah or Kurdish nationalism or Jews for Jesus or the New York Yankees - the subjects hadn't changed, they never would, all coming down, after you'd boiled away the bullshit, to somebody's quarterly earnings report and who got to sit where - but now the war was everywhere, metastasizing like a million maniac cells run amok across the planet, and everyone was in it.
Justin Cronin (The Passage (The Passage, #1))
Fuck you. Fuck running. Fuck the beautiful sun. Fuck those chirping birds. Fuck that lady pushing her kid in the stroller. It should be me in that fucking stroller.
Max Monroe (Banking the Billionaire (Billionaire Bad Boys, #2))
When I have a kid, I wanna put him in one of those strollers for twins, then run around the mall looking frantic.
Steven Wright
When i have a kid, I want to put him in one of those strollers for twins, then run around the mall looking frantic.
Steven Wright
The war—the real war, the one that had been going on for a thousand years and would go on for a thousand thousand more—the war between Us and Them, between the Haves and the Have-Nots, between my gods and your gods, whoever you are—would be fought by men like Richards: men with faces you didn’t notice and couldn’t remember, dressed as busboys or cab drivers or mailmen, with silencers tucked up their sleeves. It would be fought by young mothers pushing ten pounds of C-4 in baby strollers and schoolgirls boarding subways with vials of sarin hidden in their Hello Kitty backpacks. It would be fought out of the beds of pickup trucks and blandly anonymous hotel rooms near airports and mountain caves near nothing at all; it would be waged on train platforms and cruise ships, in malls and movie theaters and mosques, in country and in city, in darkness and by day. It would be fought in the name of Allah or Kurdish nationalism or Jews for Jesus or the New York Yankees—the subjects hadn’t changed, they never would, all coming down, after you’d boiled away the bullshit, to somebody’s quarterly earnings report and who got to sit where—but now the war was everywhere, metastasizing like a million maniac cells run amok across the planet, and everyone was in it.
Justin Cronin (The Passage (The Passage, #1))
Ben noticed the odd procession making its way up Gardam Street. Batty slowly pushing Lydia in her stroller-this he understood-but what kind of creature was that, struggling to keep up with them? "Batty's got a huge guinea pig on a leash," said Rafael, squinting to bring the scene into better focus. "Like the hugest one in the world." "Its nose is too pointy for a guinea pig. More like the hugest rat in the world." neither of the boys wanted to meet a huge rat, but they refused to run from something Lydia didn't seem to be afraid of. So they stood their ground and, as the procession came closer, were relieved to see that the giant rat was only a fat dog with short legs.
Jeanne Birdsall
So what are you thinking?" I asked. I meant about the case, obviously, but Cassie was in a giddy mood--she generates more energy than most people, and she'd been sitting indoors most of the day. "Will you listen to him? A woman asking a guy what he's thinking is the ultimate crime, she's clingy and needy and he runs a mile, but when it's the other--" "Behave yourself," I said, pulling her hood over her face. "Help! I'm being oppressed!" she yelled through it. "Call the Equality Commission." The stroller girl gave us a sour look. "You're overexcited," I told Cassie. "Calm down or I'll take you home with no ice cream.
Tana French (In the Woods)
Show me." He looks at her, his eyes darker than the air. "If you draw me a map I think I'll understand better." "Do you have paper?" She looks over the empty sweep of the car's interior. "I don't have anything to write with." He holds up his hands, side to side as if they were hinged. "That's okay. You can just use my hands." She smiles, a little confused. He leans forward and the streetlight gives him yellow-brown cat eyes. A car rolling down the street toward them fills the interior with light, then an aftermath of prickling black waves. "All right." She takes his hands, runs her finger along one edge. "Is this what you mean? Like, if the ocean was here on the side and these knuckles are mountains and here on the back it's Santa Monica, Beverly Hills, West L.A., West Hollywood, and X marks the spot." She traces her fingertips over the backs of his hands, her other hand pressing into the soft pads of his palm. "This is where we are- X." "Right now? In this car?" He leans back; his eyes are black marble, dark lamps. She holds his gaze a moment, hears a rush of pulse in her ears like ocean surf. Her breath goes high and tight and shallow; she hopes he can't see her clearly in the car- her translucent skin so vulnerable to the slightest emotion. He turns her hands over, palms up, and says, "Now you." He draws one finger down one side of her palm and says, "This is the Tigris River Valley. In this section there's the desert, and in this point it's plains. The Euphrates runs along there. This is Baghdad here. And here is Tahrir Square." He touches the center of her palm. "At the foot of the Jumhurriya Bridge. The center of everything. All the main streets run out from this spot. In this direction and that direction, there are wide busy sidewalks and apartments piled up on top of shops, men in business suits, women with strollers, street vendors selling kabobs, eggs, fruit drinks. There's the man with his cart who sold me rolls sprinkled with thyme and sesame every morning and then saluted me like a soldier. And there's this one street...." He holds her palm cradled in one hand and traces his finger up along the inside of her arm to the inner crease of her elbow, then up to her shoulder. Everywhere he touches her it feels like it must be glowing, as if he were drawing warm butter all over her skin. "It just goes and goes, all the way from Baghdad to Paris." He circles her shoulder. "And here"- he touches the inner crease of her elbow-"is the home of the Nile crocodile with the beautiful speaking voice. And here"- his fingers return to her shoulder, dip along their clavicle-"is the dangerous singing forest." "The dangerous singing forest?" she whispers. He frowns and looks thoughtful. "Or is that in Madagascar?" His hand slips behind her neck and he inches toward her on the seat. "There's a savanna. Chameleons like emeralds and limes and saffron and rubies. Red cinnamon trees filled with lemurs." "I've always wanted to see Madagascar," she murmurs: his breath is on her face. Their foreheads touch. His hand rises to her face and she can feel that he's trembling and she realizes that she's trembling too. "I'll take you," he whispers.
Diana Abu-Jaber (Crescent)
We were looking for the kind of person who runs after a stranger on the street to return a dropped scarf, who stops by with a plate of cookies to welcome a new family to the neighborhood, or who offers to help carry a stranger’s heavy stroller up the subway stairs. The kind of truly hospitable person, in other words, who wants to do good things, not for financial gain or some sort of karmic bump, but because the idea of bestowing graciousness upon others makes their own day better.
Will Guidara (Unreasonable Hospitality: The Remarkable Power of Giving People More Than They Expect)
But every parent will know that it makes perfect sense. After his birth, the logic is different. Instantly it became clear that the life of the child has infinite dignity. Of course it is worth the grief, even if the candle is only lit for such a short time. Once a kid is born you’ve been seized by a commitment, the strength of which you couldn’t even have imagined beforehand. It brings you to the doorstep of disciplined service. When a parent falls in love with a child, the love arouses amazing energy levels; we lose sleep caring for the infant. The love impels us to make vows to the thing we love; parents vow to always be there for their kid. Fulfilling those vows requires us to perform specific self-sacrificial practices; we push the baby in a stroller when maybe we’d rather go out alone for a run. Over time those practices become habits, and those habits engrave a certain disposition; by the time the kid is three, the habit of putting the child’s needs first has become second nature to most parents. Slowly, slowly, by steady dedication, you’ve transformed a central part of yourself into something a little more giving, more in harmony with others and more in harmony with what is good than it was before. Gradually the big loves overshadow the little ones: Why would I spend my weekends playing golf when I could spend my weekends playing ball with my children? In my experience, people repress bad desires only when they are able to turn their attention to a better desire. When you’re deep in a commitment, the distinction between altruism and selfishness begins to fade away. When you serve your child it feels like you are serving a piece of yourself. That disposition to do good is what having good character is all about. In this way, moral formation is not individual; it is relational. Character is not something you build sitting in a room thinking about the difference between right and wrong and about your own willpower. Character emerges from our commitments. If you want to inculcate character in someone else, teach them how to form commitments—temporary ones in childhood, provisional ones in youth, permanent ones in adulthood. Commitments are the school for moral formation.
David Brooks (The Second Mountain: The Quest for a Moral Life)
jogger runs through a city park, bouncing along a pavement swept clear of a light dusting of snow, listening to music on their earbuds. A couple walks the other way, pushing a stroller with a baby wrapped against the cold. An elderly man waddles along with stooped shoulders, carrying bags of groceries. And then he’s gone.
Peter Cawdron (The Simulacrum)
You know what I mean,” I said. “You want to be the mother who all the other mothers gossip about? Like about how bad your parenting skills are?” Erica placed her hand on her hip. “Yeah, I do. Fuck ‘em. Fuck all those mothers. Fuck their playdates and mommy groups and fucking Melissa and Doug puzzles. Fuck their running strollers and baby couture and breastfeeding advice. Fuck their—
S. Walden (LoveLines (The Wilmington Saga, #1))
activity for at least ten minutes in the first half of every single day. More is better. But ten minutes is a start. Even ten minutes can change a day, as many Tranquility by Tuesday participants found, and changing days is how we ultimately change our lives. The “move” part of this rule can be any sort of movement. Most people walk, but push-ups, sit-ups, jumping jacks, kettlebell swings, and so forth, are options. Chasing kids around the yard or pushing a stroller counts. Traditional exercise such as running or a fitness class is wonderful if it works, but if it doesn’t, there’s no need to get sweaty enough to require a shower afterward. The lady who shared her schedule challenge at my talk wasn’t changing clothes
Laura Vanderkam (Tranquility by Tuesday: 9 Ways to Calm the Chaos and Make Time for What Matters)
You got nowhere running around Inner Circle. Instead, I dodged shoppers and strollers all the way down Southampton Row, onto Kingsway, a right onto Aldwych and over the Strand; then it was a race with the shadows of the double-deckers crossing Waterloo Bridge and a few bounces down the steps of Southbank to fall in with the ferries and barges, all of us purposefully gliding.
Lisa Halliday (Asymmetry)
The runner sped past a woman pushing a lime green jogging stroller. Despite his fast pace, the jogger didn’t look winded. Adjusting his white Adidas cap as he turned into the public park, he scanned the area from behind Oakley running glasses. His brown hair could barely be seen peeking out.
C.G. Cooper (Presidential Shift (Corps Justice, #4))
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Guide
You might as well leave your baby in his stroller on the corner and run away, because that’s basically what you’re doing. Without a
James Patterson (I, Michael Bennett (Michael Bennett, #5))
his niece. I replay the day in my head. She looked out the door at me. Maybe she saw him. It’s the only explanation for her mysterious sudden illness. I knew it didn’t add up. Her interest in baseball. In him. And then her unwillingness to see him. But not everything makes sense. “Why was she hiding from her brother?” I muse aloud. Ethan shrugs. “If she wanted to hide the baby from Grant, it may have been her only choice. Alexa’s father is out of the picture and her mother is deceased, so Caden is probably the first person Grant would have gone to in order to find her. Abused women often have to cut off ties with their entire family in order to protect themselves and their children.” I run my hands through my hair. Shit. My instinct is to find her. Protect her. But I already tried protecting her once and she didn’t let me. Things are different now. Six months ago, if I’d found her, I think I would have thrown her over my shoulder and dragged her to my apartment, baby stroller and all. But now—I’ve had time to think about things. And even with knowing her identity and more details of her past, it’s obvious my feelings were not reciprocated. She was nice to me. She even kissed me when I kissed her. But I was her doctor. And patients sometimes mistakenly see their doctors as saviors. Not men they can build a life with. The fact is, she didn’t trust me enough to tell me the truth. She didn’t love me enough to trust me. She stole my heart and then she tore it to shreds. Even if she didn’t mean to. I gaze through the window of Ethan’s office. I can’t keep doing this. I have to move on. I have moved on. I’ve gone back to basics. My job. That is what I’m living for. I never should have lost focus. I’ve vowed never to allow myself to get close to a patient again. Get close to a woman again. At least until I’ve accomplished my goals. “Caden should know,” I say, gathering up all the paperwork and putting it into a folder. “I need to contact him and tell him everything. But then I’m done.” ~ ~ ~ I pick up my third beer of the night and crack it open, waiting for my pepperoni pizza to arrive. I’m spent. Exhausted from my meeting with Caden. When he was here earlier, we put all the pieces together. Caden never liked Grant. He didn’t think he was right for his sister. He and Alexa would get into arguments about him from time to time.
Samantha Christy (The Stone Brothers #1-3 (The Stone Brothers #1-3))
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